#a lot of information that isn't like... Fun To See Play Out yet

[felassan]

David Gaider on Dorian, under a cut for length:

"Now this is a fun one. It's no big secret I have a lot of feelings about Dorian, not least of which because he was my first (and only) gay male companion. There's a lot more to him than that, of course (as there should be), and it was quite a trip. So let's go! Now, DAI is a story all its own, but I'm sticking to the characters. In this case, back at the beginning, the writers were going to try something new: we were going to let the artists take a more active role in the companion creation process. Why? Because not doing so had caused a lot of problems. See, here's the thing: writers and artists speak two different languages. When talking about characters, we talk about their story. Who they are. What they want. We'd write up these briefs, huge and full of information... but it was never the information the artists needed. They wanted visual cues. I don't mean describing their appearance. Sure, we'd usually provide that, especially if there was a story case to be made, but often the artists vetoed us on appearance stuff anyhow so meh. No, I mean they looked for visual language while we tended to only talk about who the characters *were*. What would happen is they'd hone in on something visual in our write-up not intended to be a focus. The first write-up for Anders in DA2, for instance, mentioned he was "haggard" after his journey... and the first concept we got was this pale, shriveled man. "What... is this?" "YOU SAID HAGGARD!" 😅"

"That was the other trick: sometimes when we DID try to be more descriptive, we had to be extra cautious because the words could be interpreted very differently. You encounter this recording VO, too. A VO note says "hysterical" and you *meant* "really upset" but the actor read "scream like a banshee" Thus this caused problems, like I said. The artists would struggle, sometimes conjuring details just to give the character *something* but which would change the character... and, to us, the character was created. Done. We were already invested, probably already writing them. Something had to give. So this time we wrote a bunch of character briefs - but short. One paragraph. We stuck to vibes and the *emotions* we wanted the concepts to evoke. And we didn't name them. They got titles like "Slick Con Man" or "Ice Queen", so we wouldn't get too attached. Then we handed these off to the artists. And it worked nicely. The ones that just weren't inspiring we'd discard, no problem. The others had juice... and the artists felt free to play and offer lots of variations because we weren't set on anything yet. A lot of times, what they produced ended up inspiring US. It was a neat back-and-forth."

"This is what led to Dorian, in fact. He came from a short write-up entitled "Rock Star Mage" and it really boiled down to "I'm cool and I know I'm cool, so take that you cretins". And just like that, the first sketches (by Casper Konefal, I think? I bet I'm wrong) were all amazing. Instant fire. Me: "He looks kind of like... Freddie Mercury?" Him: "Is that bad?" Me: "NO ARE YOU KIDDING THIS IS AMAZING" Plus there was a monkey. Sadly, we had to lose the monkey. There were iterations to come, but this was really where Dorian was born: Tevinter mage, noble, savant, and too cool for school."

"When did he become gay? Not right away. Like I said elsewhere, we didn't talk romance and sexuality until after the concepts were more in place. But as we were brainstorming about why this hot shot mage left Tevinter, the idea DID come up that maybe it was because he was gay. Not directly, however. Homophobia isn't really a thing in Thedas, after all, so at first blush I didn't think that could work. "Rich kid gets kicked out of the house for being gay" wasn't a trope I wanted to explore. But, then again, magister families in Tevinter are *obsessed* with the appearance of perfection, so...? Any deviation from the "norm" is considered scandal-worthy. It said weakness. It said you couldn't control your house. Now... THAT had real promise. The writing pit discussed it a lot. So I think it's fair to say that the gay fairy was already circling Dorian even before we got to the romance talk. I think it's also fair to say that the rest of the team realized I low-key wanted to write him, because when everyone started calling dibs, who was left standing for me? (I pick last, remember.) I gleefully snatched him up and got to work... ...about six months later. I was very busy at the time. 😅 That late start meant I had to design and write VERY quickly. And I did. Somehow, though, this one... it came easily. "Catty gay man" isn't digging very deep, no surprise to anyone who knows me, and it had an extra layer of being so fun because Dorian was confident. He sparred verbally. I loved it."

"There was more to it, however. The conflict between Dorian and his father... ugh, how do I say this? Let's be clear: Dorian's story is not MY story, but it's also not far off. I wrote the entire confrontation scene in one go. After I was done, I probably cried harder than I ever have in my life. 🫠 I was unsure whether it was any good, however. I just didn't feel objective. I passed it over to Cori May - my friend but also Dorian's editor - and asked her to please tell me and be honest. She read it. She walked into my office after, tears streaming down her face, and just nodded. "It's good." Here's the thing. Not everyone is going to agree with this, but: I don't think a writer NEEDS to be a minority in order to write a minority. Sometimes those characters should simply exist, and we want them to. But if that character's story is ABOUT their experience as a minority? That's different. Dorian's story didn't need to revolve around his sexuality - and, honestly, it only did so as a tangent to his family issue, but they're so bound together it's probably irrelevant to split them - but my writing him meant it could be. It allowed me to SAY something. That felt good. It felt right. Ramon Tikaram came on board after a lengthy casting process (so many British Indian accents, oh god). I sat in on a few recording sessions... the confrontation scene, though? Ramon: *says line* Me: (curled up on a nearby sofa in fetal position) *shaky thumbs up* Caroline: "Yep. Great work, Ramon!""

"Dorian's sexuality isn't all he's about, but that's certainly how some viewed it. When the character was announced in 2014, his being gay was mentioned as the last of a number of points, and the instant response from some gamers was to act as if we'd called a press conference just to say THAT. 🙄 It was annoying. Still is. Overall, however, the reaction to Dorian was very positive. The number of straight men who said they romanced him still pleases me. The number of fans who privately contacted me who'd been through conversion therapy, some who said Dorian helped them survive? Well. Gosh. 😭 I did write him for Trespasser - though I hear that a late scope cut meant every conversation had been chopped by 1/3rd or more, and that meant a lot of nuance lost. Which is sad, if true, because it sounds like the result of that left some Dorian romancers a bit cold. Such is how game dev rolls. 😔 If you need more proof of how it was hard for me to let go of him, a short story I wrote after Trespasser came out where Dorian has a bit of closure with his dead father: medium.com/@davidgaider... So yeah. He'll always be my boi. And I'll always be thankful Bio gave me this opportunity. ❤️"

[source thread]

User: "I'm not going to lie, it's hard to take my mind off Dorian almost having a monkey." David Gaider: "If by “almost” you mean there was a picture of a monkey that the concept artist put there as a whim, and which would almost certainly have taken more cinematics and modeling time to put in than we could ever afford… then yes. 😉" [source]

[incarnalsims]

Update!

— Unfortunately my busyness with other projects means that I haven't been able to work on writing or screenshots Incarnal Sims recently- still, I am working on other facets and do plan to return to a regular post schedule!

— To give myself time for this, I am extending the current break to Monday, April 10th. As per usual, even if find myself extending this break (which I hope not to), this blog will not go silent in that time.

— Thank you all so much for sticking with me, and I hope you look forward to future posts!

[sevenofreds]

Angel revealing the exact wording of his contract with Valentino (and how he can take advantage of it) recontextualizes so much about his and Val's relationship, his friendship with Cherri (and why it's ultimately toxic for him despite them clearly caring a lot for each other), and his reasons for staying at the hotel.

(Buckle up bitches this is gonna be a long one and I spent way too much time thinking about it)

SO, according to Angel, he only has to do what Valentino says while at the studio. Pay attention to that wording. Not "while working". "While at the studio".

Val's rant to Vox implies that, before Angel moved into the Hazbin Hotel, he was basically LIVING in the studio, which means that, by the wording of their contract, Angel was Val's to control 24/7.

While it doesn't really recontextualize Val's whiny bitchbaby moment in episode 2 (because regardless of the contract's exact wording, he clearly wants to be in total control of Angel), it does give us more information about it; Val was upset that he couldn't physically MAKE Angel do any thing at any time anymore, and Angel KNEW that, too.

So why didn't he ever just leave before? That comes back to Val's treatment of him, and how he views himself (or at least DID view himself until his husband friend Husk came along). Val almost definitely got it into Angel's head that nobody would WANT to take him in or help him, which is (one of, at least) the reason why he didn't trust Charlie at first during the prequel comic.

He wasn't just staying at the hotel because it was rent-free; it was because, as long as he "played nice", he was free of Val outside of work.

It does seem like taking advantage of the wording like that goes both ways (Val can apparently extend his hours on a whim without breaking the contract), but if you wanted out of a situation like Angel's, you'd take anything you could get.

And then we move on to Cherri, and her relationship with partying compared to Angel's.

Cherri Bomb is an anarchist. A chaotic partygirl. She's not trying to escape from anything. She parties so hard because she ENJOYS it. It's her way of having fun, of recharging, and it seems like throughout most of episode 6, she thought that Angel was partying with her for those same reasons.

But as we learned in episode 4, that isn't the case. Angel gets drunk and high to escape, to forget how fucked up his situation is, to forget how much he hates and blames himself for being the way he is. And once he found a functioning support system, and people who cared about him beyond his persona, he didn't need that anymore. He learned to accept that yeah, his situation is fucked, and there's not much he can do...but that doesn't mean that there's NOTHING he can do. And he's not alone.

This leads us to view Cherri as a toxic friend towards Angel, at least until she sees that he's getting serious about the hotel; she's perfectly happy with what she does, and was only goading Angel into it because she thought he was, too (she would thrive in Beelzebub's scene if she were able to go there; Angel would fall into the same category as Blitzø). Once she saw for herself that wasn't the case, she said she was glad for him, and that she'd be there if he ever needs her.

It's evident by that point that they care deeply about each other. But Cherri lives a lifestyle that wasn't ever good for Angel Dust; for Anthony. And that's okay.

Whether he was truly aware of it or not, Angel needed friends. He needed a support system. He wanted to be better than he was. And even if he doesn't quite realize it yet...he's well on his way.

[pianokantzart]

When you pointed out the green lighting in the climax scene, it reminded me of how it seems like people who watched the Mario movie seem to think that it's either some barebones mediocre flick, or it's a cinematic masterpiece and I don't see a whole lot of inbetween. Partly because of your posts I'm finding new things to appreciate it with more with all those clever cinematography things that I never even noticed.

This movie deserves more credit honestly. I never understood why people think the plot was super thin when I'd say the story is at least on par with (and exceeds in some respects) the stories that Mario RPGs have.

In all fairness, the entertainment value of an RPG is based partly on gameplay, while in a movie the experience relies way more on the story and characters. It's easier for an RPG to get away with a thin plot than a movie.

The thing about many modern critics is they tend to focus on a desire to be challenged in some way; presented with novel ideas, unexpected twists, or new takes on classic tropes, but The Mario Movie doesn't really focus on that.

It gives you just enough information to connect with the characters, then proceeds to put all its focus on cinematically recreating the emotions you feel while playing a Mario game: exploration and discovery, fun/bouncy movement, fast paced action, and as much silliness as one can get away with without ruining a sense of stakes.

The movie pulled it off about as well as it possibly could, which is why it was such a big hit with its target audience.

Now, there are some things in The Mario Movie that are extremely unique. For instance, adult brothers who are intensely (yet healthily) attached to and protective of each other as the central focus? Not something I can say I've ever seen before.

And... this may not be a positive for everyone... but the main male and female protagonist growing closer over the course of the story but never really establishing a relationship beyond mutual respect? Given how almost every other animated movie I've seen that isn't a Miyazaki film has to force a romance by the end of its runtime, Mario and Peach's relationship was a huge a breath of fresh air.

But if neither of these dynamics grab your attention it's pretty easy to see the movie as nothing more than a silly romp with straightforward characters and a simple story.

But even as a silly little romp a lot of love and care went into the set pieces, the worlds, and the way the characters move and interact, as well as all the tiny background details and easter eggs. Say what you will about Illumination, but it is a company with extremely skilled animators and designers in its ranks.

So while the end result is nothing ground breaking, The Super Mario Bros. Movie is what it set out to be: just fun. Likable characters, funny jokes, beautiful visuals, and just a general good time.

[miraculouslbcnreactions]

While "the network wants an episodic kids show, the authors want an epic dark complicated narrative" would explain A LOT about ML's problems, I'd still like to note that there are kids' shows that can do both, going full range from "mostly episodic with a sprinkle of narrative" (Kim Possible, MLP), to "heavily narrative but with episodic breather/filler episodes" (Gravity Falls, WITCH, the Owl House), with many variants in-between.

Even the transition from "fully episodic" to "more narratively-connected" that ML attempted to do can be done successfully - the aforementioned Gravity Falls and WITCH were more episodic in season 1 and more narratively driven in season 2.

However, I'd say there are a few other key problems that can be inferred from what we have:

The show tries too many things at once - as you have pointed out repeatedly. Magical girl and rom-com, single-hero, duo and team stories, wacky comedy and serious trauma, even trying to give several characters a redemption and a damnation arc at the same time (and failing with either). Apparently, it's not just TF vs writers: it's writers severely disagreeing with each other (see Thomas and Vincent's opinions on Chloe), and also trying to one-up the fans. Also, simply thinking too much of the work, which leads us to...

ML's total lack of self-awareness. Another famous case of a show that was almost entirely episodic is Phineas and Ferb. They use the same formula (the brothers build, Candace busts, Doof makes an Inator and is thwarted by Perry) over and over for four seasons. And by mid-season 1, the authors have been making fun of the structure, lampshading it, spoofing and twisting it, playing with "What if" episodes and never taking itself too seriously. When ML tries to be self-aware, it becomes either insulting to the fans (Animaestro), horrifically dark (Chat Blanc) or plain cringe (Simpleman). This is exacerbated by Astruc's arrogance and inability to ignore critics.

Is it possible to make a highly complex, genre-busting, yet kid-friendly story and succeed? Yes. But it needs to be better thought-out - if not from the start, then at the moment the network allows one to deviate from the formula.

And if all else fails and the story becomes too complicated and too repetitive at the same time... Well, self-awareness and the ability to make fun of one's own work can turn a sad mess into a hilariously fun disaster.

P. S. Love your posts as always, you are the main reason I'm still in the fandom!

Thank you for the kind words! I'm so glad that you're enjoying my stuff and I agree with all the things you brought up.

A big part of the reason that Miraculous is so fascinating to me is that there ISN'T a single cause of the issues. There are so many valid ways to discuss the show's problems. It's a masterclass in bad writing and what not to do!

It's why I'm able to run this blog. If it was as simple as, "here's the single reason why it's bad and here's how you fix that" or if the show never had any potential, then there wouldn't be much to talk about. But it did have potential and there is no single reason why it's bad. The causes are multitudinous as are the potential fixes! It feels like investigating some complex wreckage or an elaborate murder mystery in order to understand what the hell happened, which is really fun if you like talking about writing.

I find it much harder to discuss writing in an informative way if you only have good examples to draw from because that path risks stifling creativity. Just because a popular story did a thing well doesn't mean that story showed us the only way to do the things or even the best way to do the thing, but that's often the lesson people seem to learn. They see a thing that they like or even just a thing that audiences liked and want to copy it without understanding the full nuance of why they liked it.

A great example of this is Zuko from Avatar the Last Airbender. He was such a well-written and popular character that all these properties started copying him even though the properties in question did NOT have a setup that worked for a Zuko. Praising Zuko won't really tell you all the ways that Zuko could have failed. Meanwhile, a case study of Chloe vs Zuko or even just a general discussion of Chloe lets you actually talk about the various styles of redemption arc and what you have to do to make them feel real. It's also far more interesting than talking how Zuko could have failed because Zuko didn't fail so why are we even talking about this? It's also far more interesting than talking about a bunch of properties that did redemption arcs well because that would require you to have seen all of those properties. But Chloe is from a single property and she did fail and people understandably have wildly different feelings about what the failure was because the writing was so bad, which means that digging into her writing is way more likely to hold your interest and teach you something.

This gif really does sum it up perfectly:

[Image description: scene from the movie Knives Out where the detective Benoit Blanc exclaims "It makes no damn sense! It compels me though" to explain his feelings on an ongoing murder mystery that he's trying to solve]

As does the old adage, "failure is the greatest teacher." Of course, no one ever said that it had to be your failure!

[winterzxsoldierz]

Home Alone In The Avenger's Tower

Reader x Hydra agents

Authors Note: I was watching Home Alone earlier and wanted to make a one shot inspired off of it, Marvel style, in this you are Loki's kid, yes i said it, and the Avengers are not gonna be around for this one sadly, but hydra will and that meant fun for you, don't be too sad the avengers will come at the end. Warnings: Pranks, a lot of sadistic pranks, and blood, language Steve wouldn't approve of. Side note:I wanted to bring Christmas a bit early and add some glorious purpose to it. Reader is Female and around 17 & 18

The day started out normal, you waking up and doing anything a relatively normal person would do, brushing teeth and getting yourself together, the team had to go on a emergency mission on Christmas Eve, which had you a little bummed because you were actually starting to like them, your father said they weren't that bad and you agree.

Walking into the kitchen, you stop and smirk, and magically you conjure a full plate of breakfast out onto the table in front of you "Ha, beat that Sam." you murmur to yourself smugly. you take a seat down and begin to eat breakfast, you turn on the tv as well, watching the Grinch, Bucky's twin you called him. After breakfast you wander around the tower snooping around Tony's lab, touching things you have no business touching, you then find Tony's music playlist and grin, that's when you find it, the perfect song to blast around now that you're alone, Master Of Puppets by Metallica, and you ask his A.I F.R.I.D.A.Y to turn it on the common room loud speakers, and around the tower, you sing and dance without a care in the world, hell you even conjure your own electric guitar.

(Sun down) Hours had passed since the sun was up and there you sat on the couch with a tub of ice cream in your lap, with a spoon bigger than your mouth in your hands, "Merry Christmas you filthy animal." you imitate Kevin in the movie as you watch him quote the guy he's watching on his tv. (Meanwhile) Brock Rumlow creeps up the steps of the Avenger's level of the tower, and signals his buddy Grant Ward, to follow him, Rumlow felt a bit smug knowing that the Avengers were gone for the day and probably the night as well, he had it all figured out and Alexander Pierce would definitely be proud when he comes back with juicy information...But little did he know he was in for a rude awakening. A sudden crash awakens you from your power snooze and you look around noting the quiet, the television had cut off itself and the common room was only brightened by the Christmas lights and tree, your eyes narrow in suspension since you knew the team weren't home yet, and it definitely wasn't Peter because he would have texted you, you hear voices, whisper shouting to each other, it was definitely two men, none of who voices you knew, so activating your invisibility you began to your search.

Upon reaching Tony's lab next to the file room you see them, and your eyes widen, now you had two options call for help or handle things yourself, and you thought what the hell, 'I'm a god, i don't need it.'

Purposely you make yourself visible again and play scared child, both of the agents come up to you but you run and of course there's a little evil smirk on your lips. "Hey F.R.I.D.A.Y lock any source of exits in the tower for anyone who isn't me or the Avengers." you yell. and you slip into your fathers room.

(POV:Hydra's)

"What the fuck? Brock you said the place was empty! Grant exclaimed in annoyance, Brock shrugs and glares "How was i supposed to know there'd be a Teenager here?" Brock argues trying to defends himself, Grant rolls his eyes "For you to be the leader of the strike team you sure act like an obnoxious dick on a stick." Grant glowers. "Let's just find the girl." Brock grumbles and walks off "Besides, what can one girl do to us?" Brock yells cockily.

Running into the kitchen you go into the pantry and pull out some popcorn, you rip open the bag and lay out some kernels on the ground, you then grab a bottle of olive oil and pour it down on the ground of the kitchen and common room entrance, but you pour enough where it'll lead them into a large pool of green paint you conjured into the common room area. plan one was already in motion.

"Hey Brock i think i found- oh shit." Grant yelps as he trips forward on the kernels only to slip quicker on the oil, "Uh-oh" the words leave him as he tips over into the pool of green paint with a wet splash. All you do is smirk in the back ground and teleport to where Rumlow is heading.

"Where is that little bitch?" Brock growls and makes his way down the hall towards the file room and instead of meeting the room he falls, through a portal and he falls for about 30 minutes before you eventually let him fall into the paint pool next to his buddy.

Both Brock and Grant look at each other in confusion, before both of them get out the pool, but you have other plans for them. Teleporting the men into the training room, you have them held up against Clint arrow dart board and you speak into the intercom completely invisible to the men you speak "Ladies and Gentlemen, today we have two continents up on stage today to play a game of human darts, our weapon of choice, daggers!" you say excitedly, "But firstly let's give a boo for our gentlemen up on stage for being pussy's for making a move when my family aren't home. BOOO." you murmur dryly and in a wicked tone you speak. "Let's began."

With you still invisible you step into the room, handful of Bucky's daggers in hand, you watch in amusement as the men look around clearly worried about if you're around or not, but who cares.

You start by flipping the dagger in your hand and the swish the dagger fly's right by Grant's arm and plunges right into the board next to him, and then you throw another making a yelp leave him as it lands right by his head, you laugh. Then you turn to Brock, a look of distaste on your face, this guy creeped you out more than you like to admit, you throw not one but two daggers at him, one landing on each side of his arm almost hitting him but not quite. "I call this one, no kids in his sack." You quip and throw a dagger right between his legs, so close but not hitting him. but you laugh at his screams.

Three hours. it's been three hours, since Brock and Grant have been victims of your games, they can't find you anywhere but you have traps waiting for them every corner, Brock was covered in chocolate sauce and thumbtacks and Grant was still green from earlier but had burned shoes from stepping on metal steps you some how have heated up. Again the intercoms start up this time it plays Another one bites the dust by Queen, and the lights flicker off and on and both men walk on a trip wire and are immediately slapped with pans in the face and the fall back into yet another portal and falls into a pool full of flour, they don't get a chance before honey is falling down on them, but of course it wouldn't be funny without your laughter.

Once again, Brock Rumlow and Grant Ward split up, big mistake.

Brock walks down the hallway, his steps a bit squeaky from the mess that is him, he lost all his weapons, he leans up against the wall, and peaks around the corner seeing a round barstool with a metal bucket on it that says "Weapons." he walks towards it with fast big strides and reaches his hand in and hears a click his eyes widens and then Boom he's blown back into a wall rendering him unconscious and a bit bloody "Merry Christmas you filthy animal." You quote, with a satisfied smirk on your lips as the clock it's 12 on the dot. You follow Grant, you're invisible again, and watching him, the feeling he gets is uneasiness and he looks around, yet he keeps going forward, he walks into a room that looks Christmas gift wrapped, it's an empty circle looking room, the door shuts behind him immediately and with an illusion spell, you make him see spiders, that look like reindeer, and they start to chase him, he runs but runs into the glass walls repeatedly until you decided you were done with them, so you teleport in there and punch him in the face knocking him out. You drag Brock's unconscious form into the room with Grant, and tie their hands together with Christmas lights and then you add a Christmas bow on each of their heads. the room that the two men are in is Loki's old cell, you leave the cell locking it up and you put gift wrapping paper over the glass to keep any one from seeing in or out, you add a large golden bow on the door and a note that reads "To:Avengers, From:Y/N"

You cleaned the entire tower up with your powers and went to bed like nothing happened but only you'll know the real secret.

(Avengers Pov)

Everyone is tense and tired, the mission was a trap and bust but everyone is alive, and that's all that mattered, the jet lands on the helipad and the team gets off.

Upon getting into the tower the place smells of fresh chocolate and mint, they are first met with cookies and hot chocolate on the table in the common room, and they see the stockings filled with wrapped gifts, the anger and tension in the seems to leave as they see this and know your the cause, and then that's when they hear it, Jingle bell rock playing from a distance, they follow it until they reach the gift wrapped cell, each of them has their own look of confusion, before Tony steps forward and reads the card. "I'm assuming that the mission you went on was a trap, i hope you like the snacks and presents but i think you'll like this one more, i got em. from. Y/N Laufeyson-"

The rest of the team steps forward and starts to tear down the paper and there the two men lay fully conscious and tied up in a jolly way and all messed up. The team looks at each other before bursting out in laughter. "Well i'll be damned." Tony snickers "That's my darling little angel." Loki smirks, a proud look in his eyes. (The End)

Happy soon Thanksgiving and early Christmas, thanks for reading❤️💚

[sparkles-and-trash]

Second Chances, a Shouto and Touya fix-it one-shot ~

tags: healing todofam, todosibs, Shouto and Touya focused, some dabihawks and bktd in the time jump part

note: this ended up a lot longer than planned, and I even added a time jump for some dabihawks and tdbk in there hehe! And as usual I'm playing a little fast and loose with the ages of the Todoroki kids for plot purposes, so let's just go with it and have fun, yeah?

~ ao3 link ~

He got life as a gift for a second time.

That's what the doctors and nurses keeps telling him, at least.

But right now, Touya's not sure he agrees with them.

The sterile air in the hospital room makes his nose and mouth feel dry, his eyes feels tired of all the white; the white walls, floors, sheets, his white bandages.

But honestly, while his body is covered in bandages and skin grafts and the intense pain that flares through his very bones every time he takes a breath, he still thinks the worst part is the embarrassment.

Turns out nobody tells you how embarrassing it is to almost die.

The nurses treat him like he's some little baby, which he isn't, he's 13 and a half, and the doctors talk all over him.

Meanwhile his family is all being totally awkward and weird, even more so than before, which quite frankly is saying something.

All Touya wanted had been for his dad to see him, to listen and to give him a little attention; how stupid and unknowing he had been.

Now his father refuses to leave his side, always just sitting there, teary eyed and sad looking, which is ridiculous when Touya's not used to see him show any emotion besides anger.

At first he has tried to hold Touya's hand all the time, but Touya managed to put a stop to that sooner rather than later.

His mom is quiet, and she's usually smiling and telling him about her day and how the wildlife in their garden is doing, but Touya sees the sadness in her eyes, too.

No matter how much she tries to hide it.

Fuyumi and Natsuo clearly thinks the hospital is scary, and Fuyumi keeps berating him for hurting himself, but she also loves to whisper to him about how dad is different now, that he barley goes to work, and Natsuo said that he even tried to watch SpongeBob with them recently.

Touya would love to have witnessed that, but all he gets is weepy dad.

No fair.

The only one he hasn't seen yet is Shouto, and he understands why.

Touya is way too scary looking for a little kid like Shouto.

One of the changes Fuyumi and Natsuo mentioned is that dad is no longer super focused on training Shouto, and Touya thinks Shouto should be able to enjoy that without being traumatized by seeing his brother looking like a freaky mix of a mummy and Frankenstein's monster.

So no, Shouto had not come to visit, yet.

But apparently he's been asking about "Nii-San" all the time, and their mom is insisting that Shouto is ready, but Touya isn't so sure.

The next time his mom comes through the door to the room to his hospital room, she looks weirdly nervous, but she's also smiling.

Like she has a secret.

Touya's not a fan of secrets.

She sits down next to him carefully, and when he finally looks at her properly, she puts her hand on his.

"Someone's here to see you, today," she says softly, and Touya sighs.

"Is it dad?" he asks in his new, creaky voice.

"Is he crying?"

Touya swears his mom hides a smile behind her hand.

"No dear, your father is home with your brother and sister," she informs him, and Touya nods.

"Good."

Rei tilts her head.

"Your little brother really worries for you, Touya," she says softly, and Touya has a feeling she's not talking about Natsuo.

"Probably because you guys are making such a fuss," Touya mumbles grumpily, before he adds.

"And dad crying all the time."

Rei actually fully smiles this time.

"That might be, but he refused to let me leave without him today, so he's sitting outside in the waiting room as we speak," she tells him, and Touya's heart starts speeding up.

"You let him come?!" he asks, and Rei sighs.

"Like I told you, he refused to let me leave," she says.

"I think that was the first temper tantrum he's thrown in his whole little life, actually."

Touya's eyes widens.

"He did?" he asks, only half believing her.

"He did," Rei confirms, before she continues.

"He's also refusing to see you with me in the room, so I'm gonna go outside and send him in now."

Touya doesn't protest, but he can't meet her eyes.

"It's time, baby," Rei says softly as she strokes his cheek, before she gently tilts his face so he has to face her.

"And be kind to your brother."

Touya nods.

He doesn't have enough energy to put up a fight.

His mom gets up to leave, and Touya keeps looking out the window, trying to show how disinterested he is.

The door closes, and he hears two quiet voices outside for a bit, before a tentative knock hits his door.

Touya sighs heavily.

"Come in, Shouto," he calls out as loud as his fried vocal cords will let him.

The door creaks open, and the sound of little footsteps comes closer towards his bed.

Touya really doesn't want to turn around and face his little brother.

What if he scares him?

With his burned face and bandaged body, with his new voice and his pale face, those parts that aren't burned at least.

Turns out Touya doesn't have to turn around, because Shouto's already made that choice for him by walking all the way around the bed.

Suddenly Shouto is standing right in front of him, his mis-matched eyes staring straight into Touya's, and for a few seconds his expression is unreadable.

Touya's heart is beating so fast and hard he worries it'll alert the nurses.

Then, as if someone pulled away curtains on a sunny day, Shouto's face lights up with pure joy and relief.

"Nii-San!" he squeals, and clumsily tries to climb up into Touya's bed.

Touya just stares, trying to figure out if this is real.

Shouto finally clambers up into the bed, and he gently reaches out to put his hand on Touya's cheek.

Exactly like their mom.

"Nii-San, does it hurt?" he asks quietly, and Touya blinks down at him.

Then he nods.

"Yes, it does," he says carefully, and if Shouto is scared of his voice, he doesn't show it.

Shouto's face falls a little, so Touya hurries to continue.

"But they give me great pain medication, and the doctors says my skin gr-"

Touya cuts himself off mid-sentence to not traumatize his almost-seven year old brother more than necessary.

"Uhm, my brand new skin is growing quick and it's strong!"

Shouto's eyes are huge, but not from fear, rather... awe?

"You're so strong, Touya-nii!" he exclaims eagerly, and Touya feels a blush creep up on his cheeks.

"I'm not..." he starts, but once again cuts himself off.

No need to take his own self hatred out by airing it out to his baby brother.

"Well, thank, Shou," Touya says quietly as he gently ruffles the kid's two toned hair.

Shouto beams.

"When I grow up I wanna be like you," Shouto declares, and Touya's heart squeezes.

Had he always been this goddamn cute?!

Touya gives him a wry smile.

"Maybe a little less fried, tho, right?" he asks in a teasing tone, and Shouto giggles, before his face gets serious again.

"You were very hurt, Nii-san," he says in his serious little voice.

"Dad cried."

Touya sighs and rolls his eyes.

"Well, dad cries every time he's here now, so you don't get to complain!" Touya says, trying to lighten the mood.

Shouto doesn't smile.

"I was really scared, Touya-Nii," he whispers.

Touya averts his eyes.

"I'm sorry about that, Shou," he says quietly, and suddenly a small hand grabs Touya's.

"Just don't get hurt like that again, okay?" Shouto asks, and Touya looks back at him.

"I'll try my best," he says with a small smile.

Shouto shakes his head.

"Promise!" he insists.

Touya chuckles.

"Fine, I promise," he says and he ruffles Shouto's hair again.

"Promise."

-

At this point, a trip to the hospital is like a trip to the grocery store for Touya.

Even his family doesn't kick up much of a fuss for these smaller procedures anymore, which is quite nice honestly.

Especially now that he has a boyfriend that takes care of all that worrying for him.

This was the first time since he and Keigo got serious he had to go under anesthesia for a small procedure, and Keigo had not been coping too well.

He was pretty good at pretending to keep it cool, but Touya knew better, and it was obvious he'd been a nervous wreck.

Which is why he's rather surprised when the first person through his doors when he's come to after surgery isn't Keigo.

Touya should have known.

"Nii-San!" he exclaims as he hurries over to Touya's bedside.

Touya can't help but smile.

"Hi, Shou," he says tiredly, and Shouto sits down on his bedside.

Even now, 18 years old, interning as a Pro-Hero and with a steady boyfriend, Shouto still gets that look in his eyes sometimes.

The one he had when he told Touya that he wanted to be just like him when he grew up.

To be fair he wasn't doing half bad on the matter.

Shouto was interning at the same agency that Touya (and Keigo) currently worked at, and he was already taking an extra interest in rescue and first aid work.

Touya couldn't be prouder.

"So, why is your face the first I see, and not my doting boyfriend?" Touya asks dryly, and Shouto shrugs.

"Because I told him to wait outside," Shouto said simply.

Touya felt a headache coming on.

"Why?" he asks, and Shouto tilts his head.

"Because I'm the first one who sees you," Shouto says simply, and Touya rolls his eyes.

This kid.

"I hope you were nice to Keigo at least?" he asks, and Shouto nods.

"I'm always nice to Keigo, I like him a lot."

Touya feels a small smile tug on his lips.

"I'm not so sure about Kats, tho," Shouto adds thoughtfully.

Touya's smile drops.

"...please tell me you did not leave Keigo alone with Bakugo?" Touya asks, and Shouto blinks.

"Why would I tell you that?" Shouto asks genuinely.

Touya sighs heavily.

"Nevermind Shou, could you just tell Keigo that he can come in now?" he asks, and Shouto nods.

"Oh, sure," he agrees and gets up off the bedside.

Before he goes to save Touya's boyfriend and keep his own in check, he stops and gives Touya a genuine look.

"I'm glad you're okay, Nii-San," he says quietly, and Touya smiles.

"Well, I'm glad you cam to check on me, Shou," Touya says back, and Shouto beams.

"I'm planning on keeping it that way," Shouto informs him.

Touya chuckles.

"I'll tell Keigo," he says dryly, but Shouto nods serious.

"Yeah, you probably should."

Touya waits to roll his eyes until Shouto's turned around.

"Don't roll your eyes at me, Touya-Nii."

Touya huffs.

"Just get my boyfriend, you menace."

Shouto turns back to give him a final smile before he goes out the door, and as soon as the door opens the sound of Bakugo's voice hits them both, and Shouto suddenly seems in a bit more of a hurry.

"Yeah, hurry up you little weirdo," Touya mumbles as Shouto scatters off.

He's rather grateful he still has his biggest fan, after all.

[lemotmo]

So this is my 1st season watching live after catching up through the hiatus and sorry if you're not comfortable answering but does the show always hype up eps like this and nothing come of it? As much as I love this show, I'm not gonna continue if there's a possibility of being baited into watching for views. Been there too many times to get any enjoyment or satisfaction out of that sort of promotion.

Yeah, it has happened before, but it isn't something that always happens. Once in a while the journalists will hype up an episode that turns out to be mediocre or they'll hype up a good episode to be 'fantastic'. Like last night's episode. It was good, but it certainly wasn't 'great'.

I always read the journalist's takes and sometimes they are spot on, but sometimes they overhype something to have more people read their articles. It happens. It's their job to make sure people watch the ep and read their articles, so there's that.

In this fandom we do tend to be too invested into what the journalists tease in their tweets. I admit that I'm guilty as well. I try to keep a healthy distance, but it's easy to get swept away in the excitement and teasing of it all.

Personally, I've already made the decision to stop being as invested in what the journalists write about new upcoming episodes on social media. Their tweets are usually vague and could mean anything, so I'm going to try to be more cautious about those tweets.

Ultimatelly the journalists don't know where the plot is going to go either. They'll hype something up, but I wouldn't exactly call it baiting. They only see the episodes a few days in advance and they tease us about it. That's it.

The actors don't bait either. They only know the parts they play, so for them some storylines can be fun and meaningful while the fans might not be as impressed. They remember taping those scenes and having fun doing that, which offers them a different experience.

Also, they don't always know the other storylines going on in the episode, so Oliver saying the ep would be fun means it was fun for him filming the Buck scenes, but he wasn't talking about the Denny storyline.

Last night's episode is obviously an episode that Oliver loved doing. I suspect it has to do with the weird Halloween elements of curses and diseases. He seems to like filming the mystery storylines. Good for him.

That being said though, it doesn't take away that Oliver said some very interesting things in recent interviews. The information we got about the slow burn relationships and how much he loves them is certainly intriguing. And the quote about Tommy not being helpful? We got to see that play out yesterday. The way he talks about Buck and Eddie's relationship in those interviews, compared to the BT relationship speaks volumes to me. Put that next to the all of the times that Eddie pops up in the BT narrative? There is definitely something there.

Conclusion? This wasn't baiting. So far I see no evidence of baiting. There's been hinting and teasing, but not baiting. Baiting is what happens when the show keeps promoting and using the two people in question to draw in viewers, but nothing comes of it in the end. But we're not at the end yet. We're only at episode 5.

We've had plenty of great Buddie scenes in season 7 and even a few really good ones in 8, like in last night's episode. All of these scenes were significant and loving. For now they aren't particularly romantic in nature, but it's still early days. Buck only came out last season and Eddie? Well, there's a lot to unpack there before we can get to the core of him. Episode 6 should offer us a glimpse into his psyche.

So no. We're not there... yet. If the show keeps on promoting the show by using Ryan and Oliver and if the actors and showrunners keep hinting at something more between Buddie, but they never go through with it? If we reach the last episodes of season 8 and there has never even been a hint of anything at all changing between the characters? Then we'll have something to talk about Nonny. Then we'll be able to open up this particular can of worms. Then we will have a reason to be angry.

But for now? Nah, we've only seen 5 episodes so far. Let's keep calm and see where this storyline is going.

[thegreatandpowerfulversy]

It's Worm liveblogging time! About time I finally got around to actually reading it and not just letting the wormposts flow over me and deposit information via osmosis.

I started this morning and have read through the end of Arc 2 so far, so this isn't quite liveblogging from the beginning, but I can summarize the thoughts I would have posted had I decided to do this earlier.

Taylor apparently already has her powers from the start? I honestly thought the story began before her trigger event. Seems like it's only a few months after though, she's new to it all. I guess we see the background in an interlude later.

Also, wow, I thought my experience of high school as a nerdy trans girl was bad, but goddamn. I'm a little surprised Taylor hasn't murdered any of her bullies yet. Maybe later.

Spiders on his dick! What a unique, one-time event that surely will never even remotely happen again.

It took me an embarrassingly long time to remember who Regent was. You guys don't talk about him much.

Is Armsmaster trans or something? Probably not according to Wildbow, but since when is he a reliable source anyway. Trans according to post osmosis is good enough.

Dad :(

Taylor really does have a lot more self-control in the beginning than I expected.

At least she has some basic opsec knowledge and goes to the public library to make contact. Not that it helps against a Thinker, but it's the right idea.

The Undersiders have a boss? Why do I get the feeling that the boss won't be lasting very long...

There is no way that Lisa doesn't know exactly why Taylor is here. I guess she's having fun playing with her? Or maybe she also sees the next layer too and knows Taylor is possible to turn to be a villain for real.

...You know, as someone who gets a majority of her worm knowledge from an avid Taylor/Rachel shipper, reading the actual start of Worm is bizarre. Rachel does not make a good first impression here. I understand the smugbugs much better at the moment.

Friends :)

I do not like Victoria Dallon. Sure, punch Nazis, but that's a bit beyond punching.

I really do not like Victoria Dallon. Not just police brutality, but also blatantly using cult manipulation tactics on her sister, and trying to amplify that with her aura? Come on, Amy, we've got to get you out of there.

That's it so far! I imagine the arcs get significantly longer as the story goes on; they'd kind of have to to reach the "6.5 times as long as my own longest fic" mark that I've heard about. As a writer, that's a phenomenon I know all too well.

Anyway, I'm having a good time so far, and I can't wait to keep reading! I've been warned of some spots later that I will have to skip over, but I can deal with a few dick-spiders for now.

[genericpuff]

saw a post criticizing lore rekindled a while back, and one of the points made was "it's unfair to rachel that someone else can profit off and make money off her work"

do you profit off lore rekindled??? i don't remember if you ever said that you were monetizing lore rekindled, so i'm unsure where this piece of information came from

I literally do NOT profit off Rekindled in any way shape or form, it's a Tumblr comic that's free to read, zero subscriptions, paywalls, or ads.

I did just recently open a Patreon and apply my Twitch channel to become affiliate, but 1. my Patreon doesn't have any paid members yet , 2. my Patreon won't be offering rewards that limit the reading experience of Rekindled (it's gonna be like random doodles n junk), and 3. I haven't even streamed since I applied for Affiliate and people are watching the streams for art and lo-fi, not for any sort of exclusive reading experiences that wouldn't also be accessible on Tumblr (you just get to watch me slowly work on Rekindled while playing FF XIV LMAOO) All of these restrictions I have in place is to prevent exactly what folks assume or accuse me - profiting off Rachel's IP. At the end of the day I just wanna create an AU fanfic project, even if it's created out of disappointment for what could have been.

I *do* spend a few hundred a month though for my assistant. So I'm working on Rekindled completely at a loss, out of my own pocket. So in that regard, even if I were to monetize any part of Rekindled... it wouldn't be for my own profitable gain, I'd maybe be able to cover some of my assistant fees 🤣 (but that's just hypothetical food for thought, because as I said above, I don't want to monetize Rekindled because of the potentially legal and ethical issues in doing so. Making money is also just not why I'm making Rekindled because it's something I wanna just do for fun! Money complicates things, turns shit into a job :'0) And let's be real, in that hypothetical scenario, I don't think any money I could generate on my free to read Tumblr project would come anywhere close to threatening Rachel's bottom line 🤣

And this isn't to throw anyone under the bus but when people get suspicious of Rekindled profiting off LO, I can't help but think of the actual fans of LO selling handmade LO merch on Etsy and LO-style adoptables and other arts and crafts dedicated to their favorite comic. And I'm not gonna judge them for that, more power to 'em if people wanna buy their cool stuff (and some of it is really REALLY cool, like I wanna buy their stuff too LOL), I just think it's ironic that people separate the two because... I'm not a diehard fan? Or because Rekindled has gotten popular here. Beats me. All that "popularity" is still just a niche remake of a niche comic in a niche medium. It's not Spiderman Lotus levels of big 🤣 but I know it probably feels that big to people who are engaged with this fandom and spend a lot of time in it.

There's an opposite side of being a yes man that perpetuates similar behavior on the other side - when you come up with reasons to rag on someone just for the sake of it because you can't rationalize them NOT being the all 100% pulp of evil LMAO (and I see people do this even to Rachel and it's not fair imo, like people who use the Lolita thing as a way to accuse Rachel of being a legitimate pedophile? Like no, I don't think we should be normalizing serious accusations like that. I think she's just misinformed in a lot of ways at worst and suffering from dark romantasy porn brainrot at best LOL).

Like, as an example, I've also seen people claim stuff like I'm in the fan spaces telling people not to read LO and to read LR instead? Which like... why would I do that, LR isn't for the fans anyways and I don't gain anything by being a dick in their space 🤣 If my own readers are doing that, that's out of my hands (but respectfully don't do this please!!! there's a reason I don't use the standard LO hashtags and only stick to the anti ones!!!!) but again (and this is a big assumption so take with grains of salt) I think people just like to claim these things because they feel it's just naturally the right thing to do when someone who has opinions they don't like actually puts them into action. Because now they can't say shit like "well if you think you're so much smarter than Rachel why don't YOU write the story!" and "you don't know what it's like to manage a comic!" so they grapple onto whatever other argument they can even if it's misconstrued or entirely pulled out of thin air and not backed up with any legitimate evidence.

Their perspectives make sense to them. My perspective makes sense to me. I don't blame people for being suspicious when they see someone like me pour this much time and effort and money into a project like Rekindled, they assume it HAS to do with something they can rationalize from their own point of view, like wanting to "steal" Rachel's work or profit off it or take it for myself out of "jealousy".

Sorry to disappoint y'all with a boring answer, but I'm just someone who was once a huge fan of LO and couldn't let it go. I'm just someone who's way too hyperfixated, with a lot of passion for making comics and experience to match. I'd still be making it even if I didn't have an assistant. I'd still be making it even if I was stuck working with nothing but paper and pencil. Because I love making it and I love what it means to me, and I love that it makes other people feel the same way I do about it.

And that's really all I have to say on that.

[yoyomomiko]

Opposites

Pairing: Craig x F!reader

Summary: You and Craig have known each other ever since first grade, and the two of you got to be very good best friends. What's standing in the way of becoming even more? The fact that the both of you are polar opposites. There's surely no way YOU TWO could ever work in a relationship, right?

Warnings: Swearing, cringe, rushed!!

“That's childish, what are you, a toddler?”

“No... I'm all grown up!”

It was useless having arguments like these, really. It happened all the time, and you tried to ignore all the judgement, but it was just messing you up badly!

“No you're not! No older kid would still play with stuffed toys!”

“That's not very nice, you know?”

“Like i care! You're-”

“How about you fuck off?”

Craig's monotone voice cut off the other kid, flipping him off. Despite the other kid wanting to stand his ground, he just left, stomping away in annoyance.

“Are you alright? You should stop being such a people pleaser.” He stated simply in his 'i don't care' tone.

“Sorry, i just... It's hard being mean. Everybody deserves kindness in their life, at least once, they should feel like they're being cared about, no matter what.”

Craig's eyes lit up a bit, but he shook his head with a sigh.

“I can't convince you otherwise. Let's just play, there's still time left for recess.”

✦•┈๑⋅⋯ ⋯⋅๑┈•✦•┈๑⋅⋯ ⋯⋅๑┈•✦

“Ay! I'm not fat, i'm big boned you dipshit!”

“I never called you fat, i just told you that eating food off the floor isn't-”

“I FUCKING DROPPED IT AND IT'S NOT GOING IN THE TRASH!”

“I understand, but there's a lot of bacteria on the floor, and you could get sick!”

“You ruined a perfectly good meal!”

“I didn't, i just-”

“Leave already!”

That's Cartman for you... You were already used to his sudden tantrums or bursts of anger, also to his insults. But that didn't mean you couldn't be kind to him, right?

You snapped out of your thoughts as you felt a hand on your shoulder. You turned around to see a familiar face, and probably your favourite one too.

“Craig!” Your eyes shined brightly as soon as you saw him, all while he walked away with you to his lunch table, along with his gang and Tweek.

“Are you alright?”

You nodded, a gentle smile on your face as the others greeted you.

“Cartman's a weirdo, he snapped all of the sudden, just because you cared for him.” Craig stated in his usual monotone voice, glancing to Cartman's table, then back at your happy face.

“I know how Cartman is, but so what?” You smiled at Craig's confused look, “Even if someone's being mean, it won't hurt to be kind! It makes you happier, and i feel better every single time i help someone!” You informed the ravenatte, all while the gang just watched you speak what seemed like nonsense to them.

“Yeah, b-b-b-but, C-Cartman's an a-ass.” Jimmy spoke for the others. You shrugged your shoulders and tilted your head to the side, a smile glued to your face.

“I know, but like i said, kindness doesn't hurt.”

You didn't belong in South Park.

✦•┈๑⋅⋯ ⋯⋅๑┈•✦•┈๑⋅⋯ ⋯⋅๑┈•✦

“It's on!” You grinned at the boy in front of you, who looked like he tried his best not to smile too much.

“Whatever, whatever, i do what i want!” Craig tried his best to mimic Cartman's voice, trying not to laugh.

You, on the other hand, were already laughing like crazy.

“I'm not fat, i'm big boned!” You mimicked Cartman's voice almost perfectly, while Craig couldn't hold back anymore, and let out a laugh as well.

“Okay, i have to admit, you did it better.” Craig calmed down his laughter to speak out his sentence, before chuckling a bit more.

“I thought you were sweet, yet you're making fun of someone by copying their voice.” Craig leaned into you, probably a bit too close.

“Well... Y'know, it's not really rude... I mean, i'm not saying it to his face, am i?” You stood your ground, heart fluttering inside your chest.

Craig looked away and nodded, glancing at his feet. Suddenly, you felt a hand on top of yours, making you turn your head slightly, catching a glimpse of Craig holding your hand.

His cheeks were tinted pink now, smile long gone, as you stared at him.

You blushed too, face heating up. Craig's heart was pounding in his chest, so loud that he was sure you'd hear it.

You felt the corners of your lips tug upward, mouth forming a smile.

Craig turned to you, gaze fixated on your eyes. You examined his face, while he couldn't bear to watch you anymore, turning his head away quickly as he let go of your hand in embarassment.

You leaned over to him, catching his hand in yours again, making him flinch slightly, before he melted into your touch.

✦•┈๑⋅⋯ ⋯⋅๑┈•✦•┈๑⋅⋯ ⋯⋅๑┈•✦

“There's no way...” Clyde perked up, checking out the way you and Craig held hands as you walked through the halls.

“W-What? ACK! T-that's...” Tweek trailed off, just as surprised.

“You guys HAVE to be blind, haven't you seen how the two of them acted with each other?” Tolkien crossed his arms. He was already expecting something to go on between you and Craig.

“B-But i t-tought they were a-already togheter...” Jimmy butted in, scanning the faces of his surprised friends.

[amelikos]

Obligatory Dot in HZ063 post because she's been amazing this arc and I love how they keep showing fun sides of her character and how much she wants to give back to her friends.

It was funny seeing her be dramatic and say she was going to lie in the snow forever and say goodbye to her channel and thank everyone for their support.. She has silly moments too, and they are showing off that side of her a bit more this chapter! (Also liked that she still has a bit of a hard time walking a lot, she is building up more stamina, but she only recently started leaving her room, so being cold and extra tired when she has to walk in the snow isn't a surprise. She is trying though!)

Dot also encouraged Liko to try out a fun activity!

Since Liko had some time before her implementation test, Roy suggested they try the Arukujira-sledding. Dot looked up information about it and told them what she found, Roy thought it sounded fun and Dot said they should give it a try. Liko was a bit reluctant at first because her test was coming up soon (so I think she wanted to remain focused on that), but Nyarote and Terapagos looked like they wanted to try it. Roy encouraged Liko further, and Dot said it could be a good warm-up for her test (so she tried to find a reason to link it back to Liko's test).

Usually, it's Liko and Roy who invite Dot to try out new things, such as when Liko wanted Dot to eat curry back in HZ027. So seeing Dot being the one excited about trying out new things and playing and encouraging Liko to do so as well feels special, and it shows how much she's changed. Dot was cold and tired from walking too, and it's not like she was used to this kind of thing since she almost fell when the Pokemon was sledding (and Welcamo had to catch her). Yet, she still wanted to try something unknown for the first time, go out of her comfort zone, and not pass up on the opportunity.

Bringing up this one because I liked the way Dot's VA sounded in this scene. It felt so affectionate when she said her line? Which was cute.

I also felt like Dot was trying to ease a potential awkward silence here and make conversation with Liko (instead of letting her be the one to handle it).

I think she probably felt a bit guilty/responsible for Grusha scolding Liko. Grusha told Liko that if she was goofing around right before her test, then she must feel confident about it. Liko was initially a bit reluctant to try out the sledding precisely because her test was coming up, and Dot was the one who encouraged her to come along. So I feel like Dot thought that she was part of the reason why Grusha made such a comment towards Liko and spoke to Liko to take her mind off things.

Also liked the way this line was delivered.

It was surprising to hear Dot raise her voice a bit to encourage Liko before the battle began, yet it still felt controlled a bit in a way (in comparison, Roy feels like he is going all out in the way his lines are delivered when he encourages someone). She is trying to cheer on Liko.

Also something about that casual display of trust between Liko and Dot by showing Dot carry Terapagos. Liko entrusts Terapagos to her! They showed it once before in HZ056 when Dot was the one holding Terapagos when Liko was battling Chili. I love that she is getting close to Liko's Pokemon.

At the end of the episode, Roy and Dot were trying to reassure Liko. Dot brought up her own experience with her implementation test to illustrate her point. Liko failed her test, though. And Dot was the one who asked Grusha to give Liko another chance (Liko didn't ask for it). Another unexpected side of her coming through here. She really wanted Liko to have another try at it, because it meant that much to her.

[tibbycaps]

what is kyle like.how does he respond to Situations. iam so curious

kyle is so. i love kyle. so i cant yap about his backstory yet as the party has not gotten to this point but basically this is a man that is very obsessed with what is happening in the Woods. something Freaky is happening in the Woods and he needs to get to the bottom of it. no one seems to believe him and its Pissing him Off.

hes super edgy scene emo punk kid looking but i honestly think hes a pretty chill and laid-back guy, type of guy that kinda knows people from lots of friend groups and such. goes to lots of parties and shit. going to the local junkyard and smashing glass shit for fun. he isnt afraid to approach people esp if hes ambitious/driven by something. which is funny considering he actually has a -1 Charm, but my reasoning for this isn't because of his personality but because of how he looks. very distrustful of local authority though, and will be an asshole to them. but is the type of guy that doesnt mind helping you out as long as youre not an asshole, in his eyes. kinda has a big heart/protective side

a good example of this is kyle sees bax's character edie go to their home, a trailer in the woods, which is a Newer and Strange thing he hasn't noticed before. instead of like, investigating a la peeking through the windows or something kyle just straight up walks up to the door and knocks and lies about being an intern with the local police dept to interview edie briefly about if he's seen anything weird in the woods lately & i got a mixed success so it worked LOL.

im playing him a bit recklessly because this is a guy that's kind of desperate for information and is willing to do things that he maybe normally wouldnt. but hes standing there with his grin and his notebook and hes like yooo hey sorry to bother you haha oh hey you like pokemon me too thats so cool so hey did you hear anything in the woods last night smile. and edies like i can tell this guy isnt a cop but i dont rlly care so imma just tell him what i heard. i love roleplay game

[gastersreturn]

YOU HAVE FOUND HIM

by : tinybrainboy READ IT ON : ComicFury - DeviantArt

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GASTER'S RETURN MASTERPOST

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PROLOGUE

1/2/3/4/5/6/7/8/9/10/11/12/13/14/15/16/17/18/19/20/21/22/23/24/25/26/27/28

CHAPTER 1

1/5- 6/10 - 11/15

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GASTER'S RETURN - FAQ

What is the plot ?

Everything is in the title, it's a story about Gaster returning from wherever he was after his accident that broke him between time and space. This story is set after the Pacifist ending, months after monsters have been freed from the Underground

What are the main themes of this story ?

I would say it's main focus is about letting go, like the original game in a way

Is it an AU (Alternative Universe ?) ? And how close it is from Undertale ?

Yep, it is. I want to keep it as close of the canon as possible, to make the characters and universe as authentic as possible in order to really tell a story based on the game. But it won't be exactly the same as the canon.

Several details change in this story and this is why I call it a "AU", the main ones being :

Gaster : My interpretation of Gaster resemble a lot the general interpretation of the fandom about him, but not completely. It will be fun to play with what you know, or what you think you know about him :)

Sans and Papyrus's origins : In the original game, I strongly think that Sans and Papyrus don't come from Undertale, but from Deltarune (I won't elaborate more on that subject, you can make your own researches on this theory if you're interested), however it's not the case in this AU. Sans and Papyrus really come from the Undertale universe. It will change their characters, especially Sans, but I'll do my best to show them accurately (at least more accurately than the general fandom's representation of them)

Frisk : Frisk's personality have been imagined and adapted to this story. I wanted Frisk to be like a fusion of their actual personality in the game (because, yes, they have one even if it's really subtle) and the one of the player. So, you get it, the player in itself isn't really a thing in this universe

How did you get the idea of making this AU ?

At the very beginning, I just started to make some random drawings of Gaster, and some KingDings (AsgorexGaster) sketches, then other Gaster related things, and a story began to form into my mind. I decided that I wanted to make something out of it.

So does that mean there will there be KingDings in this AU ?

Well, not really. the main focus of this story won't be romance. At this point of their lives, neither of them are ready for a relationship (if I want it to be healthy). I have thought about making a KingDings mini serie after the main one to develop their relationship, but I don't know if I really will, I didn't even wrote anything for it yet.

When will the next pages come out ?

I try to make approximatively 5 pages every two weeks (I have another Undertale so I'm working on one and the other every week)

How long is this going to take to complete the story ?

Long as hell, I have written a prologue and 3 chapters to finish the story, wish me luck

Am I allowed to make a dub of the comic ?

I honestly don't know if anyone would ever want to make one, but if you do, sure you can ! (as long that you credit me of course)

You are also allowed to make fanarts, or any fanwork based on this AU, again I'm not sure if anyone would, but just in case x)

Am I allowed to repost this AU somewhere else ? Or to make a translation ?

Mmmh….I would allow it, but I want to be informed of it before you do. DM me to ask me, and if you see someone else than me reposting it somewhere, please tell me ^^

The only places I post this AU in here and on ComicFury, anywhere else isn't me

I have other questions !!!

Then you can ask them ! I will answers the ones who are interesting/doesn't require me to spoil my own story

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WILL YOU KEEP SEARCHING ?

[kugelblitzzed]

my small ramble about HABIT as a character :

warnings : spoilers! content warning for csa, sa, nazism, etc. HABIT is not a good person, bear this is mind.

obviously, I don't support HABIT as a person. for those unaware, he's mentioned multiple times to have been an SS soldier, a raper, obviously a serial murderer, etc. he is NOT a good person.

however, his character has got to be one of my most favorite written in existence.

because we know absolutely nothing about him.

and he knows that.

he reveals just enough information about himself to the audience for us to get comfortable enough to think we can predict him, and then proceeds to go in the exact opposite direction. he is the joker, the wild card, after all.

one prime example of this. I watch a lot of emh fan content so I've seen a bunch of these YouTube compilations of "HABIT acting like a human for _ minutes" or "HABIT acting animalistic" and so forth.

we have absolutely no fucking idea what HABIT is. obviously, he is a representation of pure evil, presumably human. he is human in nature, though obviously deranged. yet he is so evil that he becomes a feral kind of animalistic insane. he growls, bites, runs on all fours. whilst obviously taking a human form, we still don't know just exactly what his is.

this next small section (adding on to the former) is a bit of a ramble. I have not finished the series, I'm watching it in real time. this is moreso speculation, so forgive me for any incorrect guesses.

HABIT is obviously the sender of the treasure chest containing the everyman play. you know the one, with extra characters and annotations added in. HABIT adds in firebrand, the guardian and the voyeur. yet, as far as I'm guessing, he isn't any of these characters, and obviously he cannot be one of the characters already in the play (unless he's death himself.)

he knows. he controls the strings everytime. he writes in the characters, he writes in what they will do and how they will act and interact with one another. he's akin to a god. so much so, that he doesn't even take a form in the great play of life. did he insert himself, force his way in?

we have no idea.

additionally, we don't know what his capabilities as an entity are. the point established is that HABIT is trying to find the perfect vessel with little regard to the body he's hurting in the process.

yet, the way he's presented, you'd think he does it spontaneously. you'd think he jumps between bodies whenever he pleases, and if it isn't immediately to his liking he just inflicts some kind of life-threatening damage and leaves. again, we know this not to be the case.

for those unaware, Nick is possessed by HABIT. in the CANYOUSEETHEWORDS blog, once HABIT takes over, he begins to insert diary extracts and exerts from his victims. maybe to mock them, or maybe he has some higher plan.

in one of these, we see Nick. if you hadn't seen the extract, one would've assumed HABIT just stole his body temporarily since the only time we actually see Nick get possessed is when he's choking out Evan, before HABIT kills the guy himself (through Evan's body.) yet, in the entry, Nick expresses that HABIT literally is a higher being.

Nick discovers he was a product of rape. and the perpetrator? HABIT.

HABIT had to have actively had some knowledge of every single event in the timeline just to know "the child of this woman is going to be my vessel." but, if he has such time warping knowledge, why doesn't he just look through time and find the best one?

we don't know either. maybe he hunts for the fun of it.

thanks for reading my small ramble about how well written HABIT is.

[fobnsfwdoodlesbackup]

Hi y'all, I just wanted to talk a little about the behind the scenes of what I've been up to, to give y'all a little transparency and to open myself up for any tips or input! 🙏 Thank you for your continued support and for taking the time to look at my art 🫶

First and foremost I wanted to give some transparency about my art capacity.

As og followers may remember, I started this blog when I was doing art full time. Eventually my living expenses grew and I had to go back to work. I find myself in a cycle of "I'll make more art soon, once I get a job!" And "I'll make more art soon, once I am done with this job!" I lost my most recent job suddenly, having had an extension waved over my head until the last day(October 7th). Now I'm excited to have more time for art, but I am also feeling a rush to get a new job ASAP as I've been living paycheck to paycheck. I dream of doing this work full time, I'm just scared it's not quite there yet and I worry that I come off as scammy or dishonest when I anticipate more stability around the corner.

Second, I've been struggling with the Patreon. It's taken me a while to come to terms with this, but from what I've seen Patreon is not intuitive at all from the creator end. It doesn't do a good job of organizing addresses, emails, showing who or who isn't subscribed to me, or organizing and displaying the work I put on there. I've been really shocked by this experience, since lots of big names use Patreon. It's been a great way to streamline support, but it's been unhelpful in every other regard. I would like to continue using it, but I will most likely post more wips or process videos there in the future.

Which brings me to my third point, zines. I love making zines so much, it feels personal and fulfilling and fun! However the Patreon issues make it harder to keep information in order about where to send zines, or even where to message folks about them. In addition to this, the post office has been a big barrier to me, oftentimes only being open at the same time as my dayjob. Making zines can take days, then sending them out is a whole other monster.

This work is so important to me. Drawing peoples fantasies, representing body types, creating work around sexuality and the human experience feels like what I'm meant to do. I've made comics since I was a kid. This is the dream to me. The friends I've been able to make through this work are so important to me, and the conversations have been invaluable. Not to mention fun! I wanna doodle, I wanna draw hot stuff, I wanna thirst over these dudes! I want to play!

But I also just want to be transparent about the barriers I'm working around to share that experience. I'm completely self taught, both in art AND in running shops, building websites, running 8 accounts, etc. I take a lot of time to learn the logistics of these things, and try to make them make sense for my relationship with y'all (I do not want to paywall my art!! I don't want to!!!). This year my desktop broke down (the main one I use for all paintings and digital art). I've paused my Etsy shops and my Patreon to try to catch up with things. Trying to learn to paint in a completely different program. Then lost my job with no savings.

At the end of the day I don't want anything to come between me sharing my art with you. I wish I could doodle a thing, take a picture, and post it here. No third party site, no shop, no subscription. Just sharing my art with you. I promise I'm trying to figure out how to stay as close to that as possible, and I want to thank y'all for sticking with me as I untangle all of that.

So, what can you expect in the near future?

I'm working on a couple of painting commissions right now, which you should be able to see in the next couple of days! I want to catch up on kinktober and get those posted as well. There's a comic commission in progress which I'm very eager to work on, and which I think y'all will be excited for! To ease the weight of the Patreon I think I may do less zines/polls there and more wips and process videos! If possible, I want to do more full colored work too.

Thank you again for enjoying my work, and if you have any input or tips my inbox is always open 🙏🫶💕