#a history of madness
Explore tagged Tumblr posts
Text
ebook sale!
My sci-fi series is now on sale for #IndieApril! 99c each! 🥳
It’s got close siblings, adventures in the wild, found family, flying cars, an evil king, slow burn romance, different POVs and lots of animals! 👀
And book one was an SPSFC semi-finalist! 😊
Here.
#spsfc#the outlands pentalogy#rebecca crunden#indie authors#authors#indie#independent#self publishing#indiebookspotlight#bookspotlight#indie book spotlight#indie books#book spotlight#books#romance#self published#dystopian#series#novels#science fiction#sci-fi#sci fi#nate#catherine#thom#a touch of death#a history of madness#a promise of return#a dance of lies#a time of prophecy
5 notes
·
View notes
Text
White people are miserable, racist losers period. They’ve even been getting mad at Japanese people for correcting them about Yasuke as well.
#rambling#seen wp go ‘they’re mismembering their history is all-‘#as if they’d know more than the actual Japanese people#comments on ever post about yasuke are full of racist wp arguing with Japanese ppl and telling them that yasuke was a ‘nobody slave’#while Japanese ppl are just like ‘well anyway-‘ on their asses it’s kind of embarrassing#the guy is literally an historical figure bro#how are you mad that everyone from a country that you have such an unhealthy interest in isn’t as racist as you are??? that’s what it’s#giving#I’m sure there are lots of Japanese ppl being racist af too#since antiblackness is global and everyone has a problem with black people simply existing but#they hate us too but 😭#it’s just#expect full blown kkk bullshit as soon as a black character pokes their head out from around the curtain#antiblackness#I see white ppl cry about yasuke every other month man#or at least once a year on Twitter
24K notes
·
View notes
Text
The nazis that you see in movies are as much a historical fantasy as vikings with horned helmets and samurai cutting people in half.
The nazis were not some vague evil that wanted to hurt people for the sake of hurting them. They had specific goals which furthered a far right agenda, and they wanted to do harm to very specific groups, (largely slavs, jews, Romani, queer people, communists/leftists, and disabled people.)
The nazis didn't use soldiers in creepy gas masks as their main imagery that they sold to the german people, they used blond haired blue eyed families. Nor did they stand up on podiums saying that would wage an endless and brutal war, they gave speeches about protecting white Christian society from degenerates just like how conservatives do today.
Nazis weren't atheists or pagans. They were deeply Christian and Christianity was part of their ideology just like it is for modern conservatives. They spoke at lengths about defending their Christian nation from godless leftism. The ones who hated the catholic church hated it for protestant reasons. Nazi occultism was fringe within the party and never expected to become mainstream, and those occultists were still Christian, none of them ever claimed to be Satanists or Asatru.
Nazis were also not queer or disabled. They killed those groups, before they had a chance to kill almost anyone else actually. Despite the amount of disabled nazis or queer/queer coded nazis you'll see in movies and on TV, in reality they were very cishet and very able bodied. There was one high ranking nazi early on who was gay and the other nazis killed him for that. Saying the nazis were gay or disabled makes about as much sense as saying they were Jewish.
The nazis weren't mentally ill. As previously mentioned they hated disabled people, and this unquestionably included anyone neurodivergent. When the surviving nazi war criminals were given psychological tests after the war, they were shown to be some of the most neurotypical people out there.
The nazis weren't socialists. Full stop. They hated socialists. They got elected on hating socialists. They killed socialists. Hating all forms of lefitsm was a big part of their ideology, and especially a big part of how they sold themselves.
The nazis were not the supervillians you see on screen, not because they didn't do horrible things in real life, they most certainly did, but because they weren't that vague apolitical evil that exists for white American action heros to fight. They did horrible things because they had a right wing authoritarian political ideology, an ideology that is fundamentally the same as what most of the modern right wing believes.
#196#my thougts#leftist#leftism#jewish#jumblr#actually mentally ill#mental illness#neurodivergent#actually neurodivergent#world war 2#world war ii#history#queer#gay#queer history#pagan#athiest#athiesm#disability rights#communist#communism#socialist#socialism#anti conservative#anti christianity#christanity#christianity#mad pride#madpunk
29K notes
·
View notes
Text
i hope everyone in nintendo’s management department dies and goes to hell no matter what and i’m not kidding
#WERE LOSING YUZU AND CITRA. I DONT KNOW IF YOU ALL UNDERSTAND HOW INSANE THIS IS#game emulation enables piracy yes but it’s also an INCREDIBLY powerful archival tool.#there are plenty of games out there that only exist in their original formats due to emulation.#this lawsuit has HORRIBLE implications for video game history. it makes it incredibly easy for companies to scorched earth their products#if they’re not profitable enough. ART IS GOING TO BE LOST BECAUSE OF THIS. GAMES PEOPLE WORKED INCREDIBLY HARD ON#it won’t just happen to bad games. it won’t just happen to old games. they will use this to keep their remake/virtual console model going#forever and you will never be able to play your favorite games in their true original forms ever again.#i am fucking INSANELY mad rn. capitalism is the death of art fr#personal
11K notes
·
View notes
Text
one of the reasons it's really hard for a lot of intersex people when intersex topics are on the news cycle is because the public's reaction reveals how little anyone knows or cares about intersex people, including people who call themselves our allies. almost every time intersex topics are trending, the discourse surrounding them is filled with misinformation. people who only learned today what the word intersex means jump into conversations and act like an authority. endosex/dyadic/perisex people get tripped up over things that are basically intersex 101, with tons of endosex people incorrectly arguing about the definition of intersex, who "counts," DSD terminology, and so much more. i've seen multiple endosex people say today that they've been "warning intersex people" and that we should have known that transphobia would catch up with us eventually, which is an absolutely absurd thing to say given the fact that consistently over the past ten years, it has often been intersex people sounding the alarm on sex-testing policies and also the fact that many, many intersex people are also trans, and already are facing the impacts of transphobia. there is an absolute failure from the general public to take intersex identity seriously; people seem not even able to fathom that intersex people have a community, history, and our own political resources. instead, endosex people somehow seem to think they're helping by bringing up half-remembered information from their high school biology class which usually isn't even relevant at all.
and this frustrates me so fucking much. not because i want to deny the impacts of transphobic oppression--i'm a trans intersex person, trust me when i say i am intimately aware of transphobia. this frustrates me because there is no way we can achieve collective liberation if our "allies" fail to even engage with basic intersex topics and are seemingly unaware of the many forms of intersex oppression that we are already facing every fucking day. if you are not aware of compulsory dyadism, if you are not aware of interphobia, if you are not aware of the many different ways that intersex people are directly and often violently targeted--how the fuck do you think we're going to dismantle all of these systems of oppression?
if you were truly an intersex ally, you would already KNOW that this is not new, and would not be surprised--interphobia in sports has been going on for decades. you would know that we do have a community, an identity, a history--you would have already read/listened/watched to intersex resources that give you the background information you need for allyship. you would know that although there is a really distinct lack of resources and political education, that intersex people ARE developing a political understanding of ourselves and our oppression--Cripping Intersex by Celeste Orr and their framework of compulsory dyadism is one example of how we're theorizing our oppression. It's absolutely fucking wild to me how few people I've seen actually use words like "interphobia" "intersexism" "compulsory dyadism" or "intersex oppression"--endosex people are seemingly incapable of recognizing that there is already an entrenched system of oppression towards intersex people that violently reshapes our bodies, restricts our autonomy, and attempts to eradicate intersex through a variety of medical and legal means.
you cannot treat intersex people like an afterthought. not just because we're meaningful parts of your community and deserving of solidarity, but also because intersex oppression impacts everyone!!! especially trans community--trans people will not be free until intersex people are free, so much of transphobia is shaped by compulsory dyadism, the mythical sex binary, all these ideas of enforced "biological sex" that are just as fake as the gender binary.
it makes me absolutely fucking livid every time this shit happens because it becomes so abundantly clear to me how little the average endosex person knows about intersex issues and also how little the average endosex person cares about changing that. i don't know what to say to get you to care, to get you to change that, but we fucking need it to happen and i, personally, am tired of constantly being grateful when i meet an endosex person who knows the bare minimum. i think we have a right to expect better and to demand that if you're going to call yourself our ally, you actually fucking listen to us when we tell you what that means.
okay for endosex people to reblog.
#personal#intersex#actually intersex#actuallyintersex#interphobia#intersexism#compulsory dyadism#trans#lgbtqia#transphobia#also to be clear im not necessarily mad about people not knowing or using the term compulsory dyadism. bc that term in particular is newer.#and from a dense academic theory book. so that's something that i understand why ppl might not yet know. i just brought it up as an example#and my main point is less about which specific terms people are using. but more just that endosex people seem incapable of recognizing the#actual material instances of oppression that are already happening. and teh history of that. and the systems#set up to enable it#like idk i don't care if you don't know or use a term if you're otherwise aware and understand how the sex binary is fake and all the#discriminatory ways society then enforces this. and how it fucks intersex people over#you see what i'm saying?
2K notes
·
View notes
Text
It's interesting how Batfanon tends to weaponise anger against characters of colour. Damian is either always unjustifiably angry ('feral', 'demon', etc.), or his anger is consistently trivialised as childish/cute. Duke and Cass are on the other end of the spectrum, where they're not even allowed to be angry. They are 'perfect good children', who are perpetually soft and kind. In canon, all three have been justifiably and unjustifiably angry; they've been irrational, they've been righteously mad; and (aside from racist Damian writing) they are angry without being villainised. If our conception of Damian, Cass, or Duke strips them of their right to be angry, then we need to reconsider the way we view characters of colour. Anger is a human emotion - by removing it, or by demonising characters for feeling it, we are dehumanising them.
#cassandra cain#duke thomas#damian wayne#batman#meta#a bit tired of the 'duke and cass are angel siblings' can you tell#it's almost as if cass and duke have to make up for how racist fanon can be to damian#but people don't realise that stripping characters of anger is just as racist as punishing them for it#if jason gets to be pit angry and tim gets to be mad about 'arkham' and robin then damian gets to be mad about stuff too!!#hell even DICK doesn't get to be angry these days... let dick be angry 2024#just an aside but canon!duke would not have been playing battleship with bruce he would've been cussing him out#read how he first greeted we are robin black lightning AND dick like duke is a hater let's not erase history!
629 notes
·
View notes
Text
Sorry, not sorry but I see this too often and it bothers me :)
Before people get mad: Notice how I put “Me and Penelope fans” there? I know there's others. this ain't about you <3
edit: This is about how people in the fandom prioritize Odysseus and Telemachus (and even Diomedes, who is not in the Odyssey) despite the Odyssey also being HER story as well. I've seen many fics about Odysseus and Telemachus in their youth, and never really seen that for Penelope.
#penelope of ithaca#penelope#penelope odyssey#odyssey#the odyssey#odypen#epic penelope#epic the musical#Mad rambles#shot by odysseus#sighs#tagamemnon#greek mythology#Mad memes#I've noticed this mostly with Epic but even Tagamemnon fans are like this too. ;~;#will probably reblog this later with more to say on it but yeh :/ it's like genuinely sad for me.#like people will go on about how in history “Men only saw women as wives and babymakers” and then...Write women as only wives#and babymakers :') clearly she doesn't have anything outside of that going on for her does she?#People throw out canon for fanon all the time for other characters/plots but you can't do that for Penelope? Why? Why is that?#like for being “Odysseus lovers” He would HATE y'all for not giving a shit about her#You think the “Wifeman” will tolarate people not caring about his wife?
883 notes
·
View notes
Text
4/19 Moodboard for the average Watcher/Yuri On Ice fan
#I’m gonna scream#IM SO MAD ARE YOU SCARED IS MY FSVE WATCHER SERIES AND NOW ITS GOING TO BE GONE#PUPPET HISTORY!!!!!#AND YURI ON ICE ENDING TOO IM HAVING. A DAY#yuri on ice#watcher
1K notes
·
View notes
Text
More behind-the-scenes pics from Furiosa Posted by matusethepharaoh on Instagram
#not me uploading more octoboss propaganda#mad max#furiosa#furiosa a mad max saga#matuse#goran d kleut#david collins#goran kleut#cj bloomfield#big jilly#history man#war boys#octoboss#fang furiosa#dementus#chris hemsworth#lachy hulme#rizzdale pell#smeg furiosa
672 notes
·
View notes
Text
it’s actually no surprise that how many angels who actually care for Cas seem to hate Dean and Sam.
because from their pov sam and dean are the bad influence that got their indomitable leader of the garrison Castiel to stray from his path and become this sidekick to two humans
everything Cas gets out of this transaction, this family of his, love, friendship, companionship, feelings, hopes and dreams are things that are alien to the angels
samamdriel said it best, ‘too much heart was always Cas’ problem’ but he said it like it was a bad thing
but for Cas it’s the reason for his existence since he found his family and that’s why he’s the perfect blend of humanity and angelic existence. he’s the middle ground that never was before 🥺
#I mean even I as a casgirl can get mad at sam and dean a lot of the times for how they treat cas#so imagine how it is for angels who believe themselves to be so much better and holier than thou#add on the fact that they can’t really understand the kind of love and friendship that exists between cas and the Winchesters#it’s only understandable they’re completely bewildered lmao#I’m a sucker for rebels who break ranks and come to fight for the underdogs because it’s the right thing to do#and no one has rebelled like Cas has rebelled in tv history#beautiful character arc#😍😍😍#supernatural#castiel#spn#destiel#dean winchester#misha collins#deancas#sam winchester
542 notes
·
View notes
Text
Taylor Swift is a Female Rage icon? Get a Grip.
I’ve just received word that Taylor Swift is calling her show “Female Rage: The Musical.” Here is my very much pissed off response to that nonsense:
The phrase, Female Rage has an intimately rich history:
Some of the first accounts of female rage dates to the Italian renaissance. To be clear, women in those days were not allowed to become painters- the arts were seen as the domain of men. They did not believe that women have rich inner lives capable of delivering the type of artistic innovation with which renaissance men were obsessed.
However, rebels abounded, through the might of their fucking rage. Several women created some of the most compellingly emotional paintings I’ve ever fucking seen. They did it without permission, without financial support, and often under the threat of punishment. They did it as a protest. In paintings like “Timoclea Killing Her Rapist” by Elisabetta Sirani (1659), and another by Artemisia Gentileschi “Slaying of Holofernes” (1612) as it depicts the bravery of Judith as she slayed a traveling warlord out to rape Judith and enslave her city. The painting often is referred to as a way Artemisia was envisioning herself as slaying her rapist. These paintings were used against these women as proof that they were unfeminine- and far too angry. Both these women suffered immensely for their audacity to call attention to the violation men perpetrated on them. Female Rage bleeds off these paintings- bleeds right through to the bone-deep acknowledgement of the injustice women faced being barred from the arts and having their humanity violated in such a sick way. Both women were hated- and considered far too angry.
In philosophy, also as early as the 15th century, an example of female rage is a philosophical text, often hailed as one of the first feminists works in the western world, written by Christine de Pizan titled The City of Ladies (1405). She wrote in protest on the state of women- writing that “men who have slandered the opposite sex out of envy have usually know women who were cleverer and more virtuous than they are” (“The City of Ladies”). People mocked her all her life- but she stood fast to her convictions. She was widowed at a young age with children to feed and the men wouldn’t let women have jobs! She wrote this book and sold it so that she could feed her family- and to protest the treatment of women as lesser than men. Her work was called aggressive and unkempt- they said she was far too angry.
In the 18th century, a young Mary Wollstonecraft wrote, A Vindication of the Right of Women ( 1792) upon learning that the civil rights won in the French Revolution did not extend to women! She wrote in protest of the unjust ways other philosophers (like Rousseau) spoke about the state of women- as if they were lesser. She wrote to advocate for women’s right to education, which they did not yet have the right to! She wrote to advocate for the advancement of women’s ability to have their own property and their own lives! The reception of this text, by the general public, lead to a campaign against Wollstonecraft- calling her “aggressive” and far too angry.
Moving into modernity, the 1960’s, and into literary examples, Maya Angelou publishes I know why the caged Bird Sings (1969) in which she discusses the fraught youth of a girl unprotected in the world. It beautifully, and heart-wrenchingly, described growing up in the American South during the 1930’s as it subjected her to the intersection of racism and sexism. The story is an autobiographical account of her own childhood, which explains how patriarchal social standards nearly destroyed her life. Upon the reception of her book, men mostly called it “overly emotional” and far too angry. Maya Angelou persisted. She did not back down from the honesty with which she shared her life- the raw, painful truth. With Literature, she regained a voice in the world.
Interwoven into each of the examples I have pulled out here, is the underlying rage of women who want to be seen as human beings, with souls, dreams and hopes, yet are not seen as full members of society at the behest of men. They take all that rage, building up in their souls, and shift it to create something beautiful: positive change. Each of these cases, I have outlined above, made remarkable strides for the women as a whole- we still feel the impact of their work today. They were so god-damn passionate, so full of righteous anger, it burst out into heart-stopping, culture-shifting art. Feminine rage is therefore grounded in experiences of injustice and abuse- yet marked too by its ability to advocate for women's rights. It cannot be historically transmogrified away from these issues- though Taylor Swift is doing her best to assert female rage as pitifully dull, full of self-deprecation, and sadness over simply being single or losing money. She trivializes the seriousness with which women have pled their cases of real, painful injustice and suffering to the masses time and time again. The examples above deal with subjects of rape, governmental tyranny, and issues of patriarchally inspired social conditioning to accept women as less human than men. It is a deadly serious topic, one in which women have raised their goddamn voices for centuries to decry- and say instead, “I am human, I matter, and men have no right to violate my mind, body, or soul.”
The depictions of female rage over the last few centuries, crossing through many cultures, is an array of outright anger, fearsome rage, and into utter despair. The one unyielding, solid underpinning, however, is that the texts are depicting the complete agency of the women in question. The one uniting aspect of female rage is that it must be a reaction to injustice; instead of how male depictions of female rage function, (think Ophelia), the women are the agents of their art with female made- female rage. They push forth the meaning through their own will- not as subjects of male desires or abuses, but as their own selves. That is what makes the phrase so empowering. They are showing their souls as a form of protest to the men who treat women like we have no soul to speak of.
Taylor Swift’s so-called female rage is a farce in comparison. Let’s look at an example: “Mad Woman” (2020). I pull this example, and not something from her TTPD set, because this is one of the earliest examples of her using the phrase female rage to describe her dumb music. (Taylor Swift talking about "mad woman" | folklore : the long pond studio sessions (youtube.com)
The lyrics from “Mad Woman” read “Every time you call me crazy, I get more crazy/... And when you say I seem angry, I get more angry”
How exactly is agreeing with someone that you are “crazy” a type of female rage in which she’s protesting the patriarchy. The patriarchy has a long history of calling women “insane” if they do not behave according to the will of men. So, how is her agreeing with the people calling her crazy- at all subversive in the way that artworks, typically associated with concept of female rage, are subversive. What is she protesting? NOTHING.
Then later, she agrees, again, that she's “angry.” The issue I draw here is that she’s not actually explicating anything within the music itself that she’s angry about- she just keeps saying she's angry over and over, thus the line falls flat. The only thing this anger connects to is the idea of someone calling her angry- which then makes her agree that she is... angry. So, despite it being convoluted, it’s also just not actually making any kind of identifiable point about society or the patriarchy- so again, I beg, what on Earth makes this count as Female Rage?
In essence, she is doing the opposite of what the examples above showcase. In letting an outside, presumably male, figure tell Taylor Swift what she is feeling, and her explicit acceptance of feeling “crazy” and “angry,” she is ultimately corroborating the patriarchy not protesting it. Her center of agency comes from assignment of feelings outside of herself and her intrinsic agreement with that assignment; whereas female rage is truly contingent on the internal state, required as within our own selves, of female agency. As I stated above, the women making female rage art must have an explicit agency throughout the work. Taylor Swift’s song simply does not measure up to this standard.
Her finishing remarks corroborates the fact that she's agreeing with this patriarchal standard of a "mad" or crazy woman:
"No one likes a mad woman/ You made her like that"
Again, this line outsources agency through saying "you made her like that" thus removing any possibility of this song being legitimate female rage. There is simply no agency assigned to the woman in the song- nor does the song ever explicitly comment on a social issue or protestation of some grievous injury to women's personhood.
She honestly not even being clever- she's just rhyming the word “crazy” with “crazy.” Then later rhyming “angry” with “angry.” Groundbreaking stuff here.
Perhaps Taylor Swift is angry, in “Mad Woman,” but it is not the same type of rage established in the philosophical concept of female rage of which art historians, philosophers, and literary critics speak. Instead, it is the rage of a businesswoman that got a bad deal- but it is not Female Rage as scholars would identify it. In “Mad Woman” I fear her anger is shallow, and only centered on material loss- through damaging business deals or bad business partners. She is not, however, discussing what someone like Christine de Pizan was discussing by making a case for the concept that woman also have souls like men do. In her book, she had to argue that women have souls, because men were unconvinced of that. Do you see the difference? I am saying that Swift’s concerns are purely monetary and material, whereas true examples of female rage center on injustice done against their personhood- as affront to human rights. Clearly, both things can make someone mad- but I’d argue the violation of human rights is more serious- thus more deserving of the title “Female Rage.”
Simply put, Taylor Swift is not talking about anything serious, or specific, enough to launch her into the halls of fame for "Female Rage" art. She's mad, sure, but she's mad the way a CEO gets mad about losing a million dollars. She's not mad about women's position in society- or even just in the music industry.
She does this a lot. The album of “Reputation” was described as female rage. Songs in “Folklore” were described as female rage. Now, she’s using the term to describe TTPD, which is the most self-centered, ego-driven music I’ve heard in a long time.
Comparing the injustice, and complete subjugation, of women’s lives- to being dumped by a man or getting a bad deal- wherein she is still one of the most powerful women of the planet- is not only laughable, but offensive.
#anti taylor swift#taylor swift critical#ex swiftie#mad woman#folklore#maya angelou#christine de pizan#artemisia gentileschi#mary wollstonecraft#Elisabetta Sirani#art history#books and literature#feminist#feminism#female rage#taylor swift#activism#toxic swifties#toxic taylor swift#philosophy#fuck Rousseau#I'm a professional Taylor Swift Critic
546 notes
·
View notes
Text
The Outlands Pentalogy
A thousand years in the future, the last of humanity live inside the walls of the totalitarian Kingdom of Cutta. The rich live in Anais, the capital city of Cutta, sheltered from the famine and disease which ravage the rest of the Kingdom. Yet riches and power only go so far, and even Anaitians can be executed. It is only by the will of the King that Nate Anteros, son of the King’s favourite, is spared from the gallows after openly dissenting. But when he’s released from prison, Nate disappears. A stark contrast, Catherine Taenia has spent her entire life comfortable and content. The daughter of the King’s Hangman and in love with Thom, Nate’s younger brother, her life has always been easy, ordered and comfortable. That is, where it doesn’t concern Nate. His actions sullied not only his future, but theirs. And unlike Thom, Catherine has never forgiven him. Two years pass without a word, and then one night Nate returns. But things with Nate are never simple, and when one wrong move turns their lives upside down, the only thing left to do is run where the King’s guards cannot find them – the Outlands. Those wild, untamed lands which stretch around the great walls of the Kingdom, filled with mutants and rabids. Here.
#the outlands pentalogy#rebecca crunden#indiebookspotlight#bookspotlight#indie book spotlight#book spotlight#dystopian#post-apocalyptic#futuristic#bi mc#m/f#m/m#lgbt+ books#lgbt+#book series#indie authors#indie books#spsfc#a touch of death#a history of madness#a promise of return#a dance of lies#a time of prophecy#slow burn#romance#romantic fiction#gritty
4 notes
·
View notes
Text
hands down one of the best pieces of subtle world building this season is the name High Five Heroes and the way it doesn't mean anything. the Bad Kids and the Maidens' names actually say something about their respective groups and what they've done/been through. meanwhile High Five Heroes is clearly a name that was handpicked by Kipperlilly long before she stepped foot in aguefort on the first day or actually met any of her party members. it's a pre-approved inside joke specifically designed in a lab to be as bland and palatable and inoffensive as possible—a middle manager's attempt at manufacturing camaraderie. the most generic, perfectly marketable name she could come up with for her Perfect, Optimal Adventuring Party.
#and then she gets mad when oisin and ivy suggest a name that actually has personality and says something about them#because she doesn't like the (accurate) things the name is saying#and because 'rat grinders' won't sound as good in all the history books#anyway brennan touches on this in a cool interview w screen rant#and it's like! yeah! i know lou thought the high five heroes was cute but i remember immediately thinking that it sounded so like. fake???#i feel validated lol#kipperlilly copperkettle#dimension 20#d20#fantasy high#fantasy high junior year#fhjy#the rat grinders
700 notes
·
View notes
Text
#for context i usually do phonetics#linguistics#mur#it’s ‘this paper will be sad if you don’t read it’ except ‘this paper has mad gay divorce tea you gotta read it’ for me#when it comes to the history of morphosyntactic theories#the gays in question are of course (among others) the constructionalist and projectionist approaches to grammar
324 notes
·
View notes
Text
What to Bring to a Hedonist’s Funeral
dont be *that* guy! know your decorum when honoring the passing of a legend who dedicated their life to the pursuit of pleasure
#niche guides#alternative lives#guide#funeral#hedonism#hedonist#nostalgia#figs#figs and cigs#dionysus#dionysian#dionysos#cult of dionysus#cult#giggle at the funeral#hozier#lover#list#helpful guide#aesthetic#vent post#vent#edgy#moodboard#edgy moodboard#ancient history#ancient mythology#ancient greece#ancient rome#going mad
495 notes
·
View notes
Text
happy 3 year anniversary to this certified mads mikkelsen facebook post. hope he's having a better one this year
#mads mikkelsen#hannibal#it was posted on feb 16 I KNOW but its a valentines day post. let me live#anyway this is probably my favorite thing anybody posted on social media ever in all of history#Me alone in a hotel room after Work 😞#Work 😞
858 notes
·
View notes