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slyandthefamilybook · 1 year ago

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A NON-EXHAUSTIVE BUT NEVERTHELESS EXHAUSTING LIST OF NEO-NAZI AND WHITE SUPREMACIST DOGWHISTLES

since some of y'all apparently need a refresher course. as always, use your judement when deciding if it's a dogwhistle or just innocent usage of a number or symbol

NUMBERS

100% - 100 percent white

109 or 110 - A reference to the 109 countries that have expelled, in whole or in part, their Jewish populations. 110 refers to the hope that more countries will do so, usually specifically the United States. Often posted on its own as a reply, or phrased as a question (e.g. "If you were kicked out of 109 bars it's probably our fault")

1290 - A reference to the Edict of Expulsion of 1290, which expelled the Jewish population of England

13/50 or 13/52 or 13/90 - The supposed statistic that Black Americans make up 13% of the population yet commit 50% or 52% of violent crime, or 90% of interracial violence. Often posted on its own as a reply

14 - The Fourteen Words, a Neo-Nazi slogan

14/23 - A number representing the Southern Brotherhood, an Alabama prison gang

1488 - A combination of the Fourteen Words and Heil Hitler

C18 - Combat 18, a British neo-Nazi group

18 - The letters A (1) and H (8), standing for Adolf Hitler

21-2-12 - The Letters U (21), B (2), and 12 (L), standing for Union, Brotherhood, and Loyalty, the slogan of the Unforgiven, a Florida prison gang

23 - Often thrown up as a hand sign, with two fingers raised on one hand and three fingers raised on the other. Represents the letter W (23), standing for white

271,000 - A reference to the supposed fact that the Red Cross claimed only 271,000 people had been murdered in concentration camps. In reality, that number reported by the Red Cross only came from reports from 13 concentration camps (there were 23 main camps, plus a large number of smaller "satellite" camps)

88 - H (8) H (8), standing for Heil Hitler

9% - A number representing the percentage of the world's population that is white

SYMBOLS

((( ))) - Triple parentheses, or echo. Used by neo-Nazis to call out someone as Jewish

Iron Cross - A German military decoration

Sonnenrad (Sun Wheel)

Reichsadler (Imperial Eagle) - A blocky, art-deco eagle facing to the side. Variants exist, some facing right, some facing left. The Parteiadler (Party Eagle) has a slightly different design. The Reichsadler is usually clutching a wreath with a swastika, although this is sometimes left out to maintain plausible deniability

Totenkopf (Death's Head) - A symbol used by the SS

Wolfsangel (Wolf's Hook) - Used as the insignia of various Wermacht (Nazi Military) divisions

Wolfsangel (horizontal)

Odal Rune - From the Proto-Germanic "Othala" meaning heritage

Algiz Rune - A symbol used by German nationalists

Celtic Cross

"Broken Sun" Cross

Arrow Cross - A Hungarian nationalist party that was active from 1935-1945. The symbol has been re-appropriated by modern neo-Nazis

Valknot

EMOJI

🤑 Greedy Face Emoji - Used to refer to "greedy Jews"

💰 Money Bag Emoji - Used to refer to "greedy Jews"

🥸 Disguised Emoji - Used to refer to Jews because of the enlarged nose

🤥 Lying Emoji - Used to refer to Jews because of the enlarged nose

👃 Nose Emoji - Used to refer to Jews

🙋‍♂️ Raising Hand Emoji - Used for its resemblance to the Sieg Heil salute

✋ Raised Hand Emoji - Used for its resemblance to the Sieg Heil salute

o/ or 0/ - Used for its resemblance to the Sieg Heil salute

🐸 Frog Emoji - A reference to Pepe the Frog, a webcomic charcter co-opted by the alt-right

👌 Okay Symbol Emoji - A hand symbol co-opted by the alt-right. Sometimes said to resemble the letters WP, or White Power

🚪 Door Emoji - Refers to the fact that some of the gas chambers (such as the ones at Auschwitz) had wooden doors, and therefore could not have been airtight enough to contain the Zyklon B gas used to murder prisoners. In reality, many of the wooden doors were either replaced with airtight metal ones, or were made airtight with strips of felt that then deteriorated or were removed

🚿 Showerhead Emoji - Refers to the showerheads used to dispense Zyklon B gas in the gas chambers

⛽ Gas Pump Emoji - Refers to gas chambers

⚡⚡ Double Lightning Emojis - Used for their resemblance to the Siegrune (victory rune) badge worn by members of the SS (Schutzstaffel)

💀 Skull Emoji - Used for its resemblance to the Totenkopf (Death's Head) used by the SS

☠️ Skull and Crossbones Emoji - Used for its resemblance to the Totenkopf (Death's Head) used by the SS

WORDS/PHRASES

6MWE - Six Million Wasn't Enough. A call for further genocide against Jews

AKIA - A Klansman I Am

Annudah Shoah - A mockery of both the Shoah (Holocaust) and the fear of further genocide

Auschwitz had a swimming pool/rec center/maternity ward/etc. - An attempt to diminish the horror of concentration camps by making them seem more like labor camps with amenities

Blood and Honor - A neo-Nazi slogan

Blood and Soil - A neo-Nazi slogan

Blood Libel - Not a phrase used by the far right, but something they often believe in or claim. Blood libel is an antisemitic conspiracy theory stretching back hundreds of years. The original claim was that Jews used the blood of Christian babies to bake matzah (a ritual food eaten on Passover). It has since evolved into images of Jews drinking blood, kidnapping and killing non-Jewish babies, and conspiracy theories about harvesting adrenochrome

Bowlcut - A reference to white supremacist mass-murderer Dylan Roof

Cohencidence - A portmanteau of Cohen (a common Jewish last name) and coincidence. Used to refer to Jewish control (e.g. "All these companies are owned by Jews! What a Cohencidence!")

COORS - "Comerades of Our Racial Struggle"

Cultural Marxism - A conspiracy theory that Jews are intentionally weakening "Western values" in order to make countries like the United States more susceptible to communism. This was called Cultural Bolshevism in Nazi Germany

Da Shoah or Muh Shoah or Muh Holocaust - A mockery of the Holocaust

Day of the Rope - A day referenced in neo-Nazi book The Turner Diaries when all race traitors will be hanged

Degenerate - An insult based on the false theory that bad morals will cause human beings to regress along the path of evolution (to de-evolve). Used to describe groups, individuals, or ideologies

Early Life - A reference to the "Early Life" section of Wikipedia biographies, which will reveal that a person is Jewish or has Jewish ancestry

Every Single Time - Every time something bad happens, the perpetrator is Jewish

Featherwood - A term derived from racist prison subculture. A featherwood is a woman associated with a racist gang

FGRN - For God, Race, and Nation. A Ku Klux Klan slogan

The Fourteen Words - A neo-Nazi slogan. "We must secure the existance of our people and a future for white children"

The Frankfurt School - A school of sociology founded at Goethe University Frankfurt in 1923. Usually blamed as the originator of "Cultural Marxism"

Fren - Internet slang. A diminutive of "friend", used to diminish Naziism and make it seems more harmless. Often used in usernames to describe one's self (e.g. sad_fren_88)

Globalist - A person who desires connection between countries in terms of politics, trade, and travel. Used to scaremonger about Jews destroying countries by removing their borders

Gorillion - A mockery of the number 6 million, being the amount of Jews who were murdered in the Holocaust

Goy - Hebrew for "nation", used by Jews to refer to non-Jews/gentiles. Used disparagingly by neo-Nazis to suggest Jews view non-Jews as beneath them

Goyslop - Unhealthy food that Jews force non-Jews to eat to keep them weak

Groid - A shortening of "Negroid", an archaic terms used to describe Black people

Groyper - A follower of avowed neo-Nazi Nick Fuentes. A reference to the "Groyper" meme, a variant of Pepe the Frog

GSHW - Germany Should Have Won (i.e. won World War II)

GTKRWN - Gas the Kikes; Race War Now

HDKH - Hitler Didn't Kill Himself. A neo-Nazi theory that Hitler escaped Germany and fled to Argentina

John 8:44 - "You are of your father the devil, and your will is to do your father's desires. He was a murderer from the beginning, and does not stand in the truth, because there is no truth in him. When he lies, he speaks out of his own character, for he is a liar and the father of lies." Part of Jesus' rebuke of his Jewish followers

Joo or Jooz - An intentional misspelling of "Jews" in an attempt to bypass censors or automatic content filters

Kate Hikes - A spoonerism of "hate kikes"

Kek - 4chan variation of "lol"

Kekistan - A fictional country imagined by white nationalists with a flag that resembles the Nazi battle flag

Khazar - A reference to the conversion of a group of Khazars (a Turkic people) to Judaism. Antisemites speculate that the entirity of Ashkenazi Jews are descended from these Khazar converts, and therefore have no historical, cultural, or genetic tie to the Levant. This has been proven false on multiple occasions

Kike - A racial slur against Jews

Lizard People or Reptilians - A conspiracy theory by far-right figure David Icke, claiming that world leaders are really reptilian aliens. Most people who believe this theory believe that the lizard people in question are the Jews

Magic Soil - A protest against the idea that people of one nationality can become people of another nationality simply by living in a country (i.e. "France doesn't have magic soil that turns Africans into Frenchmen")

Nicker - An intentional misspelling of the N word in an attempt to bypass censors or automatic content filters

Ns - Black people (as in the plural of the letter N)

NSDAP - Nationalsozialistiche Deutsche Arbeiterpartei. The Nazi party, but using an acronym that is unfamiliar to most people

NS - National Socialist

Noticer - Someone who "notices" that Jews control the world

The Noticing - A mass movement of people "noticing" that Jews control the world

New World Order - A far-right conspiracy theory about Jews taking control over the world and implementing a single world government. Also used in conjunction with phrases like "world banks"

OFOF - One Front, One Family. Slogan of the neo-Nazi group Volksfront

ORION - Our Race Is Our Nation

Oy Vey - A Yiddish exclamation meaning "oh woe". Used by neo-Nazis to mock Jews

Pattern Recognizer - Someone who has recognized the "pattern" of Jews always being in control

Peckerwood - A term derived from racist prison subculture. A peckerwood is a man associated with a racist gang

Power Level - A memeification of far-right beliefs. The more fascist your beliefs, the higher your "power level"

The Protocols of the Learned Elders of Zion - A 20th century Russian hoax claiming to be the minutes of meetings between Jewish leaders discussing how they will take control of the world

Pure Blood - Someone who is a pure member of the white race

Rabbi Smolett - A claim that Jews fabricate antisemitic hate crimes (a reference to actor Jussie Smolett who was accused of doing the same)

ROA - Race Over All

The Goyim Know - A phrase used by white supremacists acting like Jews who have discovered white supremacist activity, and are afraid that they've been found out. Often "The Goyim Know, Shut It Down", which adds the idea that Jews will prohibit any conversation that gets too close to the truth

The Red Cross - A reference to the supposed fact that the Red Cross claimed only 271,000 people had been murdered in concentration camps. In reality, that number reported by the Red Cross only came from reports from 13 concentration camps (there were 23 main camps, plus a large number of smaller "satellite" camps)

Tiny Hats or Tiny Hatted People - A reference to the Kippah or Yarmulke often worn by Jewish men

Reject Modernity, Embrace Tradition - A fascist slogan warning against social progress and calling for a return to a prelapsarian (usually ethnocentric) paradise

Rubbing Hands - A reference to an antisemitic charicature called "The Happy Merchant"

"To learn who rules over you, simply find out who you're not allowed to criticize" - A quote often misattributed to Voltaire, which neo-Nazis use to decry claims of antisemitism as efforts to silence them. In fact, it's a quote from a neo-Nazi pedophile

Shabbos Goy - A non-Jewish neighbor of a Jew who can be asked to perform acts Jews are forbidden from doing on the Sabbath (e.g. turning of a light or turning on the heat). Used by neo-Nazis to claim someone is a slave to Jews

Sheeeiiit - An over-the-top representation of how "shit" is said with a Blaccent. Often used in memes declaring Black people to be less intelligent

Shekels - Jewish currency (from the Hebrew word for weight, similar to how British currency is called the pound. In reality, the plural of shekel is shkalim). The name has been adopted by the State of Israel for the NIS (New Israeli Shekel). "Shekels" is used by neo-Nazis to mock Jews as being greedy

Synagogue of Satan - An antisemitic term for Jews, stemming from the Chrsitian Bible

They or Them - When used to describe a nebulous group of undefined adversaries, these words almost always refer to Jews

They Cry Out in Pain As They Strike You - An antisemitic proverb claiming that Jews will make false cries of antisemitism while at the same time perpetrating atrocities

Troon - A slur against trans people, particularly trans women

Volk - German for "folk", or "kind". Used by neo-Nazis to refer to white people

We Wuz Kangz - A racist phrase ment to mock Black nationalists

White Genocide - The myth that a group of people (usually Jews) are conspiring to eliminate the white race through various means including immigration, intermarriage, and homosexuality

WP - White Power

WN - White Nationalist or White Nationalism

Wooden Doors - Refers to the fact that some of the gas chambers (such as the ones at Auschwitz) had wooden doors, and therefore could not have been airtight enough to contain the Zyklon B gas used to murder prisoners. In reality, many of the wooden doors were either replaced with airtight metal ones, or were made airtight with strips of felt that then deteriorated or were removed

Zio - An abbreviation of "Zionist". Used derogatorialy by neo-Nazis

WPRWS - 'Weimar Problems Require Weimar Solutions" (sometimes shortened to just "Weimar Problems" or "Weimar Solutions"). Prior to the rise of the Nazi Party, the democratic Weimar Republic was in financial crisis (the eponymous "Weimar Problem"). This was often blamed on the Jews. The "Weimar Solution" is Naziism

ZOG - Zionist Occupied Government, reflecting the belief that the United States government is controlled by Jews

#atlas entry #this took me several hours to compile so please give it a reblog #there are also a lot of ways nazis will mock Black or Jewish names but that's less dogwhistle-y and more foghorn-y #if you see someone say “lol 'Stein' 👃” and don't understand what they mean. I dunno that's on you man #also sorry for putting kike on here but you'd be shocked how many people I've met who have genuinely never heard it before #also the ADL website has a bunch more representing various prison gangs #but I feel like it can be overwhelming to know that 11 12 and 13 can all be racist symbols. I don't wanna make people jump at shadows #besides those are more likely to be worn as tattoos than displayed in someone's twitter bio #jews #jewish #judaism #nazis #neo nazis #neo-nazis #christofascism #far right #alt-right #white supremacy #white nationalism

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kyometeru · 5 months ago

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–tw. Fem reader, of course this'll be ooc, bondage, mentions of public sex, humiliation, manipulation, gaslighting(???), cockwarming, size difference, suggestive by why call it that when this is just straight up smut, choking, cervix fucking, basically punishment sex, yan Sunday(?), stockholm syndrome, breeding kink/pregnancy kink, presumed non-con(?), dub-con, somnophillia, dacryphilia,

ღ ~ 𝑀𝑒𝑎𝑛!𝑃𝑢𝑛𝑖𝑠ℎ𝑒𝑟! 𝑆𝑢𝑛𝑑𝑎𝑦! Who shows you off in public as his wife/girlfriend. Having matching charms to further prove it. Some females would be jealous of how you managed to pull the one and only Sunday. He's all prince charming. Taking care of your injuries if you fall. When he lets you speak to other people, he may forget he let you talk to them which leads to him placing a hand on your shoulder and his fave darkening with a smile then dragging you away. He shows you off to hos family as if he had won the lottery or gotten new jewelry. But you are his precious pearl anyway,

𝑀𝑒𝑎𝑛!𝑃𝑢𝑛𝑖𝑠ℎ𝑒𝑟! 𝑆𝑢𝑛𝑑𝑎𝑦! Is really cruel. He only cares about the humiliation he finds funny from you. Wrapping you up in red or black ropes. Tugging on the rope that rubs on your cunt, making friction on your clit to further drench the ropes. He would punish you even if it was the smallest mistake or thing ever. Let it be just closing your eyes due to exhaustion and overstimulation he would be quick to wrap his hand around your neck, squeezing at it as he rams himself deeper into your pussy, the tip of his dick hitting home into your cervix.

𝑀𝑒𝑎𝑛!𝑃𝑢𝑛𝑖𝑠ℎ𝑒𝑟! 𝑆𝑢𝑛𝑑𝑎𝑦! Is a big fan of public sex. Cock warming would be at the top of his list. Just to see you shudder and get embarrassed as you let out unwanted whines and moans as his cock twitches and brushes up against that one spot.

𝑀𝑒𝑎𝑛!𝑃𝑢𝑛��𝑠ℎ𝑒𝑟! 𝑆𝑢𝑛𝑑𝑎𝑦! Likes to tease you. In restaurants, he would have a vibrator in your panties and pressing down on your clit with it. He only lets you wear skirts or dresses even if you don't prefer them. At home, he lets you wear shorts as it's an easy way to fiddle or fuck up into your pussy.

𝑀𝑒𝑎𝑛!𝑃𝑢𝑛𝑖𝑠ℎ𝑒𝑟! 𝑆𝑢𝑛𝑑𝑎𝑦! Is really a pervert! If you're just minding your business, he'll just force make you get into some suggestive position involving the both of you. If you're just walking past him, he'll just trip you purposely and move his head beneath your skirt. He'll even use your dirty panties and show you your cum stained panties, blaming you for making him dirty them in the first place.

𝑀𝑒𝑎𝑛!𝑃𝑢𝑛𝑖𝑠ℎ𝑒𝑟! 𝑆𝑢𝑛𝑑𝑎𝑦! Who has a breeding kink/pregnancy kink. He wants you to be plump and fully with his child inside your womb walking around his room barefoot. He fucks you around the house everyday in every inch of the place. Once he's done he'll just plug you up with a vibrator to keep all of his seed inside. He likes mating press and doggy style when breeding you. He likes it because he can easily tower over you and get easy access to your face just to lick your tears away and kiss you deeply.

𝑀𝑒𝑎𝑛!𝑃𝑢𝑛𝑖𝑠ℎ𝑒𝑟! 𝑆𝑢𝑛𝑑𝑎𝑦! Is very sneaky:3. When he breeds you non stop and when you finally get the strength to move around, he places birth control pills around the room. But it's really prescribed sleeping pills. He uses this as an advantage to breed you in your sleep. The pills would have you out like a light as when he fucks, you show no sign of restraint.

𝑀𝑒𝑎𝑛!𝑃𝑢𝑛𝑖𝑠ℎ𝑒𝑟! 𝑆𝑢𝑛𝑑𝑎𝑦! Is very cheerful on the inside when you start looking at him lovingly and with hope in your eyes. He knows he's broken you down to the girl he wanted you to be. It's not like he kidnapped you. He still gives you punishments here and there. It would be less harsher as he would fuck you softly but still overstimulates your ass. He loves to see you get worked up when you feel like you've done a bad thing and start crying. In response, he just lets you ride him till you collapse. He gives you a soothing aftercare and makes you agree that you are his, it's a small world for a small little adorable thing like you. Anyone could just crush you under their feet and just leave you there to wither in pain.

He just needs you to stay with him and you'll be safe. Just with him and the life in your stomach.

. . .

DO NOT PLAGIARIZE, COPY, REPOST, OR TRANSLATE MY POST.

#𓆩ri.𓆪 #✉️.txt #[ ♪o(〃＾▽＾〃)o♪ ]#𓆩ri.txt📝𓆪 #𓆩!smutty.𓆪 #yandere smut #yandere x reader #sunday smut #sunday x reader #honkai star rail smut #im not so proud 🥲#of this

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crimsonender · 2 months ago

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Lily. You are no match for the supreme powers of my evil autism. Here is a non exhaustive list of well written, complicated but inarguably villainous characters the audience is intended to and does sympathize with!

Josh Kiryu (The World Ends with You)

V (V for Vendetta)

Light Yagami (Death Note)

Crowley (Supernatural)

Sephiroth (Final Fantasy)

Ryo Asuka (Devilman)

Xehanort (Kingdom Hearts)

Azula (Avatar the Last Airbender)

Jennifer Check (Jennifer's Body)

Killmonger (Black Panther)

Ben Linus (Lost)

Ashley Graves (The Coffin of Andy And Leyley)

Andrew Graves (The Coffin of Andy and Leyley)

Poison Ivy (DC)

Gollum/Smeagol (The Lord of the Rings)

Doctor Freeze (DC)

Satan (Paradise Lost)

Makima (Chainsaw Man)

Hades (Hadestown)

Eric (Phantom of the Opera)

Sister Jude Martin (American Horror Story)

Johnny (Johnny the Homicidal Maniac)

Miranda Priestly (The Devil wears Prada)

Sweeny Todd (Sweeny Todd)

Velma Kelley (Chicago)

John Gaius (Locked Tomb)

Solas (Dragon Age)

Griffith (Berserk)

Javert (Le Miserables)

Starscream (Transformers)

Mystique (X-Men)

Zim (Invader Zim)

Frankenstein's Monster (Frankenstein)

Vriska Serket (Homestuck)

Lotor (Voltron Legendary Defenders)

Elphaba Thropp (Wicked [Book Only])

Simon Laurent (Infinity Train)

The Batter (OFF)

Blaine DeBeers (iZombie)

Zoisite and Kunzite (Sailor Moon)

Annie Wilkes (Misery)

Woodes Rogers (Black Sails)

Davy Jones (Pirates of the Caribbean)

Aravose (The Dragon Prince)

Kagura (Inuyasha)

Demona (Gargoyles)

Two-Face (Batman)

Tai Lung (Kung-Fu Panda)

Roy Batty (Blade Runner)

Lelouch (Code Geass)

Your mileage may vary of course, but we all know the reason why Lily said 50 to begin with was so that no one could possibly challenge her. Unfortunately for her, I, an extremely autistic man am not afraid of a challenge. If anyone else wants to add to my list go ahead! 😊

#Lily Orchard

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darkficsyouneveraskedfor · 21 days ago

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Cut Deep

No tag lists. Do not send asks or DMs about updates. Review my pinned post for guidelines, masterlist, etc.

Warnings: this fic will include dark content such as noncon/dubcon, violence, bullying, and possible untagged elements. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: Bad news brings the worst out in Logan. [reader is a mutant who can see emotions]

Characters: Logan Howlett (Wolverine)

Note: since this is my first time writing this character, I'd especially appreciate some extra feedback

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me.

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!) Please do not just put ‘more’. I will block you.

I love you all immensely. Take care. 💖

“So, me and Scott just wanted to let everyone know we chose a date!” Jean is ecstatic. You can feel her happiness radiating from her. Despite how often you try to block those vibrations out, hers are so strong, you can’t. “And we’ll send out the invitations soon. Be sure to RSVP! And we know you all can make it because it will be right here at the mansion.”

She beams as Scott drapes his arm around her shoulders. They are such a cute couple. Perfect. Everyone on the team loves them. Well, everyone except for the one person roiling with black clouds of spite.

You glance over at Logan as he stews by the door. He stands with his burly arms crossed, his biceps straining in his leather jacket. He glares at the happy couple and curls his lip. Everyone also knows that he has a rotten infatuation with Jean, too. You feel bad for him really.

He catches you staring before you can tear your eyes away. He tilts his head and narrows his eyes. You quickly look away and swallow. You get up and go to Jean and Scott.

“Congrats, guys,” you smile, “let me know if you need any help with planning.”

“Thank you. Of course,” Jean smiles as Scott echoes her.

You make room for another well-wisher and back away, basking in the good energy all around. Well, mostly. You feel Logan steaming still but you refuse to look at him. You know how he gets when he’s upset. You don’t need to be able to see into his mind to know he’s pissed off.

As the room converges on the happily engaged couple, you opt to leave before the noise can get too much. You’re always a bit more sensitive with the extra effort of trying to block out the sounds that you don’t want to hear. It’s like a buzz on the other side of a wall. If the door cracks open, it will all blast in like a sonic wave.

You go into the library and reclaim the book you set left carelessly open on a leather armrest. It’s a history of mutants written in the 1700s. A secret tome Professor Xavier collected among his endless search for compatriots, both past and present.

Some you know from the history taught in schools for non-mutants. Like the queen accused of witchcraft or the countless people executed for the very same. Emperors who’s legacies are chalked up to folktale and superstition over the reality of their beings.

You sit up as you sense the shift in the air. That greyness seeps in before the door opens. You know who it is already yet you’re surprised to see him enter. Logan scowls as his eyes pinpoint at you. His rage continues to burn hotter and hotter.

“Oh, hi,” you close the book, “sorry, did you need the library--”

“I need you to stop tryna poke around in my head,” he growls.

You flinch as you stand slowly, “I... I don’t do that. Those are the rules. I stay in my own.”

“I saw you staring,” he accuses.

“I just looked. I could... feel. That I can’t control,” you explain. “Sorry.”

“Feel what? Huh? What do you think you know?”

You clear your throat and shake your head. “Nothing, I don’t know anything.”

“Damn right, you know shit all, little girl,” he stomps over to you.

You gulp as you stare back at him. Logan, Wolverine, X-Man. He’s one of the most admired and well-known mutants alive but that’s all you know of him. You’ve seen him hundreds of times in the mansion, but only in passing. He never wanted to talk to you, only Jean. As far as you knew, he didn’t even know you existed.

“That’s correct,” you agree.

You peek down at the book in your hand. You should put it back. You sniff but as you go to turn, he rips you back by your upper arm. His grip is steel. You face him and wince as he squeezes enough to make your bones ache.

“You think I’m what? Some pathetic creature that’s slathering over another guy’s girl?” He barks.

You shake your head, “nope. No. I wouldn’t... know.”

“You fucking wouldn’t,” he grits, his fingertips pushing into your tender arm. You let out a squeak. “Me? What about you? Always around. Riding her fucking coat tails. All for what? Cause you can tell when I’m having a bad fucking day. Every day is fucking bad.”

You stare at him. A vein bulges in his forehead, another in his neck, and he’s slightly red with his fury. You don’t understand why he’s mad at you. Well, people often don’t aim their emotions in the right direction. Often, there’s too much for them to feel and it just spills over.

Logan’s aura deepens to a thick black. Darker and bolder than anything you’ve ever witnessed. It tendrils around you as you squirm. You clasp onto the book and try to wiggle free as the blood throbs in your arm.

“Ouch. Please, let me go. I wasn’t meaning to--”

“You’re never going to be her. You know that? You won’t even be an X-Man. You’re just one of Charles’ pets.” He reaches for the book and rips it from your hand. “He keeps you in your birdcage and you flutter around and read these stupid things.”

He tosses the book onto the floor and steps closer. You step back and whine. He keeps on until you’re against a shelf.

“You’ll never be her and I’ll never have her,” he grits out. “So, we’ll compromise.” He grabs your neck and you writhe and whimper. “What do you feel now, huh?”

A wisp of red tinges the black fog unfurling from his broad shoulders. More anger but something more. Lust. Love is a delicate pink or a pale purple, but lust is a deep and lurid crimson. Mixed with his rage, it is something more. It’s a tainted hue.

“I can pretend. You should try to do the same.”

“Please,” you press your hands against his stomach.

“Don’t try that shit,” he drags his other hand down your arm and puts his knuckles to your side. He lets his claws out just enough to jab you. “You can’t get in my head. Professor made well sure of that.”

You squeak and shake your head, “I wouldn’t-- Logan, please--”

“Shut your damn mouth and pull your pants down. I ain’t got all day,” he snarls.

“What?” You bat your eyes as they glisten. “No, no, what are you--”

His claws poke you again, easily piercing your shirt and scratching your skin. You lean back into the shelf as you peel your hands away from him. He glowers at you as he releases your neck. He crowds you in as you wait just a moment longer, hoping, wishing he would go.

You lower your hands cautiously. You drop your gaze, humiliated. You shake as you hook your thumbs under your waistband and push your leggings down. You gulp as your eyes tingle.

He grabs your shoulder and spins you to face the shelf. You let out an oomph as you catch yourself against the books. He trails up to the back of your neck and pinches. You squeal into a sob. Your disbelief bubbles to horror. You brace the wood as he yanks on your panties.

“Fucking girl,” he mutters. “Lookin’ at me... what d’ya fucking know?”

“Logan--”

“Stop saying my goddamn name.” He shoves your head so it hits a shelf and you groan. Ouch.

You close your eyes and lean your forehead on the wood. Jean says you need to breathe. Centre yourself. It’s hard when you’re terrified.

You inhale, taking in his emotion, his anger, even a tinge of that other desire that drives him so slap your ass. He digs in his nails as you babble. You gather the black cloud and blow it out.

He hisses and recoils as it ripples off of you like fire. He growls and as you go to turn, he sweeps your feet out from under you. You flail as you fall, landing on your elbow so it throbs. You whine and roll onto your stomach. You drag yourself over the floor as he clutches his head and snarls.

“I told ya not to try anything,” he barks.

“Please, please, I didn’t do anything.”

He steps over you and falls to his knees. He straddles you as you claw at the floor, pushing your toes down as you try to escape him. He swats the back of your head so hard your vision blurs. His anger darkness the room and disorients you.

You’ve never felt anything so intense and you feel everything. Love, joy, pain, grief, confusion... fear. His anger strangles you as he forces your head down to the floor, leaning his weight on his head as he pins you.

He raises himself on his knees and shifts. You kick out, thrashing your arms. You open and close your hands and clamp shut your eyes. You can do it. Take his anger in--

You scream as you’re scalded by the corrupt energy pouring from him. No, it’s too much. You’re not ready. All that training and you’re still weak.

You murmur at the floor, “no, no, please, no...”

He traces his hand down your ass and forces his fingers between your thighs. He feels around roughly, scratching your as he flicks along your dry folds. You gulp and heave. Your tears swell in an unstoppable flow.

You slap your hands on the floor and tense as he prods around, dipping a thick digit into your cunt with a grunt. Your legs distend and you push your toes down. He delves, in, out, deeper, harder, smashing into you.

He rips his hand away and you whine again. He leans over you, his hand stretching across your skull entirely. You can feel his strength in your neck. He bends, hot breath scalding your scalp with the flames of his wrath.

You weep as he brings his tip along your flesh and guides it around blindly. He puts more weight onto your head as he stretches you around his tip. You shriek and jut your arm out straight, the edge of the rug curling in your grasp.

“Help, someone! Help--”

He grabs your head with both hands and slams it into the floor. The reverberating impact fractures your voice and thoughts. He rams his hips down and impales you around his thick cock. You murmur as spittle leaks from your mouth and tears continue to smear your face.

He thrusts, holding himself at his limit and well past yours. He grips your skull tighter and tighter with each tilt. He huffs and puffs, growling and groaning as he tears you up from the inside.

Finally, he releases your head. The metallic shink of his claws cuts through the delirium of physical and mental anguish. The pain in your bones can’t compare to the dagger of his anger piercing through your soul.

He stabs his claws into the floor on either side of your neck. The adamantium grazes your skin, keeping you still for fear of cutting deeper. You wheeze and go rigid as he rears back and slams down harder and harder. His flesh clasp louder with each cruel descent.

The black cloud creeps over the floor like heavy fog. It crawls up the walls as a glimmer of red weaves through it. He ruts deeper and deeper, the motion jarring you so that his claws scrape away the skin at your neck.

He bends over you, curling his shoulders as you feel him tense. He exhales as the blackness covers the ceiling and casts you into shadow. You reach to grasp at his claws, slicing your palms helplessly as you cling on.

He thrusts until you feel him in your guts. Once, twice, several time with all the hatred he can summon. He growls and trembles as he spills into you, a heat hotter than even his boiling rage.

Your hands slip from his claws and you spread your bloodied palms on the carpet. You quake in horrified sobs. He buries himself as he lays his entire weight over you limply. He puffs as he dislodged the metal from the floor.

He hangs his head next to yours and sneers, “it shouldn’t be him, Jean.”

You hold your breath. You can’t speak or move for fear of reminding him what he’s just done. Or worse, reigniting his assault.

He groans and slides out, flipping off of you to sit on his ass. He rests his arms on his bent knees and sighs. You watch the black haze dim to a dull grey. He’s still angry but he can contain it. The storm has calmed but it's far from over.

#logan howlett #dark logan howlett #dark!logan howlett #logan howlett x reader #fic #wolverine #dark fic #dark!fic #marvel #x men

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thewritetofreespeech · 2 months ago

Note

Rhaenyra with prompt 10 plz

Prompt list - 10. Mutual Masturbation [F/F]

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Rhaenyra sighed as she sat at her vanity. Preparing for bed, but even looking at her own reflection seemed exhausting at this point.

Had she known the burden of taking the crown and wearing it would be so much, she may have just laid it down to begin with.

“Your Grace,” Rhaenyra turned from her reflection and frivolous thoughts, “are you alright?”

“Oh, yes, I am fine.” She told her ladies maid before returning to getting ready for bed. “Just a little tired. That’s all.”

“Hmmm…yes. It has been a long day, hasn’t it.” The young woman came up behind her Queen. Taking the brush and taking over the duties of brushing her long, silver hair. “Any word from Prince Daemon?”

Rhaenyra’s face soured but played it off as if she had hit some knot. “No. Not yet. But we will.” The last part was added as more of a hope than a fact. “I do not wish to talk about that right now. I do not wish to think about anything right now.”

The Queen sighed and slouched in her chair. Her maid chuckled a little and sat the brush down. “Shall I help with that instead, your grace?”

Rhaenyra looked up at the other woman. Her face sincere and non-judgmental. The first face in days she had seen that wanted nothing of her, save Rhaenyra’s happiness. “Yes.”

They come over to the bed and the maid helped her strip out of her nightclothes. “You too.” She ordered. This was not the first time they had done this. Her maid helping her ‘relax’. But Rhaenyra preferred them both to be naked when they did. There was something…vulnerable about it when she was naked and her maid was not. Too much the potential for danger; but perhaps that was her paranoia of late.

“Of course, your grace.” She agreed and stripped out of her simple clothes as well.

They lay on the bed facing each other. A long moment passes over them. Both waiting for the other to move and initiate. No one was sure who moved first, but soon enough they were kissing and the maid’s soft but still calloused hands roamed over Rhaenyra’s body.

Rhaenyra moaned softly into the kiss. Realizing now how devoid of touch she had been since Daemon had left. Her girl’s finger tips brush over a swiftly pebbling nipple. Down her center and over her naval. Finally seeking purchase between her thighs. “Oh Gods…” Rhaenyra moaned. Hips almost instantly bucking against those practiced fingers.

The digits stroke at her core and moistened folds. Brush over her pearl in a way that makes her shiver. Mind going blank in the fog of passion, just like she wanted.

Rhaenyra’s own hand reached out for her maid and started to touch her as well. “Your grace,” the other woman sighed wantonly, “you needn’t….this is to help you. About what you want.”

“This is what I want.” Rhaenyra told her. Thighs trembling as their panting breathes mix together amongst the whispers of their secret. “Would you deny your Queen?”

The other woman whimpered and leaned in to kiss her Queen.

Their hands continue to touch and fondle each other in the dark. Soon enough, they were rutting against each other like animals. Devoid of the pleasantries of their stations and replaced with the primal urge for climax.

Rhaenyra came first. Apex seizing around her maid’s fingers as her whole body shook. Grasping at her with her free hand while the other toyed with her maid’s clit further to send her over the edge as well.

When it was over, and the fuzzy feeling of the fog had lifted, Rhaenyra turned to slide herself beneath the sheets and felt the bed shift for her maid to leave. “Wait. Don’t go.” The other woman paused, dress in her hand. For a moment looking just a pen drop fearful as Targareyn’s were known to change their mood like the winds. “It is rather cold tonight. I could use a bedwarmer for the evening.”

It was no lie. Dragonstone was much cooler than King’s Landing. Cooler in climate. Cooler in company. Cooler without Daemon here beside her.

Her maid smiled shyly and dropped her dress back to the ground. “Of course, your grace, whatever you need.” She crawled back into bed with Rhaenyra. Coiling about her as the Queen wished before the two fell asleep.

#;ask and ye shall receive (request answers)#house of the dragon #house of the dragon scenario #house of the dragon imagine #hotd scenarios #hotd imagine #rhaenyra targaryen #queen rhaenyra #rhaenyra x reader #f/f #hotd x reader #hotd fanfic #hotd x reader imagine #rhaenyra targaryen x reader #rhaenyra x you #rhaenyra targaryen x you #rhaenyra targaryen smut #rhaenyra smut #queen rhaenyra x reader

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alpaca-clouds · 1 year ago

Text

The Punk-Factor of Punkpunk Genre

So, when I posted my history of Solarpunk, someone (probably not in good faith) asked: “So, what about the punk in all the other punk genres?!” towards my request to put the punk back into Solarpunk. And given that my autistic brain obviously cannot just let that stand… You know what? Let me talk about the other punk genre and in how far they are “punk”. I tried to be as exhaustive as possible, though there is a good chance, that I might have missed some of the punkpunk genre. So feel free to add.

Trying to judge the punkiness I do not assume punk as simple counter culture, but a specific ideology. Quote from Wikipedia:

[Punk ideology] is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, anti-racism, anti-sexism, class and classism, gender equality, racial equality, eugenics, animal rights, free-thought and non-conformity

Most of the artwork here has been taken from concept art of either of the examples listed.

Sorted from most futuristic to pre(historic). Yes, the list is long.

Cyberpunk

We start with the OG punk genre, the one after which all other punk genre were named. Yes, you could argue that in fact the two genre following are more futuristic – but Cyberpunk kinda just had to start the list.

As a genre: Given that Cyberpunk had its start completely in literature it is the best defined in this regard. Taking place in a late stage capitalist dystopian world in which most is owned by megacorps who don’t follow anyone’s laws but their own, the protagonists usually are social outcasts fighting against their own oppression, trying to keep themselves alive in a world hostile to them. With cybernetics always being a core of the genre, it also tends to deal with the question of humanity in a “ship of Theseus” sort of way. How much can the human body be altered, before the human vanishes?

As an aesthetic: Cyberpunk is the most punk in terms of aesthetics, really. There is a lot of punk and grunge going on in terms of character design. Neon hair colors, fishnets and thorn up jeans jackets can be found here. As well as of course cybernetics on the characters. The world usually is a megacity with a stark divide between rich and poor, tons of neon signs, a slight Japanese influence, flying cars and somehow a constant downpour of rain.

Punk-Factor: Cyberpunk is the one punk genre, where the “punk” was chosen very knowingly as a name. Usually the protagonists are “punks” fighting for their place in the world against a suppressive capitalist system. (Also, they usually fit the punk aesthetic, if they don’t wear leather dusters.) It should be noted however, that especially in newer western Cyberpunk often the punkiness vanishes more and more – for the same reason we have so little Solarpunk: media that outright confronts the problems of capitalism is just less supported.

Examples: Neuromancer (1984), Mirrorshades: The Cyberpunk Anthology (1986), Snow Crash (1992), The Matrix (1999), Dredd (2012)

Biopunk

As a genre: As a genre biopunk is still fairly ill defined, as it mostly shows up as a subsection of Cyberpunk. Rather than the characters having cybernetic implants (or additionally to it) they are augmented on a genetic level. This can be all sorts of augmentations, changing anything from appearance to giving characters higher strength and agility, giving them claws or night vision, or in some cases even “magic” powers. Usually the genre tends to be set in worlds similar to Cyberpunk. In fact it might well be set in a cyberpunk world, only that characters with bioaugmentations exist parallel to those with cybernetics. Additionally, though, there is a subsection of this genre, that concerns reproductive rights.

As an aesthetic: Ironically biopunk is even less defined as an aesthetic. There is not a lot of biopunk art out there and most that exists can go in different directions. As such it often mixes elements from other punk aesthetics – like Cyberpunk, Steampunk or Dieselpunk – with an assortment of bodyhorror elements.

Punk-Factor: It is hard to define the “punkiness” of a genre, that barely exists for the most part. Usually, when it is set against a Cyberpunk backdrop, it might be very punky, but in other settings those punk elements vanish.

Examples: Ribofunk (1995), Altered Carbon (2002), Bioshock (2007), The Windup Girl (2009)

Nanopunk

As a genre: Like Biopunk Nanopunk mostly exists as a subsubgenre to Cyberpunk, often being set in a mostly Cyberpunk world, only that instead of or additionally to Cybernetics, the technology used to alter the human body is nanites. These serve the same function as the genetic manipulation in Biopunk, giving the human in question more strength and agility and at times more or less magical abilities. There is one common plot that comes up again and again, with an AI or megacorp turning the nanites against the people they inhabit or trying to control them.

As an aesthetic: Aesthetically Nanopunk does not have much in terms of its own identity. Most artworks relating to Nanopunk feature a similar aesthetic to Cyberpunk, with megacities and lots of neon.

Punk-Factor: This genre is so small, that it is kinda hard to judge the exact punkiness.

Examples: The Diamond Age (1995), Prey (2002)

Solarpunk

As a genre: Being another genre, that started as such, Solarpunk is a bit better defined. Solarpunk usually takes place in a world post-strive. It is post-capitalist and decolonial in its settings, usually featuring a world that has either formed against the backdrop of preventing climate collapse or in the aftermath of it. A lot of it features people rebuilding – or alternatively building communities. It always features elements about living in harmony with nature or trying to do so. So far, the genre is mostly defined by short stories, partly because there is still disagreements within the movement, how far a conflict can be taken to still qualify as Solarpunk.

As an aesthetic: Solarpunk has a very strong aesthetic definition, mostly featuring all sorts of cities and urban areas, that incorporate natural elements into the urbanity, with greenery growing on roofs and concrete car-centric streets being replaced with more natural, walkable areas. The character design aesthetic is not quite as clearly defined, but usually features natural materials and patterns usually seen within indigenous art.

Punk-Factor: Contrary to what many say, Solarpunk is fairly punk, as it very much embraces the entire anti-hierarchical, anti-capitalist mentality. With the big difference, that the punk mentality is no longer counter culture, but the mainstream culture.

Examples: The Dispossessed (1974), Nausicaä (1984), Laputa – Castle in the Sky (1986), Princess Mononoke (1997), The Summer Prince (2013)

Lunarpunk

As a genre: Lunarpunk is pretty much a subsubgenre of Solarpunk, just as Nanopunk and Biopunk are sprung off from Cyberpunk. It is so far ill-defined as a genre, but the general consensus is, that it is set in solarpunk-esque worlds, but with a heavier focus on mysticism or spiritualism, at times outright including magic. It also tends to feature a lot darker places, being set in underwater or underground settings – or alternatively at night.

As an aesthetic: Lunarpunk is far more of an aesthetic than a genre so far. It features dark places, often with bioluminescent elements in it. Often featuring a mixture of black and dark blue with lighter blue, violet or light green elements shining in the middle of it. Mushrooms – especially glowing mushrooms – feature repeatedly in artwork.

Punk-Factor: Given that Lunarpunk is barely defined as a genre it is hard to estimate the punkiness in it. If it gets more stories, will those still feature the anti-capitalist and anti-hierarchical messaging we see in Solarpunk? This should be the defining factor. Some of the artworks use little aesthetics from the punk scene, but nothing much more.

Examples: Bioluminescent: A Lunarpunk Anthology (2023)

Hopepunk

Honestly, I had no idea where to put this one, given that it might technically be set at any time and place.

As a genre: Hopepunk is very much a genre, not an aesthetic. It has been defined as the opposite of grimdark by its “inventor/name-giver” Alexandra Rowland. The basic idea is to create fiction that instead of taking a dystopian, defeatist and violent approach, takes one defined by hope and to some degree pacifism. As such the genre can be set in any setting, real or fantastic. It mostly is defined by the protagonists taking opposition to cruelty and violence, fighting for a better world and, crucially, also partly archiving it. Other than in usual Cyberpunk, where the best possible ending, tends to be, that the protagonists get to live a somewhat better life themselves, Hopepunk aims to better the life at least for groups of people.

As an aesthetic: Being fully a genre, Hopepunk has no aesthetic associated with it.

Punk-Factor: Hopepunk is punk less in the sense of the protagonists or things happening within the story, which might or might not be punk, but was named such rather because it is considered counter cultural towards the gross of media at the moment, that often strives for a “realistic, gritty, grimdark” outlook on the world. Basically it is saying: “Hope is punk.” I will not make any judgement on whether or not this is true.

Examples: The Long Way to a Small, Angry Planet (2014), Mad Max: Fury Road (2015), The Good Place (2016)

Mythpunk

As a genre: Another one, that does not really fit into a temporal sorting system, because once again it can be set anywhere between the stone age and the far future. The basic idea is, that the story interweaves postmodern storytelling with elements from mythology or folklore. This can mean mythological, genre-traversing retellings, but it can also mean, that mythology seeps into any given story bit by bit. As such the genre with probably the most media in the subgenre is Urban Fantasy, which often borrows from mythology and incorporates these elements.

As an aesthetic: Mythpunk as an aesthetic is a bit strange. There is definitely a mythpunk aesthetic that exists, often mixing familiar elements with elements from mythology and folklore (at times also including quasi-folkloric works of literature, such as Alice in Wonderland and the Wizard of Oz). Often just a bit dark and twisted.

Punk-Factor: To be perfectly frank, for the most part, there is not a lot of punk to be found in this genre. While there have been definitely punky stories told within the genre, this is more a story decision than something inherent to the genre.

Examples: Pan’s Labyrinth (2006), Over the Garden Wall (2014), Inscryption (2016)

Dustpunk / Rustpunk / Desertpunk

As a genre: Kinda grouping those above all together, because people argue about what they might entail and in some interpretations they kinda are similar: Post-apocalyptic stories set in a world of sand and rust. Often featuring a loner character, having to go up against everyone to ensure his own survival – and at times being forced to learn, that the lonerness might not win him (and most often it is a him) anything.

As an aesthetic: Aesthetically this tends to be very much post-apocalyptic, maybe in some cases with some more classical punk elements added to characters and surroundings.

Punk-Factor: Given that there is neither a system to rage against – nor a new, less hierarchical system – usually there is not that much punk outside of some aesthetic choices. Neither tend those stories go into constructing worlds of mutual aid or working against oppression.

Examples: Anything Mad Max should count for this.

Atompunk

As a genre: Atompunk usually deals with themes connected to the cold war – in some cases directly, in some indirectly. Often it overplays the American ideals that were pushed for during the cold war era and portrays scenarios in which American Exceptionalism slowly reveals itself as the dystopia most punks already know it to be. Outside of this vague idea for the setting, the genre is less described, as there is less of a clear script an Atompunk story might follow. So, little description of who might be the protagonist and what their role is.

As an aesthetic: The aesthetic of Atompunk borrows heavily from the Raygun Gothic aesthetic. So, futurism, as it was imagined in the 1950s and 1960s, with heavy influences from late pulp age science fiction art.

Punk-Factor: The aesthetic in this is definitely not punk. The stories often have some vague punk ideas of recognizing how fucked up the world has become, but given the genre is fairly wide in terms of stories, it is hard to give a definite answer to how “punk” it is. One can definitely tell punk stories within this genre, though.

Examples: Hitchhiker's Guide To The Galaxy (1978), Fallout (1997), Futurama (1999)

Dieselpunk

As a genre: Dieselpunk is once again an example of “strong aesthetic, but no clear genre identity”. Generally, Dieselpunk is concerned with the interwar period, but might cover either of the world wars. In some cases the genre features alternate timelines, in which one war happened and not the other, or in which another faction won, with the technological development being influenced by this as well. But as a genre it is not much defined. A lot of stories building on Lovecraft’s legacy feature Dieselpunk in some regards. And there is definitely a subsection of Dieselpunk stories centered around “what if Nazis won” or “what if Nazis somehow went underground and did their own technological development after the war”. Also, there are a lot of stories about pilots of war planes in this genre.

As an aesthetic: As an aesthetic Dieselpunk is more clearly defined. A lot of bare metal and the sorts of technology you would expect from this era, often with retro-futurist and art noveau elements in between. A lot of the fashion within the genre is defined by pilot and military clothing of the times, but at times also dipping into “roaring 20s” fashion styles.

Punk-Factor: In this genre I would generally say: “If the story involves punching Nazis, you might get a couple punk points – but otherwise this is not really punk.”

Examples: The Iron Dream (1972), Brazil (1985), Dark City (1998), Iron Sky (2012), Bitter Seeds (2010)

Teslapunk

As a genre: Yet another one of these, that exists mostly as a vague idea, with no clear definition. The basic idea is a world, that works on Tesla’s inventions. And as those of you, who watched Doctor Who, might know, Tesla sorta, kinda already invented the internet or had an idea of what it could be and how it could work. So a Teslapunk world is based in an alternate timeline, but might in fact go into light futurism. There is not much in this genre though with a unique thematic identity, as stories that use Teslapunk as a backdrop rarely have coherent themes.

As an aesthetic: The aesthetic of Teslapunk is basically “Steampunk, but with Tesla-coils and electricity”. Which is not a big surprise given that Tesla came from the same era that would also be the inspiration for Steampunk. So, we have a lot of Victorian fashion, maybe some light augmentation, airships, and – again – all the tesla coils you can muster.

Punk-Factor: As, again, I think punk is more about themes than aesthetic, this is once more not really possible to judge, because there do not seem coherent themes within the genre so far.

Examples: The Prestige (2006), Sherlock Holmes: A Game of Shadows (2011), Bioshock Infinite (2013)

Arcanepunk

Another one of those that do not neatly fit into the timeline…

As a genre: Arcanepunk takes place in a world, where both magic and technology have developed. In some cases both developed side by side, in others, we might have a technological world, that suddenly discovers magic by some happenstance. The fact is, though, that both exist parallel to each other or might at times be intertwined, with technology being powered by magic. This can exist at different technological stages, usually featuring settings inspired by the late 19th or early 20th century. But usually futuristic stuff that includes magic might be considered Arcanepunk, just as might stories that mix 18th century technology with magic. While also a vague genre, there is a repeating theme of magic being hoarded by those in powers and the poor and downtrodden finding ways to still use it in their own advantage.

As an aesthetic: Given that Arcanepunk’s setting is defined by the co-existence of magic and technology, rather than a specific technology, Arcanepunk has less of a defined aesthetic. Never the less, we have a part of punk aesthetics that often come up, as a surprising amount of Arcanepunk features characters with neon colored hair.

Punk-Factor: Another genre that is rather thin, yet, there is a surprising amount of stories featuring some punk ideas of fighting against an oppressive system and being counter culture to a main culture build around suppression.

Examples: Too Many Magicians (1966), Shadowrun (1989), Bartimaeus (2003), Arcane (2021) duh

Steampunk

Steampunk was the second genre to pick up the “punk” suffix and hence is as much responsible for the punk-punk as Cyberpunk as the originator.

As a genre: Being named as early as it has been, Steampunk kinda suffers the same issue as Cyberpunk itself. There is a lot of ideas there, but some are only vaguely defined. In general, though Steampunk always takes place in a world where the steam engine became the defining technology and was never replaced with the combustion engine. As such cultural aspects from the steam era, especially Victorian England and the Belle Epoche, still carry over for longer, than they did. So often we will see noble households based around similar values as the puritan Victorian English families, while the very poor are made to work in workhouses. At times we might also see themes of colonialism here. In some cases magic might exist in these worlds, as might electricity for some aspects. There is often a heavy inspiration from Jules Verne and H.G. Wells. Though it is still hard to define the “stereotypical steampunk story”, given that Steampunk offers a wide variety of stories, from adventure stories and romances, over to stories where people rise up against the Victorian-esque society.

As an aesthetic: Steampunk as an aesthetic is very much influenced by Victorian aesthetics and the time period of the late 19th century, mostly in the USA, Great Britain and France. But as all other punk genres it knows very well: “If it is worth doing, it is worth overdoing,” so steam-related elements are added to everything. Could

Punk-Factor: In the original idea for Steampunk was a lot of punk. “What if we took Cyberpunks ‘rage against the unjust system’ and made it 19th century” they asked. But given that the genre branched out so much, it is not necessarily there in all the stories. There is a ton of stories where people rage against that steam powered Victorian machine – but also a ton in which the Victorian world gets idealized and romanticized.

Examples: Thief (1998), The League of Extraordinary Gentlemen (1999), Wild Wild West (1999), Clockwork Century (2008) – also half of all Sherlock Holmes adaption made after 2000 in any medium usually use Steampunk elements

Silkpunk

As a genre: Silkpunk is hard to define, despite there being a clear definition. The reason for this is, that the person who coined the term – Ken Liu – had a very specific idea in mind. He explains that the idea is of a world that has technology as language. In which form is as important as function, is made to speak a language all of its own. Inspired by ideas from W. Brian Arthur and Chinese philosophy. However, what the wider Science Fiction and Fantasy community made from it was “Steampunk but East Asian!” But given he coined the term (and also the alternative feels vaguely racist) I am going to go with Ken Liu for this. While Silkpunk will usually be set in an East Asian inspired world, the central idea is about the duality of technology, which will also be addressed within the stories.

As an aesthetic: As said above, the idea Liu had for it was a world that features some technology, but technology that is as much about form and communication through it, as it is about function. So the technology here has strong visual ideas. At least that was, how Liu intended it. Once again, the wider community made “Steampunk, but East Asian” out of it.

Punk-Factor: There is not a lot of stuff in this genre for now – however so far I do not manage to see a lot of punk ideas in it, even though some of Liu’s stories definitely feature the concept of challenging a higher power.

Examples: Dandelion Dynasty (2015), The Black Tides of Heaven (2018), The Tea Master and the Detective (2019)

Clockpunk

As a genre: Once again storytelling in this genre is not really defined, but the worlds diverge a bit before the wide adaption of steam, instead featuring mechanical devices powered by coils and springs and somehow kept alive, often at least implied through some form of arcane magic that gives “live” to these mechanical inventions. Most examples of Clockpunk, however, tend to show up as settings for parts of fantasy stories. Any fantasy world might have this “Clockpunk” area, where protagonists might travel. Especially games tend to feature this. While there is definitely a trope of the “mad inventor” often going along with this, few other tropes stand out.

As an aesthetic: The aesthetic of Clockpunk tends to take some inspiration from the early 19th century, but tends to add a lot of gears to everything, with even city wide gear constructions keeping things working. We often will find mechatronic characters, such as wind up soldiers or wind up dancers.

Punk-Factor: Once more, there are so few stories told, that it is kinda hard to speak about how punk this is. Most stories told so far, however, do not feature punk elements.

Examples: The Great Mouse Detective (1986), Hugo (2011), Clockwork Planet (2017)

Whalepunk

Please note: This is one of those genre, I would love to see more in, though so far it is barely explored.

As a genre: And you might ask: “Why do you even name those genre, that exist mostly in theory?”, to which I might answer: “Because I am a nerd.” As all these retrofuturists genre, Whalepunk imagines mostly an alternate historical timeline, where the technology that became defining was based around whale oil. This means that in Whalepunk often whalers or harbors play a big role, though as the genre is again very thinly spread, it is hard to say what “THE whalepunk” formular is. It seems there is a tendency, to mix some mysticism or magic into the genre, though, as the idea of hunting sea monsters often plays into it as well. Good chance that it could at some point merge with Cthulupunk (which I did not name separately, because most of it is either covered in Whalepunk or Dieselpunk).

As an aesthetic: The aesthetic of Whalepunk is basically “Steampunk, but with more sailors, ships and sea monsters”. There is definitely a bit of Oceanpunk mixed into it as well, with some aesthetics being somewhere between Steampunk and Dieselpunk. (Which is kinda ironic, because whale oil was mostly used in the early 19th century.)

Punk-Factor: And again. There so far is not a lot of connective thematic tissue within that genre, so exploring themes is kinda hard.

Examples: Dishonored (2012), Dredge (2023)

Oceanpunk / Piratepunk

As a genre: It really is hard to divide the Piratepunk out of the Oceanpunk, though some might call it different. The idea here is that this genre features stories mostly set on the ocean and often more heavily leaning into fantasy, than science fiction. While the worlds might feature technological elements, they will almost certainly feature magical elements of some sort. The characters will usually be seafaring one way or another and stories might involve any sort of adventure. There might be a storyline, though, about one company or nation trying to control the seas – often times through magical means – with the characters often unwillingly being made to oppose them. This genre might also take place in a post-apocalyptic setting with a flooded planet.

As an aesthetic: While the aesthetic is not clearly defined, there is a good chance that it borrows heavily from the late 17th and early 18th century and the golden age of piracy, when it comes to both ships and fashion sensibilities.

Punk-Factor: Pirates, at least as far as modern media imagines them, tend to be very punk, as they tend to inherently oppose any sort of government and what not. While the punk is not there in all of the stories, a lot of the most popular stories from the genre will feature at least lightly punky elements.

Examples: One Piece (1997), Pirates of the Caribbean (2003), Assassin's Creed IV: Black Flag (2013)

Dungeonpunk

As a genre: So, the idea of the genre is basically “What if Cyberpunk, but Dungeons & Dragons?” Usually set in a vaguely medieval world, this world still shows the same corporate corruption as your usual Cyberpunk world. Adventurers are just another resource to be exploited by the system, their day job involving going on yet another dungeon crawl. For this there might be some technology entirely powered by magic, with those magic items taking over the same functions technology might have in a Cyberpunk world. And yes, indeed some brave dwarf, elf or halfling might rise up and challenge the corporate dungeon syndicate. (As you might sense: Yes, this genre tends to be at least partly a bit of a parody of the punkpunk idea. Though it also can be played straight as “Cyberpunk conflicts, just that all technology is somehow magic.”)

As an aesthetic: This is once again one of the examples, where there is a clear idea behind it – but absolutely no clear aesthetic, as this genre might cover anything from medieval settings to a lot more modern stuff.

Punk-Factor: The base idea, being heavily inspired by the base idea of Cyberpunk, just from a very different perspective. But too many people read the genre as “Magic Technology, yay”, in which case, no, it is not punk.

Examples: Dungeons & Dragons can be played this way, also Final Fantasy VI – XIII definitely counts.

Sandalpunk

As a genre: I mostly include this for the sake of it, because this genre tends to boil down to “fantasy set in ancient Greece or Rome, but with vaguely anachronistic elements”. It might also include alternate history stories (even going so far as Science Fiction) based on the idea “What if Ancient Rome/Ancient Greece never fell?” There is no real overarching themes, even though I could imagine some interesting way one could build those up. So far, though, it is mostly a vague gesture towards: “SciFi Fantasy, but with more ancient civilizations.”

As an aesthetic: The aesthetic is usually just Ancient Rome or Ancient Greece, but with more magic or anachronistic elements.

Punk-Factor: Given the super vague nature of the genre and the fact that it seems more like a genre of hindsight (with most media being declared this having been released even before 2000)… Nobody wrote those stories to be punk. The one punk thing I can see about several of these stories is people challenging Gods, but… That’s about it.Examples: Hercules: Legendary Journeys (1995), Xena: Warrior Princess (1995), God of War (2005)

Stonepunk

As a genre: The basic idea of Stonepunk is, that it is set in a stone age world, but with the technology being pressed towards a very anachronistic end, which is often played for laughs. Basically it gives stone age people a modern seeming world, though not really. Often enough this is used to make a point about the modern world and parody it in some regard. An argument can be made for stories, that feature stone age technology people being somehow subjected to modern technology (for example through time travel or space travel) also possibly falling into this genre.

As an aesthetic: Usually the aesthetic of Stonepunk is one of an overplayed stone age setting. The clothing characters might wear are not what we know is historically more accurate but really just “everyone wears a pelt around their shoulders”. Meanwhile stone age tools get spun to be used as all sorts of modern technologies.

Punk-Factor: The genre does usually not feature punk themes. However, the nature of parodying and challenging the modern world tends to be punk in its own merit, I assume?

Examples: The Flintstones (1960), The Croods (2013), Horizon: Zero Dawn (2017)

That's it. That's the list.

Feel free to add to it.

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