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aaafudgeless · 3 months ago
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Here have some spite edits, as a treat.
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98chao · 3 months ago
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my pitch for a season 2 of last cookie standing
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rcmclachlan · 17 days ago
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8x06 fix-it fic: Amnion
Buck doesn't bounce back from Tommy the way he did with all his other breakups for reasons he can't articulate or even look at. He thinks of how long it took him to recover from Abby, but even that felt different, because he'd had hope carrying him through most of it. He doesn't have that now.
The worst part is it's bringing everyone else down. It's starting to affect the job, and he can't take any more of Bobby's pity dinner invites or the kid gloves Eddie handles him with. Then one day, Chimney (in an attempt to lighten the mood) asks Buck if he's pregnant, and it awakens some primordial rage in Buck that he never knew he possessed and damn near rips off Chimney's head about it.
But once the blood levels in his adrenaline start rising and he calms down, he starts thinking about it. Before he knows it he's thinking about it day and night, and now that's starting to affect the job more than his heartbreak had been.
Then one night Maddie invites him over to watch trash TV and eat junk food until they can't feel feelings anymore, but instead of the patented Maddie Hug he's expecting, she hands him a First Response test stick the second he walks in the door.
Five minutes later, he comes out of the bathroom pale-faced and dripping tears because there are two lines in the test result window, and Maddie leads him over to the couch where they curl up and cry together. Just like the old days.
Maddie asks if he's going to tell Tommy, but there's no judgment in her voice, like she's behind him no matter what he decides, and Buck tries to make her laugh when he says, "How do you know it's his? I could've been living it up for the last month. New person almost every night. Exploring myself."
She just gives him a Look. Also patented.
Under the weight of her scrutiny, Buck thinks about Tommy's face before he left the loft that night and how ''Buck'' looked and sounded so wrong coming from him. Like the shape of it was so painful he could barely move his mouth around it.
Finally, he shakes his head. His eyes well up with more tears, which feels impossible, because the human body can't possibly produce this much liquid. He's going to drown them both. "I thought... I thought we had a future, Maddie. I really did. I guess I still get one... but only with part of him."
A couple of months pass and Buck's entire world shifts. The 118 have rallied around him in a way that almost feels like they're closing ranks to every other firehouse. Eddie becomes especially protective and devises a 5000-point care plan that makes him twitch if Buck so much as thinks about deviating from it, but he also keeps telling Buck that he needs to tell Tommy about the pregnancy.
"If only to get his family history," Eddie says reasonably, but there's something pleading in his voice every time, like there's so much more under the surface that he's trying to keep under wraps. Like there's more about this that he thinks Tommy should know.
Chimney's in the middle of explaining why he's stealing the cool uncle crown from Buck and sitting pretty on the throne when Buck asks him about it.
"Is there something about Tommy that no one's telling me?"
It trips Chimney up. Literally. He just barely catches himself from going headfirst into the kitchen counter.
Buck's heart starts pounding. "Chim, does he know?"
"No," Chimney says, firm and almost a little offended. "We promised you we wouldn't say anything. But Buck... you should tell him. You should talk to him."
Part of him wants to whip his phone out right then and there and dial Tommy's number. He could do what he did the first time: ask to meet somewhere and laugh about bad coffee and plead his case for a second chance. He could reach across the table for his hand, but this time, he'd stand up and walk over to Tommy and place it on his belly. "I don't care about firsts or lasts," he'd say. "I care about only's. And you're the only one I want."
But the other part of him, still licking its wounds, hormones in flux and forcing organs to shift and bend as it makes room for the thing he and Tommy made together, bares its teeth and snaps, "He made it very clear that he had no interest in hearing what I had to say."
Chimney never brings it up again.
Meanwhile, Hen goes a little overboard with forcing him to undergo random physicals—she pops out of the shadows twice a day to ambush him with the blood pressure machine, and he keeps threatening to avoid rooms that have doors—but he loves it. His body is a complete stranger to him for the first time in a long time, but the changes he's experiencing are interesting and he's having a blast cataloging every new one. He and Hen have a spreadsheet with like fifty tabs, and she helps him navigate every test his actual OBGYN sets him up for.
He's over her house at least once a week, although pregnancy talk at the dinner table is verboten.
"If one of you says the word 'amniocentesis' one more time, I will start a food fight," Karen had said, finally putting her foot down. Across the table, Denny perked up.
As much as he hesitates to even think the Q-word, it's a pretty quiet pregnancy. The cravings are kind of wild, though, and he goes most of his first trimester feeling like he's going to die if he can't eat rice krispie treats with cottage cheese. Every time Bobby sees him cracking open another container of Hood, it looks like he's seriously reconsidering sobriety.
But as incredible as they are about the pregnancy, they're all tiptoeing around the other elephant in the room: when Buck is going to stop working scenes. He and Bobby have a series of discussions that satisfies neither of them and resolves nothing, and it builds to a big blow-out that ends when Bobby tearfully begs Buck to stop risking his own life and the life of Bobby's grandkid.
After that, it's like some stone thing in him dissolves into sand and he finally eases back a bit in his fifth month. He doesn't put up a fight when Bobby orders him to only handle the winch or stick with hose duty, and if he stays a little closer to the engine because he gets winded so easily these days, no one comments on it.
In his sixth month, the inevitable happens: there's a call out at Palos Verdes and it's all hands on deck, which means the 217 is there too. At first he thinks he might make it through without running into Tommy at all, but he turns a corner and—there he is. Smudged with mud and looking like a drowned rat because of the downpours, but in his turnouts he's big and capable and, for a second, he's walking into First Presbyterian and apologizing for missing the ceremony.
But the memory is easily wrestled back into the past the second Tommy's gaze fixes on Buck's belly.
Buck wants to stage a retreat that would make the Allies at Dunkirk stand up and applaud. He wants to throw his arms open so Tommy can get a better look at it, say something cool and mean, like, "Did you know that INNOTEX makes turnouts for carriers these days? Pretty progressive of them, if you ask me."
He wants to be weak and ask if Tommy will spare him a hug. Just one. Nothing greedy. Just—a moment to soak in his warmth, to inhale the smell of his skin. Enough to carry him through the rest of it.
But he does none of that. He inhales through his nose, lifts his chin, and says, "Firefighter Kinard."
At that, Tommy smiles, and it's completely awful. There's no joy in it. Not even amusement. He looks like he wants to be sick, and Buck feels like a monster.
But Tommy swallows and says, earnest as anything, "Congratulations. I-I knew you'd find it. I never doubted for a second that you'd find the person who'd be your last."
Even as he says it, Tommy's face does something indescribable, but it rips through Buck's chest and shatters his ribs, tearing through pericardial layers until it scores the vulnerable muscle of his heart. It's so shocking that it almost knocks the truth right out of Buck's mouth.
Someone comes over the radio and requests all available first responders with flight experience to report to the B-zone, and Tommy straightens up and locks whatever it was away.
With an unsteady hand, he tips an invisible hat to Buck and says wryly, "Firefighter Buckley," before jogging away.
And Buck stands there like an idiot watching him go. It's that night all over again. It's Buck instead of Evan.
"See you around," he whispers, and then runs back to his post in the A-zone.
+
Tommy gets the call when he's halfway through a burrito foisted upon him by Dana, who had taken one look at him and said, "You look like a flood victim. Eat something before I get HR involved."
He'd taken a mutinous bite and couldn't argue with her. Months later and it still felt like he'd watched everything he loved wash away with a tide he couldn't fight. Except he'd sent the tide himself. He had no business feeling like this.
But they send him to the site of a car accident where a pregnant driver had been T-boned by some asshole who ran the red light, and the RA unit called to the scene didn't have the right equipment to assess the fetus. But the victim's belly was hard enough to warrant a med evac.
By the time Dana gets the victim loaded on the backboard and inside, Tommy's already on with both First Presbyterian and LA General to see whose neonatal surgery team is available.
The door on Tommy's side slides open and Tommy turns in his seat to ask what the hell Dana's doing over there, but it's Hen who's pulling herself inside.
His stomach clenches with dread. "Hen?"
"I'm riding with you," she shouts, taking the headset that Dana gives her.
He looks just beyond her and wishes he'd had the presence of mind to listen to the manifest when Dana had read it aloud to him, because Evan Buckley is strapped to the gurney and looks like he's on a completely different planet.
"Hen." Tommy can't hear him say her name, but he sees Evan's mouth shape the word. Evan reaches clumsily out for her with one hand while pressing the other to his belly.
Hen murmurs something to him that the comms can't pick up, and Tommy wonders if they've notified Maddie, if they've notified the father, whoever they are. If they're already at the hospital waiting for them. If Tommy will have to see them, talk to them face to face.
Tommy bites the inside of his cheek until he feels the hot wash of blood over his tongue, then forces everything down to join the burrito from earlier that really wants to make a reappearance. It isn't his right to know any of it. That went out with the tide, too.
He locks it down tight enough that he gets them into the air so easily they might be a feather on the wind, then he heads in the direction of First Presbyterian. The real start of it all.
They're maybe halfway across the city when Evan shouts, desperation and fear carrying his voice over the rotors, the words sliding together, "Hen, check Nora! Y-Y'need to ch—"
"Nora's fine, Buck," Hen says, her voice clear as a bell in Tommy's ear.
Staring at a skyline he can't see, Tommy says, "'Nora'? Was someone else in the car with him?"
When Hen comes over the comm, her voice is as inescapable as a flood. "Nora's what he decided on for the baby. It's her name."
Tommy's hand tightens on the cyclic so the way it starts shaking won't be so obvious. "Nora was my grandmother's name."
He'd told Buck about the woman who was basically the only family he could stand, who was responsible for not letting him become his piece of shit father, who accepted him when no one else would. She'd meant the world to him. She'd been the world to him. And for Evan to give his kid her name—
Realization hits like a levy breaking, and he turns to look wide-eyed over his shoulder at Hen, because it can't—he couldn't be—
"Patient, male, 33, prenatal course complicated at 8 months gestation," Dispatch had said.
The timeline is right.
Hen stares right back, as good of a confirmation that he could get outside of a DNA test.
Without breaking her gaze, Tommy tells Dana to take over. She gives him an unreadable look but says nothing except, "Copy that," and smoothly resumes their journey while he squeezes into the back. There's hardly any room next to the gurney and his knees are compressing his lungs, but he takes Evan's' hand and stares blankly at the shiner forming around his right eye until Hen breaks the silence.
Why didn't you tell me, he wants to demand, but he knows that if he so much as opens his mouth, he's going to start screaming until someone sedates him.
"For the record," she says, "I hate what you did. I hate what you took from him. But I understand why you did it."
Tommy rolls his lips inward and wants to suffocate himself to death. She understands? Does she? Does she know a life can be obliterated in the span of a minute? Does she know what it is to live a half life, to walk through the world like a five-year old drew a scribble on a blank sheet of paper that was supposed to be a person?
Does she know what Evan looks like when his joy is sucked away? Because Tommy does. She hates what he did? No one hates what he did more than him. No one hates him more than him.
Shakily, he lifts his other hand and touches the tips of his fingers to Evan's birthmark, which used to know the touch of his lips so well that Evan would joke that it was actually in the shape of Tommy's mouth print. Like a brand.
He forces himself to inhale. It seems impossible that Evan's here, carrying their child, their Nora. Evan used to say the lightning strike gave him super powers, made him invincible, and Tommy's ashamed to admit that he almost believed him. It seemed like nothing could ever bring Evan Buckley down, but here he is in Tommy's sky, halfway to Heaven already.
He glances at the LifePAK—where Evan's life has been concentrated into a series of lines and numbers, the reading strong despite everything—and then looks back at Evan, who is still the most beautiful man Tommy has ever seen even now.
"Evan," he chokes out.
There's no answer. At least not from Evan.
Across from him, Hen breathes through her nose and then quietly says, "I'm only going to say this once, Tommy, so I hope you're listening. If you can't trust him to know what his own heart wants, then this flight will never have happened. When he wakes up, you will not have been here. I'll change the manifest myself."
Tommy closes his eyes. Something hot spills down his cheeks.
"I know things haven't been all sunshine and roses for you. Lucy's said you've basically shut down since it ended. I know you're hurting just as much as Buck is... which is why I'm telling you: be sure. He's going to have enough on his plate without worrying about whether or not you're going to swan out of his life again. You need to be sure, Tommy."
Tommy doesn't say anything, but he opens his eyes and holds her gaze without flinching, and he tightens his hold on Evan's hand.
The rest of the flight passes in the kind of silence that feels like a cyst was lanced. Or maybe a boil, as it were.
+
Buck wakes up in stages to find he's in a hospital bed, and when he puts a hand on his belly it's smaller and almost deflated beneath his palm. He is just starting to hyperventilate when suddenly Tommy's there, murmuring to him, "You're okay. Everything's okay, I promise, she's fine. She's fine. Look."
And Buck, heart racing, forces himself to breathe slowly while he follows Tommy's gaze down to the bundle in Tommy's arms. Then he stops breathing altogether.
"She's fine," Tommy says. "A little early, according to the doctor, but absolutely fine."
Buck collapses back to the bed and weeps in relief, because she's fine. She's here and she's fine and she's perfect. Tommy gently places her in Buck's arms before retreating to the chair next to the bed which has a dent in the vinyl in the shape of his ass.
But Buck is enraptured with Nora, who smacks her lips in her sleep, and he marvels aloud, "She has my mouth."
"Thank God for that," Tommy says with a laugh. "It'll help take the focus off my nose. Poor kid."
It hits Buck like lightning that Tommy is here. He's in this room and talking about Nora like—like he knows. And there are things Buck should probably be saying, like apologizing for not telling Tommy about her as soon as he found out, or asking why he's there at all, but the words are crowding in his mouth and he can't figure out which ones should go first.
Tommy's lips twitch in a smile that is awful to look at, like he completely understand Buck's struggle, but his voice is soft and even when he says, "I need you to know that it wasn't about you. Not you personally. It never was."
Buck stops trying to speak and just stares at him, because that is bullshit, and oh, he knows which words should come first, and he opens his mouth to release them into the wild but Tommy holds up a hand.
"I know," he says. "I was a coward and an asshole, and I'm more sorry than I can possibly say. I won't ever be able to make up for what I did. But I need you to know why I did it."
And, in fits and starts before he finally finds the thread, Tommy tells him about Jeremy.
After Tommy ended things with Abby and then finally came out, he dated around for a long time before he met Jeremy, who was brilliant and fun and new. Tommy was the first man Jeremy had ever been with, and Jeremy was the first person Tommy saw a future with. He'd been so sure about Jeremy. He'd believed that Jeremy was it.
Until, almost two years in, Jeremy ended it. He'd sat Tommy down and said kindly, cruelly, "You're amazing, Tom, but you're just the first. You can't be my last." And then he'd left Tommy completely shattered in the rearview.
"That night, when you asked me to move in... it was like I was watching him put on his coat all over again," Tommy says shakily. "But what I felt for you was lightyears beyond anything I felt for him. I'd fallen so hard for you that I knew if I had to watch you walk away I'd never get up again."
Buck stares at Tommy, eyes rimmed red, and says, "So instead you made me watch you walk away."
It must land like a fist because Tommy exhales sharply and hangs his head, bowing around the pain. He sits like that for a moment, absorbing it, before he lifts his head and nods. "Yeah. That's exactly what I did."
There are deep, dark circles under Tommy's eyes that speak of a hundred sleepless nights, and his body is sharper, leaner, trimmed entirely of anything soft. He's made entirely of angles. He's so unfairly hot. He's miserable to look at.
Buck swallows and murmurs, "You look like there's no love in your life, Tommy."
Sucking in a trembling breath, Tommy smiles weakly and sketches a shrug. It looks like the fatigued steel of his edges are starting to crack.
"I left all my love with you that night." His gaze darts down. "Among other things."
Buck looks down at Nora, who's sleeping the sleep of someone already exhausted by existence, or maybe just by her fathers' drama, and thinks that maybe he really has been carrying all his love plus Tommy's around. Because otherwise he has no idea how he's so full of it.
"She's absolutely perfect," Buck says, smiling dopily.
"She's... more than anything I could've ever dreamed of."
He looks up in time to see Tommy drop his gaze to the floor at the same time his shoulders lift and lock like they're bracing for a blow. And in a voice so thin it's barely a sound, Tommy says, "I know I don't have... any right to ask, but is there any... any chance I could be part of her life?"
The tears that have been languishing at the edges of Buck's eyes finally see an opportunity. He doesn't think he could've held them back any longer if he tried.
Mouth trembling, he whispers, "Just hers?"
At that, Tommy looks up, eyes wide, disbelief and hope chasing each other across his face like dogs. He jerks a little in his chair but he doesn't move. He doesn't move.
Buck stares at him, a tsunami pulling everything back from his shoreline, and bites out, "Thomas James Kinard, if you don't get over here and kiss me, I swear to Christ—"
But Tommy's out of the chair and at his bedside, cupping Buck's face and tenderly smearing a kiss over his open mouth, licking the relieved gasp right off Buck's tongue.
Between them, Nora makes a tiny noise, and Tommy startles away just enough that he can press the side of his head to Buck's and gaze down at her with a tremulous smile.
"She really is something, huh? Sorry about the nose, kiddo," he says softly.
Buck knocks their heads together and says, "I happen to love that nose, thanks. And like you said, my lips will help balance it out."
Huffing a laugh, Tommy kisses Buck's lips. And the side of his nose and the bolt of his jaw. Then he leans down and presses a kiss to Nora's little pink and blue hat.
"I'm sure if you are," Tommy murmurs, tilting his chin up so he can flash a brave smile up at Buck, who smiles back.
"I was always sure."
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backpackingspace · 3 months ago
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Athena with odysseus: surprise attacking odysseus and bodily slamming him to palace walls (for awareness training). Randomly kidnapping him from the palace to drop him in the woods (or the ocean or on two memorable occasions on a completely different island) (survival training), using her full strength in sparing matches (odysseus has many broken bones) dragging him up by his wrist so they're face to face. Not being careful with how often she uses quick thought or any of her other powers (what? He seems fine. She's sure odysseus has always been a freak it's definitely not brain damage it's/fine/hes /fine)
Athena with telemachus, after she accidentally knocked him out once: right right odysseus and penelope taught me how to do this when they had me babysit you. Gotta be gentle so so gentle. Gotta support the head gotta craddle humans not yank them up by the wrist (she knew odysseus was a freak why didn't he say anything??) Can't just funnel her full power into the kid gotta be so gentle.
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redysetdare · 8 months ago
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All this aroace character shipcourse has proven to me that a majority of people that interact in fandom cannot actually interact with characters and media outside of shipping and genuinely I believe you need to learn how to interact with media outside of shipping.
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isjasz · 9 months ago
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Siren Grian and Pirate Scar? Also I love your art.
And do you agree that Grian needs to admit that his season 10 self is a fish.
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[Day 231]
Maybe he reincarnated as a siren with no memories and found Scar again out of chance or fate or smth, then proceeds to attempt murder
(also yes I absolutely agree, he's been cod truthed by so many players he's gotta admit it himself at some point /SILLY)(and tysm :D)
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mumblesplash · 2 years ago
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🌴⌛️🐚🌊
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rachiebeee · 5 months ago
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they are best friends and siblings and i love them both so dearly. featuring piercings bc i stand strong in my belief that they would
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hamletthedane · 8 months ago
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I love you mean girls in literature, I love you manipulative and scheming elder sisters of the protagonists, I love you ambitious women washing damned spots from bloody hands, I love you “she was always the perfect/favorite child,” I love you Emma Woodhouses and Caroline Bingleys, I love you mean girls with complex and morally questionable but ultimately understandable motivations, I love you mean girls they called evil and never bothered to explain at all, I love you mean girls who are not even girls, I love you queen bees, bullies, cheerleading captains, and heads of the school play in teen flicks, I love you weapons of war and calculating politicians and manipulators of royal court, I love you sirens and succubi and vampiresses, I love you changed by the end, I love you still the same bitch as before-
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bre4yd · 8 months ago
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Sometimes, isolation takes a toll on you after a while.
(For context, the "isolation curse" c!tango goes through in the life series)
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devilmen-collector · 8 months ago
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One of the devils: *looks at MC with suggestive eyes and puts a hand on their thigh*
MC: *slaps the hand away* No, it's Holy Week! Be holy!
The angels: Amen.
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gummi-ships · 3 months ago
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Kingdom Hearts Union χ - Dwarf Woodlands
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ambivartence · 10 months ago
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...AND HAPPY BIRTHDAY JEONG JAEHYUN!!!!
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acertifiedwitch · 3 months ago
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My favorite relationship dynamic is a healthy straight couple befriending a dark haired fella and then proceeding to accidentally create the most powerful queer polycule in existence
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singingcicadas · 8 months ago
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Megatron's Opposite Day
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"I free slaves"
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This is Soundwave binding Ratbat but seeing as Megatron did the same thing to Pentius by putting his spark into Trypticon and reformatted Rumble and Frenzy into cassettes against their will I think he approves a lot of this practice
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Megatron on Optimus and humans, after his defeat in All Hail Megatron ⬇️
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he really salty
"I implant ideology" aka brainwashing
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Decepticon cause = Megatron. nuff said.
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"I liberate cities" says the person who let Nyon burn to make a point
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Cities are too small, think bigger
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Holding New York hostage.
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"Like Autobots, they believe in the sanctity of life" which he doesn't. Kudos for being honest.
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Allowing troops to do free-rein massacre is a reward for conquest. Nothing like some easy murder for de-stressing.
The Simanzi massacre which halved the Cybertronian population is off-screen so it doesn't deserve its own pic
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"The revolution"
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"We only feel good when we stand with a blade in one hand and a throat in another" "Let's make the entire face of the planet into our new gladiator arena"
What nice, confidence-inspiring revolutionaries. I'm sure they'll rule the population with benevolence after they've killed all the Necessary People with Necessary Violence. Final interpretation of what constitutes as Necessary is reserved for the sole discretion of Megatron, ofc.
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Good goals.
Sentinel might be an absolute asshole but at least he's got one thing right: they're literally a gang of thugs who gets high off murder.
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"The people are my utmost concern"
'The people': ................
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"Battling for freedom"
Freedom of what? Function? Autonomy?
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Religion?
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the ability to choose whether to fight? on which side to fight?
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Idk why they used the word "pogrom" for this, it's way too specific
Anyways it doesn't matter, they won't be missed.
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Good for Bumblebee for calling him out. Screenshotted this just to appreciate Megatron's bitchy face ⬇️
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Other urban legends:
"Megatron loves Cybertron" let's just burrrrn it
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He did fight to save Cybertron in Chaos Theory but also made it pretty clear why he did it. It's not out of the goodness of his heart or any sentimental reasons like that. It's an ego/dominance thing.
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Plus his wording when he's trying to convince Optimus to let him go with the Lost Light: "I broke the planet. And that, Optimus, is why I owe it to you - to everyone - to find a replacement."
Replacement.
In other words: I made a mess and can't be bothered to clean it up, so I want to get away from it and find somewhere new to start clean.
I don't think Optimus appreciates the favour.
"Megatron tore down a corrupt government" which is true, just too bad that he's worse
He's also, um, a closeted Zeta admirer?
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"Megatron advocates equality" ???
Megatron x dictatorship is literally his OTP. They were inseparable for four million years. A lot of people died trying.
"Megatron cares about the Decepticons" no he doesn't. Not his troops nor its cause.
Like for one thing he treats them with complete scorn
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Admits that the most useful thing about keeping Starscream around is that he can bully underlings into line
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Wants to use the humans' nuke to get rid of his troops and reformat them into peaceful drones after they outlive their use because they were "too ruthless" for his perfect peaceful society
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Has zero scruples about fighting Deceptigod, just affronted that his own soldiers are being used against him
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And basically just drops the Decepticons like a bag of vermin after he surrenders. He never once mentions them of his own accord, other than to insist he has nothing to do with them. Even his surrender speech is something Optimus makes him do as exchange b/c he wants to go on parole. He wasn't planning on making a public address otherwise, he was just going to leave them hanging.
Looking at the publication timeline, Megatron started out as an established Evil McEvilson-type villain similar to how he is in G1 and it's not until Chaos Theory in 2011 that JRo really gave him a sympathetic backstory that drew his characterization away from the bloodthirsty pugno ergo sum warlord into someone who once held ideals about societal reform and remains convinced of his own moral supremacy throughout the 4 mill years of death and war, adding worldbuilding such as Functionism/oppression/government corruption as justification for the beginning of the Decepticon movement. But because the start of the Decepticons was already written in Megatron Origins and every evil thing he'd done up till Chaos Theory can't be retracted and they had to keep Megatron as a villain until his story was no longer central to the Autobot-Decepticon war line, and JRo didn't try to downplay the atrocities he'd committed (some of the most sadistically disturbing things Megatron did were exclusively in MTMTE flashbacks), but rather tried to distance him from them and placed the focus on the juxtapositions to emphasize change, this as a whole just resulted in Evil McEvilson getting turned into Hyper McHypocrite.
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persimmonbread · 1 month ago
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i struggled so much with drawing arthur normally that i completely caved and went in the opposite direction. bam. buck pajamas.
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