#ableds' bullshit

[crazycatsiren]

"You are too young to..."

Cool. Tell my disabilities that.

[skeleton-squid-b0y]

you have GOT to remember when watching the new doctor who that the question is not is this good. doctor who is only ever actually 'good' once a season at most. THE ONLY QUESTION IS is it fun, camp, and has aliens. also remember the worst doctor who showrunner is always the current doctor who showrunner. now go watch the new episodes as god intended like you're ten years old and still remember how to experience joy and whimsy.

[savanir]

I found your missing cat

It had taken a lot of work but about a month ago Danny finally got deep enough into A.R.G.U.S to be allowed into its Black Room. and my, what a treasure trove it is.

In the following weeks Danny has spent a lot of time finding all the lost Infinite Realms artifacts he was supposed to locate and return, as was part of his kingly duties. The Observants had been constantly on his ass about this but now that the results of his efforts are actually visible they have finally shut up.

Today though something new has gotten brought in and he’s eager to take a proper look, he could feel the Tyrant king’s influence from a distance emanating from it after all.

While on his way he noticed one of his colleagues, Miss Barbara Minerva if he remembers correctly, talking to who looks to be Wonder Woman. Danny hasn’t had the chance to do so himself yet, he’d love to introduce himself properly but he’s also a little worried about all the knowledge he has on Amazons from Lady Pandora (which he very much shouldn’t have) coming out the moment he tries to have a proper conversation.

Still he hopes nothing bad comes from those two ladies being on friendly terms. Miss Barbara's vibes are all over the place, and most often nowhere good, but who knows, maybe her being around Wonder Woman more will fix that.

He gets to his little section in the compound with the big examination table all decked out and ready for whatever. Today he gets to look at one of Pariah's lost blades, the godslayer sword.

Danny is working on getting all the murderous enhancements off of it and depowering it into something nowhere near so dangerous and deadly when something perks up within the weapon. 

Sensing a kindred protection spirit it leaps up from the blade and into Danny, happily nestling around Danny's core and starts purring up a storm. 

Danny however is violently startled out of his work. It's hard not to notice the sudden claws he feels both on his hands and feet. The spotted fur that covers seemingly his whole body now, his shifted ears, eyes and nose. And the fact he's now sporting a tail of all things. 

The Cheetah may be pleased with this new development but Danny is certainly not. 

Footsteps thunder his way, followed by a shout, "what is wrong!? I heard sounds of distress and- oh!"

"Uuuhhmmm..." What does he say!? How is he supposed to explain all this to Wonder Woman!?

She marches forward and firmly grabs his clawed hands in her own, not worried in the slightest about his now razor sharp nails, "worry not, we shall break this beastly curse that has befallen you, you have my word" 

She gives him what he thinks must be a reassuring smile, "I am Diana of Themyscira and-"

Danny isn't really listening after that, she's probably just giving him more reassurances. It's nice but she's also pretty intense. And Danny is still freaking out a little. 

"- so no need to fret"

Danny blinks,"Uh thanks, I- I'm Danny Fenton" 

"It is most pleasant to meet you Danny Fenton, even if the circumstances are quite unfortunate"

"Yeah uhm, just Danny is fine"

"Very well you may call me Diana" She nods and lets go of his hands.

Diana then wishes to see the artifact that cursed him so, aka the blade (which didn’t curse him), Danny thankfully already fully depowered the damn thing safe for some minor traces of whatever Pariah saw fit to stuff in it. 

By now Steve as well as Barbara have come to take a look themselves and though they appear startled at his new catlike appearance they are mostly just worried once Diana tells them he's cursed. 

Which he's not, this isn't a curse at all. The big cat spirit still tightly curled around his core is clearly a blessing of some sort, that'll make dealing with it all so much more complicated...

But at least Danny got to meet wonder woman right? That's cool.

[hansoeii]

Hullo! I’ve been watching a bunch of your Timelapses and I was wondering how do you always come up with the colours for your pieces? They’re always so cohesive and pleasing to look at (I almost exclusively work in greyscale so if I’m using colour it’s always a lucky guess and it never looks quite right)

Hey there!

I have to be honest that most of the time I don't actually know what I'm doing and that I have no idea how most of my pieces are gonna turn out. My work process is usually based on "Fuck around and find out", haha. I'm happy to know that it apparently doesn't come across that way, though.

A lot of it comes very naturally to me simply because I've been drawing non-stop for so long, but I can give you some small tips that really help me:

1. Have as many references as possible!

Here's what my reference sheet looked like for the Jayvik piece:

It helped me a lot to understand the overall color scheme I wanted to convey. Lots of very cold tones, pinks and very light blues and greens. These colours sorround Jayce and Viktor throughout all of season 2 and I wanted to keep them, especially since in my piece they are lying in the glowing hexcore.

Don't shy away from using references, get as many as you possibly can! Look at other poeple's art too and try to understand how they work with colours.

2. Work with complementary colours!

Since I paint a lot of romantic illustrations I want them to look pleasing and comforting, which I can accomplish by using complementary colours! You see this a lot with couples that are blue and red coded, for example. And I wanted to do the same thing in the Jayvik piece! For that I used the highlights in their hair!

Viktor's highlights are a soft pink hue.

While Jayce's are a soft blue hue.

The colour wheel works perfect for figuring out if two colors compliment each other because they are literally right across from one another!

3. It doesn't have to be true to life.

Pretty self-explanatory, but I thought I'd add it in here anyways. It's important to understand how colour and light works, but you don't always have to follow the rules. Does the rim light look cool but it makes zero sense? Who cares! Keep the cool rim light! Just have fun and fuck around.

4. A little trick to make your life easier!

I'm not excatly the best at colour theory, I still struggle with it quite a bit, but here's a little trick I like to use from time to time:

If you want all your colours to look coherent, take one specific color as your flat colour. Choose a hue that you would like your piece to have. Like this:

Now you choose whatever colours your characters have and paint them in. For example, here are the skin colours I chose for Jayce and Viktor:

Looks off, right? These colours don't fit the overall piece at all. So what do we do?

Turn down the opacity! It's that easy, wahoo!

I went from 100 Opacity to 72 for this specific illustration. And look at that!

It's so much nicer already! Now you know what colours to use as your actual flats! Just repeat this with every other part of your illustration and you'll have a great starting point. :)

I really hope this was helpful! I'm not an actual teacher and I don't have a proper illustration degree, so some things might not be completely accurate, but I thought I'd try my hand at this anyways!

[enbycrip]

Pretty much no impairment is as simple as abled people think it is.

People are taught to believe that disability is a simple “Can’t”. Can’t walk. Can’t talk. Can’t hear. Can’t see. An ability is just excised and no longer exists, if it ever did.

In reality, it’s rarely that simple.

It’s “I can sort of do x thing sometimes, but I get muscle spasms making it very dangerous or impossible to do it reliably or safely”. Or “I can do x thing but it causes me so much pain I will be unable to do anything else for hours or days after doing it”. Or “I can do x thing but I constantly injure myself doing it because of lack of muscle control”. Or “I can do x thing but so badly I functionally can’t do it two inches beyond my face, but now I have a mobile phone I can put up to my face so I can do it in certain very specific circumstances”.

None of these things mean someone isn’t disabled. And if you think it does, then it’s *your* ideas about disability that need to change.

The reason disabled people end up saying “can’t” when the reality is more complex is because people don’t trust our boundaries. They force us to injure ourselves instead of accommodating, or use energy that means we have none left to do *anything* else we need to do for the rest of the day. Or week. Or month.

Abled people need to start trusting disabled people, or you need to shut up, get out of any situation where you have power over us, and provide someone who will. Those are the only options.

The way we are expected to live in a performative hell of the making of more privileged people who then turn around and criticise us for not suffering in the precise way they have decided we should is genuinely nothing but ridiculous.

Just stop.

[feligayzed]

some shit about how to be loved is to be changed

[puppetmaster13u]

Prompt in Memes 8

[trashydez]

enter stage roleswap wrightworth

(without dialogue under the cut!)

yk, this is supposed to be a part of a group of sketches further going into the au but god do i not have the energy to colour allat rn

[afewproblems]

Eddie downs the last of his beer and tosses the empty red cup into the kitchen sink, right between a couple who were clearly gearing up to claim one of the spare rooms upstairs. 

Eddie snickers and winks as the girl tells him to fuck off while her boyfriend flips him the bird, god he loves highschool parties, and this one is no exception.

It's Halloween and business is booming for Eddie Munson.

He imagines Dian Fossey felt similarly, wandering through the Congo studying the great apes' behavior patterns and social structure from within rather than observing from afar. 

So far Eddie's observations have paid off in spades and he's managed to sell out most of his stash by targeting the basketball team and their girlfriends. No one wants to get high all by themselves after all, it's almost too easy the way these sheep all flock together. 

Eddie leaves the kitchen behind him, but not before snagging a can of something cold from a nearby cooler of half melted ice. With a decent buzz going, what's one more? He's done working for the night after all. 

Eddie climbs the stairs, dodging drunk teens left and right as they make their way past him, shirts ruffled and hair messy. Eddie snorts, ignoring the wistful pull in his chest as a tall boy on the swim team pulls his girlfriend closer to press a chaste kiss to the top of her head before smoothing her curls away from her forehead. 

Unfortunately no one Eddie would be interested in would accept him brushing their hair like that without punching him in the face.

He shakes his head and continues forward, he's an observer, nothing more. 

Eddie passes a closed door on the second floor and pauses as a raised voice splits through the wood.

"It's bullshit, you're bullshit," the voice slurs out and Eddie feels a wide grin pull at the corner of his mouth. 

He takes a step closer, nearly pressing his ear to the flat of the door.

"Like we're in love?" Another voice says softly, a guy, "you don't love me?" 

A small part of Eddie knows he shouldn't be listening to this, he can hear the waiver in this guy's voice like his heart is slowly cracking in his chest. Shit, he almost feels bad for this guy. 

But the people that go to these stupid parties, the Hawkins elite, the gorillas in the mist, deserve their bullshit --to use this girls turn-of-phrase.

The only reason they didn't mess with Eddie was because he was these highschool shit-heads main source of weed. 

Its karma, plain and simple, Eddie reasons as he presses even closer now.

"It's. Bullshit". The girl hisses emphatically and for a second Eddie hears nothing.

It happens so quickly after that. 

The door swings inward, causing Eddie to stumble into a tall firm chest as the bathroom guy collides with him.

"What the fuck?" The guy says as he pushes Eddie away from himself and --no way.

"Harrington?"

Steve blinks once, his wide hazel eyes red rimmed and shiny in the dim light of the hallway, the tip of his nose is pink as he reaches up to pinch it roughly before swiping across his eyes as well.

Even though Eddie's fairly certain that he and Steve are the same height, he seems smaller like this, deflated, standing in the hallway while a party rages down below them both. 

A cheer rings out, startling Steve into action.

He steps widely around Eddie, enough that his shoulder connects with the wall in his haste to take the stairs down, two at a time, as though Hell is hot on his heels. 

And Eddie should leave it, go back to the party, see if there are any snacks left before calling it a night, but something pushes him to follow the path Steve took.

It's like he's possessed, the haunted look in those hazel eyes forcing him forward until he's outside on the lawn.

A few other teens are outside, including a couple making out on the porch, Eddie steps over them and jogs to the end of the driveway.

He spots Steve down the street sitting on a large rock at the end of another neighbor's lawn with his face in his hands.

He looks up as Eddie gets closer and curses softly.

"Seriously? It wasn't enough that you were listening, you're following me now?" His voice cracks on the last word as he wipes his eyes again, he can't quite hide the way the moonlight catches the tear tracks running down his cheek and neck though.  

"Oh come on Harrington," Eddie says, walking up to Steve. He sits on one of the other rocks and takes a crumpled pack of smokes out of his vest pocket, "it's no fun if you're sad".

"What is?" Steve mumbles after a beat, wiping his eyes again as he stares at the ground. 

"Making fun of you," Eddie shrugs as he takes a cigarette and puts it between his lips, he smiles at the startled bark of laughter from Steve.

"You're a prick," he huffs softly, the barest of smiles slowly blooming across his face.

Eddie can count the constellation of freckles and moles across his face, giving the blanket of stars above them a run for their money. His hand twitches at the thought of touching the ones on Steve's throat.

Eddie coughs once, mentally tallying the number of drinks he must have had for those kinds of  thoughts and shifts on the rock to adjust his pants. 

He holds out the pack to Steve who looks at the nearly empty sleeve before his eyes shift to the house behind Eddie. 

"Nance hated cigarettes," Steve murmurs as the corner of his mouth twitches into a terrible frown. It's gone in an instant as Steve blinks once and reaches out for the pack.

"I got something stronger if you want?" Eddie offers, he shrugs when Steve looks up at him with suspicious eyes. 

"Come on Harrington, I'm not gonna keep kicking you when you're down, you need a pick-me-up and then I can get back into it," Eddie stands up and without thinking, holds out a hand towards Steve, "what do you say?"

Steve stares up at him, his eyes flick once to the outstretched hand before he snorts dryly and slowly takes his hand. 

It's warm in Eddie's own. The fingers squeeze gently as Steve uses it to hoist himself up until he's once again eye level with Eddie. 

From this close Eddie can see the way his eyelashes have clumped together with leftover tears and the flecks of gold in his hazel eyes

Oh…this, this was a bad idea. Eddie swallows roughly as Steve finally nods.

"Lead the way Munson," Steve says with the barest of smirks as he wipes his face one last time, "and if you tell anyone about this, I'll slash your tires".

Eddie cackles at that, "there he is!"

He claps Steve on the back as he leads them towards where he parked his van down the road, "our chariot awaits!"

Eddie ignores the small voice that whispers in his ear, the one that sounds remarkably like his uncle, as it asks him just what the hell he thinks he's doing with Harrington of all people? 

It'll be fine, he tells himself.

Besides, what's the worst that could happen?

Part Two

[ramblingsfromthytruly]

oh jason grace they could never make me hate you

[brainrotcharacters]

deadclaws being so attuned to each other that they have a conversation with facial expressions

[crazycatsiren]

"Well, I'm actually eight hundred and thirty seven, oh those weekly virgins' blood baths must be working!"

My go to response to "but you're so young" comments regarding my disabilities these days.

[medusagorgongirl1]

Kon fell first, Tim fell harder

[be-the-glenn-to-my-maggie]

Okay I’m back home and I’m back in business babes. I was BUSy.

Das me.

[mxtxfanatic]

“Tgcf is like the trolley problem except it’s Xie Lian’s fault that everyone dies because he wants to stop the trolley.” No, Tgcf is “like” the trolley problem if the problem was that every time Xie Lian attempted to stop a trolley, the trolley owner builds another trolley and sends it hurtling down another track to mass murder another set of people to prove to Xie Lian that the only “reasonable” response to witnessing mass death occurring is to stand to the side to watch the trolley kill the people you think least deserving of life, maybe while asking the trolley driver—who wants to kill—to slow down a little (but only maybe). In that regard, the op of that wretched take and the trolley owner seem to be on the same wavelength.

[skin-slave]

I wanna say something and all I ask is that you read the whole thing before burning me at the stake.

There are always horrible things happening. There are always ppl who are suffering and dying. There are always corrupt politicians. There are always human rights violations. There are always tragedies. There is always misinformation and exploitation. War is always looming on the horizon or busting in the back gate. The world is always fucked up.

That fact does not mean that the lives affected matter any less than our own. It does not mean that we don't do what we can to help. It does mean that we cannot afford to put our lives on hold while a horrible thing consumes us.

I'm sure that, if your parent/sibling/partner/best friend had a medical emergency, you would gladly do whatever you needed to do to be there. I'm sure that you would sacrifice sleep, skip meals, call in to work, and be by their side until they were stable. You can afford to do that when those emergencies are infrequent and relatively brief.

You cannot do that with the world's emergencies. They are not infrequent. They are not relatively brief. You have to sleep, eat and shower. You have to pay your bills. You have to survive.

Daily life goes on.

It feels unjust. Of course it does. How can you possibly go about the mundane like nothing's going on? You Don't. You go about the mundane like there are horrible things happening. You make the adjustments you can sustain without sacrificing your well-being. You make drastic changes for as long as you can, when you simply can't take it anymore, and then you step back, take a breath, and go grocery shopping. You have to. If you don't, you won't survive the horrible thing.

No one who is going thru a horrible thing wants you to self-destruct. There's so much good you can do over the course of your life if you maintain that life. Adding your name to the list of casualties will prevent all of that good from happening. You have to survive.

And that includes the things that seem optional, bc those things aren't actually optional at all. You need to laugh. You need to watch movies and love your pets and go for walks. You need food that tastes good and clothes that make you feel confident. You need that show you'll regret not seeing. You need to get takeout and take naps. You need to have the weight lifted frequently, so you can heal the parts of you that get worn.

If you aren't living as well as you can, while making adjustments you can afford to make, you will not survive.

Please survive.