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honkytonk-hangman · 8 months ago

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How It's Done – Oneshot Version

Jake ‘Hangman’ Seresin x Aviator!Reader

Originally posted by unicornships

Summary: “Like me? I didn’t even think you wanted me as a squadmate, let alone–” you stop speaking, but only because Hangman cuts his eyes sharply away from you to glare out at the ocean. “Well, I do.” He says kind of indignantly, all things considered, and eyes you almost sourly. “You can just say no if you don’t–” “–No, I do!” you quickly cut him off, because at the end of it all, you’re a little too much of a hopeless romantic to let this moment pass you by.

Warnings: erm maybe just some references to sex? jake being jake? language? minions. big warning for minions xD

Notes: Originally I intended this to be a two-parter series, but I wanted to change how it went, so I rewrote the parts I didn't like and made the entire thing into a oneshot instead!!! This fic will replace the 'part one' already on my blog, but I will keep this part up, linked at the very bottom of my masterlist! thank you everyone for being so patient! Thank you @hangmanssunnies, my love my biggest support <3

Words: 11.6k!

“Well, I’ll be damned…”

You pinch your eyes shut and steel yourself at the sound of the all too familiar Texan drawl, hanging on to the hope that perhaps he isn’t talking to you. You’re out of luck though, and moments later Jake ‘Hangman’ Seresin slides into the open space next to you at the bar, already posed in a casual lean as he looks you up and down appraisingly.

It makes your teeth grind.

It makes your face hot.

“If it isn’t Mirage. Would have invited you to play with us if I’d known you were here earlier…” Hangman cocks his head, and his lips tip up in an infuriatingly perfect smile. “But one can never really be sure if you’re around or not… and that's before you get in a cockpit,” he grins, but when you meet his eye at last, he looks away from you, toward Penny who seems to approach in the nick of time, saving you from needing to respond.

You blink down at your drink, and finish it quickly, unnerved by what you think might have just been a compliment of sorts from Hangman. You’d been stationed together previously, though you weren’t friends, so you’d been expecting something a little more acidic in nature. You’d heard him interact with other aviators, knew he liked to push and poke them, usually got away with it too. For some reason though, he’d never really gone there with you and frankly you’ve always just chalked it up to not being worth his time. In fact, you’re pretty sure the only times you’d ever actually spoken had been in the sky. To be completely honest, you’re more than a little surprised that he remembers you at all.

You didn’t exactly go out of your way to stand out…

You were naturally quiet, which wasn’t helped by your social anxiety, resulting in most people describing you as extremely shy. They wouldn’t be wrong, you suppose, you did tend to keep to yourself, the idea of having too many eyes on you all but unbearable to you. But if you’d thought a roomful of people singing happy birthday to you was bad, somehow being under the unwavering stare of Hangman is approximately one thousand times worse.

“Penny, my dear… I’ll have,” he stops to glance pointedly down at your now finished beer, adjusts his stance to lean even more and unwittingly makes the muscles in his bicep bulge.

“Five more on the Old Timer,” Hangman says, nodding to the man who sits on the other side of the bar.

Internally you blanch, but externally, you say nothing and give even less away, feeling a little ping of satisfaction that apparently, you know something Hangman doesn’t. Before he’d come along, you’d been carefully watching the interaction between Penny and Captain Mitchell. You’d never met the man before, but you knew how to read military insignia, which at this point, was more than you could say for Hangman, who dismisses him quickly.

You wonder if Monday morning you’ll be able to work up the nerve to tease him about it.

You’re distracted from your thoughts when Penny returns with the requested drinks. You had no real intentions of going and hanging out with Hangman and the others, but before you can excuse yourself, your empty beer is smoothly plucked from your hands, replaced quickly with a brand new one.

“Help me carry these back?” Hangman asks then, jerking his head in the vague direction of the pool table. You frown when he immediately takes off walking, not actually letting you help him at all, all four beers still slotted between his fingers. You find yourself following him anyway, as if he’d placed some kind of spell over you.

Hangman stops ahead of you at the ancient jukebox, looking back over his shoulder at you, nodding in a pleased manner when he sees you trailing behind. He waits for you, gaze never leaving your form, even as he nods to the space next to him. You awkwardly step up to the spot opposite to him, and look past the glass and at the selection inside. Hangman, once more, takes up a lean, this time against the rickety machine.

“Would you be so kind as to select track number…” he trails off as he checks the list of songs, but quickly flicks his gaze back to you, and smiles bright, tauntingly, again. “Eighty-Six?” he asks, but it's barely a question. You nod, and swallow, shifting from holding your beer with two hands to holding it with just one. You carefully tap the chunky ‘eight’ and ‘six’ keys as he watches. The machine’s little analogue screen confirms that your song is next up, and nervously, you look back up at Hangman, horrified to find he’s just been staring at your face for the past however long.

“S’been a while, Mirage.” He drawls, making you blink rapidly and look away.

“Has it?” Is all you can manage meekly in reply, surprised when he lets out a genuine sounding laugh. He hums warmly, and you practically feel it in your chest.

“And yet,” he lifts hand, two beers held expertly between his fingers, but he extends it to tap your nose, almost making you almost flinch.

“You haven’t changed at all.” Hangman grins Cheshire-like down at you, before his eyes narrow ever so slightly, and he leans in even closer while flicking his eyes up and down your form again.

“I don’t bite you know,” he tells you, his voice sounding serious, but his somberness lasts mere seconds.

“Well, not unless you ask me to first, sweetheart,” he winks and his smile grows large as your eyes grow wide and you splutter, flustered.

Your face grows hot with slight embarrassment, a wave of inner resentment at his teasing washing through you.

Hangman laughs, seemingly bored with you now, and he turns to walk back toward the pool tables. Without even looking, he beckons you to follow with one finger on his still occupied hands. For a moment your pique prevents you from doing so, certain that if you were to dip into the crowd now, he’d not care enough to seek you out again, let alone notice you were missing.

You know he didn’t mean it, you know his flirting is just to get a rise, but you also know that he’d never do it to Phoenix, or Halo, and a little bit of you hates yourself for being such a marked pushover. You make the decision now that you won’t let him do it again, if you can help it.

Your eyes travel past Hangman then, towards the pool tables where you can now see another figure has joined the other gathered aviators, and for the first time all evening, you don’t feel nervous to go join them.

You follow after Hangman, but quickly diverge from his path, cutting around a gathered group of Navy personnel to get there faster. As you approach, you take a moment to shake off any lingering anxiety, before gently laying a hand on the faded Hawaiian shirt in front of you, doing your best to keep yourself from bouncing on your heels.

Rooster half looks ready to wave off whoever is trying to get his attention, but when his shaded eyes land on you, he spins his whole body to face you, grinning widely in unguarded excitement as he gathers you up in his arms.

“Miri!” he exclaims warmly, and you can’t help the laughter that bubbles out of you when he briefly lifts you off the ground.

“I was just about to ask Phoenix if she’d seen you yet.” Rooster informs you.

“Seen who?” Phoenix steps around him, frowning as she quickly glances you over, though it disappears quickly.

“Yeah, that about tracks…” Rooster mutters mostly to himself.

“Nat, this is Mirage, you know her right?” Rooster introduces the two of you, and while neither of you make to shake hands, you only feel friendly energy radiate off the other woman, even as she openly looks you over now, nodding at Rooster’s words.

“Right, I have heard about you… I guess there's no real mystery behind your callsign… I didn’t even realise you were here… Sorry,” she tells you bluntly, but you appreciate her straightforwardness.

“They said ‘Wallflower’ was too long.” You joke lightly, and the other woman smiles. A moment passes between you, and you get the distinct feeling that Phoenix has become determined to never let you go unnoticed in her presence again.

You aren’t sure just yet if you appreciate that, but you are sure that you’ve just made a friend.

“Mirage?” Another voice joins then and you look to your left, smiling again when you see another familiar face.

“Bob!” you move to embrace him too, not seeing the look shared between Phoenix and Payback who watch you in surprise.

“Huh. Figures.”

Neither you or Hangman have moved since Rooster and Mav went down. The rest of Dagger had returned an hour ago, mission complete. There was no reason for either of you to be on standby.

And yet.

When the call came through that Dagger Two had been hit, both you and Hangman had separately requested to be launched, to help, but you’d been denied.

As a rule, you made yourself easy to work with, even if those around you were less compliant, and you’d experienced plenty of that, flying alongside Hangman the past few weeks. Whether it was him leaving you to get shot down in training, or refusing to fly as a team during simulations. And yet, despite his habit of ‘hanging you out to dry’ being the reason behind his callsign, deep down, you’ve never once doubted flying alongside him in the real thing like the others seemed to.

You’re glad for that lack of hesitation now, glad that it only takes a single moment of eye contact from across the tarmac for the two of you to understand one another perfectly. Glad that when you got word that somehow, Rooster was supersonic again, you already know his answer before you even ask.

“Hangman? Hondo’s cleared us for take off with the ground crew, against orders. You with me?” you ask quietly, looking over at your wingman, knowing that when you return you’ll most certainly be court marshalled, but unable to sit and do nothing any longer.

“To hell and back, Mirage,” comes his immediate reply.

You see him move in sync with you, both of your canopy’s lowering at the same time.

You ignore the panicked voices ordering you to stand down, long enough for Hondo and the others to get you on the catapult, and by then it’s too late.

In two seconds you’re propelled from zero to over a hundred and sixty, and in your ears you hear Hangman right behind you.

“Do you want to get a coffee with me?” The question makes you jump, your drink almost sloshing everywhere. The sudden voice, as well as the person it belonged to, takes you completely by surprise, but you’re thankful he doesn’t draw attention to your startling.

Up until moments ago, you’d been peacefully watching the ocean toss and turn, burying your feet in the damp sand and thinking about what you were going to do with your upcoming two weeks of post-mission leave.

Most of Dagger were a little further up the shore, a bonfire crackling away, although you weren’t the only one to have splintered off. Mav and Rooster were currently standing in the shallows talking, and you think Halo and Phoenix have moved to sit apart from the others as well. You had managed to sneak away easily enough, content to just sit on your own for a while, though your efforts appear to have been mostly in vain, if the man now plopped in the sand beside you is any indicator.

You blink at each other.

“What?!” you blurt out dumbly, not completely certain you really understood what he’d said. Hangman’s lips press into a thin line, and he looks away from you, linking his hands together around his knees, and staring out at the rolling waves.

“Coffee. Would you like to get one with me?” He repeats, sounding only a smidge impatient, but it still doesn't clear up much for you.

“I… No, I heard you the first time… I… I just don’t understand… why?”

Over the past three weeks you’ve been forced more out of your shell than you ever have before. It was torture. It was wonderful.

Part of you pats yourself on the back for being able to ask him so starightly, but another part of you slaps yourself in the face for questioning him.

Hangman turns to look at you apprehensively.

“Are you asking why coffee or why am I asking you?” He speaks slowly and carefully, his face blank and devoid of any hint he was teasing, though you think he might be anyway.

“Why… Why are you asking me?” You push, shuffling your feet in the sand, drawing his attention for a moment. He looks back at your face and frowns slightly, cocking his head.

“Because I like you? And that is usually what somebody does when they like someone. Ask them.” He answers, and this time you definitely get the impression he’s politely trying not to laugh, but for once, you don’t feel like you’re on the outside of the joke.

Still, you find yourself taken somewhat aback at his confession, admitted so easily and freely, as if it shouldn’t come as a surprise to you, which confuses you.

“Like me? I didn’t even think you wanted me as a squadmate, let alone–” you stop speaking, but only because Hangman cuts his eyes sharply away from you to glare out at the ocean.

“Well, I do.” He says kind of indignantly, all things considered, and eyes you almost sourly. “You can just say no if you don’t–”

“–No, I do!” you quickly cut him off, because at the end of it all, you’re a little too much of a hopeless romantic to let this moment pass you by. Especially when for the past three weeks you haven't been able to get rid of the odd heart skips you got whenever Hangman acknowledged your presence at all.

And besides, you weren’t blind.

Hangman was ridiculously pretty, and not anywhere near as much of an asshole as he wanted people to believe.

He looks at you blankly for a moment, processing your words, before his face breaks out in a smile. It isn’t one of his usual smirks or tauntingly pearly grins, though. It’s softer, sweeter, and you stare mesmerised as he looks away from you again quickly, and down at his linked hands, nodding.

Two days pass, and even when you’re sitting across from him in a small, niche little coffee shop you had no idea existed, you feel like you’re in a dream.

You’ve never seen Hangman out of uniform, you realise, and it’s a whole new experience you’re forced quickly to process when he stands to go get your drinks.

Dark jeans, white shirt, casual jacket. It’s a simple outfit, but goddamn does he make it look good. Nervously you have to wonder if your white and blue sundress, sneakers and bomber jacket were having the same effect on him, though you highly doubt it.

He returns quickly, attentively, placing both your coffees down, before folding himself into his chair once more. You both look at each other awkwardly before you distract yourself by taking a sip of your coffee. Hangman seems to do the same, but instead of drinking, he begins tearing into several little sugar packets, and emptying them into his coffee foam.

You huff out a tiny laugh before you can stop yourself, and his eyes quickly snap to you.

“What?” he asks defensively, but the corners of his mouth twitch.

“I just… I guess I never figured you for a sweet coffee kinda guy…”

“Oh, and why is that?” his twitching lips turn into a full smirk, but it isn’t his usual Hangman smirk. You chew on the inside of your lip, and sip your coffee once more before answering.

“I’m not sure. I guess you just don’t seem like the type of guy who…” you trail off, unsure of what exactly you’re trying to say and even more; how to say it.

“Listen, I may have rippling, glistening abdominals, but I have a sweet tooth,” he says, putting on the defensiveness now, leaning toward you and pointing at himself. You pinch your brows together and purse your lips, nodding vehemently.

“I know how to have fun,” he tells you, tipping a third sugar into his coffee.

“Of that I don’t really doubt, Hangman,” you say, but his gaze snaps back to you again, almost sharply this time.

“Jake.” he corrects you.

You pause.

Of course, you knew his first name, but you’re fairly certain you’ve never once used it. Hangman has just always been, well, Hangman. But you weren’t in a cockpit right now, he’d asked you out, this wasn’t the time and place for callsigns. He wasn’t Hangman, and you weren’t Mirage.

“Jake,” you say slowly, carefully, as if he’ll tell you any moment he’s just kidding around. But he doesn’t.

“Miri,” he replies, slow like you, but softer, and it’s silly, but it sounds so nice coming from him. You shake your head and swallow.

“Jake, if you don’t like coffee, why did you ask me out for one?” you ask him, watching as he blinks slowly at you, before his gaze slowly drops to the latte in front of him.

“If I asked you for a drink, you might’ve got the wrong idea,” he starts, speaking carefully. “If I asked you for dinner, it could be too formal, too awkward–”

“–It’s already awkward,” you point out, making him grimace slightly, so you shrug.

“Coffee just seemed like– I just wanted to–” he cuts himself off and drops both hands to the table.

“Look– I just didn’t want there to be any misunderstanding about what this was. I like you. I know you like coffee.” Jake admits all in a flurry, his voice quiet, and his eyes flickering around as he speaks.

For as long as you’ve known him, you’ve never seen Jake unable to maintain eye contact, actually it seemed to be something he took immense pride in, and it always made you slightly uncomfortable, but right now he appears completely incapable, and it's not a side of Hangman you’ve ever seen before. You realise you might be meeting Jake properly for the first time.

You decide to let him off easy, with all the newfound courage Dagger had been feeding into you the past few weeks, and you change the subject.

“You know, when you came up to me at the Hard Deck that first night, I was kinda surprised you remembered me at all,” you say slowly, sipping your coffee and eying him evenly. Jake frowns then, but it smooths out into a cool grin, and he leans back in his chair, cocking his head.

“Are you kidding? I’m always clocking possible threats.” he tells you, making you cough lightly.

“How am I a threat to you?!” you ask in disbelief.

“Oh, I could name a few,” Jake teases, nodding at you, but flicking his eyes away, almost making a show of clocking an incoming group of customers behind you.

You weren’t clueless, you knew you were a part of Dagger for a reason. You were damn good at your job, but still, Jake was Hangman, not only was he an aviator you respected, he was an aviator with very high personal standards, and for him to see you as comparable to him… well truthfully, you find yourself rather humbled.

And then flustered, at his clear unabashed flirting.

“I always thought you flirting was just you messing with me,” you admit, and he grins wider.

“Can’t it be both?” he asks, leaning forward again, and clasping his hands together. He seems to have no problem maintaining eye contact now, you note. When you cold-stare him, he simply shrugs.

“You’re cute when you get all flustered and nervous, what can I say?”

“Literally anything else.” You grumble back.

You finish your coffee and push the cup to the side, crossing your arms on the table and leaning forward like he was. Jake mimics you, pushing his own coffee away, clearly with no intention to start, let alone finish it. You aren’t as good as him with eye contact though, no matter how much you’d come out of your shell, so you take the opportunity to glance sideways out the window, only for your gaze to catch on something.

Your heart thumps loudly for a moment in your ears, and you wonder briefly if you should act on the thoughts popping around your brain right now, or if you should just stay put.

You lean forward even more, and flick your eyes back to Jake who is staring at you curiously.

“Hey, I have an idea…” you start, chewing on the inside of your lip, before standing up. You only hesitate a little before offering your hand.

“You with me?” you ask without thinking, the words the same as the ones you ask time and again to your wingmen while in flight manoeuvres. Jake stares up at you for a moment, before he too stands, your heart skipping when he takes your hand. With a tiny squeeze you almost don’t notice, Jake grins, and nods.

“Oh, hey! Stop! That’s not fair!” You elbow Jake in the side, but it’s already too late. The hand he’d shot out to block your light gun had done its job, and where you’d previously been neck in neck for score on the dual Time Crisis cabinet, Jake’s character was now cheering in victory, while your screen was asking you to insert more coins and try again.

Jake chortles and you both slot your plastic guns back into their plastic holsters at the front of the machine.

“We never agreed to no interference,” he says proudly, and you sock him in the arm only half as hard as you can.

“I didn’t think it needed to be said!” you exclaim pointedly. Jake grins down at you, and collects his tickets.

“Quit complaining, all these are gonna go towards whatever stuffed bear or whatever the hell you want anyway.” He rolls his eyes, and gestures to the shoddy ‘rewards’ counter of the arcade you’d spotted from the coffee shop.

“I want the Minion.” You state firmly after glancing at the redemption counter for three seconds, and spotting the big ugly yellow creature on the top shelf. Jake sighs in a put-upon manner and shakes his head.

“See, this is how you know I really like you. I’m willing to ignore that,” he says, and you actually think he might be serious this time. You grin up at him as he takes your elbow, and begins leading you toward the back of the room.

“What are you going to cheat me out of kicking your ass at this time?” you glance around you, goosebumps trailing up and down your arm as Jake lets his hand slide from around your elbow, down your forearm and into your hand, which he squeezes as if in warning.

“I didn’t cheat, I simply used black ops tactics,” he says, narrowing his eyes at you. You purse your lips at him and narrow your own eyes back.

“Cheat.” you say again, pronouncing each syllable deliberately.

You come to a stop then, and you look up at the old photo booth machine. Jake pulls out a fistfull of tickets, squinting his eyes at the label with instructions, before looking back over at the redemption counter. He seems to run some numbers before he looks back down at you with a grin, and waves the strings of crumpled tickets.

“My cheating means we can use the booth, and still have enough for a Kevin plush, so I don’t wanna hear no more complaining outta you,” he waggles a finger in front of your nose, and you blink up at him sheepishly.

“Jake– I don’t really want the Minion…” you say, before your voice turns suspicious. “Anyway, how do you know which one is Kevin?!” you lift an eyebrow, only for Jake to roll his eyes and push you into the curtained booth.

You orient yourself in the tiny enclosed space, looking around you as Jake takes a moment to feed several lines of win-tickets into the machine before he follows you. He’s forced to duck down real low, making the space even smaller, and you both stare for a moment at the small seat barely big enough for one person, let alone two.

“Well, either you can sit on my lap, or I can sit on yours, darlin’, but I know which one I’d prefer.” Jake intones lowly, and for the first time in an hour or so, you feel yourself get all flustered again. Honestly, you’d kind of forgotten about the explicitly romantic tone of this meeting until now, and more than that, your stomach begins to flip and flop like the first time you’d gotten in a jet when he eases past you and drops himself onto the bench before patting his thighs.

“Jake, maybe if you just move over a litt–”

“No can do, honey,” and he’s not even trying to tease you, he demonstrates the spread of his legs, and the tight fit into the booth, before looking back up at you expectantly again.

“Okay… Okay…” you say more for your own sanity than anything else, and turn, quickly perching yourself on his leg before you can really think too hard about what you're doing.

Your efforts are for naught though, because the moment you’re sat down, Jake’s hands are tugging you against him further, sitting you more comfortably on the thick expanse of his thigh, and you barely repress the noise that nearly escapes you at the feeling of his fingers digging into your hips.

“There we go, sweetheart,” he says softly, almost to himself, and moves his hands to wrap around you completely. If he notices your little noise, which by his self satisfied smirk he definitely has, he thankfully chooses not to say anything. Your face grows warm, not only at the hold he has on you but at the pet name too.

“Did you just call me ‘sweetheart’?” you ask, sounding half bewildered, half incredulous, forgetting for a moment where exactly you were and why. As you look over your shoulder at the man behind you, Jake stares back, his smirk still in place even as his eyes seem to search your face, his own expression mostly unreadable.

“Would you prefer ‘honey’?” he almost purrs, his voice distinctly amused, but you notice that he doesn’t back down, doesn’t apologise or step back.

It makes your stomach twist up in knots. It makes your heartbeat skip like a record.

You turn away from him, shake your head.

“It’s fine,” you tell him bashfully, wanting to grumble slightly when against your back you sense what you think is him puffing his chest a little. Quickly, you add: “Not at work, though…”

Jake chortles, but as you peek over your shoulder to look at him again, he’s relenting, his smirk gone and replaced with a far softer smile as he nods.

“Not at work, though.” he repeats lowly in confirmation, almost making you jump when he shifts one hand to steady you around the waist, his other reaching out to begin fiddling with the controls on the lit up screen in front of you.

“Alright, let's get this show on the road shall we?”

By the time you’re exiting the tiny cubicle, Jake’s hands still attached to your hips as he follows you out, you’re both laughing quietly to yourselves. You’re amazed to find just how much Jake can affect you, either setting you at complete ease or sending you into a tizzy, depending on what he’s said or done. Usually you wouldn’t be surprised by other people’s effects on you, you were jumpy and anxious by nature, but it was rare that somebody who put you on edge as much as Jake did, could also give you such comfort.

When he detaches his hands from your sides at last to survey the sheets of photos spat out by the booth, you marvel at how much you start to miss the contact. With all the subtlety you can muster, you inch closer to him, under the guise of getting a look at the photos as well, though really, you’re only hoping that you might prompt him into reaching out for you again.

Jake chortles and points at a set of two pictures. In one, you’re both grinning madly, pulling silly faces, and in the other, you’re wearing softer smiles, and you notice now, that Jake had pushed his face a little closer to yours. It makes heat rise in your cheeks, not just at the seeming intimacy of the photo, but truthfully, of how much you like seeing the two of you like that.

“You won’t mind if I keep these, will ya?” Jake asks, looking over at you. You simply shake your head, and he grins a little wider, carefully tearing off the two pictures before pulling out his wallet and tucking them inside, for sake keeping, you assume.

Jake lets you keep the rest, and absently, you fold them into the zipper in your purse, too distracted by the fact that he does indeed take your hand again, before quickly releasing it to instead wrap his arm over your shoulder. You can’t stop yourself from smiling a little as you blink dumbly up at him, and he grins down at you, ducking his face even closer to yours.

“Now sweetheart, I believe I was instructed to win you a minion plush.”

You try to avoid Phoenix’s hard stare, and focus on wiping down your helmet.

“You’re acting weird,” she finally announces, still managing to make you jump despite your anticipation. You then immediately proceed to do yourself exactly zero favours, proving her point by refusing to look up at her, choosing to instead hurriedly continue with your current task.

“What? No I’m not. I’m fine. You’re being weird,” you argue, wincing at your clearly abysmal attempts at behaving like a normal adult human. You start re-cleaning the pristine surface of your helmet, your nerves conjuring imperfections you logically know don’t exit.

Just before you completely lose yourself down the spiral of unhealthy compulsive behaviours, A hand, Nat’s hand, stops your own. Tugging the cloth out of your hands and taking your helmet away from you, she places it down on the workbench you stand on opposite sides of. Chewing your lip, you at last meet her eye.

“Miri, it’s okay to have a crush–”

“–I don’t have a crush!” You blurt out both far too quickly to be believable, as well as in sheer panic. Your face grows immediately hot, and you can tell Phoenix is trying not to laugh at the show you’re putting on so poorly. Her lips twitch, but her expression softens from amusement into something softer, mixed with traces of pity. Just when you’re starting to debate the pros and cons of sprinting out of the room, getting in your jet, and then flying away never to be seen again, she relents, releasing you from her eye contact and making herself busy as she tidies up bits and bobs littering the workbench.

You swallow thickly, and stay watching her, your heart rate only spiking higher as your anxiety builds once more at her sudden apparent indifference. You follow her movements without moving an inch, sharply aware that not only was she still very much focused solely on scrutinising you, but even more mortifyingly, that this conversation was far from being over.

“Nat,” you say with surprisingly more strudiness than you believed possible, pausing to swallow the dryness in your mouth. “I don’t have a crush, okay?” You wait for her to look back over at you, nothing but disbelief rolling off of her faux-casualty, giving you a bullshit shrug and a smile.

“Okay.” she says. You had hoped that would be enough, but you should have known better. You clear your throat again.

“Nat,” you say, only making yourself louder, as if that was a sign of nothing going on. She looks up at you somewhat blankly. You know you’re totally screwed already as her eyes dip to watch your finger begin quickly tapping on the bench before you with barely any acknowledgement from yourself. “There’s nothing weird going on,” you say, pleading with your voice and face and every atom of your being that she drops it.

She drops something, unfortunately it’s not the subject though, but you still feel some semblance of stress leaving your body as her fake lack of care dissolves, and she leans back to rest against the cabinet behind her. She crosses her arms and shrugs again while letting out a soft, pitying sigh, which this time doesn’t raise your non-existent heckles as much as it had when it first showed its face.

You stare at one another, at what you think is an impasse and wordless agreement to now never talk of this episode in your friendship ever again, but once again, you should have known better.

“If it’s any consolation, I think he has a crush on you too, so it's not like it’s a total waste of energy… despite all evidence to the contrary,” She says conversationally at first, before muttering out the last part under her breath.

“He doesn’t,” you state with so much certainty you almost forget for a moment that it’s not even a little bit true. Instead, crossing your arms too, you feel like a middle schooler having a much too serious fight with her friend at lunch. “We’ve just become closer, like all of the squad have. You’re just noticing it cause you want to!” you’re a little taken aback by the sound logic of your own reasoning, all points earned to your side then immediately becoming forfeit when you can’t help yourself from stupidly continuing to speak. “Why? Has he said something?!”

Your outburst of near-giddy excitement destroys all chances of you walking this back, and you find yourself with only one option left available. But your prior readiness to exit out of this failed interaction at roughly 300 kts/min becomes soberingly not so fun to fantasise about when you sheepishly remember the current charges against you, for the theft of the $70 million dollar military aircraft you’d technically stolen when you and Jake had taken a joy ride to pick up Mav and Rooster.

You're snapped back into the present as Natasha Trace regards you unreadably and slowly lifts one perfect eyebrow at you. You cover your face and hang your head, you reason with your now permanently mortified brain that if you just admitted to the thing she already believed to be true, she’d stop looking any closer, possibly finding out something actually secret.

It helps that your embarrassment for the flurry of extremely obvious questions is very real, and you groan into your palms. You hear before you see Phoenix laugh, listening to her chortle at your outing yourself, but you notice that he demeanour is warmer now, and she pushes herself up to sit on the top of the bench between you, crossing her legs.

“He’s not said a thing, but he doesn’t need to,” she tells you, seemingly glad to just be able to share her findings and observations, which you uncomfortably realise have been going on for a lot longer than you realised.

“It's what he’s not saying,” she explains, and you blink up at her in genuine curiosity.

“Huh?”

Phoenix turns her gaze upward as she thinks.

“He doesn’t make fun of you… or snipe at you, not really,” she begins, resting her head in her hand. “To be honest when we first met, I was expecting to defend you. You’re a good pilot, a great one, but Hangman isn’t exactly known for recognising that in others…”

You frown up at her, unsure of anything to say to abate her suspicions.

She’s not exactly wrong, even when the two of you were first stationed together, he’d never poked fun at you, never really called you out. To be fair, he hadn’t really acknowledged your presence at all, but these days you knew that was more to do with the fact that all this time, Hangman had liked you, had seen you were shy, and didn’t like crowds, and as you’d found out recently, often made more of a spectacle of himself to draw attention away from you.

You have to stop yourself from smiling dreamily at the thought of him.

“And I mean, he disobeyed direct orders for you, he knew what you were doing, and he went with you anyway… I’m just saying Miri, I don’t think you’d be disappointed if you were to say something–”

You quickly cut her off.

“I’m not saying anything to him!”

At last, given your already clear admittance of your supposed ‘crush’, Phoenix relents, holding up her hands and shrugging.

“Just think about it alright? It’s even sort of… cute, in a weird, Hangman-y way.”

You grumble at her, but thankfully she doesn’t bring it up again for the rest of the afternoon. Still, you leave the workshop with a sparkling helmet, cleaner than you think it ever has been, and with a pressing matter to relay to your boyfriend, most of which involves playing it much, much cooler in front of Phoenix the next time you all hang out.

You know you’ve made some personal growth when you answer the door in your matching Star Wars X-Wing PJ’s and slippers, and aren’t immediately mortified.

Jake stands there, already grinning back at you, and looking like a greek god sent to earth in his dark jeans and plain white shirt.

“Red Leader Mirage, your rescuer has arrived!” he announces, doing what you judge to be a surprising spot-on impression of Lt. Porkins from Star Wars, shooting a lazily salute down at slippers

Unfortunately, you aren’t given the chance to ask him more about his perfect Red Six however, as he’s almost immediately pushing away from where he’d been leaning against the side of your door, posing for your perusal you assume, and holds out a brown paper bag for you to take. You swipe it, and shoot him a thankful smile.

“Thank you, Jake, really…” you side-step his self-congratulatory jokes, but he doesn’t seem phased, simply shrugging, and taking a step closer to you, letting one hand rest gently on your shoulder, before he hooks it and tugs you into him.

You’d started getting all-too familiar with just how physically attentive Jake seemed to be, something you would never have guessed about him several weeks ago, but had come to terms with now. Clingy was never a word you would have used to describe him before. He hugs you briefly, then pulls back to look down at you, his brow furrowed and his expression filled with genuine concern, another thing you’d been getting more familiar with.

“How’re you feeling?” he asks, inviting himself in by walking you backwards and kicking your door closed lightly behind him. You’d come not to mind this sort of thing either, but mostly because you know if you asked him to leave again, he would, no questions asked. That was another new thing you’d been learning about Jake Seresin.

In comparison to how Hangman could be up in the sky, Jake was entirely understanding, one hundred percent supportive, and almost a little too observant when it came to your particular anxieties. It meant he often knew without you saying when to push you, and when to not, and on the occasion that you did need to say, he always respected those boundaries.

It was starting to make you nervous, how much you were growing to like him.

“Cramps are kicking my ass, but other than that, mostly fine. Thank you for these,” you try again, hoping that he really understands just how much you appreciate him coming over for you tonight. Never in your life would you have imagined feeling comfortable enough to ask Hangman to stop by the pharmacy and pick you up sanitary products, and never would you have imagined he’d make no issue of it.

“Sure,” he says, again with a shrug. “You want me to head out?” he asks then, tipping his head back at your door, even as he inches his face closer to yours, brushing his nose tip against yours. Your lips quirk, then break out into a full smile when he grins before dipping low enough to press a kiss to the corner of your mouth. Your stomach somersaults and pulls at least ten G’s for sure as he continues to brush his lips against yours teasingly.

This hadn’t taken much getting used to at all. Jake was a good kisser, and had proved it after your second date, almost in the exact place you were now, both his hands cupping your cheeks and his lips full on yours, hungry and insistent. That had been almost four weeks ago now, but after his hands had tugged your hips flush to his, you’d quickly put the breaks on.

You were still slightly uncertain about going further with Jake so soon. The fact was, you worked together in a high impact, high stress job, and if anything should happen between you, it would be easier to keep things professional if you took it slow

Jake had, to your slight surprise, though you aren't sure exactly what you were expecting, nodded slowly and taken a step back. He’d told you that the only thing he wanted more than you, was for you to want him too. You’d had to explain that your position wasn’t because you didn’t want him, which had led to more making out, but he hadn’t pushed to go further and he’d left that night with the affirmation that however long you wanted to wait was alright by him.

“No, you can stay,” you tell him, wrapping your arms around his neck to stop him from pulling away too much as you try not to full-on pout. Jake smiles against your lips and presses into you further, moving to push you against the wall, where he crowds your space entirely and stops teasing you, capturing your lips with his at last.

You’re about to experimentally slide your hand up his shirt, a thought that had been lingering in your mind more and more these past few days, but your kiss is over too soon, and he pulls back, leaving you breathless.

“Weren’t you waiting for me, so you could do chores?” he prompts, nearly making you grumble. Instead you nod, and gently push back against him, heading towards your bedroom just down the main hall.

“You can wait in here if you like,” you suggest, feeling a little nervous about the idea, but it was something you’d been thinking about for a while now. Even if you and Jake weren’t sleeping together, that didn’t mean the two of you couldn’t sleep together, did it? It was something you’d wanted, specifically with him, but not really something you’d ever experienced before. You were ready to move out of these early stages of your relationship, eager to push yourself and your limits just a little, so you could settle into something more comfortable with Jake, something where you weren’t always a little surprised when he touched you, or called you by one of his innumerable pet names.

Jake shoves his hands in his pockets and nods, clearly thinking through what this invitation could mean as he follows you quietly.

“Um, I feel like I should say ‘excuse the mess’, but you know–” you cut yourself off and gesture around your bedroom when you both have entered. Jake snorts.

“Well that’s what being in the Navy gets you. I won’t judge if you say it anyway,” he tells you lightly, and you scoff.

“Yes you will!” you insist, and are met with a confident, familiar cheshire-grin.

“Mhm, but only a little. Have you changed your mind, honey?” he steps toward you again then, almost closing the distance in one stride, his hands still shoved in his pockets, but his gaze locked intently on you in a way you haven’t felt since that second date. Your heart beats so loudly you’re sure he must be able to hear, but he doesn’t mention it, just waits for you, crowding your space again.

“Oh, I– No… not… I didn’t… I’m sorry…”

The moment you speak Jake is stepping back, pulling his hands from his pockets to hold them up, his expression losing the intensity again.

“No need to apologise, my mistake.” Jake’s words are sincere, but he looks away from you.

You let out a little sigh.

“It’s just so soon, and with the trial–”

“–You don’t have to explain yourself, honey,” Jake pulls his hands from his pockets at last and places them at your waist, drawing you in. You fall quiet as he lowers his face to yours, though he teases you again by not kissing you, simply looking you over, and then smirking when you pout. “You want it when you want it, and that’s when I want it, okay?”

He makes you nod, before he at last lowers his lips to meet yours and kisses you, slow and sweet. You finally get the chance to test the waters a little, easing your hand carefully underneath the back of his shirt, making you giggle against his mouth when he jumps slightly at the feel of your skin on his. Jake doesn’t say or do anything about it though, thankfully just letting you explore a little as he tips your head back further to deepen your kiss, and you brush your fingers up his spine.

After a short while of this, he must feel the urge to tease you again, because with little to no hesitation at all, unlike you, he slips his hands beneath your shirt, his warm palms gripping onto the bare skin just above your PJ shorts, almost making you moan. You’re glad you’re able to hold back the sound, mostly, but your own surprise doesn’t go unnoticed by the blond currently kissing you.

He only continues doing so for a short minute longer, before he’s eventually pulling back, lips pink and kiss swollen. You can’t help but frown at the parting. He squeezes your waist, and nudges your nose with his own.

“What do you want to do, honey?”

You groan at the apparent lack of making out in your future, not because you don’t think he’d agree, but mostly because you’re not quite ready to ask him for more, though a part of you senses he’s not willing to let you off the hook for those chores you’d told him about earlier.

“I need to fold this laundry,” you point past him, to your walk-in wardrobe and the basket that lies within. Jake looks over at it and lifts an eyebrow, which you choose to ignore. He nods then, and takes a step away from you, making you frown even more when his hands fall from your body.

“I’ll help,” he says, making your eyes widen, and you quickly step around him to block his path, where he is clearly about to make for your basket.

“No! Um… It’s okay, It’ll be easier if I just do it…” you trail off, wondering if you sound insane and neurotic, but Jake simply raises his hands again and nods.

“Well, what do you want me to do?” he prods, and you realise, he’s come inside thinking you want him to help with your chores.

“I was thinking… I was thinking it might just be nice for you to just… be here?” You cringe, and narrowly avoid making a face at yourself. Jake blinks at you as if he doesn’t understand.

“You want me to… sit around while you do laundry?” he asks, tone confused, but equally unimpressed. You nod. Jake shifts, then clicks his tongue. “I was not raised to let somebody work while I sit and watch, especially not my girl. My mother would tan my hide.”

You’re a little surprised by the seriousness on his face, despite the humorous inflection in his voice. You suck in a breath, mulling over how to explain to him what you had been thinking when he came inside. Jake’s eyes flicker over you for a moment before he shifts again, crossing his arms and lifting his chin at you.

“Alright sweetheart, just say what you gotta say, I can hear those cogs turning from here…”

“I… I like that you want to help me, I think that’s really sweet…”

“But…?” Jake prompts.

“I find this kinda thing hard, and I was hoping we could just try and do something… domestic…? Together?” your face goes hot at your admission, and when Jake doesn’t immediately respond you wonder if using the word ‘domestic’ was too much, too soon.

“What is ‘this kind of thing’? I get the other part honey,” again, his voice is playful, but you see the seriousness behind his eyes and it lends you even more comfort. How is he so good at this? It’s almost like he’d read your teenage diary entry all about your perfect guy… it's the sort of attention, care, and behaviour that you’ve never actually gotten from a guy you were seeing before, so you aren’t really sure how to compose yourself.

“This kind of thing,” you gesture between you and him, before clearing your throat. “I don't know what to call it– us, but–”

“–a relationship.” Jake cuts in firmly, and you pause, heart thumping. You hadn't actually had this discussion yet, but you guess you’re having it now.

“Right. I mean, I’ve been in relationships before, but they’ve never really worked out and I feel like I never get to the point with boyfriends where I feel fully comfortable, so I–” you clamp your mouth shut, both at the use of ‘boyfriend’, and at the fact you were rambling, and you’re pretty sure it's too early to start telling him about how all your prior relationships failed.

“Right. So, let me get this straight; you were going to come back in here and put your laundry away, regardless of me being here?” Jake holds up a hand as he repeats back the information.

“Yeah…”

“And you just want me to keep you company?”

You nod, and clear your throat.

“Yeah.”

Jake stares at you, a level of understanding crossing his face, before his eyes flick to your laundry behind you, then back to your face.

“... And you’re sure I can’t help you?” His resolve sounds weak, and you think he’s already made up his mind to do as you asked, but his upbringing requires him to triple check. You smile, and this time step toward him, gingerly resting your hand on his arm, which he immediately raises, and flips, sliding it so now you’re holding his hand.

Again, you can’t fathom how he got so good at this sort of thing. Your knees go wobbly.

“I have a bunch of lacy unmentionables in there, so…” you try to lighten things, but it's not a lie. Jake picks up what you’re putting down, and gives your hand a squeeze. He tips his chin at you and lifts an eyebrow.

“Now why’d you have to go and say that honey? You sure you’re certain I can’t help?” his hands slip from yours to rest at your hips again, completely bypassing your top this time and your heart stutters.

You bite your lip, and nod your head, trying not to laugh him off fully, because while that may be your instinctual nervous reaction, you didn’t want to discourage him entirely. You liked that Jake acted as if you were a pretty girl, like you were desirable, and not like the awkward dork you actually were. You didn't want him to stop doing that.

His expression turns a little softer, and he leans down, moving slowly as to give you time to process, and he presses his lips to your cheek, lingering for just a moment before he taps your sides with his fingers, then steps away.

You’re still catching your breath when he looks back at you, pointing at what looks like one corner of your bed.

“Can I?”

You nod, and gesture at the whole mattress.

“Make yourself comfortable!”

–

You can feel the pounding music of the club in your whole body. The lights flashing and dancing in different colourways in time with the music give everything around you an ever changing aura, and maybe it’s all the drinks you’ve had tonight, but in front of you, Natasha seems to glow.

Her hands grasp your forearm firmly and you giggle, uncharacteristically carefree as you almost slip again.

“Alright! Okay, let's get you seated!” she says. She’s had a few too, but not nearly as many as you, and you’re glad for it now as she steers you toward the bar and grabs a paper cup to fill with water from the nearby water station toward the end. You find yourself drinking it without prompting, but miss the taste of the fruity cocktails you’d been downing all night. “I’ll call us a cab,” she says, beginning to pull out her phone, but you hastily stop her, placing a hand on her arm and shaking your head rapidly, making the colours spin even more.

“No! My boyfriend said he’d pick us up!” you insist, ignoring the way her eyebrows shoot up, then stitch together.

“You boyfriend?” she asks, but you miss the real question behind her words, instead you simply nod, and begin to fumble around in your own purse until you find your phone. Nat watches you expectantly as you open your messages, quickly tapping ‘call' on the top icon, and pressing the phone to one ear, and your finger to the other.

It rings less than once before it connects.

“Heeyy!” you sigh in relief down the line, happy to even just hear his voice after all night going without. “Yeah, no, everything’s alright, you just said to call you when we were done!” you say in reply to his amused questioning. You look up at Nat briefly, and if you were more sober, you might’ve been able to tell that she was leaning in slightly to try and hear the voice on the other end, but you aren’t, so you don’t.

“Okay, I’ll meet you out front!” you tell him excitedly, before adding on; “Is it okay if we give Nat a ride home too?” there's a short reply, and at last you’re smiling wide and nodding, even though he can’t see you. “Okay, we’ll see you soooon!”

You hang up and stare back up at Natasha, who's giving you a funny look that you ignore. “He said he’ll be here in ten, he’s been at the sports bar in town waiting!” you tell her dreamily, like she might understand what it means to you that Jake would choose to remain only a short distance away in case you needed anything, in the knowledge that you didn’t always enjoy nights out like this.

Nat simply nods and after making you drink one more glass of water, you begin making your way through the crowds and out of the club.

The air outside is warm, but refreshing and you take in as much of it as you can, not realising how stuffy the air inside the club had been until now. It was getting late, and bars and restaurants around the club are lit up and busy, the streets all around full of people either on their way to their destination, or lingering as they talk.

It doesn’t take long for you to spot Jake’s car and he pulls up close to the curb, allowing you to beeline for the passengers side door, not realising that Natasha follows with more confusion and trepidation. Jake jumps out of the car to greet you, rounding it to quickly steady your wobbly walk with a hand on your hip, and with the other, he pulls open the car door and helps you inside, leaning in to help you buckle in, grinning even as he murmurs quietly.

“You had a good night, sweetheart?” he asks, clicking your seatbelt into place for you, making you giggle at him. You lean forward for a kiss, but he dodges you, somewhat more aware than you are of your present company, and instead rests his hand so he can squeeze your knee. Your good mood isn’t spoiled and you barely notice the dodged kiss, so you simply nod your assent to his question vehemently.

“I had a lot to drink!” you tell him, before bursting out into giggles again, the soft, sweet smile Jake gives you going unnoticed as he squeezes your leg again.

“Yes you did,” he says with clear, fond amusement, and at last moves back so he can shut your door.

Unlike you, on the other hand, Natasha may as well be sober as a judge, and she eyes Jake somewhat distrustfully as she steps closer, lifting her chin up at him as she talks.

“What’re you doing here?” she asks accusingly, making Jake cock his head at her, only half as annoyingly as he can. He gestures back at you in the front seat of his car.

“Miri called, sounded pretty hammered,” he tells her as if that explained it. Natasha narrows her eyes and crosses her arms.

“Yeah, but she said she was calling her boyfriend, what’re you doing here?” She dares him to reply with anything but the truth, however luckily for Jake, unlike most men caught in her crossfire, he’s able to brush her off with an infuriating grin.

“I guess she dialled the wrong number, do you want a lift home or not?”

At his ultimatum (however hollow it really is, he wouldn’t leave her on her own in the middle of the night), Natasha frowns darker at him, but accepts the door he opens, waiting for her to get settled before he closes it behind her and returns to the driver's side.

When Jake checks his rearview he notes in amusement that Nat has situated herself in the middle seat, giving herself a perfect view of the two of you in the front. You don’t, nor do you seem to have any weariness in the bloodhound you’ve just set upon the both of you, but if he’s honest, Jake had known from day one that the second Natasha Trace suspected anything, your little secret was over.

He drives back as normally as he can, but it's strange to him now to have you sitting right there in his passenger's seat, and not have his hand in yours, or on your thigh. It’s strange to him to be in this space where the two of you are usually so open with your affection, and have to suppress it. Jake does not like it.

The car ride home is quiet, you seem content to look out the window, the tiredness hitting you now, but every so often he and Nat make small talk about whatever football scores interested them in the past week or two, and before too long, he’s pulling up outside her home.

Looking over at you to find that you’re slumped over asleep on his window, Jake follows Natasha out of the car with a simple offer of making sure she gets in alright. The congeniality doesn’t last very long, and once they’re standing on her porch she turns to him with a frown.

“You don’t really think I’m that stupid, do you?” she asks, for once not sounding angry or scolding, but seemingly subdued, maybe even a little upset. Jake sighs and runs a hand through his hair. Looking back to his car to make sure you’re still alright, he levels his squadmate with a serious expression.

“No, I do not,” he tells her sincerely. “But it’s Miri’s choice to not want to be public yet, all I’m asking is that you respect that,” he goes on after a moment. He doesn’t really believe she would say anything, but he feels the need to get her agreement, if only for your peace of mind in the morning.

Nat hums to herself and briefly looks away to fish out her keys. Once she has them in hand, she looks up at him again, a little grin on her face this time.

“How long?” she asks. Jake rolls his eyes and can’t resist the urge to mess with her just a little.

“Few years,” he states matter of factly, waiting for her eyes to pop wide before he lets out a victorious laugh and shakes his head. “A month or two,” he admits truthfully, accepting the hard sock in the arm as Nat scoffs at him and moves to unlock her front door.

“Something, something, I’ll kick your ass if you hurt her,” she grumbles as she steps inside, immediately kicking off her shoes. Jake straightens up and gives her a mock salute.

“Yes Ma’am,” he says, chortling to himself as he receives a middle finger for his efforts and the door is closed and locked again.

Jake feels a little lighter on his walk back to his car, and when he climbs in, he leans over to carefully adjust your crooked neck and make sure your belt is still strapped properly. You wake a little, confused at first, and blink up at him in happy wonderment.

“Hey!” you mumble, like it's the first time you’ve seen him tonight. Jake chuckles and leans closer to press a kiss to your forehead.

“Let’s get you home baby.”

–

You awake the next morning with nowhere near the headache you’re expecting, but with an array of distinct memories that cause a pit to open up in your stomach. The pit then begins to growl as you register the warm, homey smell of food, and with little effort, you force yourself up and into the kitchen, where you immediately attach yourself to Jake’s bare back.

His skin is warm and feels so comfy against your cheek, and the soft little laugh he gives makes your belly flop around. He lets you stay like that for a few moments more, moving slowly but smoothly so you can move with him, and at last when whatever he’s doing with his hands is finished, he reaches around for you and rests his hands where he can.

“Did I really call you last night? While with Nat?” you squeeze your eyes shut, hoping you’d just imagined it all, but another soft chuckle lets you know you hadn’t.

“Never thought you’d be the one to let our little secret slip first. I underestimated you baby.”

You groan into his back, and try to hide your face, but before you can complain or dodge him, Jake has turned himself around, letting you instead smoosh your face in between his gloriously golden pecs, and you think things may not be so bad.

He wraps his arms around you properly, and for a moment you just stay like that. You wonder if you can convince him to come around shirtless more often, the warmth radiating off his skin feeling heavenly, not to mention he looked almost as delicious as the food he’d made. You wonder if he’d already worked out this morning, or if you can join him after breakfast.

One of Jake’s hands moves away from your back and cups the back of your head tenderly, making you mewl slightly, and you look up at him to give the attention you know he’s asking for. Jake stares down at you with a soft little grin, and readjusts himself slightly, so he’s able to drop his lips to meet yours briefly.

One kiss becomes two kisses, becoming three kisses and after that any semblance of chastity is given up on and he kisses you full and sweet, deliberately slow like he’s teasing you to ask for more, but for now you’re simply content to wash away all of last nights worries like this.

Coming up for air, Jake barely breaks apart from you, his lips still brushing yours when he speaks.

“I asked Nat not to say anything, she respects you enough to do that I think,” he says, dropping a few more soft kisses to your mouth when you crane your neck up for more. He goes no further this time, though, and leans back from you to gauge your reaction after several moments, and you force yourself to open your eyes and pout.

“It’s not that I think she’ll tell anyone…” you say to him, scrunching up your features as you recall your lack of playing it cool the first time she had brought Jake up to you. The memory makes you grumble to yourself, and you once more attempt to hide your face in his chest. Jake laughs, and makes you jump when he pokes your side.

“What is it?” he asks, like he already knows. You tell him, voice muffled in his skin, but clear enough for the details of your embarrassing inability to throw the scent off to be heard. Jake’s body shakes with more laughter as you relay the information, but instead of trying to make you stop hiding away, he simply cups the back of your head again, and holds it nearer, allowing you to wither your embarrassment away in the safety of him.

“I think we both know that the minute that woman suspected anything, it was game over,” he tells you once you’re done, still holding you close, but you feel his lips press to the top of your head sweetly, and you do your best to snuggle yourself closer.

After the bulk of your mortification has eased away, Jake makes you detach from him, but only so the two of you can eat your breakfast while it’s still hot.

“You know I don’t want to keep it quiet, like, forever, right?” you ask out of nowhere, your memories of last night replaying over in your head while you ate. Jake looks up at you and cocks his head.

“I’m happy to do whatever you’d like to do, for as long as you’d like to do it,” he says matter of factly, but despite the sweetness of his words, you can’t help but frown at him.

“No you’re not, and we both know it,” you push back, grateful for his always tender manner of going at your pace, but you’d likely never have been with him in the first place if he hadn’t thrown you out of your comfort zone that first time.

The only difference is, now you are with Jake, and you understood these things about yourself, and how they weren’t always as scary as your mind might make them seem. Jake frowns back at you, clearly ready to protest.

“I know you pretty well too, you know,” you cut him off. “I know you like PDA, and that you wish you were able to be more open when we’re out with people. I know you like to show off, and part of that includes me,” you tell him adamantly, because you know you’re right.

Jake huffs out a sigh and leans back in his chair, looking at you dead on, you know him well enough to know he’s a little annoyed at you calling him out, but you aren’t doing it to annoy him or just for the sake of starting an argument.

“Okay, so what if I do? That doesn’t change the fact that until you want something, I’m not gonna go for it,” he says, still frowning at you like he doesn’t understand what the point of talking this through is even about.

You change tack and, with your heart beat thumping a little wildly, get up from your seat and move toward him. Even in his annoyance, Jake makes room for you, pushes out his chair and wraps his arms around your waist when you seat yourself on his thigh, your own arms linking around his neck.

“Well maybe I’m giving you permission to go for it,” you say softly, quietly, because the idea still does make you incredibly nervous. But you like Jake, no scratch that, you think you’re in love with Jake, and you think he’s in love with you too, and something about that feeling for once in your life makes you want the same things he does too, including the PDA. You want him to sling his arm around your neck, you want to be able to kiss his cheek or hold his hand or whatever it is you two want to do, not just in the comfort of your own homes, but out at the Hard Deck with your friends, too.

Jake blinks up at you, like at first your words don’t even register, but then he’s tightening his hold around your waist, and grinning wolfishly up at you, all cocky and infuriating if you didn’t find it utterly charming. If you didn’t completely adore him, even this part.

“Permission granted, Lieutenant?” he asks mischievously, and you can’t stop yourself from giggling, like you’re drunk all over again.

“Permission granted, Lieutenant!”

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mattscoquette · 4 months ago

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my experience meeting the triplets/ going to their tour ౨ৎ ⋆.˚ ✧

first i just wanna say, i am so so so insanely grateful to have attended both tours and to have met them twice. i’m not trying to brag or anything but a lot of people ask me and i figured it be easier for me to make one post rather than answer inbox questions a million times that get lost.

2/5/23 - let’s trip tour

i met the triplets for the first time during the let’s trip tour. i vividly remember being at work when the tickets went on sale and i was gonna go w my coworker but things fell thru and i went alone, and that alr was nerve wrecking enough. but i met a lot of cool people on line and everyone was super friendly. i got the pre-show small talk package, so i got to meet them before i saw them on stage. i also wrote them letters (idk if they ever opened them) but it was honestly fate when i stopped to drop them off in the present bin because there was a group of three girls in front of me so i wasn’t super rushed when i was meeting each triplet.

i met chris first! i was soooooo nervous but the second i started talking it all went away. the first thing i noticed was how small they are irl and immediately after was how fucking good chris smelled 😭 he was soo sweet. i told him how i loved watching their videos w my mom and that she was his favorite. i can’t rlly remember what else i talked about him with, and i tried to screen record my camera but i didn’t turn the mic on so i lost all the audio 😭😭

next was matttttt the loml. i was immediately soo comfortable around him, i was literally just talking like a normal conversation without even thinking. i asked him how the tour was going and he told me he was sad it was ending soon. and then i told him how one of my best friends is a triplet and we talked about that, he told me his dad is a twin and that everyone thinks he nick and chris are identical but they aren’t. he was so sweet and really listen to what you have to say, i had such a nice time talking with him.

when i met nick my auto pilot like shut off and i froze 😭😭 i literally out loud was like “i am so nervous” and he was so sweet about it, he hugged me a second time and was like “no don’t be it’s okay!” lmfaoo. i didn’t get to talk to him as long but i remember him telling me it was super nice to meet me after.

on line for the red carpet, i met madi! she was just walking around the venue, and she was over by me and i asked for a photo. she was soo sweet (and so pretty irl omfg). i didn’t wait in line for the red carpet for very long, i got merch, and then i did my photo w them :,) tbh i honestly don’t lovee it because i rlly don’t look the best in it lolol. bur ill pull thru and show u all. but this was back when u got to pick ur own poses and we all did hearts with one another (idk if that makes sense) and i stood next to my mannn😛😛

i look so diff now like i actually hate how i look when i met them but that’s beside the point 😭😭 but they all looked sooooo good. also for reference im about 5’3-5’4ish.

show-wise, it was sm more fun than the versus tour tbh. i got to see yung pleit perform and he opened w miss me and everyone was going insaneeeee. i was literally like one person behind the baracade, i was so close it was so so so cool. the triplets went on for maybe twenty minutes but they read the question i asked them which was so cool. and mary lou, jimmy, justin, and nate were all at my show!! they were on the balcony above the stage and were waving to us it was so cute. i had such a fun time at this show i wish i could go back

10/9/23 - the versus tour

this show was soooooo so so so special to me. i was going through a really really hard time. and this show made me so happy and gave me such a nice break from everything. this show wasn’t as close as the first show so i went to with my mom (she was team orange lol). i also got to meet some old online friends i made which was so nice :,) like the last tour, i got pre-show small talk. my only complaint though is that when i bought tickets backstage wasn’t available, some friends and i called the venue and they told us there was no backstage , but there actually was :( but im still sooooo grateful i got to meet them!

the order was the same as last time- chris, matt, then nick. i was so nervous about meeting them again, i literally almost forgot to take a pic w chris LMFAO. he was so sweet, he asked me how i was doing, if i was excited, all that good stuff. this time was a lot more rushed than the first, but i still got a decent amount of time with each triplet. i also got them each to draw me my fav angel numbers to get tattooed, i still haven’t gotten it yet but when i do i’ll post it :)

i was sooo nervous to meet matt again lmfao but as soon as i went up to him i felt fine. i complemented his outfit (he had on his white eeyore jacket 😭😭 so cute) and we took our picture and when i was leaving he told me it was rlly nice to meet me :,)) he is sooooooo pretty irl like his eyes r so blue and his earrings r so sparkly i was literally like in a trance. omfg.

nick was soo sweet he gave me such a big hug and was so smiley and asked how i was doing, same as chris. he also rested his head on mine when we took our pic togetherrr. he was so so kind.

my show was a monday so they had uploaded a podcast while i was on line for the red carpet, so i listened to that a bit while waiting. this tour we had pre-picked poses, but i did the hearts again. i stood in between matt and chris, and i said i wanted hearts and matt immediately did half the heart and put his arm around me so we did the heart tgth 😭😭

lowk not a fan of this pic either but :( so sweet. i love them so much. i also wore platform shoes this time lol so that gave me some height.

the show was so good! so much more entertaining than what the triplets did the first time. it was very engaging, and so fun to watch. lowk bitter i didn’t get picked to be matt’s teammate but we move. anyway. each challenge was so fun, me and my friend knew almost all the trivia questions they did 😭😭 and jenga was sooo stressful to watch lmfao it was so close the whole time, i think we had one of the longest jenga shows of the tour lmfao. chris ended up winning bc matt dropped the jenga tower and they were both tied. it was such a fun experience im so grateful to have gone !

#sturniolo triplets #matt sturniolo #chris sturniolo #nick sturniolo

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cdlum · 10 months ago

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I just wanted to say I think your art style is awesome! I was wondering if you had any tutorials on how you draw anatomy in your style (hips and legs especially)? Sorry if there's already one posted and I just didn't see it 🥲. Happy New Year :>

thanks for the kind words. i tend to draw people pretty stylized and then some so a good bit of artistic licence gets used. these tips are just what i use so feel free to take them with a grain of salt. with anatomy in particular you can kind of talk in circles because human/animal bodies are that complex so ill just zone in on the points you specified. here's a little image with a bunch of pointers:

the above image condenses a lot of the points I'd make, but basically the key parts are to start with the bare essentials and build up that complexity. using a line of action is a good way to get a quick, rough start. you draw a line out in the general direction of the pose and do your best to adhere to it to give the pose a sense of flow.

you can also draw smaller, thumbnail versions that throw a lot of caution to the wind but capture the basic energy of what you're going for. even having a tiny little stick figure version of your idea can make for a good guideline of where to take it forward.

when it comes to actual limbs, you wanna consider how they integrate and work together, kind of like how chains do. you can see on some of the parts of pear i've drawn out these wireframes to kind of portray how the mass of her legs works in a three dimensional space. for aspects like the waist/hips, i use that X technique i highlight above a lot, particularly for the lower torso. a lot of the times, even when drawing a character totally naked, imagining them wearing things like skintight underwear can help a lot to guide you in the right direction.

its also a good idea to consider things like gravity and weight to a degree. humans are essentially big meat sacks and gravity is always pulling down on that, but theres all kinds of aspects that effect that, such as character build or clothing. pear technically isn't naked in this, but i've tried to imagine her as such and take that into account.

if you are drawing digitally, don't be afraid to take advantage of the convenience you get with that workflow. you can retry and iterate on things a lot faster that pen and paper, and do things that aren't really feasible at all when it comes to editing and modifying your existing work. things like resizing certain bodyparts, instantly flipping the canvas, or using selection tools to completely adjust the positions of parts of your drawing. to give you an example heres a timelapse with all the little edits i made just to this demo drawing:

you don't have to use these techniques linearly, either. sometimes ill have a really solid idea for a piece in my head, and go back to basics with certain elements if they’re not coming out right or i just want to brush them up a bit more. some of the tutorial-y parts i added in i didn't actually use during the drawing but often do use so they're there just for demonstration. not every drawing i do starts as building blocks or a really basic version, often ill just start with a face and build it out from there.

i always encourage liberally using references (this can include yourself) and trying out stuff like life drawing or looking at things like existing photographs of real people/places/things if you can, the more you use learning material the better you'll draw up a mental inventory in your head that you can rely on more and more. some of these tips are things i've learned from other artists over the years (the chin one especially i remember seeing a tutorial about lol), so this is a lot of knowledge i've amassed from other sources over time myself. there are plenty of times ill use all sorts of reference material and its all in service of arriving at the final destination as smoothly as possible. learn by doing, as they say. hope this helps!

#tutorial #2024

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meanbossart · 4 months ago

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do you have any advice for drawing big muscular characters, and also lean muscled characters? im very experienced drawing fat people via using myself and friends as refs, so i have many types of large bodies down, and i draw skinny people too sometimes, but ive never really been able to wrap my head around muscle... and you draw it so well, its inspiring me to try, but i dont know where to start 😭

This might seem like a lazy response, but the answer here is to just... Draw more muscular bodies with real-life and clinical anatomical reference at hand. Simply doing life-drawing from model pictures would be a great start, of course, but I think it's infinitely more helpful to also consult anatomical models/muscle écorchés alongside them so that you know WHAT it is that you're drawing. With skin and fat over it, muscle might just end up looking like a random assortment of creases and lines you can't make sense of, but if you can garner an understanding of what's actually going on underneath all that, it's going to help you out a ton with drawing it from memory or stylizing it to your liking.

I have this link saved on my browser and I look at it a lot. Just please remember - muscle moves. The downfall of a lot of artists trying to draw buff characters is in forgetting that. I suggest looking at either athletic footage, work out videos, or... Uh... Oh boy I seem to have forgotten where else on the internet you can see a lot of beefy guys getting into funny poses half-naked. Anyways, pick your poison to see how that stuff looks in action to start wrapping your head around it, draw some stills from it, etc!

#ask #advice

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raven-at-the-writing-desk · 8 months ago

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Happy with the staff content this year but am I the only one who is disappointed with the PV we got? It's basically a slideshow of art we've already seen, major downgrade from the year 1 PV that had literally all the events. There was a drop in quality of the anniversary PVs over the years and it really shows this year. Sorry if you find this too negative I don't mean to hate I just wish Twst would do better for it's ANNIVERSARY.

[For everyone's reference, here are the anniversary PVs in order of release: 2021 / 2022 / 2023 / 2024]

Mmm, now that you mention it, I noticed this trend with the Halloween PVs 🤔 For year 1, there was a video that showed all members of the NRC casy, even those that did not receive cards at that time. There were then several short variants of the PV released for year 2/Endless Halloween Night (part 1 / part 2 / part 3 / part 4). Altogether, they feature all of the characters, including the students from year 1 but heavily shadowed and with glowing eyes to indicate ghostly possession. Even Glorious Masquerade features all of the students that get new cards for the event plus Rollo, although there are notably more still shots here. The Stage in Playful Land CM, by comparison, is significantly shorter and only shows us the three SSRs (Ace, Ortho, and Kalim) as well as the two new characters (Fellow and Gidel).

As this anon has said, the anniversary PVs have changed a lot over time too. The first one was the most animated and integrated several event outfits. The second one was also animated a fair amount, but you can tell corners were cut in some places where they transition to photographs/still images. This alone works thematically given that the player is a photographer, but you can still catch dips in quality when it comes to the art style. I remember finding Deuce running and the Kalim + Silver flying scene odd, as well as Jade and Trein's faces strange in general. Then the third PV rolls around and it only features the third years; the animation also seems to be much more sluggish (although this could be a stylistic choice; not sure). A friend actually recently pointed out to me that Lilia's pose looks like he was pulled straight from other assets; his artwork in the animation is almost the exact same as his smiling expression in the game. This year's is the most different (+ most static) and, like year 3's PV, only provides "new" content for a select few characters (the dorm leaders). They also reuse pre-existing illustrations already found in the game that don't seem to be picked for any particular reason (like, there are random Master Chef/Culinary Crucibles groovies in there). This direction, I'm guessing, is less costly and more efficient than making an entirely original animation, which is what was done in previous years. (Not that Disney or Aniplex is hurting for money to fund this, lol) Would I have preferred another PV in the style of year 1's? Yeah, for sure. I want to see other events and their outfits animated! Was what we got this year bad? Not necessarily; I think the production and editing was very technically impressive, but I'm still sad we didn't get anything substantially "new" to chew on (as someone who isn't a fan of most third years or the dorm leaders). Maybe it's just something we perceive as a deficit only because year 1 set the bar so high. It is what it is; whoever was in charge of the anniversary PV was probably doing the best they could with whatever budget they were given 😔 Let's hope that next year's will be a return to form, or that at least the money/effort is being redirected to other bigger projects (maybe the anime?).

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schlong2 · 6 months ago

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latest fix rant time

none of my friends want to talk to me about monkey movies and then i remembered i have a whole blog dedicated to my latest fixations so. i've watched Kingdom of the Planet of the Apes two (TWICE ✌️) times in theaters. this was after watching the newer trilogy (Rise, Dawn & War) and the first 1968 original in prep.

things (SPOILERS!!!):

Kingdom's run time is 2 hours and 25 minutes. this is incredibly long for a movie. compared to 1968's 1 hour and 52 minutes, that's a half hour difference. Infinity War was 2 hours and 36 minutes for reference. that's a whole marvel cinematic convergence, but ape. the run time isn't exactly the issue i've seen talked about. it's the pacing. sitting twice through this movie was not a problem for me. i sat there engaged all the way through. on the second watch, i tried to be mindful of times in which it might have been dragging for the average person, and i like, literally couldn't find any. pretty much every scene had meaning and didn't drag imo. which is something these newer movies do extremely well. Kingdom is pretty equally split between verbal communication and sign language compared to the first three before it. the apes use both verbal and visual cues to talk. but because they don't talk every single time, it makes every moment that they do feel special. it reminds me of the Quiet Place concept, where most of the movie you only hear a human voice a few select times when it's safe to do so. Rise, Dawn, & War were kind of like this, as Caesar only really spoke when he was trying to make a point or communicating to humans, who are mostly speaking in those movies. he speaks more as he gets more fluent, and by War, he can speak very well. we see other apes like Koba, Maurice, Blue Eyes, and Bad Ape also speak English. these moments are rationed pretty well throughout Kingdom, making the dialog more select and meaningful. this makes every time these beasts talk feel like it means something and isn't just fluff to fill your ears. every other scene feels like it's building or showing a side of a character we hadn't seen before, and the scenes between those advance the plot or are like, really action-packed. i just don't see why some people say it has pacing problems. it's just long. i understand the average person's attention span is super short, but when you're sitting down to watch two and a half hours of movie, you gotta know there's gonna be downtime. moments where they're not fighting or advancing the plot. and i think that's GOOD man. but im also not one for action/adventures very much so maybe that's it? i think a lot of people maybe watch these apes for the violence and conflict rather than their introspection, genuinely thoughtful world building, and complex characters. and hey, that's completely fine to enjoy, but POTA is originally about morals and asking the audience questions and posing dilemmas to popular beliefs at the time. ok

Raka. he's great. Peter Macon has this butter smooth voice that's just perfect for the kind of character he plays. you can't help but like him. but he dies like 1/3 into the movie and is really only there to religion dump about Caesar (ape jesus) and then he's swept away. people are complaining that that's all he was really there for. to explain the real values of Caesar and provide a foil to Proximus. and i agree to some degree. i really hope he's not actually dead. his presence and death are felt throughout the movie, as both Mae and Noa (mostly Noa vocalizes it, Mae just silently shares in his loss and i think cries at one point?) seem to mourn him, saying shit like "if Raka were here..." and especially at the end when Noa gives the Caesar pendant to her. it's the shared memory of Raka and what he devoted his life to. but they never really like, actually linger on his death. there's a moment after he's swept away, and the shot stays on the rushing waters, Raka no longer visible and plays some sad tunes, but like. C'MON. he's not really dead. he isn't please tell me he isn't PLEASE

Noa isn't Caesar. i honestly do not get why you would want otherwise. of course, he isn't Caesar. we don't need another Caesar. he had a whole three movies to be the center of. i would be extremely disappointed if they just made a carbon copy of him or made Noa like a direct descendant of him or whatever. i hate that Chosen One bullshit. Caesar was just a guy that wanted peace for his people and that got him killed in the end. Noa is also a guy who wants peace for his clan. they're both leaders and have good hearts, but like. they're different characters. i LIKE that Noa has no relation to Caesar, i LIKE that he's his own character with his own ideals and purpose. Owen Teague does a wonderful job making the character his own. i mean Andy Serkis is Andy fucking Serkis. pretty big shoes to fill and i think Teague has the right foot size you know. i heard one guy say like "we've had our time to mourn Caesar" and yeah. we have. let's accept that and move on

WHERE MY APE DIVERSITY AT. we get a fuck ton of chimps, ONE orangutan, ONE gorilla, and ONE bonobo. what the hell. i mean. what is with the bonobo villian. Koba i fucks with because bonobos are some of the most playful, nonviolent apes out there. that humanity and its cruelty could twist a naturally peaceful creature into what Koba became.. i mean, that's great. but again with Proximus? maybe trying to evoke some of the same energy and nuance Koba had? ALSO. GORILLA PSA they are like so sweet. all that muscle is there to protect their families, and they're strictly vegetarians. i feel like Rise, Dawn, & War portrayed this better with most of the gorillas getting bodyguard jobs because of all their bulk. especially when Luca tucks that flower in Nova's ear. man. and Red going out like he did. gentle giants. in Kindgom we just have Sylva. gorilla henchman for Proximus. that's it. then we have Raka, the one orangutan character that i saw. wise and knowledgeable, guides and accompanies Noa and Mae then dies. at least we get one female chimp character that's more than just wife or mother. wikipedia lists Soona as Noa's love interest, which i can totally dig, like it's there. he takes her to the telescope at the end of Kingdom, which is more than what we saw romance-wise between Caesar and Cornelia. and the only other important chimp female is Dar, Noa's mom. in Rise, Dawn & War there was usually only one of each species of ape assigned a main role, but we saw much more diversity it felt like. maybe that's because there were smaller in numbers and have since spread out in the last 300 years? also like, bonobos are known for having female-female & male-male sex. dont know about the other apes. my friend mentioned that Raka said something about having a male companion and promptly searched reddit. all they had to say was: gaype?

the visuals. dear god the visuals. this movie is just visually stunning. absolutely breathtaking. they did a great job. i mean Rise, Dawn, & War are all triumphs of cgi and are excellent examples of the animation style done right. i did hear some guy say there is a loss of texture, as mostly everything in Kingdom is cgi, from the characters to the landscapes. but there's an explosion of texture in this film. there's one point where Noa is covered in the ash of his village and you can see it on his fur. there's quite a couple water scenes where the moisture clings to the apes' fur. It's all very impressive. great work

the references!! Rise especially has a ton of them (IT'S A MADHOUSE!!! & GET YOUR STINKIN PAWS OFF ME YOU DAMN DIRTY APE), and names like Nova and Cornelius, but Kingdom... i picked up on at least three main instances, but im sure there are more. there's the scene where the apes are rounding up the feral humans, and its very reminiscent of the scene from 1968 where they're doing the same thing for sport. there's the scene where Mae is running in the field, and she jumps on that log structure to get to Noa, which is nearly identical to a similar scene in 1968. the scene when Noa, Soona, and Anaya are exploring the human bunker and they come across an old classroom. one of them picks up a doll that says a distorted "Mama" which was huge in the original because that was evidence that once man did speak, why else would he make a doll that talked? superb call backs to the og. respect what was there before

SCHLONG THEORY

here me out guys. the starring ape-human relationship in Rise was between Caesar and Will. this type of love is called storge and describes the love a child has for a parent as well as the love a parent has for their child.

the starring ape-human relationship in Dawn was ultimately between Caesar and Malcolm. which i believe is truly philia towards the end, the love between friends and allies. just two dudes trying to keep peace in the world.

in War, i mean Caesar well and truly hates the Colonel. like more than he's hated any human in his life before. close to mania, obsession. anyways it's a study on this type of relationship between an ape and a human. true, all consuming hate.

SO in the newer movies we've explored familial love, platonic love, and hate, between an ape and a human.

in Kingdom the main ape-human relationship is between Noa and Mae. and their relationship is complex. not really that friendly and certainly not familial. no trust. some kind of begrudging respect maybe? i just think it would be neat if in further installments they explored a romantic love between a human and an ape. ok.

i KNOW Noa and Soona are probably going to get ape married and they're never going to touch on the subject but i just find it hard to believe that in the last 300 years or so that's NEVER been heard of. apes have the same level of intimacy between each other as humans do in this universe and can willingly consent. what are you so afraid of wes ball

after all, the whole franchise is about how apes, when given intelligence, compare to humans and begs the question: how different are we really?

is it possible for an ape and a human to fall in love?

#WILL talk about sentient apes for hours #straight off the noggin #kingdom of the planet of the apes #he was an ape #she was a girl #can i make it any more obvious #schlong rants

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sundrop-writes · 1 year ago

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Ghosting

Mike Schmidt x Fem!Reader

Summary:

Mike has been in love with you for as long as he can remember. For about as long as the two of you have been best friends. He always thought he would have more time to work up to confessing those big, dangerous feelings for you - until something more dangerous swooped in and stole any time he had left with you.

Mike Schmidt x Fem!Reader. Star-Crossed Lovers. Pure Angst. Set during the events of the movie (and features spoilers for the plot).

Word Count: 3,700

Horror Characters Masterlist | AO3 Link

Full list of warnings and author's notes below the cut.

Warnings: this fic contains major spoilers for the film - so if you haven't watched it yet and you're just here for Josh Hutcherson being sad and beautiful (and if you want to watch the film unspoiled) be warned; this fic does use Y/N; this fic is almost pure angst - the beginning is fluffy, but that only exists to make the angst hurt more; this fic does not have a happy ending; hurt, no comfort; this fic has mentions of Mike's past traumas and him having symptoms of PTSD; the reader is a mother figure to Abby; Mike refers to the reader as his 'wife' (in his mind, not in dialogue); Mike is in love with the reader (and it's implied that she knows this/can sense his feelings) but he doesn't get a chance to actually confess to her and they aren't in a romantic relationship at any point during this fic; (uh, kind of spoiler for the fic but this was in the prompt/request) - major character death: the reader character dies after being stabbed by Springtrap/William Afton/The Yellow Rabbit (gotta love fnaf - when a character has that many names); mentions of blood; descriptions of violence - descriptions of the fight between Afton and Mike, descriptions of the reader being stabbed by Afton; Abby is there to witness the reader's death; idk what the other warnings are aside from major angst - this will be an emotional gut punch. Anyway, please enjoy it lmao.

A/N: The title of this fic comes from the song Ghosting by Mother Mother. I was listening to different songs trying to pick a title, and I really like how this one fits. How their romantic love was like a ghost in their lives - not discussed, but felt between the both of them, and after she's gone, she becomes a ghost in his life.

...

Mike woke up to the smell of pancakes.

Typically, mornings were his least favorite time of day. Seeing as he was the kind of person who didn’t sleep well, didn’t sleep at all, or found himself consumed by nightmares when he did - most mornings, he was too tired to comprehend the world around him. Mornings were a chaotic mess for him as he tried to pull himself back from the brink of insanity while operating his sluggish body with far too little energy until he got some coffee into his system. He came to resent mornings, as for him, they existed only in a dreadful haze.

And he rarely ate a proper breakfast because of it. Most of the time, his ‘breakfast’ consisted of a large cup of coffee and a few pieces of Eggo waffle that he would snag off of Abby’s plate going out the door as he scolded her for not finishing it all.

The second that the pleasant smell of freshly cooked food reached his nose, his stomach growled.

Through the sleepy fog of his brain, hearing voices - multiple voices - coming from down the hallway, he realized that it wasn’t just Abby and some muffled cartoon characters from the TV.

“Which one?” Abby posed, her voice bright and curious as ever.

“Personally… I like the red sweater. It matches the red laces in the shoes you picked,” You replied, raising your voice slightly to be heard over the sizzling of the pan.

You were helping her pick out her clothes. Abby would have never wanted Mike’s help on the subject. So often she scoffed at him if he suggested that he could help her put her hair in a ponytail or if he told her that she should put on a jacket if it was cold outside. But she asked you for your advice about clothes because she admired you. She thought you were pretty, as she had told Mike on multiple occasions (not so subtly hinting that he should date you).

Mike heard footsteps thundering down the hallway as Abby rushed to her room to get dressed, likely carting along the clothes you had helped to pick. He distantly wondered how you had gotten into the house before he was even awake.

And then, he remembered - a few weeks ago, he had given you a key to his place.

It was something that had come after he had accidentally locked his own set of keys in the car, his mind jumbled and forgetful after not having much sleep the night before. And with the evening ticking on and the takeout you had picked up for the three of you quickly getting cold in your hands (everyone eager to simply get into the house and eat) - Mike had been hit with the realization that any solutions to unlock the car - the spare key, a metal coat hanger, a phone to call a mechanic - were all locked in the house.

So he had hoisted Abby in through her bedroom window (after scolding her for not locking it) and gotten her to unlock the front door. And shortly after that, he had given you a house key, because generally, you were better with things like that.

You were much more organized - your mind a clear, calm palace compared to the chaos that Mike often found himself swamped in. You were someone who worked incredibly well under stress, and that was why Mike valued you so much in his life. Right from a childhood where the two of you had pulled pranks together and he had been copying your homework, to the time he had leaned on you during the initial stress of Garett’s disappearance - up until now. When he was a messy, disorganized adult who still needed you far more than he was ever willing to admit.

It was just one of the many reasons he admired you so much. You took care of him in ways he couldn’t even put into words.

He smiled to himself as he heard more of your chatter with Abby. Previously, he had remarked that the key was for ‘emergencies only’ - but he couldn’t bring himself to care all too much about the breach of that rule as he tumbled out of bed. Especially when the smell of bacon also reached his nose as he walked to the bathroom.

It was when he was pulling on his pants that he glanced at the clock and realized he was already running on the late side. Not too late yet, but he had to put some urgency in his step. He had somehow forgotten to set his alarm, today of all days, when he would be meeting with a career counselor after the disastrous incident that got him fired from the mall.

He rushed down the hallway struggling with his tie, bringing his usual air of chaos with him. His heart instantly warmed at the sight of you and Abby - you had her sitting at the table, somehow so much more polite and cooperative for you, with a glass of juice beside her plate while you scooped freshly made pancakes onto it.

“You know, usually when most people break and enter, they don’t make breakfast,” Mike commented, his voice cool and jovial as he grew increasingly frustrated with his tie.

He thought he was forming the knot correctly, but it kept falling loose in his hands, causing a deep crease across his brows as he frowned at the fabric.

You giggled at this - both at his words and at his obvious struggle. You put the pan on the counter as you walked toward him, leaving Abby to pick up the bottle of syrup and begin thoroughly drowning her pancakes while you weren’t looking. You knocked Mike’s hands away in that wordless kind of care and began calmly tying his tie.

“Well, I considered going the traditional route, but there’s nothing worth stealing here.” You remarked, playing off the banter that was only built between the two of you after years of friendship. “Plus, The Breakfast Burglar has such a nice ring to it.”

“That makes it sound like you steal people’s breakfast.” Abby giggled.

“I would, if certain little girls didn’t drown their pancakes in syrup.” You replied, not bothering to look over your shoulder at her to know what she was doing. “That’s enough, Abs.”

She rolled her eyes harshly at this, but put the bottle of syrup down and picked up her knife and fork.

Mike grinned widely at this. You were more like a mom to her than their own mother ever was. And the fact that you knew her so well and took care of her without question always brought him joy.

His smile only widened when you smoothed a warm hand down the front of his chest, and he looked down to see a perfectly neat knot in the front of his tie. He felt a tingling swarm of butterflies in his stomach at your touch - something that threatened to spread through him and turn him into a dizzy, lovesick fool. Urgently, he needed to distract himself with something else.

His eyes shifted over to the side table, and he realized that his keys weren’t where he usually threw them down when he got home.

“Have you seen my-?”

Once again, you were two steps ahead of him. More organized than him.

“Keys.” You said, turning around to the counter and holding the key ring up on your fingers. “Your resume, formatted and printed.” You held up a folder that contained this as well. “Your wallet, and breakfast burrito.”

You gathered up his wallet and a warm bundle wrapped in tinfoil - his breakfast. The small notion of caring, the fact that you thought ahead to make something he could eat while rushing out the door - it caused that dangerous tingle to overtake his stomach once again. As you crossed the room and placed all the items in his hands, he had the intense urge to lean over and kiss you - he knew the domesticity was crippling.

You had been his best friend for years, you had helped him take care of Abby for as long as the little girl could remember. You felt more like a wife to him than anybody else ever would.

And yet, you had absolutely no clue how he felt about you. It would have felt like the most natural thing in the world for him to lean over and kiss you goodbye before leaving - just like a husband would do with his wife. But the two of you weren’t married. You weren’t even dating. You took care of him because you were his best friend. Because you had always taken care of him the way a best friend should.

“What would I do without you?” He said, knowing that the pure fondness in his voice could have easily given him away - if he didn’t talk to you like that all the time.

“Hmm… probably run around naked and starving,” You chuckled, shrugging as you walked back over to Abby and sat down beside her at the table. “Now get going. I’ll take Abby to school.”

“Have a good day, Abs.” Mike said, wishing his sister well - only to receive a mindless nod in reply before she went back to chatting with you about something, excitedly telling you a story involving one of her imaginary friends while you watched her with absolutely rapt attention.

He moved toward the door, but he found himself caught up in the sight of you. You were a hero in their little world as you rushed to save one of Abby’s drawings from some syrup that dripped off her plate. When you complimented the picture, she glowed with a smile he hadn’t seen in days.

That was a huge part of it, too. The love he felt for you that grew more agonizing each day. You brought out all the best parts of Abby, as well as keeping Mike himself from going truly insane.

For a single moment, he wondered if he should tell you. He wondered if he should just blurt out the words before running out the door, leaving you to simmer in it. Giving you time to think about it - to yell at him about it later.

It hovered on his tongue.

I love you. I’ve been in love with you for years.

But when you looked over and saw him still standing by the door, he locked eyes with you, and suddenly it was gone again, swallowed up inside of him like a nasty ache that would live there forever.

“Go, Mike! You’re gonna be late!” You said, your voice edging with casual laughter.

You picked up one of the couch cushions and swatted him with it as you walked by to get Abby a paper towel from the kitchen.

No. He would tell you some other time.

Perhaps he wouldn’t work up the courage to tell you at all.

…

He was going to die. He was going to be killed.

And he wasn’t going to get the chance to tell you that he was in love with you.

Strangely enough, that was the one thing Mike was thinking about as he laid on the cold, dirty floor of Freddy Fazbear’s condemned pizzeria. His stomach burned with searing pain as he received another kick from the large, intimidating monster that he knew only as the Yellow Rabbit.

He was going to die. He wouldn’t get to tell you how he felt. He would never get to see you ever again.

He was going to save Abby. He was going to make sure that she got out of here, escaped somehow. And you would take care of her. That thought was a singular comfort to him as he felt one of his ribs crack from the metal (poorly disguised by the foam and fabric around the edges of the suit) colliding with his torso.

“It’s beautiful, isn’t it?” The Rabbit mocked him. “I killed your brother, now I get to kill you. Symmetry, my friend!”

“Get away from him!”

Mike almost thought that the intense pain had caused him to hallucinate, or that he had hit his head on the floor hard when he had been thrown down - it couldn’t actually be you.

But he heard your voice, fierce and fiery as ever, defending him as you had so many times before. He struggled to get his head up to look, but he caught a glimpse of the Yellow Rabbit as the strange animal collapsed.

You had picked up one of the chairs, and brought it down over the Rabbit’s head, perfectly imitating something that would have been on Monday Night Raw. Except this was pure wood, not a collapsing chair, and all the pieces that splintered and fell in front of Mike as the Rabbit collapsed were because of the pure force of your hit. The fury of which you defended him and his life.

“Y/N!” Abby yelled your name from across the room.

She rushed into your arms as you stepped over the Rabbit’s prone body, and you swept her into a tight hug.

“Are you okay? Are you hurt? What’s going on?” You rushed to ask, brushing her hair out of her face to inspect for any injuries.

“I’m fine.” Abby told you. “Mike-” She then turned to her brother, frantic, and pulled away from you to fall to her knees by his side.

“Mike, what the hell is going on?” You asked, on your knees at his side just as quickly.

You turned him over on his back, inspecting him for injuries now - definitely not liking what you found.

Abby held his hand and he grasped it right back, his head still dizzy from the thorough ass-kicking he had just experienced.

You gasped when you saw blood leaking through his shirt. He grunted in pain when you pressed your hand into the wound, clearly trying to lessen that bleeding.

“What - what are you doing here?” He croaked out.

As much as he was thankful for you swooping in and saving him, he wished that you were safe somewhere else. Anywhere but here.

“Abby left her jacket in my car, and when I went to return it, I saw your Aunt Jane passed out on the floor, and - and, I just had a bad feeling.” You rushed to explain. “Somehow, I figured you’d be here.”

Mike hadn’t exactly told you the details of what was going on.

As close as the two of you were, he wasn’t sure if you would be entirely receptive to the concept of Abby being ‘friends’ with robots that were controlled by ghost children, and Mike somehow feeling connected to his own missing… dead brother by being in this place. He had simply told you that his new job was a night shift at a creepy old abandoned pizza place.

But of course, you were two steps ahead of him. As always.

You pulled back your hand to inspect the bleeding, and Mike groaned again.

“Should I call an ambulance?” You asked, and Mike shook his head furiously.

“No, we have to-”

We have to leave. You have to leave. You have to get Abby out of here, to safety.

All of those words dissolved on his tongue as he watched with utter shock. He wanted to scream as a big yellow hand clasped onto your shoulder from behind, and soon, a pair of large rabbit ears rose up from the floor.

He wasn’t down for the count.

Before he could speak, before he could move, Mike’s throat became choked as he saw your expression shift from the kind concern that you had worn for him many times - to pain. A brutal shock of your own.

The Rabbit had shoved his knife into your back.

A bright pool of red began to form in the middle of your shirt as the tip of the knife just barely poked through the center of your chest.

“No!” Mike shouted, rushing to sit up despite the pain screaming in his body.

He put a shaking hand to the middle of your chest as though it mattered, as though he could save you from this. He hated how warm your blood felt underneath his fingers.

Abby let out a scream beside him. Distantly, in the back of his mind, he felt a pang of guilt that she had to see this. That she would spend the rest of her life trying to get over this.

“It hurts, doesn’t it?” The Rabbit mocked him. “It always hurts more when you love them!”

The Rabbit let out a brutal laugh and then yanked his knife from your back, and you released a sharp breath as the Rabbit shoved you toward Mike, causing you to collapse into his lap in a bloody heap.

Somewhere far away, in another world, Mike heard Vanessa shouting from the doorway. Maybe he felt some sense of relief, thinking she would shoot the Rabbit down and this would all be over. But as the Rabbit’s attention was drawn away from him, he turned to where you were draped across his lap, the small pool of red on your shirt now soaked into a large puddle as you sputtered and some of that harsh bright red blood came out the corner of your lips.

“Mike-” You choked out, reaching for him.

“Tell me what to do,” Mike choked out.

His mind was miserably blank. He felt your fingers clutching at his bicep, like he held the key to saving you, like he could restore your life - but his mind was screaming and his chest collapsed in on itself.

You were always the one that guided him. He didn’t have an idea if you didn’t plant it in his head first.

“Y/N,” Abby sobbed.

“It-it’s okay.” You told her, struggling, gurgling, choking on your own blood. You took your grip off Mike, extending the hand weakly to her, and she took it. “It’s g-gonna be okay.”

She let out another harsh sob, and Mike felt his lungs fill with stone.

“Tell me what to do,” He said desperately, not realizing how thick his own voice was, how close he was to breaking down. He ran a trembling hand over your face, brushing away some stray hairs - he hated how cold you felt to his touch. “Please, tell me what to do.”

He thought you might suggest some first aid. An ambulance. Tell him where your car was so he could carry you there, cart you away, get you to safety.

“You-re g-gonna take c-care of her-r.” You told him, shifting your eyes distinctly from him toward Abby, giving her hand a squeeze. “You’re gon-na m-make it ok-ay.”

“Y/N.” Abby cried, thick tears spilling down her cheeks.

“Abby. You’re gonna b-be s-strong.” You grinned at her - your teeth were covered in blood, and it looked as menacing as it did fond. “You’re g-gonna be good for-r M-Mike, right? My little a-artist.”

Abby nodded, more tears leaking from her eyes.

And then, with some gears turning in her head, these words seemingly having triggered some line of thought, she looked up and spotted something across the room. She muttered something about the drawings and leapt up before Mike could stop her. He didn’t have the strength to chase her - he only hoped that she was leaving, escaping while the others were distracted.

When he looked back down at you, your face was falling more limp, and your shirt was somehow even more soaked in blood. His jeans were wet, and he couldn’t even process why. He pressed a hand to the front of your shirt, trying to cover the wound as you had done with him - his muscles shook even harder when blood gushed out between his fingers and seemed to leak from you harder, as if to spite him.

“Y/N,” He sobbed, leaning down. He cradled the back of your head and touched your forehead against his own.

For a moment, he dreamed about putting his lips against your own and bringing you back to life with a kiss. Like some stupid fairytale.

“Y/N, I-”

I love you.

“I - I know.” You croaked quietly, cutting him off. “D-don’t w-waste it on me now-w.”

He felt the puff of your last breath as it expelled out against his cheek - he felt you go completely limp in his arms.

“No-” He choked the word off in his throat, swallowing down sobs.

No.

He held you tighter against him, and feeling how cold you were, he let out a shuddering howl of a sob. He clasped your lifeless body against his chest - somehow believing that he could use the power of his grief to inject more life back into you.

The rest of it was a blur. The deadly snap of springlocks, Vanessa shouting at him to abandon you - to abandon your body as the building collapsed in on itself.

Mike didn’t truly break down until he was scrubbing his blood off your face in the bathroom sink that night. Seeing the red washing down the drain and knowing that it was the last traces of your life he was washing away - that was what truly did it. He collapsed onto the floor and stayed there for hours, sobbing more than he breathed, unable to move.

When his cries finally died down, Abby slowly crept in and asked him how he was feeling. He lied, telling her that he was feeling fine. She raised up a shy hand, offering him one of your sweaters that you had accidentally left on their couch a few days prior.

He thanked her and then finally peeled himself off the floor. He tried to make pancakes and Abby remarked that they weren’t as good as yours. It felt impossible, but her words made him smile. It was a small, dull smile - but it was a smile, nonetheless.

A few days later, when he finally fell asleep for the first time after you had died in his arms, it was with that sweater wrapped around his pillow, wafting your faded smell into his nostrils. It was the first time in years that he didn’t dream about Garett. The dream he had about you was just as haunting.

...

A/N: Also, I don't know if Afton's knife would actually be long enough to go through someone's back and pierce out the front of their chest but - one, it's a cool imagery, and two, the knife looks pretty large when compared to the scale of the Springtrap suit hands. Anyway, I don't actually care all too much if it's accurate or not, I had fun writing this lmao.

#sundrop writes #mike schmidt #mike schmidt x reader #mike schmidt x you #mike schmidt x y/n #blood tw #fnaf #five nights at freddy's #fnaf movie fanfiction

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ziyuanyuan1113 · 2 months ago

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I am in love with your art style. I love all your jjk art, it’s like stitching back the pieces of my shattered heart. Your art is so soothing and has such a warm feel, I love it. Also if you don’t mind me asking what program do you use for your art, and do you have any tips? I strive to someday create art that gives the same feeling of comfort as yours. Thank you <3

Thank you so much for the kind message! I'm actually in the middle of making another jjk piece but it's been a while so I've been trying to remember and consolidate my process. This ask came at a great time hehe

I use photoshop for most of my art pieces but I think there are a lot of cheaper alternatives (procreate on Ipad, clipstudio paint, medibang etc) that would work just as well. As for tips, I have a technical and an emotional one:

My technical tip would be to use references!! Especially if you're just starting out, it's SO IMPORTANT imo for catching mistakes especially with anatomy, lighting and perspective. And by reference I mean real life photos. I think you can be inspired by other artists' work, but there is the danger of picking up their bad habits if you only use their work for reference. I would recommend sticking mainly to real life and looking to other artists only for resolving specific stylistic details once you have a solid grasp of your fundamentals.

I would start with a rough sketch first of whatever you want to draw and then look for refs that match the mood and tone you want to go for. Get the idea down first and draw from the heart. Then the refs come in to help with the specifics (ex. what a window looks like, how someone would hold a cigarette) The jump from the rough to the clean line version is an amalgamation of all the little things you learn along the way. For example, on one day, I learned that clothing folds usually start at one point and spread out. Then another day, I learned how to do 1 point perspective and so on and so forth. Then all those tidbits slowly add up to help you get better and better.

2. My second tip would be to understand what you want to convey with your artwork. If it's fanart, what about the media that you're interacting with draws you in? It doesn't always need to be a complex answer, sometimes you just want to draw a character because you think they're hot and that's totally valid imo.

I occasionally tutor very young artists and oftentimes, they will tell me that they want to draw like X artist or X painting/piece of media. I always try to encourage them to go deeper. What about that drawing resonates with them and what specifics are occurring in the picture to make them feel that way? For example, I recently realized I love environment heavy drawings not for the background itself but because they ground the characters and seeing them do mundane things makes them feel more real to me.

For the example below, the whole set was to explore friendship and mental health. Sometimes just having someone there who listens and is willing to talk with you can make a huge difference.

Once you know the purpose of your art, then I think it makes the decision making for the rest of the process much easier. What type of lighting scenario conveys support and comfort? I went with dusk. Then I started searching up references for dusk lighting. Couldn't find the ref I actually used for colour but a quick google will show you lots of similar options.

What kind of poses feel in character for Shoko vs Geto? What is the focus of the picture? As much as I love details, I think sometimes they can actually take away from the main message. For example, if I had rendered the lamp on the right a lot more, it would've distracted from the main point of the picture so I tried to keep that and the background in general simple (still something I need to improve on haha).

Then those extra technical things (value structure, cool vs warm light, reflective lighting, connotations behind colours) you pick up along the way are all there to help you better communicate what you want to convey with your art.

Okay I lied one more tip, be patient and learn to appreciate the process. Like with any skill, there are a lot of technical aspects that you have to study and practice. I think because the end result is so visual and easily accessible in comparison to other hobbies/jobs, it really cripples beginners. Even with writing, you won't realize a book is good until you learn how to read. With art, you can resonate with a painting without having drawn a single line yourself.

I think beginners and even professionals see a lot of beautiful finished artwork and get enticed by that only to be discouraged when they find their process/finished work didn't end up the way they wanted it to look. Treat it like you would learning how to write. The fundamentals can be tedious and do take time to drill into your head, but learning them will help you SO MUCH with the creative fun parts. You can't write a poem without first taking the time to learn the alphabet, spelling and grammar. You're also probably going to write a bunch of shitty poems before you write that one good one, but that's okay because each piece lets you experiment and exercise your voice. Art is the same thing, don't rush it! Enjoy the process and celebrate your improvements.

#omg i typed way too much but i have a lot to say!!#thank you for the ask this was actually so therapeutic lmao #ask #my last advice...is to be selective about who you take advice from #so you can just ignore all this or cherry pick what resonates with you and your process

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machveil · 2 months ago

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Beautiful, cute, dulzura, A quick question, do you have any advice for drawing? I see your drawings and I just fell in love with them, I just started drawing again but it's difficult...

I don't know, sorry, English is not my first language, using translator jiji 🤎🍁

(note: this post is long, grab a snack lol) ah! no problem, don’t worry about the translator haha (pinterest link - this is my masterboard for human references! I’ll talk about it more below)

I think my best advice for anyone wanting to draw is to break down your piece into shapes! (also, depending on your style, using different line weights)

from my experience, while looking at the whole reference is good, it’s easier to break down individual parts! while some parts can look complicated, a lot of things can be broken down into triangles, squares, and circles (or half circles)

I focus on character art, so I’ll be speaking about that - but it can applied to scenery and objects too. a lot of characters clothes are broken up into colored articles already - in the top reference, Ghost has a red bandanna on his arm! that bandanna helps break up his arm: the top near his shoulder is triangular, the bandanna itself is overall rectangular, and the bottom of his sleeve is a square

of course, depending on how you’re posing the character it can change the angle of what we’re seeing - there’s also an accommodation that your art probably won’t be a 1-to-1 copy with your reference. Ghost’s right arm (bandanna) has a white rolled up sleeve - while the model’s sleeve is square, I prefer to draw rolled sleeves more triangular

I think line weight is also important depending on your style! I prefer thicker lines around the entire character, and defining qualities also get thicker lines

I like thinner lines inside the character to help define dimensional shape and form. I use thicker lines on the inside of the body if there’s a shape/area that’s more in the foreground - example: König’s chest and midsection have thick line art to help differentiate from his left arm (behind his body)

I know a common piece of advice is to use real life references, and I agree… but, I never hear people talk about how to use references in a way that actually helps (“just draw from real life”, or “drawing with a reference is good practice”). I experienced that and wasn’t able to take anything away for years!

within the past year or so I seriously took a look at how using references can help me, so I want to try and talk about that - if I had trouble learning from references I’d wager someone else has

here’s my best example of using a reference because I actually remembered to! I labeled the figure to make it a little easier to follow

(1) my first tip is using a reference to figure out how the body ‘flows’. the human body has a lot of soft, rounded lines when you look at a picture - very few things are legitimately straight and sharp. I used the reference specifically to figure out how men’s pecs are shaped (of course, this is just one reference… because this is my headcanon for König’s body type haha)

(1) looking at references can help you understand how muscles move. in the reference with the woman, you notice how her right arm (down) muscles are layered - the shape portrayed by the reference lets you see how an arm’s muscles might be laid out in that position

(2) my second tip from the König reference is to look at negative space! the highlighted red portion between the arm and midsection is roughly the same negative space as the reference. if you’re using a reference and something feels off with the placement of what you’ve drawn I’d recommend looking at the space your reference takes up

(2) the negative space trick helps me line up where proportions should meet up - the distance between her arms lets me gauge how the rest of her body should be proportioned

(2) while it doesn’t match up 1-to-1 with the reference when layered overtop, it doesn’t have to! the negative space between the arms was enough for the sketch to mimic what the reference looks like. art doesn’t have to be a 1-to-1, but negative space can help you figure out ‘why does that arm look funny?’, “that arm looks funny because, compared to the negative space of your reference, it’s too (far away/close) to the body.”

(3) my last tip is the simplest, so I’ll just be referring to the König figure! when using references I look to gauge the distance between different body parts - it helps me get more realistic proportions. the bit I specifically compared to was the man’s stomach placement compared to his waist. I didn’t copy it 1-to-1 because I like the idea König has more of a tummy, but the reference allowed me to figure out an anatomical placement for where König’s stomach would be compared to his waist

I hope my advice wasn’t terrible haha everyone’s art journey is different, but these are tips I would have liked to know a few years ago (specifically the reference material ones lol). I wanted to focus more on the reference material because when people say ‘just use a reference, it’ll help’ it didn’t do it for me

I personally needed a more in depth explanation on why I would use a reference, what should I be looking at - because just drawing a person doesn’t necessarily help, and how should I be learning from it - I accidentally taught myself negative space before I knew what it was

but uhm… yeah, I hope this wasn’t awful! good luck on everyone’s art journeys, just remember that you’re allowed to take your time and try different things

if you guys have any other questions about my art feel free to jump into my inbox; process wise, inspiration, etc - I’ll answer anything I can<3

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adorkastock · 10 months ago

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Sorry if you've answered this before but why did you change your name from Senshistock to Adorkastock

Oh yes! Let's talk about it! ⭐ When I started making pose references I was doing them for myself so I could draw Sailor Moon OCs. Fandom friends were like, "Wow nice poses!" and I was like "Thanks, it me." so they asked to use them, too.

I started making more poses focused on Sailor Moon themed characters and ideas which is why I chose the name "SenshiStock." Senshi is the Japanese word for soldier and the characters in Sailor Moon were called "bishoujo senshi" AKA "pretty soldiers." (In the modern incarnations the branding as been "pretty guardians" to focus more on the protection aspect vs the fighting aspect.) Eventually people started asking me for poses that were outside this theme and I began to expand my gallery. For many years I kept the name but for a long, long time it was feeling like it didn't fit anymore. Only - I didn't have a new name? SarahStock was one but she's a Canadian wrestler so I didn't want that to be confusing. 😅 Fast forward to 2018/2019 when I started getting really serious about my hairbow making business. I needed a name and a friend (gosh I wish I could remember WHO) suggested "AdorkaBows" since my bows are pretty nerdy themed. I loved it immediately. After that it just seemed natural (and maybe good marketing?) to change my pose reference stuff to "AdorkaStock." It was actually my kid who made that suggestion. Brilliant little bean.

So yeah to summarize for the TL;DR:

SenshiStock name felt outdated thematically

I didn't have a good name so I didn't change it for many years after that feeling started

my bow business got a name AdorkaBows

stock followed along = AdorkaStock

And that's how that happened. ♥

#ask adorkastock #about #FAQ

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honkytonk-hangman · 2 years ago

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How It's Done (1/2)

Jake 'Hangman' Seresin x Aviator!Reader

Warnings: erm maybe just some references to sex? jake being jake? language? minions. big warning for minions xD

Notes: This is part one of a two-parter, the next will be mostly smut lmao. Thank you for reading! I would love any feedback or comments and dont forget to reblog if you feel so inclined!!!

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