#about 25-ish years after this song originally came out
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#hazel english#goo goo dolls#covers#music#there's something very aldskfjaslkfasjf that i cannot place#about 25-ish years after this song originally came out#having a new-but-old shoegaze dreampop cover of it#when there's an argument to be made that a band like the goo goo dolls were very much an evolution out of shoegaze and dreampop#idk it's still early and im exhausted but this is on my dw on spotify and it's pinging thoughts around in my head
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Name: Penelope Whelk Species: Siren Occupation: Unemployed Age: 25 Years Old Played By: Immo Face Claim: Fivel Stewart
"What are these? Candy Hearts? They’re not even in the shape of hearts. Oh sure, I’ll try one, I’m sure they’ll be as good as the real thing…"
Parthenope, who would later become known as Penelope, was named for one of the all time greats in the Siren world. It was a family name (although it was unlikely they could actually claim descendance from the original), given to the oldest daughter of the oldest daughter, for generation after generation. The one who would someday lead the flock. No pressure. Their flock was wild and windswept, living on a small island (or rather, rock formation) on the edge of Canada. They hunted for their meals, both spearing unsuspecting fish out of the oceans, and predating on even less suspecting sailors who were ensnared by their siren song.
Parthenope was still young. She followed her mothers and aunts in action and spirit, but if she was someday going to lead, she needed to start thinking for herself. It was just… hard to have an original thought when everyone around you lead the exact same life you did.
Not that they were totally isolated, mind you. There were plenty of selkie pods that dropped by to the island to share the stories of their split lives. Even more exciting were the visits from the undead. They brought stories of their old lives, which were every bit as rich as their lives now, and they shared what life was like on land. It took time for Parthenope to start hearing, and believing what they said, that humans were every bit as interesting and dynamic as sirens were.
Still prey, of course, but their thoughts and opinions mattered. Parthenope was almost excited to have had such a novel thought, a new way that she might be able to lead others to think some day. Of course, her mother was still in charge, but it was good to prepare.
Parthenope was out on a hunt one day when the crash she’d created with her crooning voice resulted in one of the sailors having more injuries than she’d expected. Instead of carefully killing to bring their hearts back as delicacies, she’d let her bloodlust take over. Everyone understood sometimes these things happened, she’d catch another ship later.
Except when she came to, there was a survivor, who looked right in her eyes and called her a monster. Words hurt, you know? It hit Penelope deep. Deeper than she was willing to admit. But it had nothing to do with her deciding to take a gap year, as the humans called it, and go try out being in human civilisation. It would be good for her. Good for the flock! Try being something a little… less upsetting to people.
She swapped her name to the more human Penelope Whelk, and arrived at Wicked’s Rest. Apparently, it was one of the few places humans were as weird as every other species. The only place she stood a hope of trying to blend in. So far, it was working, ish! If only she could convince the rest of the flock that candy hearts were worth it…
Character Facts:
Personality: Eager, optimistic, naive, tempestuous, community-oriented
Penelope has standard siren abilities, and her plumage in siren form resembles a puffin, orange around the mouth and short wings included. It’d be pretty funny if it didn’t come with razor sharp teeth.
Penelope has a basic understanding of human society and behaviour. Hush, she’s doing her best.
While familiar with zombies, vampires and especially selkies, Penelope knows very little about other playable species. She’s reasonably knowledgeable about oceanic species in the bestiary.
While she’s been careful not to draw too much attention to the quality of her voice, she loves singing at any open mic nights around town? And if she “accidentally” enthralls someone into buying her a drink or a meal? No harm, no fowl.
Having grown up in such a relatively isolated space, Pen is fascinated by any cultural differences to her own. Which… is almost everyone. Even other siren flocks tend to be pretty culturally different to each other.
Equally, having grown up in such an isolated community, Pen has almost no experience in making friends. Just lots of enthusiasm.
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ESC 2023 pre-rehearsal top 37
Places 25-11
25. Cyprus: I was so mad when I found out Andrew was representing Cyprus because I really disliked his song at the Australian NF last year and thought we’d get something like Cyprus 2020 again. I was so so glad when this song came out and it wasn’t at all what I expected! It’s a nice ballad-ish pop song, with good vocals, enjoyable to listen to.
24. Greece: I am so shocked this entire song was written by a 16 year old. His voice is really nice, rich and slightly raspy as I like it. The lyrics are genuinely amazing, and they really touch something in the depths of my soul. The melody is sweet and nice, just a little boring and could stand out more.
23. Moldova: Pasha Parfeny is BACK! The issue with returning artists is that you always compare their new song with their previous entry- and the new song doesn’t always win. Lautar is the definition of why Moldova is one of my favourite countries in Eurovision: colourful, fun, playful, catchy. Soarele Si Luna is partially on the same level (catchy, ethnic, plus its in Romanian), and Pasha is a great singer and performer of course, but it lacks a bit of that playfulness and colourfulness that I love from Moldova; it’s a little too serious and dark. Plus I liked the song a lot more originally, but it gets a tad repetitive and annoying after a while.
22. Australia: same exact thing as with Andrew- I was mad when I first heard they were representing Australia because I disliked Dreamer, but this song really surprised me. It’s a lot more solid, I love the structure and they did a really good job with introducing variations to keep the song dynamic. I really love the guitar solo, for example. It’s a really solid contemporary rock song that I enjoy listening to frequently.
21. Portugal: same story- I was angry when it won because I was cheering on Claudia Pascoal to win, but this has been growing on me (I still like Nasci Maria better though lol). I really changed my mind when I read the lyrics- it’s brilliant to have such sorrowful lyrics paired with this really fast-paced, cheery music. And Mimicat is such a pleasure to watch perform.
20. Iceland: surprisingly good and so underrated! Dilja’s vocals kill me every time- they are so insane, and they just keep getting bigger and better throughout the song. Her stamina is amazing and the way her vocals grow throughout the song is definitely my favourite thing about it. The lyrics are also good. It’s just a nice pop song- could stand out more, but really strong, and performed beautifully.
19. Albania: this is so epic and so glorious and so big and so dark AAAAAH. I think it’s so cute that they’re a whole family singing together, and they sing great. It’s really different from anything else this year! The lyrics are a tad cringy, but I appreciate how different the theme also is. It’s such a big song that I’ve sort of gotten tired of listening to it, but it’s still so cool.
18. Switzerland: this is so beautiful and so underrated. We don’t have too many ballads (or great ones, for that matter) this year, so this really stands out to me. His vocals are beautiful and perfectly fitting to the song, the lyrics are a bit generic but quite nice, the structure is really good and has a nice strong climax.
17. Denmark: honestly, I hated this initially (because it beat Nicklas lol), but it’s been one of my biggest growers this season. It’s such a cute, catchy song, and while it’s not a masterpiece I always vibe to it and it always puts a smile on my face. It’s a typical pop song, sure, but its really colourful, sugary vibe somewhat sets it apart.
16. Finland: I know me putting this so low is probably a shock to many, as this is a huge favourite- but you have to understand how insanely much this has grown on me. When it first won, I put it last in my top. I just didn’t understand it initially. I still don’t fully- I understand the whole point of it is to be peculiar and shocking, and it definitely succeeds; but I tend to like well-structured, cohesive songs, so I don’t really appreciate this whole two-songs-in-one shenanigan. But I have to admit the second half is INCREDIBLY catchy and one hundred percent gets stuck in my head. I also really like the lyrics!
15. Latvia: this song is an acquired taste- and once you acquire it, there’s no going back. It’s definitely a really artsy song, that you need to learn how to listen to and comprehend and appreciate. Once you do, you realise it is a masterpiece: the lyrics are so eerie, different, captivating, slightly uncomfortable. The part in Latvian at the end definitely adds to it. The music also plays into the same realm, and as a whole the song feels like those weird, unsettling dreams, where nothing really bad or scary or anything happens, but the vibe is just so off. The guitars are amazing, and the structure is really good. This could be my winner if it wasn’t that the chorus is weaker than the rest of the song- that’s its only, but huge vice, in my opinion.
14. Armenia: once again, a song that I’ve had a really complicated history with. Before it came out, I really thought this was going to be my winner; as I was listening to it, I just felt pure confusion; then I disliked it, and now it’s slowly growing on me again. I think whoever wrote this had a very clear and very winning idea of what to do, but didn’t really manage to carry it out the way they should have. You can still definitely see the effort. The lyrics range from brilliantly poetic to cringy; the structure is good, but a bit forced; the vocals are nice. The part in Armenian at the end is my favourite. I am still really confused about it lol.
13. Austria: POE POE POE POE POE- bye this is such a bop. I have really complicated feelings about this- I do think this is overrated, but I also moderately enjoy it. I personally feel like the lyrics are overglorified: they are fun and nicely written, but I don’t really see this big important message. I get what the message is supposed to be, but I personally think the way the lyrics are written is confusing and doesn’t really get the point across. But I appreciate the thought behind it, and the song is insanely catchy, fast-paced, earwormy, with good vocals and a nice structure (I love how unexpected the “O mio padre” bit is!). It’s also really original and really different from anything I’d heard before.
12. Slovenia: STAN JOKER OUT BYE. I don’t know what to tell you I love these guys so much. Bojan is so amazing, beautiful vocals and crazy charismatic. The song is super catchy, super feel good, super nice and enjoyable. The transitions are really nice, dynamic yet smooth. It’s a great pop-rock song, just musically genius.
11. Lithuania: is it too much calling this a masterpiece? Maybe, but I will anyway. This is definitely one of the most underrated songs this year- it’s just wonderful. The lyrics are really beautiful and just so pretty, and the song as a whole is so so so soulful and heartfelt. Definitely touches the right strings in my heart. Monika performs it beautifully, with a lot of emotion and stunning vocals. It is hearbreaking and heartwarming and also catchy and enjoyable, the structure is amazing, and the ciuto tuto part just absolutely tears my heart. So so so so good and I hope it gets its rightful recognition.
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Here is the 2012 Detail Magazine interview with chris evans:
The Avengers' Chris Evans: Just Your Average Beer-Swilling, Babe-Loving Buddhist
The 30-year-old Bud Light-chugging, Beantown-bred star of The Avengers is widely perceived as the ultimate guy's guy. But beneath the bro persona lies a serious student of Buddhism, an unrepentant song-and-dance man, and a guy who talks to his mom about sex. And farts.
By Adam Sachs,
Photographs by Norman Jean Roy
May 2012 Issue
"Should we just kill him and bury his body?" Chris Evans is stage whispering into the impassive blinking light of my digital recorder.
"Chris!" shouts his mother, her tone a familiar-to-anyone-with-a-mother mix of coddling and concern. "Don't say that! What if something happened?"
We're at Evans' apartment, an expansive but not overly tricked-out bachelor-pad-ish loft in a semi-industrial nowheresville part of Boston, hard by Chinatown, near an area sometimes called the Combat Zone. Evans has a fuzzy, floppy, slept-in-his-clothes aspect that'd be nearly unrecognizable if you knew him only by the upright, spit-polished bearing of the onscreen hero. His dog, East, a sweet and slobbery American bulldog, is spread out on a couch in front of the TV. The shelves of his fridge are neatly stacked with much of the world's supply of Bud Light in cans and little else.
On the counter sit a few buckets of muscle-making whey-protein powder that belong to Evans' roommate, Zach Jarvis, an old pal who sometimes tags along on set as a paid "assistant" and a personal trainer who bulked Evans up for his role as the super-ripped patriot in last summer's blockbuster Captain America: The First Avenger. A giant clock on the exposed-brick wall says it's early evening, but Evans operates on his own sense of time. Between gigs, his schedule's all his, which usually translates into long stretches of alone time during the day and longer social nights for the 30-year-old.
"I could just make this . . . disappear," says Josh Peck, another old pal and occasional on-set assistant, in a deadpan mumble, poking at the voice recorder I'd left on the table while I was in the bathroom.
Evans' mom, Lisa, now speaks directly into the microphone: "Don't listen to them—I'm trying to get them not to say these things!"
But not saying things isn't in the Evans DNA. They're an infectiously gregarious clan. Irish-Italians, proud Bostoners, close-knit, and innately theatrical. "We all act, we sing," Evans says. "It was like the fucking von Trapps." Mom was a dancer and now runs a children's theater. First-born Carly directed the family puppet shows and studied theater at NYU. Younger brother Scott has parts on One Life to Live and Law & Order under his belt and lives in Los Angeles full-time—something Evans stopped doing several years back. Rounding out the circle are baby sister Shanna and a pair of "strays" the family brought into their Sudbury, Massachusetts, home: Josh, who went from mowing the lawn to moving in when his folks relocated during his senior year in high school; and Demery, who was Evans' roommate until recently.
"Our house was like a hotel," Evans says. "It was a loony-tunes household. If you got arrested in high school, everyone knew: 'Call Mrs. Evans, she'll bail you out.'"
Growing up, they had a special floor put in the basement where all the kids practiced tap-dancing. The party-ready rec room also had a Ping-Pong table and a separate entrance. This was the house kids in the neighborhood wanted to hang at, and this was the kind of family you wanted to be adopted by. Spend an afternoon listening to them dish old dirt and talk over each other and it's easy to see why. Now they're worried they've said too much, laid bare the tender soul of the actor behind the star-spangled superhero outfit, so there's talk of offing the interviewer. I can hear all this from the bathroom, which, of course, is the point of a good stage whisper.
To be sure, no one's said too much, and the more you're brought into the embrace of this boisterous, funny, shit-slinging, demonstrably loving extended family, the more likable and enviable the whole dynamic is.
Sample exchange from today's lunch of baked ziti at a family-style Italian restaurant:
Mom: When he was a kid, he asked me, 'Mom, will I ever think farting isn't funny?'
Chris: You're throwing me under the bus, Ma! Thank you.
Mom: Well, if a dog farts you still find it funny.
Then, back at the apartment, where Mrs. Evans tries to give me good-natured dirt on her son without freaking him out:
Mom: You always tell me when you think a girl is attractive. You'll call me up so excited. Is that okay to say?
Chris: Nothing wrong with that.
Mom: And can I say all the girls you've brought to the house have been very sweet and wonderful? Of course, those are the ones that make it to the house. It's been a long time, hasn't it?
Chris: Looooong time.
Mom: The last one at our house? Was it six years ago?
Chris: No names, Ma!
Mom: But she knocked it out of the park.
Chris: She got drunk and puked at Auntie Pam's house! And she puked on the way home and she puked at our place.
Mom: And that's when I fell in love with her. Because she was real.
We're operating under a no-names rule, so I'm not asking if it's Jessica Biel who made this memorable first impression. She and Evans were serious for a couple of years. But I don't want to picture lovely Jessica Biel getting sick at Auntie Pam's or in the car or, really, anywhere.
East the bulldog ambles over to the table, begging for food.
"That dog is the love of his life," Mrs. Evans says. "Which tells me he'll be an unbelievable parent, but I don't want him to get married right now." She turns to Chris. "The way you are, I just don't think you're ready."
Some other things I learn about Evans from his mom: He hates going to the gym; he was so wound-up as a kid she'd let him stand during dinner, his legs shaking like caged greyhounds; he suffered weekly "Sunday-night meltdowns" over schoolwork and the angst of the sensitive middle-schooler; after she and his father split and he was making money from acting, he bought her the Sudbury family homestead rather than let her leave it.
Eventually his mom and Josh depart, and Evans and I go to work depleting his stash of Bud Light. It feels like we drink Bud Light and talk for days, because we basically do. I arrived early Friday evening; it's Saturday night now and it'll be sunup Sunday before I sleeplessly make my way to catch a train back to New York City. Somewhere in between we slip free of the gravitational pull of the bachelor pad and there's bottle service at a club and a long walk with entourage in tow back to Evans' apartment, where there is some earnest-yet-surreal group singing, piano playing, and chitchat. Evans is fun to talk to, partly because he's an open, self-mocking guy with an explosive laugh and no apparent need to sleep, and partly because when you cut just below the surface, it's clear he's not quite the dude's dude he sometimes plays onscreen and in TV appearances.
From a distance, Chris Evans the movie star seems a predictable, nearly inevitable piece of successful Hollywood packaging come to market. There's his major-release debut as the dorkily unaware jock Jake in the guilty pleasure Not Another Teen Movie (in one memorable scene, Evans has whipped cream on his chest and a banana up his ass). The female-friendly hunk appeal—his character in The Nanny Diaries is named simply Harvard Hottie—is balanced by a kind of casual-Friday, I'm-from-Boston regular-dudeness. Following the siren song of comic-book cash, he was the Human Torch in two Fantastic Four films. As with scrawny Steve Rogers, the Captain America suit beefed up his stature as a formidable screen presence, a bankable leading man, all of which leads us to The Avengers, this season's megabudget, megawatt ensemble in which he stars alongside Scarlett Johansson, Mark Ruffalo, Robert Downey Jr., and Chris Hemsworth.
It all feels inevitable—and yet it nearly didn't happen. Evans repeatedly turned down the Captain America role, fearing he'd be locked into what was originally a nine-picture deal. He was shooting Puncture, about a drug-addicted lawyer, at the time. Most actors doing small-budget legal dramas would jump at the chance to play the lead in a Marvel franchise, but Evans saw a decade of his life flash before his eyes.
What he remembers thinking is this: "What if the movie comes out and it's a success and I just reject all of this? What if I want to move to the fucking woods?"
By "the woods," he doesn't mean a quiet life away from the spotlight, some general metaphorical life escape route. He means the actual woods. "For a long time all I wanted for Christmas were books about outdoor survival," he says. "I was convinced that I was going to move to the woods. I camped a lot, I took classes. At 18, I told myself if I don't live in the woods by the time I'm 25, I have failed."
Evans has described his hesitation at signing on for Captain America. Usually he talks about the time commitment, the loss of what remained of his relative anonymity. On the junkets for the movie, he was open about needing therapy after the studio reduced the deal to six movies and he took the leap. What he doesn't usually mention is that he was racked with anxiety before the job came up.
"I get very nervous," Evans explains. "I shit the bed if I have to present something on stage or if I'm doing press. Because it's just you." He's been known to walk out of press conferences, to freeze up and go silent during the kind of relaxed-yet-high-stakes meetings an actor of his stature is expected to attend: "Do you know how badly I audition? Fifty percent of the time I have to walk out of the room. I'm naturally very pale, so I turn red and sweat. And I have to literally walk out. Sometimes mid-audition. You start having these conversations in your brain. 'Chris, don't do this. Chris, take it easy. You're just sitting in a room with a person saying some words, this isn't life. And you're letting this affect you? Shame on you.'"
Shades of "Sunday-night meltdowns." Luckily the nerves never follow him to the set. "You do your neuroses beforehand, so when they yell 'Action' you can be present," he says.
Okay, there was one on-set panic attack—while Evans was shooting Puncture. "We were getting ready to do a court scene in front of a bunch of people, and I don't know what happened," he says. "It's just your brain playing games with you. 'Hey, you know how we sometimes freak out? What if we did it right now?'"
One of the people who advised Evans to take the Captain America role was his eventual Avengers costar Robert Downey Jr. "I'd seen him around," Downey says. "We share an agent. I like to spend a lot of my free time talking to my agent about his other clients—I just had a feeling about him."
What he told Evans was: This puppy is going to be big, and when it is you're going to get to make the movies you want to make. "In the marathon obstacle course of a career," Downey says, "it's just good to have all the stats on paper for why you're not only a team player but also why it makes sense to support you in the projects you want to do—because you've made so much damned money for the studio."
There's also the fact that Evans had a chance to sign on for something likely to be a kind of watershed moment in the comic-book fascination of our time. "I do think The Avengers is the crescendo of this superhero phase in entertainment—except of course for Iron Man 3," Downey says. "It'll take a lot of innovation to keep it alive after this."
Captain America is the only person left who was truly close to Howard Stark, father of Tony Stark (a.k.a. Iron Man), which meant that Evans' and Downey's story lines are closely linked, and in the course of doing a lot of scenes together, they got to be pals. Downey diagnoses his friend with what he terms "low-grade red-carpet anxiety disorder."
"He just hates the game-show aspect of doing PR," Downey says. "Obviously there's pressure for anyone in this transition he's in. But he will easily triple that pressure to make sure he's not being lazy. That's why I respect the guy. I wouldn't necessarily want to be in his skin. But his motives are pure. He just needs to drink some red-carpet chamomile."
"The majority of the world is empty space," Chris Evans says, watching me as if my brain might explode on hearing this news—or like he might have to fight me if I try to contradict him. We're back at his apartment after a cigarette run through the Combat Zone.
"Empty space!" he says again, slapping the table and sort of yelling. Then, in a slow, breathy whisper, he repeats: "Empty space, empty space. All that we see in the world, the life, the animals, plants, people, it's all empty space. That's amazing!" He slaps the table again. "You want another beer? Gotta be Bud Light. Get dirty—you're in Boston. Okay, organize your thoughts. I gotta take a piss . . ."
My thoughts are this: That this guy who is hugging his dog and talking to me about space and mortality and the trouble with Boston girls who believe crazy gossip about him—this is not the guy I expected to meet. I figured he'd be a meatball. Though, truthfully, I'd never called anyone a meatball until Evans turned me on to the put-down. As in: "My sister Shanna dates meatballs." And, more to the point: "When I do interviews, I'd rather just be the beer-drinking dude from Boston and not get into the complex shit, because I don't want every meatball saying, 'So hey, whaddyathink about Buddhism?'"
At 17, Evans came across a copy of Hermann Hesse's Siddhartha and began his spiritual questing. It's a path of study and struggle that, he says, defines his true purpose in life. "I love acting. It's my playground, it lets me explore. But my happiness in this world, my level of peace, is never going to be dictated by acting," he says. "My goal in life is to detach from the egoic mind. Do you know anything about Eastern philosophy?"
I sip some Bud Light and shake my head sheepishly. "They talk about the egoic mind, the part of you that's self-aware, the watcher, the person you think is driving this machine," he says. "And that separation from self and mind is the root of suffering. There are ways of retraining the way you think. This isn't really supported in Western society, which is focused on 'Go get it, earn it, win it, marry it.'"
Scarlett Johansson says that one of the things she appreciates about Evans is how he steers clear of industry chat when they see each other. "Basically every actor," she says, "including myself, when we finish a job we're like, 'Well, that's it for me. Had a good run. Put me out to pasture.' But Chris doesn't strike me as someone who frets about the next job." The two met on the set of The Perfect Score when they were teenagers and have stayed close; The Avengers is their third movie together. "He has this obviously masculine presence—a dude's dude—and we're used to seeing him play heroic characters," Johansson says, "but he's also surprisingly sensitive. He has close female friends, and you can talk to him about anything. Plus there's that secret song-and-dance, jazz-hands side of Chris. I feel like he grew up with the Partridge Family. He'd be just as happy doing Guys and Dolls as he would Captain America 2."
East needs to do his business, so Evans and I take him up to the roof deck. Evans bought this apartment in 2010 when living in L.A. full-time no longer appealed to him. He came back to stay close to his extended family and the intimate circle of Boston pals he's maintained since high school. The move also seems like a pretty clear keep-it-real hedge against the manic ego-stroking distractions of Hollywood.
"I think my daytime person is different than my nighttime person," Evans says. "With my high-school buddies, we drink beer and talk sports and it's great. The kids in my Buddhism class in L.A., they're wildly intelligent, and I love being around them, but they're not talking about the Celtics. And that's part of me. It's a strange dichotomy. I don't mind being a certain way with some people and having this other piece of me that's just for me."
I asked Downey about Evans' outward regular-Joe persona. "It's complete horseshit," Downey says. "There's an inherent street-smart intelligence there. I don't think he tries to hide it. But he's much more evolved and much more culturally aware than he lets on."
Perhaps the meatball and the meditation can coexist. We argue about our egoic brains and the tao of Boston girls. "I love wet hair and sweatpants," he says in their defense. "I like sneakers and ponytails. I like girls who aren't so la-di-da. L.A. is so la-di-da. I like Boston girls who shit on me. Not literally. Girls who give me a hard time, bust my chops a little."
The chief buster of Evans' chops is, of course, Evans himself. "The problem is, the brain I'm using to dissect this world is a brain formed by it," he says. "We're born into confusion, and we get the blessing of letting go of it." Then he adds: "I think this shit by day. And then night comes and it's like, 'Fuck it, let's drink.'"
And so we do. It's getting late. Again. We should have eaten dinner, but Evans sometimes forgets to eat: "If I could just take a pill to make me full forever, I wouldn't think twice."
We talk about his dog and camping with his dog and why he loves being alone more than almost anything except maybe not being alone. "I swear to God, if you saw me when I am by myself in the woods, I'm a lunatic," he says. "I sing, I dance. I do crazy shit."
Evans' unflagging, all-encompassing enthusiasm is impressive, itself a kind of social intelligence. "If you want to have a good conversation with him, don't talk about the fact that he's famous" was the advice I got from Mark Kassen, who codirected Puncture. "He's a blast, a guy who can hang. For quite a long time. Many hours in a row."
I've stopped looking at the clock. We've stopped talking philosophy and moved into more emotional territory. He asks questions about my 9-month-old son, and then Captain America gets teary when I talk about the wonder of his birth. "I weep at everything," he says. "I emote. I love things so much—I just never want to dilute that."
He talks about how close he feels to his family, how open they all are with each other. About everything. All the time. "The first time I had sex," he says, "I raced home and was like, 'Mom, I just had sex! Where's the clit?'"
Wait, I ask—did she ever tell you?
"Still don't know where it is, man," he says, then breaks into a smile composed of equal parts shit-eating grin and inner peace. "I just don't know. Make some movies, you don't have to know…"
Here is the 2012 Detail Magazine interview with chris evans:
The Avengers' Chris Evans: Just Your Average Beer-Swilling, Babe-Loving Buddhist
The 30-year-old Bud Light-chugging, Beantown-bred star of The Avengers is widely perceived as the ultimate guy's guy. But beneath the bro persona lies a serious student of Buddhism, an unrepentant song-and-dance man, and a guy who talks to his mom about sex. And farts.
By Adam Sachs,
Photographs by Norman Jean Roy
May 2012 Issue
"Should we just kill him and bury his body?" Chris Evans is stage whispering into the impassive blinking light of my digital recorder.
"Chris!" shouts his mother, her tone a familiar-to-anyone-with-a-mother mix of coddling and concern. "Don't say that! What if something happened?"
We're at Evans' apartment, an expansive but not overly tricked-out bachelor-pad-ish loft in a semi-industrial nowheresville part of Boston, hard by Chinatown, near an area sometimes called the Combat Zone. Evans has a fuzzy, floppy, slept-in-his-clothes aspect that'd be nearly unrecognizable if you knew him only by the upright, spit-polished bearing of the onscreen hero. His dog, East, a sweet and slobbery American bulldog, is spread out on a couch in front of the TV. The shelves of his fridge are neatly stacked with much of the world's supply of Bud Light in cans and little else.
On the counter sit a few buckets of muscle-making whey-protein powder that belong to Evans' roommate, Zach Jarvis, an old pal who sometimes tags along on set as a paid "assistant" and a personal trainer who bulked Evans up for his role as the super-ripped patriot in last summer's blockbuster Captain America: The First Avenger. A giant clock on the exposed-brick wall says it's early evening, but Evans operates on his own sense of time. Between gigs, his schedule's all his, which usually translates into long stretches of alone time during the day and longer social nights for the 30-year-old.
"I could just make this . . . disappear," says Josh Peck, another old pal and occasional on-set assistant, in a deadpan mumble, poking at the voice recorder I'd left on the table while I was in the bathroom.
Evans' mom, Lisa, now speaks directly into the microphone: "Don't listen to them—I'm trying to get them not to say these things!"
But not saying things isn't in the Evans DNA. They're an infectiously gregarious clan. Irish-Italians, proud Bostoners, close-knit, and innately theatrical. "We all act, we sing," Evans says. "It was like the fucking von Trapps." Mom was a dancer and now runs a children's theater. First-born Carly directed the family puppet shows and studied theater at NYU. Younger brother Scott has parts on One Life to Live and Law & Order under his belt and lives in Los Angeles full-time—something Evans stopped doing several years back. Rounding out the circle are baby sister Shanna and a pair of "strays" the family brought into their Sudbury, Massachusetts, home: Josh, who went from mowing the lawn to moving in when his folks relocated during his senior year in high school; and Demery, who was Evans' roommate until recently.
"Our house was like a hotel," Evans says. "It was a loony-tunes household. If you got arrested in high school, everyone knew: 'Call Mrs. Evans, she'll bail you out.'"
Growing up, they had a special floor put in the basement where all the kids practiced tap-dancing. The party-ready rec room also had a Ping-Pong table and a separate entrance. This was the house kids in the neighborhood wanted to hang at, and this was the kind of family you wanted to be adopted by. Spend an afternoon listening to them dish old dirt and talk over each other and it's easy to see why. Now they're worried they've said too much, laid bare the tender soul of the actor behind the star-spangled superhero outfit, so there's talk of offing the interviewer. I can hear all this from the bathroom, which, of course, is the point of a good stage whisper.
To be sure, no one's said too much, and the more you're brought into the embrace of this boisterous, funny, shit-slinging, demonstrably loving extended family, the more likable and enviable the whole dynamic is.
Sample exchange from today's lunch of baked ziti at a family-style Italian restaurant:
Mom: When he was a kid, he asked me, 'Mom, will I ever think farting isn't funny?'
Chris: You're throwing me under the bus, Ma! Thank you.
Mom: Well, if a dog farts you still find it funny.
Then, back at the apartment, where Mrs. Evans tries to give me good-natured dirt on her son without freaking him out:
Mom: You always tell me when you think a girl is attractive. You'll call me up so excited. Is that okay to say?
Chris: Nothing wrong with that.
Mom: And can I say all the girls you've brought to the house have been very sweet and wonderful? Of course, those are the ones that make it to the house. It's been a long time, hasn't it?
Chris: Looooong time.
Mom: The last one at our house? Was it six years ago?
Chris: No names, Ma!
Mom: But she knocked it out of the park.
Chris: She got drunk and puked at Auntie Pam's house! And she puked on the way home and she puked at our place.
Mom: And that's when I fell in love with her. Because she was real.
We're operating under a no-names rule, so I'm not asking if it's Jessica Biel who made this memorable first impression. She and Evans were serious for a couple of years. But I don't want to picture lovely Jessica Biel getting sick at Auntie Pam's or in the car or, really, anywhere.
East the bulldog ambles over to the table, begging for food.
"That dog is the love of his life," Mrs. Evans says. "Which tells me he'll be an unbelievable parent, but I don't want him to get married right now." She turns to Chris. "The way you are, I just don't think you're ready."
Some other things I learn about Evans from his mom: He hates going to the gym; he was so wound-up as a kid she'd let him stand during dinner, his legs shaking like caged greyhounds; he suffered weekly "Sunday-night meltdowns" over schoolwork and the angst of the sensitive middle-schooler; after she and his father split and he was making money from acting, he bought her the Sudbury family homestead rather than let her leave it.
Eventually his mom and Josh depart, and Evans and I go to work depleting his stash of Bud Light. It feels like we drink Bud Light and talk for days, because we basically do. I arrived early Friday evening; it's Saturday night now and it'll be sunup Sunday before I sleeplessly make my way to catch a train back to New York City. Somewhere in between we slip free of the gravitational pull of the bachelor pad and there's bottle service at a club and a long walk with entourage in tow back to Evans' apartment, where there is some earnest-yet-surreal group singing, piano playing, and chitchat. Evans is fun to talk to, partly because he's an open, self-mocking guy with an explosive laugh and no apparent need to sleep, and partly because when you cut just below the surface, it's clear he's not quite the dude's dude he sometimes plays onscreen and in TV appearances.
From a distance, Chris Evans the movie star seems a predictable, nearly inevitable piece of successful Hollywood packaging come to market. There's his major-release debut as the dorkily unaware jock Jake in the guilty pleasure Not Another Teen Movie (in one memorable scene, Evans has whipped cream on his chest and a banana up his ass). The female-friendly hunk appeal—his character in The Nanny Diaries is named simply Harvard Hottie—is balanced by a kind of casual-Friday, I'm-from-Boston regular-dudeness. Following the siren song of comic-book cash, he was the Human Torch in two Fantastic Four films. As with scrawny Steve Rogers, the Captain America suit beefed up his stature as a formidable screen presence, a bankable leading man, all of which leads us to The Avengers, this season's megabudget, megawatt ensemble in which he stars alongside Scarlett Johansson, Mark Ruffalo, Robert Downey Jr., and Chris Hemsworth.
It all feels inevitable—and yet it nearly didn't happen. Evans repeatedly turned down the Captain America role, fearing he'd be locked into what was originally a nine-picture deal. He was shooting Puncture, about a drug-addicted lawyer, at the time. Most actors doing small-budget legal dramas would jump at the chance to play the lead in a Marvel franchise, but Evans saw a decade of his life flash before his eyes.
What he remembers thinking is this: "What if the movie comes out and it's a success and I just reject all of this? What if I want to move to the fucking woods?"
By "the woods," he doesn't mean a quiet life away from the spotlight, some general metaphorical life escape route. He means the actual woods. "For a long time all I wanted for Christmas were books about outdoor survival," he says. "I was convinced that I was going to move to the woods. I camped a lot, I took classes. At 18, I told myself if I don't live in the woods by the time I'm 25, I have failed."
Evans has described his hesitation at signing on for Captain America. Usually he talks about the time commitment, the loss of what remained of his relative anonymity. On the junkets for the movie, he was open about needing therapy after the studio reduced the deal to six movies and he took the leap. What he doesn't usually mention is that he was racked with anxiety before the job came up.
"I get very nervous," Evans explains. "I shit the bed if I have to present something on stage or if I'm doing press. Because it's just you." He's been known to walk out of press conferences, to freeze up and go silent during the kind of relaxed-yet-high-stakes meetings an actor of his stature is expected to attend: "Do you know how badly I audition? Fifty percent of the time I have to walk out of the room. I'm naturally very pale, so I turn red and sweat. And I have to literally walk out. Sometimes mid-audition. You start having these conversations in your brain. 'Chris, don't do this. Chris, take it easy. You're just sitting in a room with a person saying some words, this isn't life. And you're letting this affect you? Shame on you.'"
Shades of "Sunday-night meltdowns." Luckily the nerves never follow him to the set. "You do your neuroses beforehand, so when they yell 'Action' you can be present," he says.
Okay, there was one on-set panic attack—while Evans was shooting Puncture. "We were getting ready to do a court scene in front of a bunch of people, and I don't know what happened," he says. "It's just your brain playing games with you. 'Hey, you know how we sometimes freak out? What if we did it right now?'"
One of the people who advised Evans to take the Captain America role was his eventual Avengers costar Robert Downey Jr. "I'd seen him around," Downey says. "We share an agent. I like to spend a lot of my free time talking to my agent about his other clients—I just had a feeling about him."
What he told Evans was: This puppy is going to be big, and when it is you're going to get to make the movies you want to make. "In the marathon obstacle course of a career," Downey says, "it's just good to have all the stats on paper for why you're not only a team player but also why it makes sense to support you in the projects you want to do—because you've made so much damned money for the studio."
There's also the fact that Evans had a chance to sign on for something likely to be a kind of watershed moment in the comic-book fascination of our time. "I do think The Avengers is the crescendo of this superhero phase in entertainment—except of course for Iron Man 3," Downey says. "It'll take a lot of innovation to keep it alive after this."
Captain America is the only person left who was truly close to Howard Stark, father of Tony Stark (a.k.a. Iron Man), which meant that Evans' and Downey's story lines are closely linked, and in the course of doing a lot of scenes together, they got to be pals. Downey diagnoses his friend with what he terms "low-grade red-carpet anxiety disorder."
"He just hates the game-show aspect of doing PR," Downey says. "Obviously there's pressure for anyone in this transition he's in. But he will easily triple that pressure to make sure he's not being lazy. That's why I respect the guy. I wouldn't necessarily want to be in his skin. But his motives are pure. He just needs to drink some red-carpet chamomile."
"The majority of the world is empty space," Chris Evans says, watching me as if my brain might explode on hearing this news—or like he might have to fight me if I try to contradict him. We're back at his apartment after a cigarette run through the Combat Zone.
"Empty space!" he says again, slapping the table and sort of yelling. Then, in a slow, breathy whisper, he repeats: "Empty space, empty space. All that we see in the world, the life, the animals, plants, people, it's all empty space. That's amazing!" He slaps the table again. "You want another beer? Gotta be Bud Light. Get dirty—you're in Boston. Okay, organize your thoughts. I gotta take a piss . . ."
My thoughts are this: That this guy who is hugging his dog and talking to me about space and mortality and the trouble with Boston girls who believe crazy gossip about him—this is not the guy I expected to meet. I figured he'd be a meatball. Though, truthfully, I'd never called anyone a meatball until Evans turned me on to the put-down. As in: "My sister Shanna dates meatballs." And, more to the point: "When I do interviews, I'd rather just be the beer-drinking dude from Boston and not get into the complex shit, because I don't want every meatball saying, 'So hey, whaddyathink about Buddhism?'"
At 17, Evans came across a copy of Hermann Hesse's Siddhartha and began his spiritual questing. It's a path of study and struggle that, he says, defines his true purpose in life. "I love acting. It's my playground, it lets me explore. But my happiness in this world, my level of peace, is never going to be dictated by acting," he says. "My goal in life is to detach from the egoic mind. Do you know anything about Eastern philosophy?"
I sip some Bud Light and shake my head sheepishly. "They talk about the egoic mind, the part of you that's self-aware, the watcher, the person you think is driving this machine," he says. "And that separation from self and mind is the root of suffering. There are ways of retraining the way you think. This isn't really supported in Western society, which is focused on 'Go get it, earn it, win it, marry it.'"
Scarlett Johansson says that one of the things she appreciates about Evans is how he steers clear of industry chat when they see each other. "Basically every actor," she says, "including myself, when we finish a job we're like, 'Well, that's it for me. Had a good run. Put me out to pasture.' But Chris doesn't strike me as someone who frets about the next job." The two met on the set of The Perfect Score when they were teenagers and have stayed close; The Avengers is their third movie together. "He has this obviously masculine presence—a dude's dude—and we're used to seeing him play heroic characters," Johansson says, "but he's also surprisingly sensitive. He has close female friends, and you can talk to him about anything. Plus there's that secret song-and-dance, jazz-hands side of Chris. I feel like he grew up with the Partridge Family. He'd be just as happy doing Guys and Dolls as he would Captain America 2."
East needs to do his business, so Evans and I take him up to the roof deck. Evans bought this apartment in 2010 when living in L.A. full-time no longer appealed to him. He came back to stay close to his extended family and the intimate circle of Boston pals he's maintained since high school. The move also seems like a pretty clear keep-it-real hedge against the manic ego-stroking distractions of Hollywood.
"I think my daytime person is different than my nighttime person," Evans says. "With my high-school buddies, we drink beer and talk sports and it's great. The kids in my Buddhism class in L.A., they're wildly intelligent, and I love being around them, but they're not talking about the Celtics. And that's part of me. It's a strange dichotomy. I don't mind being a certain way with some people and having this other piece of me that's just for me."
I asked Downey about Evans' outward regular-Joe persona. "It's complete horseshit," Downey says. "There's an inherent street-smart intelligence there. I don't think he tries to hide it. But he's much more evolved and much more culturally aware than he lets on."
Perhaps the meatball and the meditation can coexist. We argue about our egoic brains and the tao of Boston girls. "I love wet hair and sweatpants," he says in their defense. "I like sneakers and ponytails. I like girls who aren't so la-di-da. L.A. is so la-di-da. I like Boston girls who shit on me. Not literally. Girls who give me a hard time, bust my chops a little."
The chief buster of Evans' chops is, of course, Evans himself. "The problem is, the brain I'm using to dissect this world is a brain formed by it," he says. "We're born into confusion, and we get the blessing of letting go of it." Then he adds: "I think this shit by day. And then night comes and it's like, 'Fuck it, let's drink.'"
And so we do. It's getting late. Again. We should have eaten dinner, but Evans sometimes forgets to eat: "If I could just take a pill to make me full forever, I wouldn't think twice."
We talk about his dog and camping with his dog and why he loves being alone more than almost anything except maybe not being alone. "I swear to God, if you saw me when I am by myself in the woods, I'm a lunatic," he says. "I sing, I dance. I do crazy shit."
Evans' unflagging, all-encompassing enthusiasm is impressive, itself a kind of social intelligence. "If you want to have a good conversation with him, don't talk about the fact that he's famous" was the advice I got from Mark Kassen, who codirected Puncture. "He's a blast, a guy who can hang. For quite a long time. Many hours in a row."
I've stopped looking at the clock. We've stopped talking philosophy and moved into more emotional territory. He asks questions about my 9-month-old son, and then Captain America gets teary when I talk about the wonder of his birth. "I weep at everything," he says. "I emote. I love things so much—I just never want to dilute that."
He talks about how close he feels to his family, how open they all are with each other. About everything. All the time. "The first time I had sex," he says, "I raced home and was like, 'Mom, I just had sex! Where's the clit?'"
Wait, I ask—did she ever tell you?
"Still don't know where it is, man," he says, then breaks into a smile composed of equal parts shit-eating grin and inner peace. "I just don't know. Make some movies, you don't have to know…"
If someone doesn't want to check the link, the anon sent the full interview!
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1989 (Taylor's Version) thread:
What we know:
-Rolling Stones blue photoshoot has 6 words which would be June
-77 letters out of place in Hey Stephen lyric video
-77 days after April 9th is Friday June 25
-6/25=13
-42 letters shifted up
-42 days after April 9th is Friday May 21
-5/21/2021=13
-35 letters shifted down
-35 days after April 9th is Friday May 14
-5/14/21=13
-Midsommar is June 20-June 26
-Taylor posted a photo in a bear costume and wore a flower dress to the Grammys which both resemble Midsommar
-Talked to Stephen Colbert about Hey Stephen on the 13th
-National Pizza Day is February 9
-Style was released February 9
-National Pizza Party Day is May 21
-1989 secret sessions were referred to as pizza parties
-National Pepperoni Pizza Day is September 20
-1989 secret sessions were first held on September 20
-5 pieces of pepperoni on the pizza
-1989 is the 5th album
-bird on the collage is similar to bird on 1989 shirt
-Taylor posted a picture with Haim and pizza on February 19
-She captioned it "the mood board" which she also referred to her collage of Stephen Colbert as a mood board (which also had pizza)
-Style was recorded on February 19
-Stephen Colbert's Ben & Jerry's ice cream is in the collage. It was originally released on February 13
-The style music video premiered on February 13
-12 stars
-8 hearts
-8 of hearts means success in love
-The flag of Europe has 12 golden stars and was adopted on December 9
-Stephen Colbert dressed up as Legolas on December 9
-Legolas is played by Orlando Bloom which is Katy Perry's husband
-Legolas and Gandalf are in the collage
-Taylor bought her New York apartment from the Lord of the Rings director
-NYC=1989
-bike photo of Stephen colbert from GQ is on the collage
-Taylor did an interview with GQ during 1989 era
-no this is a pizza sound like no this is becky
-no this is becky was during 1989 era
-old picture of stephen colbert on mood board is from 1989
-she mentioned his social security number as 33035
-33035=14=May 14th
-You Need to Calm Down is the 14th track = May 14th
-Katy Perry was in You Need to Calm Down music video (1989 vault song?)
-Dark Visions by Stephen King came out in 1989
-Stephen Colbert's birthday is May 13th
-513 address=May 13th
-She says she can't call the song Stephen or it would be too obvious which is a nod to Style which is about Harry Styles
-Stephen talked about the Squad which was popular during 1989 era and Bad Blood music video
-Bad Blood was about Katy Perry
-44 years 179 days before April 13 was October 27
-1989 came out October 27
-4 4 1 7 9 =25=June 25
-1989 came out in 2014 when Taylor turned 25
-TS is re-recording her first five albums in order of F1RST: Fearless, 1989, Red, Speak Now, Taylor Swift
-She picked up the phone because the old taylor was calling her
-She is wearing a cardigan because she is coming out of the woods (folklore/evermore) and into re-recording era
-5'11"=November 5 which is a Friday
-Spirit Untamed is released 6/4/21=13
-In some countries Spirit Untamed is released on May 20th so Wildest Dreams (Taylor’s Version) would have to be released before then.
-Wildest Dreams is the soundtrack for Spirit which has 13 letters
-Luminescent=neon lights=1989
-April 13 is National Scrabble Day
-Scrabble posted about Taylor on twitter on April 13
-Luminescent in scrabble can make 523 words and is 15 points
-5/23/21=14
-The Shining was mentioned and was released on May 23
-On Instagram she posted a picture of her and her mom playing scrabble on 10/21/18. The 21ST!!
-1+0+2+1+1+8=13. 10+2+1=13.
-15 days from the interview is April 29
-the clock in the Cowboy Like Me lyric video is at 4:30=Friday April 30. It could also be interpreted to be pointing to 6 and 4.
-Spirit Untamed is released 6/4
-the all knower posted a photo on April 1 with a fake TS album and track list with a clue about a 1989 single release date
-the words twenty and june were part of the track list
-the shifted letters in the Hey Stephen lyric video minus "light" because it is the only full word shifted up is 72 letters
-72 days from April 9 is June 20
-6/20/2021=13
-5 1 1 and 3 3 0 3 5 add to 30
-30 days after April 13 is May 13
-the pizza on the mood board is New York style which is not to Welcome to New York and Style
-Stephen Colbert was 44 when she wrote Hey Stephen
-44 days after the interview is Friday May 28
-Taylor mentioned 1989 and Shake It Off in the interview
-She said she stayed up for 3 days making the vision board
-Hey Stephen is 4 minutes and 13 seconds long = April 13
-3 days after April 13 is Friday April 16
-She typically announces stuff on Thursdays and releases on Fridays
-Thursday April 15 =4/15/21=13
-She said in the interview "I came here to have a good time"
-The meme "I came here to have a good time but honestly I'm feeling attacked right now" was popular in 2014 during 1989 era
-Taylor seemed stalker-ish in her interview which is a nod to Blank Space
-Taylor mentioned Stephen Colbert on Law and Order
-His episode aired on 3/14/04=21=May 21
-She says "Hey Stephen I love you on TV"
-TV is an abbreviation for Taylor's Version
-The Stand by Stephen King was mentioned
-it is about a virus that almost kills the entire world population (lol)
-The book has 823 pages
-8+2+3=13
-Stephen King's birthday is September 21
-Taylor did a cover in 2018 of the song "September" where she changed the lyric from "the 21st night of September" to "the 28th night of September"
-this is speculated as a nod to her anniversary with Joe
-She mention Stephen Colbert waiting tables in 1989 at the restaurant Scoozi’s in Chicago.
-Their address is 410 W Huron St, Chicago, IL 60654.
-4+1+0=5. 6+0+6+5+4=21
-The line “waiting tables” is at 0:21 seconds on Mine.
-You All Over Me and Clean have very similar themes.
-Clean is from 1989 and is track 13.
-You All Over Me is track 21.
-The length of the YAOM is 3:41 which adds to 8.
-8 weeks from March 26 (YAOM release date) is May 21.
What this means:
-1989 TAYLORS VERSION IS COMING
-Style, Shake It Off, Blank Space, Welcome to New York, Out of the Woods, Wildest Dreams and Bad Blood are potential singles
-Dates to remember: April 15/16, April 29/30, May 13/14, May 21, May 28, June 4, June 20, June 25
@taylorswift @taylornation
#swifties#t swift#taylor swift#taylornation#taylorswift13#1989 album#taylor swift theories#1989 taylor's version#rerecording#taylors version#taylor nation#fearless taylor swift#fearless taylor’s version#1989#May 14#May 21#theory
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HARRY ZHONG (MITCHELL-WHITE)
IG info/bio: @/heedful.harry | 15.6k followers| hi, I’m Harry and I’m a business major. No, You don’t have to hold your applause 🧐
21 years old
From York, England
Cancer sun + ARIES MOON energy
He and his younger brother, Archie were foster children in the Mitchell-white household
which consisted: Harrison Mitchell and his daughter from a previous marriage, Briony, Piers White and together they had a surrogate carry their child, which gave them their second daughter, Pippa
Later they came to the decision to adopt Harry and Archie Zhong, if only that’s what they wanted too
It took longer for Harry to warm up to the family since he was still waiting and wishing for his mom to come back for them
He was diagnosed with IED around 15 years old
Goes to therapy for it and meetings with others with similar issues...he dreads the meetings since it makes him feel like he has a problem or something, which HE DOES but it makes him feel like a...but he knows that’s a ignorant way to think
He’s currently a business major and loves telling people about it *yawn* (don’t drag me lmao)
He’s thinking he’ll be a Financial analyst or a Marketing manager
The type of person who’s done a lot in his short life that it’s often unbelievable ex.) telling the villa he’s driven one of the cars that was used in the fast and furious franchise & getting pissed when bill and everyone else didn’t believe him
Harrison is a train driver and is normally bubbly + wears bright preppy clothes
He also loves Broadway, much to Harry’s annoyance...if he hears one more Hamilton song he’s gonna slam his head thru a wall stg
Piers is a music producer and is more reserved or “stand-off-ish” until he gets warmed up to you + his aesthetic is a rocker, yeah he’s got the whole tattoos and boots thing going for him, after all he was in a rock band
Piers makes the most $ and is of high status, which brought him and his family perks but is not a snob about it...it’s whatever ya know?
Harry’s closer to piers, feels he understands him more & can be kinda rude to Harrison when he’s in one of his moods but tries to be better at responding to him since he made him cry once years ago — yes he felt like complete shit afterwards
Harry is anemic so he always finds himself cold, experiencing fatigue, irregular heartbeat, and if he gets up too fast or moves too fast? Let the bodies hit the floor, let the bodies hit the floor, let the bodies hit the—FLOOO000R! (I’m making this joke as a person with anemia)
Likes cold weather since everyone else can feel what he feels on the daily
Plus he loves dressing for winter season, trench coats, wool coats, turtle necks, thermal t-shirts, fleece pants, rolled up beanies that keeps his ears covered and his hair glued to his forehead...you name it!
On the regular? He’s a khaki’s kinda guy, dress shirts, and loves wearing suit and ties...he’s not the biggest fan of jeans. He loves dressing fancy unless the measurements are bloody awful
I’m going by the alternative design for Harry and...whew! Then he’s 6’1 if we’re talking about the one they gave us then we all know he has a baby face, so I’d say he’s about 5’8
He’s got long legs + arms and hates how majority of his pants barely fit around his ankles
has dry scalp too
I feel like he’s pretty intelligent and sometimes it can come off as a know it all, yet, he’s always down to help people & isn’t condescending while doing so
He knows how to make soaps and would sell them on his etsy account in highschool where plenty shat on him for it so for awhile he stopped the hobby until Harrison encouraged him to keep at this if it was what makes him happy
Harrison is the type of parent you go to for comfort and hugs even if it might feel like he’s smothering you
Piers is the one who lets you come to him when you’re ready to talk about it, no pressure
Harry went to a high school that focused on technology so he’s all into the latest gadgets
This is a secret but he only got a apple watch to feel like a true spy
His intelligence got him somewhere with a few ladies ;)
He’s a certified freak, 7 days a week and had a handful of hookups and about 4 gfs in his life so far
He’s kinky!!!
& has a f**t fetish
His past relationships were not long relationships, which sucked but Harry felt like...this might sound arrogant, but it’s either their lost — although there was never any bad blood with his breakups! or his person was still out there somewhere...
I haven’t fully played his route (AJ stole my ass since I couldn’t romance seb or Nicky sorry) but I’ve seen screen caps and he’s a total sweetie if he’s really committed to you, you might be his “true love”
He’s nervous opposed to his usual confidence when he’s chatting to other ladies with ease, with you it’s different, it’s magnetic, nerve-wrecking, butterflies, electric, and exciting all wrapped in one
I feel like he shows his love language with quality time but also enjoys physical touch from his partner
Picky eater
But he was worst as a child! Barely ate anything which led to him being lanky or it’s in his genes but mostly he wouldn’t eat a damn thing
These are a few of his favorite things: figs, green tea, and almond milk
makes the best spring rolls with the rice paper, those are superior than fried! “Fried food will kill u u know!” “Okay bill.” “Iona, don’t know if u had too much to drink but, erm I’m Harry.” “R/WHOOOOssssh! And you’re s’pposed to be the smart one, yeah right.”
outside of the villa he found himself continuing his friendship with bill—even tho he pisses him off sometimes since he’s always got some shit to say but they’re probably the closest, Iona she’s always honest and is always a good time to be around when they hang out, Then there’s Camilo and Miki that he hangs out with too
Is the first one sharing about his day in the group chat with all of the villa, he can feel half of them rolling their eyes at him since many feel he tends to exaggerate
if he’s not endgame with mc...he kinda feels a way that Genevieve found her happiness in seb instead of him, it’s not that he’s bitter—he genuinely liked her and felt like maybe they didn’t try hard enough but deep down knows relationships can’t be forced. It’s just his ego trying to control things that’s all! plus he was comfortable with vieve even if it felt more on a platonic side...oh well
once slid into jen from s1’s dms one dark stormy drunk night & admitted on live that erikah kinda gave him some tips before going on the show... & that he thought one of the new girls that entered the villa was a better fit than one of the originals from s2 which caused him to get blocked by said original OOP
Has a circle of close friends outside of the villa, they’re all brainiacs and have something going for themselves
Enjoys action films and biographical drama films like: James Bond, John Wick, and the social network
Isn’t ashamed to admit that he loves using sheet face masks but isn’t the greatest at following a consistent skincare routine
Has his own back massager that he spent a lot of $ on since it wouldn’t go on sale and then a week later...it went on sale
sends a lot of “🙃🙂” texts when you piss him off
probably worked at GameStop, the apple store, Godiva, and currently works at a electronic repair shop for a side of cash but is looking for a internship since he’ll be graduating next year
Always Keeps cough drops on him? 
is a huge cuddler & falls asleep easily
His brain is always active, experiences REM sleep often
fav video games are tekken & hitman
owns a drone now 😏
also loves strategic board games & riddles
Took quarantine life seriously, did his research before it completely broke globally and started buying shit excessively in person and online that he sent most to his family before the campus shut down
Is the friend that will check on his friends :)
Keeps his dorm and his room back home CLEAN af, is OCD about everything being in order/organized. Will know if you touched his shit, Archie felt his wrath many times before
Has a life goal board in his closet, & plans to be fully established by 25. More power to ya Harry!
Celeb crushes: Victoria justice, Jesy Nelson, Deepika Padukone, Brec Bassinger, jasmine tookes, and princess Mae
Who does he listen to? oceanfromtheblue, Galimatias, Ta-Ku, Aries, Tyler, the creator, rich Brian, NIKI, viji, & AJR
Anthem = DPR IAN, “So beautiful”
#litg#litg3#litg s3#litg harry#litg genevieve#litg bill#litg seb#litg mc#litg oc#litg moodboard#litg headcanon#litg headcanons#yes I’m still doing these and it’s kinda challenging but at the same time not?
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Song: Praise the Lord and Pass the Ammunition! / Jingle Jangle Jingle
Artist: Former members of Kay Kyser’s band - vocals by Harry Babbitt and Chorus
Conductor: Billy May (uncredited)
Record Album: Kay Kyser’s Greatest Hits
Record Label: Capitol Records ST 1692
Recorded: August 25, 1961
Released: 1962
Location: Appalachia Radio
Note: This stereo record features a very hard panning of the instruments and vocals. The female vocals, tambourine, and saxophones are on the left. The male vocals, percussion, trumpets, and trombones are on the right. More modern mixes have reduced this effect to be more centered.
From Julie’s perspective, this song will be about 160 years old. We just happen to be at the halfway mark right now.
I wish I knew the story behind this next song because it was written so long ago, but it's so appropriate pretty much every day in Appalachia. Here is "Praise the Lord and Pass the Ammunition!"
As for the story, it’s quite a long one with a couple of details still missing.
For the original story, step over here for the original 1942 recording made during the height of WWII and a naval chaplain uttering a quick prayer becomes immortalized in song.
For the next part of the story, as is not uncommon here, let me take you down the garden path 20 years later when the Swinging Sixties were trying to bring the swing bands back.
Billboard clipping from April 14, 1962 reviewing the newest Kay Kyser album, without Kay Kyser...
By 1950, bandleader Kay Kyser had largely retired from show business. A combination of the cancellation of his NBC TV show, arthritis, and the death of his mother led him to devote more time to his family and Christian Science.
Rising expenses with personnel and the various strikes and recording bans throughout the 1940s also contributed to the demise of the big bands after WWII.
Swing had swung.
A selection of album covers from Capitol Records between 1955-1961 of artists and bandleaders re-performing their hits in newly recorded hi-fi and stereo. Note the similarities in cover designs.
The end of the war brought changing tastes, but also new technology. The newly invented vinyl long-playing record (LP) could hold up to 22 minutes of uninterrupted music per side compared to the standard shellac 78′s 3 minutes per side. Then came the advent of the stereo record where stereophonic sound could come out of two speakers at the same time to give the feeling of hearing a live orchestra right in your living room. Trying to capitalize on the new stereo music invention, Capitol Records invited bandleaders to recreate their big bands of the 1930s and 1940s in hi-fi and in stereo. Dozens of freshly manufactured multi-track tape recorders whirled (a far cry from recording on wax discs to make masters) and took down the hits of Harry James, Benny Goodman, Guy Lombard, Stan Kenton, Glen Gray, Freddy Martin, Fred Waring, Charlie Barnett and many others. 20 years later and their hits would have that fresh new stereo sound.
To the modern ear, this early stereo effect can be off-putting and exaggerated with instruments on one side and vocals on the other. Recording in stereo was still in its infancy and the novelty was often too great to pass up.
In 1961, Capitol approached Kay Kyser for a new album. He declined after having being out of the music business for 10 years, but did not object to former members bringing the band back together.
Photos from the recording session from the back cover, left to right: Gloria Wood, Harry Babbitt, Ginny Simms, Ish Kabibble, Sully Mason, Trudy Erwin.
And so, Babbitt, Michael Douglas, Erwin, Ish, Jack Martin, Mason, Simms, and Wood rejoined in the famed recording studios at the Capitol Records building on Hollywood and Vine for several sessions in August and September of 1961.
Though not all of them played instruments, each lent their voices to recreate their hit songs on various tracks complete with falsetto from Ish Kabibble and Sully Mason.
Cover art illustration for the Capitol Records albums Kay Kyser’s Greatest Hits and Jimmy Lunceford in Hi-FI by Jon Jonson. Neither were present for the recording of the new albums (Lunceford had died in 1947 following a collapse). Compared to contemporary photos of the bandleaders, perhaps Mr. Jonson has stylized the covers a bit with cleft chins. Billy May also recreated the orchestra for the Lunceford album.
For this Kay Kyser album, famed Capitol arranger Billy May is believed to have conducted the orchestra for this presumably filled with more session musicians to fill out the big band.
He is uncredited on the sleeve. The Lunceford album also moved his conducting credit to the back cover.
The track listing for the album is as follows with the addition of the original recording dates:
Side One:
Ma (He’s Making Eyes at Me) [Columbia 35411, 1940]
Woody Woodpecker [Columbia 38197, 1948]
Why Don’t We Do This More Often [Columbia 36253, 1941]
Three Little Fishies [Brunswick 8358, 1939]
The Old Lamplighter [Columbia 37095, 1946]
Praise the Lord and Pass the Ammunition! [Columbia 36640 , 1942]
Side Two:
Who Wouldn’t Love You [Columbia 36526, 1942]
Playmates [Columbia 35375, 1940]
(I Got Spurs) Jingle Jangle Jingle [Columbia 36604, 1942]
Strip Polka [Columbia 37962, 1947]
Pushin’ Sand [Columbia 36676, 1942]
Thinking of You [Columbia 36106/Brunswick 8320, 1939]
As Columbia Records retains the bulk of the Kay Kyser catalog, it is curious that the end credits for Fallout 76 mention using the Columbia version even though other Capitol Records songs have been licensed. Perhaps the licensing fees are going to the wrong company for the wrong version.
As for differences between the Capitol and Columbia versions the overall tone is different in a way that’s admittedly hard to describe. Perhaps on the phrase “...son of a gun of a gunner was he. Shouting...”, in the original 1942 Columbia version the line is shouted loudly, but the 1962 Capitol Records version rather weakly shouts “shouting” in comparison with the male voices almost doing a voice crack. For the track on “Praise the Lord and Pass the Ammunition” Harry Babbitt is credited this time as the lead vocal role, perhaps weakly shouting. In general, the entire song is sung as a chorus. Ish Kabibble (trumpet), Jack Martin, and Sully Mason (saxophones) are also present on both recordings serving double duty on instruments and vocals as needed.
Trudy Erwin was also present at the original July 31, 1942 recording session.
Michael Douglas, Ginny Simms, and Gloria Wood were not at the 1942 recording session, but had sung with the Kay Kyser orchestra on other sessions and likely provided the backing vocals on this Capitol Records session as it is a rather loud track.
Kay Kyser himself is not present. While Stan Freberg did imitations of the “Ol’ Professor’s” voice for this record, he did not make an introduction for this track.
There is unfortunately very little else about the recording session that seems to have survived. In an interview with Harry Babbitt’s son, Chris, he recalled attending several of the recording sessions and recognizing more former band members, but he was too young to remember their names.
The album was indifferently reissued in 1989 on cassette tape and CD.
The liner notes are more or less an exact copy of those found on the LP. The cover art was not modified to fit the cassette box. Both the CD and the cassette retain the extreme hard panning of the instruments. However, most of Stan Freberg’s song introductions have been removed and he no longer calls the vocalists by name in an imitation of Kay Kyser.
Listen to the original 1942 recording of “Praise the Lord and Pass the Ammunition!” here.
Listen to the 1962 version of “Jingle Jangle Jingle” here.
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What the hell is going on with the Grammys - a massive master post.
Buckle up; this is a mess.
So as we all know, Grammy nominations came out on Tuesday. And... whew there’s a lot to unpack. So this master post is (hopefully) going to explain all the different strands of this.
A disclaimer before we start: this is in no way bashing the artists who have been nominated. I am sure they all work immensely hard and although they submit themselves, most of them have 0 say in the nominations process. For the love of God - we’re not going after any individual artist.
(also, just for clarity and conciseness: this post is going to focus on the “Big 4″ in terms of nominations - Best New Artist, Record of the Year, Song of The Year and Album of the Year).
So - Best New Artist. As a category I’m happy with all the nominees - the criteria is weird as hell though (basically you can just keep submitting yourself up to 3 times? and it doesn’t matter how far into your career you are? ok I guess). I’d love for Phoebe Bridgers or Megan Thee Stallion to take it personally, but I’m happy with all the nominees. It’d be nice to see Blackpink get an acknowledgement but they could end up getting nominated next year because of eligibility dates. So yeah, no major issues with Best New Artist.
Just to clarify before we move on - Wikipedia has better definition of the difference between SOTY and ROTY so I���m just going to paste it here:
Record of the Year is awarded for a single or for one track from an album. This award goes to the performing artist, the producer, recording engineer and/or mixer for that song. In this sense, "record" means a particular recorded song, not its composition or an album of songs.
Song of the Year is also awarded for a single or individual track, but the recipient of this award is the songwriter who actually wrote the lyrics and/or melodies to the song. "Song" in this context means the song as composed, not its recording
ROTY: Record of the year ... it’s very safe. Rockstar, Say So, Everything I Wanted, Don’t Start Now, Circles and Savage were all expected. The Black Pumas song is an outlier but normally there’s a couple of smaller songs on the nominees list so not a complete surprise. Black Parade is also a bit of a turnup - it’s a great song and obviously had some momentum this summer but wasn’t huge . I was surprised not to see The Weeknd in this category (more on that later); would have nice to see BTS on the list but again, not shocking.
SOTY: A mix? I guess? Most of it is overlap from ROTY - but there’s a few different songs in the way of Cardigan, I Can’t Breathe and If The World Was Ending. Personally, I’m really happy that Cardigan and I Can’t Breathe are in there - my personal favorite would be I Can’t Breathe Winning. “If The World Was Ending” ... was there I guess? So congratulations.
AOTY: Oh boy. AOTY is a mix. So the less surprising inclusions: Folklore and Future Nostalgia. I do genuinely believe it’s a tossup between those two now as to who wins AOTY - I’m going to give the edge to Taylor right now because she’s won it before for Fearless and 1989 but I’m not sure the Recording Academy would give it to her 1 in 4 years ish consistently. Then again, Taylor is a Grammys darling and 2nd highest Metacritic score of the nominations, so it wouldn’t shock me. I’m shocked HAIM are nominated in the best possible way (it’s my personal AOTY), but the rest ... I’m stunned by. Djesse Vol 3 is also great but I don’t think it has a shot; Chilombo was good but not brilliant, Black Pumas got in with a deluxe version (yes it’s a good album, but it’s going to be close to 2 years old by the time the Grammys roll round), I’m not a massive fan of Hollywood’s Bleeding but Post Malone’s commercial impact can’t be denied. Coldplay is the one I find most bizarre - it wasn’t a particularly good album nor did it stick around commercially. So yeah - it would nice for HAIM to take it (I think they have a shot of pulling a “Golden Hour” and taking it home) but I’d be shocked if it didn’t go to Taylor.
So. Yes, there were some snubs - I thought Harry Styles would get a SOTY nomination, I was also expecting BTS to sneak into a couple of categories; Phoebe deserved an AOTY nomination and Rina Sawayama deserved some recognition. However.
WHERE THE FUCK IS THE WEEKND?
The Weeknd not getting a single nomination. How? No matter which way you look at it, Blinding Lights, should be up for ROTY or at least in the Pop categories. OK, so After Hours isn’t going to be one of the all time great albums, but you can’t look at that list and think “hmm, yes; they’re all objectively better than After Hours.” Because they’re not. That’s a fact. The Weeknd has spoken out against the Grammys in the past (which I’ll come to in a minute), but the truth of the matter is is that the Grammys are institutionally biased. Let’s roll back to 2015. In 2016, the nominees for AOTY were 1989, Beauty Behind The Madness, Sound & Color, To Pimp a Butterfly and Traveler. Thinking about this in terms of critical success, the Grammy should have gone to Kendrick for “To Pimp A Butterfly”. It went to 1989. Ok, so 1989 is a great album! and commercially, was the biggest selling album that year. So from, that (and the following year, where 25 won over Lemonade) we could deduce that the Grammy focuses on the album that’s made the most commercial impact. HOWEVER: if we carry this logic into 2021, none of the nominees make any sense. Surely if they did, then only Folklore and Future Nostalgia would be on their. No matter how you look at it, After Hours straddled the line of being inescapable for a year and of getting great reviews. It should have been nominated for AOTY and that’s the bottom line of it.
So why wasn’t it?
Probably The Weeknd criticizing the Grammys previously didn’t help. But according to that bastion of news, TMZ, he was given the choice between performing at the Grammys or at Superbowl. The Weeknd negotiated, and agreed to do both. He was announced to be performing at the Superbowl on 12th November (link: https://www.bbc.co.uk/news/entertainment-arts-54921206) . Grammy noms come out on the 24th, TMZ reports he was given the choice between Superbowl and Grammys about 8 hours after the nominations (https://www.tmz.com/2020/11/24/the-weeknd-ultimatum-grammys-super-bowl-performance-snub/) . Then, The Weeknd tweets this maybe an hour later (https://twitter.com/theweeknd/status/1331394452447870977). To add insult to injury, he went from being in “negotiations to perform” to no nominations. Now that’s a kick in the teeth.
A day later, the president of the Grammys, Harvey Mason Jr. does an interview with Variety (https://variety.com/2020/music/news/grammy-harvey-mason-weeknd-snub-show-1234839208/). Gives a load of non-answers as expected. But he does talk about the Grammy committee.
We don’t know much about how the Grammy voting process works. If you’re a member, you listen to the songs in the categories and then vote. BUT THEN. The top 20 songs/albums go to the committee. There’s 20 people on the committee - some with direct links to labels and artists. So they could hypothetically pick songs ranked 15-20 and nominate then. Which is why I think The Weeknd was majorly snubbed. I think The Weeknd got into the top 20 in all the categories he was nominated in and the committee overruled. That’s my theory anyway. The Grammys have been problematic for years - but since I’ve been following then from 2015ish - they’ve been accused racism (lack of BAME winners), sexism (remember the “well women should make better music” comments in 2018 https://variety.com/2018/music/news/grammys-so-male-women-recording-academy-president-neil-portnow-1202679902/) and then the mysterious ousting of Deborah Dugan at the start of last year (https://www.vox.com/2020/1/26/21082057/2020-grammys-sexual-harassment-corruption-recording-academy-deborah-dugan-rigged-nominations).
When Deborah Dugan was fired, she alleged sexual misconduct and voter corruption in the academy. (If I can find a copy of the original PDF I will, https://www.theguardian.com/music/2020/jan/22/suspended-grammys-chief-deborah-dugan-alleges-sexual-misconduct-in-recording-academy). But honestly the article speaks for itself. The grammys are corrupt, and not a true measure of artistic integrity.
So, as much as I find them fascinating - let’s not give them any more weight then they deserve. If your fave has a nomination, great! If not, it doesn’t make them any less of an artist. 2020 has been a fabulous year for music, so let’s concentrate on that.
It’s impossible to cover every aspect of the Grammys in one tumblr post, and well done if you’ve made it to the end. If anyone has any questions, I’ll try and answer them to the best I can.
Thank you so much for reading! And Happy Thanksgiving, remember to donate to Native people today if you can - here’s a link to some places to donate https://twitter.com/MsKellyMHayes/status/1332000439378784261 !
#grammys#grammys 2021#the weeknd#roty#soty#aoty#bna#blinding lights#after hours#recording academy#deborah dugan
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Rocketman.
“I’m a straight actor playing a gay icon. We had an obligation to honor that side of his story.”
Taron Egerton, star of the new musical biopic Rocketman, tells Letterboxd about having a takeaway curry with Sir Elton John and portraying the absolute pop icon on the big screen.
They say in showbiz, timing is everything. And Rocketman is very well-timed.
Bohemian Rhapsody proved emphatically that there is a huge cinematic appetite for rock-and-pop star biopics, which have long been the domain of the small screen. That film earned more than $900 million at the global box office and garnered an Academy Award for lead actor Rami Malek.
Working in Rocketman’s favor is the fact that Bo Rhap (as Rocketman star Taron Egerton refers to it) was a widely embraced, award-winning film that everybody agreed could’ve been a little better. And quite a lot gayer.
Rocketman steps up on both fronts, and it’s also directed by Dexter Fletcher, the man credited with salvaging Bohemian Rhapsody after he stepped in to finish the film when original director Bryan Singer was fired during production (Singer retained sole director credit per DGA rules).
Also working for Rocketman: the songs of Elton John and lyricist Bernie Taupin (played in the film by Jamie Bell), which are incorporated into the narrative with welcome creative flair. Egerton—as the film’s marketing campaign has made very clear—does all his own singing in the film, and he’s pretty darn decent.
Letterboxd recently sat down with Egerton at an exclusive press event in West Hollywood where he talked about his experience making Rocketman, and what it was like getting to know the man who inspired it.
Egerton began by talking about the film’s fantastical approach and how it uses John’s rehab journey as a framing device: Taron Egerton: The mandate for the production was always that it wouldn't be an out-and-out biopic, that it would lean into these elements of fantasy. The movie begins with Elton entering rehab and those scenes are what I’m most excited for people to see, because to see someone who’s so universally known in such an intimate, vulnerable situation, I think is quite unusual. And it says something about Elton and how candid and resilient he is. Elton recounts his life through rehab, we learn his story from being a young child and going to the Royal Academy of Music. And it essentially goes right the way up to the point where he goes to rehab.
On how he felt going into the role: It was terrifying. Because it’s a musical and because it’s a fantasy, it was always a prerequisite that the actors sing. So there’s a tricky thing, particularly following in the wake of something like Bo Rhap, it’s so unmistakably Freddie, the sound of it. So for me it was about singing the songs as well as I possibly could. But we were lucky in the sense that Elton and [husband] David [Furnish] are very close to the project. It started with them, and Elton has been fantastic in letting me be a part of his life for the past couple of years. And befriending me, frankly. Which has made the whole thing feel very personal and very real.
On how he went about embodying Elton John: Weirdly, I found the stuff where I played him older, easier, and I think that’s because all the time I’ve spent with Elton has been older Elton. I haven’t spent any time with 21-year-old Elton. There is footage, but it’s interesting, because people portray such a version of themselves on camera. I don’t know. For me, it all kind of came from the first time I sat down with him and we had curry together. I went over and I had a takeaway curry at his house. And we just talked for about two and a half hours. It’s such a hard thing to describe. When you are given the honor of playing one of the most adored and famous people in the world, there’s such a weight of responsibility that comes with it. And then when you meet them and connect with them generally, I don’t know, it just feels like one of the most important things I’ve ever done. I can’t really describe the feeling of having gone through the whole thing.
There’s an element of getting to look as much like him as you can, which is very helpful. There’s four rough stages of Elton. The first one being his kind of teenage bowl-cut, chunky Buddy Holly glasses. Then into the longer hair, early 20s stuff where we’re in LA. And then the hair starts to go. For the third look I shaved my hair line up higher than it already is by a couple of inches. And for the fourth and final look, I have a bald cap. There’s something about changing yourself completely and the way you look that really conditions how you feel.
One thing about Elton is that at some point in his mid-late 20s, things started to get a little bit out of control and unraveled a little bit for him I think, and there’s something to do with putting a slight gap in my teeth and changing my hair, it just didn’t make me feel very much like me. And so I created this hybrid of me and him.
That’s another thing as well, through getting to know him, I feel like there are some parallels between me and him. I mean, I’m not a genius, but in the sense that some of the neuroses and insecurities, I just recognize some things. So there’s a lot of me in there and my emotional volatility and I’m someone who has very extreme and acute reactions to things. I’m potentially a little emotionally volatile at times. And that is, I think, certainly who Elton was. So it’s just about dialing up those things in yourself, and dialing other things down.
On the film celebrating Elton John’s sexuality: I’m a straight actor playing a gay icon, so I again felt very, very keenly that if I was going to do this and do this properly that we had an obligation to honor that side of his story. So early on the film there is a love scene, it’s between myself and Richard [Madden, who plays John’s manager and lover John Reid]. It’s the first love scene I’ve ever done and it’s two young guys falling in love in a time where it possibly wasn’t that socially acceptable and I think it is a scene I’m really, really proud of.
There is a community that feels a certain sense of ownership over icons that are a member of that community, so we have that responsibility to honor that part of their story. And it’s been fantastic, especially working with Paramount on this, who have always felt very strongly that this was a part of the story that we needed to push and honor and see reflected in our film. And I’m really pleased with it, I think it’s lovely actually.
On the film not shying away from Elton John’s substance abuse: This is not a movie that glamorizes drug use. Elton’s relationship with certain substances was extremely corrosive and bad for his health and nearly cost him everything. And that was an important part of the story for me. The balance is also in making it something that is joyous, celebratory and fun to watch. And that has been the knife edge that we’ve had to walk along. And I hope people will feel we’ve done a good job of that.
On leaning into the truth of Elton John’s volatile personality: A documentary was made by David about Elton 25 years ago called Tantrums and Tiaras. It is no secret that Elton has his ups and downs. We were true to that—it’s who he is. And frankly I think it’s why we love him. So I felt very much when we were on set that I wanted to push it. Because the one person I knew wouldn’t mind me doing that, was Elton. Because he’s not precious. He knows where his strengths and weaknesses lie, and he’s very at peace with who he is.
He’s been through a hell of a lot and he’s been through recovery and he is settled and solid and knows who he is and he’s quite candid about it. So for me I always wanted there to be that duality between this sweet, incredibly caring, generous person, who just has this intense artistic sensibility and volatility, and I believe that is hand in hand with his creative genius.
On how younger audiences less familiar with Elton John might respond to the film: Elton’s music is still so played on the radio but I hope that there’s a world in which we bring music to some young ears that haven’t heard it before. Well, young-ish ears; it’s not the most child-friendly film. But young ears nonetheless. I think there’s a universality to Elton’s music. I don’t think the success of Elton’s music is entirely conditional on the context in terms of time. It was brilliant music in 1971, and it’s brilliant music now. Everyone loves Elton John, but for relatively young people like me to go back and then listen to all the stuff that made his name in the early 70s, things like Amoreena, Take Me To the Pilot, Hercules, Border Song… and you just go, fucking hell, it’s just, it’s mind-blowing, the output. In an ideal world—you can’t plan for it—I would hope that people rediscover Elton through the film.
On what playing the role has meant to Egerton: As with most people, I can pinpoint times in my life as early as five where I was aware of Elton John. I remember that video of him doing The Circle of Life when I fell in love with The Lion King when I was five or six. I remember being twelve and the Greatest Hits coming out, and me and my stepdad, who my mum had just met, who became a huge part of my life, him and I sitting listening to that Greatest Hits album, singing I Guess That’s Why They Call It the Blues together as he drove me to school.
Then when I was 17 and I auditioned for drama school and sang Your Song. I didn’t get in. Then I sang it again the following year and I did [get in]! I knew it was a winner. And so he’s always been there, Elton John as this kind of, idea. And then in 2016, when I’m still barely able to process the fact that I’ve been in a hit movie, for someone to say “Do you want to play Elton John?” And to go “Well how does Elton feel about it?” and hear “He really loves the idea”. It’s just fucking mental innit?
It’s just insane. Creating the film, without wishing to get too earnest, has felt like a hugely important thing for me. And a hugely important thing for posterity in some sense, because hopefully in the future it will be so many people’s introduction to Elton John. I feel like I’ve poured more of myself into it than I have anything else and so for me I feel very satisfied by the whole experience.
It’s been hard work. And essentially has been my life for the past year, 18 months, with creating all the songs and recording them and re-recording them and changing things and going back after we filmed. But I wouldn’t have changed a second of it. And I would do it all again. There’s not many things I would say that about.
And then, just getting to know him and to genuinely feel a connection with the great man. I sang with him recently, I still can’t believe that that happened. I genuinely get a bit emotional thinking about it.
Sir Elton John has appeared in more than 60 films as various versions of himself, and composed for several soundtracks, including a handful of beloved songs for Disney’s ‘The Lion King’ (Jon Favreau’s new photorealistic version comes out this July). Welsh actor-singer Taron Egerton is, until now, best-known for his leading role in the ‘Kingsman’ film franchise. ‘Rocketman’ is in theaters now. Comments have been edited for clarity and length.
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Time...
“...Why you punish me?”
So, I explained last time the situation regarding the creation of my music...monetarily. But let me explain and expand on how my time is utilized on a monthly basis.
If I haven’t made it clear, I hate my job. But here’s the thing, it’s flexible (for the most part), has benefits: (insurance, free-ish air travel, scheduled pay increases). Cons: passengers are allowed to treat crew like shit, always working with new people (that you may not mesh well with), anyone you try establishing a relationship with has pre-conceived notions/little to no faith you will ever be around, pay SUCKS until you get REALLY senior (7+), and...more, but I digress. But that flexible schedule, albeit limited, has afforded me the ability to work on music; until it doesn't.
See, I was getting “comfortable” in my work situation a few years ago until certain a situation beyond my control forced me into deep debt, bad credit, and deeper depression. In order to fix all of this, money is needed. How do u get money? Work more. More work leads to more depression and sometimes health issues. So, I’ve been stuck in this seamlessly endless cycle of paycheck to paycheck living. And my desire and NEED to work on my music has not helped it (as explained in the previous blog post). Every time I get a bit more money, it goes to my craft.
See, after you put all that money into creating art, you have to then put it OUT there. And in the case of a performer, you need to do live performances. That is a whole other situation in itself. There are lots avenues to get live performance experience. Open mics, concert showcases, live cabaret/karaoke bars, etc. Guess what THEY ALL COST MONEY. But not only money, LOTS of excess time is involved.
This past spring, I was dragged into a showcase by my producer friend (who I’m partially in love with but he’s straight...but that’s another story). In order to do a showcase, you have to apply for acceptance. Applications involve you submitting current work and having a worthy social media following (which you have had to spend constant time building). Once you fill out the application, send the files and info, PAY your entry fee ($25) and receive your acceptance, you then have to sell tickets. Yes, how do they get people to come to the showcase? By having YOU bring them. And if you cannot find people to buy your tickets, all of those tickets come out of YOUR pocket. So, I was given 25 tickets to sell (last minute mind you); 25 tickets to sell at $20 bucks each. So, if I don't sell them, I owe the company $500 dollars. Yup, that’s correct. In order for me to perform my original content on their stage, I needed to make sure they got their $525 and help them get people in the venue so that they buy drinks at the bar (which we were given ZERO drink tickets for). Now before stepping on stage, you don’t get a sound check. So, you show up early before everyone to check in and simply check they have your correct music file(s) then wait...and wait...and wait. But your music has to be edited within their restrictions (this means more studio time. Remember, studio time =more $$...just making sure ur following me. Too many times you’ll hear big recording artists talking about how they have just sat in studios for hours creating a song from scratch. Yeah, only if you are signed to major label is this a thing! But anyway...back to the showcase.)
Needless to say, I did everything I needed to. But I had some help since I asked to do this last minute and told them UP FRONT they would have had to get that unsold ticket money from me in blood. I landed from working a redeye the day before, got a nap in, did my vocal exercises in my car on my way to New Jersey, checked in and sat there. Since some people didn't show up on TIME, I was abruptly grabbed from drinking my whiskey at the bar and told “YOU’RE ON NEXT!” Being the seasoned professional that I am, took that shot to the head, said “Actually, that’s not my slot...but ok, I’m ready.” NO SOUND CHECK, NEVER given TIME on the stage beforehand...I went on. Sung my ass off with a standing ovation from the judges. Then, went back to drinking with my friends who were in shock because they had never heard me really sing live. Then I had sit for HOURS while mediocre “rappers” and “singers” rapped over pre-recordings of their own vocals. Finally, they were ready to announce the winners. I won that sucker.
But what did I win? ...A promise to be put into another show... *DICK FACE* No money to recoup what I just spent getting to this moment. No free promotion on social media to help me and my art. NO, some bullshit. So, I took the experience fore what it was and cut my losses. I got some exposure and was able to test out an unreleased song...but besides that. Nothing but wasted time and effort. I left there feeling somewhere between elation and disappointment. Not to mention, I was exhausted; I had done all this after working my full time job, and had to work again the next day. So all I had time to do was drive home and sleep.
“Like a wave bashing into the shore...
Since this, I have had some money issues and mental health issues, so I have just barely been able to work on music. On my days off, I have to sleep and get back in the groove of being a real person instead of a redeye zombie. Then when I’m feeling slightly normal, I’m back to work...it is a vicious, irritating, restraining cycle. I’ve tried working shorter flights so I’m home more; nope, the pairings (schedules) for those flights work you in a way that leaves you feeling raped. My company will build a pairing with a duty time of 27hrs and only pay you for 15-17 of those hours. DOESN’T MAKE SENSE. Then on top of that, your rest time at the hotel is set to 11hrs...WTF??
Let me explain this for those of you with normal jobs. On these pairings, you are schedule to work a number of flights each day. So, 3 day pairing means you work 3-4 flights each day and have 2 layovers. Now lets say FLIGHT time is 1.5-2.5 hrs each (8-12hrs). Then you land from your final flight for day one. We’re usually delayed at our carrier...honestly, rarely on time. So, you have minimum rest at 11hrs. BUT, before you can leave the aircraft we have to get all passengers off the plane, CLEAN the seats, wait on our shuttle which is probably late if your pilots are sucky human beings and haven’t called ahead to make sure they’re there (Pilots aren’t required to clean; just us lowly peasants). So, by the time you get to the hotel, down to 10hrs. If you get there and rooms are ready, great. IF NOT, another 20-30 min or longer. But, lets say you’re down to 9.5hrs now. Get to your room. Hopefully your key works, air/heat works, no one is already in you room (yes...it happens all the time), room already cleaned, no bed bugs, and you aren’t by a noisy ice machine/elevator. You then have to shower and eat. Let’s say you get all that done in an hour. You now have 8.5 hrs to sleep...BUT WAIT, the van is scheduled to pick you up from the hotel 45 min to an hour before you are supposed to report at the airport and you need to be dressed and ready to make that van. So instead of 8.5hrs, you actually have 7hrs at best to sleep and pop outta bed, get dressed and properly ready to do the shit show all over again; all the while, knowing they are really only paying you for the time you spend on the aircraft, AFTER THE DOOR IS CLOSED AND THE BRAKE IS RELEASED. Time before like boarding, checks, delays? nope...no pay. Just us waisting our fucking time. Literally.
Why, is this? cuz everyone does it is the answer. That is how all airlines do it, so you have no leg to stand on. Got a union, the company retaliates like a reprimanded toddler. Now as I said before, once you get to be a super senior in your company and can choose what you want to work, when you want to work, in the position you want to work, getting $40/hr at base hours and a crazy amount for premium (overtime) hour, etc. the job is GOLDEN. (Unless that company gets purchased/merged.) But for a young person/flight attendant in debt, living in NYC, with a high cost of living, life ain’t fun. I tried living in New Jersey for a lower cost; that came with its own issues. I’ve taken out loans, became a hermit to save money, worked holidays, etc. Dug my hole deeper is what I did. And I’m pretty good at setting goals and managing my time and getting things DONE. But for some fucking reason, life is not working in my favor. This job is not working for me. I see younger people coming up behind me doing LITTLE to no work, getting musical accolades with trash “music” (I know, matter of opinion...but really. C’mon now), young white/latino/asian twinks shaking their ass for anything that breathes and getting rich men to pay their bills or marry them, all the while telling me they just want my BBC or other racist BS like that (Yes, I have receipts) and I’m just like WTF AM I DOING WRONG?! Have I spent my time stupidly?
And the most recent shit that really hurt my feelings: If any of you remember (to the three of you reading this lol), a few months ago I posted about help getting into bartending. Well, I had actually asked a friend in person before that about bartending and if he knew any directors who could do a music video. This “friend” told me “no, not really”. Didn’t know anything about that, he just does movies and short films (which I’ve donated to his kickstarters for btw...) but no one who he thinks does music videos. THEN, I asked this same “FRIEND” how much he would charge to be IN a music video, as I had a song (the one I won the showcase with) that he would be perfect for as it deals with subject matter he rallies for. I wanted to help his career out in turn by help my video out, because I’m ugly and having beautiful actors in my video would be a better sell (as again, I need this song to make money. He then tells me me, he’s not sure how much he would charge for that. SEVERAL MONTHS LATER...this bitch releases a music VIDEO to his NEW SINGLE about a SIMILAR SUBJECT!! Without promotion, he gets instant 2.2k hits on the video on youtube. MIND YOU, he would always be shy to sing around me and I told him, “you need to give yourself more credit. You have a beautiful voice.” Meanwhile, I’m asking for some knowledge from him, and he wouldn’t help me with ANYTHING. I have NEVER asked for a hand out. Just tell me where the door is, I will get in even if I have to pick the lock. But he not only pretended he didn’t know where the door was, he was holding the keys, had lock picks on the side and duplicates to share; But, for whatever reason...didn’t want to share that with me. Even though, I was going to include him in MY art without any thought and was willing to pay. Now, I have some thoughts on why he did this. But seeing as I’m on the verge of tears, I’ll end on that note.
...You wash away my dreams.”
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OC Questions with Phoenix
Questions taken from this post! Sorry if there are any typos, this was super long and I’m tired lmao
1) Their age?
19
2) Their sexuality/sexual preference?
He struggled with it for a while, but now he’s openly pansexual. Anyone who’s nice to him for a while he’ll become attracted to
3) Any siblings?
Phoenix has a little brother called Baxter! Baxter is 12 years old. They have a great sibling relationship; they trust each other and always look out for one another
4) Their favourite season?
Autumn/Winter. He hates being too hot and sweating, and he loves wearing sweaters cuz he’s insecure about his arms
5) Who were/are their parents/guardians?
His parents were an artist and a musician, but they both died when he was 8-9 years old. His foster parents do not get along with him at all and they have arguments on the daily. Since joining the Lunar Bond, Phoenix lives with the other members and doesn’t visit them at all; he only sees his brother outside of the house
6) Their gender?
Cis male
7) Their date of birth?
3rd September! (side note; I always do a drawing for his birthday, I’ll be sure to post it here this year!)
8) What clothing style?
He prioritises being comfy over everything else. He always wears a pair of ripped black skinny jeans and old, beaten up sneakers. He’ll often wear a long sleeved t-shirt or an oversized hoodie/sweater; the biggest one he owns goes down to his knees! He’ll also sometimes wear earrings (he has a cartilage piercing and both lobes pierced). He’ll never wear anything in public that shows off his arms or legs
9) What is their favourite food after a break up?
No food. He doesn’t eat. He might drink some water if he gets a headache from thirst. And he’ll spend the rest of the time crying or sleeping. He’s melodramatic help him
10) Their favourite thing to do after a break up?
As mentioned earlier, crying and sleeping. Also listening to sad music. Help him please I’m begging
11) What happens in “the honeymoon phase” for this character?
He’s constantly buying gifts. And wants to see them every day. He becomes incredibly clingy and can sometimes get jealous. He’ll basically do anything for his S/O. He’ll turn up unannounced on their doorstep with flowers. Nobody in the Lunar Bond expects him to be like this at all, as his initial personality is so cold. However he is the most romantic person in the Lunar Bond by a long shot
12) How many serious relationships have they been in?
Three; one when he was 14-16, one from when he was 16-17 and one from recently to present day 👀
13) What is their nationality?
The Lunar Bond universe is set in a world different from our own, so I’ll just write the equivalent nationality. He’s white British
14) What languages do they speak?
He really wants to learn a language, however at the moment he only speaks English
15) What is their profession/education?
He’s currently a NEET. He dropped out of school due to anxiety and doesn’t have a job because he recently moved to the city and is too afraid to apply. In school, he did exceptionally well; he’s incredibly clever and always got straight A’s in all his classes. Perhaps when he comes out of his shell a little he’ll get a job doing something he loves
16) Their favourite comfort food?
Soup. Especially chicken noodle soup, as his mother used to make it for him. He’ll always have a bowl of soup if he’s feeling down
17) What is a food they hate?
Not a food, but he can’t stand coffee. He absolutely hates the bitter taste and can’t drink it because the caffeine makes him jittery
18) Their music taste?
Anything. His phone has all kinds of music, from contemporary pop to rock to classical to jazz. His father being a musician really helped him open his eyes to a broad range of music. The only kind of music he won’t listen to is screamo, as it’s too “noisy”. He has a preference towards calm songs as they help him feel relaxed, but he’ll listen to anything
19) Is there a story behind their name/meaning?
(For this question, I’ll write about the process of naming Phoenix!)
Originally, Phoenix’s name came from a name generator. I was struggling to find a name suitable for my main character that wasn’t too safe but also wasn’t too wacky and wild to the point where it wasn’t realistic, and it also had to suit the character. Once I saw the name Phoenix I just knew it fit him perfectly. At the start of the Lunar Bond story, he feels like he doesn’t suit his name; a Phoenix is fiery and always comes back after death and he feels that he is none of those things. However as the story progresses, Phoenix always rises back up after being knocked down. And as he opens up to his new friends, he becomes passionate and fiery about keeping them safe and close to him. He grows in the story to suit his name; he rises back up after every failure, and has the fire in his heart to protect those close to him
20) Something they do that seems childish to others?
He frequently gets lost in make believe worlds in his head. These mostly come from books he’s been reading, as he loves adventure and fantasy books. He’ll zone out for 30-90 minutes and daydream about being a part of a fantasy world; some people around him think that it’s childish as he’s not grounded in reality
21) What is their all time favourite TV show?
He doesn’t watch TV. At all. He didn’t really watch TV when he was younger either. He plays video games occasionally, but he mainly reads books or watches films
22) What is their all time favourite movie?
(I’ll write the real-world equivalent of Phoenix’s favourite films here!)
It changes depending on his mood. Hes indecisive and can’t choose a favourite. If he wants to relax, he likes animated films like Kiki’s Delivery Service. He also likes superhero movies like The Avengers. He also likes classics like The Shining.
23) How big is their family?
Incredibly small. His only blood relative he has left is his brother Baxter. Both his parents were only children, so he doesn’t have any aunts, uncles or cousins. Both his sets of grandparents died when he was very young
24) Are they close to anyone specific in their family?
As his only remaining blood relative, Phoenix is very close to Baxter. They tell each other everything and not a day goes by where they don’t talk to each other, at least on the phone or through texts. For the majority of his life, Baxter saw Phoenix as more of a parent figure as oppose to a brother as Phoenix would always look after him. Baxter also doesn’t remember his parents so relies on Phoenix to tell him about them and what they were like
25) Have they got any allergies?
Not in terms of food, but his skin is incredibly sensitive. He can’t use products that are too scented or he’ll get a rash. He also can’t use aftershave for the same reason, so he’s stuck using the same soaps that he knows for a fact won’t irritate his skin
26) Are they an emotional person?
Yes. He’s incredibly emotional. However, he won’t let it show in front of other people. To people who don’t know him well, Phoenix is cold, stoic and sharp tongued, and pushes away those who try and get close to him. He’s terrified of getting hurt, so he doesn’t allow people near him. On the inside, Phoenix is lonely and begging for someone to support him. When he’s alone, he lets out all of his emotions. He’ll punch a pillow if he’s angry, he’ll cry himself to sleep if he’s sad, he’ll giggle like a schoolboy if he’s happy. There’s only one person who can see straight through him... 👀
27) Do they get angry/lose their temper quickly?
He doesn’t get angry easily, but he’s easily irritated. He will never yell at someone or start an argument unless they’ve really touched a nerve. He will never start a physical fight with someone either. His anxiety makes him easily irritable, so he might tell someone sternly to leave him alone but that’s about as far as it goes the majority of the time
28) What are some of their guilty pleasures?
Animated films, and when he was a kid he was secretly into musical films aimed predominately at young girls (e.g. High School Musical). He still knows all the words to the songs to this day
29) Do they have pets? Do they want pets?
Phoenix hasn’t had a pet since he had a hamster when he was 5. When he moves into his own house he’d absolutely love to have a cat. Or 2. Or 5. He loves cats! He can’t have one right now though because Chase is allergic
30) Do they like kids? Do they want kids/have kids?
He doesn’t mind children. He doesn’t love them or hate them. He’s very good at looking after children/babysitting because he looked after Baxter for so long. However he doesn’t want his own children because he would worry about them all the time
31) Who’s cuddle buddy are they?
Spoilers 🤐 🤐 🤐
32) Do they have any tattoos?
No. He’s terrified of needles so he’s never getting a tattoo
33) Do they have any piercings?
Only the ear piercings I mentioned earlier!
34) What is their hair colour? Is this their natural colour?
Phoenix’s hair is a light-ish brown colour, which is his natural colour. Minami is desperate to dye his hair but he always says no
35) Do they like musicals?
Other than the teen musicals he watched in secret as a kid? Sure! He has to be in the right mood to watch a musical though. He only watches musicals that are made into films; he’d be way too intimidated to go and watch one on stage
36) Do they like marmite?
He tolerates it. He doesn’t love it or hate it. He’ll eat it if it’s there but he won’t go and buy a jar of it
37) Do they like glitter?
Not really. He thinks it’s too messy and he likes to keep stuff tidy. He’s let Minami put glitter on his face before though
38) Do they believe in the supernatural?
Phoenix is the kind of person to be totally sceptical of supernatural stuff, but then the minute something vaguely spooky happens he’ll freak out and run away
39) Have they ever seen a dead body?
Yes. Wont go into details because spoilers 🤐 🤐 🤐
40) Have they ever had a near death experience?
Being a member of the Lunar Bond is a constant near death experience
41) Have they ever broken a bone?
Yes. As a kid he broke his leg while climbing a tree in the forest. The worst part was that because he was alone and didn’t have a phone, he was found 2 and a half hours later by his mother as she was wondering where he was
42) What are they like when they’re drunk/what kind of drunk are they?
An overly emotional drunk. All his feelings come spilling out everywhere and he’ll be crying or laughing hysterically or yelling. If he has an S/O he’ll become even more clingy than he is usually
43) Did they ever get drunk while underage?
Yes. He got drunk with his ex-boyfriend when he was 15. Nothing too bad happened; he just ended up spending 3 hours telling said ex-boyfriend how much he loves him. Technically in some countries he’s still underage (however the drinking age where he lives is 18 so it’s all good!)
44) What is the first thing they do when they wake up?
He checks the time on his phone so he knows what day it is and what time it is, as he’s been known to spend a long time sleeping. He’ll then make himself some tea
45) Do they consider themselves to be popular?
Absolutely not. Phoenix spends a lot of time worrying that his new friends in the Lunar Bond don’t actually like him, and that they’re being nice because they feel like they have to be nice to their teammate. Among the members of the Lunar Bond, he’s actually fairly popular and thought of highly; but he’ll never believe them if they say that to his face
46) How do they like their tea/coffee?
Tea: Depends on the type. He’ll drink loose leaf teas slightly weaker as they have a stronger flavour, so brewing time is lessened. He drinks green tea fairly strong. Some teas such as vanilla rooibos he’ll drink black, but other teas such as Lady Grey he’ll add some milk. Some teas such as Lapsang Souchong he’ll drink weaker with a little sugar
Coffee: In the trash. Where it belongs. At least in his opinion
47) What do they smell like?
Lemon and tea tree body wash, as that’s the only one he likes that doesn’t irritate his skin. Also second hand books
48) Are they a virgin?
No, but don’t tell him I told you that
49) Do they wear glasses/contacts?
He needs reading glasses as he’s slightly long sighted, but it’s not so bad that he has to wear them all the time. He wears them fairly often as he’s nearly always reading, and he just forgets to take them off
50) Are they good at remembering significant dates, such as birthdays or anniversaries?
Yes. He doesn’t even need to write them down. He remembers dates from weird things, such as when he got his new glasses or when he got his ears pierced. He never forgets a birthday or anniversary and always buys gifts far ahead of time
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100 Random Things About Daisuke Okana
1: goes by the name of Daisuke Okana 2: 21 years old 3: born on a Wednesday at 8:47 AM on February 29th 4: works as a detective 5: always has a way of fucking things up (and thus gained the nickname "Ohno" - used in the context of "Oh no, Daisuke!") 6: generally pretty chill and laid back about shit 7: always the calm one 8: despite this he gets really excited way too easily over the stupidest, simplest shit 9: smooth-talking charmer who's also kind of an airhead 10: knows he has a tendency to fuck shit up so he always goes out of his way to do better - though he usually just fucks up even worse than before 11: really great stamina 12: doesn't really care for material stuff at all, but when someone gives him a materialistic gift he cherishes that item like it's some kind of blessed artifact 13: spends about 10 hours a day just snacking or eating 14: generally whenever you see him there's a 70% chance he'll be eating something 15: sweet but very very clumsy 16: can't seem to get his shit together 17: the only kinds of music he ever listens to is either hardcore dubstep or really shitty pop music (Skrillex and Britney Spears come to mind) 18: lovES CATS 19: dedicated smoker and has been for 7 years 20: bisexual as hell 21: has a lot of really unusual quirks 22: his social cues are kinda fucked sometimes 23: he's either really great at reading people's emotions or absolutely hopeless at it, just depends on how his day's been so far 24: never goes anywhere without his lucky penny tucked safely into his coat pocket 25: he's a super sweet guy and he absolutely Can Not take it when people are upset with him because he feels so damn guilty about it 26: really fucking smart despite being such an airhead (university graduate with honors) 27: possibly might have some level of high-functioning autism but nobody's really sure 28: hates memes but at the same time is a total memelord 29: he has a really bad habit of using the office computer to send funny cat videos to his coworkers 30: His Voice Is Like Fucking Silk 31: if he hears one of his favorite songs on the radio he'll immediately start singing along no matter where he is 32: instantly becomes Illiterate without his reading glasses 33: manscaping expert (seriously this guy's entire body is fucking h a i r l e s s) 34: MASTER OF MARIOKART AND STREET FIGHTER 35: loves zombie horror movies (his favorite movie of all time is Shaun of the Dead) 36: afraid of thunderstorms and the dark (but shhhhhh that's a secret) 37: owns three cats - Mr. Pickles, Bowtie and Whiskey (whom was supposed to be named Whiskers but his phone changed it and it sort of stuck) 38: always seems to have exactly what you need at that exact moment - need a pair of scissors? he has em. need an extra sock? he has that too. also snacks 39: here's a secret - he has no idea how to tie a tie (all his ties are clip-ons) 40: here's another secret - he has a three year old daughter (the marriage didn't work out and now he's only allowed to see her three times a week because his ex is a spiteful bitch) 41: he's a very good daddy tho and his daughter practically worships him 42: can't cook whatsofuckingever 43: loves the wintertime because then he gets to run around in the snow 44: airheaded man-child 45: has a scar on his left shoulder from that one time he casually took a bullet 46: actually kind of artistic and doodles a lot 47: one time his neighbors called the cops on him because they heard him screaming and stuff getting broken and they thought he was being murdered - in reality a bat had flown in and he was having a very difficult time getting rid of it (the cops helped him out with that tho) 48: LOVES pulling stupid pranks on his coworkers, especially his partner 49: his partner kinda hates him apparently so he's always doing dumb shit to try and make him smile - often fails 50: collects socks (only the cool kinds with awesome patterns though) 51: he'll generally dress however you tell him to but you're in for one hell of a struggle if you tell him he can't wear his favorite coat and his favorite pair of fluorescent green glow in the dark socks 52: he'll get really aggressive when he's protecting his loved ones but most of the time he's just a gigantic marshmallow 53: he hates when he makes people upset with him and he'll pull out all the stops to get that person to forgive him 54: he watches a lot of cartoons with his daughter and long story short he's memorized every single fucking episode of My Little Pony Friendship is Magic (unintentionally, of course. dude ain't no brony.) 55: LOVES BOARD GAMES 56: super athletic and goes to the gym every night after work 57: will not hesitate to go on a 45 minute rant about why the best television show in history was Doctor Who 58: a bit of a slacker but dependable as fuck when it matters most 59: hates spiders 60: his hair is suuuuuuuuuper fluffy and soft 61: he'll let his daughter give him makeovers and dress him up like a princess 62: he doesn't mind this at all and the only thing that matters is seeing her smile 63: one time after a visit with his daughter he came to work he next day and completely forgot the fact he had a bunch of brightly colored hairpins in his hair and a Hello Kitty headband on (he was pretty chill about it when people told him this information) 64: his number one weakness is food 65: loves ramen noodles oh my fUCKING GOD he loves rame noodles 66: he loves getting praise and compliments from people because he knows he always messes things up so when he gets praised it makes him feel extra special 67: he'll usually let you say whatever you want to him and tease him to your heart's content - he generally just does not care if you're poking fun at him because he only wants to make people smile. and if you're at your happiest when you're making fun of him, well, he'll let it continue 68: 100% cannot function properly in his daily life without his morning cup of coffee (with whiskey added, obviously) 69: despite having an ex-wife and a kid he HAS actually been with dudes in the past (that's actually part of the reason why his wife left him) 70: WILL FUCKING NOT let people mistreat his loved ones 71: cancer survivor 72: generally lives off of McDonald's, rice, and ramen noodles 73: he'll go grocery shopping like a normal but usually not unless it's the day before his daughter gets dropped off (he's fine living off the bare minimum, but he'll be fucking DAMNED if he lets his daughter eat fucking ramen noodles for lunch) 74: he's actually SUPER ticklish 75: an expert at guns and shit 76: very knowledgeable about cheese????? for some weird reason????? 77: he can literally rant for two hours on all the types of cheese and how good or bad they are compare to others 78: recently he had to buy a new phone because he couldn't turn off the capslock and there was a whole week whrere he was just scREAMING AT HIS COWORKERS THROUGH TEXT and it was very awkward 79: he can and will fall asleep literally fucking anywhere 80: despite being a dedicated smoker he NEVER smokes around his daughter EVER 81: when he's not working a case he'll spend every second of his free time either working to get full custody of his daughter or trying to get his partner to open up more and be more sociable 82: loves singing and playing this prized guitar and he'll often do karaoke night at the bar on weekends 83: not an alcoholic but he will go to his favorite bar at least three nights a week because he's super great friends with the bartender (who also happens to be his best friend from high school) 84: he won't get drunk on those nights and while he may have a drink or two, but generally he just drinks water since he's there to socialize, not get wasted 85: loves sweet foods and desserts 86: juuuuuuuuust a little bit vain 87: also sort of flirtatious 88: just a little bit tho 89: always VERY enthusiastic about the smallest things (you could tell him to meet you at a fancy hotel and he'd literally just stand in front of the room's door for three minutes just staring at the doorknob like "check out this awesome doorknob! it's so shiny! i can see my reflection in it!") 90: just a big gigantic soft fluffy marshmallow up to 98% of the time 91: he loves showering his loved ones in compliments and random yet VERY EXPENSIVE BORDERLINE BANKRUPTING gifts 92: approximately 6-something-ish feet in height 93: really bad at swimming 94: master at playing pool 95: LOVES hugs and physical affection 96: has a secret manga collection but nobody knows this 97: sort of a dork 98: loves stupid comedy movies and silly tv shows 99: cannot ever resist the opportunity to make a cheesy joke or a pun 100: only true anime fans will get this but generally his ENTIRE character is a cross between Kotetsu Kaburagi, Dazai Osamu and Lockon Stratos (yes, I know, I'm VERY original here)
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i couldnt shut up about enderal right now if i wanted to so here’s that prophet ask meme with my prophetess fleur
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1. The basics – name, age, etc…
her name is fleur! i don’t know her last name but that’s okay because she’s kind of abandoned it. both of my vyn protags have line-of-sight, musically-inspired names so after that fuckin nightmare intro scene i had to name her as an homage to the song that was playing in my head the entire time it was happening (warning: disturbing imagery, abuse of some sort that is not shown but is strongly implied)
she’s 26 years old, half-kilean and bisexual.
2. Describe their appearance.
there’s a picture up there but a few other specifics: her hair is actually white, not just very light blonde, and she has blue eyes
3. How do they like to dress?
she jumps at the chance to wear nice clothes. she never got to back in ostian.
4. Do they have any markings (scars, tattoos, birthmarks)?
she has a few scars from a couple scuffles she got into back in nehrim. one of then is pretty gnarly-looking but it’s a diagonal from her lower chest to her left hip so once the events of enderal started rolling nobody who had seen it was still alive. word to the wise: don’t try to 1v1 a thunder lizard when you’re 14.
5. What are they like? Describe their personality (use whatever tools you like- MBTI, D&D alignment, astrological signs, Hogwarts house, words/phrases):
first of all, the only one of those tools that i have even a remotely decent grasp on is d&d alignment. she’s neutral-bordering-on-chaotic good. i don’t make characters with messages behind them (esp if they’re not for anyone’s consumption but mine) but hers would be “optimism with a dose of realism is probably the healthiest way to see the world”--she has the good sense to know when a situation or a person is beyond help but until that point she will try everything to help them. she desperately wanted to be wrong about adila and even as he was preparing his kamikaze attack she tried so hard to talk yuslan down.
to temper this, though, she takes things too seriously and she’s a bit of a crybaby (ok, not just a bit. alessia, my shadowgod, cried three times over the course of the entire main quest. fleur cried three times over the course of the very first quest that didn’t take place inside a trauma nightmare), although you could argue that she just has like. a normal human reaction to trauma, and everything that happens to her in enderal is EXTREMELY FUCKING TRAUMATIC.
since i have an easier time using tools like the ones described in the question to describe personalities, if she was a disney character she’d be rapunzel from tangled but less naive and with meaningful agency and if she was a social link/confidant in a persona game her card would be the star.
6. How would they describe themselves?
she has really low self-esteem but she doesn’t like. outright hate herself so she’s dismissive of any notion that she’s special or pretty. this probably sounds extremely sue-ish but a) i don’t give a fuck and b) every diy protagonist is at least kind of a mary sue simply because they’re the big special chosen one who all the romanceable companions have feelings for.
7. Education level?
uh. Not Any, Formally Speaking. School Of Hard Knocks. Worked For A Historian In Her Late Teens-Early Twenties And Learned Most Of What She Knows That Isn’t On The School Of Hard Knocks Curriculum That Way.
8. What are they proud of in themselves? What are they embarrassed about?
like the one notable talent that she’ll accept having is that she’s really smart and even before the Everything That Happened On The Ship Headed To Enderal she was a really quick learner.
she has ZERO prior experience with romance (she’s not in any way aromantic, she’s just never been in a romantic relationship) and she doesn’t like to tell people that, especially people she likes. she feels like they’ll think there’s something seriously wrong with her and that’s why she’s never been in a romantic relationship at age 26. 9. Do they know any languages other than Inal?
she knows like. kindergarten-level kilean.
10. What, if any, aspects of their mother’s culture influenced them growing up?
she didn’t really “grow up” with her parents, they died when she was six, but she has a strong belief in the importance of diplomacy and that’s pure Mom right there.
11. Name a song (or a few) that remind you of them.
i hope you like obscure musicals and vocaloid because that’s what you’re getting
In All My Dreams I Drown - The Devil’s Carnival Cast
Starchild - Ghost Quartet
Tears To Shed - Corpse Bride
Ever Lasting Night - Hitoshizuku-P (specifically the Miku character)
Lemonade - Sophie (sorry 4 mood whiplash)
12. Speaking of songs, can they sing? What is their voice like? How about instruments?
she’s hopeless with instruments but she’s not a bad singer by any means. sorry 4 relentless youtube links but she kind of sounds like Gelsey Bell
13. What was their life like before coming to Enderal?
it wasn’t good, i’m not going to lie. she and sirius spent a pretty decent amount of time roughing it because towns and cities kind of got progressively more dangerous as time went on, and Because Of Reasons I Won’t Go Into Here they both had pretty good reasons to avoid anyone affiliated with the temple of the creator
14. How did they decide to leave Nehrim?
it was too fuckin dangerous to try to make a life there anymore
15. Describe their relationship with Sirius.
they were siblings in all senses but blood. he got her out of a pretty bad situation when they were kids and she just stuck with him until they had been through so much together there was no other way for them to describe their relationship than “family”
16. Who do they blame for what happened to their family?
herself. survivor’s guilt is a hell of a drug and it doesn’t help that things only got worse afterward. she like. knows the temple did it, but since she doesn’t know why she’ll always wonder if there was something she could have done to stop it.
17. Apart from stowing away, have they ever broken the law?
she would be considered an accomplice to murder because she helped hide a body once (don’t worry, the victim without question deserved it)
18. How honest are they? Under what circumstances would they lie?
basically the only person she directly lies to is herself; if she’s dishonest, it’s usually by omission. the rare occasions she does outright lie it’s usually to protect someone or because there’s no way anyone would believe the truth.
19. Worst memory(s)? Best memory(s)?
Too Heavy For This Post and uhhhh. getting to spend time with her two BFFs/crushes on the Gertrude before everything started really going to shit was an extremely good memory for her.
20. Fight, or flight?
fight unless they’re like. demonstrably stronger. running away from an enemy she had a chance of defeating has always just come back to bite her. she wanted to fight the steel bird in the star city.
21. Describe their combat style.
Best Defense Is A Good Offense, Also Axes = Good. (original playthrough was greataxes and heavy armor but i’ll probably switch to war axes and light armor [or unarmored if i can swing it] when the steam release drops because apparently half-kileans are equivalent to bretons in normal skyrim terms and i can’t abide having played a heavy armor + two-handed breton twice)
22. Have they ever killed before? What is their reaction to combat?
she’s hunted animals but she’d never done more to a human than injure them enough to scare them off prior to enderal. she tries to only harm people in self-defense and may have cried a little bit (ok, quite a bit) after she had to kill firespark.
23. How do they react to having magical abilities? Do they use them?
magic makes her head feel “gross” somehow (read: she’s uniquely sensitive to arcane fever) so she doesn’t use it
24. What do they think of Enderal?
the scenery’s beautiful but the fact that it’s a theocracy and the notion of being stuck on a certain “path” depending on the circumstances of your birth freaks her out for reasons of “hey remember the oppressive religious regime that was responsible for all of your childhood trauma and continued to make your life hell before a mysterious trans power couple plus their direct superior group of outsiders instigated a rebellion that brought the whole thing down? now it controls the whole continent and everyone thinks it’s Good, Actually”
25. Did they do the Biggest Egg Hunt Ever quest?
she would have if my dumb ass hadn’t completely fuckin spaced it out and forgotten about it until it was too late. next playthrough, i swear.
26. How do they feel about joining the Order? What do they think of Arantheal?
she was not in favor of it (see: opinion of theocracies) and basically clung to the green shirts until she was inducted as a keeper. arantheal makes her uneasy but the threat of looming armageddon does a lot to help her shove that uneasiness to the side.
27. What is their opinion of the gods (or lack thereof)?
she’s not inherently against the gods but she doesn’t like organized religion
28. Wine, or pipe?
wine!
29. Do they spare or arrest Hallys, the farmer-turned-bandit in the quest, Deus Ex Machina? Why?
she arrested him after she found out where the money really came from. if it hadn’t been Stolen From A Fucking Food Bank she probably would have let him go.
30. What are their feelings and opinions about the Undercity?
uh...she hates that ark has a “slum district out of sight of the Good And Honorable Rich People” because having been poor and homeless basically until she came to enderal she can’t help but empathize with the residents of the undercity.
31. How do they react to the beggars of Ark?
if tumblr doesn’t stop refreshing the page and deleting my answers every time i switch tabs to look at the wiki or change the song i’m listening to i’m going to throw my laptop off the porch.
she usually reacts by sparing some change because she can relate
32. Where and how do they spend their time when in Ark?
she really likes the museum in the south quarter. she likes learning stuff and looking at relics of the past.
33. What would they do with three wishes?
just...stop the fuckin cycle
make the black stones inert so nobody else gets hurt because of them
this is basically deliberate repression so it’s 100% unhealthy but she would gladly wish to forget everything that happened before she was seven if it would put an end to the nightmares
34. How do they feel about death? Do they fear it?
uh. yes. she very bigly fears death. she kind of had a complete breakdown after the keeper exam until calia reassured her that just because she heard something during her harrowing doesn’t mean it’s true.
35. What (else) do they fear?
deep water (predates game events). also i dont know if it’s necessarily a fear but she hates being surprised.
36. Do they have any secrets?
uh. Yeah. her dad really was as bad as the dreams show. a few other things.
37. How is their behavior around people they like? People they dislike?
she’s about as friendly and affectionate as her shyness will allow with people she likes. it takes a LOT for her to be actively hostile but she’ll only attempt like. the barest superficial politeness to people she dislikes. 38. What is their relationship with the companions? Who, if anyone, did your prophet romance?
they’re her very good friends who she is also crushing on hard. yeah, both of em. she ended up with jespar kind of by default because i wasn’t making an effort to specifically target either of them but i kind of like the contrast between them so i’m gonna leave that in the Canon Playthrough Bin.
39. Was there any non-companion character that they were close to? That they particularly disliked?
does ryneus count? she would have taken him back to the sun temple and had the few green shirts left alive help her build some method of locomotion for him if she could have. also she had a crush on lishari. she didn’t have anyone she strongly disliked other than obvious shitbirds like taranor.
40. How do they feel about myrads?
she thinks they’re Big Cute Dog Monster Boys
41. What dreams or ambitions did they have before coming to Enderal? What about afterwards?
she wanted to be an archaeologist! she kind of got to do archaeologist stuff during her time in enderal but she wishes that she’d been able to do it without an apocalyptic sword of damocles hanging over her
42. Do they like cities? Or do they prefer the country? Is there a region of Enderal that they like or dislike more than the others?
she doesn’t necessarily dislike city life because she often gets lonely so living somewhere with a big population is always a tempting thought, but if she could take everyone she loves and go live somewhere peaceful where there’s no oppressive government or looming apocalypse she would.
her ideal Cottage Away From All The Bad Things would be in the goldenforst but she loves the crystal forest even though if she gets too close to the crystals it makes her feel like her brain is trying to vibrate out of her skull.
43. What do they do to lower their considerable stress?
go on walks in one of the numerous beautiful locations in enderal. take apart inactive mechanical constructs and try to understand their inner workings from their guts. press flowers.
44. Describe their perfect day off.
wake up from a nightmare-free sleep (you said “perfect”), go on a nice walk around the city (paying a visit to the museum of course!), meet up with her friends and find something fun to do that won’t put them in mortal danger, get drunk at the dancing nomad when it gets too dark for wandering around outside the city to be a good idea, and then watch the stars.
45. List three of their favorite things. Three things they hate?
likes:
sugar bread
the color gold
nice scenery
dislikes:
cooked cabbage
mead
bugs
46. What’s in their pockets?
emergency healing potion
herbs for making another emergency healing potion
at least one apple
random flowers that look cool
a ton of those vendor trash crystal coins you find in pyrean ruins. she just thinks they’re neat!
47. Pets? Mounts? Treasured possessions?
she’s never really had a lot she could hold on to and the thought of prizing a short-lived animal or an item that’s easy to lose is frightening.
48. How are their cooking skills?
NOT FUCKIN GOOD
(she can cook meat alright but anything more complex than that? no)
49. Do you consider any particular quest or side quest to be definitive for your prophet? Which one(s) and why?
i bulldozed through the main quest on my first playthrough; i’ll probably be able to answer this question better once the steam release drops and i can replay the game.
50. How forgiving are they? For example, if they were yelled at in a brothel after searching high and low for this little sh*t, how would they react?
first of all, everyone has a different reaction to traumatic experiences and sometimes that reaction isn’t “palatably sad and helpless” so jot that down. that being said, fleur was extremely upset about that because a) she’s also not an “uwu soft helpless cinnamon roll” kind of trauma survivor, b) some of what he said was generally hurtful, and c) that entire mission had already been one big long anxiety attack
but she’s too hyperempathetic to hold a grudge, especially when a) she knows where the person who hurt her was coming from, b) she gets a sincere apology, and c) she is more than a little in love with the person doing the apologizing.
51. What do they think of the Veiled Woman?
uh. mixed feelings. for what it’s worth, her feelings are mixed because they started out negative and then once she actually got to talk to the veiled woman her opinion strongly improved but like...sirius still died right in front of her because of this woman’s actions so they’ll never be fully positive.
52. If they had been a victim of one of the black stones, how would it have affected them? What would they have used its power to accomplish?
[slams huge portfolio of ideas i’ve had about this exact scenario on your desk] well y’see fleur as she is in canon is a brand of yandere that only technically qualifies as such: she won’t kidnap or murder people who reject her advances, but...uh...don’t harm her loved ones and expect mercy.
fleur under the influence of the black stones...well. it’d be very much like this except not Literally Directed Toward A Fucking Relative. esp the “well you found out now all i can hope for from you is to see your face one last time as you kill me” ending. not quite full yuno gasai love-me-or-i’ll-slaughter-you giggling while hacking someone up but. you know. Something Adjacent.
53. What was their reaction to the Black Guardian’s revelations? Do they accept or reject his offer?
she just kind of emotionally shut down. it was a lot to take in, esp for her. she took him up on his offer because by that point she was desperate for everything she’d gone through to mean something.
54. How does their story end?
credits rolled on her sitting on the edge of the star city with jespar. while the credits rolled i was staring into the void thinking about my life. not sure if that’s canon, next playthrough i’m gonna do a hard save before the final decision point and see if catharsis leaves me feeling less empty inside.
55. Do they change over the course of the story? In what ways?
she becomes a lot more confident and sure of herself and even though she never stops being an optimist she learns to stop setting herself on fire to keep others warm.
56. Anything else you’d like to share about them?
she’s so cautiously positive because she was written as a foil to my shadowgod alessia, a textbook nihilist who only got worse after the events of nehrim.
57. Bonus: For you- what are you most excited for in Forgotten Stories?
VEILED WOMAN BACKSTORY
#this took me literally nine hours to finish#tbf one of those hours i was in class#enderal#uh. canon-typical triggering content within.
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Today, thanks to “Hamilton,” Diggs, 35, may be the more established half of the “Blindspotting” duo, but that wasn’t the case when he moved back to Oakland after earning his theater degree from Brown. Though four years younger, Casal had already made a name for himself on the Bay Area spoken-word scene, from which he was plucked to appear on HBO’s “Def Poetry.”
Casal had set up a recording studio with the aim of finding other musicians to collaborate with, reaching out to Diggs on the strength of a demo CD the rapper had recorded in his college dorm room. The friendship took hold almost immediately: That first night, they created a few songs, which led to albums, live performances (with a group they dubbed the Getback) and countless sketches and online videos.
“Rafael was the most famous person I knew,” Diggs recalls. “He had really tapped into the YouTube audience pretty early.”
Casal’s videos caught the attention of Jess Calder (then Jess Wu). The young producer, partnered in Snoot with her husband, Keith Calder, had seen a couple of his spoken-word performances and was struck by both Casal’s charisma and the fact that he appeared to be a natural-born storyteller.
“In my mind, anyone who can tell a great story can definitely translate that to film,” explains the producer, who contacted Casal and proposed they meet for coffee. She asked if he’d ever thought about writing a screenplay.
“I’d thought about theater a lot, [but at that age] you’re trying to get $5 for something at McDonald’s. A movie is millions of dollars away,” says Casal. But he was definitely intrigued, and began fleshing out a character that was loosely autobiographical. Things started to click about a year and a half later, when the Snoot duo asked Casal to perform at a screening of their documentary “Thunder Soul” at a January 2009 presidential inauguration event in Washington, D.C. Casal couldn’t make it but suggested they book Diggs in his place.
“Daveed came and did like 15 minutes of freestyle at the event and kind of blew our minds,” recalls Keith Calder. “We were immediately like, ‘Rafael, the movie’s gotta be about the two of you!’”
And from that moment forward, “Blindspotting” became the story of two friends of different races forced to consider the world from one another’s viewpoints, all set against the rapidly changing Bay Area backdrop.
Casal hails from Berkeley, the city directly north of Diggs’ Oakland. But they both attended Berkeley High School and later split a four-bedroom house with two other friends for $1,200. “I can’t even imagine what that place would cost now,” Casal says.
Gentrification, fueled by the tech boom, has transformed the neighborhoods they once knew. “Seventh Street is just a BART station and a post office now, but in the ’30s and ’40s, that was one of the jazz and blues centers of the world,” Diggs says. The last of the local music venues, Esther’s Orbit Room (where Diggs’ brother had been a bartender), finally shut down in 2010. His mother and father (also born in Oakland) both had to move, priced out by the newcomers.
Though not a musical in the conventional sense, “Blindspotting” was born out of a desire to translate spoken-word poetry into cinema. “There are versions where it was damn near a poem the whole time,” Diggs says.
From 2009 onward, he and Casal worked on the script together, huddling over the same laptop since they had only a single licensed copy of Final Draft between them.
“We were trying to find a recipe for a world where verse could exist without it feeling like there’s a deliberate shift every time it goes into a number,” Casal explains. “The Bay Area is known for slang and for turn of phrase. It’s the evolution of pimp culture, so heightened language is already very prevalent in the way people relate to each other.”
For the next several years, Diggs and Casal spent their time driving up and down Interstate 5 between the Bay Area and Los Angeles, parking out front of wherever Snoot headquarters happened to be at the time and sleeping in their car if needed. They wrote draft after draft of “Blindspotting,” pitching the changes to the Calders while using Snoot’s facilities to work on music videos and other projects.
“I’ve always felt like our offices were a place where they should feel safe to create art,” says Jess Calder.
Before Diggs and Casal could complete a shooting version of the script, they were pulled away by other professional opportunities. Casal went off to teach verse-driven theater at the University of Wisconsin-Madison for three years. And, for Diggs, “Hamilton” happened.
“The thing about this business is you never know if something’s a break,” says Diggs. “I met Lin-Manuel Miranda because of a clerical error.” Diggs showed up for the same substitute teaching job as one of Miranda’s friends, Anthony Veneziale, who was also a rapper. They hit it off, and Veneziale invited Diggs to freestyle with his group, of which Miranda was a member. Later, when it came time to do an early reading of “Hamilton,” Miranda remembered Diggs and his rapid-fire delivery. “I was invited because I have this particular skill set that allows me to learn a lot of things very quickly,” recalls Diggs, who had just five days to memorize the show’s most demanding part. “I assumed they would replace me because they had plenty of Broadway performers to choose from.”
Except that Miranda didn’t replace Diggs, who spent nearly a year and a half with the production. “Before leaving ‘Hamilton,’ I made this comment to one of my agents,” Diggs recalls. “I was ready to go, but scared that I wouldn’t make any money again, and he said, ‘Don’t worry about that,’ and promptly booked my life with all these things.”
The day after his last “Hamilton” performance in mid-2016, Diggs found himself shooting the movie “Wonder,” starring Julia Roberts. The following week, he began working on ABC’s “Black-ish.” That was swiftly followed by a recurring role on “Unbreakable Kimmy Schmidt,” which had to be juggled amid a long-planned national tour with his experimental rap group, Clipping.
Into the midst of this whirlwind came the moment for which Diggs and Casal had long been waiting. Last March, the Snoot producers told them they had the greenlight to make “Blindspotting,” provided the duo could get their script in shape to shoot in June.
“What if I move to L.A. in two days and I write it for a month?” Casal recalls asking — and that’s exactly what he did, undertaking a page-one overhaul while Diggs’ fledgling screen career kept him busy.
“I was on airplanes every other day,” says Diggs, “so really the only through line were these midnight phone calls from Rafael to talk about this thing we’d been talking about for a decade.”
Excited about the prospect of finally making the movie, Diggs kept a rare 25-day window open in June for the shoot. Casal managed to get the rewrite done in four weeks. Reaching out to another old friend, they brought in director López Estrada, who immediately began pre-production.
The project’s Oakland focus attracted some production talent whom the producers normally couldn’t afford, including DP Robby Baumgartner, who had worked in the lighting department for Spike Lee, Paul Thomas Anderson and Alejandro González Iñárritu, and who brought the lighting crew from “Moonlight” aboard.
“We suddenly had this amazing team of people from the Bay Area,” says Diggs. “Doing something with your friends at a high level, that’s a dream.”
After production wrapped, Snoot submitted a rough cut to Sundance, which recommended the music-driven film for a Dolby Family Sound Fellowship. “Blindspotting” is one of two 2018 Sundance selections to have earned the generous post-production grant, making it possible for the filmmakers to upgrade their mix in time for its festival debut. (Past recipients of the grant include “Mudbound” and “Beasts of the Southern Wild.”)
Thanks to the grant, Diggs, Casal and other members of the production team — including López Estrada and the Calders — spent late December camped out on the Paramount Pictures lot on the same Technicolor stage where Michael Bay mixes his “Transformers” films.
On the same day of Variety’s visit, Diggs and Casal wrote a short piece of original music to replace a few seconds of temp score. Since they came up with the cue themselves, that means they can later expand it into a full-blown song for the soundtrack.
It’s the kind of on-the-fly challenge that has fueled the duo’s creative partnership for more than a decade — though “Blindspotting” is the first time they’ve been able to combine their writing, performance and musical talents to such a degree.
“As an artist, the only thing you ever want to do is something that requires every part of yourself,” Diggs says. “And it is so rare when that happens.” (x)
LOVE the insight as to how this all came together.
#daveed diggs#rafael casal#blindspotting#sundance#sundance film festival#2018 sundance film festival#variety#jess calder
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World Building Notes - Part 1
In the world of Shadow Cove/Bloodstained Shadows...
Vampires:
Two main factions with virtually opposite ideologies. One believes that born vampires are soulless and should all be obliterated. The other believes born vamps are gods. There is a third faction, technically. Madison’s own faction is for vamps who like to have more “fun”. The two main factions not only don’t recognize Madison’s faction, they hate it. However, when the leader of the faction that hates born vamps attempted to duel Madison in the 1930’s, she humiliated him in front of as many vamps as possible, using her power of hypnotism. No one has dared to attempt anything of the like again.
Turned powers = heightened senses, increased speed, increased strength, immortality, ability to quickly heal, blood seduction (painful for shifters, euphoric for everyone else).
Born powers = includes all turned powers, amplified, plus additional abilities that differ from born to born, may include: ability to hypnotize/compulsion, turn into fog/smoke/mist, ability to shapeshift into certain forms (raven/crow, actual wolf, bat), telepathy, etc.
Born vamps are rare. Most vampires are sterile, (?)only about 10% of turned vamps are fertile, only about 1% of born vamps are fertile(?). BUT, if/when a vamp does reproduce, the chance of multiples is higher (say about 80%).
Born vamps have black eyes and slightly pointed ears. Otherwise, they don’t look much different from humans/turned vamps, until they become angry, when all demonic-looking features amplify much more than turned vamps and/or develop additional demon-ish features.
Weaknesses: natural sunlight will burn, and reduces the healing ability, but will not kill on its own; a stake through the heart (either wood or iron) will paralyze; removal of the head or heart will incapacitate; turned vampires can see their reflection, born vampires cannot; religious relics do nothing unless the vampire they're used on was a firm believer while human; garlic will make their healing ability dormant so long as it has contact; both the brain and the heart must be entirely destroyed in order to permanently kill - either organ can actually regrow the "dead" vamp, if allowed (there are those who have been tortured by hunters with this knowledge who are sadistic enough to keep one or both of the organs in garlic oil to make sure the vamp they "killed" remains trapped but technically alive).
Vampire OCs (so far):
Mei Song: father originally came to America from China to work on the railroads in San Francisco. He was one of the first Chinese people to bring his family to America from China, to settle in Chinatown circa 1890-ish. Mei (Ling) was about 10 years old at the time she came over to America with her mother and older brother (Tai, about 13 at the time). She and her family lived in Chinatown for about 10-ish years before she was turned by Joseph. So she was about 20 when she was turned, she turned her brother about 2 years later, so he was around 25. At the time she turned her brother, she was pregnant with twins: Hellynn and Madison. Joseph was of the mind that born vamps are evil, soulless. He wanted to kill them before they were born or at birth. Mei turned her brother, originally, to give him the strength to defeat Joseph. Hell and Mad were born around 1905-ish. In 2018, that makes them around 113-ish years old, though they would appear to be only around 25 - having stopped aging as soon as their bodies stopped developing. Mei tends to be bubbly and carefree, until she’s ticked off. She loves bright colors, particularly yellow. She owns an underground (literally) vamp nightclub in Shadow Cove, along with her brother. There are tunnels leading to this club, underground, to much of the rest of the city and surrounding area. It was built as a speakeasy in the 20’s and used to smuggle people in/out when necessary.
Joseph(?): Born a human in the early 1700s. After turning Mei, discovered they were both fertile when Mei became pregnant with Hellynn and Madison (still working on the names for the characters, though they won’t change by much - nicknames are “Hell” and “Mad”).
Hellynn: In addition to the typical powers of a turned vamp, she also has the power to turn herself into mist/smoke/fog. As a born vampire, she looks a bit different than most humans, truly frightening when angry, and her eyes are entirely black. She looks more like a “typical” vamp, favoring dark makeup and clothing. She is kind of like Antonio Banderas in Interview With a Vampire, but female and more sadistic.
Gazini: Is a South African born vamp with the power to shapeshift into a bat, wolf, or raven/crow. He works for Hellynn, or under her… sometimes on top. Being born a vamp, he appears to be around 25 years old, is tall and muscular, and has a deep voice. He was actually born in about 1945, making him roughly 73 years old.
Madison: Has the power to compel/hypnotize humans and other paranormals, otherwise she has the same features as Hellynn, her identical twin. Her personality is kind of like Harley Quinn, but without the psychosis and with more power. She is a bit of a prankster, but it’s usually in fun. She likes to coat herself with body glitter, wear fairly extreme makeup, dyes her hair funky colors and styles it in wacky ways, and tends to wear clothing she thinks will shock. Her power of hypnotism does not require direct eye contact or touch, she can accomplish it with anyone SHE can see, without saying a word. IF the target DOES make eye contact, she can control them in more in-depth ways without them being able to retain any memory of the encounter, if she so wishes.
#world building#ocs#original characters#writing#notes#original writing#my crazy writing process#vampires#paranormal#shadow cove#bloodstained shadows#book notes#writing notes#my writing#writeblr#writers on tumblr
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2018.01.04 Johnny’s West WESTIVAL at Yokohama Arena [Report]
We’re finally, properly getting into the 2018 stuff!! So lets just get on with it!
To be honest, for Concert reviews, I don’t know what people want from e; especially when I know most of my followers have no damn interest in Johnny’s West... but I guess I’ll just list what I enjoyed and what I liked and what happened that I remember etc.
But firs! let me tell you about goods! Me and my friend were in like for like 4 hours... I got there at 8:30 and I think it was like 12 by the time we got our goods xD it was so damn cold outside but we had such a fun time just talking and fangirling and seeing what colours everyone else was wearing.
SET LIST
1.おーさか☆愛・EYE・哀 2.浪速看板息子~なめたらあかん~ 3.ズンドコ パラダイス 4.Parade!! 5.プリンシパルの君へ 6.SHE IS MY… 7.何万回だって「君が好き」 8.僕ら今日も生きている 9.もう1% 10.OH LA LA 11.ドラゴンドッグ 12.乗り越しラブストーリー 13.GOD DAMN 14.Into Your Eyes 15.PARA! PARA! チャ~ハン 16.ホルモン~関西に伝わりしダイアモンド~ 17.アカンLOVE ~純情愛やで~ 18.バリ ハピ 19.人生は素晴らしい 20.逆転Winner 21.ジパング・おおきに大作戦 22.Evoke 23.Baby Good!!! 24.パリピポアンセム 25.考えるな、燃えろ!! 26.ギラギラブベイベー 27.Ya! Hot! Hot!
SEATING: I went with a friend and we ended up being the top floor for the concert and to the right side of it. Both of us admit we never get good seats for popular thing so we weren't too fused. It's not like there's technically a bad seat in Yokohama Arena to begin with. Actually I was super surprised at how SMALL YokoArena actually is! It's much, much small than I imagined! I technically didn't need my glasses to see them but I kept them on so I could have great quality of close ups of their faces from the tv screen that was on the far opposite side of me.
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THE CON
I'm really happy they started with Osaka-Ai because I had my Junta Yellow glasses ready so I could use those straight away and put them back in my bag without having to worry about using them for the rest of the con. Also it's such a great song to start a damn con!
Parada was really really nice; they were in suits and they had umbrellas. There's always a higawari in this where a member will propose to the audience. The one we had was Shige and he popped open the ring box towards the audience.
Dragon Dog's outfits were definitely interesting. They did their dorama and movie PR and trailers at this point while Akito and Shige got changed and ready for their solos act.
Norikoshi Love Story: When they were just about to sing Shige got really nervous and stopped them. He apologised before they redid it and did it without a problem. During this performance, it's just them two, Shige on the piano, and Akito on the ukulele(?) and they seriously just stare and smile at each other the entire time! At one point also, the camera zooms in on the back of the wooden box Akito sits on during this performance and it's got a bunch of love messages from the members.
In GOD DAMN I really liked Kamichan and Hamachan's boxer outfits.
Into Your Eyes.... I definitely screamed and fell to the ground when Junta undid his shirt and took it off... It was a hot and sweaty song... It was a really god performance though. They also redid the 'personal camera in their faces' thing which they have done in previous cons and songs which was nice too. I'll definitely be replaying this performance on repeat when it comes out on dvd.
There was also a Slow Motion segment and the one we got to watch was Hamachan having to press one of those electric buzzer pens and he tried so hard not to freak out which just made it an even funnier slow motion video.
I originally got really angry at the beginning of Horumon because the staff came around and roped us all off, which I thought was because they didn't want people dancing on the steps; and I had planned to come out during THIS one song so I can do the dance moves without hitting anyone. SO I was PISSED and missed my favourite Akito hip thrust movement =[ but then it became clear why;
Hamachan, Ryuusei and Junta came around the top floor and high-fived everyone. SO the rope was there to keep fans back during this time. But I was still annoyed it stopped me from doing the ONE thing I wanted to do and really enjoy at this concert =[
When the first three boys around came around, I didn't high-five any of them even though I was right next to the edge and stairs. BUT Junta stopped about 3 steps down from me for the remainder of the song they were doing, I think it was 逆転/Gyakuten Winner, so having him that close to me for so long was really nice.
They roped us off again during the encore and at that point the final four members came around; Kamichan, Nonchan Shige, Akito. Shige was so funny. He avoided everyones hands and only stuck it out when he was near a section that one had like 3 people xD He's so socially awkward. But I managed to high-five Akito and Kamichan so it's all good.
Junta was so hilarious during Akanlove. They always do a dance section part way through this song where the members come up with STUPID dance moves for everyone else to do and bloody Junta did a boob dancing movement and I was too busy on the floor laughing to join in. He always does hentai stuff like this >.< idiot xD
Singing along with the boys to Baby Good!!! was so much fun! I seriously love that song and was great to dance and sing along with them for it! Definitely a big highlighted moment for me personally.
I can't remember which song BUT I was super excited to see West do a KAT-TUN move. Y'know how KAT-TUN does the green LED lights that go around them and then they (somehow) manage to grab a hold of them before popping them back into place? West did it in this con which made me very happy!
Junta was on the floor by the time Ya Hot Hot finished because he had used too much energy xD
Also I think it was between ParaPara Cha-han and AkanLove that Hamachan was towards our side of the stage and was using so much dance energy while jumping and dancing; it was so impressive and he looked so tired after those 3-ish songs xD But his energy was amazing!
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MC
HamaChan and Ryuusei came out in pink dresses at one point! They all came out as their Westival DVD characters but they had all be sacked as Ninjas so had to become Servants/Maids/Butlers instead xD They also had a game where they had to try and get a volleyball into a tube and they managed to do it!!
They spoke about KamiChan cooked for them all on New Years(?) and that he made a really good Carbonara and KamiChan admitted that was his first time making it and everything was shocked. Also Junta laughed about how Shige saw a food dispneser for the first time and was completely fascinated; Junta was like 'How have you never seen one before?!' and Shige said 'I'll put your watch down it' and Junta was like 'No! That watch is on a loan!' apparently it's a super duper expensive watch.
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I think that's all I remember!
Although there were a few things I wanted in this con that didn’t happen:
1. I wanted frypan penlights -- especially because they were like ‘hey! We have a dance for Para Para Cha-han that we want you all to learn’ so it kind of felt like they wanted us to dance with the penlights and so I was like ‘IT’S GOTTA BE A FRYPAN PENLIGHT!’ but it wasn’t.
2. I really wanted them to do Eeyanke again and I’m super upset that they didn’t! It’s a fan favourite, why wouldn’t you do it?!
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GOODS
GOOD PAMPHLET SHOTS
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And we’re done! Damn reports are so much easier to write than reports >.<
#johnny's west#johnnys west#ジャニーズwest#nakama junta#kamiyama tomohiro#hamada takahiro#fujii ryuusei#shigeoka daiki#kiriyama akito#nonchan#report#con report
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