#a nice place to live

[home-of-renn]

Can you imagine if Amity Park were a place that got a lil messed up from the effects of the portal and the land itself became liminal?

The animals become far more in tune with ghosts and thus have less fear of humans. Now they tend to wander into town and people have to watch out for deer that wander across the roads and birds that nest low to the ground and way too close to the footpath. Cats no longer hiss at passing shadows or wandering spirits, and dogs no longer bark nor growl at passing strangers - only those who come from out of town.

The flowers grow curious and wild. Larger and thornier and wholly untamed. Abandoned buildings are quickly overrun by trailing vines, vibrant moss, and the expanding fringes of the untameable wilds that surround the town. The most beautiful blossoms bloom in the presence of shuffling mourners and weeping widows. Petals scatter the surface of freshly unearthed soil and the air is filled with an intoxicating fragrance that carries on the wind, laced with a siren's call. The cemeteries of Amity have never been so inviting.

After all, death cannot exist without an abundance of life.

Shadows flicker and move when they shouldn't. Alleyways lead to abrupt dead ends and sudden curves. An evening stroll can take you down winding labyrinths that'l lead you to the other side of town despite having walked in the opposite direction.

Something's made it's home in the woods surrounding Amity and no one knows what it is, only that it shouldn't be disturbed. Sometimes you can hear it in the dead of night, but only if you close your eyes and strain your ears. Sometimes the only thing you can hear is the screech of birds and the silence that follows.

The street lamps have all been powered with ectoplasm so they wont go out during ghost fights or disasters, and when it gets dark the streets are bathed in an eerie green glow. The shadows they cast are misshapen and flawed. It's always best to avoid those who linger beneath them.

Amity park evolves over time. The place gradually becomes influenced by Danny's Obsession as the contamination seeps into every crack and crevice. As the town becomes more and more apart of Phantom's lair it becomes more isolated. People who end up lost or in need of help in the surrounding areas somehow always stumble their way into Amity park, guided by some unknown force that pulls them towards this unearthly safe haven. Amity becomes more and more like a spider's web as Danny continues to grow, the strands of his Obsession being spun through the air and through the ground, extending beyond the borders of his lair and into the surrounding land.

Despite the dangers of living in Amity, the people who live there feel this inexplicable sense of safety. The residents insist that they've simply gotten used to the ghosts and all the little quirks that have popped up over the years. But people are more passionate than they used to be, more livelier and spirited. They say that growing up in a place like Amity builds character.

No one ever leaves Amity Park. And if anyone ever dared to ask, they'd only ever receive one answer,

There's just no place like home

[canisalbus]

✦ Freshly ordained ✦

[sunderwight]

Shen Yuan who glitches in his transmigration, but the original Shen Qingqiu still dies of a qi deviation.

So the System still needs someone with narrative relevance to throw Luo Binghe into the Abyss. In a fit of desperation, it contrives circumstances after Shen Qingqiu's death to move Luo Binghe to An Ding Peak (not that difficult), and then the System makes Shang Qinghua be Luo Binghe's new scum master who casts him down.

Airplane's thrilled, really. Cultivators aren't supposed to get ulcers but damned if he doesn't come close to one anyway. Between Shen Qingqiu and then just a while later Liu Qingge both dying from qi deviations, and Shang Qinghua looking like a stiff breeze could take him out any day now, poor Mu Qingfang is also just about at his wits' end.

But it's not all bad news! On An Ding Peak, Luo Binghe actually finds himself surrounded by the kinds of people who are accustomed to being bullied by the rest of the sect. So they're pretty sympathetic to him, and it's easier for someone with basic laboring skills to advance on that peak too. His chores don't decrease too much, but he actually gets rewarded for doing them well, and no one tries to kick him out of the dorms or anything. Shang Qinghua doesn't either go out of his way to bully or praise Luo Binghe, correctly reasoning that his best shot at not getting a gruesome death is to just be a more forgettable bad guy than an abusive dirtbag or a heart-wrenching betrayal. He doesn't sabotage Luo Binghe's cultivation (no point, and it would just farm resentment later) but he also doesn't go out of his way to help him improve (not gonna arm his inevitable maybe-probably-murderer with better weapons!), so Luo Binghe's situation sees an overall improvement but not the zero-to-hero treatment he'd have got with Shen Yuan either.

When Shang Qinghua shoves Luo Binghe into the Abyss (he just full on picks him up and tosses him like a sack of beans, better to rip it off quick like a bandage), LBH is upset, but he's not especially surprised or dismayed about Shang Qinghua's part in it. Later on he'll be kind of confused, because he just assumed that of course the righteous sect cultivator would abhor the demon, but it turns out Shang Qinghua has been working for a demon since before Luo Binghe even came to the sect? But then it still kind of makes sense because a Heavenly Demon would definitely pose a risk to Mobei Jun and to Mobei Jun's rule. Shang Qinghua, he supposes, is just really loyal to his specific demon.

Luo Binghe's subsequent revenge quest is also somewhat mitigated by the Abyss actually not being that bad.

The Abyss is not actually that bad thanks to the glitched out Shen Yuan having been camping there for several years now.

So when Shen Yuan's transmigration failed it failed because he "woke up" during the process, realized where the System intended to put him, was like no way in goddamn hell am I being that guy about it, and actually kind of won the ensuing tug-of-war. The System couldn't put him in Shen Qingqiu but Shen Yuan didn't want to go back to his dead body either, so he ended up stuck in the nearest available space for lost interdimensional beings. Which was the Endless Abyss.

Luckily Shen Yuan's quasi-transmigrated imparted an equivalent cultivation level as Shen Jiu's to him, and the glitch made him able to sense and manipulate certain extra-dimensional energies, so he manifested as this weird godlike being able to manipulate and control aspects of the Abyss. So he set about transforming Airplane's Torment Nexus into a viable ecosystem (the current version would not be anything approaching sustainable were it not for divine/narrative intervention, and is constantly on the verge of destabilizing into unlivable ruin that would only be fit for some particularly hardy microorganisms).

It's still like, a monster land full of demonic creatures and terrifying phenomenon, but with Shen Yuan's assistance it becomes something more like a demonic wildlife reserve than a dimensional horror plane. Though it is still a dimensional horror plane, and Shen Yuan is its chief dimensional horror. He treats it sort of like those dungeon building or wildlife park sims, figuring out how to keep everything in balance while still preserving all the interesting parts. A lot of the extreme survival issues of the Abyss are more of a result of it being environmentally unstable than a result of its actual denizens, and once he smooths out a lot of the messy dimensional edges and creates stable vents for the fluctuating energy run-off, the demonic inhabits start behaving less like horror movie monsters and more like animals. They're still wild and dangerous and prone to killing one another, but also more cautious, and able to access enough stable resources that they can even start to be picky about what they pursue.

Turns out that a lot of creatures in the Abyss actually don't like fighting and dying and being brutally injured on a regular basis, even if they can heal from it!

Shen Yuan has even discovered that some like chin scritches (he's not terribly worried about habituating them to people, given how rarely any people actually access the Abyss, but also because he's not really all that people-ish himself these days).

This means that one of Luo Binghe's first encounters with the horrible creatures of the Abyss, is in fact a pack of wolf-like monsters thoroughly avoiding an actual fight with him. In fact most of the denizens of the Abyss just avoid him. They can smell the Heavenly Demon energy rolling off of him, and given the current abundance of alternatives to dealing with that, virtually none of the monsters actually choose to challenge him. There are still a few that will go after anything that's bleeding, but that problem stops once Luo Binghe's physiology heals his wounds, which takes like... a couple hours, max.

Despite the stories he's heard, Luo Binghe is relieved to find that the Abyss is not quite so terrible as all that. Normal survival skills suffice for seeing him through much of it. He's able to hunt for food, scavenge for tools, and even finds potable water fairly easily. After a few weeks, he also comes across a ruin which seems to be inhabited.

The being inhabiting it is plainly a god, although he demurs and refutes such assertions whenever Binghe is too frank. He's a strange being, at turns looking like some queer approximation of a human, at other times blinking and winking in and out of existence, in patterns of strange lights and oddly geometrical fire. But he's surprisingly not hostile, letting Binghe rest in his residence, and even directing him towards points of interest. Accompanying him, too, though he seems to think that Binghe doesn't notice the odd almost spiderweb-like patterns that appear on things which he's influencing. The god calls himself The Peerless One, or at least that's what Luo Binghe infers from some writings on the ruin. The Peerless One offers instruction, seemingly without thinking about it, and gets flustered at being addressed by title, so Binghe also begins to refer to him as Shizun after a while.

[featheredadora]

[hajihiko]

Have a great day ✨ ❤

[knockfell]

Was looking through old art OUGHH I MISS HIM I miss him lots. He is my all time fave but I kind of. Forget. Still love this art tho and it has so many headcanons in it that I hold dear. I really need to draw him more (Lyrics from here <3)

[cheriboms]

i think they would be friends :]

[royalarchivist]

Pac: Take care of Ramon, take care of Richas, ok? See you on the other side, big boy.

Fit: [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. [Fit tries to lasso Pac] You're coming with me.

Pac: No, I need to leave!

Fit: You're coming with me. You are not dying today! You are not dying today!

Pac: I need to leave, Fit! I'm sorry, I'm sorry!

Ironmouse: Are you guys like, having sexy time?

Fit: There's homosexual activity going on Mouse, don't worry about us, ok?

Ironmouse: You guys, we don't have time to be gay right now.

[ Full Transcript ↓ ]

-

Pac: I'm just here to say goodbye to you, Fit.

Fit: Goodbye? We're not– we're gonna be fine, we're going to get out of here, don't worry.

Aypierre: Yeah, don't worry!

Pac: I know, but like– I will sleep until the end, you know? I will pass through this moment sleeping, man. I won't be able to be awake for the moment.

Fit: [Laughs] You know, it's– I mean, if that's how you wanna go, but– I mean, that- I mean, isn't that bed kind of like.... I don't know, it's–

Pac: No no, I will be staying on the sofa, you know, I will be staying on the sofa.

Fit: Oh the sofa. Ok, that's a nice sofa! Yeah, that is a pretty nice sofa.

Pac: Yeah, it's a nice sofa right? No, yeah– I'm going to stay on the sofa, you know? So, since I will be going Fit... [Pac starts tossing Fit all his items]

Aypierre: [Not paying attention to their conversation] Is that bigger cell? I don't think it's a bigger- biggest one.

Fit: Oh... Thank you Pac, thank you.

Pac: Everything you need to survive, ok?

Fit: Wow.

Aypierre: Wow.

Pac: And if you need this one also, maybe, who knows? [Throws him more items]

Fit: Ohhh, well hey– just take this to remember me by, ok? [Tosses him a photo of himself – the same one Aypierre was carrying all day yesterday]

Pac: [Laughs] Ok, I will sleep holding the picture you know, like this. You know, I will dream about you, Fit. And I hope this is gonna be good dreams. I see you in the other side. Good luck, my friend.

Fit: The other side... Yeah, you know, yeah, we– we– you know? It's been an honor, Pac. It's been an honor, you know?

Pac: Yeah, for me too, you know? Take care of Ramon, take care of Richas, ok?

Fit: Ok.

Pac: See you on the other side, big boy.

Fit: I will sing your praise– Oh yeah, hey– [Laughs] Take it easy, big boy. Take it easy, big boy. Actually, nononono– You can't just say "big boy" and then just expect me to not drag you outta here. You're coming with me.

Pac: No, I need to leave!

Fit: You're coming with me. You are not dying today! You are not dying today!

Pac: I need to leave, Fit! I'm sorry, I'm sorry!

Fit: Sorry, there's–

Pac: I'm sorry!

Ironmouse: Are you guys like, having sexy time?

Fit: There's homosexual activity going on Mouse, don't worry about us, ok?

Ironmouse: You guys, you guys– we don't have time to be gay right now, come on. There's no time.

Pac: No, there's no time! Oh, goodbye Fit...

Fit: Ok, c'mon, no no no, come on, we got this we got this!

Pac: Goodbye Fit, I'm sorry!

Fit: [Laughs] Oh no...

[landofanimes]

Yu Yu Hakusho Behind the scenes

Going training with Genkai!

[choccy-milky]

ok settle down anon cw: my face🗿

😍😍😍JUMPSCARE😍😍😍 this pic of me cracks me up so much because i look like that creature from aoi oni LMFAOO ok but heres a non crackhead pic of me i took today upon waking up at 5pm and before washing my face like the nocturnal disaster that i am

u can tell that i cut my own hair bc look at that stray piece hanging down and how uneven it is LMAOOO i aint payin someone like 70 bucks for a haircut THEYRE A SCAM!! I CAN DO IT MYSELF🤺🤺🤺

also since we're on the topic i posted these on twitter but if u dont have twitter and didnt see them I WANNA SHOW THEM OFF AGAIN BC THIS DRESS IS SO CUTE

its from miss patina if anyone is curious😩 i have so many of their dresses which i highly recommend and UGH....the feminine urge to draw clora in every single one of them is SO STRONG....im also a hermit and barely ever go outside so fully expect one day that im just gonna post ALL my dresses just so that i can show them off to someone LMAOO🥰🥰

[hauntingofhouses]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[canisalbus]

Can I ask how Vasco reacted to hearing about Machete’s assassination? :o did he put on a brave face? Was he inconsolable? Does he imagine that if he were there, he could’ve done something (even if that isn’t true? I imagine it would be tortuous mentally and emotionally for him, poor lad

He most likely went through a mental breakdown, followed by years of paralyzing grief and depression. Vasco had proven to be outstandingly resilient and optimistic in adversity, putting on a brave face was his second nature. But this was his final 'break the unbreakable' moment. He turned withdrawn and apathetic. He had never lost anyone this abruptly before, and he became visibly paranoid about the safety and health of his family while failing to look after his own wellbeing.

Of course he kept rewinding the events in his head and second-guessing himself about whether he could've prevented this outcome somehow, even when everyone who knew about his situation kept telling him there was no reason for him to blame himself for it. He struggled with the suddenness of it, and the lack of closure, and couldn't get over thinking how the love of his life had died alone, surprised, scared and in pain, and that there was absolutely nothing he could do to remedy that. Ludovica's support was invaluable to him. Since he couldn't mourn openly she was one of the few people who were there for him.

Eventually he came to terms with what had happened and learned to live with it, and even though he slowly regained his good-humoured personality, he never fully recovered back to his previous self.

[that-butch-archivist]

Making a birthday cake for a friend tonight (something I haven't done for a while), and I forgot how much I love baking & cake decorating. I'll post pics when I'm done, I'm very excited. 🥰

[prismaticsaltedink]

Scoria and Sakura are best friends! It's so cute when I see the things they do together, and it makes me so beyond happy that they both came to live with me so that they could share their lives with each other. They absolutely insist on it, and does so much good for the other.

I can't imagine how else they could have found happiness if things hadn't worked out exactly as they did. Scoria has basically been Sakura's "emotional support snake" while she worked through things from her past I'll never fully know that caused her a lot of issues with panic and fear. Sakura knows this too, and looks out for her sister, the only one she truly trusts and feels completely safe with.

The moment they wake up they both want each other to snuggle and play with. Scoria loves to be affectionate with both me and her sister who seems to have not had this earlier in her life- but Scoria is showing her how nice it is not only directly but demonstrating with me and Sakura also trying, copying what she has seen her sister do.

Sometimes when one goes to check on the other they'll join in on... I'm not even sure what they were doing. But they had a good time while taking a mandated union break from digging tunnels for the isopods.

So happy I get to share in the adventures of these two best friends! It makes me so happy to see them living their best lives together, and being beyond content snuggled together with their found family.

[cakemoney]

the speed with which brennan/evan decided to not only kill philtrum but to snap his wand to do so felt so satisfying (and hot), but also the way he did it (leaning into influencing the mind, directly shutting down the brain without any fanfare) draws a sharp contrast to the way philtrum chose to use magic, which is... not in an advantageous way given their location, right? if this was about getting them away from her/seizing the magical objects, she could've just as (or, given the rules as we understand them, much more) easily used some mind control/confusion spell to send them walking away. she wasn't casting intelligently given that magic is an extremely scarce resource there and also given that they're on the Mind magic island; she kind of just did exactly the sort of spell that was used to try to kill evan during the game in season 1, which makes sense given aabria's explanation of this being a group of people who would sacrifice anything to maintain their way of life and their sense of self.

and it just adds to the sinister energy to the island; it implies (perhaps unfairly, we have a sample size of one) that even after all this time on the island, they don't know what the island is about and why it costs them so much magic to do the things that used to be easy. they truly have no idea that they're on the fuck with your head island, probably because the island is fucking with their heads to keep them here and keep them hungry for magic and keep them from questioning if they should be living like this and make them spend every drop of magic that they can squeeze out of everything they have and everyone around them. this island is a like a massive parasite living in their minds pushing them to harvest resources that they think is necessary for their survival but is really being surrendered to feed the parasite. fuck man i KNEW the pretty green-grass blue-sky island was going to be the most fucked up one

[wowa-bublord]

my ask for the evening is to draw the most toe curling heart clenching vomit inducing angst or hurt/comfort you can muster. If it doesn't make these poor readers cry then you've FAILED. /j just draw the darkest dankest art you wanna!! make me feel pain please :D

part 1 :)