#a lot of it. a Lot of it. is stemming from people wanting either ship to one up the other. and you shouldn't fall for it

[milfbrainrot]

have always been a bit more neutral to timebomb but it has rly surprisingly grown on me so much ;-; i think i do see it more from the tragedy angle and maybe more one-sided. i'm not sure jinx has ever been in a place to reciprocate the feelings i'm sure ekko has, but it is nice to think about for years down the line and in terms of what could have been.

[roobylavender]

if i really scratch my head i think maybe the one thing all of this could stem from is mere discussion of the fact that talia and selina's histories with bruce sort of operate in the reverse and inevitably that factors into any contention with either relationship. like it can't really be helped that bruce and talia were married very early on into the latter's history and that this is integral to analyzing talia's entire dynamic with bruce, her evolving perception of her own place in the world, and her eventual decision to break free of bruce entirely. the constraints of a marriage with bruce as desired by her father are foundational lore to the early aughts of her character in a way that selina's settled domestic life with bruce is not. if we're talking about the golden age what was foundational to selina's dynamic with bruce was his ability to recognize above everyone else her consistent capacity for mercy despite her villainous goals on the surface. in post-crisis that was translated along the lines of a class struggle specifically. the villainous goals were interpreted to represent a defiance of men and the state and their collective violence, and they also formed a means of survival. what was initially merely a recognition of selina's capacity for mercy now became a potential recognition of bruce's own hypocrisies. selina acted as a symbol for petty criminals in gotham whom bruce would otherwise have written off as immoral wholesale bc to him the law was the law. and the remarkable thing about it was that none of it required selina giving even an inch to bruce. she was who she was and that was what made her utterly compelling to him. it's not a slight against selina that neither marriage nor a close civilian relationship formed the basis of her relationship with bruce and i don't understand why anyone would take it as one. marriage and domestic life for talia was a mark of the utter tragedy of her relationship with bruce. it was a fantasy and a delusion and it could never have given her what she wanted nor lent her any kind of agency in the long term. and i think when we meander into the realm of comparing the relationships we really start to diminish why certain aspects are important to either. why are the various patriarchal restrictions on talia's agency so integral to her character arc and its exploration of freedom? why is selina's existence in a sphere of life entirely distinct of bruce so integral to her character arc and its exploration of class? the constant back and forth between shippers on either end trying to equalize in terms of what either relationship has gone through in canon like it's a checklist to romantic validity is a bit absurd and i wish we would move away from it when analyzing the relationships or the characters

[kyuuumie]

this is just a ramble about billdip/billford since i’ve seen a bunch of posts and want to share my thoughts on it!

i find a lot of the comparisons between billdip and billford to be a bit off the mark. while it’s true they share some surface-level similarities—mainly because they both involve bill cipher and a “smart guy”—their dynamics are vastly different. in billford, ford initially placed an enormous amount of trust in bill. he practically revered him, as seen in the tapestries in his lab and all the one-eyed triangle symbols throughout the mystery shack. ford’s trust was so deep that he allowed bill to lead him down a dark path, ultimately resulting in betrayal. bill has since been shown relishing in taunting ford, making their relationship one of broken trust and regret.

on the other hand, billdip presents a way different dynamic. dipper never trusted bill in the first place. from the very beginning, their relationship was antagonistic. unlike ford, dipper wasn’t lured in by the promise of knowledge or power; he had to be manipulated, and even then, he was extremely hesitant to allow bill to possess him. bill never had dipper’s trust to betray, which sets the stage for a completely different kind of tension. in billford, the conflict stems from a deep betrayal of trust, whereas in billdip, it’s more about the struggle between manipulation and resistance, with dipper trying to outsmart someone he knows he can’t trust.

i want to clarify that i don’t hate or even dislike billford. they have an undeniably interesting dynamic, and under different circumstances, i’d probably be more invested in it. however, my enthusiasm for the ship is dampened by the behavior of some of its shippers. it often feels like many people ship billford not because they genuinely enjoy the dynamic, but rather out of a desire to distance themselves from billdip. it’s as if shipping billford has become a way to proclaim, “at least i don’t ship billdip.” but spite shouldn’t be the driving force behind creating content for a ship. shipping should be about passion, about enjoying the dynamic and wanting to explore it through art, writing, and discussion because it genuinely interests you.

that said, i do wish people would keep the discourse civil and avoid leaving hateful comments about either ship. unfortunately, that might be asking for too much in fandom spaces. but it would be nice to see more respect and understanding for different preferences, even if we don’t all share the same ships ૮꒰ ˶> ༝ <˶꒱ა

[writeyouin]

Lost light megatron trying to have fun with his s/o, but kinda failing cuz he thinks of all the ways it could go wrong? (Maybe they’re on a planet in a theme park?) and reader has to convince him to let loose?

Megatron X Reader – Let Loose

A/N – Slowly, whittling my list of requests down.

Warnings – None.

Rating – T

Megatron snatched the cotton candy from you, earning a startled look from the vendor and the surrounding people alike. You, on the other hand, merely smiled, knowing what he was like.

“Babe, it’s not poisonous,” You told him patiently, waiting for him to agree.

Megatron tore off a piece of the fluffy treat, scanning it with a device he had procured from Red Alert; that bot was equally paranoid about all the things that could poison you, or that could contaminate the ship’s supply of energon, or that could… Actually, the list of things that Red Alert was paranoid about was endless.

He hummed and passed it back to you begrudgingly. While it was true that the food wouldn’t kill you, it wasn’t very good for you either, which is exactly what he told you after you tore a piece off, popping it in your mouth gleefully.

“Would you lighten up?” You laughed, elbowing him playfully. “Today is supposed to be fun.”

Megatron followed you through the Carnival that Rodimus had insisted on making the Lost Light stop at. Frankly, he thought that he had been doing well by not complaining that it was a waste of time and energy to visit such a trashy attraction, especially when the crew had to make use of their holo-forms which increased their energon consumption by 3.7%. That might not have been a lot for one bot, but when used by the full crew, it would ensure they practically ate through their energy reserves.

“I’m sorry, (Y/N), but how exactly would you have me ‘lighten up’?” Megatron used air quotes upon repeating you.

“Just cut loose. Have fun for the day, okay?”

Megatron scowled. His idea of fun was composing poetry to sum up his deepest thoughts and clear his processor, or to spend an evening with you, consuming some of the universe’s best literature, while you spent time on one of your hobbies.

Frankly, this was when another bot might comment on how odd your relationship was. You and Megatron were not alike. You were loud, carefree, and energetic. He was sombre and contemplative, and he preferred not to waste energy on frivolous activities.

Yet, Megatron found himself wanting to please you. Part of this stemmed from the idea that he didn’t believe that he deserved you, and partially because you asked very little of him, taking the relationship one day at a time while he learned how to navigate it with you.

“Very well,” Megatron sighed. “I shall…” He tripped over the words cut loose, finding the slang un-endearing, opting to finish by saying, “Try to relax somewhat.”

“That’s all I ask,” You chuckled, grabbing his hand and dragging him to the first game of the day.

It was a simple ring toss over some bottles, with various prizes hanging overhead. You spotted a plushie armadillo which was arguably the most hideous of the prizes, yet it held your attention, your pupils dilating at the sight of it.

“Oh yeah, that’s coming home with me.”

And so the game began. You tried again and again to win the creature, putting more and more credits on it, much to the vendor's satisfaction.

Megatron watched, bemused, until finally, he grabbed your shoulder, shaking his head disapprovingly.

“What’s wrong, babe? You want a go?”

You held out a ring to him. Megatron glowered first at the bottles, then at the vendor. “You should leave this game.” He told you matter-of-factly. Then in a whisper, he added, “My sensors show that it has been rigged. Winning is a statistical impossibility.”

“Oh,” You deflated. You had already guessed that the game was rigged, but it had been fun to try all the same. Half-heartedly, you threw the last ring before walking away. “Okay… something else then.”

Megatron silently cursed himself for upsetting you, but it was better you knew now rather than trying to win the impossible.

Your eyes lit up again when you saw what had to be the world’s most unstable rollercoaster.

“How about that?!” You pointed to it excitedly.

Megatron scanned the structure, messaging Ultra Magnus to see how many laws it broke. According to him, the ride had 36 structural weaknesses, broke 17 laws, and would only be legal on 3 planets.

You shook your head as Megatron’s face set into its default scowl.

“Oh, come on, please,” You begged, clasping your hands together.

“I won’t stop you, but I shan’t join you,” Megatron said drily, thinking about how he would be prepared to shed his holo-form and rescue you when the ride inevitably flew off the tracks or something equally terrible.

“Really? I can’t convince you?” You pouted.

“I should think not.”

You opened your mouth to argue until Rodimus ran into you, “Hey (Y/N). You here for the coaster?”

“Yeah, I was about to get in line. I’m just asking Meg-”

Rodimus rolled his eyes, “Megatron isn’t going to join you. It would mean having fun, something he’s completely allergic to, you know, alongside joy, laughter, puppies, flowers-”

“Shut up,” You punched Rodimus playfully in the arm.

Megatron watched as you and Rodimus played, eventually getting his approval to go on the ride together. It sometimes amazed him that you hadn’t chosen to enter a relationship with someone like Rodimus. The two of you were quite similar and had a good rapport.

Megatron sighed as he watched the two of you on the ride. He was somewhat you were relieved that you were with his co-captain. At least that way you would be safe with him should something happen. One person with you, and another on the ground in case something went wrong.

Yet, remarkably, nothing bad happened, except for Megatron putting yet another damper on the day, making him practically miserable.

Once you had come off the ride, Megatron made his excuses to go back to the ship, leaving you alone with Rodimus. He had much to think about when it came to the two of you, and frankly, he felt like he needed to find some reasons that the two of you were together, especially after such a disastrous excuse of a date, wherein he had only helped to sour your vibrant mood.

Megatron startled at the sound of the doorbell ringing.

He answered the door to find you, holding tightly onto the plushie armadillo that he had claimed was impossible to win.

“So, you somehow won the ring toss,” He stated, gesturing to the toy.

“Nah. Rodimus distracted the guy there and I took this,” You held out your prize, grinning victoriously.

“Stealing?” Megatron said doubtfully, thinking about what a terrible influence Rodimus could be.

“I’d like to think of it as liberating a plushie who needs a lot of love. Besides, you said it yourself. That guy was cheating, so it’s only fair he loses a prize or two every now and then.”

Megatron nodded stiffly, his optics following you as you entered the hab-suite.

“I’m sorry-” He started, surprised when you said “Thank you,” at the same time.

“What’re you-” “Why are you-”

You laughed as you both spoke simultaneously again, gesturing for him to start first.

“I- I’m sorry for leaving you at the fair,” Megatron sighed in his usual melancholy tone. “And you don’t have anything to thank me for. Believe me, I should know.”

You grinned, holding back a bout of laughter since you didn’t want Megatron to be offended.

“I’ll admit, I was sad that you left early, but… I wanted to thank you, for a really good night.”

Megatron didn’t respond. Frankly, he couldn’t see how you had a good time with him at all.

“I know the carnival isn’t your scene, but you went with me anyway, and… I love having someone who looks out for me all the time. I think it’s really sweet that you don’t want me to get conned out of my credits, or get hurt on the big rides, or, y��know, die from poison. I love you, Megatron.”

That wasn’t the first time that you had told Megatron you loved him, nor would it be the last, and yet, you always said it at the most unexpected times.

“I… Love you too,” Megatron said haltingly, scared as usual that his vulnerability would lead to a terrible end for the two of you. “Would you like to spend the night here?” He offered.

“Sounds good to me,” You beamed.

[alexthebordercollie]

I know this definitely wasn’t the point of your post but this line “I think he gets shipped with Stanley by people who want to see Stanley get that kind of overbearing love that Fidds showed to Ford. I do understand wanting to give him that kind of partner but Ford deserves love too,” in your Fiddleauthor comic post made me think… what about aro/ace Stan. It seems like a lot of Fiddlestan shippers only ship it because they want Stan to have that overwhelming love or whatever, but do these people ever consider that maybe the only overwhelming love Stan wants/needs is familial? The most important relationships in his life are all family, and considering his repeated mentions of failing at romance/the implication he engaged in sex work, I can totally see him just straight up having no interest in romance or sex at all. In my opinion, the most realistic scenario (and probably the best for everyone involved) is Stan being aro/ace and happy for his brother and his brother’s partner, being supported and loved non-romantically and being perfectly content with that. It certainly makes a lot more sense then breaking up Fiddauthor which has so much canon basis and taking away Ford’s support system.

Ok so I've got a lot of thoughts here, but it's a great point to bring up. I'll start by offering up some art of Stan and the beans then dig into my thoughts.

Nikola is speech delayed while Newton is an early yapper.

So I think the point about Stanley being happiest with familial love is a fantastic one. He's clearly someone who values family a lot and they seem to be his most consistent source of happiness. I think lot of people undervalue platonic love next to romantic love and I think that's a waste.

That said I don't see Stan being aro/ace, like it's a fun headcannon and I can understand the logic behind it. It's just I think something else is going on. I think Stan's issue is that he's terrified of emotional intimacy. Something backed up in the show by repeated examples of him avoiding being vulnerable in front of people. I think what happens with Stan is he tends to self-sabotage his relationships anytime they get too close out of fear. The sort of thing that likely stems from the trauma of being abused and rejected by his own family. He doesn't want to get close enough to someone new for them to hurt him. Avoidant attachment style

Family is different though. I think he has an easier time being close to family because there's this built-in connection and he isn't pressured to be vulnerable in the same way a romantic partner might pressure him. Instead, he has more of the space to open up at his own pace.

Speaking of, by that same metric. I actually think if he and Fidds ever happened, he'd probably sabotage the relationship pretty fast. Fiddleford loves rather aggressively and with an open hand and I actually think Stan would find it overwhelming. I feel like he would panic having someone shower him with gifts and bail.

Personally, I might ship Stan with someone else in this AU later on down the line though I'm still not sure yet if I want to fully commit to the idea. For now either way I see him spending at least the first few years of his nephew's lives completely single so he can focus solely on being a good uncle. He loves these boys like his own and he's just as involved in their upbringing as Ford and Fidds.

If I do ship Stan with someone at some point it's not because he needs a romantic partner. It's just because I found a ship I think could be fun to explore. Stanley doesn't need a girlfriend or boyfriend. He is perfectly content being the bachelor uncle and helping raise his brother's kids.

[crab-people-overlord]

Understanding Stan Marsh: A Character Analysis and Response to Fandom Mischaracterization (Writing Depression/Addiction Responsibly):

I’m sure a similar analysis exists - but I haven’t found it so I wanted to make it. I’ve seen similar analyses about Wendy with her intelligence/tendency to serve as a villain in things like Style fics and Kenny with his own addiction as well as lower-class designations, which absolutely should exist. But I haven’t seen any about Stan in the same sense despite issues I’ve seen in fandom about his characterization and either blatantly disregarding and misunderstanding what depression is/or/trying to further their specific shipping agenda such as Kyman. And I think it’s finally time we fucking talk about it. This is due to me noticing a prolific increase in the ‘Stan Marsh is an asshole’ tag on AO3.

The Problem of Character Flanderization

Character flanderization (the tendency to focus only on a character's weaknesses) has always existed in fanworks, but the current treatment of Stan Marsh reveals a particularly troubling trend in how mental health and addiction are portrayed. This isn't about calling out specific creators - many (even most) write Stan beautifully, even in ships like Kyman. Rather, this analysis addresses a broader pattern of mischaracterization that does a disservice not only to his character but to real people struggling with similar issues.

Please note this analysis is not directed at any particular creator at all! I see SO many good characterizations of Stan, even in Kyman fics (I’d argue a lot of them do!). But I also see very unfair portrayals of him in some fics which at the end of the day show a complete disregard to addiction/depression and ignore his good traits in favor of furthering their own agenda. I’M NOT OKAY with this, and I think it’s time we talk about this as a fandom. 

 This trend often manifests in two primary ways:

Depression Mischaracterization:

Some of fandom's handling of Stan's depression reveals a profound misunderstanding of clinical depression that goes beyond simple character misinterpretation. The "You're Getting Old/Ass Burgers" arc isn't just about Stan being "negative" or "selfish" - it's one of television's most authentic portrayals of how depression manifests in young people. Stan doesn't CHOOSE to see everything as shit; his brain chemistry literally alters his perception of reality. This isn't character weakness - it's a medical condition that he fights against while still trying to maintain his relationships and sense of self.

What many fanworks miss is that depression often coexists with deep empathy and care for others. In fact, Stan's depression might partly stem from how deeply he feels things - his awareness of environmental destruction, animal cruelty, and societal hypocrisies. He continues to fight for causes he believes in and protect those he loves even while struggling to find meaning in his own life. That's not selfishness - it's remarkable resilience. The show demonstrates this complexity brilliantly: even at his very  lowest points, Stan still:

Tries to maintain his friendship with Kyle despite literally seeing him as shit

Continues to stand up for what he believes in when he realistically thinks it can make an impact

Attempts to understand and help others, even when he can barely help himself

Fights desperately to stay present in a world that has lost its color and meaning

When fanworks reduce Stan's depression to mere selfishness or use it as a convenient plot device to make him the villain, they not only mischaracterize Stan but potentially harm readers struggling with similar issues. They send the message that depression makes someone unworthy of friendship or love - exactly the opposite of what people with depression need to hear.

Alcoholism Mischaracterization:

Stan's relationship with alcohol deserves particular attention because it's portrayed with a nuance rarely seen in either animation or fanworks. The show presents a complex web of factors that contribute to Stan's relationship with alcohol:

First, there's the genetic component - Stan comes from a family with clear predisposition to addiction, particularly through Randy. But crucially, Stan never sought out alcohol on his own. He was introduced to it by adults who should have protected him, making his initial exposure a betrayal of trust rather than a character flaw.

What makes Stan's arc so powerful is how it captures the insidious nature of functional alcoholism. He discovers that alcohol makes an unbearable world bearable - it literally changes how he sees things from "shit" back to normal. STAN HAS NEVER EVER BEEN ABOUT getting drunk for fun; it's always been about self-medication to seem 'normal' to others in response to genuine mental health struggles. The show demonstrates how someone can be both struggling with addiction and highly competent - a reality many fanworks seem unable to grasp.

Even in the "bad timeline" of the Post-Covid episodes, Stan maintains his fundamental characteristics and ability to function. He becomes what's known as a "functional alcoholic" - not because this is healthy, but because it reflects a tragic reality that those who seem most adjusted often hide the deepest struggles. He learns exactly how much alcohol makes him functional versus dysfunctional, developing the kind of careful management that allows many real-life individuals with addiction to hide in plain sight.

When fanworks reduce this complex portrayal to "pathetic or asshole drunk Stan," they miss the point entirely. They ignore:

The environmental factors that led to his alcohol use

The relationship between his depression and self-medication

The reality that addiction often coexists with high functionality

And especially, and something I think a lot of you need to fucking understand - the way addiction can stem from trying to feel normal rather than trying to get high. Stan never ever tries to feel ‘high’ or even drunk. He ALWAYS is just trying to feel fucking NORMAL. 

This oversimplification doesn't just do a disservice to Stan's character - it perpetuates harmful stereotypes about addiction that make it harder for real people to seek help.

Stan's Core Character Traits

Stan consistently demonstrates practical morality alongside emotional depth. His quiet leadership often goes unnoticed - he's frequently the instigator of group plans alongside Cartman, but without the manipulation or need for credit. His relationship with Wendy shows realistic pre-teen awkwardness while maintaining genuine care and respect. These aren't the traits of a "simp" or an "asshole" - they're the complex characteristics of a well-written character dealing with real challenges.

Just rewatch the show for evidence of this - Stan at the same level of Cartman instigates things. And at the same level of Kyle, he tends to do it for the greater good of society. He’s just not as attributed to his actions because he’s naturally more quiet about it than both Kyle and Cartman are. 

TLDR- /Mental Health and Responsiblity in Writing:

The show's handling of Stan's mental health offers a masterclass in nuanced characterization that many fanworks ignore. His depression and struggles with alcohol aren't plot devices - they're part of a larger narrative about growing up in a world that often doesn't make sense. Writing Stan as a "pathetic drunk" or "selfish depressive" isn't just bad characterization - it's potentially harmful to readers who share these struggles

His depression on the actual show is shown as a legitimate struggle, not a character flaw

His relationship with alcohol is portrayed as functional and carefully managed - something maybe some of you would be surprised to learn that some of the most functional folks in your life actually are pretty good at hiding. Stan in his depression arc is ultimately meant to be shown as someone who is a ‘functional’ alcoholic rather than a ‘dysfunctional’ one. That’s not to say it’s healthier to be functional. But it’s ultimately the whole point of that goddamn arc - that even those who seem the most well-adjusted may be hiding a more sinister addiction. So I don’t really see the fucking point of writing Stan as someone who is so alcoholic to the point that it fucks up his entire life. 

The Shipping Problem

The rise of ships like Kyman often comes with an unnecessary cost: the villainization of Stan. This ignores the show's complex web of relationships - Stan's deep friendship with Kyle doesn't need to be erased or twisted to explore other relationships. The best Kyman fics prove this by maintaining Stan's character integrity while exploring new dynamics. Additionally, Stan's relationships with other characters, particularly his often-overlooked friendship with Kenny, deserve more attention and respect in fanworks.

Complex relationships can be written without villainizing other characters like Stan

Good Kyman fics prove you can write the ship while maintaining Stan's character integrity. 

Both Kyle and Stan canonically view each other as super best friends and equals- and this is because they literally ARE equals, even in a moral sense. Neither of them is better than the other. They have a deep connection to each other. Any fic written about either of them HAS to accurately represent this without making Stan to be a primarily weak selfish villain. This is so incredibly unfair to Stan’s character, and a massive representation of him. Same if it’s vice versa for a fic for Stan misrepresenting Kyle (though I’ll be honest - I far more often see Stan as misrepresented in recent works as a selfish asshole over Kyle). 

When writing Stan, consider:

His actions, even negative ones, should stem from established character traits

His struggles with mental health and substance use should be treated with nuance and care. Writing him as an asshole or complete loser (he can be a lil bit of a lovingly designated loser lol) is a slap in the face to those who do function quite well in the real world but with this particular struggle of depression and addiction. Don’t ignore Stan's many strengths, such as adjusting well to things in the moment both physically and intellectually. (He absolutely can be dumb about some things to the extent that it's humorous, but he is not actually dumb - he consistently shows some of the most complex critical thinking in the entire show, even compared to Kyle. And it makes no sense to disregard this aspect of his character.) 

His relationships with other characters should reflect their canonical complexity.

If writing him as antagonistic, ensure it serves character development rather than plot convenience.

Stan deserves better than reductive characterization. His struggles with mental health and addiction make him more relatable, not less worthy of respect. Writers who reduce him to his lowest moments not only do a disservice to a complex character but potentially harm readers who see their own battles reflected in his story. We can and should do better - both for Stan and for each other. He is literally meant to be written as the person most relatable to general society, after all.

[the-music-maniac]

This is one that ended up way longer than I would've liked but the brainrot has reached concerning levels.

Brief mentions of sephgen, sephgeal, sephzack, multishipping, spoilers for crisis core, rebirth etc. etc.

I've begun realizing the longer I traverse the various pages of FF7 fanworks that when I say I ship Sefikura, the romantic/sexual aspects of it don't matter as much to me as the emotional catharsis of it. And I say this because I feel like sefikura is often used to explore one specific type of fantasy/smut/kink etc. There's a portion of people who like the ship because they like exploring how fucked up it is for post-nibelheim Seph to try to make Cloud into a puppet - this is usually (not always) accompanied by size difference kink, sub Cloud dom Seph, etc. Even in sane! Sephiroth fics, for some reason Seph is still a dom/top. And while I personally despise that characterization common in that interpretation of the ship, it's still valid, cause y'all should be able to explore your own fanfics however you want. An "Ew. Oh well, none of my business." kind of deal.

I would like to make it known though, that as a Sephiroth fan I kind of hate domroth. Block me if you must, we can just agree to disagree lol.

My interest in Sefikura stems mostly from Sephiroth. I'm gonna shamelessly admit here that while I love Cloud as a character, he doesn't intrigue me as much as Sephiroth does. And I know I'm biased cause he's my favourite, but I get easily stuck on characters who were abuse victims that became villains because they gave into their demons, characters who managed to stay kind, up until they were so beaten down they snapped, characters who I think have redemption potential, even if it wouldn't be easy to do. Which can be the case with Seph both pre- and post- Nibelheim.

Post-nibelheim is a LOT harder to write convincingly, seeing as how he actually did fuck up like. Everything. And his victims don't have to forgive him. Not Cloud either, even though I am writing a post about sefikura. The redemption is more about personal improvement, rather than forgiveness. But it's really interesting because a Sephiroth that even has a chance at redemption post insanity, is one who is a mix of before and after. He still has all that rage inside him from how he was treated by humanity, still has visions of annihilation and delusions of grandeur in his head, but he also remembers that he used to love, that he used to have companionship, scarce as it was, and cared for the well being of the soldiers he lead, etc. How does he get to that point in the first place, and how does he deal with it after? With the warring that is likely occurring from those two sides, the festering resentment of knowing he was given so much less than he should've been, knowing that he had a human mother, but since he IS closer in capability to a god than a human, does he think he's a monster because of his heritage still or because he gave in? Does it even matter at this point, what he is? And what will he do, now that he has a portion of his humanity back (however that occurred) and isn't just purely Jenova? How does he deal with knowing that even in the depths of insanity, he still just didn't want to be alone? And of course the turmoil on Cloud and Co's side, usually some flavour of, okay so repeatedly killing him isn't working, I'm tired of fighting him every couple of years, I still have the responsibility of making sure he doesn't fuck everything up again, and of course the hatred they understandably feel for the shit Sephiroth has done. And as Sephiroth kind of fights to recover some semblance of identity and understanding of himself (without destroying anything), watching that occur and knowing objectively that your enemy didn't deserve what he got when he was a child, that a part of what occurred was after he was pushed to that degree - even if you subjectively can't make yourself feel it at the beginning. And then as the story progresses and characters undergo development, Cloud likely wrestling with the fact that he actually is starting to understand Sephiroth's predicament, realizing Seph can be so very human at times. And dealing with the worst sin/betrayal of all, enjoying his company for his company's sake. A Sephiroth that gets through that and finds some semblance of contentment is meaningful because it would take a mind-boggling amount of hardship and work to get there. And tbh here's where the bias comes in - it's what I would say is a happy ending for everyone. I know people would disagree, a lot would say Cloud and Co getting rid of Seph is good riddance, why should he get a chance, why should they have to deal with him, etc. hence why I acknowledge this is biased - but a happy ending to me is one where everyone else gets to stop fighting Seph and move on with their lives and Sephiroth actually gets to live the life he wanted when he was a child. I won't ever be entirely satisfied with FF7 canon for this reason (true of any tragedy). Nothing that happened to him pre-insanity was fair. So. Catharsis.

As for "redemption" of pre-nibelheim Seph, I read time travel fix-its when it comes to sefikura cause I find it more interesting. For anything pre-insanity that involves canon divergence without time travel, sephgeal, sephgen, sephzack, shipping, platonic or poly makes more sense to me, cause those three are positioned better to help Sephiroth in a meaningful way. Also I personally do think Cloud is a little too young for that then (even if I'm also convinced he 100% had a celeb crush on Seph. Which is also not what Sephiroth needs at that point).

So, for sefikura, pre-nibelheim redemption usually involves Cloud getting yeeted back in time, either by the planet or by choice, to stop things before any of it happens. Cloud usually believes he has to kill Sephiroth, so he'd likely be in close proximity. So how would he deal with seeing, first hand, all the ways that Sephiroth was isolated and dehumanized in Shinra? Cloud still hates him at this point, for good reason. So he's here, witnessing not only Sephiroth being a kind/decent (awkward) human being, but also the lab visits, Hojo being Hojo, being paraded around for propaganda, the effect the "betrayal" of the other firsts likely had, Sephiroth being straight up depressed and malnourished and overworked, hearing whatever lies were fed to control him when he knows the truth. How does he deal with the moral repercussions of killing a technically innocent man? Especially when he realizes that a little support and compassion could've changed the outcome entirely? And Sephiroth on the other hand, now stuck with this persistent stranger that doesn't treat him like either an emotionless weapon or a legend, but some secret third thing (is he trying to kill him???? Can't tell, mixed signals are happening). Cloud would also likely help take Sephiroth's mind off things by virtue of existing - not because Sephiroth particularly cares about Cloud at the beginning (why would he, they're strangers) but because Cloud is fucking weird. Not a soldier, still mako enhanced, angry/aggressive at him in particular and seemingly frustrated about it, history that doesn't match up to current behaviours, etc. Hell, Shinra would likely even order Seph to keep an eye on Cloud. Meanwhile Cloud is desperately fucking with the timeline to ensure everything ends up differently, and accidentally becomes some sort of support for Sephiroth in the process. Because while everyone else was so fooled by the propaganda surrounding their hero, leaving him alone to his own devices (despair and depression), Cloud knows that his attention should be on Seph right now. And I don't think he's the type to just leave things alone out of spite if Seph where to, for example, stumble out of the lab, half delirious from Mako, because of one of Hojo's whims. There's also the question of whether Cloud would know to help with Angeal or Genesis' degradation, which could help either clear up some misunderstandings between Seph and his friends, or just ensure that Seph doesn't lose them at all in the first place.

And if Sephiroth were to find out/be told the truth, about his mother, or about the future, HOW is he gonna react to that???? Knowing that okay, so my heritage isn't actually that of a monster, I have human DNA, but ended up snapping and trying to destroy the world anyways - once again, what does it mean to be a monster, and is he one already, if he hasn't even done all of it yet, technically? In this timeline he's likely closer to Zack, maybe close to Cloud, potentially has met Aerith, maybe Genesis and Angeal are still alive, so he's more tethered by a support system, so how would that change his viewpoints? Would he feel guilty? Does that send him into a worse depression?

Sefikura just tends to give me emotional catharsis when it's written like that, because it gives Sephiroth the opportunity to mourn what he should've had, and gives him a fighting chance to change it. It's someone else being shown the decades of neglect, how deep the hypocrisy of Shinra actually went, the systemic abuse, acknowledging all of the bullshit Sephiroth went through before Nibelheim. It's him breaking out of other's expectations of him, Jenova, or Hojo or whoever else, and getting his childhood wish to just be normal. Like Angeal said (quoted loveless I think) "and what do angels dream of?" "Angels dream of becoming human."

This is also why I find very little enjoyment in reading domroth sefikura. Sephiroth isn't someone who reminds me of that type of personality, before he went crazy. He seems like a very awkward, calm and even sometimes soft dude in his downtime. He's literally just some guy. We don't see a lot of his personality because he was trained (tortured) into believing anything other than perfect control is weakness and failure. I don't think he would have any sexual experience. I think he's depressed, and exhausted and alone and is just very good at hiding it. I don't think he even wants or needs sexual intimacy necessarily, so much as he needs someone to feel safe around.

Anyways. This is. Way too long now. Goodbye.

[000yul]

more new year's lines tl 2

elysium, shamare, robin, castle-3, archetto, surtr, tequila, mountain, sussurro

elysium

(audio compressed, like he's talking over radio) Hello, can you hear me? ... Signal's good, communication established with this ship. Doctor, can you guess which terminal I'm at? (normal audio) ... Good, the Doctor's let their guard down. Now's my chance to break out the party poppers! Heheh, how was that, Doctor? Do you feel psyched up by my New Year's hello?

shamare

Doctor, I see you've left your office. There's a lot of people out and about today... The new year? It's so noisy, what's up with everyone? Morte doesn't really like loud occasions like these, so we're going to make protective charms instead. Would you like to join us, Doctor? If you put the stem of an apple in your charm, you can ward off curses that way.

robin

"The happiest part of today is being able to bid farewell to the past; the saddest part of today is having to bid farewell to memories." That's a line from a movie... Doctor, Happy New Year.

castle-3

Doctor, Happy... Scheduled program activated, switching to holiday mode—Woohoo! Limited-time New Year's sale, now on at Closure's Store! 10% off and more on selected items! We also offer salary advances with compound interest, with a monthly interest rate of only... New Year!

archetto

Good grief. There are so many people from Laterano here, but you wouldn't know it from looking at how any of them act. All I wanted was to share a quiet prayer and a toast to the new year with a like-minded countryman... and yet, none of them will...

surtr

This time of year always gets me on edge. The more years pass, the further I get from my memories... Hmph, enough of that. Hey, come up with me to the deck. Maybe the breeze will cool off my head.

tequila

Happy New Year, Doctor. The playing cards I ordered just came in. How about a round? The entertainment lineup on Rhodes Island might not match up to what you can find in Dossoles, but you have me, and that's all you need. I'm an expert at creating atmosphere, after all.

mountain

It's been a long time since I've felt anything in particular about the New Year. You see, words like 'tomorrow' or 'the future' don't really mean anything to a prisoner. But now that I'm on Rhodes Island, maybe I should change. Happy New Year, Doctor.

sussurro

Happy New Year, Doctor. You should relax for the new year—don't go tiring yourself out. But don't let your guard down too hard, either—I still remember how you overate and gave yourself indigestion last year. I'll be keeping an eye on you!

[verdantwyrm]

I hate how mw Fandom treated shippers as if they only appreciate the game for shipping fodder. Especially towards curly/Anya shippers

They unironically believe that you can't make analysis and shipping characters at the same time, like whenever I saw takes like "shipping shouldn't exist in mw Fandom" "if you ship jimcurly and curlya you miss the point of the game" I always think "maybe you should just block them and just stay in meta analysis and gen fics?"

it also genuinely comes from a very deep rooted issue of cringe culture still being very apparent and fandom spaces. A lot of people like to argue that cringe culture is dead. Have fun do whatever you want but then they turn around and go ahead and directly attack people who do exactly that.

it also stems from an issue of people believing that if you ship something and a fandom space you're not taking that media seriously or your taking away the main plot or the theme of the thing and reducing it to nothing but a platform for you to ship characters on. I saw this happen a lot with the saw series or resident evil if you want to keep the theme to games. and that if you ship characters from either people try to argue you're not taking the main plot of the game or the show or the movie or the book as a, horror seriously. 

And it's not just about blocking and moving on or not participating in spaces that specifically prioritise shipping or fanfiction, and that if you do this then you don't actually like horror as a genre.

there are a lot of horror purists out there who believe that you should only ever ever ever ever ever always be terrified by horror and never anything else, that you cannot engage with it in any other possible way because then you're not taking it "seriously" and like you said a lot of these people just straight up harass the other people that are doing exactly that creating fanfiction or shipping characters together like it's somehow downplays the theme of the plot, or the message that the game or movie is trying to express

it is a serious problem and it scares a lot of people away from getting into games or movies that have these darker and more scary themes to them simply because of how they personally want to engage with said media. it almost makes them feel singled out and like they're weird for doing it this way.



[ggswaywardgifrepository]

It boggles the mind that the Bi-Han ship tier list seems to always put Sektor at the bottom below:

-the dude who convinced him to betray his entire realm for power that he never even got (Don't @ me, I love Shang Tsung, BiShang is my MK1 OTP, and my favorite Bi-Han ship.)

-one or both of his brothers (Not my thing 99% of the time but knock yourselves out. MK draws on loads of mythology for its lore and inc@st isn't exactly a foreign topic there.)

-his creator god (Despite loads and loads of baggage and a pretty significant power imbalance. There's also not much acknowledgment that Liu Kang had Bi-Han's entire life to notice his resentment brewing and try to reasonably intervene. Or he did try and failed--still, not a whiff of blame for Liu Kang, though. That's why I personally find this one off-putting, but again, enjoy what you enjoy.)

-Sareena (This one I totally get. We craved redemption for Bi-Han and saw a compelling and fulfilling possibility here. Tracks. 100%. It's also not as one-sided as other redemption focused Bi-Han ships because we know he positively influenced Sareena as well)

The bulk of the SekHan hate is directed at Sektor, and it makes me angry the more I think about it. But I admit this was my reaction for a long time as well.

In my case, at least, my discontent stemmed from Sektor not being a savior to Bi-Han, which suggests she has no value as a character other than to further his arc. And that's such a one-dimensional way to see both of them. By this logic, Sektor is worthless if she doesn't bring Bi-Han back to the light. Then also by this logic, Bi-Han isn't capable of championing his own redemption, rather, he needs another character holding the reins. (Sareena, Kuai Liang, or Liu Kang, most commonly.)

The DLC trailers were edited in such a way that we all had this preconceived notion of who Sektor was going to be in Khaos Reigns and a lot of it didn't hold up. She was hinted to be in love with Bi-Han but we all assumed it was one-sided--I did, at least. And somehow we all preferred the idea of that love being unrequited because heaven forbid two flawed, grown ass people be in a relationship. I also honestly think there's an aesthetic disconnect. I think there are a lot of people who either wanted him to not be in a ship, or to be in one with someone prettier.

I do still think they might've parted ways over the Cyber Lin Kuei, had that plot seen the light of day. But it's yet another 'what if' that never came to pass that I preemptively held against Sektor.

There's also a lot of speculation that Sektor is just manipulating Bi-Han, which can be used to invalidate romantic feelings but also suggests he's much more easily taken advantage of than I'd like to think he is. Him falling for Shang's shit was enough, alright. (And Shang is prettier. Sorry not sorry. Sektor is v attractive but Shang is much more attractiver.)

But Bi-Han is not a stupid man. At least, I don't want to see him that way. And the bulk of the anti-SekHan arguments paint him like this.

Honestly, anyone who says, "I know they're canon, I see the logic behind it, and I just fucking don't like it" resonates more because there are things I'm never gonna be jazzed about with them, and they're intangible, too.

SekHan is nowhere near my favorite ship, but I am sad to see it get hate. I think it was poorly introduced and left a bad taste in our mouths. But it still bums me out to know that that's why so few people even care to try and write the characters well together and rectify that.

And please, you're obviously allowed to disagree with every word here and ship or not ship whatever the hell you want. These are just my frustrations.

[kemetic-dreams]

Afro-Jamaicans are Jamaicans of predominant African descent. They represent the largest ethnic group in the country.

The ethnogenesis of the African Jamaican people stemmed from the Atlantic slave trade of the 16th century, when enslaved Africans were transported as slaves to Jamaica and other parts of the Americas. During the period of British rule, slaves brought into Jamaica were primarily Akan, some of whom ran away and joined with Maroons and even took over as leaders

West Africans were enslaved in wars with other West African states and kidnapped by either African or European slavers. The most common means of enslaving an African was through abduction.

Based on slave ship records, enslaved Africans mostly came from the Akan people (notably those of the Asante Kotoko alliance of the 1720's: Asante, Bono, Wassa, Nzema and Ahanta) followed by Kongo people, Fon people, Ewe people, and to a lesser degree: Yoruba, Ibibio people and Igbo people. Akan (then called Coromantee) culture was the dominant African culture in Jamaica.

Originally in earlier British colonization, the island before the 1750s was in fact mainly Akan imported. However, between 1663 and 1700, only six per cent of slave ships to Jamaica listed their origin as the Gold Coast, while between 1700 and 1720 that figure went up to 27 per cent. The number of Akan slaves arriving in Jamaica from Kormantin ports only increased in the early 18th century. But due to frequent rebellions from the then known "Coromantee" that often joined the slave rebellion group known as the Jamaican Maroons, other groups were sent to Jamaica. The Akan population was still maintained, since they were the preference of British planters in Jamaica because they were "better workers", according to these planters. According to the Slave Voyages Archives, though the Igbo had the highest importation numbers, they were only imported to Montego Bay and St. Ann's Bay ports, while the Akan (mainly Gold Coast) were more dispersed across the island and were a majority imported to seven of 14 of the island's ports (each parish has one port).

Myal and Revival

Kumfu (from the word Akom the name of the Akan spiritual system) was documented as Myal and originally only found in books, while the term Kumfu is still used by Jamaican Maroons. The priest of Kumfu was called a Kumfu-man. In 18th-century Jamaica, only Akan gods were worshipped by Akan as well as by other enslaved Africans. The Akan god of creation, Nyankopong was given praise but not worshipped directly. They poured libation to Asase Ya, the goddess of the earth. But nowadays they are only observed by the Maroons who preserved a lot of the culture of 1700s Jamaica.

"Myal" or Kumfu evolved into Revival, a syncretic Christian sect. Kumfu followers gravitated to the American Revival of 1800 Seventh Day Adventist movement because it observed Saturday as god's day of rest. This was a shared aboriginal belief of the Akan people as this too was the day that the Akan god, Nyame, rested after creating the earth. Jamaicans that were aware of their Ashanti past while wanting to keep hidden, mixed their Kumfu spirituality with the American Adventists to create Jamaican Revival in 1860. Revival has two sects: 60 order (or Zion Revival, the order of the heavens) and 61 order (or Pocomania, the order of the earth). 60 order worships God and spirits of air or the heavens on a Saturday and considers itself to be the more "clean" sect. 61 order more deals with spirits of the earth. This division of Kumfu clearly shows the dichotomy of Nyame and Asase Yaa's relationship, Nyame representing air and has his 60 order'; Asase Yaa having her 61 order of the earth. Also the Ashanti funerary/war colours: red and black have the same meaning in Revival of vengeance. Other Ashanti elements include the use of swords and rings as means to guard the spirit from spiritual attack. The Asantehene, like the Mother Woman of Revival, has special two swords used to protect himself from witchcraft called an Akrafena or soul sword and a Bosomfena or spirit sword

Jamaican Patois, known locally as Patwa, is an English creole language spoken primarily in Jamaica and the Jamaican diaspora. It is not to be confused with Jamaican English nor with the Rastafarian use of English. The language developed in the 17th century, when enslaved peoples from West and Central Africa blended their dialect and terms with the learned vernacular and dialectal forms of English spoken: British Englishes (including significant exposure to Scottish English) and Hiberno English. Jamaican Patwa is a post-creole speech continuum (a linguistic continuum) meaning that the variety of the language closest to the lexifier language (the acrolect) cannot be distinguished systematically from intermediate varieties (collectively referred to as the mesolect) nor even from the most divergent rural varieties (collectively referred to as the basilect). Jamaicans themselves usually refer to their use of English as patwa, a term without a precise linguistic definition.

Jamaican Patois contains many loanwords of African origin, a majority of those etymologically from Gold Coast region (particularly of the Asante-Twi dialect of the Akan language of Ghana).

Most Jamaican proverbs are of Asante people, while some included other African proverbs

Jamaican mtDNA

A DNA test study submitted to BMC Medicine in 2012 states that "....despite the historical evidence that an overwhelming majority of slaves were sent from the Bight of Biafra and West-central Africa near the end of the British slave trade, the mtDNA haplogroup profile of modern Jamaicans show a greater affinity with groups found in the present-day Gold Coast region Ghana....this is because Africans arriving from the Gold Coast may have thus found the acclimatization and acculturation process less stressful because of cultural and linguistic commonalities, leading ultimately to a greater chance of survivorship and a greater number of progeny."

More detailed results stated: "Using haplogroup distributions to calculate parental population contribution, the largest admixture coefficient was associated with the Gold Coast(0.477 ± 0.12 or 59.7% of the Jamaican population with a 2.7 chance of Pygmy and Sahelian mixture), suggesting that the people from this region may have been consistently prolific throughout the slave era on Jamaica. The diminutive admixture coefficients associated with the Bight of Biafra and West-central Africa (0.064 ± 0.05 and 0.089 ± 0.05, respectively) is striking considering the massive influx of individuals from these areas in the waning years of the British Slave trade. When excluding the pygmy groups, the contribution from the Bight of Biafra and West-central rise to their highest levels (0.095 ± 0.08 and 0.109 ± 0.06, respectively), though still far from a major contribution. When admixture coefficients were calculated by assessing shared haplotypes, the Gold Coast also had the largest contribution, though much less striking at 0.196, with a 95% confidence interval of 0.189 to 0.203. When haplotypes are allowed to differ by one base pair, the Jamaican matriline shows the greatest affinity with the Bight of Benin, though both Bight of Biafra and West-central Africa remain underrepresented. The results of the admixture analysis suggest the mtDNA haplogroup profile distribution of Jamaica more closely resembles that of aggregated populations from the modern-day Gold Coast region despite an increasing influx of individuals from both the Bight of Biafra and West-central Africa during the final years of trading enslaved Africans.

The aforementioned results apply to subjects whom have been tested. Results also stated that African Jamaicans (that make up more than 90% of the population) on an average have 97.5% of African MtDNA and very little European or Asian ancestry could be found. Both ethnic and racial genetic results are based on a low sample of 390 Jamaican persons and limited regional representation within Jamaica. As Afro-Jamaicans are not genetically homogeneous, the results for other subjects may yield different results.

[geminid]

some thoughts about things related to leo and takumi. before that tho i got a new drawing tablet but need a new desk chair so ive been forcefully removed from drawing for the time being.

I don't know why, but I've been thinking about this a lot recently, and I wanted to put it somewhere because of. some reason. To get it off my chest maybe. But anyway, if you've gone through the contents of my blog you might have noticed that I just don't draw Leo and Takumi with their sons. And for some reason the irrational part of me thinks that people will really hate me over this so I hope you can read the rest with an open mind.

Generally I draw them while they're young adults, and either before they have a relationship or still at the beginning of their relationship. I think this is the most fun period to draw about. I also don't really consider the baby realms as part of my headcanon, because honestly, theyre ridiculous.

But there's actually more to it than that. I don't really like talking about myself so it pains me to do this. I have a very fraught relationship with my parents and a lot of my struggles stem from that. This may be typical of an artist who draws anime guys on tumblr dot com. I think for others they might find it cathartic to explore fiction where there is a loving parent child relationship, but I'm the kind of extreme who just doesn't really enjoy parent child stories in general. Usually it doesn't really matter because my ships don't have canon kids but fates is a special situation so it makes me feel bad.

I actually just. Can't do it. When I try to think about Leo and Takumi as parents there's just a big block that forms in my mind. If I try to force past that block I feel nauseous and want to throw up. You might think this is dramatic and that's because it is but unfortunately it is what happens.

I do like Forrest and Kisaragi as characters, don't get me wrong. I love the fates cast and they both have really fun interactions with other characters. I also am able to S support Leo and Takumi off to whatever female character in game and pick up their kids from baby realm daycare. The issue really only pops up when it involves more than that, my headcanons or my fanwork, stuff that is more personal to me. Please do not take any of this as a dislike of either of them or a disdain towards the idea of leo/takumi as parents, because it's a personal problem I have and nothing to do with anyone else.

I guess I'm sorry that I have to leave out such important things. I am a person so I'm bound to change and heal and grow and maybe I'll get past this but I can't rush it and don't know if that will happen before I move on to other things. I will say that I already enjoy what I do now and I think what I make is worth it for me regardless.

[victimsofyaoipoll]

Round 1

Propaganda under the cut

Christine Canigula

This has enraged me for YEARS. She is constantly sidelined in the fandom in favor of the main m/m ship which itself its fine but the way people treat her drives me NUTS. When I actually was in the fandom, Consistently! her crush on the main character which is a CENTRAL fucking plot point is just explained away to make room for yaoi. If they even have that kind of decency. Like 99% of the fics just say "oh! she's a lesbian actually totally this was comphet im not a misogynist" or "she's Actually Aroace" and not ponder on the optics of sanitizing the CANON fucking attraction of a chubby easian girl. It's sososo transparent and another fucking example of she's actually the Mom friend! or other annoying racist and misogynistic tropes.

She likes play rehearsal. She's the love interest of the main character, Jeremy. Jeremy also has a best friend, Michael, whom he's usually shipped with. And since she's the canonical love interest and as such often gets in the way of their beloved ship. They are very creative in finding the ways to get rid of her to ship Michael with Jeremy, ranging from making her asexual(because ace people can't date apparently), completely kicking her out of the last two songs of the musical and putting Michael in her place, to vilifying her and claiming she was never interested in Jeremy in the first place, despite musical explicitly saying the opposite.

Love interest of the main character Jeremy Heere and therefore stands in the way of the fandom's most popular ship, boyf reinds. Being specifically a love interest we don't get. A whole lot of her but she's fun! She's a theatre kid. She is silly and goofy. Also has a one off line in one of the songs that mentions she has ADD. Idk what I'm supposed to say really and I'm always bad at talking about characters so.

Han Sooyoung

han sooyoung is one of the main trio protagonists yet people constantly ignore her in order to ship the other two males despite the fact that they are all doomed by the narrative TOGETHER!!! fanon content is even worse because it either slaps a lesbian sticker onto her to shittily write her off in fanfic OR they make her so one dimensional its like a cardboard stand in. han sooyoung arguably has a more important/interesting dynamic with the main male protagonist yet everyone ignores her because they want their uwu gay babies IM SO SICK OF ORV FANS

Dokja and Joonghyuk are a very popular ship (rightfully so, i get it) but usually Sooyoung is seen as in the way of their relationship or not as valued as the other two even though her place in the story and relationship with the other characters is just as strong. Recently there was a post on twitter being rude about people who ship her and Joonghyuk (which is a super valid ship) and i saw a lot of hate that i believe just stems from her getting “in the way” of a yaoi ship. 

99% of that kind of symbolic fanart REFUSES. to acknowledge her existence man. even though she is part of the main TRIO man

[kataraslove]

I just stumbled across your acc and I gotta say, I agree with alotta ur takes

Ur sooo well spoken and I really enjoy reading your thoughts and opinions

Katara is one of my favorite characters and it makes me really happy to see someone appreciate her and her writing

Ngl a lot of atla fans r lowkey braindead so ur acc is pretty refreshing

Thanks for posting!! 🩷

thank you! 🩷 your words are too kind. i appreciate it.

i did mention this before, but this blog stemmed kind of entirely out of spite. i was sick and tired of fandom on here telling me that there was only one way to interpret and enjoy my favourite character, dictating who i could or could not ship her with and how much of a stan that made me. it’s not an experience just unique to the atla fandom, of course. it’s becoming something more apparent nowadays especially, the ways in which multiple readings and interpretations of a character is heavily discouraged by fandom in favour of just one.

it’s baffling how, for so many years, there was a strict binaric interpretation of katara’s character, with 0 being non-canon and 1 being completely in favour of all things canon. either you had to vehemently agree with everything that bryke wrote for katara’s within atla and post-canon, to the point where i have seen people defend the lack of statues of her as “oh, she probably didn’t want one anyway,” (NO!!) or you had to have deep-rooted anger and rejection for all things that were done to her story, in the guise of katara deserving better.

katara does deserve better narratively, but NOT in the ways that the tumblr fandom thinks she should have. not in the ways that she should be ambassador to the fire nation, or become firelady (a racist depiction in fanon and nothing but a decorative title in canon) and live out the rest of her life by zuko’s side, serving and prioritizing zuko’s nation.

“but wouldn’t it be empowering if katara sat on the throne of her oppressors and got to dictate - “ no. it’s not. stop advocating for that type of ending for women from oppressed and marganized groups. stop acting like that is the ideal future that katara wanted this whole time, that ruling as part of a foreign monarchy that decimated your people and your culture is the ultimate threshold for liberation.

i’ve seen people who claim to take a doylist perspective for critique of atla (read: kataang)’s writing completely lose all comprehension when it comes to critically assessing post-canon zutara. by that i mean, if we continue with the writing direction that we saw for all of the female atla characters in the sequel series, a zutara endgame would position katara in a worse outcome than she got narratively. but you tell anyone that and it’s an instant “zuko would have given her 10 statues!!”

but most importantly, nothing has radicalized me more over this year than seeing the “katara deserves better (in the form of zuko)” crowd, the same crowd who is currently dreading any form of fixing or retcons from avatar studios in upcoming content, defend the hell out of natla katara’s writing. the very same people who were praising katara’s arc to the stars, stating that it was nearly complete until the two grown men decided to pair her up with aang and ruined all at the end.

well, what about the group of zutara shippers in the natla writer’s room who handed her everything in the narrative, who removed her flaws, her anger, her compassion, who stripped her down to everything except hope, all in the name so that she wouldn’t appear unlikable to audiences. i mean, that tremendously backfired for them, because now the young actress who plays katara is getting hate spewed at her for failing to portray katara interestingly, when the problem has always been the shit writing.

anyway, i appreciate this message! glad i could be of service and it’s nice that you’re a zuko fan who ships kataang! lots of people who love zuko do.

“a lot of atla fans are braindead” LMAO you can say that again!!!

[bluhjeans]

songs i associate with dbh characters / what i think their fav songs would be

pleasee share ur own thoughts & opinions id love to hear them!! and I need to ramble abt my dbh opinions to people (+templates if u wanna make ur own)

explaining my reasoning here if anyones curious

gavin: couldn't decide between rehab and in my feelings because theyre both just so him (and by that i mean fanon him cuz there really wasnt much to work on) 'in my feelings' because I can just imagine him to all' of the lyrics ('Sobbin' in my cup of coffee 'cause I fell for another loser' and 'Who's doper than this bitch, who's free-er than me' in particular) and rehab is a little looser of a connection, it stems from this story that ive been sorta writing that focuses on gavins relationship with alcohol aswell as his friendship with tina, and I just feel like rehab really captures his reluctance to give up the many different problems he has in the story like drinking, smoking & drugs rk900/nines: i dont really imagine he listens to music but but i kinda associate him with the pre-chorus in 'In my feelings' by LDR with the 'get that cigarette smoke out of my face' and the bridge with 'got me feeling so blue, making no sense at all, gotta leave right now' sooo duet with gavin...? 'shades of cool' (u may have noticed i like lana songs by now!!) also really matches nines IMO, the song is about her own pain and disappointment but but it also centers around this flawed love interest she wants to fix and understand, but ultimately can't, which to me just feels like nines and gavin, atleast in my own hc's (can you guess my fav ship yet) connor: whilst this song (a human's touch) could generally apply to all androids in dbh I connect it most with connor, especially in the second verse; "We were still going strong I never did you wrong Until the new me came along It was just you and me We were such a good team But now I’m alone on the boulevard of broken screens" Listening to this, I can really imagine him talking to Amanda after being introduced to his successor, the RK900 ('the new me') - I also can imagine the boulevard of broken screens being in reference to the graves of his previous bodies and I just think thattt hits yk, + whilst the second verse applies to machine connor more, the craving for human touch (connection in general) feels rather apt as by becoming deviant he has severed ties with Cyberlife, causing him to be pretty alone so yeah kara: I can just imagine her, alice and luther all singing country roads together in a car during the summer and it just warms my heart sm like its just sooo cuteee <3 I can also imagine her being a fan of Adele's music in general, I can't really explain why but she just seems like the type of person to be reaalllyyy into adele (me too) (+ i know age as a concept isnt a thing for androids really but adeles music appeals to a large age range making her music appealing 2 families so maybe im connecting adele n kara because of that) markus: I feel like I don't even need to explain history has its eyes on you... i mean come on.. but ohhh emmm geee!! I can not stress how PERFECT 'as the world caves in' is for markus atleast in my opinion, when I listen to it I can really picture this song over markus either choosing to sacrifice himself in BfD when surrounded, but generally I can just imagine this song over him doing anything really. 'run boy run' also feels like it needs little explanation, just listen to the song/look at the lyrics and youll see the connection north: I don't actually have any meaningful reasons for these songs but I just feel like north would like them but I guess 'breakin' dishes' is the one I thought about most because I can imagine her acting similarly in the same situation soo yeah chloe: Chloe doesn't really have a lot to work on with her extremely limited appearance in-game so this is completely based off a fic i read lol, where chloe was in a relationship with kamski but only in private because of his concern for his image anyways, in 'a loving feeling' mitski sings about feelings of loneliness in a relationship where her partner only shows affection alone and yeah that just feels like chloe n kamski to me!

[littlemisssatanist]

on the topic of alicent's sexuality

ok ok so this is a little late but if im going to be honest, ive completely lost any interest in hotd when the first episode came out and its taken a little bit to get back into it. i already mentioned this in a twitter gc when the first alicole leaks came out but i wanted to put it into better words for tumblr.

foreword: i am a lesbian.

a lot of people on twitter, specifically rhaenicents, were up in arms about the alicole leaks because they couldnt understand the idea that alicent isnt a lesbian. now, i understand having a headcanon and it being disproven by canon. i understand the struggles rhaenicents went through against daemyras when the first season came out, because i was a rhaenicent also. im not a rhaenicent anymore (id call myself more interested in alicole, but im still a multishipper).

however, the idea that theres no way in hell alicent could ever be bisexual really rubs me the wrong way. i wont even get into all the undercover biphobia that had been going on on twitter when these leaks first came out, but the fact that a woman fucking a man suddenly means theres no way she could ever be queer speaks volumes about how the larger hotd fandom views the bisexual community. this is already a very large and ongoing problem within the community, the fight against homophobes and biphobes that you 'have to choose a side' and that if you have a straight-passing relationship automatically means you are straight. the idea that alicent can only be a lesbian or straight pushes this bad notion further.

now, lets get into why rhaenicents are so desperate to have alicent be a lesbian. i get it. you want lgbt representation in mainstream media, i do too. i want to see myself represented in media, i place headcanons about many characters sexualities all the time. the difference is that i understand the difference between headcanon and canon. imo, many rhaenicents desperately want lesbian alicent to be a canon thing, instead of settling for headcanons and fanfiction and fanon. i understand that too. i understand the want to have canon lesbian representation; however they have to come to the realization that hotd was never meant to be lgbt representation. laenor's storyline was included because it was in the original book, and it was stated outright that he was gay. rhaenicent was always the make of the show, it was never stated to be canon in either show OR book, and thats why it will never be canon.

im not saying that to be mean. im saying that because thats how it is. hotd is not supposed to be lgbt representation, its meant to be an adaptation of fire and blood (and i have my own thoughts about how well thats going, but thats not the point of this post).

its ok for things to be headcanons. in 2023, the most popular ship on ao3 was steddie (steve harrington/eddie munson) from stranger things. is it canon? no!!! its the most popular ship because people like seeing gay people in media, regardless of whether theyre canon or not. sasunaru is the most popular ship in naruto, and theyre not canon either! they know its ok for things not to be canon; thats why fanon exists in the first place. i think rhaenicents should get used to this. this is what fandom is like. im not sure what else to tell you about that.

theres a particular argument of rhaenicents i want to talk about. 'alicents struggles in the show reflect the struggles of lesbians and comphet in the modern world.' now. as a lesbian who has struggled with comphet in the past, this argument actually annoys me a lot. alicents struggles (being forced into a marriage she didnt want, forced to have children she didnt want) stem from the fact that she is a woman in westerosi society, not because she is a lesbian.

and sure! you can headcanon that alicent is a lesbian with comphet, but the problem is that: we dont have enough insight into alicents head to be able to tell the difference between comphet and misogyny. comphet is a very personal struggle, and its different for everyone. hotd focuses not only on alicent, and we simply do not see enough of her thoughts to be able to tell.

anyways, i guess my point is this: you can headcanon whatever you want. however, the moment you start being angry at other people for viewing things differently than you is the moment i dont really care about what you think. so youre a rhaenicent?? great! wonderful! i hope you have fun. you think alicoles are stupid and attack them for shipping? i think you have absolutely no experience in fandom. if a female/male ship is enough to make you fall apart the moment you see it, then youre not going to have a lot of fun being in fandoms later on.