#a lot of stuff in this show is just 20+ years old and needs to be approached with that context

[kaizokuseb]

i don't really go into the buffy fandom, but where are we on riley finn? i hate that guy, and i hope other people do too

[push-tet]

what I've done

The town of Veronaville is one built on little love and one big feud. For years, the Capp and Monty clans have been at each other’s throats; yet this hatred cannot stop the younger generation from crossing borders and falling for one another. Will their actions bring both feuding families to ruin, or spark reconciliation? Can their love truly heal such deep wounds?

Wouldn't you like see Veronaville in entirely different light? K-he.

WHAT’S NEW:

Added a massive storyline! The familiar Сapp, Monty and Summerdream families will be seen in a whole new light🌟

Added three brand new families with their own stories and secrets! 🌟

Added some new and special townies. At the end of the town album there will be a list of townspeople who have biographies and memories, so no need to add/resurrect literally everybody on your lot. 🌟

Added 20 new community lots + remade the old ones as well 🌟

DISCLAMER AND TRIGGER WARNINGS!!!

This hood is not a retelling of Shakespeare's plays, nor is it a mere makeover of the Maxis’ Veronaville. Think of this neighborhood as an alternate universe.

The Neighborhood contains themes of: fantasy, s*icide and self-harm, body horror, OC X CANON (?)

I may have (unintentionally) spoiled some of your favorite simmies… 

ISSUES THAT I AM AWARE OF:

Some townies’ memories could disappear. It happens even with the mod that forbids the townies from losing their memories. I don't know what the reason is so I recommend checking them before you play the game, namely, by going into the family and teleporting the townies to the resident lot. If the memories are already gone, then please re-download the hood.

Hoodchecker might show some minor errors connected to the wrong memory subjects. This was intentional so don't be alarmed! It doesn't affect your game in any negative way.

Don't try to resurrect Julien Cooke. Just forget about him.

Oberon originally had an overlay with a mechanical prosthetic. But for some reason in some testers’ games the overlay was affecting Oberon's complexion, turning his skintone white… So I removed the overlay entirely. You can add it back if you wish!

RECOMMENDED MODS AND PROGRAMS:

Cyber Parts by @themeasureofasim (optional, Oberon’s prosthetics)

Restore Default Names for Sims in Subhoods (if you intent to play a subhood version of it)

🐸DOWNLOAD MF - SFS

THE CONTENTS:

VD01 ENG is a main hood; contains some of my CCs.

VVBS CC is an archive with some custom content from me for the hood (consists of: some cosmetics, contacts (in the masks section) and one female haircut).

VVBS SUBHOOD is a subhood with two major differences from the main hood: it does not contain pictures from Storytelling folder (so the nhood is less heavy) + you can pick and choose whether you want it with or without my custom content.

EXTRA CONTENT folder is not necessary to download; it contains some extra stuff from my project. This file is locked, but you can gather the password in main hood itself through the storytelling pictures and a little game in the community lots (you can find the rules of this game in the description of 2 Pentameter Parkway lot). Think of it as a reward for your attentiveness!

If you find any errors or bugs, just let me know! THANK YOU!

idk what to put in here so that dads' ranking

P.S. Destroy this town with your crazy ideas. :))

Well, the English version of this interactive fanfic is finally OUT!

I have Pahleen (translation) and @f1shart (English editing) to thank for that! And I also want to thank the many wonderful testers and people who supported my project!🌹🌹

I will continue to post materials about this neighborhood on this blog, but I also have plans to expand this universe, so for that I created a blog @vv-bs so you can follow the development of the project!

[raven-at-the-writing-desk]

Do you have any crack headcannons like you did with Ace with hitting on Jamil?

I have one of Grim knowing how to use a toilet like a person would but not how to open doors. So during book 5. Guys would see Grim using the toilet, in the dark, in the middle of the night if they have to. They see two bright circles in the bathroom until they turn on the light.

[Referencing this post!]

👆 This scene from Puss in Boots 2 except it’s Grim and Yuu—

I have a lot of silly personal headcanons (probably way too many to contain in a post)! Off the top of my head:

A frequent topic among the first years is romance. It's mostly because Ace instigates (usually to brag about how much experience + game he has and how everyone else is a LOSER). Deuce and Epel are flustered, Jack tries to be mature and call out Ace's childish behavior + views, Sebek loudly compares what Ace says to the things he has read in his romance novels + advice from Lilia, and Ortho--shockingly--is the most level-headed and logical of the group. (He'll take one look at Ace's vital signs and declare the guy is actually lying about having rizz.)

(PREFACING THIS ONE WITH THE CONTEXT THAT I WAS SUFFERING REALLY BADLY FROM MONTHLY CRAMPS AND CAME UP WITH THIS TO COMFORT MYSELF) Due to their heightened senses, fae and/or beastmen are able to sense very subtle changes, such as shifts in weather (ie a storm is rolling in) and changes in the body. For example, local feminist king L*ona can somehow sense when "that time" of month is coming and will show up on some poor woman's doorstep a few days before it starts with a plastic bag of [feminine hygiene products], snacks, pain relief medicine, and a heating pad in it. He gives NO explanation, just unceremoniously tosses it on the floor before he turns around and peaces tf out.

Mostro Lounge staff are granted paid lunch breaks, but if they choose to eat from the lounge then they still need to pay for 50% of it. They once tried to unionize, but Azul sent in the twins to shut it down real fast.

Jade and Trey love really bad puns and dad jokes.

The Magic Carpet is Scarabia's unofficial mascot. The mobs generally like it and act like it's the dorm's collective pet dog. Sometimes they drop scraps of food for it from banquets/parties (... D-Does it eat? If so, how...?).

Crewel and Vil heard about the time the Ramshackle Ghosts designed and made Yuu + Grim Halloween costumes. They decided to work with the ghosts to make a fashion line using repurposed old fabrics for a charity fashion show. Proceeds went to an environmental conversation organization.

Lilia hates milk substitutes. He finds them offensive and it breaks his heart to see others ask for the "fake stuff". Insists that those are not "true milk", "It's just nut or grain water!! NUT OR GRAIN WATER!!"

Lilia goes on dating apps just to see who he can bag, then he kicks down the door to the Diasomnia lounge to brag that he’s “still got it”.

Malleus learned about swear words from Leona. (He asked Lilia what a “flying fuck” was because Leona said it in front of him 😭)

Crowley has a 20-step beauty routine. Also sings (terribly) while he engages in self care.

Fellow goes on dates just to scam women of their valuables and/or to leech off their resources for a little while. His ideal targets are lonely wealthy widows and/or lonely wives whose spouses are often busy with work or traveling. Usually ends with him getting smacked by the woman, chased off by an angry spouse, or him pathetically groveling for mercy at their feet.

[wildeoscars]

Excerpts from 20 Questions: Eric Bogosian

Playboy, July 1991

The raging monologist who gave us “talk radio” raps about street life, horny guys and the redemptive joys of gardening.

Playboy: Your characters plead, cajole, threaten, offer skewed insights, and exhibit paranoia. Is your stage act a cry for help?

Bogosian: I need to solve my own personal problems. I know nowhere to look other than to myself, so I look at my own questionable traits. And then I personify them in a character. Early in my career, I spent a lot of time on things that had to do with sex, because I wanted to have better relationships with women. FunHouse was about pure, unadulterated fear, because at that point, I was just freaked out. My wife, Joann, and I were impoverished; we lived in this tiny apartment. Drinking in America, written when I became more successful, was about a hunger for power and success. Sex, Drugs, Rock & Roll asks, How do you live when all you know how to do is party?

Playboy: You honed your performance style in New York’s downtown art scene. Was it easier and cheaper than enrolling in drama school?

Bogosian: The downtown scene allowed me to walk out on stage every night and say and do whatever I wanted. I would go out and insult the shit out of the audience. There were nights when I took all my clothes off. I had fights with the audience. The best thing about the scene was that we were making our work and having a good time entertaining one another. I would perform in front of audiences that were guaranteed smart and hip. They didn’t care whether or not I was doing something right, like some acting teacher had taught me. They would tell me whether or not they got it. I was performing loud, nasty, insulting stuff.

Playboy: Does The Stud, your monolog about one man’s extraordinary endowment, reflect your own desire for a larger penis?

Bogosian: I was taking a pee one day and I looked down and wished I had an eight-inch dick. You’re going to quote me on that. Don’t quote me on that. It’s part of men’s fascination with themselves. I wanted to take something out of the back room of male mentality and stick it right out in front of everybody. The Stud is one of my oldest pieces. Doing things about giant dicks is not that far out at the moment. There are probably twenty comics out there doing dick things. But when I started ten years ago, it was extremely embarrassing for men in the audience; they’d sit there with their hands folded over their crotches, not laughing, and the women would be laughing their guts out and the men would be getting angry. I thought it was great stuff going on between people in the theater.

Playboy: Horny guys populate your monologs. Do you claim special knowledge of America’s testosterone level?

Bogosian: I’m very average in what I want. And my desires point me towards centerfold models as the ultimate, the ultimate, the ultimate. The ultimate accomplishment in my sexual life would be to ball a centerfold model. For a pretty girl with large breasts to be the object of delight to millions of red-blooded American men is perfectly normal. Nothing wrong with that. Guys get horny and need to focus on something. Large breasts are great. A large breast is a lovely thing at a particular moment. But as I become old and wise, I think the really important thing is being oriented towards something and understanding that you don’t necessarily have to have the thing to enjoy the thing. I happen to be in love with a woman who has medium-sized breasts.

Playboy: You are synonymous with the downtown New York scene. Do you dream crossover dreams?

Bogosian: At this time, I don’t think I’m going to show up as some kind of box office attraction. But you never know. I’d like to be a star. There’s always the challenge, especially when you’re surrounded by agents and producers, to see if you can really catch the gold ring. Can I fill Madison Square Garden? Can I go on Johnny and do a killer five minutes? I can’t imagine getting on Letterman, people would watch and say they knew what I was doing: This guy plays thugs from New Jersey and subway panhandlers. They wouldn’t see the irony; it would be like I’m just making cruel fun on these guys. I need an audience to be with me for a little while.

Playboy: You’ve bought a house in New Jersey. Will crab grass begin to crop up in your monologs?

Bogosian: It has already. I did a monolog called Normal Guy. I like gardening a lot. Gardening gets me real mellow. I grow twenty-five kinds of vegetables, and when I’m lucky, like last summer, a lot of things come up very nicely. I grow lettuce and beets and carrots and different varieties of cucumbers. I grow different varieties of corn and tomatoes and squash and pumpkins and peppers and okra and all kinds of neat stuff. And early in August, you get to a point where everything you’re eating that night at dinner was grown in your own garden. That’s nice. However, when you garden, you find out that in order to get your vegetables to look good, you have to kill everything within a hundred yards: animals, plants, and little insects. And you realize that after you do all that, you still end up with this gnarled little carrot. Then you go to the supermarket and you get this perfect carrot and you wonder, What are they killing to make these?

Playboy: One of your characters defines being civilized as sitting on a couch with a babe, watching TV, eating clam dip on a ripple potato chip, smoking joints, snorting coke–and swilling bourbon, beer and champagne. What’s your vision of the civilized life?

Bogosian: In New Jersey, we have a fireplace and we’re very, very civilized. I’m sitting on the couch and the fire is going and snow is falling outside and I’m reading a pulp novel by Stephen King. Being over thirty-five, there’s no question that there is a vibe in me that’s moving toward a Stratolounger with a bowl of potato chips and a cable TV with a channel selector. I will fight that tooth and nail. It scares me. I like middle-class life. I don’t think it’s a sin to be middle class. I don’t have to be mainstream to be comfortable. I’ve spent time with Frank Zappa, and he has a very normal, middle-class existence. He’s a daddy and has a whole family and they have pizza for lunch and they have pets and it’s a very normal life. But he’s not mainstream and never will be.

[maxwellatoms]

Hello Mr. Atoms, I'm an animation student in college and fan of your work. I got this assignment in which I need to ask questions to a professional in the area. Could you pretty please answer them? It'd mean a lot to me.

1- Are you happy with your career? How it's going.

2- What are your opinions, expectations and hopes about the independent animation industry that's developing?

3- What do you think about the advent of artificial intelligence? Do you fear for the future of animators?

4- If money wasn't a problem, would you still do what you do?

5- Any animators you admire and would like to mention?

Okey dokey.

1- Are you happy with your career? How it's going.

Not really, in that there seems to be no career left.

The animation industry swelled its numbers greatly before 2020. Almost immediately after that, corporate greed synergized with a pandemic to reduce animated programs and the number of people working on them to almost zero. It takes almost a year from beginning to end to make a single episode of an animated show (by the modern standard). There was nothing being made in 2020 and four years later, we''re not in a much better spot. It's going to be a long drought for (especially) Kid's TV Animation.

Recently, many of my former co-workers have hit the financial wall and can't continue, moving away after (sometimes) 20 years in the industry. I begin to wonder if I'm very far behind.

A "bounce back" a year from now would need to start today. There are still some animated shows being made now, but those are almost universally "library" properties. That means it's an existing I.P. (Intellectual Properties like Garfield/Mario/Batman/Star Wars) so as an artist you're immediately in that box. Depending on the property and the studio, it can be an unpleasantly tight box. I grew used to holding and maintaining the vision for a show, but it's less fun when it's not my vision. It's even less fun when you can't inspire someone to follow your vision because they've been so ruthlessly abused.

I'm pretty sick of how big media corporations treat their employees. If I inherit one more burnt out crew due to mismanagement, I'm gonna lose it.

Over a decade ago I fought hard to get board artists story credit for the episodes they were actually writing, and felt like I'd won a big victory for everyone. The second my back was turned, it all reverted.

Mostly... what is the point now? My career is/was developing ideas, crafting those ideas into a workable show, then managing teams of thirty to seventy people to produce a couple of dozen episodes per year. Studios actively do not want new ideas right now, and are actively searching for ways to eliminate what artists from the process. I'm not sure what my job would be under this new system, but it feels like they decided to hang onto the anxiety-inducing deadlines while removing anything remotely pleasurable from the experience.

2- What are your opinions, expectations and hopes about the independent animation industry that's developing?

It's the only way to get anything done, currently.

The current state of the industry is not sustainable. I (along with a lot of other animators I know) are trying to decide what's next, and pretty much everyone agrees that "you just have to make something".

It is (in that very specific way) a great time to be a young animator. The system was never going to treat you well anyway. If you can get something like a Hazbin Hotel happening without studio help, you can currently write your own ticket. I'm super proud of Vivsie, because that's a LOT of stuff to handle. I never had to handle my own marketing or drum up money to make Billy & Mandy happen.

There are opportunities there, but it's definitely "Hard Mode". The best idea is probably to team up with a few other people you like and like to work with.

Hopes? I hope that the young animators take over and make something new on top of the bones of the old industry, rather than just allowing that industry to patch its rotting hide with their collected works.

3- What do you think about the advent of artificial intelligence? Do you fear for the future of animators?

I suspect true AI might just peace-out like ScarJo in "Her", but we're not there yet. What we have now isn't Artificial Intelligence at all (though I do believe it may be the underpinnings of the Artificial Suconscious of what may one day become an actual Artificial Intelligence.)

The LLMs and "Generative AI" are (so far) a big dumb waste. They consume tons of energy and aren't great for doing anything creative. If you've sat down with Chat GPT for a creative writing session, you've probably run into the "out of the box" limitations which prevent it from talking about sex or violence-- which happen to be a major component of most stories.

Still, the technology has come incredibly far in an incredibly short amount of time. I imagine we're going to hit the point where we're being hazed by artificially generated political ads way before Generative AI can produce a consistent and usable character turnaround, so that'll be the test. Whatever the legal fallout is from this stuff over the next few years will set the tone.

Still, studios have a vested interest in pleasing their shareholders. Generative AI potentially has the capability of not only replacing swaths of money-eating artists, but handing that control directly to the billionaire studio heads. Mark my words: We're headed straight for billionaire-generated content.

I don't think the public at large will want to watch Elon Musk's fever dreams, so there's that. So law and general distaste might stave it off for a while, but I think there's just too much impetus for studios to continue to try to please their investors. "AI Art" is here to stay.

Eventually that will lead to millions and millions of bots generating millions and millions of songs and paintings and movies all day every day. Most of it will be utter trash. Right now (so I'm told) viewers are already burnt out, and will generally only click on what they already know. On Netflix, where there are twenty things you've never heard of and one you have, you're more likely to pick the thing that gives you comfort and gives you a guarantee you're not wasting your time. With exponentially more A.I. trash, how would you even begin to filter it out?

You'd need absolute control of an already existing distribution system. We currently have a few of those, and all of the media companies are desperately trying to merge with them to insure their own survival.

To me, the post-Gen-AI landscape looks a lot like old-school Cable, but with endless I.P. and fewer masters.

4- If money wasn't a problem, would you still do what you do?

The real question is, maybe, "What am I even doing?" These days I try to do a lot of gardening. I'm trying to learn new art skills, because suddenly twenty five years of experience managing, drawing, and writing isn't worth much. I recently worked on Jellystone until Zaslav lost 2.5 billion in the wash and had to find justification for his new yacht. The show before that? Also culled midway through to save money. The days of multi-year gigs seem to be over, and if I'm going to scrape by doing freelance, maybe I can do that somewhere else.

I'll always make art. I can't seem to help it. Ideas aren't my problem-- it's executing those ideas without the help of a structured pre-existing system. I honestly don't know if I'll ever be able to pull that off. My strengths are great, but were always supported by friends I worked with.

Can I start an indie cartoon with all of these cool friends? Sure, maybe. Most of those people have gone on to have other careers of their own and got used to being paid. Now nobody is getting paid and no one can pay anyone else. My immediate circle are all now middle-aged people with families and no jobs. Convincing them to give up a large chunk of their day for an idea that's not guaranteed to pay off is going to take some real effort.

I technically have fifteen years until I can claim my "retirement", assuming that still exists by then. That's a pretty big hole to fill with... I don't know what.

The difficult "What comes next" discussions at home are really just starting.

5- Any animators you admire and would like to mention?

There are a lot of cool animation people out there. I already mentioned I was proud of Vivsie. I was also reminded recently just how great C.H. Greenblatt and Mr. Warburton are. I know they're my friends. They're both just really upstanding, creative people who take good care of their crews.

The treatment of animation industry professionals by the studio system has been one of the most demoralizing and heartbreaking parts of this demoralizing and heartbreaking time.

---

So there ya go. If you want to look for someone whose attitude is a little more upbeat, I won't blame you a bit.

Wherever you are, I wish you the best of luck. For me, just climb up there and crush it. I would very much like to add you to #5 someday.

[dr-spectre]

So.... This game is 2 years old now huh?

Honestly... I don't think i have a TON to say about this game. It's just a great ass fucking video game that has given me a lot of fun and great memories!

This game came out during my final year of school, which is kinda funny considering that Splatoon 3 acts like a "finale" to a trilogy. It's interesting how those kinds of things work out eh? Splatoon 2 came out at the start of my secondary education, and Splatoon 3 came out at the tail end of my final year.

I remember thinking before the game came out, "why do we need a Splatoon 3? This is pointless, it's just more Splatoon 2." And then my mind was quickly changed once i got to play the Splatfest test fire and the actual game itself.....

I completed ROTM in such a short amount of time and i documented my reactions to my friends. Although i was spoiled in that Deep Cut had boss fights and Mr. Grizz was the final boss, ROTM still gave me a giant smile to my face all the way through. It was so fun, so charming and just a really good single player experience.

One of the things that i LOVE about Splatoon 3 is the vibe. I just love the location of Splatsville, i love the aesthetics, the lighting, the model improvements from Splatoon 2, the music, it's my favourite art style/aesthetic out of any of the Splatoon games by far. It just feels so polished, i don't know how to exactly describe it.

Also the fact that this game won best multiplayer game of 2022 over CALL OF DUTY! OVERWATCH 2 AND MULTIVERSUS MAKES ME SO GIDDY AND HAPPY!

PEOPLE GOT MAD ABOUT THIS AND THAT MAKES ME WANNA EVIL LAUGH! All of those fucking depressed and sad Call of Duty players who whine and complain about how "wahh modern gaming sucks!! There's no good games anymore wahhh!! It's all microtransactions wahhh!!" BITCH! SPLATOON 3 IS LITERALLY THE GAME YOU'VE BEEN ASKING FOR!! Yet you won't play it because it's on Nintendo huh? Yeah... You're a fucking PUSSY!! YOU'RE WEAK!! You're SCARED to be seen as less of a manly man!! You only wanna play games with oily dirty buff men.... Yet you call others who play games like Splatoon gay? Hmm..... Sounds like you're a wittle insecureeeeee!!!!

Have fun rotting in microtransaction hell you LOSERS!! GAHAHAHAHA!!!!!!!!!!!!!!

Anyways.... uh.... sorry....

I also fucking love Deep Cut too. I thought i wasn't gonna like these guys and i remember thinking when i first saw them "oh... okayyyy..."

But now? I love these bastards.

I love their dynamic and how they are bandits but they actually wanna help the people back in Splatsville. That is such a cool and unique take to have for Idol characters. The Squid Sisters are very cutesy and so are Off the Hook, but Deep Cut aren't. They are loud, messy, chaotic, in your face, rude, etc. They are about contrast and the character designers did a phenomenal job at conveying that theme via their backgrounds and looks.

Another thing that i love about Splatoon 3 is that it also acts as a celebration of things that have come before, Inkopolis Plaza and Square return as hubs, old colour combos from previous games act as loading screens, most of the music returns in the jukebox, it rewards long time fans for sticking around and for a long running franchise IT'S SUPER IMPORTANT to have that stuff!!!

Seeing the improvements in the model quality from Splatoon 1 to 3 genuinely makes me kinda emotional, it shows how far we've come in just a little under 10 years...

It really homes in on the point that... These characters, have grown up with us.... The Squid Sisters are about to reach their mid 20s, Pearl is nearly 30 fucking years old!!!

And the last thing i wanna bring up before i talk about the Grand Fest...

...Is Side Order.

This fucking DLC... My god... Being able to experience it by myself and just enjoy the stuff i was seeing, being able to SCREAM AND CRY AS MUCH I WANT WAS SO IMPORTANT TO ME DUDE!

When i got to the 10th floor in the tutorial and i saw Marina Agitando staring me down.... I did the loudest gasp a human could possibly do and my jaw was hung to the floor for a solid MINUTE!

Marina's first fucking dev diary made me cry and scream, THAT IS NOT A JOKE!!!! THESE CHARACTERS ARE THAT IMPORTANT TO ME!

And the final boss.... Made me cry, it broke me down, i was singing along to Ebb and Flow as best as i could, it felt like i was brought back to 2018, being in my room, listening to that song on repeat... I feel like a kid again....

I love this song... i love it so much... Like it's not the most hype finale song ever, but, the emotion behind it, the build up from Splatoon 2... The power this song has in it's meaning... It's some good shit man...

So yeah! I love Splatoon 3!!! It's my favourite game out of the series and anyone who is gonna jump into this game now is gonna have a LOT to chew on.

And... It's both sweet and sad that we're at the end. This is it... The moment we've been waiting for. The final Splatfest to end them all. The event 9 years in the making.

The Grand Festival...

I am extremely excited and so FUCKING NERVOUS for this Splatfest!!!! I know i am going to cry and be so overwhelmed with joy. Seeing the Squid Sisters and Off the Hook perform their old songs again after all of these years is gonna make me sob so loudly it's not even funny.

These characters genuinely mean the world to me and it's gonna be so fucking hard for me to watch their final major appearance and say goodbye. Cause after this, we don't know what's gonna happen. I know they will come back, they have to but... In what capacity? That's what I'm scared about...

So yeah, let's savior this moment when it eventually arrives, take all the time you need to be engulfed in the Grand Fest.

Thank you Splatoon 3, you have given me so much.... It's not time to say goodbye just yet but, i wanna watch you as you walk into the sunset with your head held high....

[complete-clownery]

Human SWK and Mac for the soul

Long rant about the au idea ⬇️⬇️⬇️

Actually they're for my detective au I'm not really talking about but I do have this fun little animatic idea in my head to Michael Bubl�� - Better be tonight, where MK and Wukong beat up a lot of people behind the scenes in the bar while Macaque distracts the audience with a performance lol haha how silly of me

But yeah the au would be Wukong is a private detective who has already retired, and MK (a young detective working for the police (dw were all about acab here, so Mk would realize how shitty the police system is and leave)) would seek him out for help with a case about some underground Mafia business

(probably something I would do with LBD and the Demon bull family but who knows), and Wukong decides to help him MK and also just teach him stuff along the way while also guiding him away from the police force

(probably something something Wukong worked as a detective in there, jttw event converted into detective cases idk, celestials as the justice system ect ect),

but they would ultimately work together on the case and would cross paths with Macaque (who needs a proper human name) Wukongs former partner (partner as in work related business but yeah they were also fucking), who will probably stab them in the back at some point in the story LBD pressure and whatnot,

but yeah on normal days Mac works a shitty job in an office, but Wukong swears up and down that Mac is up to something shady (and he is kinda right) (also side note: every individual in the office regardless of gender has had an office crush on Macaque at some point lol)

Also Wukong when he worked at the police actually got himself quite the name and so people know about him, kinda was the face of the police force at some point, and MK decides to be a detective bc of Wukong, (but that was kind of a given, even tho in the show before getting his powers MK wasn't really interested in becoming a here and this was also a key plot point in season 4 MK not wanting to do all the crazy magic shit and wanting to go back to being just a delivery boy and sometimes beating up the eventual villain of the week, but whatevs)

They're in their 40s maybe early 50s but Wukong somehow still looks 20-30 years old nobody knows how he does it, everyone else is kinda the same age in the show

They're also in America for this cuz--- this is a 90s 80s detective show just because I want it to be--- how did the characters from China end up here idk :| something something emigration or maybe the au can stay in China idk man Im making up half of this as I'm writing but it's fun I like the rotate my little aus in my brain

But yeah its just a fun little idea in my head that is going to stay just that, never manifesting into something more

[assassin-artist]

Realizing I post so little Cecil/Akari on my blog (bc i am scared to draw cecil) so here's my first attempt to remedy that. Akari lore and info below the cut for those interested (:

so just as a quick rundown of Akari lore/powers for those who aren't familiar with her: she was originally a Chainsaw Man OC, in which she was a devil hunter who had a contract with the devil of time. It gave her time manipulation powers, but every time she used her abilities, she would lose some of her memories as payment for her powers. Although I've moved a few things around to make her story fit in the Invincible world, that stuff largely stayed the same - she still has some kind of time manipulation powers (but I still have yet to flesh out exactly how it works), and using her powers causes her to lose some memories of random moments in her life. Since she manipulates time, I imagine she's "stuck in time" physically, so she hasn't been aging ever since she first got her powers - or maybe she does age, but every time she uses her powers, she's turning back her own clock? Either way, she's nearly 100 years old by now but still looks like she's in her early 30s.

She was born in Denmark, then moved to Japan where she changed her name and joined a Japanese government hero agency. She worked there as an agent for roughly 20 years or so, then long-story-short she wound up killing her boss (for a good reason dw about it). She gets arrested because, while she may have saved people for ending that threat, she still turned against her agency and killed a high ranking government official. They don't wanna kill her bc how many people in the world can turn back time? c'mon that's way too OP to get rid of, but she's still a criminal. But Radcliffe is known to make use of powerful individuals even if they have a criminal background, so he's like "you did good work there, now come do good work over here" and she moves to America and starts working for the GDA 👍 works for Radcliffe for a good 25 years or so, then starts working for Cecil when he takes over for the next 20 years. so that makes her like…. roughly in her late 90s by the start of the show

She's a competent, trustworthy Agent who's been in the GDA for ~45 years now, she takes her job seriously and is very dedicated to her role, but she has a relaxed and humorous personality that brings a lot of levity to the GDA. Got with Cecil when he was a field agent, and they've been on and off ever since. Not because they have a rocky relationship, but because both of them are very dedicated to their jobs and know that, if ever there was a need for it, they would both choose to sacrifice their love for the good of the world. So they keep things unofficial in the hopes that it won't hurt as bad when that day comes.

Cecil's "I'd make a deal with the devil to save this planet" vs Akari's "I already have." By design she is a very tragic OC, I joke she's the most doomed woman in any narrative she exists in, but she has a silly fun personality where she takes everything in stride anyway :3 we cope with the trauma via humor over here

and just a handful of cekari ramblings i've tormented my discord friends with (:

[kremlin]

after many years my old company has finally allowed people back into the office, haha, not to go to work, no no, solely to collect their belongings from their desks. i picked up my stuff and remembered what a psycho i was about my office back then, let me show you..

i set up an old VT-420 on a side of my desk to read my email on (to flex my computer dick) which is unfortunately a bit too yellowed now for me to post exposed but hilariously enough i did take the chance to fix the faulty RS-232 chip in it and i no longer get a bunch of keystrokes interpreted as ŸŸŸŸs randomly. the fix was great too, instead of having to throw the whole thing out like you'd need to today, i literally just had to pull the PTH chip out of its socket, didn't even need to desolder. nor throw the old one out. i blasted it with a blowtorch for about half a second and it's fine now.

(it is amber by the way, which is the best color)

the keyboard is another story, i think a lot of like, entry-level vintage computing people get this concept that every old keyboard is some treasure, and boy let me tell you, some of them make you want throw up, like the vt420's:

you'll have to take my word that the typing experience is pure ass, but if you look at this fucker for more than two seconds your blood pressure will start to raise. and i'm not just talking about the euro return key. where is the super key? and what is going on left of 'a'? did they decide to solve the age-old "caps lock vs ctrl" debate by putting both of them there (??) what the fuck is going on north of the arrow keys?!?! and even further north, 'help' is funny enough on its own, the fact its next to DO, a truly existentially puzzling key, makes it that much better. why is DO so wide?? why are there so many F keys? and apparantly 20 F keys wasn't enough, they had to go on and invent "PF" keys above the numpad. and it doesn't stop there..

the pre-USB world was pretty nuts, but most keyboards still had sane connectors like DE-9's, PS/2, DINs, etc, but not this one

it uses, a, uh, looks like an ethernet cable. weird. but look closer. six pins. AND, big honking square to key it specifically and make it incompatible with the very-similar already-existing 6P6C specification (why?) anyways, that's enough of this crap, moving on

this is the keyboard for my lisp machine, the famous "space cadet keyboard", i get so many fucking emails about this keyboard, christ almighty. people trying to buy it from me, it's a shame, the machines don't boot without them so seperating them to satisfy reddit guy wish fulfillment breaks my heart. it's a lot better. it's from an era where a good computer would set you back half a million and the hardware reflects it. honeywell made it, it's "solid state" insofar as that makes sense for a keyboard, uses the hall effect. there weren't any rats at my office but just in case i seem to have taped something to the underside:

lol. now for accouterments to cover those hideous eggshell white walls:

in order, openbsd, you know it baby, middle is a weird polish promo for the holy mountain, the last thing was a joke whose meaning has been lost to time. chicken and turkey!

i seemed to have been working on some very bizarre electronics projects, personal, during my workday:

god, what the fuck was this?

oh, duh, it's bort's hat. (??)

some reading materials. K&R C is a first edition, somewhat rare. the 9front manuals:

classic, natch. and a huge gear that's clapped

that's it. that's my office apparently.

[theitgirlnetwork]

Earn It

Ch. 7: Heaven's Happiness

Note: As always, the love this story receives amazes me. Thank you so much for reading. Thank you for the notes, the reblogs, the comments and messages. Interacting makes this so much fun! I hope you all enjoy this chapter. There will be a lot more time skips from here on out! So you'll all get to know the gang as adults. I will ask that if anyone wants to use my story as inspo for one of your own, or anything else, you let me know, it's more fun that way. I also don't post this or any of my other stuff anywhere else. Once again, hi to my best friend who now reads this story, love you miss girl <3 Anywayyy, I hope you all enjoy! Thanks for reading <3

Taglist:@spookystitchery@anehkael@fkaams@butterflyybabe@sun2flower @holierthancunt @silkenthusiasts @wolflover384 @liziihorta @summerssover @jackierose902109

Warnings: Some strong language

“She’s very gifted, Mr. and Mrs. Whitlock. The best I’ve seen at this age in my career. You could have a professional dancer on your hands.”

The three adults watch from the observing window as Heaven demonstrates Grand Adage for a group of her peers. Her little back straight and stomach tight as she accomplishes the move with a stern discipline that many adults struggle to achieve. 

“We know. So why is she playing Clara?” 

“Beatrice-”

“I’m just wondering, Luca, I mean I just believe it’s our right as her parents to ask Madame Sidorov why our 9 year old daughter is teaching the snowflakes that are twice her age the dance she doesn’t get to be a part of.” 

Madame Sidorov swallows hard as she brings her clipboard to her chest. She’s been running her youth dance company for over 20 years. Many of her dancers have gone on to be successful, working artists. But she’d never seen talent like Heaven Whitlock. The girl came into her studio at the age of 6, excited to show her that she already knew how to go en pointe even though children really shouldn’t and normally couldn’t do it until they were 11. Madame Sidorov had been overcome with excitement. She had a star on her hands. 

The older woman also learned that Beatrice Whitlock also knew what she had. The teacher has dealt with gunner parents before, but none like the stern young woman who trailed in behind her prodigy daughter with her nose in the sky and demands on her tongue. 

“Mrs. Whitlock, Clara is the lead role in the Nutcracker-”

“Bullshit, Sidorov, we both know that the prima dancer role is the Sugar Plum Fairy and the arguably most complicated dance is the Waltz of the Snowflakes, the dance you had my daughter demonstrating yesterday. So,” Beatrice’s heels click as she shifts her weight from one leg to another, hip jutting out. “Why is your best dancer playing the dumb little girl who spends most of the ballet watching everyone else dance?”

“I think my wife is frustrated because we all know our daughter is talented. So we’re having a hard time understanding why those talents aren’t being showcased.” Luca cuts, wrapping an arm around his wife’s waist in an attempt to calm her. 

“Heaven is only 9. We need to allow the older dancers to play the more advanced roles-” 

“Then they should be better.” Beatrice interrupts, swinging her purse over her shoulder, pushing her shades up onto her head. “How about this, until your priorities are straight, we can take Heaven somewhere where things are fair and you can dust off your pointe shoes and start teaching again instead of using my child.”

“But, all of my friends go there.” Heaven whines as they speed their way down the highway for the hour drive back to their home. “I don’t want to find another studio.”

“I know, Stellina, but we want you to have every opportunity. Wouldn’t you want more chances to dance?”

Heaven is stubbornly silent in the backseat, her step father softly pats her foot, reaching back from the driver seat. Her mother turns to face her, a noncommittal look on her face. “Baby, when you came to Mommy a couple years ago, what did you say you wanted to be when you grew up?”

The younger girl bites her lip, tugging irritably at her seatbelt. “A ballerina.”

“Just a ballerina?”

Heaven huffs, crossing her arms over her chest, looking away from her mother. “The best ballerina ever.”

“The best ballerina. Ever. And Mommy and Papino have worked very hard to make that possible for you, yes? Practice everyday, paying for lessons, buying you everything you need. But you’re a big girl now. You’re going to have to learn how to work very hard too if you want to be the best, baby. We can only take you part of the way. You need to think super hard about whether this is what you want. You need to think about if you’re going to earn it.”

Beatrice’s voice is soft and kind, but her words are harsh. She turns around, not waiting for a response from her daughter, satisfied that her whines and complaints had quieted to obedient, stifled little sniffles. 

Heaven stares down at her hands through wet lashes, her bottom lip wobbling as she smothers her sadness. She does want it. She wants to be the best ballerina ever. She is going to be the best ballerina ever. And she’s grateful. Papino and Mommy had given a lot. And she won’t disappoint them. So she’d go to a new dance studio. She would make new friends. And if not, that wasn’t what she was there for. 

Luca Whitlock frowns as he drums his finger on the steering wheel, looking forward at the traffic ahead of them. “How about some ice cream, Stellina? Might cheer you up?” 

Identical sets of brown eyes meet in the rearview mirror. The little girl in the backseat simply sinks against the leather, forcing indifference into her voice. “No thank you, Papino, I’m…not hungry.”

“And you have your, um,” Heaven scratches her head, mentally scrolling through the list of items Tashi would need at home. She was going to spend the first few weeks post-knee surgery with her parents. Heaven had stayed with her girlfriend for the days following the injury, lying to her school and telling them she had a death in the family that required her to take some time away. She just wanted to get Tashi settled before she headed back to UCLA. 

The dancer had assumed that their boyfriend would emerge out of the shadows, and use his charm to weasel out of an apology, ultimately taking over Tashi’s care since he had the most free time.

Unfortunately, he continued to disappoint her. So, instead, she lingered. Slept in Tashi’s bed with her, unwrapped and rewrapped her knee. Cleaned her dorm, brought her any work she missed. The girls in the athletic dorm thought she’d moved in. But now, Tashi’s parents were here to take her home for a little while. 

“I have everything, Hev, you made sure of that.” 

Her heart aches. Tashi sounds so tired. So down. Heaven is so frustrated. She’s ready to move past this part. She wants Tashi to just be better. She tells herself over and over that the surgery would fix it. That once she got the treatment she needs and a little physical therapy, she’d be back to where she was, ready to take over the world with her. 

“I’ll see you when we open, right? You’re still gonna come?” Heaven rocks on her feet, careful not to bump Tashi’s crutch. “You don’t have to, you’ve seen me do most of the dances and I know it might be hard to travel-”

“Babe, I’ll be there. Okay? I need to go.” Tashi lifts Heaven’s chin, giving her a halfhearted peck before turning to climb into her dad’s truck, gesturing for Heaven to stop when she goes to try helping her into the high seated vehicle. “I’ll call you. Why don’t you have Art help you get your stuff from my room? He probably wants to say goodbye.”

“T, are we gonna talk more about that-”

“I told you,” Tashi shrugs, hand on the car door handle, her pajama pants poorly covering the large brace on her knee. “M’not mad. It’s fine.”

It’s not fine. Heaven isn’t stupid. Ever since Tashi and Patrick found out that she’d done…stuff with Art, Patrick has been radio silent, and all Tashi does is encourage Heaven to spend more time with Art who she was decidedly avoiding. She’d gotten…caught up in the infirmary. The combination of the heightened emotions and Art’s soft attention and care caused another moment of weakness. She’d accidentally said something that she’d been denying to herself ever since, and thanking the good lord above that Art had apparently missed. She was determined not to tempt fate for a…fourth time?

Which is why she’d gone back to Tashi’s room and started packing her stuff and straightening up without alerting the blond tennis player who’d been haunting her dreams as of late. And it’s also why she almost pissed herself when he’d somehow materialized in the dorm room doorway, rapping his knuckles against the light wood, in a failed attempt not to startle her.

“I didn’t mean to scare you, but, um, Tashi texted me and said you might need some help getting this stuff to your car.” 

He looks good. She can’t ignore that, but she can refuse to get caught up in staring at him as he leans in the doorway, muscled arms on full display as he leans in the frame, a poorly hidden pout on his face. 

“I’m good.” Heaven shrugs, slinging her bookbag over her shoulder, trying to lift her purse and her other two bags at the same time, only to have all of her belongings fall out of her purse. “Fuck.”

“Fuck, let me help you.” Art bends and starts grabbing the miscellaneous items from her bag.

“I can do it-”

“It’ll be quicker-”

“Art.” She huffs, tucking her hair behind her ears and sitting criss-crossed on the floor. “I meant it, when I said that I was done…Tashi might be trying to teach me a lesson in some kind of twisted way, and I’m sorry you’re getting mixed up in it, but I’m…I can’t be around you and be with her at the same time. Clearly, I can’t handle boundaries.”

“So…so what does that mean? Not talking at all? Is that what you want?” He asks, shoulders dropping, eyes filled with hurt as he inches closer. “Heaven-”

“Sure. If that’s what it takes for it to get you to get I can’t do” she gestures between them. “This, then fine, let’s say that’s what I want.” 

Art clenches his jaw, blinking quickly as he tries to think something he could say. Anything to change her mind. “Heaven, please, I’ll…we’d be friends. We can just, I can’t…please don’t.” he finishes, giving up on trying to articulate his thoughts through his panicked haze. Through all of this back and forth, chasing and running, he’d forgotten the chance that once Patrick was out of the picture, that he might get written out too. 

His eyes scan her face as she shakes her head, shoving the last of her stuff back into her purse and standing. “Art, it’s not like I don’t wanna be around you. But stuff is getting too complicated. This shit is just too much. I haven’t been back to my school in days, Tashi’s leg is fucked and I don’t want to make things any harder for her, Patrick is just fucking gone and I really can’t handle anything more. So when you say we can be friends, I need you to mean it. I need you to tell me we can do that.”

Art finds himself in between a rock and a hard place. He wants to be honest. He wants to acknowledge that he can’t see himself getting over her within the foreseeable future. He wants to tell her that he’s glad she’s probably not with Patrick anymore, and as bad as he feels about Tashi’s leg, he quite frankly does not understand why it has to change anything between them. 

But he’s desperate. Art is humiliated to admit it to himself but, he would do anything to keep the line of communication between him and Heaven open so if he had to appease her by saying that they would be platonic despite the fact that he quite literally gets dizzy standing next to her, fine. Like he’d told himself before, he was playing the long game, collecting the points that matter. So, offering her a tight smile, Art sticks his large hand out to her, encasing her smaller one and jumping to stand at his full height. “Friends. But, friends don’t ignore each other for days, Hev.” 

Heaven bites her lower lip, choosing to ignore the blue-brown eyes that drop to her mouth before looking back up at her and shaking his hand. “Okay. Yeah.” The pair slowly pull their hands apart, Heaven shivers as she feels the calluses on his palm slide across her hand. “As my friend, can I ask you something?”

“Anything.”

“Is,” the girl rolls her eyes to the ceiling, releasing a heavy sigh. “Is she done? You saw it, and you obviously know more than me…is that something she can keep playing with her knee like that?”

He can’t bring himself to dash the hope she was clearly harboring on the behalf of Tashi but the girl’s recovery is…unlikely. Art tucks his hands in his pockets, tilting his head as he chooses his words carefully. “Tashi’s strong, and really fucking good, if anyone is going to recover from that kind of injury, it’s her.”

“So…no.” Heaven sits down on Tashi’s bed, staring forward at the wall that’s littered with pictures of some of the best tennis players in the world. A shaky breath leaves her as she stares at the professional posters, accompanied by the posters Adidas had made with Tashi on them. 

“You’re a really good girlfriend.” Art whispers.

“I cheated on her with you. I’m pretty much the worst girlfriend ever.”

“No, I mean, you’re really invested in her. In the thing she loves, like you care about tennis the same way we do, f-for her.” 

Heaven smiles softly to herself, grabbing Tashi’s pillow and hugging it to her body. “I fell in love with Tashi watching her play tennis. Just like everyone else does.” she jokes, poking Art’s leg with her toe. “When I’m watching her, it’s like I’m getting to witness something. It’s…corny but tennis is her calling. She goes to some other little world when she’s playing, and, even though I’m not a tennis player, she takes me with her. It’s this feeling of closeness that I can’t get anywhere else, you know?” Or at least, nowhere else I’m willing to talk about.

He does know. Art does know exactly what she’s talking about. He felt it. Once, when he and Patrick sat and watched Tashi play for the first time. It’s an all encompassing feeling. He was so caught up in watching her every move that he hadn’t looked anywhere but at Tashi. If he’d just looked three rows in front of him he’d have seen the girl in front of him now. 

The second time, the feeling was more intense, more of a sensation than a mere feeling. It was when he was sitting in an empty theater, watching Heaven dance, just for him. Art had never felt the things he’d felt before. He’d never had the thoughts he thought. He’d held his breath for the entire minute and 26 seconds that she gave him. He sat on the edge of the red, fabric auditorium seat, scared to blink and get left behind. He wanted to capture the feeling and keep it forever. And he has. He’s kept it. And everytime she gives him another taste, a smile, a kiss, a laugh, a touch, he goes back to being alone in the theater, experiencing euphoria for the very first time. 

If that’s the feeling Tashi gives Heaven, then he’s very jealous. And he wants it.

And that’s another new feeling the girls introduced him to. He’d never wanted something like her…or…uh them. 

Jealousy. Longing. Needing. 

Art knew exactly what Patrick was talking about when he said he liked seeing him fired up about something. Because, as much as he loves tennis, it didn’t make his blood boil. It didn’t make his stomach muscles clench with intensity. He didn’t feel that satisfying nervous burn. Not until…

Art needs to test a theory.

He scratches the back of his head, looking down at his sneakers before clearing his throat. “Uh, so, Hev, I’ve got a match this afternoon. And, I know things are weird right now, so you might think I’m a dick for even asking-”

“Arthur.”

“Come watch me play.” He blurts. Heaven’s eyes widen and he finds himself taking a tentative step forward as if he was trying to soothe a spooked horse. “I don’t know, I just figured…I mean, you might miss watching someone play, with Tashi taking a break and Patrick being…himself.” When Heaven continues to look unsure, Art puts himself out there again, trying to entice her the way he knows how. He moves to stand in front of where she’s seated on the bed, crouching to be just below her level. “When I win it will be for you. I’d like you to be there.” Art carefully tucks a piece of her hair behind her ear, before grabbing her chin between his thumb and index finger, moving her face around playfully. “As a friend.”

As a friend. That’s exactly what Heaven repeats to herself, over and over when she carries her bags over to the tennis courts, placing one foot onto the metal bleacher and opting to sit in the seats down on the front to rows. Just so she can see better. And it’ll be easier to slip out before the match is over. Besides, she couldn’t bring herself to sit with the women’s tennis players towards the top. All she could think of when she saw them was that it should have been one of their legs cracking instead of Tashi’s and it didn’t exactly make her feel like a great person. 

She slips into the seat and crosses her legs, struggling as she pushes her overnight bag under the low seat.

“Hey, let me help you.” A blonde girl crouches beside her, pushing along with Heaven and getting the back underneath. 

“Oh,” Heaven offers her a bright smile. “Thanks, I have to head back to my school after this so I have all my shit with me, didn’t think I was gonna come.”

“No problem,” the girl chirps, plopping down into the seat next to Heaven. “Sara. Myles’ girlfriend, he’s playing after this first match. Whose girlfriend are you?”

Tashi’s name is on the tip of her tongue. She swears it is. But the girl is clearly talking about the players that were starting to filter in, with their red shirts that Heaven could see fitting Art perfectly from her seat. His blond curls flopping as his head moves side to side, she knows he’s looking for her. Heaven gives a soft wave to catch his attention and can’t help but match his smile when he spots her, waving back. “I’m not dating a player.”

“Well these are girlfriend seats, so don’t let anyone else hear you say that.” Sara says lightly, pulling her shades down over her eyes. 

Heaven turns to look at her, tearing her eyes away from Art stretching. “What the hell are girlfriend seats?”

“They’re seats…where girlfriends sit?” The girl sits up to get a pixelated picture of her boyfriend on her razor. “You know, the players’ girls sit, so they can see them. No wonder I don’t recognize you, you’re a plant.”

“I’m Heaven, I don’t go here, I’m just watching my friend before I go back to UCLA.” 

“Oh, shit,” Sara’s eyes widen in realization. “You’re Donaldson’s girl right? Myles’ cousin Kyle, trust me I know the names kill me too, but he was saying how Donaldson brought his hot girlfriend out with them the other night and was dick trying to show off for her.” 

“Again, we’re friends, m’not his girl.”

“Hey, Hev!” Sara ducks her head, watching out of her peripheral as Art jogs over, racket in hand, pushing up onto the fence so he could be eye level with Heaven. “Match is about to start, kiss for good luck?” He grins, holding his racket handle out to her. He playfully pouts until she gives in, leaning forward and pressing her glossed lips to the handle, looking at Art through her lashes. The blond wets his bottom lip and pulls the racket back. “Eyes on me, okay?” 

“Whatever, just remember you promised me a win.” Heaven giggles, crossing her arms as she settles back into her seat. Art beams even wider, hopping down off of the fence and jogging backwards back to where the players sit. “And spit out your gum!”

Faintly, she could hear Art’s teammates reprimanding him for ‘making the rest of them look bad’ and she smiles to herself, bringing a hand up to play with her name chain.

“Girl.” Sara snorts.

“Just friends.”

“Yeah sure.” the blonde girl shrugs, pushing her shades back down. “Don’t tell me, tell Donaldson.”

Art delivers a win, as promised. It wasn’t hard, really. One thing Patrick had gotten right was that college kids weren’t really much competition. And maybe he had some very good motivation sitting out in the crowd with her eyes locked on him. So he showed off a little, served a little harder, made the other guy run a little bit more than necessary. He could always explain that away as wanting to impress his coach and any possible reps looking to endorse him. And sure, he might’ve looked over at her for each point he wrenched out of the poor guy from Temple’s hands but…well he didn’t have an excuse for that other than it gave him a rush knowing that she is sitting pretty, legs crossed, perched with the other girlfriends, watching him, rooting for him, breathing heavy for him. 

When matchpoint is declared his, Art smiles cockily, strolling up to the net and shaking hands with his opponent before making his way over to Heaven again, this time climbing completely over the fence, leaving behind his tennis bag on the opposite side of the court. This time she stands, catching him a little as he lands in the small space in front of her and the fence. “Well?” he pants, lifting his hat to adjust his hair before placing it back on his head. 

“Well, what? You want me to say congratulations?” Heaven grins, sweeping some sweat that dripped from his forehead off of his cheek. “Congratulations, Arthur.” she hums.

“Thank you.”

“Mhm.”

“Yeah,” Sarah calls from her seat, smiling smugly up at the pair. “Good job, Donaldson. Why don’t you try to pass some of that mojo to Myles, huh? Getting kinda tired of coming out to these things just to watch you play.”

“I’ve got a lucky charm, that’s all.” Art nudges Heaven, wrapping an arm around her waist so she doesn’t stumble too far away from him.

“Yeah, so, lucky, or the other guy sucks and Art is good-”

“No, I think you’re my lucky charm, don’t try to ruin it-” Art laughs, taking his hat off again, his messy blond hair falling all over as he places it on Heaven’s head, holding her to him as she squirms.

“Ew, Arthur, it's sweaty!”

“It’s the fruit of my labor, Hev, that win was for you!”

Sarah scoffs, shaking her head as she watches the pair, leaning away to avoid getting hit when Art lifts Heaven, swinging her to the opposite side of him to help her get to the steps before grabbing her bags. As she sees him guide her by her waist down the bleachers, both of them cheesing as they chat as if no one else was there and she realizes that Art is leaving the courts before his fellow teammates play, Sarah commends her own instincts.

And then she makes a note to herself to start saving the returning girlfriend seat next to hers for Heaven. The other girls were sort’ve bitches, anyway.

“So, I should head back.” Heaven leans back against the driver door of her car, clasping her hands together behind her. “But, this got my mind off of things for a little, so thank you.”

“It’s what friends are for.” Art laughs, stepping in front of her, hand behind his neck.

“Pft, you’re such a dick. Aren’t you supposed to be the nice one?”

“I am nice.” he smiles, rocking on his feet, feeling his chest tighten as Heaven bites her rose petal bottom lip again. His eyes soften as he stares down at her delicate features and thinks about how right things feel when they’re together. How he hasn’t felt this good in…ever. “So nice, I’m not gonna say what I want to say. I’m just gonna say,” he takes her hand gently, toying with her fingers, pushing her thumb with his own, “goodnight.”

Heaven’s lips part, and looking up into his eyes, how kindly he looks down at her. What she can see in them almost does it. She almost got lost, just like that. But a buzz in her jacket pocket has her grabbing her phone and the message has her taking a small step backward and placing her hand on her door handle. “Goodbye, Art.”

“One two three, one two three, and Peter please keep up with Heaven, Heaven a little less hatred on your face, thank you, two three and up, I want her in the air-” Madame Fontaine claps her hands to the pace of the movements she wants from her two leads, following them as they move across the floor. Heaven holds her breath as she’s lifted into the air for two counts before she’s slid down Peter’s body, draping herself across him romantically as he kneels to accommodate her. “Yes, that is exactly it. Now kiss.”

Heaven feels herself wince, squeezing her eyes shut as she feels Peter’s lips press against hers.

“Still doesn’t look good, Madame.” Fallon calls from her seat. 

“No, no it doesn’t, does it? You two, what’s the issue, tu veux m'humilier et me faire me suicider ou quoi?”

“No, Madame,” Heaven huffs, swatting Peter’s hand away from her waist. “We don’t want to humiliate you or make you kill yourself, I don’t understand why we have to do the version with the kiss, there are plenty of variations without it-”

“You understood her?” Peter squints at the girl next to him before huffing, “Fine, whatever, MacMillan intended for there to be passion between Romeo and Juliet, and you curl your lip up everytime I kiss you.”

“I don’t like doing it.” Heaven shrugs. “I’m a professional dancer, not a porn star, and I’m playing a 15 year old girl, I don’t know why any sane, adult audience would want to watch me lay on top and kiss a grown man and then kill myself to be with him-”

“We open tonight. We are doing the ballet as we rehearsed, you two will kiss and you will tolerate it. Practice if you must, pretend he’s someone else, take a shot before you do it, I don’t care.”

“Madame, we’re 19.”

“Oh please.” The older woman storms off, her assistant behind her and the two dancers are left side by side. 

“So…should we practice?”

“Absolutely fucking not, thank you very much.” Heaven pushes past Peter, snatching her dance bag from the floor. “You’re gonna practice until your knees bleed for the next hour and then you’re gonna soak in the athletic building so you’re actually ready for tonight and I’m gonna go…I don’t know, pray.” 

As Heaven storms away, dramatically slamming the theater door behind her, she can recognize she was in a bitchy mood. She felt like she had a lot of shit to be annoyed about and was frankly pissed to feel her world collapsing around her on the first night of her first college role in which she’s the fucking prima. 

First, she once again demonstrated to herself that she has absolutely no fucking self control when it comes to Art Donaldson, a truth that she’s learned about herself that really agitates her. She discovered this as she struggled into the routine of only responding to the blond every couple of days and found herself sitting up in the privacy of her own dorm, reading and rereading every message she sent, the bright light of her phone shining brightly on her shame.

Second, she still hadn’t heard from her boyfriend (ex?), Patrick. She’d watched a couple of his matches while she was on the treadmill at the gym and as he does, he wins the first two rounds only to lose in the third. He found time to get lazy in his tennis playing but failed to pick up his goddamn phone and call either of his girlfriends.

Which leads to the third thing haunting her. Tashi is fucking irritable as shit. Apparently, surgery does not agree with her, because Tashi had been crabby for the last few days. It started with the day of Art’s match when she’d sent her perfectly timed message. 'Did he win?' It was like she was taunting her. Like Tashi knew Heaven couldn't stay away. It pisses Heaven off even more that she was right. Then Tashi had moved on to venting about how Patrick was absolutely wasting his talent, how the fact that he’s not winning pisses her off even more now that she can’t play. How she’s going pro as soon as she gets the chance because if this injury told her anything, it was that there was no time to wait. How now that she’s got time on her hands, she’s been thinking more about her plan for her life and Heaven’s.

And lastly, the real kicker, what had Heaven gritting her teeth as she did bar warmups this morning, was that fucking phone call. The one from her mother that she received at 5:00am when she was stretching. The one where her mother said she wouldn’t be able to make it to her first night of her first ballet in college in which she’s the fucking prima. And when she expressed her disappointment, Beatrice responded ‘It’s just a school ballet, I’ll come to your first professional one.’ 

So, yep, she was in a shitty fucking mood. 

But she wouldn’t let all of that stop her debut as an adult dancer. She was going to be a pro, she was going to do it her way, even if the 5 seats she had reserved in the front row were empty. 

So, she sits at the vanity backstage, putting her hair into Juliet’s first hairstyle. She listens to music that reminds her of when she was 15 to get into the right headspace as she puts blush on her cheeks. She offers Peter a soft smile when she sees him in his costume and forces herself to try to look at him the right way. Because the things that are pissing her off don’t matter right now. Right now, all there is is Juliet.

It doesn’t matter if Heaven’s smile is fake as the lights shine down on her when she first prances her way onto the stage. Juliet’s smile is real. It’s meaningless if Heaven’s tears are real when she squints and sees that her mother’s seat is indeed empty, her stepfather attempting to send her a thumbs up to distract from the woman’s absence. And so what, if Heaven can’t go to her happy place as she solos because she sees both Patrick and Tashi’s seats are empty as well. As long as she can still breezily get through her motions, as long as it looks beautiful for the crowd, it doesn’t matter. It doesn’t fucking matter.

And it definitely doesn’t matter, that as she came out of her fake balcony in her sleep gown to blow everyone’s minds with the most loving, fucking passionate pas de deux they’d ever seen, she accidentally caught eyes with Art in the audience, staring up at her intensely. 

So she doesn’t have to feel guilty that when she kissed Peter, she envisioned him with curly blond hair and heterochromatic eyes. Or the fact that Madame Fontaine told her when she stepped off stage to change into her next costume that it was the most romantic, realistic kiss she’d ever seen.

Does Art know he's stupid? Absolutely. He's never dared call himself intelligent. He didn't need the little voice that sounds like Patrick calling him pussywhipped. He knows. But, he still found himself on the highway, traveling at a breakneck speed, eyeing the bouquet of flowers that he has placed in the seat.

He'd known Heaven was serious about this whole friend thing. She's so good, and kind. And she cares so much about Tashi and Patrick. But Art knows he can treat her better. He's sure of it. Despite what he knows to be true, Art refuses to pressure her...anymore. He'd just rely on the fact that if they were supposed to be together like he believed they should be, they would be. Eventually. Soon. Hopefully.

So he came fully ready to play the dutiful friend. He was gonna stand politely by as Heaven leapt into Patrick's arms after the show. Art was gonna smile politely as she and Tashi shared kisses and exchanged giggles as they talked about inside jokes that they only understood. But then he got there. He'd been directed to the front where the two premier dancers families were arranged to sit and found three empty seats separating him from a man with peppered hair and smart looking glasses who had his own bouquet of flowers across his lap and a Chanel gift bag next to his feet. As he inches into his seat the man looks at him with a smile.

"You must be Patrick. I'm Heaven's stepfather, Luca Whitlock, I'm sorry I missed you at her birthday." The older man holds his hand out to Art with a kind smile. "Nice to meet you."

Art offers him his own awkward grin, accepting the tight squeeze of the man's hand. "Uh, no, I'm Heaven's friend, Art. It's really nice to meet you Mr. Whitlock."

"You as well." The man lifts his wrist to check his watch. "Show is meant to start in a few minutes, hopefully he will be here shortly. Stellina won't like for her boyfriend to be late.

Art shifts uncomfortably again, checking his phone. Patrick had reached out to him a couple days after Tashi's injuries. Mostly to make insults thinly veiled as jokes, clearly still pissed that he yelled at him. Art responded with short, one worded messages.

It's the least they'd ever spoken since they'd met.

The guilt he feels for his part in this fight they were having is very real. But it was currently heavily outweighed by his annoyance at the fact that his friend was seemingly punishing Heaven by not showing up for her big night. He knew Patrick didn't deserve her, and he was only proving his point.

"Is Tashi with Mrs. Whitlock or..."

"Oh, my, my wife couldn't make it. And Tashi is still...healing. Her mother called right before I was supposed to pick her up."

Oh. "Oh."

As much as he's glad he could be here for Heaven, he knows that Tashi and her mother being there would mean more. His heart aches for her as he settles back into his seat and the lights dim. The pain he feels for her only intensifies when he sees her step out onto the stage. She's beautiful. The perfect Juliet. If anyone would make a man fall in love within a few glances, ready to die at the thought of not being with her, Heaven would be it.

Her eyes are sad as she eyes the empty seats, using them as a tragic point of focus as she completes her expert turns. Behind him he could hear people whispering about how gorgeous the girl playing Juliet was, how talented she is. All Art can think is that they have no idea. They don't know how she's managing to be so elegant, so beautiful, so perfect, even as she's in the type of pain she's in.

Art would do anything to bring the light back into her eyes so they would shine the way the rest of her was.

He loves her.

He knows it. He feels it as her eyes finally make their way to his seat and her smile is a little more real. A little bit of light slips back into her eyes. She dances even more beautifully, more genuinely than before. And his mind is filled with the same thought.

Yes baby, that's right. Eyes on me. I'll make it better. I'll make you happy.

And he means it. Friends or not. Lovers or not.

It's on Heaven's first night of her first ballet in college where she's the fucking prima ballerina that Art makes a vow to himself.

He was gonna dedicate himself to Heaven Whitlock's happiness. No matter what that meant.

3 Years Later (California)(Age: 22):

Tashi shakes her head to herself as she watches Art pace in the kitchen. She brings her coffee to her lips, blowing at the smoke slowly as she observes him from the couch, taking a small sip before setting the mug loudly on the glass coffee table. She rolls her eyes when he doesn’t stop his steadily paced steps across the floor.  “You good?”

The blond finally pauses to look at her, jaw clenching and unclenching before he opens his mouth to speak. “This is just different, you know?”

“How? It’s still tennis.” 

“It’s pros, Tashi, I’m just nervous.” Art says, running his hand through his blond curls. “These guys are good.”

“You’re fucking good.” She asserts, crossing her arms. “Look, I can’t make you believe in yourself. If you can’t do this, please, let me know now, because I need to know if you’re not going to make this happen. We have a deal.” 

Art sighs, planting his hands down on the counter, staring down at the scattered marble with a frown as he tries to get out of his head. Suddenly, he feels a hand slide across his back and an envelope lands on the counter between his hands, into his line of sight.

“Something for you to consider while you decide if you’re gonna fuckin’ play like I know you can.”

With that, Tashi storms out, heels clicking on the hotel room floor and the door beeping as it slams shut behind her. Art stares down at the envelope, reading and rereading the name of the sender.His heart both clenches and races as he thinks about what the 4 little words on the small, insignificant piece of paper could mean for him. How those 4 words and whatever they’re hiding behind them will ruin his life. 

The Paris Opera Ballet

[hollowed-theory-hall]

Thank you so much for your posts defending Sirius. 🙏🙏🙏 It's so refreshing to read! I'm always a bit taken aback when people say that Sirius' projects James onto Harry tbh - or even that Harry was looking for James in Sirius. I mean, he was the connection, but that's it. They were always so clearly precious to each other (at least to me lol). Honestly, it reads to me like Harry has the least in common with James, on a deeper level. Like, sure, the surface stuff is there but their childhoods, lives and values were so fundamentally different. It's rather sad.

You're welcome and thank you for the kind words! 😊

Yeah, I love Sirius and Harry as individuals and their dynamics with each other. Like, I made it no secret that Harry's my number 1 favorite precious son, but Sirius is a close 2nd most favorite of mine. I just love Sirius a lot, especially in my more recent rereads.

Sirius isn't the image of perfect mental health (how could he be after 12 years in hell?), but he is clever and sensible and much more mature than I'd expect him to be. He so clearly has Harry as his first (and really, only) priority.

Sirius and Harry don't neatly fit into a father-son dynamic, and it's a result of both of their lives up to this point. Harry never had a parent or adult he could look up to as a parent. He was abused all his childhood, and he learned not to trust adults, and yet he trusts Sirius with everything, and he does so easily. But Harry isn't exactly looking for a father, he thinks he is, but he is too independent for that, too uncomfortable with authority of any kind. I think he trusts Sirius as much as he does because their dynamic isn't a neat parent-child one.

And Sirius was sent to Azkaban when he was 21! (younger than I am, which is insane to me) Like a 21-year-old isn't that different from an 18 or 19-year-old in behavior and development, and sure, the war matured him, I'm sure it did. But the kind of maturity war brings is not the same as being allowed to age and grow up. This means Sirius, in his head, is younger. Yes, he is an adult and he can and does act like one, but it is easier for him to connect to Harry and his friends as equals than to the older members of the Order. Like, we see him having fun talking to the younger members more than the older ones (except Remus who's an exception due to their shared past), as Azkaban did stagnate Sirius' development. He was probably quite mature even before Azkaban in ways, war does it to people, being an eldest child with a younger sibling can do it. Even before Azkaban, he was willing to lay down his life for James, Lily, and Harry with no hesitation. But he still has that early 20s behavior to him, especially in OotP when Grimmauld Place brings back all his worst and best memories while being locked there:

“Speaking of dogs,” said Snape softly, “did you know that Lucius Malfoy recognized you last time you risked a little jaunt outside? Clever idea, Black, getting yourself seen on a safe station platform . . . gave you a cast-iron excuse not to leave your hidey-hole in the future, didn’t it?” Sirius raised his wand. “NO!” Harry yelled, vaulting over the table and trying to get in between them, “Sirius, don’t —” “Are you calling me a coward?” roared Sirius, trying to push Harry out of the way, but Harry would not budge. “Why, yes, I suppose I am,” said Snape. “Harry — get — out — of — it!” snarled Sirius, pushing him out of the way with his free hand.

(OotP, 520-521)

Harry, the 15-year-old, needs to be the adult for two 36-year-olds in the above scene. It shows their dynamic isn't a neat one, it's messy and it's between two traumatized individuals who are both trying to protect each other because they are the only thing close to a family that either of them has. They both know what it is to be completely on your own, and they try to be there for each other in their own way.

Honestly, their dynamic kinda reminds me of the one I have with my mother, tbh (if less intense and with way less trauma, lol). Like, yeah, she's my mother, and she would make huge sacrifices for me, but we talk more like we're best friends and not like a mother-daughter. We go shopping together, we gossip and talk shit together like friends do (like, I'm an adult now, so it makes sense, but it was like that when I was 14-15 too). So, like, I know how a dynamic of a parent-child where the child is really mature and independent so they're sorta treated like a friend can be. And it's a lot of fun, I mean, I love my mom and we're still really close friends (although this style of parenting isn't necessarily good for everyone).

And Harry is that. An incredibly mature and independent child who doesn't actually know how to have a parent. And Sirius is not trying to be his father, he isn't trying to be James, which results in their something between a parent-child to close friends dynamic we see. But even with this, Sirius doesn't really see Harry as James, nor does he treat him as James. He sees their similarities, that do exist, but he sees Harry as Harry. Harry who is younger than he is, who he is responsible for, and who he needs to teach and protect. With James, I think it was the opposite. James was kinda the unofficial-official leader of the Mauraders, Sirius usually followed him around (so did Pettigrew and Remus) so their entire dynamic was different. As peers, yes, but, peers where Sirius would defer to James in a way he doesn't with Harry. With Harry, he listens carefully without the friendly shit-talk I'd expect him and James to have and is willing to give out advice that James likely wouldn't have asked for. He'd move heaven and earth for both of them because that's how Sirius is like when he cares about someone.

In my headcanon, how Sirius treats Harry is closer to how he treated Regulus than how he treated James. He is half in denial about it, but this half-parental half-friendly dynamic is probably close to what he had with Regulus. Like, older siblings tend to be the more responsible ones, but it's exaggerated when the parents are absent, neglectful, or generally not overly involved, even when the age difference isn't a large one. I think when they were younger, Sirius, as the heir, got more attention from his parents than Regulus who was a bit overlooked as a child. I honestly think that as children, Walburga and Orion raised Sirius and Sirius raised Regulus (in a way. And in a joint guardianship with Kreature). Baby Regulus looked up to baby Sirius and followed him around constantly and it hurt Regulus so much when Sirius left. I'm sure when they were younger, Regulus would come to Sirius with his issues and Sirius would sit and listen and try to give his advice the way we see him do with Harry.

As for Harry and James being very different on a deep level, yeah, that's definitely the case. Like, they have some surface similarities, besides their looks, but at their cores, they are very different people. I think James' priorities near his death were closer to Harry's, but they had such drastically different experiences growing up and just existing. I think Harry's anger is James' though. I mean, we see Lily when angry, she doesn't curse anyone, or get volatile, instead, she removes herself from the situation (or gets sad in some instances, like with Petunia). Lily is cold when angry. James, on the other hand, is more volatile, we see him curse in anger, cursing Snape after he calls Lily a mudblood. I think this is something Harry shares with James, his volatile temper. But his values, his priorities, his compassion, and his self-sacrificing tendencies are much more Lily than James.

[burningcheese-merchant]

Wake up, BurningCheese/GoldenSpice babes, new poorly drawn blorbos just dropped

They look cooler in my head, I swear.

the images didn't show up the first time wtf lol

The kids are finally here, yay. I promised I'd show you them, and I finally stopped being an asshole and followed through. Almost got 200 followers and I'm very grateful for it - really, I'm nobody. I'm just some clown who says dumb stuff and makes dumb memes and writes cringey stories, and yet I convinced almost 200 people to tune in. Thank you all so much, users on here and anons in my inbox alike. As a token of appreciation, you can all endure my rambling about my OCs and witness a person in their early 20s draw like a 12 year old.

The boy is Pepper Jack (or Pepper Jack Cookie). He's the firstborn and older than his sister by a few years. He takes after his mother in a lot of ways, primarily in her appearance (save for nabbing his father's red eyes). He's incredibly bright (and a smartass lol), preferring to think his way out of conflict rather than fight his way out... not that he's above violence at all, if that glaive doesn't give it away lol. He harbors a deep sense of love and loyalty towards his family and his peoples, and carries the weight of his responsibilities and heritage with as much confidence and poise as he can muster. (There are/will be times where he stumbles, of course. He's not perfect. He struggles a lot more than he lets on, really. But he tries his best, for everyone's sake.)

The girl is Matar Paneer (or Matar Paneer Cookie). Again, she's the younger one by a few years. She was all but made in her father's image, save for inheriting her mother's eyes. She's a little firecracker: lively and fun-loving and stubborn as a mule. She doesn't ask "can I have/do this thing", she tells you "I'm going to have/do this thing". Golden is proud as anything to see her daughter be so greedy... until that greed comes into conflict with her and Spice's authority lol. But she's a good kid, despite being such a handful. She has an enormous heart and is not afraid to stand up for others/what's right, and she loves her parents and brother more than anything in the world. She might doubt her own capabilities, she might secretly fear that she's not strong enough to do what she needs to... but she keeps pushing anyway, because she'd honestly choose death over quitting.

Your eyes are not deceiving you, Pepper Jack's wings are blue lol. There's an actual reason for that. And that USO (Unidentified Sitting Object) in Matar Paneer's hair is a lotus (the cheese one in the GCK decor set lol). There's a reason for that, too. I thought it would be cool to give Jack a glaive and swap out the normal blade for that of a khopesh sword (glaives are not Egyptian, they only saw use in Asia and Europe, but I just HAD to give him a glaive), to add that Egyptian touch. Paneer's supposed to be wearing a pattu pavadai, it's a traditional Indian dress for young girls. It's a blouse plus a skirt. She's holding katar, Indian knives (Cilantro Cobra has them, too). And her hair's supposed to be in a low ponytail.

Merchant thinks that if they explain what their terrible drawings are supposed to convey, people will understand their intended vision and the pain will stop

I sat down and did research into both Egyptian and Hindu mythology for the sake of drawing inspiration for them both. I'll explain in detail in another post, but basically: both of them take after one Egyptian god and one Hindu god each. Golden takes after Ra and Spice takes after Shiva, so I figured I'd follow along that line.

Please flood my inbox with questions about them now. I've really been dying to talk about them for ages now. I've drafted extensive character sheets for them both, I even made up in-game descriptions for them lol. They're my little fankid blorbos and I love them :') I hope you all come to love them, too

(Also, I'm sorry they're on lined paper. I'm visiting family rn and that's the only paper my grandmother has in her house. I'd have to drive to a stationery to get printer paper and I'd really rather not drive in this particular country lol (shit roads, even shittier drivers). I'll doodle them on printer paper whenever somebody remembers to bring me some)

[k4ychiko]

How would look cultists (Old faith) Look in your Cotl band au? And bishops? And how they Role change?

I NEED ANSWERS

Heres their full ref sheet!

Ive made a bunch of doodles and art (under the #cotl band au tag) but i'll be planning to make more art of them! Theyre very dear to me..

I'll write some stuff down here about the characters

Keep in mind this au is not related to scott pilgrim 😭😭 just cus i drew lamb in that poster doesnt correlate to the show pls thank you!!

So since its a modern au, Some stuff might not be similar to the original lore in the game such as the bishops injury and what not lol

-

Shamura - multi purpose

They learned to play a lot of instruments at a very young age, and passed their talent to their siblings. Shamura thought of teaching them only as a hobby, not fully knowing well that they'd form a band.

Shamura couldn't finish their education because they needed to be the one providing for their younger siblings. They work as a tailor.

But despite it all Shamura is still very wise and smart.

Shamura is 31.

-

Kallamar - keyboard and backup

kallamar's voice has always been my favourite because of how soft and melodic it sounded in the game. So not only is he a keyboardist, but also a backing vocalist too.

He's in a polyamorous marriage. Two wives and 1 husband. (Kallamar also has a son.)

And because of his family, kallamar couldn't attend in majority of their band practices

He's hard of hearing. Knows sign language.

Kallamar is 27.

-

Heket - bass

Heket can speak, but prefers to appear mute to the audience.

She speaks using sign language. Everyone in the band knows sign lanuage.

Heket is currently in college learning mechanical engineering.

She's bisexual. And currently dating someone. (Not revealing who just yet)

Sozo and Heket are very good friends. Enjoying tea time together and talking a lot of things. Mostly about mushrooms and family.

She's 22.

-

Leshy - drummer

Leshy and yellow cat (named Fian in this au) are dorm roommates and best friends. Some believe they are more than friends.

All his chaotic energy and anger goes to banging on those drums. Shamura thought it was meant to be.

Leshy studies biology. People didnt believe him when he revealed he's one of the top students in his college.

He has a really good memory. Memorized the drums layout immediately after losing his vision.

Hes 20.

-

Narinder - lead guitarist

Dropped out of college to focus on the band. Bad decision really.

Aym and Baal were the only nerdy fans to get close and have a sweet relationship with nari. Like he's their uncle.

Narinder and Lamb used to date when they were 20. They broke up because of miscommunication (and many more reasons). they are in good terms 3 years later.

Lamb had moved on from their relationship, but nari hasnt.

-

Lamb - Lead singer

Lamb can do a death metal scream, dont let that innocent look fool you.

They were recruited in the band by narinder and became the leader.

Ratau adopted Lamb

Lamb's songs are somewhat religious and has a cult vibe. But sometimes they focus about relationships and struggles.

Lamb and Goat are really great best friends. Maybe even more than best friends.

-

If u guys wanna know more feel free to ask me!

[queenpiranhadon]

A/N: I find it hilarious that this is Bakugou x Reader and he's not even in like 1/3 of the series LMAO Big thanks to our resident beta reader @cashmoneyyysstuff srlsy dunno how she thought I was cool enough to follow ily 😭 Here's the masterlist!

Warning(s): Cursing, reader is the daughter of Aizawa, Shinso and Eri are biological siblings, Shinso is a year younger than reader, reader is 20 years old, afab!reader, reader's mother is dead, medieval fantasy setting, reader cries a lot, reader started sword fighting at age six, reader passes out from crying, reader drugs her family (JUST HEAR ME OUT LMAO- I DON'T CONDONE STUFF LIKE THAT BUT ITS FOR THE PLOT), bad explanations of anesthetics, reader's nickname is Cactus and Warrior, slight spoilers of the actual show/manga, mentions of crossdressing (it's probably inaccurate, idk man I'm not really experienced with this sorta stuff lol).

Pairing(s): Katsuki Bakugou x Reader

ᴄʜᴀᴘᴛᴇʀ ᴛᴡᴏ: Bruises

“I have bad news.” 

In that moment, you’re pretty sure you felt your heart stop. 

You sat there, frozen, unable to move as everyone else at the table starts talking immediately, asking your father was the issue was. 

Yet his eyes remained on you, inky coals transfixed on you, unwavering, boring into your soul as if waiting, watching to see what you’d do next. 

Your mind tries to wander, briefly remembering the last time your father said that, the slight pain in his seemingly empty eyes and his strained tone of voice. The last time those words were uttered, your mother died. 

No. 

Now wasn’t the time for that. Now was the time to protect your family, like you always have. Your feelings weren’t important now.  

You notice your father rub his index finger against the underside of his thumb, a code you knew to mean retreat. In this case, he wanted to go outside to talk to you, alone. 

The table goes silent as you stand up with a word, worried glances being sent you way. Smiling reassuringly at them, you make your way around the table to the door, spinning around to squeeze Ejiro’s shoulder as he was the closest to you and make eye contact with your brother.  

“Toshi, you’re in charge in the meantime- make sure everyone has enough to eat alright?” you ask, and he hums in agreement, but narrows his eyes, a look that means you’re telling me everything once you’re done. 

You chose to ignore that, turning around again to exit your home to meet your father who was waiting for you outside.  

Shutting the door behind you, you see him staring up at the starless sky, covered by clouds and most likely smoke from fires made to provide warmth with the coming winter.  

You join him on the steps of your porch, staring up into the night sky with him. It was poetic in a way, the loss of the stars in the sky reminded you of the man by your side.  

Shota Aizawa was a swordsman, and one of the finest in the kingdom of Bellorant. Since you were six, he used to teach you, much to your mother’s annoyance. She didn’t want you near anything of the sort, especially when you returned one day covered in bruises, saying "Shota, she’s six! She needs to grow to be a lady, not a soldier or a fighter. She doesn’t need to grow up around violence.” 

Yet he still taught you, teaching you ancient sword techniques and sparred with you on occasion, but you never won – unless he let you. Every time, he would stop you at the most spontaneous moments, you could be in the middle of a heated spar when he rubbed his index finger against his thumb, retreat. It was like he had a sixth sense, knowing exactly when your mother would be home, and when she walked through the front door, you would be helping your father with preparing dinner.  

It was your secret, only for the two of you.  

At least for four years. After your mother had passed away, your father basically fell apart, refusing to teach you as an unspoken promise to your mother following her death.  

He could barely look at a sword the same way after he lost both his leg and your mother, like the starless sky - you knew it was possible, yet it seemed wrong. Your father was as empty without his swords as the sky was without stars. 

“What’s wrong?” you ask, your voice betraying you, coming out as a shaky whisper.  

The raven-haired man sucks in a breath, refusing to look at you, not saying anything, The silence was deafening and suffocating, as waves of anxiety rack your brain and your heart rate picks up.  

What in the world could be so bad that he can’t even look you in the eye?! 

“I’m being enlisted into the army. The roundup is tomorrow at dawn.” 

Time stops right then and there. You feel your heart drop. You couldn’t lose him, you couldn’t. Sending him out there was suicide, and he knew it.  

He couldn’t do this to you, not after losing your mother. You needed him, he was all you had left to prevent you from tearing yourself apart from the inside. He was the loose string in the fabric that held everything together but was easily able to be pulled away in the blink of an eye.  

You didn’t realize you were crying until a rough hand comes up and brushes a few tears from your face.  

“You have to be strong my warrior.” he whispers softly, the name hitting you harder than it should’ve.  

He hadn’t called you that since the last time you trained together.  

Words fail you, but he understands, holding you tight as the dam breaks, unshed tears falling as years of suffocating pain and stress release you in the form of salty tears that drip down your cheeks and soak into your father’s shirt.  

You were going to be all alone again.  

Just the thought brings even more tears to your eyes, heaving sobs so powerful that you can’t breathe, there’s just too much and you can’t take it anymore, but you have to.  

You have to, for Hitoshi and Eri. If nothing else, do it for them.  

*** 

You’re not sure when you passed out, but you come to lying in your bed, your dad probably carried you.  

Your throat feels dry, and your eyes burn. Shivering and burying yourself in your blankets, your heart sinks as the situation dawns on you. 

Taking in a shaky deep breath you think, like you always have. Thinking about how to fix a problem that seemed so big that you could never fix it.  

But there was always a way.  

You tried to remember the last time enlistments happened. It wasn’t the first time your father has been in a war, neither had it been for many of the men in your village. But the rest of the village wasn’t battling a severe disability and trying to cope with even more severe mental health issues.  

As per the crown’s decree, the terms for enlistment were the oldest able-bodied man from each household would be sent to join the army out of loyalty for their country.  

That didn’t make sense- considering that your father was far from able bodied...shit.  

The alternative would’ve been HItoshi. Your father, knowing this, probably created a loophole, saying that the makeshift wooden prosthetic Chiyo provided from him considered the man able bodied, saving Hitoshi from the hardships of war he’d have to endure either way.  

Bastard. You curse mentally, somewhat towards your father but mostly at the situation at hand. Shota Aizawa was an intuitive man, and knew exactly how to manipulate a situation to get what he wants. This trait, both helpful and infuriating was one that was passed down to you, which explained how you could read people well enough to know their intentions.

But you knew that right now, what you needed was both your father and Hitoshi, at some, safe.  

And for that to happen, you needed some third Aizawa son to step in and take the burden from them both.  

Then it hit you, maybe there was.  

Cross dressing wasn’t a completely new subject to you- you remembered when you and Ochako snuck into a pub one night, dressed as two boys so no men would try to make a move on either of you.  

Maybe it would work again.  

Creeping out of your room, you see that everyone’s gone to bed. For once, you’re thankful that you do all the chores around the house, tip toeing into the room where you washed and dried all your clothes, spotting the basket of unfolded clean clothes that needed to be put away.  

Sifting through its contents, you find what you were looking for: a yellowed white tunic and some thick black pants that belong to your brother.  

Perfect. 

This was all going according to plan.  

Depositing the clothes in your room, you go into the washroom, finding the medicine cabinet where all Eri’s concoctions lived.  

You wince, knowing this was technically drugging your family against their will, but you get to work, finding the balm used for sleep. 

Sneaking into Hitoshi’s room first, you take some of the balm, rubbing the substance against your fingertips before rubbing it gently against the skin that covered his temple, herbs that were said to have magical properties allowed a light dosage of melatonin into the neural system.  

You felt his body relax, all the tenseness gone from his frame, and you kiss his forehead softly, a tear pricking your eye. 

You might never see him again.  

“I love you Hitoshi.” you murmur, stroking his hair before doing the same for your father and sister both sound asleep, and they would be for the next twelve hours.  

Fingering the paper in your hands, you bring it up to your lips, a final blessing from you before putting the letter addressed to your family on the dining table.  

It was almost dawn, grabbing the roll of bandages from the washroom and wrapping your torso with it to make your chest flatter. You felt like you couldn’t breathe, but you persisted, knowing that it would only be a minor inconvienience in the long run. 

Slipping your brother’s clothes on, you tie your hair into a wolf’s knot, a hairstyle that your father taught you himself, the mark of a warrior. Slipping on Hitoshi’s shoes, you grab the worn picture of your family ten years ago, looking at it, your mother’s face, and your father’s happy one. Now he’d at least be alive to have the chance to feel like that again

You put the photo in your satchel, along with the dagger you used to train with, and the diary Ejiro gifted you when you were thirteen. It was very thick, enough to only be half filled from 7 years of your living, but then again you never really used it back then. Well, that was going to change now, determined to leave your family and friends a little more than a rushed letter if you die.  

Holy shit.  

You could die.  

The thought had never properly struck you until now, and yet, you didn’t feel dread. You just understood the grim truth that if it wasn’t you, it would be Hitoshi or your dad, and it were more than happy to put your life on the line for them.  

You see the sun’s ray start to peak out of the horizon, eyes sweeping your home one last time before closing the door, hand staying on the doorknob for a split second longer than you should’ve, as it trying to subconsciously memorize how it feels. 

One step by one, you make your way down the steps of your porch, the same ones you sat on the night before where you cried your heart out in your father’s arms.  

That seemed so long ago, yet only a few seconds ago at the same time.  

You make your way down the cobblestone path, down to the center of the village, spotting men from the imperial palace with their scrolls condemning their people to death.  

You swallow down the pit in your stomach, taking a deep breath and joining the crowd of men that gathered around.  

Goodbye, home.  

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[marronje]

Now having gotten somewhat used to the void in my chest I can finally drag all my thoughts about the epilogue into one pile

I know it may be getting old for some of you guys already, but I haven't seen some things being discussed anywhere

My problem with the ending is actually with the audience, I literally have almost no issues with how the epilogue is written, all the minor ones I have don't come from the epilogue but the previous plot building which wasn't perfect by all means.

1. People forget that this chapter isn't the Epilogue but the Epilogue pt. 2

TWO PARTS YOU KNOW

Please reread 430. You did? Now let's compare.

a) Can you see what the chapter is focused on? 430 is a lot more shallow, it focuses on facts and tries to contain all the changes at once and looks VERY rushed. Hori didn't have much time with his schedule, so of course he tried to fit all at once and nothing at all. This chapter is more about the system and facts, trying to answer the more crucial questions fans may have.

Chapter 430 has ~20 pages

431 has almost 40 (!)

b) 431 finally has time to look at the characters up close. Why there is so much about Uraraka? Well, because in the pt. 1 she's got one panel and a couple of words. That's why half the chapter is about her now, because she and Izuku are the male and female leads of the manga.

c) Why didn't we have more of Katsuki? Well, this character isn't very known for huge inner monologues and all this sappy stuff. We can get enough from character interaction and subtle cues, as always. Despite being a big asshole and a major loudmouth (I say this with all my love and adoration guys), Katsuki is a really stoic character. And this kind of character doesn't need a whole 5 pages writing down their motivation and inner thought process. I like this. This man remains the most conscious person here and has the greatest development in the series (and Shoto, sure, these two are on the whole other level compared to others in terms of writing)

Izuku and Ochako are more open to us, and it shows in the chapter's way of storytelling

And Shoto is still the most relatable dude here, me too, Shoto, me too...

2. Izuku is NOT shutting Katsuki out of his life. He basically invited him to TEACH TOGETHER just like Katsuki invited him to BE HEROES TOGETHER.

To me it shows clearly that these two just found their two paths that don't align fully. Izuku has been teaching for years after his quirk was gone. Sure, he still adores hero job, but he already has stability and purpose and it's IMPORTANT to him. He's only been back to heroics for a month after all. Izuku has matured significantly, and I respect that about his character even if it's not perfectly written.

"Izuku wouldn't ever decline the offer". Do I need to remind you that it's whole 8 years after their school days?

Imagine yourself 16, dreaming to start a rock band with your best friend. You're both so passionate about it, you think music is the most beautiful thing in your life and you'll never be over it.

But you get your fingers injured severely, and you can't play your guitar anymore. You're devastated, but your knowledge is valuable and you get a whole teaching degree and go to work in a musical college. It feels very fulfilling to you. But your friend is very talented, he continues and pushes forward and actually becomes a worldwide known rock star! You're so glad for him!

But the time passes, and your friend, now famous and loaded, states – you're getting most expensive treatment and surgery, and we – I and our old band bros – pay for this.

And your fingers, they work properly again. You had a whole life of 8 years, and now there are so many possibilities open. You know your friend wants you to join his band and travel and rock the stage together, he offers it to you without expecting much, because he knows you have your life settled already, you can't change that with a flick of a wrist. He's an understanding friend, even if his passion for your old shared dream burns brighter still. You can join his band for a concert or two once in a while, it's a good reprieve from your everyday life. But as much as you love music, your priorities shifted significantly since your youth – and now teaching is as important and precious to you.

You even invite your friend to give a lesson of two in the college where you work. It's a way for you two still remain in each other's lives even if your paths are a bit different now. Your connection is built on compromise and genuine support from both sides, and it's fantastic!

I know the analogy isn't perfect, but it works I suppose.

3. About Himiko and Ochako. It's a painful one, but

No, Himiko wasn't haunting Ochako for the whole 8 years, it's probably a time to time occasion. It's not because Ochako is tired, it's because she can't let go of her guilt and at particularly taxing times it manifests in these visions.

Dreams are still a big mystery for science, but what we know is that they're almost always NOT about what you see, but about the hidden layers of meaning.

And of course we know this is not REAL Himiko, it's just Ochako's mind.

So I don't understand all the weeping around Himiko now being DEAD FOR REAL OH. This is Ochako's mind, not a literal Toga's spirit no matter how much Horikoshi wants his symbolisms to be literal in this story. It's still open to interpretation if Toga is dead or notnot (she's coping).

Tsuyu is so Tsuyu 😭😭😭

Right, my girl, this dummy really thought there's something wrong with her health while she just needed to see a psychologist...

I remind you that psychotherapy is severely underdeveloped in Japan. There's still a lot of stigma around mental health there, so please keep this mentality in your mind while reading manga. "They could just go and see a therapist." No, they couldn't. Their culture doesn't work like this, and societal norms aren't a joke in Japan, they're literally overwhelming.

And about how this chapter "ruined" Himiko. To me, it didn't.

"Himiko was written for Ochako". Exactly. Ochako's main negative character trait was inability to open up about her true feelings, putting up a cheerful front and all that.

Himiko was created to get her to understand what suppressing emotions does to people. Unfortunately, it seems she didn't catch this message fully until Himiko told her with plain words and freaking pushed her forward.

And isn't it a torture for Himiko seeing Ochako beating herself over her death, putting up a brave front to avoid her inner struggle which is COMPLETELY OPPOSITE to what Himiko tried to convey?

And Himiko loved both Izuku and Ochako, so of course she wants them to be special for each other and open up to each other too.

Because Himiko LOVES love in any form (pun intended), and wishes happiness for her special people, and sees how they have been holding back from living how they wanted.

Do you really think Himiko would prefer a depressed Ochako having hallucinations of her over an Ochako who's opening up and rebuilding connections with the man she yearned to reach out to for so long?

And of course I'm not about the ship. This manga was never about the ships. We've got a clue that Izuku barely had any contact with his former classmates since graduation in 430. This chapter is created to gives us hope that it'll change, starting with Uraraka because Uraraka was the one to reach out to him first in the beginning, and now it's his turn.

I imagine that it's just a start of the reconnection arc. Izuku can do this with the rest of his classmates too later, and knowing his tendency to butt into others' business he certainly will.

(Yeah, it's an actually good idea for a new tome for you Hori, not Boruto 2.0, never Boruto 2.0 please...)

4(?). This one has gotten me confused...

They studied 3 years... so they must have become class 2-A, then 3-A.... I hope it's a bad translation.

Do you trust Jirou? She certainly did put a whole ton of wasabi in his food, look at her face

Katsuki not toasting because he's the sober friend for his whole bunch of idiots>>>>

(he really has come here for the food)

Katsuki, when did you undergo your Syndrome arc?

[pop-st4rrr]

Marge from my beach au + au info

STOP LIKING MY OLD BEACH AU POSTS THEYRE SO UGLY OMG😭

AU summary so far:

Beach au is based on the episode about Lisa’s birth and them moving that takes place in 1984, but I changed the timeline to the early 2000s to fit my personal aesthetic. The episode is supposed to be summer themed, but there’s nothing summer about it besides Homer and Marge watching the 1984 Olympics that took place that summer. So I therefore decided to create beach au, which is a completely summer themed timeline.

Backstory:

Because their family is about to expand again, Marge thinks it’s time to move houses. After a long discussion, they decide to relocate to the beach to give their child (and future kids) the childhood they didn’t get. As a kid Marge grew up in a strict conservative household, and the beach vacations her family took were her favorite escape. So why not let her vacation last forever, and let her kids experience what she loved most too.

But this presents problems among the family. Both adults have to switch careers if they’re moving states away. Marge is hesitant especially because she’s expecting, and not many jobs will take her work. Homer is worried because, despite both parents being in work, the power plant gave him most of the income. They used all their money on a house by the ocean, so what’s next for them?

⬇️

After borrowing money to pay off the house, Marge gets a job as a waitress, and Homer finds similar technician work nearby. But they’re still adjusting to life at the beach. They don’t really know anyone, and their families are so far away. In the end, they find good friends with similarities to them, even if it takes time.

(All that leads to present day scenarios, where are they now?)

I’ll release more specific parts we wrote eventually lol but this is just my character info and background rn

Marge and homers info:

Marjorie Bouvier is 38 years old, she’s like 5 feet tall and French. (Well half French, her dad’s side). She’s married to Homer, has a son named Bart who is one, and is about to have twins (but she doesn’t know it quite yet).

Job-wise,she works at the mall. Despite being almost 40, she wants to go back to college and discover a career that would support her family better. She’s considering pursuing teaching. She was a model throughout her 20s, but is now retired and hates when people bring it up.

She’s French, (on her dad’s side) and it was the first language she learned until she had to learn English to go to school. She has two sisters and a brother and she’s very close with her brother. Her parents aren’t really part of her life tho.

She has several hobbies, including painting and sewing, but she also has a book club she leads along with principal Skinner and she likes going out bowling with her husband and supports his garage band :3

For Marge’s design I like to make her look very 2000s, since that’s when the flashbacks take place. Her hair down and curly suits the 80s stylization of the episodes, and as a personal preference I make her a little chubby since realistically after having a child she would not look like that, plus we need better representation for plus size people. Ngl I think Marge would be naturally ginger love me or hate me.

Homer Simpson is 36, he’s married to Marge Bouvier and works at the power plant still, although it’s further away now. He’s 6ft tall and has a lot of defining scars from his job at the plant. He’s southern bc he grew up on a farm with his family, and he’s kind of a hippie because that’s the only stuff his mom ever really taught him. He’s autistic (as in canon), and is REALLY into music. He has a garage band with a couple of his friends, and he also used to be famous just like his wife before they got married(barbershop quartet).

Homers backstory isn’t much different than in the show, just like Marge he has a bad relationship with his parents, his mother DID abandon him, as seen in canon. He still talks to his brother somewhat though. Homer definitely tries super hard with baby Bart to give him the childhood he didn’t have.

For homers 2000s design, I still keep it simple, but I added a lot more silly patterns and stuff bc it suits him well. He’d wear lots of graphic/band tees and jeans, also polos with shorts. Marge cuts his hair herself and he has a tattoo on his lower back, matching Marge. He doesn’t like it but got it because she didn’t want to do it alone :3. He also has his triple bypass scar from the season 5 episode.