#action thriller film

[k-i-l-l-e-r-b-e-e-6-9]

The Warriors (1979)  directed by Walter Hill

[verocd]

[hdbmovie]

The Best South Indian Movie Leo

Leo (also marketed as Leo: Bloody Sweet) is a 2023 Indian Tamil-language action thriller film directed by Lokesh Kanagaraj and produced by Seven Screen Studio. The film stars Vijay in the titular role, alongside Sanjay Dutt, Arjun Sarja, Trisha, Gautham Vasudev Menon, Mysskin, Madonna Sebastian, George Maryan, Mansoor Ali Khan, Priya Anand and Mathew Thomas. It is the third installment in the Lokesh Cinematic Universe and is inspired by A History of Violence. The film follows Parthi, a café owner and animal rescuer in Theog, who is pursued by gangsters Antony and Harold Das who suspect him to be Antony's estranged son, Leo.

[batmandarkknightuniverse]

John Wick Chapter 3 Parabellum (2019 Film)

[lostinmac]

Alien: Romulus (2024)

Dir. Fede Álvarez

[anim-ttrpgs]

Exerpt from Eureka: Investigative Urban Fantasy. The Woo Roll is one of my favorite mechanics in a game full of my favorite mechanics.

[nine-frames]

"Why didn't he kill us?"

The Hitcher, 1986.

Dir. Robert Harmon | Writ. Eric Red | DOP John Seale

[skarsgod]

Bill Skarsgård as Boy in his upcoming movie Boy Kills World (2024).

[texaschainsawmascara]

Harley Davidson and the Marlboro Man

[l-ultimo-squalo]

The Hitcher (1986) dir. Robert Harmon

[agentnico]

The Count of Monte-Cristo (2024) review

Je suis Batman!!

Plot: Edmond Dantes becomes the target of a sinister plot and is arrested on his wedding day for a crime he did not commit. After 14 years in the island prison of Château d'If, he manages a daring escape. Now rich beyond his dreams, he assumes the identity of the Count of Monte-Cristo and exacts his revenge on the three men who betrayed him.

I’ve been really enjoying this recent wave of French blockbuster cinema creating these lavish big-budget adaptions of their nation’s classic literature, with the recent highly enjoyable duology romp of The Three Musketeers (D’Artagnan and Milady respectively) and now taking on The Count of Monte-Cristo. I was a major admirer of Alexander Dumas’ novels when I was a kid, and by admirer I mean my father used to force me to read those books which at the time I hated him for, as I much rather would have spent hours on end on my GameCube, but now am forever grateful that I have the knowledge of storytelling which I gained from reading those pieces of literature. So I’m eagerly hoping that now with these expensive modern movie takes we will also get some of Dumas’ other great works get the contemporary cinematic treatment, such as La Dame de Monsoreau and The Black Tulip (though the latter may be difficult as there is already an older film version starring Alain Delon, and would be hard to recast Delon, let’s not kid ourselves!). As for Monte-Cristo, I’m not even going to sugar-coat it - this is a fantastic modern adaptation of a classic!

The sets are great and really invoke the post-Napoleon era of France; the costumes are gorgeous; the music score is grandiose and epic, really engrossing you in this decade spanning saga of revenge; the classic story is reinterpreted so well with the themes and the emotion, and the acting across the board is superb. Oh and the cinematography is to die for - wonderful long shot landscape sequences, great use of lighting, gorgeous shots of interior palaces - you can tell this film has been given all the money in the world, only unlike Amazon’s Rings of Power TV series that looks expensive but lacks any narrative depth, this film is both great to look at but also has a great story with awesome performance. Look, I really really liked this movie, let me rave about it!! Of course if you’re not French, you have to deal with subtitles, however don’t let that sway you, as this move manages to tell so much using its visuals and powerful music score that at times you don’t even need to read the subtitles to understand the emotion the characters on screen are going through.

Pierre Niney is honestly superb as the titular Count. From how he showcases him in his younger years as the excited young sailor wanting to prove himself to years later being this highly intelligent and driven yet calm presence, as well as taking on the various alter-ego’s of the Count using his different masks (very reminiscent of Fantomas) such as the dastardly Lord Halifax - Niney does such a stellar job here. What I also loved is how this adaptation takes the “superhero origin” approach to Dumas’ classic, with the Count being showcased as this cool dark vigilante like Batman/Bruce Wayne or Zorro, and even his dark menacing suit (which is dapper as f*** by the way!!) emphasising that. All the props to Niney, he adds so many layers and nuance to his performance, that even when he is super reserved as the Count, you can tell in his eyes the disdain and pure hatred he has for the ones that wronged him, but at the same time being able to showcase his guard dropping slightly when he is in the presence of his beloved lost love Mercédès (played gracefully by Anaïs Demoustier).

As for negatives, as even though I absolutely adored this movie, the inner critic within me still can’t help himself. This is a 3-hour long movie, and granted that is a result of the weight of the original book, however you do feel the length of this thing, but at the same time certain parts feel a tad rushed (due to the writers attempting to cram so much story and character development into the 3-hour frame) that certain side-plots and narrative build ups aren’t given their proper space to breath. One does wonder if this would have worked better as a mini-series, however on the other hand they probably would not have had the budget to make this thing look as good as it does. Secondly, certain details/plot-holes frustrated me which I won’t spoil, but one example is when Edmond and Abbé Faria are digging the escape hole from their prison chambers all those years, where the hell did they keep getting all those candles from to light their workspace?? I highly doubt in mid-1800s France prisons had little kiosk shops to offer inmates various groceries and household items. Happy to be corrected here, but honestly seeing those candles reminded me of Deadpool proclaiming “that’s just lazy writing”. And final complaint (before we can get back to raving about how awesome this movie is) is the ageing, or lack of it more. The tale of Monte-Cristo spans from 1815 and ends in 1844, yet the movie makes zero effort in making the actors look older the further down the timeline we go. The Count does look aged but that is due to the mask he wears, so when that’s off he looks like his younger 20-something self again. One of the main baddies Prosecutor de Villefort (played in true dick-fashion by Laurent Lafitte) looks exactly the same at the beginning of the movie and then right to the end. You’re telling me the make-up artists and hairstylists couldn’t give him a single grey hair or a wrinkle?

Again though, that was me with my critical thinking hat on. With that off, I want to reiterate how I truly enjoyed this new version of a classic tale that has been done so many times before, however this one may be one of my favourites. Truly engaging and epic in scale, with a ridiculously cool Pierre Niney in the titular role. He is… the French Batman!

Overall score: 8/10

[k-i-l-l-e-r-b-e-e-6-9]

The Warriors (1979)  directed by Walter Hill

[verocd]

[knightgazes]

NEW IDEAS. NEW RULES. NEW MANAGEMENT.

Bill Skarsgård as the Marquis de Gramont in John Wick IV

[theomenmedia]

The First Mission Impossible 8 Trailer Will Reportedly Drop On November 11th!

Get ready for another impossible mission! The first trailer for Mission Impossible 8 drops on November 11th! Tom Cruise is back as Ethan Hunt, and this time, the stakes are higher than ever. Don't miss it!

Read the full article here: https://www.theomenmedia.com/post/mission-impossible-8-the-countdown-begins-with-a-trailer-drop-on-november-11th

[v1tfrma]

I literally never ever post men, but I love Grey Worm too much to not post him ❤️