#abstraction's art post

[prismicabstraction]

Part two of drawing LMK ships (I choose to draw) and commenting on them!

Next up!

ShadowPeach

I don't mind this ship (in this iteration of JTTW), I personally love Enemies to Lovers, Rivals to lovers, rivals to lovers, rivals to Enemies to lovers, and ex dynamics, etc.

I love how people portray them as a bickering old couple and that MK gets annoyed, or confused, by their back and fourth love-hate relationship.

It certainly makes the show a bit funnier if you imagine the two as past lovers, so the entertainment factor is there.

Overall, I love the angst potential!

____________

Part 1: GoldenDragon

Part 3: LionPeach

Part 4: InkyPages

[prismicabstraction]

I HAVE REDRAWN THE LAST PANEL!

I had waaaay too much fun with this XD

I absolutely love this panel! <3

Donnie has the situation under control, can you tell~

Part 7

Part 1

[magentasnail]

an insect collection...

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[maximura]

Jung Wooyoung for GQ Korea (2024)

[heynhay]

KL ML 😋

[the-cactus-taco]

I will forever love the idea of them being nerd ass boyfriends

Also, a little edit of errors reference which I did while listening to this Metaroom song:

HE’S AN ANGEL TO ME DAMMIT!!

[fixing-bad-posts]

[Image description: A vocabularyclept poem. Every time the words "good art" appear, they are highlighted in green. Transcription is below.]

---

good art sets off downward unstructured and obsessive wishes to destroy empower celebrate ugliness

good art hints at obfuscation, lies, resentment makes you feel weird clarifies the divine right to whining, coping, seething

good art confuses the mind spiral spiral spiral spiral faster

good art is a scam a drug metaphor essential momentum

good art a terrible duty join or burn

---

A vocabularyclept poem is a poem which is formed by taking the words of an existing poem and rearranging them into a new work of literature. | original post

[jetleparti]

Prometheus: Unbound 505 / Oil, acrylic, ink, graphite, & wax pencil on canvas. via Jet Le Parti archive.

[kkoct-ik]

painty doodle from earlier this evening

[chatlote]

Shuake closeness lines over time. Inspired on the work by olivia de recat

[zytes]

confusion, community, choices, and crossroads.

[agnel]

The Birth of Venus

Odilon Redon, 1912

[mister-crow]

my heart is with the Thousand, for my friend stopped running today.

[asanjou]

hand that feeds

[drakkonyan]

facade