#act like you didn't know

[respectthepetty]

@dribs-and-drabbles, I have a gift for you! Yak's adorable yellow (gold) outfit where he descends the blue stairs to, hopefully, an observant Dee in yellow with the purple curtain behind him

Is (almost?) the same outfit Krom tried on in episode two of City of Stars

Only the best for the greatest!

Also, I'm getting some blinding lights (of love?!)

One way or another!

If you already knew this, just act like you didn't, okay? Okay! Also, I'm ignoring the blue on the outfit, so don't mention it.

[inkskinned]

the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.

sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.

you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.

it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.

but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.

they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.

they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.

barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.

and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.

but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.

they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!

this horrible world they live in. disgusted and also obsessed.

[cowboylikeghost]

As a neurodivergent arospec you're either very oblivious to people having crushes on you or are cursed with the hyper awareness to people liking you in a way you DON'T want them too

[bayeis]

I haven't watched this show a day in my life

[egophiliac]

so on the subject of the "Crowley is secretly Revaan/Laverne/Levin/please Twst give us his name" theory, I think my feelings are best summed up as "I don't really buy it, but it's funny". like, in all seriousness, I'm not opposed to it; I have enjoyed the writing in Twst so far and I'm willing to trust that whatever happens will, you know, make sense and not be terrible. but I'm just not really convinced by the current evidence! maybe that'll change once we learn more, we'll see!

with that said, may I propose a few alternate theories about the possible Crowley/Revaan connection:

[starry-bi-sky]

do yall ever think about bruce/batman!clone danny standing in front of his bathroom mirror after finding out he was a clone and silently tracing his face. The slope of his jaw and point of his chin. The high angle of his cheekbones and the shape of his eyes, the curve of his brow bones and the shape of his nose. The volume of his hair and the way it curls and gets fluffy when it gets too long.

His hair is black the same way a crow's wing is black. His dad's hair is black the same way a black bear's fur is black. His dad's eyes are blue like the ocean is blue. Danny's eyes are blue the same way a glacier is blue.

His dad has a square jaw and straight flat hair, and he tans and gets a face full of freckles when he's out in the sun for too long. Danny burns like a lobster and his face remains untouched. Danny has a sharp jaw and tall cheekbones, and Sam says when he's not smiling there's almost something regal about him. You would never call Jack Fenton "regal" when he's not smiling.

Sam says when he's not smiling he looks scary the same way a stone statue is. Jack Fenton when he's not smiling looks scary the same way that german shepherd staring at you across the street is.

Do you ever think he grew up wondering if he was adopted. Because of course, he has black hair and blue eyes like his dad. But having the same color doesn't make you someone's child.

Or, worse, things he's heard from the other kids and the other parents and even some of his teachers growing up; that he was the product of an affair. And that his dad was just too stupid to notice. And Danny would defend his parents until the day he died, because Jack Fenton wasn't an idiot and Maddie Fenton wasn't a cheater.

But doubt comes in with fickle tongue. his parents swear up and down that he is their child when he asks about either. That Danny just had his grandparents' features, but he was their son and they loved him.

But Danny doesn't look like either of his parents. His mom's eyes are blue like an aquamarine and Jazz's too. And they burn like lobsters in the sun too, but Jazz gets freckles on her face and so does Maddie. And as Danny grows up he doesn't bulk up or get stocky like his dad did, and when he hits puberty he doesn't shoot up like a tree like Jack Fenton did.

He stays small, and they say he's a late bloomer (and he is), or that he just has his mom's height. But he's fast and has good stamina, and some days it feels like he's built entirely different from his family. That the things they went through growing up just didn't apply to him. Jack and Maddie Fenton both had acne and breakouts when they hit puberty, and Jazz inherits it and he's seen the amount of skincare products she keeps on her side of the bathroom.

And then he hits puberty and breaks out maybe once or twice, but his skin stays clear for the most part and the problems and changes his dad went through just don't happen to him.

And the truth is worse than all of the lies.

How horrifying.

[lucabyte]

So does anybody else ever think about how Loop felt the need to demonstrate that the party's deaths wouldn't have any effect on the loops. I know I do but that's besides the point. Anyway I don't think Loop actually needs to bathe, they just like to feel included.

[astrowarr]

i honestly don't think grian betrayed scar in the finale at all, even by final killing lizzie and jimmy

grian was abundantly clear from the start who his alliance was with: scar, and scar alone. he outright told scar on multiple occasions not only that his friendship didn't extend to scar's allies, but even that he still intended on killing jimmy as revenge. scar knew full well where grian stood with his teammates; if he didn't know, it was because he was being intentionally ignorant about it.

grian kept his promises. the closest he gets to a betrayal is when he first sets up the trap and says "we could get a triple kill," but even then, he doesn't. he goes to great lengths not to kill scar; after scar has lost his final life, he laments as to how the bloodlust made it so so tempting to just kill scar, but he couldn't because their alliance was "too strong." grian avoids using the bambunker trap until after scar is dead, and says "my only issue with this trap was that i was going to kill scar."

grian didn't betray scar. he went out of his way not to. he lived up to every single promise he made, and he didn't even force scar to feel it. because he knows how badly it hurts to watch everyone you love die in front of you. so he made his intentions clear, and in the end, he even managed to spare scar the survivor's guilt that clings to his hands like blood and gunpowder. a small mercy that was, perhaps

[spicyvampire]

Great and Tyme being worried about each other

4MINUTES (2024) EP. 5

[unpersoniverse]

Skén:nen sá:sewh

as promised, here's Precious boy™ getting kissed by Precious wife™ because he deserves all the love in the world :cc

translation: Get home safe

[whatwooshkai]

I told my sister bumblebee and starscream are ex's in cyberverse to get her to watch it with me and then the show immediately proceeded to make it make too much sense

[foxstens]

personally i really like that cat laila and jeremy don't handle jean's situation perfectly. why would they?

as far as we know the three of them are 'normal' in ways jean simply isn't. even if jeremy's backstory is on par with any of the foxes, it's still obvious that he lives in a very different world and has a different worldview

there's bound to be missteps, especially since the three of them are only college students woefully unprepared for a situation like this

if it blows up in their faces, good. presumably it will lead to conflict and then character development which will ultimately make things better for jean

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[unproduciblesmackdown]

Lackadaisy Enrichment

[transvampireboyfriend]

part 1 - part 2 - part 3 - part 4 - part 5 - part 6 - part 7 - part 8

"I'm just saying, if the heat bothers you so much, you could cut your hair" Nancy points out, after declining Eddie's pleas for her spare scrunchie.

Robin sits on Nancy's lap, clutching the back of Steve's seat and she looks at Steve through the side mirror like she's afraid that he's about to go on a mission to defend Eddie's honor or something but Steve rolls his eyes at her. He's not that gone.

Or at least he knows how to hide it well.

Eddie's lost several of Nancy's favorite hair accessories and two weeks ago she bowed to never lend him any ever again.

Which, does not stop Eddie from asking her anyway at least once a day.

But the point is, even if Steve wanted to, Eddie's honor cannot be defended in this situation.

Nancy's leaning behind Argyle's back now to glare at the metalhead. Steve can see them in the rearview mirror.

Eddie gasps "I would never" he says, clutching his chest dramatically.

Steve secretly breathes a sigh of relief.

Johnathan chuckles at the wheel. "But you could" he comments, eyes on the road.

Steve can see Argyle subtly laughing and shaking his head out of the corner of his eye.

Today is a rare occasion, Jonathan is driving them in Steve's car.

The goal of Steve's rant earlier about having to drive them everywhere was to get Eddie to drive them, so Steve could sit shotgun and watch Eddie drive.

Instead, Jonathan had offered first and then Steve couldn't go in the backseat because he's in charge of their map.

But whatever, this is fine too. He trusts Jonathan and it is nice to get a break and to be able to fully turn around when he's talking to someone in the backseat.

"Jon, I would lose all my sex appeal, you don't get it" Eddie answers, getting a box of Twinkies from one of the many bags they packed and placed on the floor of Steve's car.

"I get it" Argyle chimes in, watching Eddie pull out a Twinkie and shaking his head no when Eddie offers him one.

"You'd still be sexy with short hair" Robin comments from her seat on Nancy's lap.

Everyone turns to look at her.

"What?" she shrugs "I can say that"

Nancy chuckles into her shoulder.

Steve opens their map again to stop thinking about Eddie's 'sex appeal', even as the guy is excitedly munching on a Twinkie in the backseat of Steve's car.

He's got cream in the corner of his mouth and he clearly put more in his mouth than he can comfortably chew. He's leaning one elbow on Argyle's shoulder, his hand holding half a Twinkie, his other hand holds his mop of hair up in a high bun, causing his cut off tank to sit barely covering his nipples, his tattoos on display and his armpit hair fully visible.

Steve's fairly certain nobody else in this car would get it, but to him the sight is mouth watering. The guy is practically irresistible.

"I don't think i would've gone on even half the dates I've gone on if i didn't have my hair" Steve muses, for something to say and to add to Eddie's point, even though he agrees with Robin.

Almost everyone answers with agreeable noises, except Eddie and Robin.

Robin snorts and says "You are relentless"

While Eddie says "You don't get dates for your hair" at the same time. In a tone that suggests he thinks this is an obvious thing.

"I mean- it doesn't hurt" provides Nancy, she sends Steve an apologetic look but Steve waves her off. It's a compliment as far as he's concerned, he loves his hair.

Eddie finishes his treat and opens a new one while everyone else gives their opinions.

"For a lot of people, hair is a big part of attraction" Jonathan is saying, trying to seem like he's not speaking from experience.

"Especially hair as luscious as Steve's" Argyle agrees, leaning forward to lightly comb the side of Steve's hair, making him laugh.

"Thanks, man" Steve says overlapping Eddie's response.

"And I agree!" he exclaims "I'm saying he doesn't get dates because of his hair." Eddie goes on, waving his new Twinkie around for emphasis. "People throw themselves at Steve, and always will, but it's not because of his hair" he repeats.

Steve feels his cheeks heat up but still asks "Then why?"

"Well, because you're very pretty!" Eddie answers easily, like everyone should already know this.

Steve keeps his eyes carefully trained on the map, like he needs to study it meticulously, right this moment, while they're in the middle of a highway.

His cheeks are burning up and he can feel it spreading to his ears.

"And that's if they don't know you!" Eddie continues "If they do know you they know you're kind and brave and strong ...and generous and funny. Who wouldn't want all that in a date?" Eddie finshes.

Oh I don't know, you? Maybe? Do you? Steve thinks.

"Even bald, people would still go crazy for you" Eddie adds, his words slightly muffled towards the end as he shoves almost all of the new Twinkie in his mouth but apparently thinks better of it, biting all but a small piece.

"Here. You want the rest of this?" Eddie offers Steve, talking through his mouthful, and presenting the small piece with his ringed fingers, right in front of Steve's face.

Without thinking, Steve leans forward and takes it with his mouth, his lips burning where they touched Eddie's fingers.

As Eddie retrieves his hand Steve realizes what he just did and how quiet the car got.

He sends Robin a panicked look through the side mirror as Jonathan awkwardly clears his throat.

"Argyle's got nice hair" Robin tries.

The car immediately fills up with enthusiastic agreement and Steve slowly breathes out.

He can't bring himself to look at Eddie as he chews on his bite. He practically licked Eddie's fingers. Unprompted! The guy probably meant for Steve to grab the treat and then eat it. If he even accepted it at all!

Steve feels like an idiot and he frowns at the map again, willing himself to ignore the goosebumps in his arms and the tickling on his lips.

He doesn't see Eddie worriedly staring at him for the remaining of their conversation, until Nancy takes pity on him and offers up her spare scrunchie to distract him.

part 2

[thevoicefromthestars]

so i'm trying to come to terms with starship iris ending, y'know, as one does when there's a project that you auditioned for on a whim as a total amateur, eight years and a lifetime ago, that is finally coming to a close, and i am really truly trying not to get sappy about it. but.

in another universe, there is no ishani kanetkar. she was born with this show, for this show, and it's still a little unbelievable to me that there are people i've never met who know who she is. it's even wilder that there are people i HAVE met who want her, this person who has never been fully real but has always still been me, to help them tell their own stories.

i recorded the pilot episode on my wired earbuds' built-in microphone, in a bedroom in my grandparents' home in mumbai. those grandparents are gone; that house of my memory too. but every time i come back to this show, i remember sitting on the bed of the small room that once belonged to my great-aunt, trying and failing to find a scrap of quiet so that kay grisham could tell violet liu it would all be okay.

so maybe some of the things i'm feeling are for the end of a story, but i think some of them are also for the ishani who started telling it, who can't go back. some of them are for ishani kanetkar, this ephemeral self and not-self, whose own time is one day going to be over. and some of them are just for me, now, who looks forward to a future with other projects and other people but not this project, with these people, and is sad to say goodbye. i hope i can do my part to give it a truly phenomenal send-off.