#about how so much of what we do is driven by love

[vidavalor]

<<The angels and demons aren't biological creatures driven by the need to survive and reproduce.>>

Are we so sure about that? 😉 Not all humans have a biological reproduction imperative but enough do to keep the species going. I do think that the supernatural beings have a drive to survive-- they work to avoid discorporation and being killed. I think it's more that those that are romantic and/or sexual beings are being repressed in their societies rather than that they all aren't at all. Gabriel and Beez are a good example of that. It's not that either of them aren't romantic beings but that they didn't have that option until they did with one another. There are likely plenty of others of them in Heaven & Hell.

<<They don't have offspring!>>

It's true that the angels and demons in Heaven and Hell do not appear to be raising families and reproducing at great rates but they are very much capable of reproducing. Adam, technically, is Nephilim-- the biological offspring of Satan, who is a demon. The commentary there is that Adam is, really, just a kid-- it's showing how humans and angels and demons are all really alike.

There's something at least symbolic to the fact that a couple of the cast members play one character who is human and another that is supernatural. At minimum, it's reflecting the ideas that they're all just people. It could also be said, though, to be suggestive of the idea that maybe there's actually a familial link between the characters.

The humans look an awful lot like the angels and demons who preceded them, right? In that way, they could be descendants of them. Is Shakespeare a descendent of Furfur? Is Madame Tracy a great-granddaughter x 8 billion of Shax?

Forgetting the way past, what about an angel and a demon in love who have been on Earth for a bazillion years and the young human woman with mysterious lineage who looks like a blend of the two of them, eh? 😉 I don't think it's that out there to think we might have already met Maggie's great-grandparents...

<<But they still seem capable of experiencing all the same pleasurable and... unpleasant feelings humans experience. And they do seem to have some drive to avoid death and pain...>>

Agreed! They're just like us. The story is about us and uses those who seem to be just slightly removed from the human experience to talk about that human experience but it's really showing how those who seem slightly removed are not really that removed. The humans are supernatural and the supernatural are human and they're all just people.

Isopraxism

Isopraxism aka Limbic Synchrony aka Mirroring: Intuitive, instinctual, human brain process whereby humans unconsciously mirror the speech patterns, postures, and/or expressions of those with whom they connect and often spend time. Similar behavior exists in the animal kingdom. In a human relationship, especially deep friendships and romantic relationships, it is a sign of firm trust, deep connection and understanding, and a strong, emotional bond.

Example:

Crowley's "well" + Eyebrows expression, seen in multiple scenes, is one of his default responses, yes? We see it in Eden, like below, and in The Dirty Donkey in S2 and even when Crowley does it in while in Aziraphale's body during the body swap.

This Crowley default response is just the kind of expression and speech pattern that a trusted partner might unconsciously pick up after years of time spent bonding with him...

...which is why it's not surprising when Aziraphale, praying in S1, suddenly "well" + Eyebrows...

[stevie-petey]

hi!! can we get a cute fluffy stug blurb to deal with all the angst? your writing is genuinely so incredible i get scared to read a new chapter bc i don’t want to see them suffer but your writing is so so so good it just draws me in completely. I hope you’re proud of come home bc it’s INCREDIBLE i don’t think i’ve read anything related to steve that i love more. and the blurbs?? what else could we ask for omg you’re giving us EVERYTHING

hi dear !! i was savin a fluffy request for when we needed one, and i think after these last few days ,,,, some cute bickering between robin, steve, dustin, and bug is needed.

enjoy <3

"your boyfriends late."

"the bell rang like, five seconds ago."

"hes still late."

robin rolls her eyes at dustin while you shove him off the curb. he yelps in surprise and you snicker. "watch your step, dusty."

"do not call me that." he glares at you, straightening his hat. hes shot up at least three inches since this summer and soon he'll be your height and not so easy to shove onto the street.

"children, please." robin sighs exhaustedly. "i have a four hour shift ahead of me. can we save the arguing for later?"

"she started it!" dustin exclaims, pointing an accusatory finger at you while you point at him and shout, "he started it!"

a car pulls up behind the two of you. "whatever youre arguing about, im on y/n's side."

steve pokes his head out through his rolled down window. hes wearing his stupidly cheesy raybands that youve come to adore. smiling at you, he sends you an air kiss. "miss me?"

dustin thwacks the teens nose, eliciting a very unattractive screech to fall from steves lips. "never do that again."

your brother then gets into the back of the car while you and robin giggle hysterically. she has to clutch onto your arm to avoid toppling over in her laughter. youre no better yourself, snorting with every quick inhale of breath.

"tha' wasn' funny," steve holds his nose while he tilts his head back. hes worried the shithead gave him a bloody nose, but all you and robin can focus on is how nasally his voice is now.

the two of you laugh even harder, and all steve can do is flick you off and pout.

"you guys are assholes." he grumbles, finally starting the car after you and robin collect yourselves.

"im sorry, honey." you press a soft, gentle kiss to the tip of steves nose. "is that better?"

of course your kiss made steve feel infinitely better. but he isnt an idiot. hes aware of the audience in his car. theres no way hes giving dustin and robin even more ammunition against him.

"not answerin' that."

dustin snorts. "oh, so now hes smart not to flirt with you in front of me."

"why are you even in my car?"

"why are you even dating my sister?"

robin raises her hand. "i have an even better question: why am i being driven to my shift that starts in five minutes?"

"thats a great question, robin." your body turns to the one next to you. "steve, care to answer?"

steve waves a sarcastic hand at you, but he pulls out of the school parking lot anyways. you, robin, and dustin cheer. though steves eyebrows are knit in annoyance, you know hes secretly elated as well. its rare to have a day at family video with you and dustin alongside him and robin.

with your shifts at the bookstore and dustins growing fascination with eddie, its nice to just have some time with one another. family video always feels bleaker without the hendersons.

"alright, what has horny heather selected this week?" dustin makes himself at him behind the video counter. long having memorized the systems password, he easily logs into the stores rental catalogue.

horny heather is the name youve given one of family videos most frequent customers. shes an older women with a bizarre fixation for movies with attractive male leads. it wouldnt be so bizarre if it werent for the fact that she regularly rewinds to every single shirtless scene the movies contains.

and every nude scene.

sometimes you hate how much family video knows about its customers.

you plop down next to dustin. "my money is on anything with tom cruise. she seems to have a thing for brunettes."

"and who can blame her?" steve flicks his hair out of his face. "we're obviously the best."

robin throws her jacket at him. "stop drooling over yourself. its unbecoming for a young man."

"dude, you sound like my mom."

"jokes on you. your mom is totally a babe," robin bats her eyelashes at him. "im taking that as a compliment."

steve blanches at this, completely disgusted and offended. he looks at you incredulously. "you hearing this? she just called my mom a babe. thats-thats just so wrong-"

"your mom is pretty hot." you shrug at steve. "sorry, honey. im on robins side."

robin high fives you, snickering in victory. steves jaw drops in pure astonishment. hes speechless. he cant believe youd betray him like this. he cant believe you think his own mother is hot.

dustin looks at the scene before him and shakes his head. you guys are being totally immature. "cmon, guys. thats just wrong."

steve waves his arms out at the kid. "see? thank you, little henderson. god, i cant believe youre the only one here with any sense left-"

"of course, buddy!" dustin smiles wickedly at him. "its silly for y/n and robin to call your mom hot. we all know its really your dad is way hotter."

"what-?" steve gasps for air.

"his broodiness is hot, isnt it?" you grab dustins arm excitedly. "i mean, hes just so stoic. so stern."

robin pretends to faint. "its so... manly."

steve goes to the corner and screams.

which just so happens to be the same corner a poor, old woman is browsing in.

he ends up getting hit with her cane.

its a good day.

[dekariosclan]

Idk if this has been done before (apologies if it has), but do you have any thoughts on how our Wizard™️ might act/feel towards a plus size or chubby Tav? Like before or during the relationship?

No worries, anon! I have answered a similar ask about this, but I think your question is different enough to warrant a separate answer.

First and most importantly, I am 100% certain that Gale would love a plus size or chubby Tav the same as he would any other Tav. No question, no argument. And I can confidently say that because of the Mindflayer Tav romance ending, where Gale says this line:

Gale: “Your present condition is that you’re the one I love. And your current form is merely a reflection of the depths of your sacrifice. It only makes me love you more.”

There is simply no way that Gale—a man who can look at his beloved in Mindflayer form and proclaim his heartfelt adoration—would have any negative feelings about Tav being plus-sized, regardless of whether or not society deems it ‘undesirable’.

Here’s a quick rundown of how a romanced Gale would react to Tav in different scenarios:

Has Tav gained weight in a way that they are unhappy with?

Gale: “Your present condition is that you’re the one I love. And your current form is perfect. Every day that I am blessed by your beauty only makes me love you more.”

Does Tav have stretch marks, rolls, scars or other physical ‘imperfections’ they are insecure about?

Gale: “Your present condition is that you’re the one I love. And your current form is perfect. Every day that I am blessed by your beauty only makes me love you more.”

Has Tav expressed insecurity or self-loathing towards their size or how they look?

Gale: “Your present condition is that you’re the one I love. And your current form is perfect. Every day that I am blessed by your beauty only makes me love you more.”

And so on.

(Note: I do not cover God Gale in these scenarios because the question stated ‘Wizard’ Gale, but you can bet your ass God Gale would also love & worship a plus-size Tav.)

Now, there’s a key point I made in my previous answer that I also need to include here:

I do want to clarify—Gale does still recognize and appreciate the physical aspects of his beloved. Very much so, obviously, with his practiced tongue, his appreciation for Tav’s glistening muscles, and his (definitely thirsty) comment on Illithid Tav’s ‘moist tentacles.’

But all that’s a bonus in his eyes. That’s the result of his love for Tav; it’s not what made him fall in love with Tav to begin with.

So now we get to the *fun* part. Where plus-size Tav gets to turn Gale’s intelligent mind to jelly and send him directly to horny jail. Where Tav gets to torment the man who famously said, ‘You look…comfortable. What’s on your hind?—I MEAN MIND.’

Maybe Gale fantasizes about the way Tav’s hair flows over their curvaceous body; maybe Gale is driven wild over Tav’s soft tum. But my own personal HC is that Gale would be a thigh man—and the bigger they are, the better. On a plus-size Tav they’re the absolute perfect pillow for his head, he wants to live there, he has trouble keeping his eyes off them, etc.

If Tav wears armor that happens to show off a lot of leg, it’s going to be a hard bad time for Gale. He will be distracted in battle. There will be epic Freudian slips.

And if Tav wears the Wavemother robe or a similar thigh-enhancing outfit? Gods have mercy. Gale will have difficulty speaking coherently and difficulty walking. His face will be flushed at all times. After battle he will, ah, need to speak to Tav most urgently—now, please, if at all possible. Right now. In his tent. For a conversation. Please.

My point is this: Gale falls in love with Tav via their kindness towards him and their good heart, not via Tav’s physical features. But once Gale has fallen for Tav, and he truly takes the time to appreciate Tav physically?

It only makes him love Tav more.

[medusas-daughter]

this has been on my mind for a while and I could very well be way way off so take it with a grain of salt or as a fun fanfic plot bunny (please tag me if you use it I'm running out of fics to read) but here we go Kathryn Hahn has said that Rio has secrets of her own but none were revealed by the finale she looks like a regular ex-wife who was driven slightly unhinged by grief and heartbreak but overall she looks like she has the moral high ground over Agatha she was only doing her job but based on Kathryn's comment and how fast Rio gives in to Agatha's accusations and demands to never see her again what if Rio is hiding something what if she's carrying a guilt not even Agatha knows about what if Agatha thinks Nicky is their little miracle magic baby they accidentally made from scratch but Rio planned it what if Rio needed a child and used Agatha and by used I don't mean the entire relationship was a con to get a baby or anything I think she very much fell in love and when she needed a child who better than her beloved to have one with but she's Death and has been for millions of years she underestimated grief because she has never known it she assumed Agatha would get over the "death" of her kid like all mortals do eventually but Agatha nurses her grudges like no one else so Rio carries this guilt of having put Agatha through agony and not having told her to whole truth about where Nicholas is now because why keep the name Nicholas Scratch that has been associated with the devil in so many folklores and keep the connection to the comic character if they're only gonna have him die an ordinary death at 6 years old what if he was always meant to be Death's child and rule over the Underworld but Rio was too worried about Agatha's reaction so she let her have 6 years with him which made him sick because he was never meant to be so long among the living and she kept it a secret all along and that's the reason behind her guilt

[the-monkey-ruler]

If you were given the opportunity to adapt "Journey to the West" into a movie, how would you adapt it? (No necesariamente tiene que ser el libro completo, puede ser un capítulo en particular o lo que quieras).

Oooo I actually thought about this before! It was a while ago but it was so much fun to think! I will say would would do a full-on adaptation with every single arc with every arc counting!

Again I would love it to be 2D with that stretch kind of animation, I think that allowing it to be more stylized would allow designs to be more creative and expressive overall. I would also say to make it more “adult” in that there is blood and death, similar to how Samurai Jack or Lupin the 111 Part 5 is treated with being watched for a younger audience but like in no way is it just for kids either or holds back on the violence.

I would still love it to be a completely character-driven series spanning 14 years, with explored relationships and realistic development. I would still lean into a comedic tone, but still balance serious elements, with the characters treating even the most serious situations with a sense of humor. I would love to see them face challenges and lose the battle not because they are weak but rather because of their lack of cooperation. They start off as dysfunctional and at odds with each other but as the journey continues we see all five pilgrims learn how to work together and become a team. Despite initial disagreements, they eventually come together to overcome their foes, recognizing the importance of relying on each other. Very found family trope which I eat up like candy. Also a like of highlighting quiet moments between scenes, such as cooking and cleaning camp sights, and filler episodes focusing on flashbacks of characters like Bajie, Wujing, and Bailong, who feel depressed and lose their sense of self due to their new positions. I would love to show each season changing cause this is FOURTEEN YEARS and how that could be shown with changing seasons in the background.

Would still love entire character arcs for each character. Bajie once being a Marshall instead becomes a lazy pig on earth and falls into a state of depression and acts on whim, seeking fleeting joy. Throughout his journey, he proves he is a capable fighter and starts caring for others and despite being a jerk, Bajie cares in his own rough way and starts showing that while he isn't perfect he always tries to get better. Wujing, initially soft-spoken and quick to rage, initially avoids speaking due to his fear of being blamed for a single mistake. However, as he sees his brothers' loudness and brashness, he starts to see that he isn't judged for every mistake. He learns that ribbing isn't punishment, and he can relax around new people who are also screw-ups. This experience helps Wujing build self-confidence and stand up for himself without being a doormat to others. BaiLong starts off as a standoff member who doesn't speak much but he is still expressive and aggressive, like in that horse in Tangled. He sees himself as responsible for keeping Sanzang safe and is often in guard dog mode. Despite lacking scales or horns, BaiLong is treated like a brother and the pilgrims provide him with support he never got from his bio family. He is not a trained soldier but he comes to see himself as part of the group as they all have their strengths and weaknesses.

I would like Sanzang to be seen as inexperienced in the real world. He has lived in a monastery his entire life but is sheltered from other kingdoms. Sanzang sees corruption in the palace and is given a sign by Gaunyin to make a real change without politics or face-saving. The story should follow Xuanzang's Pilgrimage, where Sanzang sneaks out of Tang without the Emperor's approval, finding it worth it. But he is arrogant and believes he has everything figured out because he got to the highest level of monk in his kingdom quickly. When he meets his new disciples, he is forced to see how people with different paths of life than him have different points of view and how this challenges his own thinking. He starts to be humbled and starts to learn just as much from his disciples as they learn from him. Would love to explore Sanzang's emotional disconnect from his family trauma, including his father's resurrection and mother's suicide. Despite kidnappings, he becomes more open with his journeymates, demonstrating empathy for the stress of new responsibilities. Also, a physical transformation from his 20s to his 40s would be a concise choice as he would be the only mortal in the group, showcasing his growth and transformation throughout his journey.

But of course, I would have Wukong completely leaning into his ex-warlord persona, characterized by arrogance, cockiness, and a tendency to threaten with violence. He is charming, charismatic, and funniest, giving people a chance to walk away. His expressive and cartoonish reactions showcase his range of emotions. However, Wukong's excess of power harms the environment and people around him, leading Sanzang to push for less violent means. The use of 2D animation would showcase Wukong's creativity and innovation, capturing the audience's imagination and understanding of his power. Wukong's strength is evident in his diverse powers, but he needs to be more considerate and rely on Bajie and Wujing for protection. He learns how to acknowledge them as equals and recognizes that being the strongest person doesn't automatically make him right. In a long-running series, Wukong should gradually come to understand that he has a team and a different brotherhood compared to his past. This would be particularly interesting in the Demon Bull King episode. Wukong realizes he also was kinda sheltered in his own world, as he was surrounded by more yes-men than equals. His past brotherhood allowed him to demonstrate destructive behavior, leading to a spiral of self-sabotage. Wukong focuses on growing empathy for others, a skill that is difficult to learn. He struggles physically, mentally, and emotionally in situations, questioning his decisions. This constant battle with himself is particularly evident during a pilgrimage, where he must become dedicated to his mission and become a deity.

Wukong realizes that his power doesn't make him superior, and he needs humility, also parading Sanzang's own journey. He acknowledges that his teammates, including Bajie, Wujing, Sanzang, and BaiLong, have something to offer, even if it's not immediate strength. He starts to accept his limitations and recognizes that others can do what he can't. He hasn't realized his faults and is starting to rely on others, especially in a new group that sees him as a fellow Pilgrim. This newfound equality allows him to see himself as just like anyone else, trying his best. I would love a focus on the interaction between the five characters to maintain balance. More scenes where the initial gruff attitude changes over time, affecting the entire group or the group as a whole. This approach may seem extreme, but they believe it would be suitable for the show.

BUT AS FOR ARCS

General Yin 寅將軍- 1st Month. The first demon we see against Sanzang, would love to see Sanzang having to see his two guards sacrificing themselves for him and how that guilt carries with him for the rest of the journey. Also maybe adding a connection with Sanzang and a fear of Tigers for late down with Wukong being connected to Tigers and Sanzang being turned into a Tiger

Sanzang found Wukong right after maybe a 2nd Month. Really enjoy the idea that Sanzang chooses to help Wukong without knowing that he is disciple but just cause he trusted Wukong when he said he needed help. A clear sign of his naive nature but also how Wukong relied on that nature to save himself in the first place.

I think they get Bailong much later, maybe in the 4th or 5th month. Would love to see how Wukong and Sanzang interact on their own but also to have Bailong join to showcase Wukong's power. Would also love Sanzang poking a lil fun at Wukong saying that he could defeat dragons but he can't this one.

Jinchi Elder 金池长老 - 6th Month. would love to see how this would highlight Wukong's initial bloodlust and how he chooses to escalate situations to harm others. He didn't have to burn down a whole monetary down but he did because he WANTED to.

Black Wind King 黑風怪 - 6th Month. Same with how Wukong sees another Yao in the same situation as him with the headband and how even someone EXACTLY in the same situation as him and he still thinks Black Wind should die and how this could be a lesson in how he needs to learn to empathize. He was given mercy to try again and how so should other yao as well.

They find Bajie about 8 Months into the journey. I like to think that Wukong and Sanzang had a lot of time to themselves and that the change in the dynamics with Bajie.

Yellow Wind Demon 黃風怪 - 9 Month. This first Wukong ever gets HURT like he is BLIND. He never relied on someone before and now he has to trust Bajie the man he just fought in the last arc. It is kinda a moment he really gets scared and also Bajie shows the first signs that he does care enough not to leave Wukong for dead.

Wujing is picked up around the 11th month, nearly a year into the journey for Wukong and Sanzang but they get him after a huge miscommunication.

Great Zhenyuan Immortal 鎮元大仙 - 1st Year. First group crime together. Kinda Wukong wanted to rebel but also tried to connect with Bajie and Wujing similar to how he did with his brotherhood. He has to see that the dynamics aren't the same and struggle with seeing them as 'equals' rather than 'underlings. Would also love Zhenyaun bringing up his friendship with the Golden Cicida a lot more and how Sanzang feels about his past reincarnations.

White Bone Demon 白骨精 - 1.5 Year. CHANGE IN MORALS. Sanzang rather than fighting for not believe Wukong that White Bone Demon isn't a demon, he is more arguing that she hasn't hurt them and that Wukong shouldn't hurt anyone, human or yao, for what they MIGHT do. And Wukong KNOWS she is about to do something considering that up to this point, Wukong has killed more humans than demons on the journey Sanzang has his doubts. Bajie also acted on this point as more trying to get back at Wukong for the Fake-Gao situation but didn't think this would lead to banishment. Wukong tries and succeeds in resurrecting his home and sees that one of his past sworn brothers the Jaio Demon King sacrificed himself to keep his monkeys safe.

Yellow Robe Demon 黃袍怪 - 1.5 Year. The main change is that the wife does love Yellow Robe but also knows he is in the wrong and wants to go back to her family, also her kids don't die from the 2010 series. A lot of Bajie has to humble himself and see that he can't do this alone either and how Bailong and Wujing are gone. Sanzang is turned into a tiger but also him being hunted by humans. He sees what it's like to not be believed when Yellow Robe changes him and how this affects him greatly on the journey. Would love a reunion with Sanzang acknowledging that he shouldn't have sent Wukong away but he can't give up the idea that one should see the best in people and how he should have seen that in Wukong too.

Golden Horned King 金角大王 and Silver Horned King 銀角大王- 2nd Year. the first time the gang is back together and things are still tense but Wukong trying to lighten the mood while Sanzang trying to have a 'serious talk' all while demons are trying to capture him. Kinda more light-hearted but genuine trying is seen. Kinda like it just increases with how it goes from the Horned Kings, to their Mother, and then to the Great Fox King and it just escalates more and more to parallel how Wukong would rather just keep running from the Talk than sit down and talk to Sanzang until the end.

Lion-Lynx Demon 獅猁怪 - 2.5 Year. The fake Sanzang arc but also Wukong asking the fillet to be used to see who is real. Kinda a big show of trust but also a slow understanding of Sanzang and Wukong in how similar they are in their dedication, and willingness to put themselves in pain for each other. Also Wukong being outed as never eating humans cause he has healing powers and Wujing and Bajie poking fun at him for lying.

Red Boy 紅孩兒 - 3rd Year. Wukong OVERJOYED seeing a connection to his past. He thought that he could be an uncle to Red Boy but became heartbroken when he found out he was never mentioned to the kid and in fact he never heard of Bull King's Brotherhood, like it never existed. Makes Wukong have to reevaluate his past friendships and whether he cares more about them than they care about him. E.I. he was more used for protection than pure friendship. Asks Guanyin to show the kid mercy and Red Boy gets to be friends with Longnu and Muzha. Wukong still wants to have a connection with Red Boy but he more upset that he sees so much in himself in Red Boy, acting like his actions don't have consequences. Also love the Bajie/Wujing saving Wukong scene with Bajie giving him CPR and refusing to think someone like Wukong would die like that.

Black River Demon 鼉龍 - 3.5 Year. BAILONG ARC! I need Bailong fighting his cousin since this was more of a Wujing arc. But just how Bailong's own older brother comes to arrest the Black River Demon and we see how cold his family treats Bailong, pretending he is not even there, and how the pilgrims make an effort to show how they appreciate Bailong like his bio family never could. I would like to think Wujing conforming to him as this was originally more his arc since he was fighting underwater but more Wujing stepping up as the brother that Bailong never had.

Tiger Strength Great Immortal 虎力大仙, Elk Strength Great Immortal 鹿力大仙, and Antelope Strength Great Immortal 羊力大仙 - 4th Year. MY FAVORITE arc. Pure comedy just Wukong, Bajie, and Wujing coming together for the first time to bully/heckle another group of three together. Nothing brings people together like a common enemy and these three make sure to win every challenge with over-the-top enthusiasm. Makes Sanzang learn how to unwind a bit and come to laugh along with the hijinks. But really just need these three to have a great time committing crimes and Sanzang being non the wiser like "my pilgrims would never." Oh they would.

Spiritual Touch 靈感大王 - 4.5 Year. A more quiet episode of Sanzang seeing a village with his family name, maybe a Sanzang flashback to his mother's death and how he couldn't connect with his father. Sanzang wanted a family so bad but even when he got them back he couldn't make up for years of growing up without them and that he feel more close with Fa Ming as his caretaker. Also, Bajie trying to help with his perfect joke "Sink To The Bottom" and how he used to be a Water god. This would be a great time to have a flashback to Bajie's human past and he misses being a deity and how useless he feels in his new body. Heavy on the backstory and less on the demon.

Single Horned Rhinoceros King 獨角兕大王 - 5th Year. Bajie THOUGHT he was HELPING cause Sanzang was freezing by leaving the circle. I would love to see Wukong REALLY struggling as he loses to this guy at least five times, almost having a mental breakdown cause he even loses entire armies, heavenly armies that trusted him, and how he flashbacks to losing his monkeys against heaven. Takes a lot out of him and in the end he sees it is that the Rhino King does have the SAME weapon the Diamon snare that defeated him in the first place.

Ruler of Women's Country 女兒國國王 and Scorpion Demon 蠍子精 - 5.5 Year. I am not a fan of this being seen as a romance but more a Queen abusing her power to trap someone against their will. Poor Sanzang has been kidnapped by demons before but this is his first time being kidnapped by a human and he has to fight himself with how humans can commit horrid deeds as well which changes his worldview. Bajie, Wujing, and Wukong really become protective as women keep trying to harness Sanzang. Would love to see Wujing getting more confident and maybe touching on his own backstory at this point. Almost I'm a fan of 1996 Bajie where he is more of a romantic and he feels uncomfortable being seen as "just a piece of meat" when the women want them just because they are men.

Six Eared Macaque 六耳獼猴 - 6th Year (perfect for this being nearly the halfway point in the journey to show the balance starting to change) Kinda seeing Wukong regress to his more violent tendencies due to the Queen in the previous arc. Kills bandits without mercy and shows them proudly to Sanzang cause "humans can be evil as well" and Sanzang still wants to hold on that anyone can change for the better. Wukong on the other hand still stands that if people don't want to change then they shouldn't be given the choice. This leads to the banishment BUT THEN Wukong being FORCED to face a version of himself that never wanted to change as well. Would he still go on the journey for the wrong reasons? Would he have lost all his empathy for even his own monkeys? Did the Six Ears deserve mercy like he was once given? A lot of self-reflecting on Wukong's part on what it means to forgive others but also to forgive yourself and I think the REAL turning point in Wukong's character development from someone forced on the journey to someone who wants to be there for his own sake. Sanzang and he might never see eye to eye but Sanzang starts to realize while he can see the best in others he can't be naive to the point of putting himself in danger and Wukong starts to accept that others deserve mercy like he was given as well.

Princess Iron Fan 鐵扇公主 and Bull Demon King 牛魔王 - 6.5 Year. HUGE ARC. The first arc which Wukong really comes to terms with his own changes as a person from a warlord to a pilgrim. Another this is about seven years into the journey as well. Wukong thought he could visit an old friend but Iron Fan is pissed as him and Wukong went to see Bull King himself but sees that it is very one-sided. Bull King USED to be a genuine friend but has moved on and had a family, seeing Wukong only as someone that he used to know and Wukong has to face that he lost a dear friend not by death but because they are two different people that have grown apart. Bajie and Wujing really step up to give Wukong backup, both in a fight but also in emotional support as while they don't know Wukong's old friends they want to show their support by being his friends now. Wukong used to be alone but he isn't anymore. Wukong mourns the loss of their friendship and asks Nezha to go easy on him. Iron Fan herself moves on to work on her own cultivation but ends on a small friendship between Wukong and Iron Fan.

Wansheng Princess 萬聖公主 and Nine-Headed Demon 九頭蟲 - 7th Year. Another huge Bailong arc and how he had his falling out with his family. I do enjoy the 1987 take that Bailong's fiance left him for the Nine Headed Demon and think this is another way that the pilgrims can be there for him as they fight the demons. Wansheng tries to get back on Bailong's side when she sees Nine Heads is losing but Bailong respects himself enough now to reject her and go back to his new friends who were there for him. Would also love Erlang and Wukong to have a moment to talk about how Erlang spared his family instead of doing the Nine Generations Punishment and how he is thankful hence why they are sworn brothers. I adore Erlang and Wukong's similarities and how Wukong is still going to do what HE wants but he is aware that he is trying to find out what truly needs now in his life.

The Tree Spirits - 7.5 Year. I really loved this as a quiet arc again with Sanzang just having a great time with Tree Spirits who kidnapped him who wanted to talk poetry. All the while Wujing, Bajie, Wujing, and Bailong are losing their shits trying to look for him. More comedic than anything and allows Sanzang to interact with yao that is not violent. Would like to keep out the end where they try to force Sanzang to get married and Wukong to kill them all again. Just that they get to escape and Wukong warns Sanzang that they could have killed him. But Sanzang reassures Wukong that he wasn't in danger, that people can be powerful but that doesn't make them bad and uses Wukong himself to make that point.

Yellow Brows Great King 黃眉大王 - 8th Year. Would love to see Yellow Brows kinda like how he is in Black Myth, someone delusional that he is right and deserves to be Buddha while running what is practically a cult. Still holds a grudge against the Golden Cicada and tries to take over the journey to one-up him. Makes Wukong kinda look at this guy and see a lil bit of himself, someone who always thought he was right and uses his might to enforce it. But Wukong knows that his own arrogance leads to his downfall.

Python Demon 蟒蛇精 - 8.3 Year. Just more of a joke demon, does not speak but they get to have hijinks trying to chase her and pin her down. Would love Bajie and Wukong trying to get her pinned down and leads to wukong being eaten and he has to grow to escape and just gets all over Bajie that he hates this part of the job.

Sai Tai Sui / Great King Jupiter's Rival 賽太歲 - 8.7 Year. huge on comedy, this is Wukong pretending to be a doctor, and Bajie, Wujing, and Bailong are being absolutely hilarious by playing along. Wukong actually has no idea what is wrong with the guy just finds out that he misses his wife and instead spends his time fucking around and seeing how much outrageous stuff he can get away with in the meantime. Also Wujing and Bajie being 'nurses' who just follow along to make the situation far more silly. They make this poor king eat medicine from dragon piss and snot the demon doesn't even really matter, just these four being bafoons.

Spider Demons 蜘蛛精 and Hundred-Eyed Demon Lord 百眼魔君 - 9th Year. Sanzang just trying to do something on his own to show that he isn't useless but of course leads to him being kidnapped. Kinda hits him hard how much he can't even get water/food by himself and hits his self-esteem. Would love to see Wukong kinda having another mental breakdown seeing his friends poisoned and how he really comes to care for them even to the point of panic. Kinda like the 1999 take where the sisters don't die in the end and Wukong spares them as long as they promise to change their ways after seeing how Hundred Eyes betrayed them.

Azure Lion 青毛獅子, Yellow Toothed Elephan t黃牙老象, and lden Winged Great Peng 金翅大鵬雕 - 9.5 Year. pure comedy. There are serious moments are this would be the first three-on-three since the Daoist arc but would love to see all of them fighting together side by side in a huge epic fight. These SHOULD be serious demons and they can be but this illusion is kinda shattered when Wukong first meets them by entering their army, lying about commands, going into their cave, and beating the crap out of Azure Lion from the inside out. Like Wikong defeats these guys practically single-handedly and Sanzang has to ASK Wukong to let them go. Sadly does lead to them coming back but does end with a big battle. Also, the Million Demon Kingdom that I love would to be fully explored.

White Deer Spirit 白鹿精 and White-Faced Vixen Spirit 白面狐狸精 - 10th Year. Another comedy as Wukong pretends to be Sanzang moments but would love to see how a yao family White Deer being an adopted father to White Fox and how she dies because of his plans. It would start more silly but gets serious when we really see how White Deer cared for his daughter but at the same point, they tried to kill like 10,000 babies so that would have been worse.

Lady Earth Flow 地涌夫人 - 10.5 Year. Big fan of the idea that Earth Flow was really in love with Sanzang due to his past life from the 2010 series. However, that love is one-sided and she is too blind to her own desires to see what he really wants. Really more exploring how Sanzang always feels overshadowed by the Golden Cicada but the pilgrims reassure him that he was chosen for who he is, not because he was someone else and how they are on this journey with Sanzang, not the Golden Cicada.

Ruler of the Kingdom of Miefa 滅法國 - 11th Year. Another good example of how humans can be horrible is that this king wants all monks to be killed. Treated with more humor as Wukong SHAVES the entire kingdom's heads but I do think that this would be a good point in which Sanzang can confront the king himself in how this king took out his rage on innocents and has reached a point where he understands misplacing rage. A good balance of how the King has to be accountable and also shows how Wukong is able to start solving issues without violence.

King of the Southern Hill 南山大王 - 11.5 Year. This one is a comedy arc but more tired with tragedy as well. The leopard demon here convinces Wukong, Bajie, and Wujing that Sanzang has died, leading to the three to have a funeral for Sanzang and cry over his body. Again leads to some good moments to show how the gang cares for each other but also cuts to Sanzang hoping that his friends come get him too. Kinda have a moment where the King thinks that once the pilgrims 'mourn' they will leave but they don't know about the 6 phase of grief REVENGE! Of course, all three of them try to kill the King for Sanzang but instead, this leads to the gang just being overjoyed that Sanzang is not dead. Also Wukong still 100% wanting to kill this leopard demon for tricking him.

Prefect of Phoenix-Immortal - 12th Year. This was a kinda a more dramatic arc where a kingdom insults the good on accident and how they are punished with drought. I am taking a lot from the 1987 series in how Wukong was insulted on behalf of the people, seeing that their punishment was unfit for the crime, and how his empathy has been able to grow for him to become seen as a hero for the people. Also would love to see how Wujing really related to the people and how his own punishment left him uncertain and insecure over himself but how he was able to overcome these challenges despite what he has become.

Tawny Lion Demon 黃獅精 and Grand Saint of Nine Spirits 九靈元聖 - 12.5 Year. This one was the most interesting as this wasn't one where Sanzang gets kidnapped but rather the weapons were taken. I would change that the lions don't have to die but rather more of a comedy arc of the Nine Spirits trying to ground up his grandkids when he had a good relationship with the neighboring kingdom. This is a good example of yao and humans able to live in together without conflict and how Nine Spirits fears that his grandkids have ruined this peace. And of course, Wukong, Bajie, and Wujing use silly stunts to try to get their shit back. Also touching more on the pilgrim's own disciples the three princes and maybe even giving them names. I would just like to think that these three princes do always keep their teachings to heart.

King of Cold Protection 辟寒大王, King of Heat Protection 辟暑大王, and King of Dust Protection辟塵大王 - 13th Year. This one is something where I would LOVE Sanzang just being done with being kidnapped. Like he is not phased. He even warns the three to let him go because it as been 14 years and he really doesn't want to end this with these poor guys getting their butts whooped by his overpowering disciples. Kinda comedy but really would enjoy a good battle three on three again.

Jade Rabbit 玉兔精 - 13.5 Year. this one plays more on the 1999 series where the Rabbit is clear she wants to do this cause she hates the real Princess. It is actually nothing personal against Sanzang but just HE HAPPENS to be the one she chooses to marry. More of a mystery of where the real princess is but the gang finds her to get the Jade Rabbit arrested and Sanzang can get free of a forced marriage again.

Squire Kou - 14th Year. This one I think is the perfect arc to really end on, paralleling the first 6 bandits that Wukong fought. He could have killed the family that imprisoned them, but instead, he uses his power to freeze the bandits, get them back, convince the family that their relative's ghost is haunting them, go to Hell to get his spirit back and save the day with hurting a single human. He does an entire arc using his varieties of powers, wit, and intelligence to get out of this, a vast difference from the pure fighting warlord he used to be. I think this would be an arc heavy in symbolism and references to the first bandits they fought and Sanang SEEING the change in Wukong.

Great White Turtle 大白龜 - Of course, they make it to the end but of course, there is one last thing. I think Sanzang lost his cool and had his own breakdown at 'ruining' the scriptures something he spent so long to get but the gang trying to tell him that people make mistakes and that doesn't define them. And that maybe an imperfect world needs imperfect scriptures more than perfect ones because people need to doubt and learn for themselves. Just like Sanzang did. In the end Xiyouji is a story of hope and I think that Sanzang sees that even if things ain't perfect that doesn't make them any less valuable or wonderful and how that sentiment is seen with the new family he has found.

[aves-rook-laidir]

I have to keep reminding myself that the experience I had playing Dragon age 3 and the experience of playing Dragon age 4 are going to be so deeply affected by how different my life is now. Like I can’t expect myself to react the same way to things. I was really naive to storytelling before and got completely swept up in everything. It was the first character driven story based RPG I’ve ever played. And I was younger, life was so different.

I’m Hardened to be blunt. I don’t feel emotions as strongly now, especially happy ones. That’s just the way it is right now in my life.

I am really enjoying this game, but just in a different way. I can’t help comparing it to my feelings of dragon age 3. It’s a completely different game with completely different feelings.

And I think I have to remember as well as much as we all love dragon age 3, for many of us so much of that game is not Canon. We used that game as a blank canvas to sculpt our own worlds. I have so much love for that game but at the same time there’s so much about it that I hate and that doesn’t make sense that I choose to just ignore. But that took me awhile to get there after first playing it so I have to give myself some grace and I have to give veilguard some grace because it is just a canvas to which we create our own worlds.

It’s a tool we all use for storytelling.

 Right now as I play through the first time I’m just taking notes in an early draft of a sketchbook, metaphorically.

To see what feels right and to see what I might like to change. Marathon not a sprint

Do not compare your experience with this game first time round with your experience with Dragon age 3 because for many of us, we played it so long ago that everything is different now, not better or worse just different

I have to remember that I’m playing a different person now too . My rook is not my Inquisitor.

In Weisshaup, I reloaded my save when I realised that my decision to not punch the warden commander came from what my kind weary love-for-everyone lavellan would do. My Rook is panicky, bold and practical, and punched him out 🫶🏻

[sedumlineare]

STORIES WHERE LOVE IS THE CORE WHERE LOVE IS WHAT DRIVES PEOPLE IT’S LOVE IT’S LOVE IT’S ALWAYS LOVE

[howtodisappearcompletelyand]

20/10 stars little guy

[feline-evil]

Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[benvoliotheorphan]

Me: Yeah I don’t think I can really ship Kratos with anyone. It’s just really hard for me to imagine him in any sort of romantic relationship. Yes I know he was married twice, but still-

God of War Ragnarok: Shows flashbacks of Kratos with Faye

Me, with tears in my eyes: Oh, okay, nevermind.

[badolmen]

“I don’t know why the op said this happened yesterday when this news is four months old”

This may shock you but it’s an election year in the US and even “the lesser evil” utilizes propaganda.

[pinkcadillaccas]

Anyone else feeling the relentless march of time on this Saturday night

[handfulofmuses]

Was thinking about Lofty’s post regarding TV series Orchis in season three and how he wants the General out of the picture at this point and it got me thinking.

Like I said before, Woundwort got him when he was alone and at his lowest. But now he is reunited with his brother.

Part of him wishes to just ditch everything with his brother because what’s the point? Woundwort will never appreciate him and he realizes that. He has enough of always receiving the shorter end of the stick, no matter what he does. Unfortunately, he already ditched his chief rabbit when Hazel and his warren attacked, so he cannot pull the same thing twice, not when he knows what punishment will await him for betraying the general.

Not to mention if he suddenly betrays him after trying to convince Woundwort that Campion is a traitor (again) what does that make him look like?

General Woundwort is safety - even if they left, where would they go? He is terrified of a repeat similar to Aspen. He doesn't want to lose his brother through a predator as well. So he stays by his generals side, thinking it’s the safer option for him and Orchis. So he remains by his side - because he also doubts that Hazel and his warren can take on general Woundwort, who has become more driven by hatred than ever.

[this-love-is-delicate]

Crying while reading the romance novel at 4am

[aethersea]

another thing fantasy writers should keep track of is how much of their worldbuilding is aesthetic-based. it's not unlike the sci-fi hardness scale, which measures how closely a story holds to known, real principles of science. The Martian is extremely hard sci-fi, with nearly every detail being grounded in realistic fact as we know it; Star Trek is extremely soft sci-fi, with a vaguely plausible "space travel and no resource scarcity" premise used as a foundation for the wildest ideas the writers' room could come up with. and much as Star Trek fuckin rules, there's nothing wrong with aesthetic-based fantasy worldbuilding!

(sidenote we're not calling this 'soft fantasy' bc there's already a hard/soft divide in fantasy: hard magic follows consistent rules, like "earthbenders can always and only bend earth", and soft magic follows vague rules that often just ~feel right~, like the Force. this frankly kinda maps, but I'm not talking about just the magic, I'm talking about the worldbuilding as a whole.

actually for the purposes of this post we're calling it grounded vs airy fantasy, bc that's succinct and sounds cool.)

a great example of grounded fantasy is Dungeon Meshi: the dungeon ecosystem is meticulously thought out, the plot is driven by the very realistic need to eat well while adventuring, the story touches on both social and psychological effects of the whole 'no one dies forever down here' situation, the list goes on. the worldbuilding wants to be engaged with on a mechanical level and it rewards that engagement.

deliberately airy fantasy is less common, because in a funny way it's much harder to do. people tend to like explanations. it takes skill to pull off "the world is this way because I said so." Narnia manages: these kids fall into a magic world through the back of a wardrobe, befriend talking beavers who drink tea, get weapons from Santa Claus, dance with Bacchus and his maenads, and sail to the edge of the world, without ever breaking suspension of disbelief. it works because every new thing that happens fits the vibes. it's all just vibes! engaging with the worldbuilding on a mechanical level wouldn't just be futile, it'd be missing the point entirely.

the reason I started off calling this aesthetic-based is that an airy story will usually lean hard on an existing aesthetic, ideally one that's widely known by the target audience. Lewis was drawing on fables, fairy tales, myths, children's stories, and the vague idea of ~medieval europe~ that is to this day our most generic fantasy setting. when a prince falls in love with a fallen star, when there are giants who welcome lost children warmly and fatten them up for the feast, it all fits because these are things we'd expect to find in this story. none of this jars against what we've already seen.

and the point of it is to be wondrous and whimsical, to set the tone for the story Lewis wants to tell. and it does a great job! the airy worldbuilding serves the purposes of the story, and it's no less elegant than Ryōko Kui's elaborately grounded dungeon. neither kind of worldbuilding is better than the other.

however.

you do have to know which one you're doing.

the whole reason I'm writing this is that I saw yet another long, entertaining post dragging GRRM for absolute filth. asoiaf is a fun one because on some axes it's pretty grounded (political fuck-around-and-find-out, rumors spread farther than fact, fastest way to lose a war is to let your people starve, etc), but on others it's entirely airy (some people have magic Just Cause, the various peoples are each based on an aesthetic/stereotype/cliché with no real thought to how they influence each other as neighbors, the super-long seasons have no effect on ecology, etc).

and again! none of this is actually bad! (well ok some of those stereotypes are quite bigoted. but other than that this isn't bad.) there's nothing wrong with the season thing being there to highlight how the nobles are focused on short-sighted wars for power instead of storing up resources for the extremely dangerous and inevitable winter, that's a nice allegory, and the looming threat of many harsh years set the narrative tone. and you can always mix and match airy and grounded worldbuilding – everyone does it, frankly it's a necessity, because sooner or later the answer to every worldbuilding question is "because the author wanted it to be that way." the only completely grounded writing is nonfiction.

the problem is when you pretend that your entirely airy worldbuilding is actually super duper grounded. like, for instance, claiming that your vibes-based depiction of Medieval Europe (Gritty Edition) is completely historical, and then never even showing anyone spinning. or sniffing dismissively at Tolkien for not detailing Aragorn's tax policy, and then never addressing how a pre-industrial grain-based agricultural society is going years without harvesting any crops. (stored grain goes bad! you can't even mouse-proof your silos, how are you going to deal with mold?) and the list goes on.

the man went up on national television and invited us to engage with his worldbuilding mechanically, and then if you actually do that, it shatters like spun sugar under the pressure. doesn't he realize that's not the part of the story that's load-bearing! he should've directed our focus to the political machinations and extensive trope deconstruction, not the handwavey bit.

point is, as a fantasy writer there will always be some amount of your worldbuilding that boils down to 'because I said so,' and there's nothing wrong with that. nor is there anything wrong with making that your whole thing – airy worldbuilding can be beautiful and inspiring. but you have to be aware of what you're doing, because if you ask your readers to engage with the worldbuilding in gritty mechanical detail, you had better have some actual mechanics to show them.