#about soulmates

[alwaysforyouscully]

That moment when you realize, The X-Files isn't about aliens...

[g1ngerbeer]

yeah.

bonus:

[allo-frouto]

I feel like I am, do you think you are mine?

I wanna say yes but I don't know how this works.

[c7arisse]

in my bsd era (once again...)

[unclewaynemunson]

“I need to tell you something.”

Shitfuckno. Eddie doesn't even know why he's still surprised. This is how it always goes, after all. He should probably just give up and stop dating altogether – again.

Steve looks at him exactly as ominously as the words I need to tell you something require. Perfect Steve. Funny Steve. Sweet Steve. Sexy Steve. Steve, who Eddie had genuinely believed to be different.

Eddie sighs, barely suppressing a dark chuckle while he turns away from that perfect face. He doesn't want to look at Steve when he'll tell him the undoubtedly messed-up shit he's about to spill.

“Lemme guess, you're married?” That was what the last guy he dated told him, seven months after they got to know each other. It can't be much worse than that, can it?

Steve grabs Eddie's hand, causing him to involuntarily jerk up his head and meet his eyes.

“How did you know?”

Jesus H. Christ. Not again.

Eddie roughly pulls his hand out of Steve's grip and laughs a joyless laugh.

“Apparently I'm a good guesser.”

He stands up from the park bench the two of them had been sharing. “Well, Steve, this has been a blast. You should go back to your wife, or husband – don't tell me, I don't even wanna know – and I should um, get going. Maybe tell the next person right away what they'll be getting themselves into. Would save them a lot of wasted time, just in case cheating and going around other people's backs isn't really their thing, y'know.”

“Eddie, wait, let me explain!”

Eddie picks up his pace, but Steve, stubborn as he is, easily keeps up with him.

“I'm really not interested, man.”

“It's not – I'm not cheating on her!”

“Okay, so you have an open marriage, good for you. Still the kind of information you could've shared with me, say, three months ago, don't you think?”

“She's a lesbian.”

And that makes Eddie freeze on the spot. It takes Steve two steps before he realizes Eddie has stopped moving; he walks backwards until he's standing right in front of Eddie.

“She's my best friend,” he says, immediately using Eddie's stunned silence to his advantage. “Robin, my roommate – I told you all about her. We wanted to buy a house together and that turned out to be very complicated when you're not... Well, when you're not romantically involved. So we got married. For the, um, practical reasons. We never – we're like siblings. I love her like a sister. But she's also my wife. Platonically.”

It takes a few seconds until Steve's words sink in. Then, Eddie leaps forward and basically collapses into Steve's arms, needing to hold onto him to prevent himself from crashing to the ground.

Steve's arms are warm, strong, and as safe as ever.

“Eddie, are you okay?” Steve asks softly. His lips brush against Eddie's ear while he speaks, and worry colors his voice.

Perfect Steve. Too-good-to-be-true Steve.

“Jesus Christ, Steve,” is the only thing Eddie manages to say.

“I'm sorry, I didn't mean to scare you,” Steve says. “It's just – I've gotten some, um... Less than ideal reactions, in the past, whenever I told this when I was seeing someone. So I thought it'd be better to wait until things were getting serious.” He sighs, tangling his fingers in Eddie's hair. “I didn't wanna scare you off. Are we – are you okay?”

Eddie nods. He lifts his head from where it's resting against Steve's shoulder and raises his hands to squeeze them around Steve's face.

“We're okay,” he says. “And I'm sorry I didn't want to listen to you. I–” He stops; he can't find the words right away. It's still difficult to talk about those things; to let himself be vulnerable. But Steve has been honest with him, so it's only fair to return the favor.

“I've been hurt, Steve,” he confesses. “More than once. I've had some really shitty experiences with dudes not being honest with me. I thought that that was what was happening again, and I couldn't – I couldn't go through that again. Especially not with you.”

“Jesus, Eddie, I'm so sorry.”

“It's okay,” Eddie rushes to say, pulling Steve even closer towards him. “I trust you.” And as soon as these words leave his mouth, he knows it's the truth.

“I do want to be absolutely clear about one thing, though,” Steve says.

Eddie leans back in Steve's arms to give him an expectant look.

“Robin is my wife. I'm not planning on that to change anytime soon. We've been through a lot together. She's been the most important person in my life for years. We own a house and a dog together, and I love her more than anything. I like you a lot, and I promise you I'm all-in with you, but... Robin is still my number one. And that's not gonna change overnight. I need you to be okay with that.”

Eddie swallows. He looks into Steve's eyes. All he sees is a man who is honest, who loves his friends deeply, and who refuses to make any compromises when it comes to love – whether it be the platonic or the romantic kind.

It doesn't scare Eddie off; it only makes him fonder of Steve.

He smiles, glances around to check if they're alone, and presses a quick kiss against Steve's lips.

“I think I can live with that,” he says. “As long as I'm the only one who gets to do this.” He closes his eyes and lets his lips meet Steve's again.

The sigh that Steve breathes into their tentative kiss is one filled with relief.

[stimmingandstruggling]

soulmates but not in a soft romantic way soulmates in a destined to change each other for better or for worse, cannot be who they are without each other, unstoppable together but they’re also the only ones who can defeat each other, equals, existences undeniably tied to each other way

[asexualenjolras]

I need to talk about Charles Rowland and his love for Edwin Payne.

Charles saying he can't say he's in love with Edwin back doesn't mean he isn't in love with Edwin, and it doesn't mean he doesn't love Edwin in the same way that Edwin loves him.

He is just saying he needs to work out what he does feel.

Charles died when he was 16. He's still a child. Nobody at 16 knows what it means to be in love.

And, on top of that, he grew up in an abusive household with a warped understanding of what love means. His dad was abusive to his mum, so he wouldn't understand what being "in love" is compared to someone that grew up within a stable household. He's never had the time to unpack what that means about his ability to love. He's worried that he might end up like his dad, and he absolutely would never want to hurt Edwin like his dad hurts his mum.

Charles has a lot of confusion about love. He loves his mum, he knows that, and he loves his dad, despite everything he put him and his mum through.

And, on top of all of this, he grew up during a difficult period in history. He was a teenager in Britain in the 80's. The 80's were a notoriously homophobic period of time, and I'm not saying that Charles is dealing with internalised homophobia but growing up during a period of time where the homophobic rhetoric was rife would have an impact on anyone. Especially a confused 16 year old boy who didn't know much kindness in life.

Charles knows he loves Edwin more than anything and anyone else in his life, and he knows the love he feels for him is different to the love he feels for his mum. He just doesn't know whether what he feels for Edwin constitutes as being "in love" with him.

And he needs time to figure that out. That's what he is telling Edwin: he's telling him that he is the most important person in the world to him and that he does love him but he needs to work out what that means. And Edwin completely understands that because Charles put it so eloquently and in a way that Edwin could understand. This isn't the usual unreciprocated love trope. They are each other's person, and they're trying to navigate what that means for each of them.

Overall, Charles loves Edwin and Edwin loves Charles. And they're going to figure out what that means together in time. Because that's what they always do: they figure things out.

Together.

[industrations]

Loves of my life

[luxaofhesperides]

Soulmate AU: First Words + End of the World ; requested by @justwannabecat!

Duke has long since accepted that he doesn’t have great luck. Most things in his life tend to go wrong very quickly, or complicate situations he was already struggling in (see: being a meta and getting his powers in the middle of a fight). Having an incomprehensible soulmark is an unpleasant discovery on the morning of his nineteenth birthday, but not entirely unexpected.

He had been hoping for something simple, a common one like hi it’s nice to meet you or sorry, didn’t mean to bump into you.

What Duke gets instead isn’t even words. 

Scrawled across his left hipbone is a string of symbols glowing a faint green. They’re not in a language he recognizes, and the symbols seem to move, shifting ever so slightly so they look different every time he blinks.

“Well,” he says after a solid five minutes of staring into the mirror, unable to rip his eyes off his soulmate’s words, “I hope theirs looks nicer than mine.”

He spends his birthday in a bit of a daze, enjoying time spent with the Waynes and his friends. It’s hard to be fully present when he’s all too aware of the soreness on his hipbone flaring up each time he moves. It’s hard to keep his mind off of it, wanting nothing more than to search for answers, unravel the mystery of his soulmate’s first words.

“Something on your mind?” Jason asks, as the attention shifts off of him for a brief moment as Harper and Cullen get ready to leave and everyone rushes to give their goodbyes,

Duke shrugs, carefully keeping his hands still so they don’t drift to where his soulmark is hidden beneath his clothes. “Yeah. Nothing you need to worry about, though.”

Jason looks him over critically, then nods. 

Duke resigns himself to being investigated by the rest of the Bats. If he’s off enough that Jason had to comment on it, then that means everyone’s noticed and are trying to figure out what’s happened. They’re not going to ask him, because they think he needs space to work through whatever’s got him so distracted, but they’re also not going to just do nothing. 

This won’t be the first time they’ve done this. Duke expects it. Frankly, it would be stranger and much more concerning if they didn’t try to dig up all his secrets the moment they caught wind of him hiding something.

He’ll tell them about getting his soulmark soon. Soulmarks can appear on any birthday between the ages of thirteen to twenty five; they might suspect he got his, but they won’t be able to confirm.

For now, Duke can keep his soulmate’s first words (whatever that gibberish means) to himself.

He makes the decision then and there, as his birthday party winds down, to tell them in a week.

And because his luck is abysmal, a world ending threat hits five days later and suddenly there is no time for soulmarks and first words.

Duke is the last to arrive at the Fortress of Solitude, hitching a ride from Superboy to get there. The biting cold and the harsh winds keep the place far from the reaches of the rest of humanity, surrounded by nothing but deadly white. 

Desolate as the landscape is, it’s still in better shape than the rest of the world.

Things would be better if it was alien invaders. It would be more bearable if some sort of cosmic colossus tried to eat their solar system. At least then there would be something physical that they could fight.

Instead, the world is breaking apart, the sky and earth both fracturing to reveal glowing green faultlines. Timelines are getting mixed up and muddled; just yesterday, Duke had to evacuate a building that had been demolished forty years ago, then stop a gang leader who wouldn’t be born for another eight years from taking over a neighborhood block and holding the residents hostage. Strange creatures are appearing out of nowhere, crawling out of shadows and tide pools and from beneath the roots of trees, all horrible, monstrous things that go after people with teeth and claws. 

The Flashes and the rest of the speedsters are nowhere to be found. The last time anyone get communication from them, it had been Impulse sending Red Robin a glitchy, barely audible video chat saying something along the lines of “trying to fix—unstable—keep us here—never been alive before.” All things that are very concerning to hear, made worse by the fact that no one had been able to contact them at all. 

The quiet loneliness of the Fortress of Solitude is a welcome change from the constant screaming, death, and destruction that’s taken over Gotham as well as the rest of the world. Last he heard, even Justice League China was at the end of their rope. 

“In here,” Superboy instructs, guiding Duke through the halls. There’s no time to look around at Superman’s secret base. All his focus is stuck on staying conscious for another few hours to see if this gathering of heroes is able to find a solution to the world breaking apart.

Batman stands besides Superman. Both nod at Duke when he enters the room. Wonder Woman is watching over John Constantine as he writes something on the floor, muttering under his breath. The rest of the Justice League lean against each other, visibly exhausted as they wait for Constantine to finish up what he’s doing. A few other heroes are here too, and Duke goes to join them where they lean against a wall, fighting to keep their eyes open.

“Hey,” he greets, voice low. “Hanging in there?”

Wonder Girl sighs. “Somehow. I don’t know how much longer we can do this. There’s just too much…”

“We’ll get through this. I mean, even without us out there, plenty of civilians have formed rescue and relief groups to help with keeping things under control,” Speedy says, gently knocking her arm against Wonder Girl’s. “We just gotta keep going. No giving up.”

“What’s this plan, anyways? I just heard that they needed me here to some attempt to fix things.”

“Well, without the speedsters, you’re kind of the only one who can help with time and power related stuff,” Speedy says.

“That’s definitely a stretch. My powers don’t really have anything to do with time. It’s all just light and shadow.”

Speedy shrugs. “Well, you’re here, aren’t you? Too late to complain about it now.”

Duke doesn’t get a chance to say anything else when a loud clap catches his attention. The entire room goes still and silent as Constantine stands up and surveys the circle and symbols he’s written, taking up an entire corner of the large room. 

“Alright,” he says. “Time to get started. Remember, let me do the talking. If you have to speak, it’s only to back me up or when a question is directed to you.”

Batman nods to the other Justice Leaguers, and suddenly everyone is falling into formation behind Constantine. Duke hurries to join them with Wonder Girl and Speedy, taking a place on the edge of the group where he’s a little closer to the circle than the others. 

Constantine begins chanting. His voice is steady though none of the sounds make any sense, refusing to form themselves into recognizable words, and the air the in the room feels heavier. The chalk circle glows a blinding white and Duke can see magic swirling through the air, his power kicking in the let him watch as reality tears and a glowing star in the shape of a boy comes out of it.

Duke blinks, forcing his power down. The hypnotic swirls of magic fade from sight, but the boy still glows, bright and terrible as he floats above the circle and surveys them all. A crown engulfed in blue flame hovers above his head and the fabric of the cosmos is draped over his shoulders as a cape. 

Just from presence alone, Duke can tell that this figure is now the strongest existence in this universe. He hopes this boy king is kind; no one, not even Superman, would be able to beat him in a fight.

The boy king opens his mouth and speaks, but it’s not words than comes out. A strange static like sound emerges, but light and almost melodic. 

His left hipbone burns.

Duke gasps, hand flying down to it, and the boy king’s gaze snaps to meet his.

The world stands still. No one moves. No one dares to breathe.

And then the boy king drops to the floor and walks out of the circle.

“I thought you said that would hold him!” Batman hisses at Constantine, who is looking more and more distressed.

“It was supposed to! I wrote it specifically to hold the King of the Infinite Realms!”

The boy king glances at Constantine. This time, when he speaks, it’s in smooth English. “Did you name the king in your circle?”

“Yeah, I named Pariah Dark… Bloody hell, you ain’t him, are ya?”

“No,” the boy king smiles, “I’m Phantom.”

The cape and crown fade away, and suddenly it’s not an all powerful, terrifying king standing before them, but a young man with white hair and green eyes who looks Duke’s age. Like he could be any other new generation hero in the room. 

“Phantom,” Duke repeats lightly, just under his breath, but it makes Phantom look at him again.

He walks forward, ignoring the other heroes’ aborted attempts to stop him, coupled with Constantine’s frantic back off motion happening behind him. Phantom leaves the circle and the Justice Leaguers behind to stand before Duke, a soft smile on his face.

“Hi,” he says softly, “I dreamed of you.”

“You—what?”

“I dreamed of you. I have for years now. To think that being summoned was what made us meet—” Phantom breaks off into a breathless laugh.

Duke swallows, then drops his had from where it had been pressed against his hip. “So we’re really—? You have my first words too?”

In the corner of his eye, he sees Batman stiffen up. Maybe he should have just told them the day after his birthday, but in Duke’s defense, this is the definition of extenuation circumstances. 

“First words?” Phantom repeats, “Is that… Do we have different soulmate connections?”

“I think so. Here, everyone gets the first words their soulmates say to them appearing somewhere on their body.”

Phantom’s gaze darts down to Duke’s hip, then back up. “Oh. I get dreams. Where I’m from, we dream of our soulmates, and the closer we get to meeting them, the more we remember the dreams.”

“And you dreamed of me.”

“I did.”

“As touching as this is,” Constantine interrupts, and Duke gets to watch as Phantom rolls his eyes, “We summoned you here for a reason. Our world is falling apart at the seams and we need someone powerful, from the Realms, to help us fix it.”

“Okay.”

“...What do you mean ‘okay’?”

“I’ll help,” Phantom says.

“Just like that? No deal to be made, no price to be paid?”

“Just like that. I’m not one for deals anyways. If I can help, then I will. But I do want to see what the problem is with my soulmate by my side, if you don’t mind.”

Batman steps in, fixing Duke with a steady gaze, a barely noticeable tilt of his head. “Signal?”

“Yeah I’ll go with him. Of course I will. The sooner the better, in fact, because everything’s gone to shit.” Duke turns to Phantom, taking hold of one of his hands. “It is really bad out there,” he warns, “If you need help—”

“I’ll ask for help from others in the Realms,” Phantom says. “No offense or anything, but if it’s really that bad, I doubt living mortals will be able to do much to fix things. It’s why I was summoned, right?”

“Right. Let’s get to it, then.”

There’s a flash of mischief in Phantom’s eyes, and cheeky grin stealing across his face for a moment, before he says, “Aye aye, captain!” and picks Duke up like he weighs nothing and flies up through the ceiling.

Duke is able to hear everyone’s surprised, panicked shouts before they’re outside the Fortress of Solitude and Phantom is flying them away. He only needs a few directions from Duke before he finds the first of the large fractures in the sky.

“Yikes,” is all he says, which is not a great thing to hear. “I think I know how to fix it, though. We’ll need to do a little investigating as to who, exactly, started messing around with reality, but once we find the source, it’ll be an easy fix.”

“That’s the best news I’ve heard all week.”

“Even better than meeting your soulmate?”

“I haven’t slept for more than four hours all week. Knowing there’s an end in sight beats everything else.”

Phantom laughs, throwing his head back and Duke can’t help but drink in the sight of him, so ethereal and bright and full of life. “Fair enough! Got any ideas as to where we should start?”

“I’ve got an entire crew of detective vigilantes,” Duke replies. He’s not taking any more chances. No more waiting to talk about important things; he messed up by keeping his soulmark to himself, so he needs to make sure everyone meets his soulmate before shit goes south again. 

“Let’s go find them, then!”

They take off again, soaring through the skies that are barely holding themselves together. 

The world is still ending, and every hero is being stretched thin, but held carefully in Phantom’s arms, racing head first into a solution, Duke can’t help but feel that everything’s going to be alright now. 

He’s had enough bad luck. Now, his soulmate with him, bearing the title of King with grace, things are finally starting to look up.

[pien-art]

platonic soulmates fr ;-;

[the-crooked-library]

i think the primary reason why K/S has such overwhelming appeal is and always shall be that it is, at its core, a soulmate bond that has to be forged. the only way a t'hy'la bond can manifest is through shared toil, hardships, and undying devotion; it must be given effort and put together piece by piece - but at the same time, by the nature of its creation, it alters all realities on a cosmic level, to the point that Kirk and Spock must meet in every universe.

t'hy'la is not spontaneous. it is not a soulmate mark, it doesn't spring to life at first sight or first touch or first word. it is destined - because it is chosen, time and time again. you cannot have one without the other

[munsonfamilyband]

I’ve been on a Soulmates kick today and just saw a fic where Steve has two marks - one for Robin and one for Eddie. And it’s got me thinking.

Of course, he doesn’t know who his marks are for. He only knows that they’re two people because they look so different. Soulmarks show up where you and your soulmate will have the first skin-skin contact, and they have the words they will say when that happens written in their handwriting.

Steve has one covering his palm, the handwriting is small and sharp, all angles and no rounded edges. That one says “Steve, we need to run”. It seems scared, the wording, but he refuses to think about it. The other mark he has is covering his left hip, curling like someone was holding him from the side. This handwriting is completely different from the other one and is best described as chicken scratch. It’s big and messy, letters flowing into each other like the writer didn’t even pick up their pen between each stroke. That one says “I got you, just lean on me”. It seems less scared but there’s concern laced in the words that helps Steve feel less alone when he’s laying in bed late at night. That’s the only time he ever lets himself think about his soulmates, during the day he avoids it like the plague. His parents are soulmates and they barely speak, so soulmates can’t be all they’re cracked up to be. After Nancy never makes one of his marks tingle and burn he tries to give up on the idea entirely, figuring he can go on without a soulmate and be with Nancy - but then she breaks his heart and those late nights are all he has.

His first soulmark changes when he’s stuck underneath Starcourt mall the summer after he graduated. He had been working with a girl, Robin, who barely tolerated him on a good day and now she’s been sucked into his shitty world. When the alarms go off in the bunker he barely has a second to react before Robin is grabbing his hand and yelling at him, “Steve, we need to run!” His feet start moving and he yells back for her to be careful with his arm, even as he feels the tingling burn cover his palm and in that supply closet, leaning against the door next to Robin they make eye contact. In that short second of connection he knows that she felt it to, that he’s just found his soulmate and despite his fear he’s so happy that it’s her. Later, after they had both puked up their guts and he had confessed to having a crush on her, Robin told him about Mrs. Click’s class and Tammy Thompson and how she’s sorry that he’s stuck with a soulmate who can never love him back. Steve blinks and suddenly his two soulmarks make so much more sense.

“Robin, I have another soulmark. I don’t… I don’t think you were ever a romantic soulmate for me.” He watches the relief and, maybe even, joy cover her face and she launches herself at him in a hug, squeezing him tight and he returns the favor completely ignoring his own pain.

The other soulmate comes over 8 months after meeting Robin. He was so grateful for having her in his life but he still wanted that other piece, he loved Robin and she loved him but he wanted romantic love too. Unfortunately for Steve, just like with Robin, his other soulmark was triggered when he was fearing for his life. He had just been dragged through Watergate and made into a chew toy for a bunch of demobats. Steve was just trying to catch his breath when they all heard the bigger hoard approaching and he knew he had to run. He made it surprisingly far before the pain of each step started to settle in, his feet dragging more and more and his pace slowing when someone moved in beside him, wrapping one arm around his back to settle his hand on his hip. Eddie grabbed the arm closest to him and dragged it over his shoulders, giving Steve a grin. “I got you, you can lean on me.” This only made Steve completely trip; the sudden onset of tingling burning at his side so close to his currently bleeding wounds had his left leg collapsing under his weight.

“Why does this always happen when I’m in danger?” Eddie froze and then a laugh burst forward.

“That makes so much sense with context. C’mon let’s get you somewhere to sit and we can talk more when you’re not bleeding over me.”

When he and Eddie got to Skull Rock, he and Robin made eye contact and he watched her eyes flit down to where Eddie’s hand was on his side. Her eyes grew about three sizes and he just shot her the best grin he could. He didn’t care that he had been bleeding all over his soulmate for the past few minutes - he had gotten blood on Robin when they found out that they were soulmates, so it seemed fitting for him to be doing the same to Eddie.

Years down the road he would look back and laugh at the drama surrounding him finding both of his soulmates. Eddie even joked that the universe gave him two to make up for his shitty parents, and Steve wasn’t going to argue.

[vroom-vrooms]

Max’s little lip freckle and Charles’ little mole under his eye are a match made in heaven

[kaladinkholins]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[oldhabbits]

[ao3usermelancholyhues]

robin being such a prude she can't even bring herself to seriously say the word boobies vs. steve explaining all of his sexual exploits in explicit detail with sound effects until she's clapping her hands over her ears