Batman gives each of his Robins a different code to use when they’re in trouble and need immediate extraction. He promises that when they call, he’ll drop everything just to get to them, come hell or high water.
Jason, during his time with the League, shares his code with Damian, to be used “only in the direst of circumstances, when you have exhausted all other options.” He doesn’t know if Bruce will answer, given how fractured their relationship was before he died, but it is better than nothing. Every tool counts when they live such dangerous lives.
Damian uses it exactly once, and Bruce, who still feels the loss of his son like a yawning chasm in his chest, responds to it even though he knows it can’t be Jason because Jason’s dead. What he finds, instead of Jason, is a boy in League garbs, drenched in blood from the tips of his midnight-black hair to his too-small feet, with a face that Bruce sees himself and Talia in, requesting asylum from a grandfather who wishes to possess his body. Bruce doesn’t question how this boy who is so clearly his son knew the code. Talia al Ghul is resourceful and places family above all; the code is not beyond her abilities to discover, and she is not above using Bruce’s desperate love for his dead son to ensure that hers does not meet the same fate.
Bruce takes Damian in, because of course he does, and since Jason is dead he allows Damian to keep using the code. After all, it’s not like Jason is alive to use it, right? If someone uses the code, there’s no one it could be but Damian, right?
The next time the code is used, Bruce traces the location to Gotham even though Damian was supposed to be in Bludhaven visiting Dick. But whatever happened that resulted in Damian being in Gotham can wait, because he has already failed one son and he will not fail another, his son is in trouble and he needs to get to him, he needs to—
What he finds, instead of Damian, is a boy (just eighteen, too young, but also too old, but also he will always be a boy to him) in League garbs, drenched in blood from the tips of his midnight-black hair to his too-large feet (when had he gotten so big), wearing the face of his dead son.
(Who, maybe, just maybe, may no longer be so dead.)
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Also increasingly aware that a LOT of people "manage" getting through the 40+ hour work week by sleeping less than is healthy and relying on stimulants like coffee and energy drinks to keep them going.
For people who are unwilling or unable to do this...work really does just dominate your life. Like we really should not have to rely on unhealthy practices just to have a social life or keep on top of housework or whatever.
I know I post about this a lot but I'm so TIRED all the time and it's just so depressing that this is how we're expected to spend the one life we have.
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btw. i made this quick guide of some of the natural size and proportion reference points in the human body. of course this all varies even irl, and you can stylize however you want, so ymmv but thought it might be helpful for some folks.
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Bruh. He tried not to shake her hand. He didn't look at her. He didn't say her name. Harris did the opposite.
We've all worked with a dick like that who thinks he's better than you, a woman. Fuck that noise.
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I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.
"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?
Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?
If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?
Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?
I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'
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