#a horrible day for humanity

[mae-maerchen]

rest in peace animedao you were my one true love

[shrub-jay]

Dan and Danny as the angel and the devil that sit on Batman’s shoulders.

[lovesickeros]

☆ de fontaine

{☆} characters furina {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings angst, suicidal thoughts, hurt / no comfort {☆} word count 1.4k

This wasn't fair. This wasn't fair. This wasn't fair!

She thought, for one moment, she could put the mask down and breathe – for one moment of daydreaming, she thought she could just be Furina. She thought she would finally get to live the live she should've had in the first place, the life she threw away to play God to an audience who saw her as nothing but a circus animal, dancing to their whims. Furina just wanted to be selfish for one brief and fleeting moment..and it was gone before she could even grasp it in her hand. A comet soaring past far out of her reach.

She can barely keep her hands from violently shaking as she looks down at them – broken and bloody and more a corpse then a person – and she feels so numb she can't even feel the rain pelting against her back. None of this is fair, she wants to scream, why is it always me? But her voice is silent beneath the torrent of rain. She wonders if the ocean would take her if she sank into it's depths – just for a moment, she wonders how it would feel to finally be able to sleep at ease.

Furina is tired.

But Furina is nothing if not useful, isn't she?

So she forces her feet to move, dragging against the stone beneath her heels, and drags their bloodied body into the nearest empty building, letting the rain do the work of washing away the smeared blood following her path. The smell makes her feel sick, the feeling of it sticking to her hands and gloves makes her lightheaded, but she persists. Because Furina is useful, because Furina won't let them die out in the rain, because Furina won't stand by and just let them rot on the streets like some..pest.

Furina wants to go home. She wants to sleep and she isn't she if she wants to wake up, this time. But she keeps going anyway.

Because it's all she's ever done, and the habit sticks.

An Archon she may not be, not anymore, but the expectations of five hundred years still linger like eyes on the inside of her skull. They watch her, pry and prod at her thoughts, mocking laughter and judging eyes following her as she forces herself to dance to the song they weave with glee. Furina never stepped off that stage – she's still there, she thinks, watching the crowd stare at her in disdain as the curtain call looms above her like a guillotine. She still hears Neuvillette deliver her damnation and salvation with a trembling voice, still feels her hair stand on end when electro crackled like the crack of the whip, Clorinde's blade aimed at her like a loaded gun.

She's trapped on that stage and she never left, not really.

She hates it. She thinks she hates them, but it's not their fault. They didn't ask for this, didn't ask for everyone to turn against them, didn't ask for her to save them. Neither did she..yet here they are, she thinks.

She tries to tell herself she's in control this time, though. She can stop performing her part in this horrible, bloody play any time she wants. It makes her feel better, just for a little while, if she convinces herself she's still Furina, painfully human.

And Furina has always been good at lying.

It's the believing that's the hard part.

There isn't time for her to wallow in her own self pity, though. They're still bleeding out onto the dusty, creaky floorboards of some random, broken down house and she's just standing there as the blood stains the wood. She can fix it – she's good at fixing things. She's done nothing but fix things – try to, anyway – for five hundred years. She can fix a little wound, how hard could it be? Her hands are clenched so tight they ache as she kneels down, wincing at the creak of the floorboards beneath her heels– she hesitates just long enough to wonder if she's making a mistake before she peels away just enough of the outer layer of their clothes to see the deep, bloody gash across their chest. She tries not to think about it – it's deep, too deep, and she feels dizzy just looking at it, but she's handled worse, right?

Furina can fix it. That's what she's good at.

She doesn't feel so confident when she tries to wrack her brain for..something. Five hundred years, and a little wound stumps her? No, she had to have learned something, right? She's decidedly not trying to buy time because she's panicking, parsing through hundreds of years of memories like flipping through a book. Furina isn't made for this, not really – she's running on nothing but adrenaline and she's really not sure what she's doing, but she's trying. And just like before, it won't be enough, will it?

She'll fall short again – she'll be too late to fix it before she's alone again.

Furina was an Archon..used to be. What use would she have for that sort of knowledge? Which makes her predicament all the more harrowing and bleak. What was she supposed to do?

Furina had heard it first hand, that vitriol in Neuvillette's voice. She isn't sure she's ever heard him that..angry before. She's not sure he would listen to her if she tried, either. And that scares her more then anything. All of Fontaine was up in arms about this..imposter, yet here she was, staring down at them bleeding out in front of her, and she was trying to save them.

Why? Why is she throwing away her only chance at normalcy for a fraud? Why didn't she just turn them in?

They were dying – that should've been a good thing, shouldn't it? So why didn't it feel like it?

"Why you?" Her voice breaks as she speaks in harsh tones, grabbing the front of their shirt in trembling, bloodied hands. "Why now?" She wants to scream, to demand answers they can't give, to claw back the reprieve she was promised after five hundred years of agony..and all she can do is sob into their chest, pleading for an answer that will not come. "Why me?"

Silence is their answer, and it hangs heavy on her trembling shoulders as she cries.

Of course they don't, she thinks bitterly, no one has ever answered her pleas spoken in hushed sobs. Not her other self and certainly not them.

Furina has always been alone. Furina will always be alone.

Because Furina never left that stage, never left that moment when she looked at herself in the mirror and took up a mantle too heavy for her to bear. She always finds her way back eventually. There's no one on the other side anymore – she stands alone on a stage, waiting for an inevitable end she isn't sure will come.

"Please," She pleads through tears and choked sobs, clinging to them like they are all that keeps her from sinking. "Please don't leave me, too." The words burn on her tongue – how pathetic is she that she craves companionship from the bloodied body of the imposter? Perhaps she's truly lost her mind after all these years..perhaps she's finally gone mad. She must have.

But their presence is like the first feeling of gentle warmth upon her skin as the sun crests the horizon, like the gentle lap of tides along her heels, the sway of branches and leaves as the wind blows through them like an instrument all it's own. They are the soothing sound of rain against the window as she watches the dreary skies in fond longing, the first bloom of spring as color blooms upon the landscape like paint had been spilled across the hills and valleys.

They are like the faint spark she carefully nurtures and stokes, so fragile even the smallest wind could blow it out like a candle. She cradles it within her palms, pleads with whoever will listen – prays that someone finally listens, because if not for her, then for them.

She's failed to protect too much already, let too many people with so much trust in her fall between the cracks of her fingers like grains of sand. She won't let them go – she can't.

If nothing else, if she couldn't be saved when she begged for salvation from that five hundred year long agony, even if she never got that chance..

Furina will make sure they do.

[marlynnofmany]

Honking Trouble

This job was a pain from the start. The customer was pushy, giving Captain Sunlight a run for her money on the diplomacy front — not bad enough for us to refuse to make the delivery, but pushing the boundaries — and the cargo was awkward. 

And since it was animals, that was my problem. 

“Keep your distance,” I told Zhee. “I think it can get its beak between the bars.” The cage was large and rickety, with bars a few inches apart. As if to prove me right, a long furry neck with a beak at the end stabbed outward and hissed at us. 

Zhee flared his pincher arms and hissed back, but the creature wasn't impressed. It just spread its batlike wings as far as the cage would allow and made a surprisingly deep honk that echoed through the cargo bay. 

I hadn’t read the documents yet about what kind of animal this was, from which planet, but if those documents turned out to say this was a genetic experiment in unwise combinations, I wouldn’t have been a bit surprised. It was vaguely goose-shaped, just with four feet instead of two, equipped with talons instead of webs, white fur instead of feathers, and a beak that ended in a wickedly sharp hook. After all the hawks and parrots I’d encountered back on Earth, that beak looked ready for either mischief or violence. Probably both.

At any rate, the goose-thing’s honk set off the tiny creatures in the other cage, which thankfully were better contained. That cage was a mesh sphere not about to let any of the little drifting dust motes out. As enchanting as it might be to have the spaceship filled with colorful bits of fluff that moved gracefully and made a chorus of tiny peeps, they just looked like allergies waiting to happen. And I didn't want to think about finding them behind the wall panels later. 

Zhee hissed at the furry demon goose again, clearly hoping to frighten it into submission. No luck. 

“Knock it off,” I told him. “That'll just make it louder. Here, help me get the lifter under the cage.” The customer had brought the cage onboard for us, but this wasn't a good spot for it. So it was up to me, the resident animal expert, to get it moved safely to a room more suited to animal cargo. Nobody wanted to sneak past this biter to get to the rest of the crates. 

Luckily we had a freshly refurbished hoversled with a lifting scoop that could slide under anything as long as the thing in question held still. I convinced Zhee to hold the cage stationary, since his exoskeleton was tougher than my fingers. The goose-thing pecked at him from an awkward angle. I worked the controls, and soon our misbehaving cargo was lifted up onto the sled. 

I looked over at the round cage full of chirping alien pixies. “Let's come back for that one.”  

“Agreed.”

The goose was quiet while we moved it down the hall, taking in the sights with all the attention of someone casing the joint. I told myself not to be too judgmental. Maybe it had never been on a spaceship before, and was curious.

Then Blip walked out of a side corridor, wearing her favorite flowy silk outfit that made her look like a muscley flower, and no: the goose was just looking for opportunities. It snapped at the nearest hem and almost got a beakful, but Blip moved just in time. Then she scolded it for almost ripping quality Frillian clothes.

“Do you know how hard this is to replace? Of course you don’t; you’re a rude animal.” She shook a blue finger at the unrepentant goose. Behind her, Blop appeared and aimed his own frown into the cage.

“Sorry,” I said. “Don’t get too close to this one. At least it was only aiming for your clothes, not something that would bleed.”

Blip folded muscular arms, flared her frills, and scowled. “It would have regretted that.”

I sighed, pushing the hoversled forward. “Don’t punch the cargo.”

Blip muttered as we left. There were no further incidents on the way into Storage Hold B, and the goose didn’t even try to bite us as we got the cage off the sled. It was busy inspecting the view: boxes, cabinets, and the large clear containment pen that had held troublemaking cargo before. It would have been nice to shove this guy in there, but the cage wouldn’t fit through the door, and there was no way I was going to voluntarily let it out.

“I’m watching you,” I told it as I followed Zhee back into the hall. Technically Kavlae was watching, or maybe Wio — whoever was in the cockpit behind the security cameras. They’d be making sure the onboarding process went smoothly before the ship took off.

I knew that, but I was still surprised to hear Kavlae’s voice on the hallway intercom a few minutes later.

“Walk faster,” she said from a single speaker. “It’s trying to open a box.”

“It can reach that??” I asked, pushing the hoversled more quickly. The aura puffs squeaked and twirled. (Their cage had a label, with a species description and the number of creatures inside. They were behaving.)

Zhee scurried ahead on his many bug legs to open the door. Before I could get there, he charged inside, hissing again. I heard answering hisses and the sound of a crate being scraped across the floor.

Once I got the aura puffs into the room, I found Zhee inspecting a gnawed-on box corner with splinters on the floor. The goose looked pleased with itself.

I asked, “What’s the damage?”

“Nothing significant,” Zhee said. “Luckily this is our own ship’s supplies, not something for a client.”

“Yeah, that wouldn’t look good.” I parked the sled. “‘Here’s your delivery! You don’t mind a little artistic nibbling about the edges, do you?’ I’m sure that would go over well.”

Zhee shoved a couple other boxes further back and helped me set the aura puffs a safe distance away. Then, under Kavlae’s watchful eye, we went back to the cargo bay for some non-animal cargo.

The intercom chimed before we got there. “It’s trying to pick the lock on its cage,” Kavlae said, still on single-speaker mode. “I don’t know if it c— Oh no, it’s out.”

I left the sled in the middle of the hallway and ran, with Zhee right behind me.

Speakers all along the hall chorused, “It opened the other cage.”

I said a very unprofessional word and charged forward to slam my hand on the door-opening panel. Expecting the one cargo to be actively eating the other, I dashed inside, only to be knocked off my feet by the goose making a break for it. I fell amid clouds of happily chirping aura puffs.

Zhee lunged for the goose, but it dodged what would have been a very painful hug from his pincher arms, and I heard it honking triumphantly down the hall. Zhee ran after it while the whole-ship intercom chimed.

“Escaped cargo. It is large and likes to bite. Currently heading towards the crew lounge. Captain, permission to use stun guns on the cargo?”

After a moment, Captain Sunlight answered from somewhere else on the ship. “Permission granted. All available crew, arm yourselves and proceed with caution. Kavlae, keep us posted on its whereabouts.”

Trying not to feel like a failure, I scrambled to my feet and checked a cabinet for stun guns. Found one. Waving the aura puffs away from the door, I regretfully left them floating about the storage hold while I chased after the bigger problem. Zhee had already disappeared.

I met Trrili in the hall.

“How dangerousss is thisss animal?” she asked, looming over me and flexing her pincher arms in delight.

“I don’t think it wants to seriously hurt anyone, but I can’t say for sure,” I said. “It might go for the eyes if it’s cornered. Try not to damage it.”

“Frrrrightening causesss no damage,” Trrili said, and flashed away down the hall.

I ran after.

Kavlae reported, “It’s in the crew lounge, searching the furniture, probably looking for food. This could be a good place to corner it.”

Trrili waited in position outside the lounge when I arrived, crouched like a spider ready to spring. Zhee was moving toward the kitchen entrance to flank it. A flash of yellow scales at the other end of the hall was Captain Sunlight hurrying forward with a stun gun aimed at the floor. The goose made a muffled honk from inside the lounge, crunching something that sounded like snack food scavenged from under the couch.

I stopped behind Trrili and waited for everyone to get into position. Two threatening predators and two stun guns ought to be a recipe for success against one alien goose.

Then the goose dashed into the kitchen before Zhee could get there, and the whole plan went out the window.

Trrili raced after it. Zhee got in the captain’s way. I reached the kitchen in time to see the creature hiss in defiance before prying open a cabinet door.

It might have thought that was an exit. In reality, it was Paint’s hiding spot, and she shrieked fit to shatter eardrums, curling into a ball of scales and panic.

That was enough of a distraction for Mimi to drop from the high shelf he’d been waiting on, and wrap the demon goose in all of his tentacles. It was surprisingly effective.

That’s not the plan, but I’ll take it.

Everyone was shouting and in the way. I followed Mimi’s example and climbed onto a counter, where I could get a clear shot with the stun gun and not hit him.

I stunned the goose in the butt, and it finally stopped flapping.

It took a while for all the yelling to subside, but the captain wriggled past Zhee and Trrili to declare no harm done. Kavlae told the rest of the ship. Mimi untangled himself from the goose, who had frozen in an inconvenient position. Paint stayed in the cabinet. Zhee clicked away to get the hoversled, then stopped when Trrili simply dragged the goose towards the hold.

Captain Sunlight looked up at me. “Good shot.”

“Thanks,” I said, getting down from the counter. I’d have to wash the footprints off that later. “Paint, it’s safe to come out.”

Mimi was already coaxing her out of the cabinet, offering some of the snacks that she’d apparently been eating when she heard the alert about the dangerous animal.

Speaking of which, I thought. With Paint in good hands (or the equivalent), I hurried after the others. I heard Captain Sunlight say a few words to Paint and Mimi before following.

So we got to put the goose in the Clear Pen For Naughty Animals after all. This pen didn’t have anywhere it could stick its beak out of once the stun wore off, only mesh-covered air vents way at the top and a door that locked (very reliably) from the outside.

Take that, you troublemaker.

We caught the aura puffs carefully by hand (or the equivalent), and put them back in their own cage. Thankfully the goose hadn’t damaged the latch, just opened it with bird-brained cleverness.

“It’s just those last two left,” Captain Sunlight said after counting. “Up there.”

The two in question were floating higher than her little lizardy arms could reach, so I moved to do the honors. As I did, Blip and Blop arrived with the bug-catching net that no one had been able to find earlier.

They also brought with them a feline blur that I caught mid-leap, just before Telly snatched an aura puff out of the air.

“Not for you,” I said, heart beating wildly. “Let’s get you some proper cat treats that don’t belong to a paying customer.”

Blip and Blop exclaimed loudly at Telly’s speed, my reaction time, and the fact that they’d had no idea she was there; they were sorry they almost got the cargo eaten.

Captain Sunlight repeated, “No harm done.” She waved me off to my quarters with the disgruntled cat, and spoke to the others about plans to notify the customer of just what kind of danger fee he’d brought upon himself by not properly securing his chaos-causing animal.

~~~

These are the ongoing backstory adventures of the main character from this book.

Shared early on Patreon! There’s even a free tier to get them on the same day as the rest of the world.

The sequel novel is in progress (and will include characters from these stories. I hadn’t thought all of them up when I wrote the first book, but they’re too much fun to leave out of the second).

[puppetmaster13u]

Continuing to think about This AU idea and just, slowly rotating it like a microwave.

@phoenixcatch7 had the fun idea of xenomorph-inspiration and the dollhouse being replaced by the Hive instead and I am here for that. A large cave that feels utterly wrong to anyone not part of their colony, if they can even find it. I am thinking something similar to Gemini Home Entertainment if anyone has watched that, with something between plant and flesh growing across the walls. Where one can't tell the difference between the two, or realize that it's already gripping onto them. The caves are already dangerous after all, nevermind the depths that It doesn't let anyone else into.

Also made me think about Jason, and like, so he doesn't die in the cryptid au, and definitely wouldn't in a world where he has a flesh puppet. But that still makes me think about how badly said puppet would be utterly maimed, right? Not to mention the explosion that would burn a lot of it too alongside whatever affect that'd have on his mind and human body. But now I am thinking of how the tunnels are everywhere under Gotham, how the bits of tendrils can reach through that ash, can meld with it, can for a cocoon of sorts. Turning a little robin into something else, letting it evolve into something new.

I am also rotating on if they'd be known to the Justice League like in the Doll au or if only Clark knows about them like in the Genesis au. Tempted for the second if only so there can be fun distinctly Not Human moments. Maybe the Justice League even getting concerned for their friend Superman because there's times he'll whistle or chirp under his breath (he might have picked up a few habits from his friends from Gotham) or literally snap his teeth if he's startled.

But oh the lil robins would probably be so adorable. Very fluffy and downy and brightly colored in a clear warning, but still unsettling. The way they move isn't right, like a jerky contortionist, but can also go too fluid or completely inhumanely still within a heartbeat. Not helped by the fact they don't need to breathe. O h, the batfam could most definitely be venomous. What with how in both Aus they use paralytics and sedatives on their claws and spikes, It could definitely include that within the secondary bodies.

[sci-bax]

Sebastian Solace sleeping peaceful in 4k hyper resolution oculus meta quest 2 quality

Drew him sleeping cause of this:

Same drawing but without the slight darker filter over it:

I wanna draw fish man angst

Also its 4am so im going to sleep goodnight, or goodmorning idk

[yourlazykitkat]

I still can't believe Helion has had Azris brainrot, for real he's just like me. (then there's the implication of azris being a conscious thought of sjm and her ability to walk away. how strong, I could never)

[kaurwreck]

I won't promise it'll be okay, regardless of what happens over the next few days, but I can promise the outcome is navigable.

[badgopher]

Friday(ish)

Whoever decided humans didn't need a nice lil winter hibernation really screwed that one up.

My new hobby is spite voting.

Live music is life.

They've almost got the botanical garden put back together.

The book's fine. Enjoyable enough.

[hivvernal]

Art Trade with my good friend @soup-entity of Solas, hello Dragon Age Summer I'm so pensive but excited for Da4

[harpoonsnotspoons]

fern and davesprite are so fucking similar and it eats at me inside. both of them have the issue of "i used to be this guy but by fusing with (insert thing here (both things including a sword and some sort of creature, funnily enough)) it means im treated as lesser and worthless"

davesprite is deemed unimportant and everything he cares about is torn away from him because hes not the "real dave". fern is treated like a monster on his very first day of existing and is quite literally CHASED OFF by his own brother and the "real" version of him

and yeah they both get to sort of fit in for a bit but its not the same and itll never be the same and they have to watch from the sidelines as the "real" them gets to live a life that they deserve to live too. both have horrible fucking identity issues because of the sudden shift from "i am this guy" to "im not allowed to be myself anymore because that spot is already taken"

it splits off there because for fern that jealousy turns into attempted murder and that doesnt happen with davesprite but like fuck. i get that. the inferiority complex is fucking real

and they were both just kids, too. yeah fern was a little older than 13 (16 i think, at least when he first formed, but then he fucking dies anyway not long after turning 17) but thats so young to be dealing with the weight of so many identity problems. both of them are so fucking tragic and i think theyd be friends

[spookyratking]

Do you by chance have a human design for eclipse : o?(fixed or ruin doesn’t matter!) The way you design is very cool : D

I DIDN'T UNTIL NOW!! HERE R JUST SOME QUICK SILLY DOODLES I MADE AND THANK YOU SO MUCH!!

[thousand-sunnies]

I am *looking* at that lawlu fae au, yell about it, please. I'd love to hear moar xd

YESS TYSM FOR ASKING!!! sorry for the late response, busy irl time for a little, BUT! i have been thinking about lawlu a lot recently (i’m just about done with watching through dressrosa, so, well, you get it), and i always think fae rules make for a fascinating story, so…

namely, this train of thought was inspired by this tumblr post which i think. encapsulates the lawlu dynamic pretty well. i mean, it’s not like luffy is trying to be owned by someone, but good luck getting any sort of handle on that guy even if he’s yours by the letter of the law. and traffy already has a few markers of being a good fae in canon (tricky as hell, hiding his real name, refusing to eat certain foods lol), so it fits!

and it’s like. imagine. you’re a fae. you know how the world works for you. there’s unspoken rules and unspoken conventions and unspoken hatred coursing through your blood. there’s someone you want to tear down from his post, but it’s not easy, not with the faerie court dynamics involved. you’ve been planning this for a long, long time. it may make you want to scream, but at least the schemes you lay out make sense.

and then, right. and then this human wanders into your domain, and eats your food, and shrugs when you tell him this means he cannot leave. and sure, he’s here now, it’s – fine, whatever, as long as he doesn’t get underfoot, so you leave him to his own devices and look away.

except, right.

except you find out very quickly that he gets underfoot.

a lot. in every way you can imagine, and some ways you can’t possibly. you’ve been raised to see humans as – not inferior, maybe, but certainly easy enough to control – but now you’re suddenly forced to confront the fact that this human had – just – not been raised with the same rules that you have ingrained into your very existence. he says he’s free, and that makes no sense, because you technically own him, what freedom is there in belonging to someone like you, but he– he doesn’t live by your standards. he doesn’t do what you ask. he breaks every rule, and stomps past every line you draw, and makes no sense, and–

and. so.

he had just not been raised with the same rules that all of your kind have ingrained into their very existence, you realise, suddenly. you’re pretty sure that doflamingo knows all about your tricks, and schemes, and traps.

you’re pretty sure, however, that doflamingo is not expecting a punch to the face.

and so, maybe having a human on your side isn’t that bad after all.

[vvitchering]

This excerpt from the letter Elminster sends to God!Gale post game has had me in a sadness chokehold for DAYS. I knew Gale was young when he was scouted as a new potential Chosen but he was EIGHT??? Eight years old. A child. A baby. And he was accidentally destroying property with fireballs that young? That boy was a sorcerer. The way that one moment changed the trajectory of his entire life.

Elminster watched a little boy cry over ruined flowers and so many years later finally feels regret.

[vasito-de-leche]

;R1999 FORGET ME NOT - General Headcanons

Compilation of headcanons and analysis on Forget Me Not as a character and other related things.

this post was brought to you by me, procrastinating on the second part of the Cover analysis and those yandere Pavia headcanons, and ALSO because mister lawrence cavendish jr is the second target for my brainrot

warning for suicide and self-harm themes!

On the subject of Forget Me Not's name and past.

It's Lawrence Cavendish Jr. Forget Me Not's real name is confirmed to be just that, as seen in this specific excerpt:

"Cavendish Jr, who was still alive and once sat in front of you [...]" which alludes to the dinner Vertin had at the Walden with Druvis III and Forget Me Not, and "'Forget Me Not', what a hilarious, stupid name". I only included this because I've seen people wonder about it.

What I mean to tackle in this point is the relationship between Forget Me Not, his origins and his current chosen name. Despite his calm and collected appearance, it becomes clear that Forget Me Not is one hair away from becoming entirely deranged, especially when confronted with the possibility of getting revenge. But why is Forget Me Not so focused on revenge specifically?

His backstory is not as openly laid out for us to read, but we can gleam some bits and pieces from all the documents and dialogue he has. To understand Forget Me Not, we also need to look at Druvis III.

All throughout chapter 02, we see parallels and connections being drawn between Forget Me Not and Druvis III - both of them appear to be extremely aloof, cold and collected, only to be revealed to be very emotional deep down, for better and for worse. Druvis III is initially defined by the neutrality and inertia that comes with being stuck in the past, while Forget Me Not is initially defined by the neutrality of the Walden and his ties with Manus Vindictae, an organization that rejects the future.

Druvis III is a disgraced, fallen noble whose life wasn't ruined by the fire that took her family, but the perception the world had of her, an image they forced onto her due to their hatred towards arcanists. And Forget Me Not has a family surname "buried in the dust, shot dead in history". A disgraced, fallen noble implied to have struggled with poverty, battling hunger and suicide countless of times. In the "··· Formula: 1920s" document, we can see a few pieces from various people and their opinions on Forget Me Not from the Big Mouth Bulletin. 3 out of 4 want him dead or think of him as a monster - entirely because of his existence as an arcanist.

The similarities are obvious. Hell, both share the theme of flora and plants, too. There is an even more subtle dynamic here too, alluding to the game's prominent religious imagery - Vertin's suitcase being compared to an ark that will brave the "Storm", the last supper moment, Arcana's offering, the orange, being a replacement for the apple of Eden...

And then, Forget Me Not association with snakes, rumoured to have a body covered in scales, with an arcanum skill that allows people to indulge in alcohol during the Prohibition Era - the snake that tempted Adam and Eve. Druvis III is associated with forests, trees, as well as a link between Vertin (the good guys) and Manus Vindictae (the bad guys) - the Tree of Knowledge of Good and Evil. The two go hand in hand and are linked together.

The big difference between them is that their respective quests to set things "right" are entirely different - their "revenge" is not the same. Druvis III was hellbent on finding out who set the fire that killed her family, not because she wanted them to face the consequences, but because in doing so, people would finally leave her alone and let her mourn. She could finally move on from something that she knew the truth of. Forget Me Not does it to feel satisfied with himself and get back at everyone who ever looked down on him or wronged him. To inflict as much as pain unto others as he had received before. It's a powerplay fantasy in which he finally wins, against all odds.

It's unclear what truly happened to the Cavendish that caused Forget Me Not to end up in such conditions, to the point where he'd go as far as make sure no one can trace him back to his family, to the point where not even the Foundation has a proper report on him.

But there is one line in particular that lives rent free in my head when it comes to the Cavendish and Forget Me Not's potential relationship with them.

This takes place after Druvis III loses her forest, after she loses her eternal branch because of Vertin's intervention during their dinner. They're talking about how to use her forest to build a refugee camp.

There's the possibility that Forget Me Not is simply alluding to that forest - something that used to belong to her is now something that he should have for the sake of Manus Vindictae's goals.

But! Indulge me for a second! There's a noticeable pause, there's a subtle tone to his voice. Reverse 1999's writing might be confusing at times due to the translation, but it's easy to see that it's loaded with metaphors, hidden meanings and so much more, to the point where reading deeply into everything most characters' say is pretty much the norm.

The dialogue that precedes that specific line is Forget Me Not insisting that he can transfer the ownership of the woods over to Druvis III anytime, because she has always been and will always be the only owner, no matter what. He does this to convince her to go through with Manus' plans, that's his main goal, he doesn't care about the woods. But that single line pictured above? It could mean so much more.

Again, the two share many, many similarities. So when Forget Me Not talks about what Druvis III once had - a prestigious family business, a name people can recognize, an assured future - is what he should have, it evokes a sense of entitlement and lingering resentment. Almost as if Forget Me Not's desire to go back to the past doesn't stem from nostalgia like her, but to reclaim something that was denied to him.

Which is incredibly ironic to me because both of them carried their family in their names - Druvis THE THIRD. Lawrence Cavendish JUNIOR. And yet, the one that worked so hard to obscure his origins and changed his family name was him.

Neither of these characters can be recognized nor traced back to their families by appearance alone - people need a name or a really good memory to truly recognize them. The only one with enough courage to continue carrying such burden is Druvis III. Forget Me Not wants something that he willingy lost the right to the moment he allowed Lawrence Cavendish Jr. to die and fade into obscurity.

The name "Forget Me Not" begins to sound more ironic. Like an order, a threat or the promise of his return - his desire for revenge and his hypocrisy become clear once you begin to dissect his character. Like the narrator in the "To Lawrence Cavendish" document says: "He is patiently waiting... to put his meanness, craziness and quivers under the sun". He's waiting to reveal himself.

The "stage" is shown when he makes people explode from inside out, a lot of people who recognized him as Forget Me Not, the mixologist. This is when we finally see his true intentions and the main difference between him and Druvis III, all in their respective reactions to the journalists.

She's terrified, thinking about the day of her family's funeral. On the other hand, he's ordering them to watch and record as he "takes everything he has been deprived of".

This is why the thing that breaks Forget Me Not is hearing that Druvis III does not care about the man who started the fire, that it's not important anymore. He believed them to be on the same page, that she would love to torture the single person responsible for all of her grief. The guy is projecting heavily onto Druvis III.

In the end, I don't know if Forget Me Not resents his father, his family name, if he had some sort of business to inherit and a "future" that was taken from him, or if they actually might've been a happy family.

What I do know is that Forget Me Not's desire for revenge was absolutely amplified and fueled by Manus Vindictae's own agenda. And that's why he works perfectly as both a victim of their MO and a willing member within their ranks.

He clings so hard to the past because there is no future worth fighting for, because everything would be much better if it was rebuilt from scratch with only those that won't oppose him and repeat history. He clings so hard that his new name and identity are, in the end, a plea for the world not to forget who he used to be and, at worst, an order because he sure as hell hasn't forgotten all the things others have done or said Back when Lawrence Cavendish Jr was around. Once his family outlived their usefulness or relevance within society.

TLDR: THIS is the cold-blooded, numb murderer who is actually very sad, empty and broken deep inside that some people wanted Pavia to be. Like, he's even sopping wet and sad and asking Vertin to kill him next time they meet.

Which leads us to my next point!

On the subject of Forget Me Not's self-destructive and suicidal mindset.

We've talked about Forget Me Not's views and relationship with the Cavendish - but what exactly is the end goal? He feels entitled to a better life, one he was supposed to have, and then what?

The "???" narrator mentions a woman who made a promise to Forget Me Not, as well as leaving a "sarcoma" behind which he then adapted and turned into his own. This woman is implied to be Arcana, as we see her talk to Vertin about being able to see the truth, to not be blinded - there's an emphasis in the way she recruits people by opening their eyes to reality. The sarcoma is the city (apparently "Windy City" is used to refer to Chicago, I had to google that but hey, that's pretty neat!). It's the world he lives in and that wants him gone. She focused Forget Me Not's grief towards it because in doing so, it would help Manus Vindictae's ideals of a world exclusively for pureblooded arcanists.

And even so, he remained suicidal. There was at least one more attempt at taking his own life, and that's when he saw "what had been on his mind". Whatever that might've been, no doubt influenced by Arcana and his situation, is what pushed Forget Me Not to "allow himself to revenge, revenge, re-re-re-revenge, and to die".

Ultimately, Forget Me Not's goal is to die at the end of it all - even after he gets his revenge, earns the life he wanted, takes back everything that was meant for him. This is why, after he's fully defeated, his last words to Vertin are to show no mercy next time they meet. To kill him.

This is not only a long and convoluted plan of revenge, it's Forget Me Not willingly marching into his own demise. And just like before, he's not strong enough to pull the trigger himself. Now that he has no solid argument to justify his anger - all because Druvis III has shown him that people can, in fact, move on - his only option is to have someone else end his life. He's shown tired, and the phrase "Don't save it no more" might indicate that even if there was someone who could repeat what Arcana did to him - give him a sense of purpose and a target for his grief - he simply doesn't have the energy for that.

Forget Me Not's self-destructive tendencies can also be seen in other ways. His job at The Walden is to cater to all the people who shunned him - he welcomes everyone and anyone for the sake of creating a network of secrets, he attends fancy parties and events full of those who call him a drug dealer, Satan's spawn and so much more. And he pretends to be someone else entirely while wishing for others to remember him. He willingly surrounds himself with all the things that hurt him.

His arcanum being related to alcohol is rather poetic to me - since Forget Me Not is said to have spiraled into decadence and into this extreme mindset, it makes sense that his main skill is related to being intoxicated and to drown into something that is largely hated but at the same time, desired and coveted. The Prohibition Era does have a very similar mentality to religion, namely western ideologies - you're meant to openly reject and loathe something, but the constant repression causes you to yearn for it instead. And at some point, this repression can become an addiction in itself, leading some to indulge in it. This loops back to Forget Me Not's association with the snake in the Garden of Eden.

It makes sense to me that he indulges in something so painful, while cohercing others into indulging in forbidden alcohol. That he later uses this very same arcane skill to kill all those people who, in his eyes, represent everything he loathes about the current state of the world. It's like a sarcoma that he now leaves behind, that kills from inside out.

And this is the last time I'll bring up Druvis III in a Forget Me Not post, but notice their choice of flower/plant? She has a mistletoe bouquet - a parasitic and toxic plant which represents positive things such as fertility, life and protection in many different cultures. Forget Me Not has black roses, roses being immediately recognized as one of the most beautiful flowers but, in this context, symbolizing things such as death and rebirth, remembrance, mourning. Their duality, contrast and the "two-faced" aspect is prominent there. And not to get very deep about character design, but Druvis III holds the bouquet very carefully and carries it around with her willingly, whereas the black roses that Forget Me Not wears wrap around his neck not unlike a noose.

To really drive home how Forget Me Not sees himself, here's the description they gave him for his boss fight.

They boil down his character perfectly, to all the little traits that make up his whole emotional baggage.

And to also put more emphasis on how Forget Me Not truly doesn't expect to live and "win" at the end of this whole revenge trip, here's his ultimate - "Heavengazing from Hell". He's fully aware that he's going to be destroyed by his own actions and that the only thing left for him will be to look up at heaven from hell. That all the good things will forever be out of his reach.

Now, onto proper headcanon territory, since I'm running out of media to analyze!

On the subject of Forget Me Not's scales.

As established before, Forget Me Not is associated with snakes - one of the segments from the Big Mouth Bulletin comments on this. "[...] he had scales under those long sleeves, one next to another embedded in his flesh."

And this can actually be seen on his in-game sprite! It's very faint, but there's absolutely some sort of texture peeking out from under his collar and sleeves that resemble scales. They can also be seen on the trailer animations. The only time these scales don't appear or peek out from his clothes are in The Walden illustration, with the other members of Manus Vindictae, but that can easily be explained as him covering up properly and the angle he's drawn in.

Originally I thought that they could be burn scars, as it would mean a stronger connection between him and Druvis III. But upon closer inspection, they don't look like burn scars at all.

I like to headcanon that it's a side-effect from his own arcanum, similar to how Rabies is implied to look like a scarecrow because of his involvement treating rabies. Being something "self-inflicted" - in the sense of him having the choice to stop and heal, but refuses to - also lines up with Forget Me Not's suicidal tendencies, the whole sarcoma metaphor and the fact that by carrying on like this, he's doing nothing but destroy himself and add to his suffering.

As for how far the scales have extended, I don't have a set favorite idea! Part of me really would love it if the scales coiled around his body like actual snakes, but also the idea of him having different patches of scales scattered throughout (again, like a sarcoma) and the third secret option of him being MOSTLY covered in them to the point where it becomes grotesque, something that he can't even look at.

They're not just a tattoo or pattern embedded onto his skin either - they're actual scales, cold and rough to the touch. The areas affected by this have grown numb, making it hard for Forget Me Not to feel any warmth or pressure applied onto them. This adds to that otherworldly and sinister vibe he's got going on, even if the lack of proper tactile sense irritates him. It's extremely uncomfortable if they're brushed or rubbed in the wrong direction, however!

Sometimes, Forget Me Not might pick at the scales, as if deciding whether he loves or hates them. In particularly bad days, he picks them out. I like the idea that, once picked, the scales grow faster and stronger, as well as in broader areas, making it a perpetual loop of picking them off from his skin.

Overall, it would be extremely easy to conceal them - he only needs a shirt with a higher collar and gloves or some make-up, but I like to think that Forget Me Not loves the idea of someone catching a glimpse of them, a reminder that he's dangerous and so much more than meets the eye.

As much as he he's been affected by the stigma against arcanists, he now thrives in their hatred for him and his existence - sneaking into places he knows he's not welcome is addictive, especially knowing everyone tolerates him because he's their only access to alcohol. The way everyone will turn around and talk shit about him once they're out of The Walden is fun, because it reinforces his views on why this current era deserves to be rebuilt from the ground up.

Forget Me Not has extremely poor eyesight.

I know the glasses look thin and pretty standard, but I just like to think that Forget Me Not can't see shit without them.

He has this habit of taking them off to "clean" them whenever he's talking with those he loathes - mostly humans - just so he doesn't have to look at them directly. Sometimes, he might just close his eyes and dissociate, pretending to pay attention if the situation calls for it. Yes, he's petty and hateful enough to feel physically sick when talking to people he hates.

If you pay enough attention, it becomes clear that eye contact becomes scarce, as if just looking at them will send him into a fit of rage (but he conceals it extremely well when needed).

Forget Me Not's poor eyesight is not a secret, and he often likes to make patrons nervous by making their drinks without his glasses - of course, he knows his way around drinks and potions, there's no chance of him messing up, he could do this with his eyes closed. But seeing customers squirm is such a delight. Because now, they must choose between making a scene in HIS territory or risk being poisoned with a poorly-made drink.

I like to think that he also just has a very fine ear, since he does play instruments (all of his attacks being related to music and him using a piano as his wand during the boss fight). So really, Forget Me Not couldn't care less about his eyesight.

Forget Me Not enjoys floral arrangement.

This is just based on his association with the actual forget me not flower. I think he enjoys creating bouquets or putting up vases full of flowers around his home, even if all of them may end up creating a very gloomy and decadent atmospere - they're perfect for funerals, and he simply may be preparing for his own.

And he leaves them out on display long after they've wilted. "They're more beautiful this way", he'd say.

It's not rare to find Forget Me Not on rainy afternoons with a pair of scissors on hand, absentmindedly cutting every leaf and petal off from all these roses, as if he had a personal vendetta against their colorful hues. Sometimes, he just twirls the stem around, pressing hard on the thorns to feel anything while he looks out the window. He's so very fucking dramatic and volatile.

Basically, I like to picture Forget Me Not as the type of person who has dedicated so much time into something as empty as revenge, that he absolutely has no idea what to do outside of that.

Everything he does is just a way to pass the time until he can go back to dedicate every waking second of his life into his and Manus Vindictae's plans, every "little pleasure" is just a façade, he doesn't get any real enjoyment from anything. Sometime he worries that revenge won't help him climb out of this apathetic life he's built for himself, but he can't afford to dwell too much on that possibility. Everything that he does is muscle memory, he's forcing himself to try and do it, because otherwise he could simply sit still in an empty room for hours on end, with the lights turned off, waiting and waiting - all alone with his thoughts.

[sukunasweetheart]

Why do you like Sukuna so much?

I was halfway through writing up a few paragraphs but i ended up scrapping it bc i ddint knwo what i was saying anymore. Hes just. My everything

I JUAT LOVE HIM SAUR MUCH WHAT IS THERE NOT TO LOVE??#;@**# HES SO GRRRRAAAHHHHHHHH 💝💓💝💓💗💗💘💓💝💕💘💞💓💝💗💝💓💝💞💝💞💘💞💓💝💓💓💝💘💞💞💝💓💝💗💓💝💘💞💕💘💞💘💓💓💗💝💓💝💘💞💘💕💞💝💓💝💓💞💝💞💞💝💞💓💝💗💝💞💞💝💓💝💓💝💞💞