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applepie2523 · 2 months ago

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" HOTD's Issues Writing Women Part 2: The Whitewashing of Rhaenyra

**This is part 2 of my analysis on the issues with the writing of the two main female characters. If you haven’t already please read my part 1 post where I analyze Alicent’s character assassination which you can find on my profile.** I think many fans on the Blacks and Greens and in between regarding HOTD have been concerned and disappointed with the way the two main female characters: Rhaenyra Targaryen and Alicent Hightower have been written in HOTD seasons 1-2. This is very understandable. Female characters in general in HOTD and I think a lot of Hollywood films nowadays are not being written as well as they used to be and could be. Go on Youtube or Google and you'll find many film reviews/tv show reviews that critique the Mary Sue and Girlbossification or just poorly written in general female characters that are taking up a chunk of characters in Hollywood. Rhaenyra and Alicent to me were such great characters in F&B. They were two different kinds of medieval women in a fantasy setting. One, the medieval queen who gains power/influence through her relationship with men and advocating for her son. Two, the medieval queen who sought power in her name and defied some norms that make her compelling but also immoral in their eyes. They are two deeply flawed and complex characters fighting on opposite sides of a dynastic civil war.

This post is here to address the main issues of whitewashing when it comes to writing Rhaenyra Targaryen.

\***Some disclaimers: This is no issue with the actor themself. Emma D'Arcy while I may disagree with their opinions from time to time, they are a wonderful actor who is doing the best they can with the scripts they're given, so this is by no means a critique of them. I am going off of the show canon although the book will be mentioned.**

**So firstly... What is whitewashing?**

The modern definition of white washing is to cast in a show/movie or rewrite a character of a minority and make them white. For example, if someone decides to do a movie about Rosa Parks and they cast Emma Stone. However, white washing has another definition. It means to essentially remove or hide negative unpleasant facts or traits of a person or thing. I think Rhaenyra Targaryen suffers from this problem as many of her written negative traits or deeds so far are either not shown, projected onto another character close to her (Daemon Targaryen mostly), or severely downplayed. This results in a character that is almost too virtuous and bland for the setting she is in and a far cry from who she should be. A character whom doesn't seem to fit in the ruthless at times immoral world of Westeros. A character whom is almost a close to a Mary Sue. As I am very much on the belief that flaws versus virtues are what make a character compelling and human.

**I will say not every change made to Rhaenyra story arc and personality are necessarily all bad. Some are good ideas just poorly executed (ex - exploring more of Rhaenyra's hinted bisexuality, as there are hints in F&B that her close relationship with Laena may or may not have been more than platonic) and others are just good changes in general.**

*1. Victims vs. Villains - Biases in Writing Female Characters*

In the words of the iconic Grey's Anatomy actress Ellen Pompeo, “Women are one of two roles. You’re either the victim or the villain. But the victims are only victims because they don’t have what it takes to be the villain.” I think she states the major issue with writing female characters nowadays that HOTD has an issue with. Women must either be victims or villains. The character assassination of Alicent and white washing of Rhaenyra to me stems from this: Alicent is the villain in Rhaenyra's story to Rhaenyra's victimhood.

*2. Rhaenyra's Negative Traits: Arrogance, Hot Temper, Frivolity, and Bad Decisions to Peace-Loving and Plainness*

Rhaenyra had many great qualities in the book but it is only when coupled with major character flaws are we truly compelled. She was a loving mother, passionate, intelligent to a degree, etc. However, she was also very ambitious and power-hungry, arrogant at times, quick to anger, slow to forgive, and frivolous at times. **As a writer myself, I firmly believe that characters are truly humanized and compelling when they have major character flaws coupled with their virtues. Flaws they either have to overcome or use to their advantage. Flaws that make them who they are. Flaws create layers of complexity in a character. Or Flaws that help foster the characters downfall.**

I'm not saying the Rhaenyra in the show isn't flawed. She is! For example, I think what's great is that a flaw they gave Rhaenyra is something show Viserys also had: the ability to ignore or downplay potential conflicts or hard truths versus facing them head on. Viserys refused to see the potential conflicts in naming Rhaenyra heir or pretending her elder three children are trueborn. Rhaenyra in the show refused to listen to Jace whose concerns regarding his parentage as her successor and the dragonseeds were ignored or dismissed. The issue is thought, Rhaenyra is not given the flaws that she most certainly had, **flaws that helped lead to her downfall**. She's not flawed the way she's supposed to be.

Similar to many other Targaryens including her half-brother Aegon II, Rhaenyra was quick to anger and slow to forgive. We have some brief moments where we see Rhaenyra's temper and quick witt, but we don't see the major moments where her major character flaws are shown. Alicent provokes Rhaenyra for example in season 1, having her take Joffrey to her moments after he is born. We never see Rhaenyra provoke Alicent back. Any times where we should have seen Rhaenyra's sharp temper at the slightest of remarks are not shown.

Rhaenyra's actions herself were also very whitewashed with how they were portrayed. We either see their negative consequences downplayed, not shown, or the actions were projected onto another male character. In the books due to how similar Laenor and Rhaenyra were in looks (I mean they were both white) there was still a tad more ambiguity as to whether or not Jace, Luke, and Joffrey were bastards. Race changing the Velaryons made it even more obvious her elder three boys were bastards. I took issue with the writing of Rhaenyra's dialogue and that of the characters around her, not truly showcasing why having bastards, especially as a woman, is a truly egregious thing. The potential chaos Rhaenyra could cause was completely downplayed.

A few actions for example that were incredibly violent and evil were butchered. First example being the murder of Vaemond Velaryon. I was disappointed with this scene. Firstly, we only see Vaemond protest Luke inheriting Driftmark which sets it up as more so an ambitious second son seeking power versus a man who doesn't want his house to be run by someone not of his blood. We don't see other Velaryons protesting with him. After Vaemond made his little speech, Rhaenyra orders him dead and Daemon kills him on **her orders**. She then viciously has his corpse fed to her dragon Syrax. I think this scene was crucial as it foreshadows the danger Rhaenyra would be in the future to House Velaryon and sow more seeds of discontent that are crucial to the house's eventual turn to the Green side. Not only is Vaemond killed more viciously, Viserys orders the tongue removal of even more Velaryons who sided with Vaemond with Rhaenyra's consent! Instead, the show projects this entirely onto Daemon. Daemon goes Rogue (see what I did there) and kills Vaemond on his own accord. Rhaenyra stands there shocked and doesn't even order the body fed to her dragon. Rhaenyra is absolved from all blame to Vaemond's unjust execution without trial.

The thing about B&C is Rhaenyra was paralyzed with grief for her son, Luke. The moment her child died was the moment where her descent into madness and powerful wrath began to truly manifest and she would stop at nothing. I was very disappointed in the fact that she has one episode of grieving and then continues to be so level-headed. I couldn't feel her grief, rage, and resentment towards the Greens for her son's death that makes the war even worse. Daemon tells Rhaenyra that he would avenge her son. I loved the acting of Matt and Emma during their argument about the aftermath. However, I felt like Rhaenyra wasn't acting on character with the book. I don't think book Rhaenyra was 100% okay with a child dying as her vengeance, but I do feel with how angered and filled with grief and hatred Rhaenyra should be, Rhaenyra should be a bit more hardened. She should have not been so sorry about the child's death.

I also think that one of Rhaenyra's most controversial and evil decisions in the future are going to either not be included, blamed on someone else, or downplayed. It's very clear at the end of season 2 episode 8 that my favorite dragonseed Nettles is being cut and given to Rhaena who had her own plot and dragon hatchling. After Ulf the White and Hugh Hammer betray her, Rhaenyra's paranoia goes overload and declares that all the dragonseeds are traitors. Corlys advocates for Addam Velaryon and Nettles and Rhaenyra responds by having him arrested. He warns Addam, and is then bound, beaten, and thrown into the black cells. One of her most powerful allies is now thrown in the black cells. This causes the fleet of House Velaryon to turn against her. Later, she attempts to violate guest right, which is sacred in Westeros (which is why the Red Wedding was so horrific to Westeros even more so), by plotting to have Nettles murdered. As Nettles is being cut, I doubt they'd show this truly negative action as Rhaena can't have Nettles's complete plot. Rhaenyra's unjust arrest of Corlys and House Velaryon turning from her from what they're doing so far might just be blamed on someone else, have a different excuse that is not the one that the book gave, or not shown whatsoever.

I also think they might just be setting her up to be innocent of the torture of Tyland Lannister. After the Greens flee with most of the treasury leaving Rhaenyra in Kingslanding pretty broke, he refused to tell her where the gold was sent. Under Rhaenyra's orders he was tortured and castrated and blinded and disfigured to point of being disgusting. They might just have him be tortured by Mysaria or Daemon on their own accord without Rhaenyra's orders, leaving her innocent, or they will have him tortured by the Triarchy or something. Maybe after Mysaria and/or Daemon torture him, they'll frame it as vengeance for Jace and then Rhaenyra might let him go to appear merciful to an audience. As they cut Maelor whose murder was the breaking point that caused Helaena's suicide, we might not see how another child under the war was murdered by her faction. I worry that they won't show how how her cruelties that she did on her own accord caused her to be hated just as much if not more than her half brothers Aegon II and Aemond. They might not truly set the tone and show actions that lead to her being "Rhaenyra the Cruel" and "Maegor with Teats" they might not show the actions, or blame them on someone else or something else. They might not have her tax into oblivion the smallfolk or send her knight inquisitors to execute dozens upon dozens of supposed or proven Green traitors. I was also confused by the characterization of the smallfolk as these naive little lambs who will follow whatever. There is no famine or riot against the Greens at the point the show showed it. I was pleased with the fact that we saw the book-accurate support the smallfolk gave to Helaena after her son was murdered and how angered they were at Rhaenyra and the Blacks. However, days later they are singing her praises. It makes no sense to me that they would forget something so easily. Of course, I argue in another post on my profile why the riot and famine made no sense. So they might continue to get rid of her all of her negative actions.

**These evil actions make her even more compelling and even more realistic in a violent medieval world. It shows how both sides commit great evils as both Rhaenyra and Aegon II were not remembered fondly by their own descendants, smallfolk, and nobles alike.**

I also hate how they hardly showed just how feminine almost girly Rhaenyra was. Rhaenyra notably loved fashion and wearing beautiful intricate gowns that always showed off her beauty and figure. She dressed very richly as befitting her station, wearing gowns of purple with maroon velvet and Myrish lace. Her bodices often had pearls and diamonds. She always wore rings on her finger that she'd play with and turn when anxious. I honestly found these traits very endearing and relatable as someone who is a girly girl. Finally, a "strong female character" who is a leader who is also very feminine and girly. She doesn't need to be a tomboy and wield a sword to be a badass. But no... we don't see that. Yes the costumes Emma D'Arcy wore were nice I guess on the show but they didn't feel like something book Rhaenyra would wear. I get they had budgets but still... you couldn't have made something else? Like where is the purple and maroon? She's mostly wearing just red and black. No rings. No nothing!

*3. Unequal Screen Time and Too "Modernized": Rhaenyra is the Main Modern Girl*

I feel like HOTD has a problem with perspective. GOT had it perfectly done! The original ASOIAF were written from the perspective of multiple characters so we got a perfect ensemble cast with writing that highlighted the stories and perspectives of many different characters. Jon Snow's narrative didn't overtake Daenerys's screen time and vice versa which is just how it should be. However, I feel HOTD makes a mistake especially in season 1 with framing. Rhaenyra as the main with secondary-main perspectives of Alicent and Daemon. We get most of season 1 from Rhaenyra's perspective and to a lesser extent Daemon and Alicent when the show should have been formatted like GOT as multiple perspectives were given in F&B. We should have gotten an ensemble cast with equal development and perspective from multiple characters, especially an equal development of both Aegon II and Rhaenyra. We get both of Rhaenyra's weddings, two births, her raising her children, many scenes with her dragon, her perspective, and her interactions. Our first intro to her sets her up in a more heroic light as she's a beautiful princess riding her dragon. We don't get Aegon II's wedding or Alicent's. No birth scenes for Alicent or Helaena. We hardly get their perspectives compared to Rhaenyra. We should have seen more of Aegon II's childhood and perspective versus just him being a bully and later a rapist. While they improved perspective a bit more in season 2, it's not enough to take away from what was done in season 1. Rhaenyra is the protagonist and **THE main character versus A main character.**

What I think they should have done is showcase the real dynamic of Alicent and Rhaenyra more. They can start off with their friendship but then transition it to the dynamic that both women had at court: competition. Both women wanted to be First Lady of the Realm and first priority to King Viserys. The Queen vs the Princess and named heir.

Rhaenyra does at times come off as more modern than she should be. I think her and even her aunt Rhaenys. For example, in the book Rhaenyra is at times very homophobic by our standards to Laenor. When she discovers she's to marry Laenor Velaryon in the show, we see her initially not too excited about it, but not fully antagonistic. She in fact has a very decent and friendship like conversation where she uses the metaphor of preferring roast duck to insinuate she understands and accepts Laenor for being gay, deciding to do their duty and support one another, while pursuing their own pleasure with each other's consent with whomever that may be. They appear to be very supportive of one another times, at least on Rhaenyra's end. She compliments him deeply when he says he wishes he were different.

While I'm sure on some level Rhaenyra wishes Laenor was bisexual at the very least so they can have more than a friendship and have trueborn kids together, Rhaenyra is almost too accepting for her medieval context. In the medieval world, same sex relationships were a HUGE no-no. In fact being gay was considered a mental illness and sickness up until the 20th century! Rhaenyra appears too accepting of Laenor, appearing too modern in just how accepting she is. In reality, while I'm sure Book Rhaenyra cared for Laenor on some level and had some kind of respect for him and affection, it wasn't this deep and this accepting. Laenor did mean something to her on some level, after all he is still the man she married, and very important to her storyline---however Rhaenyra in the book as a much more medieval reaction and medieval view on his sexuality. She was notably very unhappy about her betrothal to him. It took serious threats from King Viserys to remove her from the line of succession in order to get her on board and she did so reluctantly. She notably even said that "My half brothers would be more to his taste." This is a very cutting and almost homophobic statement. I mean her half-brothers were still toddlers. However, we never get any true antagonism, frustration, or even subtle or outward homophobia on Rhaenyra's end. While this statement is mean and homophobic, that is a more medieval response. It's sad, but it's true. Rhaenyra is a medieval woman in a medieval setting. She is a product of what her society raised her to be, which is being gay isn't something one should accept.

The same issue occurs with Rhaenys having an almost too modern point of view or opinion that doesn't fit with her medieval setting. When she discovers her husband Corlys Velaryon has bastard children, Addam and Alyn of Hull, she is neither furious nor disappointed or horrified. In fact, Rhaenys advocates that they deserve to be "raised up and honored not hidden in the tides." This is an incredibly unrealistic and unfitting reaction on Rhaenys's end. In our modern day society, even, if a woman finds out her husband cheated on her and sired kids off his side chick, she'd be furious. Of course, I think a moral modern woman wouldn't take her anger out on the children, but still. Rhaenys's reaction is almost too modern and too gracious. Characters are products of their circumstances. Despite Westeros being a fantasy world, we feel how medieval the characters are through their beliefs and behaviors. Catelyn Stark or Cersei Lannister's reactions to their husband's bastards is far more realistic---specifically how Catelyn and Cersei hated what their husbands had done and felt it was an affront to them personally. Corlys in the books was terrified of Rhaenys finding out as it would dishonor him, her, and their dead children together which is why he tried to pass them off as Laenor's no matter how ridiculous is sounded. Rhaenys should have been more realistically horrified at Corlys and angry. She shouldn't be advocating for them to be anywhere near her house or imply they should have been raised amongst their own trueborn children.

I think this does two things: 1) Makes it though Rhaenys is fully on Rhaenyra's side when raising her bastard children of Harwin as if they are her trueborn grandsons and 2) Modernizes her too much. That is a main issue. The show attempts to modernize her and make her appeal to a more modern audience. However, there is a way to do that without modernizing her so much that she doesn't seem to fit with her medieval context.

was very disappointed when I heard that the directors told Olivia Cooke to portray Alicent as "woman for Trump" and Rhaenyra is this "punk-rock Hillary Clinton." Modern day politics and movements and ideologies have little to no place in the way Westeros should be written as its a **realistic medieval setting with realistic medieval characters in a fantasy world**. Rhaenyra is too modern in her interactions and beliefs that she doesn't seem to fit well in Westeros. Rhaenyra as well is also presented as this more feminist character.

*4. Two Things Can Be True At Once: Women Can Be Victims of Sexism AND Still Do Terrible Things, Be Self-Serving, and Wield Significant Amounts of Power*

**What I ultimately believe that Condal and the HOTD production seem to get wrong is that in a medieval setting like Westeros, women are ALWAYS overlooked and dismissed and cannot take so much significant power. I feel like they believe that women can't do terrible things in the patriarchal system of Westeros while being victims of sexism.**

Women in the real middle ages and Westeros in Martin's story are not feminists by our definition. At times we see women take advantage of and gain power from the sexist patriarchal society they live in. We see it with Cersei Lannister, Margaery Tyrell, Daenerys Targareyen, Catelyn Stark, Olenna Tyrell, Ellaria Sand, Lysa Arryn, Melisandre, Arya Stark, Sansa Stark, every woman in the original GOT series were victims of sexism and an oppressive patriarchal system of Westeros just like real women of the Middle Ages AND YET they still were able to wield some power and do terrible or morally gray things. We can view them as victims of a horrible system but still see how they take advantage of it, gain power and agency as they have no choice to use the system versus fight it, do horrible things, but still view them as victims.

Rhaenyra is one example! I will say that this is partly more so the interpretation of the modern casual audience versus a writing issue, but it is still a writing issue that there are people who believe her to be a feminist. She's not! Of course just because she isn't one doesn't mean you can't root for her, but don't root for her if you think she's a feminist. We might never see the moments where Rhaenyra herself is denying women rights of inheritance from Lady Stokeworth to Lady Rosby. We should have been emphasized that Rhaenyra is not the closest thing to a modern day feminist. She is not advocating for women's rights or to make the world better for women, but to be an exception to the rule. Like most medieval woman in power, she takes advantage of the patriarchal system and gets power from it. Laena Velaryon is older than Laenor. She takes advantage of patriachal rulings to install her (bastard) "son of Laenor" as future Lord of Driftmark versus advocating that the eldest child, Baela Targaryen, daughter of Laena Velaryon, the elder sibling, to inherit Driftmark.

Victims can be villainous too! Soft power. Rarely in the Medieval world do we see women wield a hard power in their own name. Of course we have outliers, but in the end most medieval women wielded a soft power---gaining influence and power through manipulating their relationships with men (their husbands, fathers, brothers, sons, etc.). Did real Medieval women know they were oppressed? Perhaps they did, and perhaps they accepted it. Did real Medieval women make efforts to change it? I wouldn't say so. Many women upheld the status quo of men being dominant.

For example, in keeping with British history that Martin is so inspired by, going off of blood-ties alone, Lady Margaret Beaufort had a stronger claim to the English throne via her Lancastrian blood than her own son Henry VII, and yet she advocated for her son not herself to be the next ruler of England. Queen Elizabeth Woodville had three daughters (Elizabeth, Cecily, and Mary) before she had her son Edward V. Like any medieval woman with three daughters alone there was growing pressure to secure her husband's line and her own position by producing a male heir. She never tried to name any of her elder daughters over her son once she had him nor did she ever try to advocate to her husband King Edward IV that he didn't need a male heir, he had his eldest daughter Elizabeth of York.

Rhaenyra Targaryen as well is presented almost like she's pursuing power to make Westeros better and that she has more altruistic and kind intentions behind her actions. I mean this weird "Aegon Prophecy" contributes to it. I think we should have seen a more realistic medieval and Westerosi character by having Rhaenyra, just like Alicent or Aegon II, pursue power because she can! Pursue power and queenship for the sake of having it and because she believes herself entitled to it versus these more "virtuous reasons." I mean in the book she never considered accepting the peace terms despite how generous they were because she refused to renounce her claim and back down! She wanted power because felt entitled to it and because every character in Westeros wants power to some degree. Ambition is a theme and characteristic that unites every character in Martin's world.

**My Takeaway? The Writers are Biased and Fail to Understand the Medieval Context of Westeros and Martin's Female Characters. Don't implement modern politics and biases into a medieval show**

I love that Martin tries to write his women the way he writes his men. He has explicitly stated that he writes his women the way he writes his men. He states that women are people too. They can be driven by the same things men are in Westeros and/or the real world: love, anger, hatred, a desire for power, vengeance, grief, guilt, bringing glory to their name and themselves, a desire to protect their family, etc.

Most of all: **Westeros is a realistic medieval world with realistic medieval characters in an unrealistic fantasy setting.** So you have to look at it from primarily a medieval lens in order to fully understand it and its character. While its okay to analyze using some modern concepts and lenses (ex - analyze how Daemon is a pedophile) you have to couple it with a lot of grace and understanding of their medieval context and morals that impacts the way the characters behave as we are products of our own historical context (ex - remembering that pedophilia and child grooming isn't much of a concept in the medieval world. The moment a girl has her first period, they are a consenting woman in his context).

So I find it disingenuous to write off all of Rhaenyra Targaryen's negative traits as just nothing but maester propaganda and due to sexism. I disliked how they downplayed her ambition, arrogance, rage, and cruelties to make her appear more modern and peaceful and the most virtuous character on the show. Yes, perhaps sexism could have had some tie into how Rhaenyra was viewed in Westeros. However, historians in the real world can't just dismiss reports about what a medieval woman was like simply because of the sexist world they were living in. By that standard, perhaps a woman like Queen Anne of Brittany wasn't all that bad or Margaret of Anjou. By that standard anything that was negative about the personalities of any medieval woman in power is all just rubbish and not true.

I felt we should have seen more of the kind of women that Martin writes. The kind of women that fit with his medieval-fantasy narrative that showcases how pursuing power at all costs leads to nothing but ruin. We should have seen layered women. We should have seen a more book-accurate Rhaenyra. We shouldn't have to settle for a lackluster story where Rhaenyra is nowhere close to her book counterpart.

**And most of all, the HOTD team shouldn't subtly or outwardly bash the original source material as nothing but sexist propaganda to excuse the lackluster writing of the female characters being nothing like their book counterparts or subtly or outwardly write off critics and fans like myself as toxic for pointing it out.**

**If you like this analysis, read on my profile my part 1 when I delve into the issues with HOTD’s Alicent.** "

#house of the dragon #hotd #anti hotd #hotd meta #team green #hotd critical #anti rhaenys targaryen #anti rhaenyra targaryen

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sokayisaidiot · 4 years ago

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Why Tommy is one of THE BEST written characters in existence.

Alright, that’s it

Here I give you my fuckin Take on why Tommy is one of the best written characters out there and can easily compete with best-selling Novels like Percy Jackson and Harry Potter. I’m sick of a trashing that doesn’t even make sense. So buckle up. Here I will tell you why Tommy has one of the best written characters in history of Books and Movies. Remember, I write this all in my perspective and take many examples of other character books as well

Before this all starts, I will also talk about the main characters of some series, since Tommy has the reputation of being a “main” character.

When I look at the books I’ve read, I see a large range of characters and there way of making the story interesting.

Now, to establish a good character, we need key points of motivations, to make them relatable and bla bla blub:

Personality

Part of the story

Their Powers

Flaws

Relationships

Prized Possessions

History/the backstory

The moral and story the character tells

First tho, I want to explain some words I’m going to use here!

Mary Sue/Gary Stu:

Those are characters who are flawless, have missing chunks of personality and mostly one way written. They are easy to achieve when you are trying to make your character look badass.

Examples in some Fandoms are

· Rey Skywalker (Star Wars Sequels 7-9)

· Hermione Granger (Harry Potter Movies)

· Bella Swan (Twilight)

Tree-System:

Imagine a tree. You plant something small and soon you have something giant with many branches, roots and connections. You have the seed you plant and with caring and care you let it grow. Then you have somewhat a sapling. The tree grows with the care and soon you have a tree with many branches.

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Personality

Negative:

Tommy’s personality is very brash and out of control = He’s barely containable in fights, going off to do his own risky plans and starting two or so fights. He can’t forgive a person very easily like Eret, who took it a long time to get forgiveness and Techno, as he shot Tubbo at the Festival. He makes decision that also cost his life like the duel because he hates losing

Tommy can be very lazy, giving the thought he wouldn’t have to do the hard work = Shown when he tries to steal the hearts of seas from Eret or potions from Techno, bargain with “drugs” by Puffy and Ponk or gives other people the work he doesn’t want to do like he did with getting cobblestone

Like a child, he often clings to close people and annoys others for attention = His desperate attempts to have company or someone praising him shows, when he tries to get Philza’s approval (or a pat on the back), constantly looking out, if Tubbo’s either okay or where his is,

He doesn’t like to wait or doing things in the long run = He constantly asks when something is finished, when they could go or in his exile, when he was allowed to go back to L’Manburg

He doesn’t show often his cooled down, scared and vulnerable side = He often overshadows his trauma with a facade of jokes and bad hidden hurt he brings out. When he talks about something bad, he’s clearly confused, not really knowing on how to understand it. Also he runs away from things he can’t control a panic attack like visiting the final control room or looking away from the holes in Logstedshire

He runs without head into a battle so often as possible = Only when they had their final showdown for the disc, Tommy was seen preparing in story, thinking it would be his last fight

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Positive:

But as he has negative traits, his positive shows to many people clearly.

His unwavering loyalty to the closest of people = His loyalty to Tubbo, Wilbur And L’Manburg are, were and always will be a part of him. He stands against anyone who goes against that, even if it means pain in many ways.

Passionate about dear projects of his = You can see Tommy talking about his discs or see an video where he would spent days getting different discs. Those things are very known to be rare things, so for Tommy to possess it gives him somewhat power. L’Manburg was the same passion, even a bit more, as you can see he was ready to give up his most prized disk. The last and in the moment is his hotel

Bravery like no one makes him as one of the dangerous person on peoples hitlist = He stands up for others. He stood up to L’Manburg. He in the end didn’t care that he lost a life. When he sees a foe, he won’t stand down and submit, he will fight against the oppression and tell them that in the face. During the mission to get a visa, he stood against Schlatt, even if they were clearly in the loose of people and disadvantage. Or getting an apology of Sapnap for killing Niki’s fox. Fighting against 5 people with just one ally while the other is a hostage.

His leadership = There are not many people who can take it up, but Tommy is an exception. He can coordinate people with his loud voice and somewhat thought plans. He is charismatic, even if he’s not so good at it like Wilbur, he still can motivate people to fight for themselves or others. He’s seen to lead others into battle and taking in the fighting part a leading role

Unselfish. That’s one of the most arguable things about Tommy`s character = You can´t look at a kid and say he is selfish because he wants to get something dearly back. Especially Tommy, after he gave the things up, he cared about. But if something is happening again, he will lay it down to do the other thing. As seen by the egg, he had a hard time thinking what to do. He, in a long time, didn’t want to be catalyst for something to happen. Not when he in the moment could have stopped it. So doing this act for himself ones, was a good decisions, since they clearly weren’t ready for war

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Part of the Story

Outside of the story:

Let’s all just get something “straight”. What would Dream SMP without Tommyinnit. Now. Don’t get me wrong. All the creators on the SMP are amazing. They are all wonderful and deserve every bit of Attention and fame they get. But just imagine.

We heard from Tubbo, he was the one, who got him into the SMP. Schlatt and Wilbur came because of a “visit”. Quackity was added because TOMMY said he was bored. And from that, we got somewhat of a tree system. As Tommy was invited and drawn into conflict by Sapnap (shoutout to best boy!), he got more people.

He also has the highest viewership and kind of shortest streams, since he is doing college next to Youtube and Streaming. He can’t give up his high viewers since all of those 200.000 (average) – closing 650.000 People (doing something like a big lore stream in prison or the disc final), choose to watch him.

Also a reminder again, Tommy has his storyline as does everyone else. When we saw Tommy and Techno during the partner up arc doing something with the dogs, they saw the start of the red vines arc BUT said they were on the wrong storyline. Tommy was asked by the eggpire writers if he wanted to be a part of the story and he said yes. Why do you think he nearly says nothing about the egg. He leaves it to the writers. Also, it was said by one of Wilbur’s Character descriptions, that Tommy was okay with others doing something with his character, while Techno was more reluctant with his.

Let me say it again, every creator is awesome and individual! Nobody should be compared to others. But with Tommy coming to the Dream SMP, there really was a change in the game.

Remember, that’s because we also have a BT (before Tommy) and AT (after Tommy) Timestamp in the wiki!

Inside of the story:

Now, with Sapnap, Alyssa, Ponk and Tommy in the first ever big conflict its shown the importance. People assume Tommy is one of the conflict bringers, even though he was dragged in it by having something stolen by Sapnap and then forced to fight with him, to get it back.

The Consequences he’s got where having his discs get stolen. This is what Tommy’s biggest character motivation was the first two seasons. Those discs are known on the server and when you think about gifting something to C!Tommy, it would be a disc.

Techno = Disc Wait

Badboyhalo = Disc Pigstep, Chirp

HBomb = Disc Pigstep, Wait

Tubbo = Stal

LazarBeam = Far

Tommy is a openminded boy who longs for funny little adventures and pranks, since he is just a young person. It’s in his nature.

So why, when he does something, are people looking on him?

Because the things he was and is a part of some of the biggest events. And him being so loud and brave and rash lets him stand out. If you look at the old (hah) Revolution of L’Manburg, who can you hear talking the most and the loudest? Tommy and Dream. They were the most outgoing about the war with Sapnap, Tubbo and Wilbur following. Fundy was more quieter (thankfully he has so much more lore now).

Tommy’s character is known to fall or be dragged head first in almost every conflict. He has connections to who? Mostly everybody. So of course he’s connected big parts to the stories.

~~~~~~~~~~~~~~~

Powers

Okay. Every “main” character or character with huge importance to the story has some kind of power. Looking at Dream, who is a “demigod” or Ranboo who I don’t even have to talk about. So what about Tommy?

Well. He doesn’t have any. Tommyinnit is one of the people, we get to have as an “human” character

Hannah = nature “Spirit”

Karl Jacobs = Timetraveller

Antfrost, Technoblade, Ranboo, Fundy = Hybrids

Dream = Something something green blob

Awesamdude, Puffy, Philza, Sapnap, Eret, Schlatt = Adding Features (wings, eyes, body parts)

Badboyhalo, Skeppy = completely different species apparently

Tommy has, as we know of the moment, a not confirmed power. The assumptions of the egg are not clear, since we haven’t seen those interact in a while. All we know is, Tommy didn’t get hurt, destroying a part and not feeling anything, while being in contact. That in canon considered.

~~~~~~~~~~~~~~~

Flaws

As talked before in personality and also in an assumption, we see the pattern of loyalty and brashness repeating.

Flaws are the most important parts of a character. It shows the struggle of their adventure and learning how to live with it.

Percy Jackson learned loyalty is nothing, if you don’t have someone to project it on.

Harry Potter and Luke Skywalker learned being a hot head didn’t really bring him forward and it’s important to have a plan

Frodo Beutlin learned that it is okay taking care of yourself and what attachment means

Anakin Skywalker learned fear is controllable and it shouldn’t be a remaining part of your life

Tommy learned over the time that his rashness could hurt others, loyalty couldn’t come back to him like he gave it out and he learns even more in the coming future.

~~~~~~~~~~~~~~~

Relationships

Tommy’s relationships is a mess of strings. Some are badly knotted and some are very clear.

A characters connections is an important part for the character himself.

Relationships in life are

· Enemies(-figure)

· Rivals(-figure)

· Friends(-figure)

· Family(-figure)

· Lover(-figure)

· Complicated family(-figure)

· Complicated friend (-figure)

Relationships are a part of everyone’s life. Not with everybody is a good relationship holdable. Either it’s because their hurting each other or another person. People change and that’s a part of life.

Tommy realized, even tho it hurt, that Techno wasn’t good for his mental state and health. It went against everything Tommy ever stood for.

And Tommy and Tubbo’s relationship wasn’t really that broken. It’s normal for friends to fight. Normal for them hit their heads in. Tommy and Tubbo were surrounded with people who were, at the time, a terrible addition to their mental life.

The Dream SMP doesn’t talk it out, hell the talking club was just destroyed because they preferred fists over words. So why do you think everything is going out with a fight, if it’s all they learned.

~~~~~~~~~~~~~~~

Priced Possessions

Every character has to something a connection.

Might it be Percy Jackson and his sword

Might it be Harry with his glasses, broomstick and wand

Frodo and his stupid ring

For Tommy we all know it’s his ender chest inside and secret chest. He keeps many belongings in his chests and always has been one for those things. He kept flowers, compasses, Friendship signs and most importantly, his discs.

The care for something of items are important. Might it be a teddy, old photo or jewelry. People get protective over it, because it holds sentimental value to the person.

If you ask me, to let go of my teddy bear, I will show you my middle finger. Probably beat you up too.

You can’t just throw out your memories into a fire or pit of lava. This is just showing you never had a care and everything you had a memory with it before would have been gone.

~~~~~~~~~~~~~~~

History/Backstory

We don’t have much here, but still something to work with.

A Hero doesn’t have an easy live. And it’s an said thing that every Hero needs an origin Story.

Tommy, said not really anything about his past.

All we know is that Tommy didn’t have anyone, presumably an Orphan, he knew the sleepy bois already a long time ago and he never learned on how to ride a bike, saying he never really had a family.

Signs that he didn’t even leave half a good life are:

· his knowledge on stealing and preferring this over working for it

· Liking to live in weird spaces like carved out holes in sides of hills (his hobbit hole or the basement by Techno) or living in his tent over a hole house

· His liking of cobblestone and dirt, which are easy gettable blocks

· Holding his goodies and friends close to him

· Craving for attention or contact in general

And now for the part with the dream SMP.

We saw how it changed him. We saw his trauma and all the bad things that happened to him.

And that’s why we say his actions came from those past experiences and things. We are NOT excusing them, but showing. Past trauma CHANGES a person. It brings experience and a heavy amount of pain and anger. ESPECIALLY at a young age, you will change due to your experience in life. You will grow worried and anxious. Tommy did that. He grew more anxious, angry, scared and also experienced.

Stop saying trauma doesn’t explain it. Yes. It does. His lashing out came from his past and negative experience. Imagine growing up in a world where this is the norm. War and banishing. As well as death. Tommy has reasons why he is acting and does stuff.

Understand it. You don’t have to forgive him or anything. But understand it.

~~~~~~~~~~~~~~~

The moral and the story the character tells us

When we see Tommy, we see a boy who went nearly through it all. Mental/Physical Abuse, Abandonment, War, Suicidal thoughts, betrayal, Death, etc…

He doesn’t show forgiveness for his abuser. Still has signs, that he fights with the past abuse, but he tells us a story of learning from past mistakes, that even in the darkest hours, there’s a way out. Things will, can and be ugly and those are dark hours, but in no way should you think that it’s over. Life is more than one way and can always turn into a new direction.

Life takes something old away from you. Life gives you something new. You lose someone, you find someone new. Friends can turn into enemies. Enemies can turn into friends. You can meet the weirdest people. You can meet the most amazing people. You can be alone and in the next second, you’re not. You will often lose, but you also can win if you give everything.

Life can be weird and that’s okay.

~~~~~~~~~~~~~~~

My Fazit (that’s german)

The thing is, he is very real for many viewers such as myself. He acts like how many teenagers his age reacts.

He doesn’t be “baby”, because he shows the “ugly” sides of trauma. He shows that attachments are good and you shouldn’t forgive your abuser. In no way. He shows that acting out and lashing out are two things that happen, when you have been in wars for many times and nearly just know that.

He has many flaws and mistakes but those make him even more real. He is showing how he is growing.

As a person, friend, (pseudo-)family.

He is real to many of the viewer since he doesn’t have any powers that are existing in our world to solve their problems. He knows that nobody would have helped him and Tubbo against Dream if he didn’t pay others.

Also that you can’t be friends with everyone and that it’s okay that not everybody likes you.

Tommy´s character is the most human and realistic character in a way of how we would react. We are humans who are lashing out and who are having ugly sides.

And also please stop saying that, since I really can relate to Tommy and I don’t want to be feeling like a “bad-written Character”…

And Don’t even get me started on Tommy’s acting dude!

He is one of the best actors and that one livestreams! In from off 200.000 – 600.000 People!

On the face cam alone is so much to see…

· You can see his face with each emotion shifting,

· when something funnily weird happens, he looks dead eyes in the camera

The voice acting…

· His breathing,

· the stuttering in his voice,

· THE GODDAMN EMOTIONS IN HIS FACE

HIS MUSIC CHOICE!

· He changes the music fitting for the situations as in fighting scenes or funny moments.

· He also has some funny bits with his music.

· Like a goddam DJ!

The ingame character

· His movements and head stares

· The jumping around when he gets overactive

· Long stops when he thinks or is sad!

You can see, I am a person from Tumblr and saw way too much bullshit around tommys character.

Stop critiquing him so badly.

You could say, I woke up and chose violence

>:D

#tommyinnit #mcyt #dream smp #character analysis #dream smp character analysis

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like-rain-or-confetti · 4 years ago

Note

Can you do a little text with your opinion about the Volturi members? What you like and dislike, they personality, they story... Would be interesting! Kissessss and have a great day! 💜

Imma have a little fun and throw the very young me into the mix to. Let's see child me vs adult me's opinions on the Volturiiii.

Fun fact: I wasn't team Volturi until I was like fifteen. Before that I was team edward... I don't want to talk about that 🤔😒

Also I'm a sucker for villains. If it isn't obvious already, I like the villains more than the heroes. (We all love a bad boy though, don't we?--- TIK TOK NOW IS NOT THE TIMEE.)

So everything i say is just my opinion and should be taken just as that.

Aro: Younger me was like "this...is a terrible person. There really is no need to expand on this." However adult me has been like "GUYS this guy is possibly the SCARIEST character. This man rips off heads AND SMILES ABOUT IT." He gives me child snatcher vibes (from the movies in particular). I thoroughly enjoy the power hungry persona. He's really fitting to be the puppeteer behind the Volturi. Even if he makes it seem it's a group effort with himself, Marcus and Caius. Realistically, Aro gets what he wants and isn't afraid to do what it takes to get it...sorry Didyme. What's even darker about it, WHICH I LOVE, is that he isn't heartless. Smeyer wrote that Aro genuinely loved his sister. It's all good to have a character that's a evil heartless monster but what's more terrifying to me is the ability for someone to do evil despite their love and emotions. It doesn't hold them back and that's what I find particularly frightening now that child me didn't comprehend. Micheal Sheen, from what I remember of his interview years ago, played on the idea that vampires of Aro's age kinda begin to lose their mind. Which, hell freaking yes. However there is one thing I hate for Aro's character that happened in the movies. Breaking dawn part 2. That fucking laugh. Don't get me wrong, hilarious. I can't not laugh but for his character I felt it was too 'hey hey I'm a crazy man hehe'. It was a but too much, even for an eccentric Aro. However, I'm not to mad at it because again, it was funny to watch. I thoroughly enjoy the ‘friendship’ Aro and Carlisle share and i love that it is ‘maintained’ throughout the books. I think it’s just a really nice detail. (I love lore. I am a sucker for it.) The one thing that didnt sit right with me is Aro marrying someone so that he wasnt the alone one whilst his co-leaders were very much in love? Was a little off for me but i suppose that just adds to the character.

Caius: child me would shrink into the seat because what did I do to this man? High key still think I wouldn't want to be Caius' child because imagine doing something wrong and you get that glare? No thank you! Scary angry man. As an adult... "He's an angry boi but...DAYUM WHY IS HE SUDDENLY SO HOT?" Just...don't get angry with me. You'll get annoying real quick and you're too pretty for that. I enjoy the taking-no-shit attitude he has but felt it could have been a little more prominent in BDP2 where Aro asks if Caius' is challenging him. I full believe Caius to an extend would be like "yes, yes I am. Don't be an idiot Aro. Use that braincell!" Which is why I adore the meme vibes I see every now and then of Caius hating Carlisle because why does Aro love that blonde so much? CAIUS HAS BEEN NOTHING BUT LOYAL-- Anyways, I can totally get why Aro wants him on his team. Caius is so angry and has so much hatred that he’s a good asset to the coven, even if not having a special ability.I do find it hard to imagine that Caius is a century older than Aro though. Although I cant picture him over forty years old lol. Although i do personally enjoy the whole Caius x Athenodora route. IT’S TRUE LOVE! Okay so maybe thats a little dramatic but its better than Aro’s lmao.

Marcus: movie Marcus is absolutely not nineteen years old and that's just a fact. If anything, he's the forty year old one lmao. Child me couldn't care about this man. He was the man who said nothing and slumped on a throne. That was Marcus. That was his character summed up. Then adult me rolled in and OMG NO DON'T DO THIS TO THIS SWEET MAN. LET HIM BE IN LOVE. As an adult i definitely became more attached. I feel like i was too young back then to get why Marcus was in the Volturi. He seemed very out of place and like a filler co-leader more than anything. However as i’ve gotten older (and written for him), I recognised that's the point. That’s Marcus’ evident grief. He isn’t there by choice and losing Didyme caused him to fall out of line with the coven. He’s lost point or purpose. Almost like its become meaningless because the love of his life was gone and he couldn't save her.So what was the aims of the Volturi to protect vampire kind when they couldn’t protect their own? He couldnt protect her. I had never heard of anything like bond identification and once i had- i was shook, like it became clear why he had been so necessary in the first place. That really is handy to understand everyones bonds in a coven, he could direct Chelsea and the two alone could destroy covens by bonds alone. Marcus makes the Volturi more realistic in a lot of ways. Like in a family, there is the happy times, goofy people like Felix, the twins representing a close bond. Afton and Chelsea, love that cant be divided. The list really goes on. Marcus represents love and heartbreak, pain, loss grief, the sad moments every family goes through. In that way he makes the coven seem less invincible, a group of people who at the end of the day, have their own weaknesses and immortality doesn’t mean a perfect existence. Especially when, in my opinion, Bella fantasized about immortality and how perfect it would be. Even after her change, she waited for her happy ending because that was somehow guaranteed in some level. Which in the end, she got but not everyone gets that happy ending we all want. I also personally think Marcus is the most feeling of the Volturi, despite being apathetic. A result of heartbreak. It’s shown he can still feel more in his own ways when he voted against Renesmee being destroyed. Furthermore, he advocated that vampire hybrids were a lot like vampires. He made that relation openly before anyone. Its almost as though losing Didyme helped him value a life?

Jane and Alec: Child me thought these two were badass...and that still remains in my adult life. It’s always been uncomfortable to me that someone so young is so sadistic and powerful. Jane is the older twin with the ability of pain illusion...yikes. Her ability was evident in her human life along with Alec’s. His gift is sensory deprivation and these two were my favourites in the whole Saga. Still kind of are if im honest. I thoroughly enjoy the twins backstory. It has the most detail. I have a tag for the twins. Canon!twins is the tag for the twins in their book age. Unless this tag is present, the twins have been aged up :). They are very much canon but I put a bit more emphasis on tantrums. If they get angry, they both have tantrums. So whilst (unless tagged) they aren't children they can be very childish and these tantrums are pretty deadly. They’re also very possessive? I dont even know if thats the right word i’m looking for in all honesty. Lets say they get very attached if they like you. These two are probably the most secluded out of the whole Volturi.

Felix: Felix! High ranking guard due to strength and speed. I am a major supporter of Felix being a gladiator when he was human. He as a lighter grey cloak meaning he isn’t as high ranked but is so good at what he does that he’s been kept for centuries...and a lot of them. Personality? FINALLY, WE’VE GOT ONE WITH PERSONALITY!! (Im writing these out of order and i’ve just finished a chunk of Volturi members who have personalities as invisible as Afton.) Flirtatious and Light hearted, we love flirtatious and light hearted! Basically a comedian! Helllll yes, keep it going! Extremely vicious and highly aggressive? You know what? I still like it. He wouldn’t be a Volturi without a dark side. Cold blooded murderer. Yes. 10/10. Finally, someone Smeyer seems to actually care about. He flirted with Bella a couple of times in the books and i was FOR IT ALL THE WAY. I was very sad i saw none of it in the movies but im used to heartbreak by now. Im in this fandom after all. We were robbed of a lot. Strongest vampire in the world? I believe you, he’s also a hecking treeeeee. HE DO BE A TALL BOI. He actually makes Demetri look small and that’s still hilarious to me. Demetri is actually tall. However, if it isnt obvious we clearly traded backstory for personality. I cant get both smh. So...as i said before I fully believe Felix was a gladiator back in the day, hence his physique and height and excellent fighting abilities he has even as a vampire but then it kind of ends. I will say from the dawn of time, i don’t think Felix is the most academic man, just because of his era. I also think majority of the Volturi couldn’t read of write in their human lives and had to learn much older, most learning as vampires. Felix was one of these vampires, Although even now he isnt the most great at it. Then a wonderful writer known as @wallwriterstuff included it and now it’s canon in my eyes. I fully believe Felix is a slow reader and writing isn’t his strong suit either. Wallwriter also includes the possibility that Felix could be dyslexic which im all for too. For a very long time i’ve considered writing a dyslexic reader with the Volturi but have always hesitated because i don’t have it and wouldn’t want to upset someone for any misunderstandings or inaccuracies. However what i will say is that i think vampires would be the most understanding to humans with dyslexia. Learning things like that in later development or as an adult is difficult and they wouldnt think any less of you for struggling with reading, writing, numeracy- you name it. You’ll probably find they’re with you in the struggle at least half of the time. He’s also the goofball of the Volturi, even though he’s not really a goofball in our eyes, he’s the closest to a goofball out of the whole Volturi ...Emmett beats him in the Goofball wars.

Demetri: Oh yeah, it's Demetri's turn! So Demetri was previously in Amun's coven. When Chelsea gave him the old razzle dazzle...I've said Chelsea's gift so many times at this point it's getting old. I have two characters left after Demetri 😂😂 Anyway, with that Demetri was like "welp, I'm in the Volturi now." And now that they had a better tracker the previous one was kicked out. He isn’t much of a talker, polite and formal. He’s elegant (more graceful than i could ever be) and charming...yeah he is, you can say that AGAIN. He is also very calm, when next to Felix, i think everyone is calm but you know, we’ll say he’s a very calm person. I like how he was originally in the Egyptian coven with Amun. Given Amun’s goals this a pretty nice detail. NOW LETS GO TO MY VERSION. He’s very charming, calm, polite, formal and even a lil’ but quiet, i kept him pretty canon because he actually had a description to go on :)))))))))) Moving on. Demetri can be a very successful flirt when he wants to be and does have a Casanova reputation. However beyond the charming Volturi guard who has a brutal side like the rest of them, he has a chewy centre, deep down. I added that he had a child in his human life, one he doesn’t remember and very few people know about. He remembers that they died of an illness very young (around six?) but can’t remember what they look like. For that reason he doesn’t like talking about his child, he feels awful he doesn’t remember them and the loss still hits a pang in his chest.

Heidi: Alright im ready for this one! Child me didn’t necessarily enjoy Heidi? I was rather passive about her. It was all ‘pretty vampire used for her looks’ in my eyes back then and i was never comfortable with that. I’ll get into my take on Heidi in a moment, roll on the backstory! So Heidi knew Victoria as they used to be coven mates and we’re going to continue on as though Heidi didn’t care when she was killed? Like...its genuinely a burning question in my mind! If she didn't care, could that show the extent of Chelsea’s power in action!? (can we tell im enthusiastic about this coven yet?) It’s quite smart to have someone lure in prey. I wont lie, Heidi has quite the badass role in the coven. I wouldn't have thought about that I reckon. I’ve always thought that showed a kind of superiority. Oh you guys need to hunt your prey? pfft, ours literally comes to us. Her backstory really starts with Heidi being mistreated in her human life...a common theme Smeyer has. It can get old- i wont lie but when i give it some thought it kind of makes sense. Rosalie said it herself in eclipse, if any one of them had their happy ending, they’d be six feet under but i’d love a little bit more creativity. I could go on about how male vampires ended up being changed in comparison to female vampires but i’ll swiftly move on because that’s a whole other thing alone. Heidi was changed out of pity. (Which kinda infuriates me just to type, a pity change? Really? Really Hilda? we’ll see why it annoys me when i explain my take on Heidi.) Heidi was happy in her coven with Hilda, Victoria etc, which is hell yes. We love that. This is around the time she discovered her gift. Vampires were attracted to her and humans fell prey to her easily. Yup okay. I’ll take that. After a newborn vampire caused ‘too much attention’ Aro spared Heidi and Chelsea used her gift on Heidi. Nice, very nice aaaaand that’s where it stops and im left hanging. Personality time with Smeyer! Lets goooo. From what i remember and can find- she didn’t fucking have one. Apparently being pretty is enough for everyone. Which in hindsight, fair enough on a human Bella’s perspective, its literally Heidi’s gift to lure you in no matter what. She could tell you she’s a serial killer (and technically is lmao) and is about to sell your kidneys on the black market as to which you’ll be like ‘sign me the fuck up, want my liver too? Here, let me lie on the table for you. I’m down.’ without even realising what just happened. But even beyond that...Heidi has no personality traits mentioned. In New Moon she appears to be a little flirty which im all for, why the hell not? But...thats it? Thats all I get? Then we get into fanfictions, because i read them growing up. Heidi was depicted as flirtatious, promiscuous and then it varied between manipulative or she wasnt very smart. Which i’m knocking absolutely no one for. I think you can get a badass character who is incredibly dumb. I think all characters are actually valid whether they’re a genius or flat out dumb. I love them all. However it never really sat with me. I was never quite satisfied which i was fine with until i started writing for myself. That’s when i knew i’d have to really think about what my version of Heidi would be or i’d never be happy with my work. That and you also begin to fill in the blanks? The more you write the more you flesh out a character for yourself and so that rolls into my version of Heidi! So for my Heidi, she often gets the same trope of ‘she’s pretty and rich, those types of girls have easy lives who always had everything given to them.’ Then when it’s discovered she didn’t have a good human life. It turns to the next assumption of ‘oh she’s pretty and stupid enough to be used and manipulated’. In a lot of ways, that’s what Heidi wants everyone to think. Underestimate her, please, its all the easier to manipulate you if you do. She’s actually very smart and her rough human life made her more tough and intelligent. She’s very manipulative and yes she’s very flirty. You can look but you cant touch! She enjoys the attention her beauty gets her but if only these people would care more about what she’s like as a person. She’s not a barbie doll she will play you if she needs to. The only one who’s actually gotten far enough to sleep with Heidi is Demetri and even then the two don’t see each other romantically. They’re good friends who thinks the other is very attractive but that's where it ends. They’re basically friends with benefits some times lmao. However, Demetri got that far because he see’s the intellect Heidi actually has and acknowledges it. He thinks shes a queen who should be treated as such. She could take anything she wanted, a storm that people can only hope to survive in one piece. Secretly she enjoys a family setting. Whilst she never really wanted children (especially when she was expected to when human), she couldn't help but melt inside seeing little human children with their loving parents. She wants that for all children. Whether that's because she lacked such affection growing up, no one knows. She’s also a really good friend, you bet she’ll have your back. Crappy ex? Well we’ll show them, wont we (Y/N)? She’ll be a bitch and enjoy every second of it. She also loves the single life, believe it or not, you’ll have more difficulty getting Heidi to settle down than you would Demetri which speaks volumes. So yeah, move past her gift and really get to know her and you might have a very good friend. I also don’t see Heidi having a preference between male or females and that’s in all honesty. Times have changed and if she is attracted to another female then she wont be ashamed of it. She never has been (Demetri was the first to figure that out, Felix may be the last.) Even when the times weren’t approving of different sexualities, she didn't care. She will flirt with you and find it ridiculously cute if you get flustered.

Sulpicia: Sulpicia was an orphan which i used to develop my own version of her. Sulpicia grew to love Aro which im on the fence about but yup, i’ll take it. You’ll see what happens with my version in a bit lmao. and that’s where it stops. I get no personality again but do you know what we do in this fandom? We create one and fill in the blanks baby! So i write Sulpicia very materialistic and vain, she’s most snobbish of the wives and due to the other two, also considered the meaner one. She didnt have such things as a child being an orphan so when she got the opportunity to have it-she jumped. She isnt easily impressed and married Aro not for love but for immortality, money and status. (He’s only married you for your money, princess Jasmine! HE ONLY MARRIED YOU FOR YOUR MONEY! Damn it tik tok, but make it princess Aro) Which works well, because Aro doesnt necessarily love her either, he just wanted a mate so he wasnt the odd one out.He literally created her because he was like “Yup, you’ll do.” The two recognised they made a great team and image so they kinda grew to love each other? A little bit? Sure we’ll say its love...sorta. ANYWAY, It’s a highlight to Sulpicia being locked in that tower where she doesnt need to see Aro every little moment, it’s better than having a husband who she’d need to see everyday. ...Yeah my Sulpicia is something else lmao.

Athenodora: Athenodora is one of the oldest vampires in existence which kinda has me shook but I'll take it. She met Caius when he was fleeing from the Romanians, the two travelled together until they met Aro. Whilst on their nomadic travels they seemingly became mates. That's all we know about that. As to which the Volturi coven was made. Athenodora is completely loyal to Caius as well as highly dependent on him and I think that's very realistic given her circumstances. That's where their story ends...maybe for Smeyer but not for me! 😁 So I picture Caius and Athenodora being different sides of the same coin. Athenodora really mellows Caius, she is no where near is violent and sadistic as he is but due to her unwavering loyalty and dependency, she doesn't feel inclination to go against him...also because of Chelsea and Corin but I've said that so many times in this post I think we get the point. I think she's actually more gentle and soft spoken but that being said. She is very reserved and if she were to be angered she'd very much change. She could cut you down with words alone. Caius loves it. However beyond this is someone who is very maternal. Caius would appreciate it more if the two had children but instead it has created empathy. Caius doesn't want that when he can rip their head off. She struggles a little more with the 'no second chances' and that's another reason why Caius keeps her locked away and away from it. These two love each other more than words can describe. After being through so much with someone, the love can only grow. The two would happily risk their life for the other. Caius is saddened that he could never give her the family she wanted. He knows that to this day, Athenodora tries to reign in that side of her. He's a very supportive husband who's very different around his wife. He's much more tolerant, and angry. Simply more at ease. If anything happened to Athenodora, to put it simply...there would be hell to pay.

Didyme: Married to Marcus and Aro’s biological sister. Cute, me likely, keepy going. Her gift was happiness induction. VERY ADORABLE- Dont be as menacing as your brother...please. She was born several years after Aro and was changed by Aro ten and a half years after he was turned. (Dont tease me with all this lore Smeyer, I know what you’re gonna do) Aro was deeply disappointed her gift was just to make people happy- its okay Didyme, we love you. Aro is just...Aro. Her gift made many fall in love with her and its so freaking cute i CANT- but she only felt the same feelings for Marcus. MY HEART IS SO WARMMMM. Unfortunately they were so happy together that they lost interest in anything Volturi and were ready to leave. (Uh oh.) Aro, being the sneaky fellow he is, was like “I’m really happy for y��all of course you can leave. I love you my babies. My best friend and my sisterrrrrrr, I am the captain of this SHIP.” but was actually like “wait, no, no, no, not my Marcus. D-D-Did-Didyme I NEED him.” Think Sid the Sloth from ice age in the first movie when Sid really wants the baby. So this man is like...gonna have to do it to em and murder. He killed Didyme secretly (dunno how he pulled the secret part off- like i know how he did it but how did no one hear or see anything or even suspect anything IT WAS LITERAL FRIENDLY FIRE but we love the drama so continue.) Ironically enough she was very close with Aro and the two actually did love each other, Aro is just...murderous apparently, to the extent that even his sister isnt safe. And that’s it. That’s Didyme. Which im like...alright Smeyer i see you. I like this and expanded on this with my Didyme. i get the vibes that Didyme is the most innocent and kind of all the Volturi. Losing her meant losing the consciousness within the Volturi making them all the more ruthless because there was no one to say. “Guys, maybe lets rethink this? and quickly because i cant get Caius to put down the torch thats currently on fire.” Losing Didyme made Marcus mostly become passive and would rarely stop anything that happened. I often wonder if that provoked a lot of guilt for Marcus later on. (However thats a spoiler for something im currently writing...;) ) I also think of her as a major daydreamer and the most soft, gentle person anyone will ever meet. Like its difficult not to like her despite being in the Volturi, even the Romanians would have struggled if they met her. So in the long run...i hate nothing about Didyme, only find more and more love lmao.

Corin: So im going to be honest and tell you i have no idea what Corin would look like. I’ve got nothing and when i was younger i wasnt even sure if Corin was male or female. Like a lot of these names, i had never heard of the name ‘Corin’. I dont write for her as of yet because im still trying to figure her out. I think she’s quite quiet, she lets her gift do most of the work for her in keeping the wives, Chelsea and Caius when he doesnt get to go on a rampage, content. She was brought in also after Didyme died but Marcus refused her gift.That’s all i’ve got for her. Her gift is amazing, pretty underrated in my personal opinion since like Chelsea, she really helps keep the Volturi unified but other than that, I dont have much to say about her. :(

Afton: Another character i basically filled the blanks in for myself. So what we’re told is that he’s Chelsea’s mate and has the ability to disappear . Whilst thats a pretty cool trick...the volturi dont necessarily need it but they have to keep Chelsea happy and she demands that Afton stays so welcome to the family Afton! I also recently learned that if you hide behind Afton and he goes invisible infront of an opponent, you too will also be invisible. I figure that is until the opponent moves and basically changes their perspective but i could be wrong with that last part. That’s all we get so time for my unnecessary input! SO AFTON IS A TOTAL SWEETHEART. He’s very shy but polite. This is a complete opposite to his mate Chelsea. It’s actually what she liked about him. At first is was just be flirtatious to the shy vampire but when she actually got to know him... she fell hard. It was also Chelsea who had made the first move since Afton was so shy. Of course she’d never say so and Afton would never want to embarrass her so that was never really disclosed to anyone who wasn’t around at that time. She brings Afton out of his shell a lot and it wasn’t long before the two were mates. Chelsea is the light of his life. Hands down. He puts up with a lot for her and is happy to do so. She could ask anything of him and he’d do it and she doesn’t even need to use her gift. He buys are anything she wants almost instantly. He cant help but adore her passionate personality, like how hooked she can get on era’s such as the 1920′s, her love for jazz music and her ability to gush on and on about anything. The two had what the other lacked and that made them an excellent team. I love their relationship. I cant help it. However, as i said before Afton is very shy and tends to keep to himself. Sadly that, paired with Chelsea’s demand to keep him in the Volturi has left Afton a little bit outcasted. All the other permanent guards were wanted and considered important whilst Afton...not so much. Although that isn’t to say the other guards are mean to him or anything. They aren’t! (Except the twins who are...the twins.) Felix and Demetri tried to include him a lot but it was very difficult to break him out of his shell. That doesn’t mean to say they wont invite Afton when he’s around. Chelsea always appreciates their efforts. Afton is notably good friends with Santiago, who often preferred solitude as well.

(Guard to the left is who I imagine Afton is)

Chelsea: So supposedly Chelsea’s original name is Charmion? When i was younger i didnt really care much about her. I only really knew her gift and that she was the reason Afton was kept in the Volturi, since they were mates. From what im aware Chelsea basically wasnt in the movies/not identified. There wasnt much said about her in the books either. So since then i’ve kind of developed my own persona of Chelsea that could be completely inaccurate to canon but canon was my foundations with characters like these. She was always a red head in my eyes with ringlets, a copper kind of red head. I also pictured her to be small. However the newest addition to her character would have to be the mid-Atlantic accent. I blame Poppy Hill for this one. That character screamed Chelsea to me. She was very close to how i imagine Chelsea to be. So now Chelsea has an accent that i have no clue how she managed to maintain being in Italy so long and being born in Greece. LMAO. We’ll say she was very attached to that time. However, I think the time she joined the Volturi was actually very good for the story. She first came around just after Marcus had lost Didyme and Aro had her use her ability to keep Marcus in the coven. it’s really cool how she could really make or break the coven. Although, Aro was smart enough to not fully rely on her, using Corin’s ability on Chelsea to make sure she’d be happy and stay within the Volturi. Thats where the information on Chelsea really ends Over the years Chelsea has appeared in my writing and so beyond this point, Chelsea’s character is only my depiction. I figure Chelsea is a talker, like she can talk her way in and out of situations with ease. She enjoys being manipulated and even more so, being needed.Much like her gift, she gets under people’s skin- not in terms that she’s annoying but more so she can figure out people very well. Her mate is the complete opposite and so she often speaks on the behalf of them. Chelsea is very social and charismatic. She along with Heidi are the only two Volturi members who will be out and interacting with humans if necessary. Heidi for her ability but Chelsea purely for her social skills. She’s also the most interested in human culture. She loves the parties- the 1920′s being her favourite era in terms of fashion. She has no issue changing her name and has done so multiple times when the names run out of fashion.It’s like playing dress up! I’d actually love to write more about her. I’ve really grown to love her character, even if i filled in some blanks for myself. I think she and Afton’s relationship is one of the best, up there with Carlisle and Esme- despite the two being very different. It’s a part of their dynamic!

(I always imagined Chelsea to be a red head but Poppy Hill from THOHH is a very close depiction to Chelsea in my eyes)

Renata: A stressed little bean that lives on stress. I remember thinking when i was younger she was the big threat since she was Aro’s shield but now that im older i see...a stressed little five foot bean. I have no idea what she looks like but always imagine her dark hair tied in a tight bun, looking almost painful. Another who wears heels, like Heidi but she is very rigid just as she has been described. Her uncle is a bit of an ass considering he begged her to go with the Volturi so there wouldn’t be a threat. Dude, can you not just...hand over your niece? At least hesitate! Just like that, thanks to Chelsea, she’d give her life to protect Aro and...I have nothing else. Yes it does drive me mad that there are two named guards i know next to nothing about.

Santiago:So what’s known about Santiago is that he doesn’t actually have an ability. He’s just very good at battle techniques and fighting which is why he’s kept around. If they need fighters, they’re top three are Felix, Demetri and Santiago...in that order. Santiago is also much faster than a regular vampire (as shown in breaking dawn part 2- he caught up to Jacob and Renesmee quite fast despite the two having a running start and wolves supposedly being very fast- much like a vampire) That’s all we know of him so then i got in there and this is how I write Santiago. I gave him the background of coming from a superstitious family. Like he would be told tales of demons and witches growing up as well as things like voodoo. He knew an awful lot of urban legends and whilst he stopped believing in the bad luck his family taught him, he still held interest and couldn’t help the instinct of unease when witnessing such things as rituals. It’s ironic really. However Santiago always deems that humans have it all wrong. These forces are beyond human understanding and shouldn’t be played with. In that way, perhaps Santiago still has some belief in things such as superstition. He’s very secretive about it and would never clarify it for you. Santiago keeps to himself and can be quite standoffish. He can also be blunt even if it’s insulting- he doesn’t tend to care. Although he and Afton became quite good friends since the Afton was an outcast and Santiago didn’t enjoy large groups, or most people in general.

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thattimdrakeguy · 5 years ago

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Toxicity, gaslighting, hypocrisy, an overall just bad fandom folks on twitter.

I’m glad I’m not involved with twitter comic fandom cuz the amount of people trying to make Tim look bad like throwing a fit cuz he’s under too much pressure or like-- not being a saint. While calling characters that constantly murder people or violate human rights “baby” is way too high.

Even just the minor lies are nutty, acting like the 90s edgy art style at the time shows Tim is twisted cuz he looks scary in it-- when it’s just dated art

But then-- complain when people say things out of context for other characters-- when the context doesn't make it better. I really can’t process those people. they confuse me.

Also one of them apparently said Tim being a rich white kid makes him a power fantasy? Which is superficial at best when applied to Tim given when you read 90s Robin-- (Which I assume they’re complaining about, cuz he still lives away from Bruce then-- cuz otherwise Jason would technically count as a rich kid) Tim is just this dorky kid, who’s scared on the inside, putting on a brave face and fighting crime and his insecurity problem. He’s not some masculine power fantasy, he’s a relateable kid, his wealth besides being able to spend money in his first mini was even portrayed negatively if any thing sometimes with his dad as having been away for a lot of his childhood and leaving Tim without proper social development and being pretty socially clueless to the point it‘s a problem he has no street smarts.

So pretty much just gaslighting and strawman arguments.

You’re racist if you don’t like Damian.

You hate poor people if you don��t like Jason.

You’re sexist if you don’t like Stephanie.

But I’m someone who still likes Jason a lot even if I don’t like any thing in the Red Hood era not done by Winnick (and even then there’s a scene in Lost Days that creeps me out), and used to like Damian and Steph, I just stopped liking them because I just found myself realizing I don’t particularly like a lot of their writing.

At the same time as well, isn’t it just more reasonable that people don’t like them cuz of simple taste or their character actions?

Damian does kidnap people and violates people’s human rights currently, and did chemically paralyze and trigger Jon in their first meeting, as well as smacks him for freaking out later on that miniseries.

If you made Steph a dude, more people would be very likely to call Steph a sexual harasser for flirting with Tim past what he’s comfortable with, even with the knowledge he has a girlfriend. Plus she has shown dangerous cynicism in nearly letting criminals die, and even tendencies found in emotional abusers given her gaslighting, ill-trust, and attempts to go behind Tim's back, and even throwing crap at him while refusing to talk as he’s trying to apologize for some thing he didn’t actually do.

Not even to say Tim is a saint, he’s shown to be insensitive, and condescending, but if you start with his origin and not Red Robin, in my experience it ‘s more likely you’ll read him as a socially oblivious boy scout-esque kid rather than an angsty jerk. Doesn’t make what he did not bad, but just more interesting, because if a character is a saint it‘s boring, and Tim's actual original character makes what he does less offending to people. He has gotten incredibly pissed off at his friends, but ... he’s a literal kid that has to lead other kids with super powers. It‘s bad that he threw fits, but it ‘s never done in a way that makes it feel like “Oh i must hate this character”. Damian is also a kid, but what he does is way more notably offending to some people. He has a bad backstory but it is fiction, people have different standards with specific actions depending on how they feel about it. It‘s not illogical to be fine with a socially oblivious kid being insensitive but not be fine with a character that consistently does bad things even after they’re aware it‘s bad.

(Heck, Tim even cheated on his girlfriend, but given how that whole storyline chunk was written, it‘s more out of character and an example of bad writing than anything else, given how Tim feels on the topic of cheating before and after, as well as how much he cared about Ari. It was inconsistent and even the writing breezes past reality with how Ari suddenly agrees to mutually break up. I don’t believe the story actually treats it fully as cheating either, making it feel like they knew. So it feels more like bad writing than a thing to judge Tim on, because that‘s just something people use to criticize bad writing, quite commonly even with many shows or movies. I can still get why people don’t care. It‘s more of a writing complaint. Like Jason being a serial killer is. It‘s inconsistent, doesn't add up, and isn’t a good reflection of the character.)

If you are fine with it is some thing else, cuz that‘s a matter of tastes.

I actually started calling Tim “baby” cuz Damian fans called Damian baby-- which I find a bit more odd (sometimes honestly just worried given the crap he does in the images they say that to some of the time), cuz while I’m aware Damian is younger obviously, he’s only cute in pandering moments that‘d I’d actually deem ooc, using basic standards that it isn’t consistent with anything before and after, as well as not fitting who the character is or even built up properly if they even try. (Also cuz Aunt May called Peter and friends babies and thought it was charming). My blog as well is about 90s Tim Drake as well, where’d he’d be a year off of the same age as Damian mainly, I may call him baby past that age, but that‘s just cuz it‘s s tuck in my head now. I really can’t picture calling RR Tim baby in fandom usage of the word (which is the only way I use it) if that was the only way he’s ever been.

Like with characters I start from the beginning (besides Dick and Bruce cuz gosh that’d take forever) and judge what ‘s in-character from there and read, while noticing development as well as things they’ve done. i didn’t read Red Robin first, I read Robin first. I didn’t read Batgirl first I read her Robin appearances first. When I studied Jason I wen t with his post-crisis Robin run (I deem pre-crisis Jason a different character given so much is different the same way i do with the New 52 teen titans core four generally speaking besides comparing to pre-New 52 versions). When I went to study Damian for stuff I read his first appearances forward much the same. And at one point in time I liked all these characters, I judged them based off of reading them.

So I’m not someone with just a bias-- I’m aware some of my friends do, but I’m not my friends if that wasn’t obvious. I’m friends with some people that like vastly different things than me even.

All I can say in the end is that it bugs me that toxic people have convinced themselves they are some victim while spreading harassment, lies, and gaslighting, because other people just enjoy different things or read things differently.

A lot of these people bother me especially because they frame themselves or the character they like as some victim they have to defend, and even target specific people over, when they themselves are the ones showing basic toxic behavior. they are the toxic ones yet believe they’re the victim-- cuz someone read a comic differently or didn’t like the same character as them.

That is nuts to me

I’ve even had to deal with similar people since I gotten called a racist for not liking Damian-- when I’ve even mentioned that I’ve liked Damian previously, and explained I simply didn’t like his comic or his writing enough to reasonably like him. Meaning I guess the action of not liking Damian-- in of itself-- is racist, which is gaslighting at best. I’m sure someone out there even hates Damian because they’re racist, but why treat everyone (or at least some notable chunk to be worth talking about) that doesn't like him as if they’re that person?

They’d rather believe that people that don’t like what they do must be terrible people of some kind rather than treat them as normal people.

They’ve even showed hypocritical behavior, by complaining of others not giving context-- while doing the same thing to other characters.

As I said, I’m not on comic book twitter, I have not even interacted with these people. I’ve just seen it, and it‘s just so toxic to me. It‘s a bad thing to see over fiction.

#tim drake #Robin #DC Comics #fandom toxicity #discourse

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ultravioletproxy · 5 years ago

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[Sona] Hine Cross (Proxy OC)

I've finally done it. I finally finished an actual sona reference up as well as finally completing a updated digital reference of HINE! I'm so very pleased with this and how my art has progress since his original reference, all those years ago... I actually was able to get up the energy to go fully in depth with his information and soon I'll get to his backstory comic going.

❖⊗❖⊗❖

Personality/ Mental State:

Basic summary; Hine is a VERY complex character. He has many layers to his personality which I'll try my best to explain. He is a quiet person with a lot on his mind, constantly bombarded with various thoughts which makes it hard for him to keep track of all that's going on around him. Hine "Zones/ Spaces Out" occasionally and does not realize that you're talking to him, he might even not respond to you in the middle of a conversation. All of these things may come off as rude; but he really doesn't mean to be. Later on in his timeline/ as he grows up, Hine becomes much more of an unstable person, laughing a little too loudly at things (and volume control in general), walking off in the middle of conversations, and tends to get a bit unhinged...

Hine has several mental disorders that can effect his personality:

⊗-Autism: Doesn't pick up on social cues, and it takes him a while to think of a response when in a conversion, in turn he pauses and stutters. With autism comes anxiety, if in a high strung social environment or decision, Hine may have a break down (Sitting down and grabbing his shoulders tightly), He does not let people see him break down, he will go to a private area to try and cool down before coming out into view and acting perfectly fine. This luckily, doesn't happen often as he's trying to cope with his social anxiety. During a conversation Hine may accidentally say something that he doesn't mean, like a mess up of words(Saying something unintentionally mean as he just didn't think how it would sound when spoken or combining two words together.)

⊗-Compulsive liar: He doesn't ever mean to lie, a lot of the times he feels as though a lie is safer than telling the truth and before he even knows what he's done, the person has accepted the lie as truth and he's too afraid to tell them that his response was false. This stemmed from abuse during his life at the orphanage. He currently is trying hard to pull away from this.

⊗-Minorly a Paranoid Schizophrenic: Sometime this disorder makes him feels like everything and everyone has an ulterior motive, even though the thought is completely irrational. Hine mentally beats himself up for having these kinds of thoughts as he feels like he's betraying his loved ones/ friends. The thoughts themselves tend to be of a violently disgusting nature as they try to convince him that everyone is lying. He rarely witnesses hallucinations, mostly just little shadowy things in his peripheral vision.

⊗-Hypochondriac: Do to being mixed with a Slender, and his fear of dying, he constantly feels like his body will just give out on him, or that any sickness no matter how minor will end up killing him in one way or another, he's very paranoid of random aches and pain, irrationally telling himself to accept the fact that he's just going to die.

⊗-Sociopathic Tendencies: Hine has a hard time grasping that other people are just like him and have emotions, thoughts, and a consciousness. He tries quite hard to convince himself that other people are essentially sentient like him.

⊗-Unintentionally Manipulative: When living in the orphanage Hine was treated poorly due to his lack of social abilities and therefore was mostly ignored by the caretakers and fellow children. He desperately tried to figure out ways in order to be able to get a break from the constant chores and duties that he was given since he would not participate in being social with the others. He(not exactly intentionally) developed ways to read people in order to get what he wanted, again, not in a particularly malicious manner. More of just a way of survival.

Habits/ Quirks, Likes, and Dislikes:

⊗-Quirks/ Habits: Hine has quite a few funny little habits. One being collecting, he just adores collecting various things from silverware, to plushies, to seashells, really anything he finds the least bit intriguing and holding sentimental value. He is a little bit of a pack-rat you could say. He also has a bit of a compulsion to essentially "preen" or "groom" himself. For instance; cleaning under his nails, picking fuzz off a shirt, or even idly pulling hairs. He also has a lot of trouble finishing hot drinks, particularly coffee as he tends to forget about them, they get cold, and then he's too lazy to heat them up. Hine is mostly nocturnal as bright lights make him disorientated. Another not so good habit include Stress Smoking developed from watching a certain Slender and a friend smoke and seeing how it relaxed them. He occasionally delves into cannabis (Once Mr.KittyKitty comes around) due to the many medical benefits it has, such as anxiety relief, being more talkative, painkillers, motivation, or to calm him down.

⊗-Likes: He loves long walks alone in nature, particularly next to streams/ rivers either in silence or with music. He loves listening to the wind through the pines, the birds chirping, the sound of rain hitting the underbrush, and classical music. He loves pickled foods/ the taste of vinegar, as well as eating, and cooking in general. He tends to be rather indecisive about his favorite foods as he likes way too many, although salt and vinegar chips, popcorn, pomegranates, and cherries are a few of his favorites. His favorite drinks are Earl Grey Tea and Shirley Temples. Animals he adores are Bears, Raccoons, Ferrets, Ravens, Barn Owls, Coral Snakes, and Cats. He absolutely loves to draw, he makes his own characters and story lines, he also delves into other artistic feats such as crafting, painting with water colors, and sewing. A good book/ movie in the supernatural or horror genre will keep him content for hours. He loves dark humor, and coming up with ridiculous jokes(Blaming that on L.J.), and has a penchant for spouting the most random of facts. He really loves to talk to others and tries his best to keep up with them even though he has a hard time figuring out a response a lot of the time. Lastly, he has a weird enjoyment for the smell of disinfectant chemicals and has a particularly strange fixation on tornadoes...

⊗-Dislikes: He very much dislikes crowded areas, physical interactions, cities, thunder/ loud noises. He's not too fond of overly cutsie things. He can't stand highly sweetened foods or drinks (Candy, Cakes, Chocolate); once in a while/ a craving is fine, but he'd much rather take a bite of fruit. He doesn't care for baking all that much except for making breads at which he's none too shabby at. He doesn't care for bright colors unless they're mixed with dark ones.

Relationships:

⊗-Significant Other: Is in a delightfully happy relationship with flannelRaptors's Character, Johnny.

⊗-Slenders: When he was young, Hine ran away from the orphanage, he found his way into the forest where lovely Splendorman welcomed him with open arms and tendrils. Soon after, Slenderman himself took interest in Hine and became some sort of a strange father figure to him. The other Slenders joined in with helping take care of Hine. Trender helped his practical artistic side, while Splendor helped him understand his emotions, social cues, and tame his wild mental health state, Slender was his stable rock, and Offender schooled him in street smarts and how to deal with the "real" world.

⊗-Other Creepies: As a quiet person, Hine mostly sticks to himself, however if the opportunity presents itself, he absolutely loves talking to and learning about other people's pasts, Likes, etc.

Basic Background Summary:

⊗-Past: When Hine was young his parents were murdered by a trusted family friend they’d met from the church they attended. This person in turn, kidnapped and tortured Hine for quite some time, until Hine was eventually freed. However, as a mentally scarred young boy, shipping him off to an orphanage didn't really bode too well and he eventually ran away to join the Slenders' care and eventually became a "Proxy" to Slenderman.

Basic Background Summary:

⊗-Appearance: Hine has many abilities as shown above, however there are a lot more details and catches than what's written on the reference sheet. As the acronym may explain, Hine does not have any eyes. In an accident in which Hine almost died, Slenderman gave Hine an essential blood transfusion. The Slender blood, being incredibly aggressive, took over a good chunk of Hine's DNA giving him not only Eyeless vision, but also tendrils, an extra set of blood vessels, and a whole new horrible form.

Slender Affected Abilities:

-Hine can still see, but he now has what is called "Slender Vision" which is a 360-degree sight range, meaning he can see in all directions at once, ultimately maddening when first getting used to it. This is one of the reasons why Hine is constantly distracted. The range of sight and focus can be altered however it is rather difficult to do so as he was not born with the ability. Most of the Slenders can see a good mile or so around them while Hine has a shorter, about 50 ft range. Hine, not used to his new vision, rarely turns his head to look at objects that he is focusing on, due to there not being a focal point of eyes, therefore he tends to come off even more blank and emotionless than he really is.

-Hine's tendrils are hidden beneath his skin in what are called "Ports". Hine has a total of eight "ports", 4 on each side of his back. The tendrils can painfully be pushed through his skin at will, ultimately piercing through his back. He's supposed to constantly leave them out so the holes can seal up around them (much like a piercing would), but to do that he would have to keep out of sight from all other non-slender beings, as him being half slender is a well-guarded secret. The tendrils can lengthen and split apart to form thinner smaller pieces due to their "braided nature". However, in the early stages all of Hine's slenderification, his abilities are all INCREDIBLY clumsy.

-Other attributes Hine’s gained include, but are not limited to: heightened versions of all the senses, Moderately increased strength and speed. A bit of an iron stomach (ex: can eat raw meat), and more advanced healing rates (the less severe the slower it heals).

-With all these benefits came quite a few negatives. For instance, until he gets used to it, Hine's depth perception and hand eye coordination is completely off. His two blood types sometimes mix and therefore cause him to become incredibly ill for short periods of times, his varying blood colors also result in a pale yellowish grey complexion. Hine’s body has an unnatural slimness to it; he experiences continuous, nonstop increase in height in addition to having disproportionately long and lengthened arms and legs.(He has to make his own custom clothing.) Due to these things Hine suffers from minor growing pains as well as occasional cravings for human meat/ flesh. (Inherited from the dietary nature of the Slenders)

I applaud you if you read this all! Here's a TLDR version of this massive piece:

Hine is a mentally and physically scarred orphan who grew up with all the Slenders as his family. He came close to death at some point, but Slenderman saved him by transfusing his own blood into Hine, resulting in a well-hidden secret. Hine got really cool abilities with a few pretty bad side effects and is now an official Slenderman Proxy.

❖⊗❖⊗❖

Artwork, Concepts & Character © to RoneOmbre

⊗-Terms of Service-⊗

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digiconjurer · 5 years ago

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Examination of Mahoutsukai Precure’s ending

(A majority of this was written close to a year ago before Star Twinkle Precure wrapped up and Digimon Adventure Kizuna came out. If you enjoyed this, maybe pledge to my patreon so I can write more articles like this)

The second-to-last episode of Mahoutsukai Precure is an oddball, unlike a lot of the other ‘endings’ for past Precure seasons. Usually, the big focus is on just beating the big bad and then goodbye. But here, goodbye is not the end. It’s just the beginning. So let’s talk about it.

The final battle of any series, whether that be a book, an anime or even a fanfic is usually meant to be the highlight of that particular work. A culmination of all the events that have occurred in the story with usually higher production value than everything that’s come between - the last hurrah for the team before they head onto the next season.

But as final fights go for Pretty Cure, Mahoutsukai can be described as … alright. In a season where the focus has been less on exciting battle scenes and more on world-building and the characters, the next couple minutes are no different. Sure, it’s refreshing to see the multiple forms of our heroines in one fight. But it doesn’t really show off all the tools that our heroines have. For example, where are most of the minor linkle stones that the show made a huge deal out of in the early half? Surely those could have come in handy here. Maybe they could’ve been used as additional attacks for giant Hana’s bracelet shooter. Just throwing it out there.

But with the dust now settled and the big bad, the time has come for both worlds to separate. But not before Riko casts just one more spell - a promise that the pair will meet again. They click their wands together and part via the forces of gravity pulling them to their respective worlds. Which is the perfect time for Mofurun to monologue about talking to Mirai. Then Riko joins in - talking about the prospect of them meeting up again, with Mirai finishing it all up by promising to meet both Ha-Chan and Riko on the sixteenth-day moon (the 16th lunar day). All while the background goes down the same street - starting with a shot from the first episode and progressing through the trio's journey. Then just Mirai running at the end.

Of course, there are a number of things to compare this ending too - a lot of yuri manga/anime endings (the ones where the main couple doesn’t get to be together/or one of the girls decides to marry to guy), Princess Kaguya, even Mahoutsukai Sally (one of the first magical girl ‘anime’ and also created by Toei Animation). Heck, a big part of previous Pretty Cure seasons endings is that our heroes need to give up their powers and fairies with the promise that maybe they would get to see each other again. Time marches onward and that doesn’t happen, our heroes growing up. Sure, Hugtto did play with the idea of said precure coming back. But then promptly deaged most of them. Because then they could use all the stock transformation sequences.

But there’s another parallel I would like to highlight here. One that probably is going to sound bizarre and out of left field. So let's talk about Digimon Adventure Tri of all series. More specifically, the relationship between two of the side characters - Daigo Nishijima and Maki Himekawa.

Part of the first group of humans to ever ‘visit’ the digital world on top of ‘saving’ it from the Dark Masters, they too were forced to give something up - their digimon partners. Unlike the chosen children/digidestined that would come after, their digimon were to become the Sovereigns - guardians of the Digital World… who get themselves captured and do jack shit in their home universe. Like seriously, by the time that the events of 02 occur, all of them are trapped away and the digital world is once more in disarray

For Daigo, that meant letting Bearmon become Azulongmon and actually be plot relevant. But Maki isn’t as lucky. On top of serving as a vessel for Homeostasis, she is forced to watch Tapirmon be turned into a beam of light in order to defeat the Dark Masters and seal them away for a couple decades. At least till the cast of Adventure comes around and solves that problem.

Much like those precures, Maki and Daigo’s ‘ending’ serves as a beginning for their story. What little is actually shown on screen.

In the years that followed, the pair finish their education, go to university, graduate and get married. We'll come back to them later, though. For now, let’s return back to Mahoutsukai Precure and see what it has in store for us.

Following a commercial break, we return to 'adult' Mirai heading out for the day. She takes a ride on the subway to a university in Tokyo for her classes. You know, normal adult stuff.

At first glance, this sequence makes it appear that Mirai has ‘given up’ on the promise to reunite with her friends and accepted that such magic could not work now. But, we are only seeing the events at the 'end' of this separation. It's quite possible that she spent a good chunk of time holding on to that belief at first, in the hope that she can reconnect with Riko and everyone else. But eventually, she accepted (partially) that it isn't time yet for them to reunite - that a time will come for both the magic and non-magic world will one day be reconnected.

After her classes, Mirai meets up with her friends to watch a soccer game that involves one of them. While late, she does get to see one of her friends score a goal and cheer him on.

After, our heroine walks home with two of her friends. One of which gets to the subject of seeing witches back in middle school. While Mirai doesn't really say anything in regards to the matter, it does spark something within our heroine's head. A reminder of days long gone.

Back at home, Mirai gets to helping her grandma make dinner. At some point, the conversation turns to talking about how Mirai still carries around Mofurun and how her grandma brought the bear to Mirai in the hospital. The conversation shifts, with Mirai thanking her grandmother for the stories she tells and telling her that’s the reason she met ‘her’.

Let’s take a second to take what she just said. Not Riko. Just ‘her’. While her memories of Riko and time as a precure are still there to an extent, huge parts of it have fallen through. Even in the face of everything laid before, she holds onto that wish - that spell she and Riko cast all those years so they could

But then Mirai’s grandmother says this:

Earnest bonds are your strength. When our feelings are connected, we can make miracles.

On paper, that sounds vaguely philosophical, but not world-changing. But in the context of our finale, it’s the message that Mirai needs in that moment.

After a quick dinner, night falls on the town. Our heroine, however, is suffering from insomnia. There’s no music playing in the background. Just silence. In a way, we’re put right into Mirai’s shoes.

Mofourun takes a tumble, forcing Mirai up. She puts her teddy bear back up, only to be greeted by a gust of wind and a view of the 16th day moon. Which layman’s speak means it's the 16th lunar day on top of it being nearly midnight. Our heroine gets excited, but tries her best to temper her expectations.

She makes a beeline for the park as things come to a head. This is to some extent, a routine that occurs once a lunar month.

What follows is Mirai walking ‘backwards’ - in a more of a metaphysical way. For most of this episode, her mind has been in the present - pushing forward into an unknown future. But here, she ‘fills in’ those on the other side of everything going on. Well, just Riko. But you get the idea. Then she finishes it off by telling the sky above that there’s so much to tell her as the music finally picks up. But it’s not the regular ost we’re treated. No, instead we get the movie insert song ‘Two Wishes’ as Mirai says she misses someone and heads off. Finding a tree of sorts, she gives it a touch. Which results in a strangely-shaped twig falling out. Picking it up, she gives it a wave and says the magical words. Nothing happens. Unsatisfied by this outcome, she drops the twig and begins to make the walk back. But as our heroine reaches the end of the path, she remembers her grandmother’s words. Which is timed for the midway point of Two Wishes so that you hear ‘I want to tell you, I love you’ Damn. You’re not being subtle here, Toei.

Mirai makes the journey down the path once more, culminating in her picking up the twig and running over to the fountain. Once there, we get another

She says the magic words in front of the fountain, asking to see ‘you’ again. So she shouts that sequence again. On her third shouting, Mirai pauses mid-sentence and get treated to a sequence of images from the first episode. The fourth is a similar story, with images from episode 3 through 5 and 9 appearing. From our perspective, it looks as if the show is recapping previous episodes. But from Mirai’s, she remembers all of this to the best of her abilities. It’s like watching something you were in, but you’re manning the camera instead of being in the shot. Or something like that.

Mirai shouts her spell twice more as tears begin to fall down. This time, we are treated to a scene from episode 22 (our main couple reuniting with Ha-chan) and a scene from episode 44 (where our trio are holding hands and cuddling together). After, she repeats the magic words and asks to be together with ‘you’. Then it’s back to her default cry as the scene of Ha-chan disappearing from earlier in the episode plays out once more. Followed by the scene of our heroine looking up at the rainbow. Back in reality though, Mirai shouts the magic spell seven more times. After the seventh uttering, she tells the ground she just wants to see ‘you’ again and finishes off with a please.

Silence comes over the area once more as our heroine’s pendant flashes and the twig becomes covered in light. Mirai says the magic words one more time, followed by ‘Riko...all of you...I want to see you again…’

With that we have silence once more as the twig reverts back to. Mirai is then caught by complete surprise, which is the perfect opportunity for a gust of wind to come out of nowhere and launch our heroine up into the sky. Just ignore the fact that she would be suffering from a possible lack of oxygen, but no matter. At the very least, the silence has finally been broken by the arrival of music.

She falls for a couple seconds, only for the train to make a sudden appearance. Then it’s back to falling. Except oh no! Mofurun is hurtling back towards the earth. Strangely, the music comes to a stop and a hand grabs hold with a solid thud. Well, something like that. Then…

You should be more careful. Mofurun is your dear friend after all, right?

A smile forms on Mirai’s face. We flip around and find ourselves staring down an adult Riko. All while ‘Sparkling Star 100 Carats of Miracles’ starts up.

Their pendants flash one more time, allowing for the pair to float out and have what’s essentially a romantic embrace - confirmation of their wish grant as we’re treated to a shot of the train’s passengers.

Back with Mirai and Riko, they do a twirl around in the air. The tears begin to fall as they continue to hug. Which is promptly interrupted by Mofurun complaining that they were smushing him. So the couple break away and let the teddy bear have some air. Following their arrival is Ha-chan. Which culminates in a twirl around with a still picture of our trio. The episode ends, but there is still much to talk about.

Let’s back up a little though - post the battle and the sequence of Mirai growing up. Outside of the voices of people talking, the music is missing for most of the episode. Taking the place of it is ambient noise - the sound of a subway, people chatting in class, etc. Stuff like that drives home the big difference between the Mirai of the pre-time skip to that of the Mirai of the post-time skip. Mirai has accepted (to an extent) that Riko is gone for now. Instead of moping about how much she misses her girlfriend and trying to continue living within the memories of those ‘good times’, Mirai chose to move on with her life and seek out new opportunities in the non-magic world. Paradoxically though, she still held onto some parts of those days long gone. Her hairstyle is more or less unchanged, with the same to be said about her choice of clothes. All the same people still hang out with her, even taking the time to cheer each other on at sporting events or just engage in small talk. Mofurun still tags along wherever Mirai goee. But now they are just a passenger in their messenger bag instead of their one and only ‘friend’ that gets treated to one-sided conversations.

Even the music heard here adds to this feeling. Two Wishes is a song about a person telling their lover all the things they love about them and how much they want to confess their true feelings to. To connect once more after such a long time after realizing far too late their feelings the first time around. While the person singing the song with Mirai is Mofurun, they are serving as a stand-in for Riko in that moment.

Sparkling*100 Carat of Miracles on the other hand, is a bit more of an enigma. Sure, it sounds like a song just announcing the various forms our two heroines can take. But within all of that, a line is repeated - ‘Future Miracle! Shine strong and bright like a diamond’. Once near the start of the song and then right near the end.

Judging by the moment it starts up, the song is more in reference to the event that had just passed - the future miracle finally happening after both parties have waited patiently for that one moment to see it occur.

And while we don’t get back to Riko until the very end of the episode, we can surmise that she went through a similar process as Mirai did. She stuck around with her friends and colleagues, trying her best to make it through life. While we're never actually told what upper education (High School and College/University) is in the Magical World, Riko was able to score a job as a teacher. All so that when the time comes, she is able to see Mirai again on top of possibly helping support her financially. Like some sort of old married couple.

Which brings us right back to Maki and Daigo. When we last left off with the pair, they had gotten married. Such bonds were sadly not meant to last, however. The marriage fell through and they got a divorce after an unknown number of years

Now in Tri proper, they’re two divorcees reluctantly working together as part of their government job. Said job involves keeping an eye on the cast of Digimon Adventure except for Kari and TK for some reason. Well, that’s Daigo’s job at least. Maki though, never really left the moment of Tapirmon’s death. A little girl trapped in the body of an adult, her only wish is to reunite with her partner and be useful in the eyes of Homeostasis. A task that she put all her eggs into one basket, pushing everyone and everything else out of her life out of her life until her goal was all that remained. But in pushing everyone out and holding onto her good memories, Maki allowed darker forces in and was swallowed up by her own misery by way of the darkness in a parallel version of the dark ocean.

Daigo didn’t get out so lucky either. Getting swallowed up with Tai (one of the main characters of Tri), the two take a tumble down a large hole. Where offscreen, Daigo manages to impale himself on… something. Or perhaps someone stabs him on the way down. We're never told what happened in that fall or how exactly Tai of all people managed to stay unscathed.

Nonetheless, our pair find themselves in a mysterious laboratory. Except it's holding the main cast of 02 and Gennai for some reason. Tai finds Daigo, who reveals that he’s been hiding things from Tai and crew on orders by way of Maki. And that Maki has ties to Yggdrasil.

Then a guy who looks kind of like Gennai appears and turns off life support for the tubes and announces that he’s going to blow up this lab. Thankfully, one of the tubes is coincidentally left empty. But there’s two people and just one tube. Meaning one of them has to stay behind.

Tai examines one of the tubes, only for Daigo to lock him in. When Tai asks why Daigo just trapped him in said tube, Daigo is all like ‘it’s the end of the line for me. I’ve fucked this all up, so remember me and let my time with you mean something.’ Then he presses a button and shoots him and the other tubes out, expiring from his injuries mere moments later as the explosion passes through the laboratory. While the exact state of his body is not shown to the viewer, it’s likely he was reduced to

As endings for characters go, this is a far cry from the happy one found in Mahoutsukai Precure - preaching on the danger of holding onto those dreams and the possible self-destruction that can result from letting that dream be the only guiding force in your life. On top of pushing the people who care about you out of your life by way of a dream that will possibly be the death of you. A perfect counterbalance to this happy end of sorts.

#Mahou Tsukai Precure #digimon adventure tri #analysis

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toaarcan · 5 years ago

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Scourge the Hedgehog: The Bad Fanfic Apotheosis

Y’all are gonna hate me for this one.

This is something of a followup to my previous post, Fiona Fox: Depth vs. Prominence, and inspired directly by the discussion I had with a friend in the comments section of the DA upload of it.

Part 1: Fanfic vs. Canon- Genesis of the Recolour Elements of the Archie Sonic the Hedgehog comic have long been compared to a bad fanfiction, particularly the parts of the story written by Ken Penders, though other writers like Bollers, Chacon, and Flynn have drawn that label too. I'm one of the people that's done it, and that's largely because I hold fanfic and official material to very different standards. There are certain things you can do in fanfic that you can't do in official material, especially with franchises like Sonic, and especially with more niche parts of said franchise, like a comic series. Of course, there are also certain things you can do in both, but you probably shouldn't. And Scourge is one of them. What exactly the process behind Scourge's creation was is something that's been debated. For a lot of people, he's considered to be a parody of the then-rampant "Sonic Recolour" fad, wherein fans would take screenshots of Sonic X, and other official artwork, and then edit it in Microsoft Paint, or another similar program, to create their own characters and stories. Now, this was long decried by other fans, myself included, as incredibly lacking in creativity and originality. It also had an "Ew, cringe" reaction, due to the often-shoddy editing, text-to-speech voices, and usually some top-tier mid-2000s Nu Metal for the music. These days, it's much easier to look back and say "These were mostly made by kids who were just having fun, and it's completely harmless", and it becomes apparent that a lot of the people that were making fun of them and criticising them were grown men, at which point you kinda realise that this "internet fad" was basically just bullying a bunch of children for not being up to the creative standards of some adults. Everybody was looking for the next Chris-Chan, but Chris-Chan is a near-unique entity, as only one other person alive has ever managed to combine that sheer void of talent with a monumentally repulsive personality, and that person is Ken Penders. But Sonichu is the least interesting thing about Chris, and Chris became the laughingstock that he is because of his inability to avoid posting his entire life on the Internet, which was something of a rarity in those halcyon days before the rise of modern social media. Sonichu was a gateway to the actually interesting content also on his channels, whereas these recolour-creators didn't have anything like that, just endless Windows Movie Maker slideshows. And, like, Chris was in his 20s when he became the Internet's punching bag for the first time, and while he's a horrible person, so were the people that dedicated their time and effort to trolling him- His story is fascinating, but it has no heroes. And into this collective cocktail of grown men shitting on preteens, so Ian Flynn introduced Scourge the Hedgehog. Is Scourge a parody of Sonic recolours? I sincerely hope not. The reason for that is twofold, and I'll discuss how his portrayal generally doesn't seem to be mocking those tropes further down the page, but the second issue with the idea that he is a parody is best explained by Sir Terry.

Parody can never punch down, and as a then-24 year old man writing official canon for a franchise, mocking a bunch of 10 year olds on the Internet for making bad stories would definitely be punching down. And, as I said, nothing about the way Scourge is written is in any way poking fun at the tropes of these fancharacters and stories. It's pretty much all played completely straight. So not only do I hope Ian wasn't trying to mock these fancharacters, but there's also little reason to believe that he actually was. He's not a parody, he is a send-up. And on the one hand, it's kinda nice to throw a bone to those kids. But on the other hand... is Scourge really the character you want to represent your part of the fandom in official material? A cruel, violent, abusive, vicious monster that spends his time palling around with a girlfriend that the writer reforged to be the most unlikable character in the entire comic? Yeah, can't say that's what I'd want if I were one of those people, but he seems to be popular enough, so maybe I'm in the minority there. But now we get to the meat of the problem. You see, the way Scourge is written is one of those things that you can do in fanfic, but you shouldn't do in canon. Part 2: What is a Mary-Sue? The term "Mary-Sue" gets thrown around a lot these days. It's gradually lost all meaning, and has slowly become a term for "Female character that I don't like," mainly used by whiny, easily-offended Broflake Youtubers, who get all pissy that Star Wars films aren't specifically catering to them, to the point that you only have to make a girl be good at something in a movie and these pissbabies lose their shit. I liked Episode VII and VIII more than I, II, or VI, get fucked. But what, then, is a Mary-Sue? And why is it relevant to Scourge? The answer to that first question is a lot more complicated than it might seem. Not just because there are now several different varieties of the trope, but also because the trope itself evolved as it began to be applied to non-fanworks, and additionally because the name itself is somewhat non-indicative. A male Mary-Sue can exist, though these are normally referred to as "Marty-Stue" or "Gary-Stue", or more cynically "The Protagonist". Check out the average Batman comic these days and you'll see what I mean. Originally, the term applied only to a self-insert character in a fanfic, that was an overly-idealised version of the author, dramatically overpowered, hugely popular, normally dating whichever member of the cast the author wanted to bone, or sometimes multiple partners at the same time, along with a few other traits. It's actually pre-Internet term, originating in a Star Trek fanzine when "Mary-Sue" was created as a parody of other fans' similar characters. Over time, the trope evolved to the point that, while the "author avatar" feature is still a pretty big indicator, it's not really necessary. So while there are probably plenty of people out there who want to be Batman, not every character that is a Mary-Sue is someone for the author to project themselves onto, and not every author avatar is a Mary-Sue. Generally, the important features of a Mary-Sue are now: 1) Receives a great deal of favouritism from the author 2) More powerful than the rest of the cast, often to the point of absurdity 3) Faces zero consequences for their actions. 4) Liked by characters that have no reason to do so 5) In a relationship with a character that has no reason to date them, previous relationships be damned. 6) Most importantly, the story will bend over backwards to give them easy wins, even in situations where they logically should struggle. You're probably starting to get where I'm going with this, and if you're not... Part 3: Creator's Pet Scourge is a Creator's Pet. He gets shown a fair bit of favouritism from Ian Flynn, primarily the guise of how much focus he gets. Scourge is the most prolific villain in Ian's run, aside from Eggman himself. While other, better villains like Mogul and Naugus were being imprisoned repeatedly until one retired and the other became a dog, and a huge chunk of the comic's remaining antagonists were being subsumed into the Eggman Empire, Scourge was only moving up, not only being the villain of Ian's first two issues on the book, but continuing to make sporadic appearances for the next twenty issues, before appearing as the new leader of the Destructix under Finitevus in the Enerjak Reborn arc, followed swiftly by a stint as the Big Bad in Bold New Moebius. Does he actually deserve this level of importance? You be the judge, but personally, I don't think so. Even within those stories, Scourge gets special treatment, the biggest and most obvious being Metal Scourge. Now, personally, I think Metal Scourge was a better character than Scourge himself, but the fact that, of all people, Scourge got a Metal counterpart before anyone else, including Knuckles, who had such a counterpart in the games for over a decade by that point. Especially since, well... Metal and Mettle is a fun story, but it doesn't really do anything for Bold New Moebius as a whole, does it? It's basically pure filler, only really serving to add another dead Metal Sonic to Ian's list and stall the plot out for a bit longer. And, of course, the most clear indicator of Scourge's favouritism is that he was he first Archie character to receive his own Sonic Universe arc, and the only one to do so without needing two or three SEGA characters also making up the rest of the lead cast. "Lockdown" isn't a particularly good story, but its existence speaks to not just the insane popularity that such an unworthy character received, but also Archie's willingness to indulge that. Sonic Universe was largely intended to tell stories revolving around the members of the SEGA cast that, for whatever reason, weren't able to regularly appear in the main book. This... frequently got broken, with Sonic, Tails, Sally, Bunnie, Antoine, and Amy all taking centre-stage in the book before obvious candidates like the Chaotix got a look in, some of them twice over, but Scourge was the only time they were willing to try a story based entirely around one of their characters, and they gave it to the already extremely prominent Scourge. It's pretty clear that Ian loved using this character, and did so as much as possible. YMMV on whether that's good or not. Part 4: Scourge OP plz nerf Let's be real, he's overpowered as fuck. Now, overpowered characters aren't necessarily bad, but it's significantly harder to write an OP character than an on-average one, and Scourge didn't work out so well. From the moment he turns green, he's basically unstoppable. The one time he actually seems to remotely struggle is actually in 161, where he looks ever-so-slightly winded after curbstomping Sonic and Shadow at the same time. From then on, while he does start to slowly even out with Sonic, he also continues to utterly demolish basically everyone else, especially his easy conquest of Moebius. It's been suggested that conquering Moebius should be easy, because the big threats are all good, kind people there, but that somewhat ignores that there are anti-versions of the heroes kicking about too. All the (Mostly) benevolent rulers of the Primeverse should be tyrannical despots there, and there are excessively powerful entities like the Anti-versions of Merlin and the Guardians, not to mention whatever horrors Anti-Gerald would've unleashed on the world, and that's without the Suppression Squad themselves. While the comic has generally treated Sonic as being able to stomp the entire rest of the FF, well, who says it has to be a fight? Why the fuck doesn't Patch just poison him? I mean, the obvious answer is "Because then Bold New Moebius won't have a main villain", and sometimes contractual villain immortality has to be a thing, but a good writer should be able to avoid putting the characters in that position. Following on from that, Scourge gets to fight basically the entire FF and Suppression Squad at the same time, (Sonic and Amy are absent and Fiona is on his side), and he's winning until Sonic shows up. Then directly after that is the hedgehog brawl, and despite Sonic managing to get everyone against Scourge, he easily manages to escape and break out his Super form. Even after spending his time in the No-Zone completely powerless, Scourge manages to break out the moment he gets his powers back, despite the prison being full of characters who should be equally or more powerful than him, and the police force that caught them all, basically unchallenged. Scourge never faces an actual challenge in the comic. He never struggles, and the one time he actually loses? Ian makes up some new lore on the spot, which is contradictory to SEGA lore from the same year, and then uses that to have Sonic trick Scourge into depowering himself. Not only does Scourge never struggle with anything, but he also never actually loses a fight. Part 5: When will you learn, that your actions have consequences?! Probably never, because Scourge's actions never have consequences. Throughout his entire run, Scourge gets to go wherever he wants, do what he wants, with or to whomever he wants, and he never has to deal with the fallout of the decisions he makes. Absorbs the energy of a matter world into his antimatter body? He's better than fine, it only made him stronger. Turns up in Knothole with his secret girlfriend's hated arch rival by his side? Never mentioned again. Blows Fiona's connection to him, costing Finitevus' operation a potential spy in Knothole, where Knuckles is? Not even considered a factor. Ditches Finitevus to go and make Moebius into an egopolis? Finitevus isn't bothered, and supports Fiona's efforts to rescue him later down the line after than plan backfired on him. Blinds Patch in one eye out of jealousy/spite? The guy that poisoned Armand and Max, took a torch to Antoine's personal life, took advantage of Sally's frayed mental state, emotionally damaged Bunnie, and tried to assassinate Elias to get what he wanted lets him get away with it. Openly announces that he's going to destroy both worlds? Conveniently does it when he's alone with Sonic so nobody can tell Fiona what she's letting herself in for. He eventually does get sent to jail, but he breaks out with ease the next time he turns up. Because, y'know, that's just what we want to see. Villains never having to deal with karma. Part 6: What does anyone see in him? Scourge doesn't quite get the "everyone loves him" treatment, but he still gets a whole lot more respect than he's ever earned. Both Sonic and Zobotnik are portrayed arbitrarily deciding that maybe there's a shred of good in this monster, and this is the part where I stress that he's abusive again. Maybe if I repeat that enough it'll sink in. Despite knowing full-well the sort of person Scourge is, Sonic's response to Scourge's crappy cribbing of the "One Bad Day" speech is to try and turn it around and claim that Scourge only needs a tiny bit of decency to be a good person, and this is outright untrue, and given what we see of Scourge later, I'm frankly disgusted that Ian tried to pull this with a character he'll pretty much unambiguously portray as an abuser. Zobotnik's case is even more baffling. We're introduced to the guy in the Lockdown arc, and it's implied that he's effectively a tyrannical warden, ruling over the No-Zone with an iron fist, taking an almost sadistic delight in punishing the inmates. But yet, for whatever reason, he decides that it's a good idea to try and rehabilitate Scourge, for no adequately established reason. Even on the other side of the morality line, we have Finitevus, who apparently respects Scourge enough to not just make him leader of the Destructix during the Enerjak Reborn arc, despite him very clearly not being a leader, and not being liked by any of his comrades except Fiona, but then when he promptly ditches the whole plan toward the end, Finitevus apparently decides that he not only wants to get him back, but is willing to go to great lengths and risk losing the only team of mercenaries dumb enough to work for a guy who is quite open about his intentions to "purify the world with Chaos fire" in order to do it. And speaking of, the most egregious case of this comes again in Lockdown, where the Destructix all end up siding with Scourge. Across the second half of the arc, Scourge learns his new team's backstories, and despite them clearly showing traits and beliefs that should make them respect him less, this somehow works in his favour, and he manages to wrest leadership of the team from Fiona. Especially galling is that it appears that Fiona loses their respect early on because of her faith in Scourge, who to them, looks pathetic, but then they end up supporting him anyway, despite doing nothing to earn it. But wait, one's missing... Looks like it's that time again. Part 7: Oh right, he's an abuser. It's time to talk about Fiona. Fiona's heel turn is really, really effective at selling you on the idea that Fiona is a vile, cruel, and selfish person. It's a dramatic, "big bang" moment that, in basically a single panel, got an entire fandom to hate a character. Now for some it was more of a "Love to hate" thing, but there are plenty of people out there who just really hate Fiona for this single moment. And when you're introducing a new major villain, maybe that's what you want to accomplish. What it doesn't do, however, is sell you on her motives for taking that course of action. Fiona, for the rest of her existence, mainly antagonises Sally, whom she has no worthwhile connection to on either side of her turn, other than being the evil Sally to Scourge's Evil Sonic, and stands around or clings to Scourge's arm, looking smug about her abusive relationship. And yes, it is abusive, verbal abuse is still abuse, and the implications that he's physically abusive are present too. I know this is something that Scourge's fans don't really want to accept, but it's true, and we're going to get into that later. For now, what matters is that this character's run as a villain mainly consists of: Fiona: "Hey Sugar-Queen, look at how much my boyfriend yells at me and insults me, and probably beats me when he's angry. I make smart decisions and you suck." We never come to understand why this character, who is so motivated by her belief that everyone will eventually double-cross her that she has decided to start lashing out at people before they can turn on her, is willing to put her faith 100% in someone so repeatedly deceptive that he first approached her by pretending to be someone else. Like, in terms of bad first impressions, that's up there with arriving at a job interview in full clown regalia. The comic makes no effort to show why these characters like each other. Scourge allegedly likes her because she chooses to turn evil and join him, rather than being born evil, but this clashes with not only the fact that Fiona is a genuinely good person before this, who makes a solid effort to stay loyal to her friends first, and is lured into villainy by him, but also the fact that she blames everyone but herself for her current situation, but especially with the fact that all of the foreshadowing for Fiona turning evil consists of people not trusting her because she has a shady history. Scourge claims to appreciate that Fiona is a good person that chooses to be evil, but the narrative has a clear message of "If you started evil, it doesn't matter if you try to become good, you will always revert to type." Which isn't exactly a good message, Ian. In return, all we get from Fiona's side is that Scourge "has no expectations of her and just wants to have fun", which clashes entirely with how we see them interact in subsequent arcs, where Fiona frequently looks disturbed or apprehensive, or just bored, while Scourge yells at her and threatens her for not meeting his standards. Seriously, why do people ship this? But okay, okay. Scourge is a good liar, and Fiona's established paranoia and history do make her vulnerable to manipulators like him, so maybe she falls for his lies and gets taken for a ride. That could happen, sure. Doesn't really explain why she becomes a horrendous person all of a sudden, but whatever. Maybe he convinced her to do it as a sort of hazing, and a means of ensuring she couldn't go back. That fits with his abusive nature (You might also notice that this the explanation I used in Revival). But why does she stay? And why does she refuse every out she's given? Why, after everything that pulled her to his side has turned out to be bullshit, does she remain devoted to him? Now, you can argue that due to the abuse and the manipulation she's suffered, she believes she has to stay with him, and that's a fair shout, but her appearance in Journey to the East is kind of a stumbling block for that theory, because we're shown a Fiona who is fully capable of functioning without him, and even after making efforts to establish herself... the next time we see her she's gone back for him. And now... well, it's time to talk about that "A" word I've been bringing up a lot in this section. Scourge is abusive. I've frequently referenced that he verbally abuses Fiona every time she displeases him across the book, but the most telling scene is this one from Issue 190.

"You do not want to be sent back with me." Translation: "If I get sent back, and you're sent back too, I'm going to beat the shit out of you." Fiona (With her invisible left arm) isn't excluded from this threat. Fiona isn't surprised by this threat either. Nor does she not take the threat seriously. She looks like she's expecting to be struck. He beats her. And please, nobody say that "he's just angry", that's apologism. Now, I dunno if this was in the script, or if Fiona's face was something Yardley did on his own, but given that this arc ends with Super Scourge announcing his intention to destroy both Mobius and Moebius, simply because he can, regardless of the collateral, I'm willing to bet that this relationship wasn't a happy, stable one. But, unfortunately, this element was never made clear enough. Now, your mileage may vary on whether you think Sonic the Hedgehog comics are the appropriate place to discuss abusive relationships or not, but we've got one now, and Ian dropped the ball. This wasn't a Joker/Harley, where the pairing was clearly abusive but also sold DC/Warner millions of dollars worth of merch, this wasn't a RWBY, where Adam took three years to show up and had already won a huge number of fans from his admittedly cool design and powers, so people already liked him before they even knew what his personality was like. Ian had full control over this, no merch to worry about, and Scourge's prolific appearances gave him plenty of opportunity to make it clear that this was an ugly, repulsive thing that Fiona needed to get out of ASAP. And he didn't. Because panels like this, and all the yelling, clearly weren't enough for the fandom. No, you point this detail out to them and they'll make excuses, try to pretend it didn't happen, or just get offended, or worst of all, outright say they don't care and still ship it. We have fanartists who became real official artists creating stories where this garbage-fire pairing is used for sad feels, not because Fiona got stuck in a relationship with a controlling, violent monster, but because oh no they really loved each other and now Fiona's dead isn't it tragic don't you feel sorry for Scourge? No. No I don't. I feel sorry for the thousands of teenagers who support an abusive relationship because Ian was too cowardly to make it clear that the relationship in question was just that. Now, do I think that Ian is an intentional abuse apologist? No. Do I think he wimped out of taking the necessary steps to make it clear that this was bad because he didn't want people to dislike his shitty pet villain? Oh yeah, I do. Scourge's reputation was more important to Flynn than appropriately and sensitively portraying a destructive, damaging relationship between a woman and her monstrous partner. Well, I say "Woman", let's not forget that Fiona was meant to be sixteen, and realistically if you take her timeline into account she's more likely to be about fourteen. Real fucking classy. Part 8: Effort? What effort? So, now we get to our final criteria. And frankly, it's the easiest one to cover. From the moment, Scourge turns green, his life becomes a cakewalk. Everything he ever wants is handed to him with zero actual struggle on his part. Wants to be stronger than Sonic? He is. Zero side-effects to using a Chaos energy form from a mirror universe, or having a Super transformation interrupted, he just seemingly gets to be half-Super forever. Wants another leg-up on Sonic? Here's Fiona, sans personality. Sonic says he's just a lame ripoff of himself? He conquered a planet in a week, look at how cool he is. Also his team all roll over and make him their leader even though they hate him and they could easily kill him. He gets to walk through the entire FF/Squad teamup, and the Hedgehog teamup, and then when he gets to the No-Zone, Zobotnik, who has kept far smarter and more dangerous characters locked up for decades arbitrarily decides to reform him and gets completely suckered by him. The Destructix fully throw in with him, despite him never actually earning their respect. He never loses a fight where he wasn't depowered first. You know what the irony of this is? Ian has a character whom he is contractually obligated to never have lose for longer than an issue or two. And honestly, he wasn't awful at disguising that. Sonic gets a few wins that feel too easy, but for the most part, the issues with this rule mainly manifest in Sonic's limp responses to the tragedies happening around him, and a sprinkling of minor failures and pyrrhic victories ensure that the rule looks more like shoddy writing in a few places unless you're explicitly told about it. And even then, he still manages to make it look like Sonic struggles to attain those victories, that he has to actually put his back into it every time. He is challenged. Scourge isn't allowed to be challenged. That's the irony. Ian has a protagonist who he is not allowed to have lose, and Sonic still manages to be avoid looking like a boring invincible hero, while Scourge just never faces anything that can actually pose a threat to him. Powerful opponents crumple before him. Characters' personalities and development shift to suit his needs. The plot warps to benefit him. Because heaven forbid Scourge actually have to work for his wins. Who needs stakes when you can have the writer on your side! Part 9: In summation... I think you should've all twigged where this is going by now, so let's wrap up. 1) Does Scourge receive a great deal of favouritism from the author? Yes. 2) Is Scourge more powerful than the rest of the cast, often to the point of absurdity? Yes. 3) Does Scourge face zero consequences for his actions? Yes. 4) Is Scourge liked or respected by characters that have no reason to do so? Yes. 5) Is Scourge in a relationship with a character that has no reason to date him? Yes. 6) Most importantly, does the story will bend over backwards to give Scourge easy wins, even in situations where he logically should struggle? Yes. According to these criteria, Scourge the Hedgehog is almost a textbook example of a Mary-Sue. Which is probably why something as disgusting as him got away with so much. I guess, then, that his role in Revival, and a lot of the stuff before that, is the unfortunate reality of a Mary-Sue who suddenly has to deal with the fact that they're no longer getting that special treatment from the writer. That now their actions have consequences, that now the universe doesn't shape itself to their desires.

#Sonic the Hedgehog #Archie Sonic #Ian Flynn #Scourge the Hedgehog #Fiona Fox #Evil Sonic #Critical #CW: Abuse #TW: Abuse

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queeniewritesce · 6 years ago

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This was written for a @mrs-captain-evans 2,5K followers Writing Challenge. Congratulations on the milestone and here’s for 2,5K more!

I chose “Well, this is awkward…” as my prompt because as I was scrolling through the options the scene that particular scene just jumped at me.

Summary: Twitter is a strange place. But once in a while, you connect with someone.

Word count: 3,564

Warning: mild language, 35 seconds of angst, could be less if you read it fast.

Warning2: there will be a lot of Trump bashing at the beginning of this story. If you’re offended then maybe this isn’t a story you should read.

Author’s Note: All rules regarding verified accounts and how they behave were taken from Twitter.com.

It all started innocently enough.

Chris had opened Twitter to post a video of Dodger playing with his stuffed lion, knowing his dog was a fan favorite, when Trump decided to give his opinion on a National Geographic article about Global Warming.

GOD, he was a moron. A dumb, squinty-eyed, toupee wearing, orange moron. Chris seethed as he clicked on retweet with comment and called out the man he had the displeasure of calling President.

A few seconds later his notifications started to pop up. He switched tabs to Mentions and Replies where thousands of retweets with GIFs and other memes were pouring in before he filtered the tab so only verified accounts were shown. Mark retweeted his reply, Don wrote a snarky and an awesome comeback, Ellen Page tore the man a new one and an MIT professor he met during a flight home to Boston mentioned him and your account as prime examples of the generation who could make a change. He liked some favorites, retweeted a few others and was about to close the app when a new mention popped up, this time from your account, thanking your mentor and sharing a blurb about being cool because you were now linked to Captain America.

Curiosity got the best of him and Chris clicked on your handle. The header was a picture of Diagon Alley at the Warner Brother’s Harry Potter Tour in London and the picture to the side was of a woman dressed up as a Gryffindor student, wand, scarf and a pointed hat. He noticed you were also a verified account and your small bio read ‘Y/N, 30something.’, ‘You can be anything you aspire to be. I chose to be a nerd’ and ‘Director of Media Studies at MIT’.

That is an interesting combination, he thought while looking through your latest tweets. Chris immediately found your own retweet of the orange moron and he laughed when you called him a dweeb, deeming the man unworthy of being president of your dog’s agility class, much less president of your country. You also quoted him in a series of articles that could be found at the Congress Library website and citing other articles from different countries, asking him to please trade his Rich Richie comics for something an actual president needed to know ‘You know, like Obama’.

You had an incredibly sharp mind for a woman who spent her free time dressing up as a fictional character, he thought before shaking his head when he looked down at his costume. Yeah, better not judge.

Chris spent a good chunk of his downtime between takes that day going through your tweets. Every time his PA called him to block a new scene or to film a close-up, he would carefully lock the phone without closing the app so he wouldn’t have to scroll down again.

Later that day he was back on his trailer resting, they wouldn’t be going home that night till the first Thanos fight scene was over but he was now free of his Captain America clothes and could relax. He took a shower in the small trailer bathroom, put on a loose pair of boxers and picked up his phone again, opening the Twitter app, happy to see it was exactly where he left.

Chris was now looking at your tweets from two years ago. He scrolled down on some retweets, mostly articles about social media and its influence on people, thoughts about the latest Game of Thrones episode, a tweet about watching Captain America: The Winter Soldier again after the results of the presidential election and how it had changed your views of the movie and a trip to London to guest lecture on a seminar in Oxford, with a link to watch your lecture on Youtube. You’re funny, witty, and after watching your lecture on Book to Movies Adaptions: Bridging the Gap in the Fourth Dimension, he realized he was enthralled not only by your pretty eyes and lush lips but also with your mind.

He saw pictures of your adopted one-eyed blue merle Cardigan Welsh Corgi aptly named Captain Hook which you confessed was rarely used because you liked to call him Hooker, calling his name out loud around Cambridge Square just to get a reaction out of people. He laughed long and hard imagining you walking up and down Tudor Street asking if anyone had seen a one-eyed Hooker prancing around.

He worried his bottom lip for a moment before closing the app and opening up Safari quickly founding what he was looking for on his saved links. A new window opened and Twitter.com was now on his screen but instead of the usual @chrisevans handle, the account belonged to @BostonBrains81.

The Patriots logo stared back at him from the top of the page and a random shot of the crowd in one of the home games stood over a simple bio: Boston. Beer. Patriots.

The account he used to interact with his friends back home, like their baby pictures, sign in to various sites and go even crazier over the Patriots than he normally would on his main.

He looked nervously around his trailer before he searched for your handle, clicking the follow button before he lost his courage.

You are now following @Y/H

Was he really going through with this? His index finger hovered over the reply button on your latest tweet, the one where he was also mentioned.

“Ok Chris, you can do this.”

BostonBrains81 @Y/H you’re a lot cooler than Captain America. Wicked answer to the resident Oompa-Loompa, but I gotta ask, you think he knows how to read?

There, he did it.

That had been the first of the many 280 characters conversations you had with each other.

At first, you wondered if he was just a creep that followed you because Professor Travis mentioned you and Chris Evans on the same post; you had gained almost a thousand followers because of that, but they quickly unfollowed you when you didn’t gush about Chris Evans or they realized you didn’t actually know the actor. Not @BostonBrains81 though, he stuck around, commenting on some old articles you shared, liking all the pictures of Hooker you posted and even replied to the one where you shared his name asking if calling out for a Hooker in Cambridge had you stopped for solicitation at any point. You laughed at his joke and decided to follow him back.

The guy, you assumed it was a guy, was incredibly intelligent, always had a smart comeback to your jokes and could make you laugh in less than 100 characters. You shared most of the same views, from politics to music and books, the only point of contention was football. He was probably the biggest Patriots fan you had ever met and you being originally from the west coast was a Seattle Seahawks fan. He told you he had a working buddy who was a huge Seahawks fan as well and they had watched the Superbowl together in Arizona a few years back.

He’d ask you for a new book recommendation every few weeks and confessed his line of work had him waiting around quite a bit. You believed he was a flight attendant because he more than once replied to you from different parts of the country. You wondered if you should let him know the location settings were turned on.

You quickly got into a routine of checking his page to see if he was online that day and a little over two months since you first ‘talked’, you moved on to Direct Messages and conversation become more serious. Thoughts on religion, the #MeToo movement, gay rights, all were candidly discussed and you now actively sought his opinions on some of the subjects you taught your classes.

For a flight attendant, the man had some strong opinions and knew how to keep a conversation going. You chastised yourself for your classism, just because he had a blue-collar job didn’t mean he couldn’t have a sophisticated mind.

Some people are incredibly well educated and never set foot inside a college corridor, you remembered Professor Travis lecturing an advanced Media class you sat as his aide. Take Captain America for an example, I met the young man who portrays the superhero during a recent flight from Atlanta to Boston and I was highly impressed. He could very well be a post-doctorate student here, but he chose to follow his own footsteps to Hollywood and I thank him for it. I quite enjoy the dichotomy he brings to his portrayal of Captain America and Steve Rogers during The Winter Soldier and Civil War. If you haven’t, please watch those movies as we’ll be discussing them in our next class.

Professor Travis had been your theses supervisor and was one of your closest friends, even though he was thirty years your senior. The man had one of the sharpest minds you knew and his classes on Comic Books and the Juxtaposition to Modern Politics was always full, with a waiting list that never got any smaller. You usually sat those classes as his aide and he called on you often to share your views on what the media contributed to the political storm brewing on the horizon and what comic books contributed to that. Captain America had become one of Travis favorite subjects as of late, the whole Hydra and Nazis making a comeback after the last presidential election.

The fact Chris Evans engaged in politics and wasn’t afraid to speak up his mind played a huge part in why you started following him after Professor Travis met the guy. Sure, the man was eye candy to your often-tired eyes but he had a lot to offer than just those huge biceps, that amazing tight ass, and that soft-looking facial hair. You got a kick of his self-deprecating humor and once or twice you had jointed down a few books he mentioned and truly enjoyed them.

It was a really nice coincidence @BostonBrains81 had read them as well.

By the end of summer you were feeling lonely and thinking of asking another professor out. You wanted a male opinion on the idea, preferably one not in the same circle of friends and your best online friend was just the person to ask.

Well, does he make you feel nervous?

No, why would he made me feel nervous? He’s a very nice guy.

See, if you’re not nervous around him that means he doesn’t make you feel anything. If you don’t feel anything for the guy, why waste your time? And a nice guy? God, that’s the worst thing a woman can say about a man. A nice guy is as bad as saying a girl is okay. Is she beautiful? Meh, she’s okay. Does he melt your insides? Meh, he’s a very nice guy.

Seems like you gave this a lot of thought.

I’ve had more girlfriends than… jobs. When I broke up with the last one, I decided to wait for the right woman instead of getting into another destined to fail relationship. There’s no shame in stepping back and deciding you’re worthy of more than just an okay girl.

Or a nice guy.

Exactly.

Being alone is not easy though. We jump from one relationship to the next because we’re already used to the normalcy of having that steady presence in our lives. It doesn’t matter if we know that person isn’t right for us or they might even be prejudicial for us in the long run. The relationship fills a void we don’t like, that feeling there’s something wrong with us because we can’t maintain a partner.

Who let you in my head when I wasn’t looking?

Sorry for getting too deep.

You’re absolutely right though.

Thanks for the talk, no dates with nice guys from now on.

Don’t go for the bad guys either.

Well, that considerably narrows the option pool. Who am I dating then?

How about me?

Good one funny boy.

What’s wrong with me?

Barring the fact that I don’t even know your real name and you could very well be catfishing me, not much.

Catfishing?

You know, trying to make me believe you’re someone you’re not.

You there?

Sorry. Yeah, I’m definitely not trying to make you believe I’m anyone but myself. Name’s Chris by the way.

Nice to meet you, Chris, I’m Y/N.

Your conversations with @BostonBrains81, better yet, Chris, were now a daily occurrence and included questions about your daily lives and personal family stuff, Chris had three siblings, the youngest had been adopted and you spent a whole afternoon discussing the effects of adoptions on both the family and the child, you commended his parents for going through the processes and he opened his heart about normalizing the girl when she first came to live with them but now she was his favorite sister and he couldn’t imagine life without Shanna in it. He told you about moving away from home at eighteen to pursue his dream job, you shared how difficult adapting to Boston was at first but how you couldn’t see yourself living anywhere else now. He confided in you his work had him burned out a little and how much he missed home. Since his location had been stationed in Atlanta for the past three weeks, you deduced he worked for Delta Airlines.

Hey, you there? Can we talk?

Sure, I’m just lounging, you good?

I’m still at work, everyone is being a dick today and I’m having a hard time coping, plus I’m tired and a little cranky.

I’m sorry. Coworkers can be a pain in the ass sometimes, no matter what the field. Have you tried the exercises you told me about?

Yes. More than once. They seem to work for a while but then I have to head back in and someone else decides it’s his turn to be a dick. And now the… execs are here and they want to change some of the stuff that’s already done so that means more work and more dick-headed people all around.

When it’s your turn?

Uh?

Well, since everyone is having a bad day, why can’t you lash out? Be a dick too?

It’s never my turn. Chris is always the good guy, Chris is never a diva.

You don’t need to be a diva to demand respect. Demand respect while being respectful, but put your foot down. The old you get more flies with honey. Do you need to be there?

I’m supposedly done for the day.

So go home, take a bath, sleep in clean sheets. I know how hard it is to turn off work, sometimes I stay in my office for hours after I’m my shift, but it’s not healthy. If they truly need you, they know where to find you.

They do yeah.

Go home, Chris. Pass on the shield.

What?

Like Captain America did in the comics. Let someone else do the job.

Oh. Okay, yeah, that makes sense.

I make a lot of sense when I’m drinking wine.

So your advice comes from your inebriated mind?

I’m hardly inebriated. It’s one glass of wine while reading a book in the bathtub. This is my me time.

I’m sorry for interrupting your naked me time. Thanks for the visual though, it’ll help me with my own time when I get home.

Go home, Chris. It’s the wine’s order.

You were now on a territory you swore you’d never slipped into; flirting with a stranger online. You tried to talk yourself out of it, tried to curb this insane idea manifesting inside your head and your heart, you were a scholar for goodness sake, you taught your students to never engage romantically online, therefore, you should know better.

You most certainly didn’t.

I’d like to take you out for coffee sometime, you could show me around MIT.

Maybe. When you get back from Atlanta, let me know.

How do you know I’m in Atlanta?

Your location setting is turned on.

Is it? Damn.

Yeah, I should have told you sooner. Working for Delta Airlines must nice though.

Yeah… I guess. Blue collar job though.

Don’t be like that, you should not be ashamed of what you do for a living. If it makes you happy, it’s all that matters.

You’re right, I’m pretty happy doing what I do. So, coffee?

Sure. I usually get my caffeine fix from ‘Bean there, Doughnut That’ over at Arrow St. It’s always full of students.

Smart girl, going for a place where you can find a friendly face if we don’t get along.

That, and you could be a serial killer, I need witnesses to remember your face. It’s not like I *really* know you.

I look forward to changing that. I’ll be home after Columbus Day. Could we meet then?

Yes, sure. I want to finally put a face to the man I’ve talking for the past four months. It’s a date.

A date uh? I like that. I like that very much. I hope you like my face when you see it, I kinda have an ugly mug.

I’m sure your face is fine. Besides, I already like your personality and that’s the part I always have trouble with.

Checking Twitter had become your new guilty pleasure and you’d close the app with a frown if Chris didn’t post anything every few days, exactly what was happening right now.

He had been offline for a whole week and you missed your usual banter, his witty sense of humor and how he took to calling you Professor Hottie. The Patriots lost the second game of the season and you wanted to gloat a little but most of all you just wanted to know if he was okay.

Biting your lip, you clicked on the direct message button.

Been a while since you’ve been online, did you get lost on the way back from Boston Market?

I see that you turned off your location sharing. Was I being too stalkerish?

I guess you’re busy or maybe you just don’t want to talk to me. I’ll leave you be.

Had you come on too strong? Did you sounded desperate and scared him off? You read your past conversations and nothing sounded too eager on your part, maybe he just wasn’t interested anymore.

Well, that was that.

You sighed and refreshed your home page one last time, checking your latest tweets and was surprised to see a new Tweet from Chris Evans, another Chris who had been MIA lately.

ChrisEvans Officially wrapped on Avengers 4. It was an emotional day, to say the least. Playing this role over the last 8 years has been an honor. To everyone in front of the camera, behind the camera, and in the audience, thank you for the memories! Eternally grateful.

Interacting with celebrities were never really your thing but you would miss Captain America, you were sure they would have to kill him if Evans would not play the iconic soldier anymore, so you took a chance and clicked on reply.

Y/H @chrisevans thanks for making Cap cool again, you made him justice and gave the tired soldier a new and improved multifaceted personality. We’re gonna miss him.

Satisfied with your chosen words you smiled as you hit send. You got a few likes notification right away, some of your students and MIT faculty retweeted your post, Professor Travis included.

ChrisEvans @y/h thank you. Having people like you and @TravisMIT giving Cap your stamp of approval certainly makes me think I did a good job.

Wide eyes blinked back to the screen when you read his response. He not only thanked you but for some reason he held your opinion to a higher standard? How was that possible?

Your mentions exploded with people asking you similar questions and you had to switch to verified account only to stop the barrage of notifications for new tweets coming through.

Your phone beeped with a new direct message and a small glimpse of hope that your Chris was back made you forget about Evans.

Hey, sorry for the disappearance act, work has been crazy lately. You’re definitely not stalkerish, that title actually belongs to yours truly but I’ll tell you more over coffee. Don’t ever think I don’t want to talk to you, our conversations are the highlight of my days. I missed you a lot these past ten days.

You cocked your head side to side while reading the message, twice, three times, trying to understand exactly what was going on. You should be happy, it was exactly what you wanted to read after being ghosted for over a week.

There was only one problem. The DM did not come from @BostonBrains81. It came from @ChrisEvans.

You hovered your mouse over the reply button but your brain was short-circuiting. You started and deleted dozens of replies, none of them conveying what you were feeling well enough. Deceived. Betrayed.

New direct messages appeared one after the other.

Well, this is awkward…

I can explain.

Please talk to me.

Look, I was stupid for not telling you sooner but doesn’t change how I feel about you. Can we talk? Please?

You’re now blocking @ChrisEvans.

You’re now blocking @BostonBrains81

#Chris Evans Fanfic #Chris Evans Fan Fic #Chris Evans Fanfiction #chris evans x reader #chris evans x you #mrs-captain-evans #writting challenge

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mrfancyfoot · 7 years ago

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Questions for writers meme

Thanks for the tag, @wardsarefunctioning! :D

1. Short stories, novels, or poems?

I prefer reading novels, occasionally short stories. For writing, I prefer novels.

2. What genre do you prefer reading?

I like a good mix of action, adventure, fantasy, sci-fi, romance, erotica, and the like.

3. What genre do you prefer writing?

What I prefer to write is also reflected in my reading habits, hahaha.

4. Are you a planner or a write-as-I-go kind of person?

I plan quite a bit, but a lot of what I would call my best pieces or scenes were written on the fly/spontaneously.

5. What music do you listen to while writing?

When I’m really in the zone, I prefer light instrumentals and atmospheric sounds (forest, birds, rain, storms). When dallying about, though, I’ll put on more stuff that’s inspirational, which is a very wide variety depending on what I’m going through writing at the time. I have a Spotify playlist for SAR here, for anyone who’s actually interested.

6. Fave books/movies?

I love the Alien franchise. I’ve always been in love with the Harry Potter and LotR series. Redwall also made up a good chunk of my childhood.

7. Any current WIPs?

Some Assembly Required is my current baby in the Dragon age fandom. I’m severely off and on for my as-yet unnamed (cause it’s gone through a million) original work.

8. If someone were to make a cartoon out of you, what would your standard outfit be?

Oversized sweater or belted tunic, yoga pants, mismatched socks, and tennis shoes.

9. Create a character description for yourself:

Aaaah, I’ve never been able to do these well- Strongly, yet silently opinionated; comes off as cheery yet standoffish for fear of offending someone or saying the wrong thing. Tries to be kind to everyone even when they’re wrong. Wore matching socks (they were mermaid print) one time and HR said it upset the karmic balance of the office. Keeps footstools strategically placed for reaching cabinets and shelves. Always arrives to the office on time but only due to various amounts of rushing through things in the morning. Made large lifestyle changes to be more active as a result of getting what became a very high energy dog, who understands more languages than many people (though that mostly means “I’m taking him for a walk” in a number of ridiculous ways). Is a real redhead, thank-you.

10. Do you like incorporating people you actually know into your writing?

I occasionally incorporate aspects of people, but I haven’t yet written someone into my writing.

11. Are you kill-happy with characters?

I’ve tried and planned to kill off certain characters, but haven’t ye been able to bring myself to really do it. *coughkalencough*

13. Coffee or tea while writing?

Water, sometimes cola when I want the caffeine. I’m not terribly fond of either coffee or tea.

14. Slow or fast writer?

Depends on what I’m writing. Some scenes and chapters I’ll whip out in a few hours, others take weeks or more.

15. Where/who/what do you find inspiration from?

Everything and anything. I often try to note tidbits of conversation I overhear or see or am a part of to tweak them for scenes and such. Especially when trying to work out a scene with more than two or three people. It’s often hard to get down the dynamic of talking within a group. Music also gives me a lot of inspiration - it helps with moods which helps with scene flow, etc.

16. If you were put into a fantasy world, what would you be?

I’m not sure I’d last very long. Supporting cast is usually where I see myself landing. I like to think I’d be some kind of Mage or other magic user or researcher.

17. Most fave book cliche? Least fave book cliche?

One of the things I hate the most (even though I’m also occasionally guilty of it) is telling without showing or providing something to backup the character trait assertion(s). Or worse, telling and then everything that’s shown is the exact opposite. Ex: a woman who’s sold as being this super go-getter who can get herself out of whatever danger herself (like, not a damsel), but then ends up the fucking whiny damsel in distress every time. It’s fine (and I encourage) to have moments where a strong character needs to ask for help or gets frustrated when not being able to figure something out. But there’s a point where it just becomes a character trait instead.

Another thing I hate (hehe, I really have few things I dislike, most are minor annoyances) is a lot of super “tidy” relationships. Ones that have no development or troubles. It’s all boy-girl. They aren’t messy enough. However, that doesn’t necessarily mean drama, which is what many just otherwise jump to. I want to see more couples+ working through problems and disagreements together and openly communicating. And not all relationships have to end with babies or even the couple staying together. Growth and happiness are very individualistic.

I love the cute, bookish girl cliche (or the smart, dorky guy with the glasses). I’m a total sucker for them.

19. Fave scenes to write?

I feel amazing when I cinch clever witticisms and banter. You’ve no idea. But they’re also really hard to pull off.

20. Most productive time of day for writing?

Dead of night when I should otherwise be sleeping. Like, midnight to 2am.

21. Reason for writing:

Stress relief, artistic outlet. I like writing and research and tying it all up in a neat little bow. Those moments of escapism into your own mind while imaging the settings and scenes.

#writing meme

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khalix-hyetology · 7 years ago

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Slices of Writing (2)

Now that I have established certain stuff I hope it gets to you in an important. If not, no matter — I have some more pointers. If you already knew the previous rules, more power to you. If not, try to incorporate them in your life in whatever customised or direct way you want and need. There is a reason I highlighted those words. Your wants and needs are important too. Though, your wants and needs also can be hierarchal. You must balance them accordingly to get a process going and get results. More on that later.

Onwards to new things that perhaps will be helping for you with writing. In the last segment I had shown you that writing is a psychosomatic, emotional and spatial skill. It interacts with other skills, with you and your environment. I have written how the word innate should not mean fast/rapid/genetic in your repertoire. People can be gifted but so can gifts be earned and attained. I am reviewing this because this is something that must be constantly reviewed. It will stick, then unstick, then stick again only to unstick once more. And again, more on that later.

Avoid/Resist Toxic People and Situations as Much as Possible — This is not a rehash of the Trolls and the Haters phenomenon. This takes that further than that. Trolls and Haters usually occupy social media. They can also be real people as well, as I cited. But, they may be distant people. So, though this may sound similar it is not necessarily identical. You may have to work with people who are unpleasant or unpleasant towards you. Usually, it can be latter than the former. If it is the former you can sometimes talk about this person with some other colleague who is a confidant. However, doing so regularly may a) jeopardise your job as no one can fully be trusted in the work space and b) cause you to create more toxicity by making your complaints a habit. Trust me. We all may have been there and we don’t want that. If it’s the latter know that you don’t have to interact with this person beyond the minimum. Keep your interactions work related and respond only when particularly referred to. If this is your boss then choose select words and let your work do the talking for you. Do not reiterate anything much or try to seem over enthusiastic because toxic people use that opportunity to shoot you down and even publicly humiliating you. Do not tone down too much either nor else they will choose to be especially unpleasant and give you poor performance reviews. If this person actively complains about you to your other bosses consult someone you can trust and change sectors or jobs if need be. Chances are that you will be happier and more productive in the new area. You have to prioritise your productivity and passions. Do not waste any of it on toxic people. Toxic people are not completely avoidable. This is just life. You will meet them in social media, in family, friends and even spouses. If it is social media you can always ignore them or blocked them. If these are reviews then set the “no review” box for a while and even “non anon.” If this is family try to gradually lessen your interactions with them so that you can well not feel guilty or allow them to guilt trip you to go back to their toxic traps. Importantly, if they are parents you can really lessen your interactions with them. If you are being Abused. CALL SOCIAL SERVICES OR THE POLICE AND GET HELP. Now, the other important parts. If toxic people are friends, you have to do what Anne Lamott said in her book Bird by Bird — your friendship needs a sabbatical. Seriously, if you feel you can’t cut them out think you are taking a sabbatical from your friendship. Sometimes toxic behaviour is also passive or indifferent behaviour. Such as not giving attention to your texts, not including you or showing any signs of elation when seeing or interacting with you. Then there is passive aggressive behaviour. Passive Aggressive behaviour is hard to stomach because it is a statement designed a joke or abstraction to still bruise you. You need to resist or stay away from these types of behaviour as much as possible. Friends are meant to enrich your life not make you feel like you are an abyss of uselessness. If your spouse does this either go to couples counseling or seriously rethink the relationship. Your spouse/partner is not meant to belittle, humiliate, berate and ambush you with guilt all the time. Gaslighting and manipulating you is AN ABUSE. So, don’t stay with these people. PLEASE GET HELP ASAP. The reasons I stated this is because toxic people like haters and trolls will debilitate and distract you from writing. If writing is your joy they will belittle it and they will try to ruin your work. Renowned novelist Buchi Emecheta had an abusive husband. When she wrote her first draft of Bride Price and gave it for her husband to read, she came back and saw him burning the manuscript. Yes, that did happen. That is how violent and toxic her ex-husband was. You don’t need partners like that. Or environments like that. They will first feed parasitically on your writing and this will effect and eventually lead to other parts of you. Your writing is not only your passion, it allows you to gain privileges and opportunities and give you work. In the book So Good They Can’t Ignore You by Cal Newport he didn’t support passion so that is why I called writing also work. His reasons are actually credible. Passion, he states, is a side effect of mastery so that ties into how innateness does not equate much in the long run. And, a spouse who doesn’t take your work seriously is not going to take seriously other avenues of your life. By work here I also mean your efforts to master talents, your needs and wants and efforts at communication, habits you try to inculcate, and also your personality and beliefs. Toxic people and environments may ultimately ruin your needs and wants to master your craft. They are sometimes more dangerous than haters and trolls because they have a certain sense of closeness and intimacy with you, which they shamelessly take advantage of. If haters and trolls are clever and lack courage the toxic people are cowardice magnified. They also take the discrimination of cleverness and mutate it to entitlement. They feel that as they are with you they are entitled to behave with you in any way they please. Don’t suffer from this garbage and take a stand for yourself to resist and avoid as much as possible. So yes the sticking and unsticking come here a bit. Toxic people and environments make you doubt yourself a lot and let you cave in to defeating pressure. Yeah, there is positive pressure. The feeling the demanding need to write and write as heartily and skillfully as one can at the moment. So for your health tied to your writing stay away from toxicity as much as possible and resist it whenever the opportunities present themselves.

Do not Wait for the Mood to Write — This is a cardinal rule that you need to repeat to yourself. I know I have to because I procrastinate on it and don’t do it but it is seriously and important rule. Even if you are depressed, take some time off for your health and then try to write one line and draft it out and redraft it out. The reason I am saying this is that writing is a muscle and that it needs development and stimulation. Now, you may be thinking if I have writer’s block how can I be stimulated? Well, do other things. Or better yet start free writing. Take out your journal or Document and just start writing/typing random things and you will sure to get ideas. These writings do not need to final products or anything perfect. They can be to do lists or 40 best songs you liked or movies or even books. Write out your feelings of toxic people, your anxieties, your triumphs, etcetera and you are sure to get something. Writing is a balance of passive and active nodes. Thinking alone about writing ideas usually don’t help. Thinking can also be passive because the mind is not stimulated enough to get somewhere. Free Writing can also be passive because it doesn’t have a necessary goal. However, both can be active too gradually. When I first started writing these writing tips I didn’t completely know how I would go about it. I still don’t know but I kept on writing and the ideas gradually came. If I stuck to only thinking and planning alone it may have taken longer. Yes, I thought out the headings and such and some of the chunks but not everything. That is why I mentioned the hierarchy of desire and wants. Writing will not always operate on those things. Writing like any habit and skills needs time, dedication, discipline, patience and reiteration. If you are a victim of your moods and always get easily seduced by them writing will believe you are a player and not interested in a relationship (yeah, I went there). You need to understand that as there is no true innate quality to writing there is no ideal hour, moment, time or whatever for writing either. Writing is paradoxical because human beings are paradoxical. Writing is sometimes born and borne out of great frustration and misery and flicks off your happy pastures world. Writing at times scowls at decay and looks for pure Nirvana. Writing is concrete in its form but relative in its act of conception. It creates its own ideals and mixes other generally thought out ones. It may sometimes strive in purity which can also be chaos and at times live in greys which can be a ordinary day in the park. Don’t think that you need a mood always to write. You don’t need a mood always to breathe? It is as Scout said in To Kill a Mocking Bird. Reading to her was breathing. And, how do you breathe. You do it continuously. Now, I am not saying burn yourself out by writing. I am just giving a loose analogy. You don’t always breathe deeply and loudly so take writing also as gradual breathing which may sometimes stay nice and stable as though you are in a dream, sometimes peak up as you are being athletic and sometimes even be “soggy” like you are in a flu. You are writing about life so writing won’t be excised from life. Like Life writing also needs other avenues than your thoughts to be feed. It needs experiential stuff, segments from classrooms, snippets in cafes and the smell of coffee and the warmth of tea, the kiss of a lover, the kiss of a stranger, the theories of betrayal and actual betrayals, the concatenation of pearls in a bracelet, the mathematical equation you learned the other day, your dissertation, your lab assignment and even the joke you told your friend. Writing stems from all of these. Writing is the nodes of you as you go through life. Writing is the anatomy of your body, the curvatures of your spirit and the oceans of your soul with the forests of your thoughts and subconscious — writing is the braille of time and the alphabets of your spine dancing in unison to some track that is in your head and the cusp in your heart. Thus writing requires discipline, effort, time and dedication. As you are analogous to your writing (if not themes or characters then certainly the process) than like you writing needs proper nourishment and nurturing. And your moods erratically firing off won’t always help. Be consistent as much as possible. And I mean a healthy consistent. Write in a day or two days. Write small quotes. Plan projects and try your best to finish them. The more respect, time and attention you give to writing (a healthy amount because you need to take yourself and do other things) the more your writing will respect you and feel like listening to you.

~ To Be Continued

#writing #write #craft #skills #discipline #wants #desires #creativity #toxic people #emotional #psychosomatic #psychology #spatial #body #studyblr #writeblr

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spiralatlas · 7 years ago

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PAX Australia 2017 Day 3

There are no notes for Day 2 because I spent it socialising a little and sleeping a lot.

Queer Coded: A History of LGBTQIA+ Gaming

David Gaider Q&A

Brian Fairbanks Talks about Addressing Accessibility Through Game Design

Misc: I spent a chunk of the day in the diversity lounge which was fun. I met some great people at the Gender Diverse card game, and got to the semi finals of the Xena Nintendo 64 Fighting Game Tournament (there were only three rounds, but given how much I suck at fighting games this was still a happy surprise, and a sign of what a random button masher the game is)

The gender neutral toilets near the diversity lounge were very well done, unlike GCAP the original signs weren't visible and "with stalls/urinals" was in small letters like an afterthought.

I didn't break anything on Day 3 but did break a mug the next morning. Also the cinema in the Crown Casino is surprisingly inaccessible.

Despite the various mishaps I had a great time and will definitely come again next time we can afford it.

Queer Coded: A History of LGBTQIA+ Gaming

I missed the second half of this to see David Gaider, feeling very annoyed at the programmer.

Anny Sims @ChattyAnny on twitter (I was too slow to get the others!) Keely Thirkell Hayley Williams Soap Pejovic

Most queer characters are just queer coded, with plausible deniability. "It's up to you".Tendency for queer characters to be villains. Indie games tend to be more queer friendly than AAA games.

Lesbians: First known queer character in games: 1986 Moonmist had side-character who was a lesbian murderer.

Other notable lesbian characters:

KOTOR 2003, Juhani, first queer Star Wars character

Gone Home 2013

Dragon Age Inquisition Sera (I thought Sam Traynor from Mass Effect 3 came first?)

Tracer from Overwatch 2016

Trans characters:

1988 Birdo from Super Mario Brothers 2 "A male who believes he is female"

Lots of others but all terrible. Jokes and villains. Trans women seen as threat. Poison from Final Fight 1989, "so you can hit a woman".

Krem DAI 2014 trans man, You can't go "Ok, cool".

Hainly Adams MEA 2017 trans woman. Tells you her deadname, this was patched.

Horizon: Zero Dawn 2017 trans man

Dream Daddy 2017 trans man. One throw away line about wearing a binder, had to be clarified by writers. Non binary people and cosplayers wear binders too!

How do you make it clear they're trans without them implausibly outing themselves or just having it be word of god?

Gay men:

1993 fmv Dracula Unleashed has speaking role

Tended to be background characters, jokes and villains again. No m/m relationships shown onscreen.

Dreamfall: the Longest Journey 2006 (not made super clear until 2015)

Steve Cortez Mass Effect 3 2012

Dorian DAI 2014

Dorian knew exactly what his sexuality was. Coming of age narratives get boring.

Bi Characters (no picture because they're invisible):

1993 Ultima 7 part 2 bi character propositions character regardless of gender.

"Slutty bisexuals". A lot of characters are playersexual and it never comes up outside the relationship.

Zevran DAO 2009

Borderlands 2009

Fable 2004 let player be bi, Fable 2 2008 added bi PCs

Playersexual:

Only queer in the context that they will date players of both genders, but you don't see that unless you play as both.

Dragon Age 2 2011, Anders only mentions his ex-boyfriend if you play as a male PC

Fallout 4 2015. Did have background queer characters.

Stardew Valley 2016

Non Binary:

1995 Chrono Trigger villain

Often robots, aliens or other non human

Frisk Undertale 2015

Life is Strange 2015

Zer0 Borderlands 2 2012

Turing Read Only Memories

Some games let you have gender neutral pronouns.

David Gaider Q&A

1999 Working on Balder's Gate 2, didn't talk about his sexuality at work. Figured he would always be writing stories for straight people.

He was shocked to hear Jade Empire was having same sex romance. Got to be lead writer on DAO after that. "So I can put same sex romances in, right?". More economical to have bi romances, but he would have been happier having some gay characters.

Feeling iffy about playersexuality after DA2, he asked for 2 straight, 2 bi, 2 gay for DAI. "Minority content" is weighed via the percentage of those who play it and those who appreciate it. Eg 5% play dwarves but most see it as a positive thing to be able to do.

Most of his time was spent on the actual plot but Dorian was the most personal writing.

He was targeted by Gamergate but it doesn't compare to, for example, how much Jennifer Helper was targeted.

10 years on Dragon Age was enough, his head would explode if he had to write another story about templars and mages.

How did you get the job: His story is very specific. He was managing a hotel and a comic book artist in his spare time. A friend was a character artist at Bioware but Gaider wasn't really aware of the specifics. Bioware told their employees "If you know anyone who does game related writing let us know", the friend gave them Gaider's LARP rule book without asking. Got a call, gave the stories he wrote in highschool, got offered a job. He said no, it didn't pay enough, but then he got fired from the hotel. It felt like a sign.

Who do you think will take the romance torch from Bioware: he’s not sure they're giving it up? EA treats romance fans as a reliable audience who don't need to be advertised to, even though it's why a lot of people play in his experience (though obviously those are the kinds of fans he will tend to meet). There is an underserved audience.

Most proud of: Lots of stuff he's not proud of. Wishes he'd been more involved in community discussions early on. Proud that the team tackled issues as they started arising. Proud of the company for standing by them. Most proud of Dragon Age 2 despite the mixed response. They had very little time to create it. It’s like a very big first draft. They had a plan but didn't get to compare notes once things were written, so he had to trust the team would stick to plan as much as they could despite things being cut on the fly. Team said they were happy in a post-game survey, didn't feel he was too dictatorial.

What does your writing look like, a screenplay? A cutscene does. But it’s generally structured like a tree that expands and then contracts back to the core path before expanding again. Flow charts.

Favourite relationship in a game? Morden in Mass Effect. Cried more than in a movie. Tali was his space girlfriend. Of the ones he's worked on, Morrigan will always be closest. She represents Dragon Age to him. Joyous time working with Claudia Black, first celebrity he'd worked with. Flemeth was originally Arabic, but that actress couldn't do it so they got Kate Mulgrew. They stopped looking for an Arabic actress for Morrigan and looked for someone who matched Kate Mulgrew. Claudia Black's audition tape was her reading Smack That like a beat poet. Gaider was very nervous, he'd never spoken to any actor before. First rule he was told was don't compare them to another celebrity, so naturally he said "I had Helena Bonham Carter in mind when I wrote Morrigan". Claudia Black said "So you're saying I'm a cheap Helena Bonham Carter ;D". She would say "Does he want me to do it more like Helena?" during recording.

Has being so closely associated with diversity had downsides? He may be gay but he's still white and a dude. He feels like it's all he talks about conventions sometimes. Teams need to sit down and look at what they've made. Lot of things made individually without concern for the bigger picture eg only 15% speaking roles in DAI were female until they stopped and looked at it and fixed it.

"We didn't think about it" is no longer a defense. He wants to help with that, but we should be helping other marginalised voices get into the industry and amplifying their voices.

Wishes it could just be expected and we didn't have to discuss it.

He likes dating sim mechanics in the context of a larger story. But he does like the idea of romance not being as tertiary as it's been in Bioware games, romance as part of the adventure eg a romantic adventure. He's not really interested in social sims or day to day relationships. "My idea of a spicy relationship is to have my life threatened."

Why do you think most AAA companies try to avoid discussions of lgbt stuff, why is it taking so long? Because it's Pandora's Box. There is more being added casually. But if they do nothing they get lumped in with the rest of the industry. As soon as they do anything there are 2 sides: 1. why are you doing this, you're politicising your game. 2. Why aren't you doing more, whatever you did is wrong and not good enough.

Not that flawed attempts should be above criticism. But by mostly focusing criticism on the games that did anything rather than nothing, people have increased the feeling that it's Pandoras box. He understands that it feels like those developers might listen to criticism but the dynamic is sending the wrong lesson.

My question: How do you think inclusion of non binary player characters can work with including gay and lesbian love interests instead of just having playsexuality? “We've thought about it”. He defined playersexual for audience, like Shroedinger's sexuality. He doesn't like it when the only way to have something show up is to have the character talk about it. eg asexual: character would have to sit you down and explain what asexuality is. Is unsexy as a feature. Explaining nuances of sexuality is off putting. If there was more nuance across the industry that would mean no one game has to do everything. Any one game can have only so much within it.

(This doesn't actually answer my question. I discussed it with my husband afterwards and even he didn't understand what I was asking, so I may have garbled it in my nervousness)

Are some choices "canon"? One of the features of Mass Effect and Dragon Age was the continuity of choices. No "canon" but there is a default. A lot of people feel like they have to play the whole series to get the full experience, was off putting, and he found the Keep a nightmare as a writer.

They had editors keeping track of which choices were incompatible. And that was just the third game. "Can you imagine for a fourth game? Phew! Not my problem :D"

Have you thought about the morals of gamifying romance, saying what people want to hear to get sex? Dragon Age didn't work that way, sex was not at the end. Some characters in DAI had no sex scenes, sex is optional for Dorian's romance. It's a game, everything is gamified, you can't simulate actual relationships. For proper reactivity you’d have to mark every response and keep track of inconsistency, but that’s too much work. Same with polyamory: too many variables!

Maybe get away from the approval system? Pay more attention to overall choices in major quests etc instead of individual lines.

Bi characters in DAI were bi from the start. Not the first thing that comes up during character creation eg Dorian started out as "the good Tevinter". Helps avoid too many assumptions based on sexuality. But once characters started solidifying they would think about who worked for what sexualities. There's no set way to write someone "as" bi, but the writer can have them talk about relevant things in other scenes. Sera's writer is a straight dude, he didn't want to write About The Lesbian Experience, and got lesbians in the company to check out what he was writing.

Have relationships gotten more or less complicated? In Balder's gate 2 there was a single sequence of romance scenes which you could get kicked off. Dragon Age had approval. If it gets complicated but the player can't see it or understand how reactions relate to their previous actions it just seems random or predetermined. Unless they say "I am angry at you because of X", but noone says that.

Brian Fairbanks Talks about Addressing Accessibility Through Game Design

lostandhound1 on twitter

His notes.

He's not blind himself, and while he obviously cares a lot about accessibility had an unfortunate tendency to treat disabled people as a separate, if respected, "Other" to himself and the audience, even though I was right there in a bright red mobility scooter. He advocated person first language, "a person with blindness" etc, but not all disabled people like it and it shouldn't be presented as unambiguous best practice. I'm building up the energy to talk to him about it.

He's a sound designer.

Audio games: designed for people with a vision disability.

Audio game jam: the games tended to be about blindness as a bad thing. It felt victimising.

How can we make people feel powerful?

He was inspired by his dog's amazing sense of smell. The mechanic is that you follow an invisible trail using sound cues, a humming noise that gets louder and quieter.

Sighted people struggle with extracting information from sound. The game is more difficult for sighted people.

He had to add fruit on the ground as an accessibility measure for sighted people.

All music is diegetic: happening inside the world of the game, eg characters are singing.

There's a lack of much budget for audio games, since they're never going to make much money.

In 30 years current 30-something gamers will need accessible games.

Accessibility tends to be added as an afterthought or accident.

For example Pokemon has unique sounds for materials, collisions, monsters that accidentally make it accessible.

Sony reader: US only

Microsoft narrator: good but hard to use as a developer

EA: Proactively adding blind accessibility

Fighting games are often in stereo, blind players can play and even win tournaments.

Demand more from your games.

Developers: find a consultant. Address accessibility early.

It's about empathy. People with disability deserve the same stories to take part in as everyone else.

gameaccessibilityguidelines.com

daisyalesoundworks

binaural sound is going to make a big difference

audiogames.net: where blind gamers go to play games. They're supportive if you ask for advice and feedback.

People don't mind if you don't do immersive, game specific voices and just rely on the screenreader

Sound designers need more love to make VR accessible.

Braille games?? He doesn't know much about it.

Curb cut effect examples: curb cuts for wheelchairs but also useful for prams etc. Subtitles. Think about short term problems that benefit from accessibility as well eg the screen is broken, there's sunlight on the screen etc.

Sounds of a blind person navigating their desktop. To me it sounds like a mangled garble of little bursts of cut off computer speech, here’s a description of what’s going on.

#Conventions #pax 2017 #pax #panels #sexuality #accessibility #social justice

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tessatechaitea · 7 years ago

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DC House of Horror #1, Part Two (AKA A Review of Netflix’s The Mist)

It looks like Batman is fucking Flash while Flash fucks Green Lantern while Green Lantern, covered in semen, jerks off a candle.

Here, a woman smells her fingers for some mysterious and sexy reason.

I'm sorry for that previous caption! The only reason I said it was probably sexy was because she is a woman and I'm objectifying her. I smell my fingers for decidedly non-sexy reasons all the time! If anybody is interested in my life away from my blog, you can visit me intellectually debating the guys at the weird science comic book review blog on their review of Deadman #1. I'd forgotten that they were supposed to be my nemeses! But I remembered! Oh how I remembered! The woman smelling her fingers has been possessed by Wonder Woman because she took part in a Milton Bradly sponsored seance.

See?! You probably thought I was being facetious about the chewing testicles part! It's a known fact!

It's too bad I just scanned two images so closely together because the next page contains a nipple and a bare butt! The nipple is in shadow but you can still see the shape of it! I don't know why I'm using an exclamation point for that revelation. Back in the pre-Internet days, it would have been a glorious find for a young kid. But now, it's as tame as if the panel depicted a basket of kittens. The girl possessed by Wonder Woman kills all of her friends and everybody she meets before getting home and killing her abusive father. She also says a bunch of stuff in Greek. I bet she's saying things like, "I'm here to kick ass and chew testicles! Mmm! So good!" Nope. I was wrong. The first thing Wonder Woman says after possessing the girl is "Where am I, witches?" Then she kills the witches. Later after her killing the girl's dad, she says, "The world of man is Hell. It is going to be a glorious war." Man's World Rating: Are these stories horrific? I guess so. Imagine if Superman were a confused toddler scared out of his wits when he arrived on Earth? He probably would kill everybody by accident in his fits of terror. And Wonder Woman suddenly coming to man's world without any context except what she's been told about why the Amazons can't leave the island? She'd be ready for some serious clean up! And she only killed the women at the beginning because they were obviously witches. Some women, you just can't trust. So you get what we had here in this story. I don't like it any more than you women.

#The Mist #Netflix #DC Comics #House of Horror

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archereation · 6 years ago

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“Blane Series” 6 : Dogs weep

This is the sixth post in the Blane Series. If you are interested or confused or both, check out the first post in the series, and explore some seriously thought provoking themes!

Fuzzy at first, an image came into focus. The scene was dark except for the two characters before Blane’s eyes: milky slobber escaped from the hound’s mouth, panting humidly on the leathered skin of a queen’s toes. They were yellowed with calluses. The toe nails peeled in thin layers like moth-eaten cloth. Her dress was fine, her hair pristine, but her toes and feet were caked with dark smudges of what looked like soot. She smiled down on the dog, her teeth yellowed just like her toe nails. The dog, with swollen eyes slobbered and licked the air, as if hoping a treat would fall from her tight grasp of her delicate, white powdered hands. Then black. Deep black - snapped like a rubber band over the scene.

Then light. Blane’s eyes opened from her hard blink. She was back in reality.

She stood at the front of a desk in a cheerful office. Everything was made of rustic wood. There were cute RV figurines, pots and pans, popcorn made for fire-cooking, mugs, and everything else anyone would need for a camping adventure.

Her chest tightened as if something was trying to escape her sternum, pressing and squeezing simultaneously the organs in her upper chest cavity. A chunk rose in her throat. She took a deep breath, but the pressure was not released. Three women smiled in front of her. An onlooker gazing in from the window to the left of her would have thought the scene looked peachy, a real country, friendly moment in time.

Blane was asking the women at the desk a series of drawn out questions. She was trying to explain herself. Pleading softly. The women responded with sharp smiles and underlying tones of thorns.

Her breath was short and in gasps. The woman on the far right smiled at her and revealed short, blunt yellowing teeth. Her voice was sweet, but was coated thickly with something other than kindness, honey textured, but steaming with stench and something Blane did not understand.

“Oh yeah, I totally understand. Right yes,” the woman nodded, “We just need a picture of it. Email it to us and we will approve it.”

“It’s really nice,” Blane explained, “It’s just a little place for me to read and do my yoga and,” she was cut off by the escaping laughter scoff that jumped out of the woman’s lips.

“Right that’s nice, so send me a picture and I’ll approve it.”

“OK, rules are rules I guess,” Blane said with acceptance though the pressure in her chest was not at bay, “And I just want to make sure, I have my spot until April right? You guys were sure about it at first and then it seemed like I might not have a spot anymore until then.”

“Right now, you are here until February 1.”

Blane panicked for a moment, “That’s in two weeks.”

“Right.” She could have sworn excitement and happiness glowed through the woman for a moment under that exterior.

“So, I mean..”

“Right, yea I mean we can move you then, but you have your current spot until February 1.”

“So, I’ll have to move again. I have moved three times this month.” Blane’s eyes widened, pleading again with kindness. She felt like a charity case, and the pressure in her chest continued to press, now on her stomach. She felt like she was on a tower of wobbling children’s blocks, her life in the balance and the white-powdered hands of this woman.

She thought, send me strength, help me be strong, but what escaped her lips was.

“OK thank you, I’ll figure it out.” She smiled waved, thanked the women, and walked out with her head arched down to the floor.

1.17.19

America, Day 20

I have realized that there are survival skills I must develop in order to be…well…to be fine here:

Managing emotions and biological reactions to a world that is unnatural to our primitive brain. Managing this depression that is rooted from an existential problem. Managing the anxiety that comes from unnatural situations, despair, and anger with the way things are. I must be able to shut off emotions about the bad things happening in this world. I must numb myself to be able to function. Being genuine in this world will only cause me to be naïve and therefore get me into trouble.

OK! I get it! I have learned!

This is why:

They took advantage of my me, of my “ness”. They took advantage of the genuine person I am. WAS. Somehow, I know I can still find the tribe I talked about the other day, but I must be careful.

It all started when I decided to move out of Diane’s home. She feigned acceptance. She feigned happiness and relief as if trying to hurt me. I explained myself genuinely.

“It’s not you, and it’s not the kids. I just know I will do better in my job if I can get a real break at the end of the day. I hope you understand; I really don’t want a decision like this to jeopardize my job, and if it does, please tell me so we can compromise.”

“It’s fine,” was her curt, initial response. Then, with the smile that I had already understood, “Dear, it’s fine! Really,” a pat on the shoulder with a stiff hand that wouldn’t fool me. I could feel her. I could feel the bubbling in her chest. It now was in mine.

I moved. I had had an offer from Brody’s friend that he made here at his new job (he found one, but that’s a whole new story that I will explain later). He wanted to sell me a little camper. It was perfect. I like small spaces, and I don’t need much. I decided to turn it into my little home, and I found a place to park it. I initially thought that I would be able to find a place in nature anywhere that I would find suitable and be able to park it, right?

Wrong

Problem one. I accepted it. Here, it is not legal to park your camper in nature without paying for it. If I want to park it in a national park or a state park, I can only stay for two weeks, and then I have to move. I can accept that. I don’t understand it, but I must accept. I don’t want to move every two weeks, so I would find a solution.

There is a solution: they have parks. There are these parks where a bunch of people like me live, right?

Ha, wrong again naïve one.

Truth and problem two accepted, though this time it was a struggle to do so. No one is like me. At least not yet in my journey here.

So I parked it. I found a park that seemed nice enough, and I parked it along with hundreds of other people’s campers.

And I lived freely, right?

Wrong.

Problem three,

And now I must be forced to accept it.

I can’t feel anything at all. This world has left me cold and down.

I arrived in the park and started introducing myself to people. That is what you do in a new situation like this, right? I think by now you know the answer. So that was mistake one.

Try to find a reason live.

Try to find a way to live is more like it. I thought this was the land of freedom.

I set up my little home just as I loved it. And I still love it. Why does the world around me hate it? Why do they hate me? I have shown my love, I have breathed my love, I have given my love again and again and again over the months and here I lie, destitute and BROKEN. I haven’t even written in this journal in months. Some days I don’t do anything at all. My home, my little camper filled with light and love and art and good smells and cooking and happiness, some days is dark and damp with sadness and the fear and hatred that has been pressed down upon me by others.

But, please focus Blane, let’s start at the start. Maybe this will help.

The first thing I did upon my arrival at Creekside RV Park was hang some prayer flags on the outside of the metal facing on the front of the camper that I put up to cover the front windows. I didn’t want people looking in. I value privacy; it really wasn’t based in fear. The multi-colored squares flicked in the wind with their own little happiness and spirit. Every time I saw them I smiled.

I cleaned the outside until it shone. That was the first thing I noticed that had already changed about me. I cared in a deep, timid and anxious way about what people would think about my little purchase. But it wasn’t a negative thing in that moment. I really just wanted to make a good impression. I shined the metal, I washed the vinyl. I made it sparkle like the gem that I thought it was.

Then I moved onto the inside. This part, this was for me. I purchased a few things like jars and kitchen towels, but mostly I had everything already that I needed. I collect snow globes, so these were displayed above the dash. Then I put up pictures and put away my dishes and other things that I had had in storage since I didn’t need them at Diane’s.

My space was comfortable, cozy, and just what I wasn’t getting in my other living situation. I invited a friend over now and then, but mostly it was me and my books and my movies and cooking. I yearned for someone to share it with, but for the most part I was content.

It was as if the vultures around me could sense this, my contentment. Looking back on the first day, they must have started circling without me even noticing, upon my arrival. They swooped in on day six.

“So what are you doing in there anyway, lounging?” Her voice, sharp with her true meaning sounded on the phone.

“Uh, no, I’m getting ready to go to work,” I replied, slightly offended despite myself. This woman was the one in the office at the park whom I liked. She always was sweet and had even baked me some little cookies, but she also seemed to be voicing what everyone else in the office was talking about behind my back.

“Well good, you have some mail.”

When I went to go pick it up, her next accusation, because I was wearing sunglasses and a head scarf was, “You trying to hide something? Is it working?”

It was as if everyone who worked at the park had been talking badly about me. That was the feeling I got. Normally, I know I’m not this important, but I felt uncomfortable and on the spot. Somehow, simply by stepping into the office, I was on trial. I returned to my camper with my tail in between my legs, ashamed that I cared and even more ashamed that I had let them win by making me feel this way. I didn’t understand. I just kept to myself, went to work, and when I was home I cooked and watched movies for the most part. What had I done wrong to deserve a type of slandering?

It only continued and escalated from that point on. Every time I left the camper I heard something:

“What do you do in there anyways?”

A golf cart would roll by, and I would receive sharp dagger eyes glaring from the people who worked at the park.

A neighbor wouldn’t return a wave.

I would sense a dark feeling and I would turn around to see someone’s dagger-eyes slicing open my back.

It got to the point that I was afraid to leave the front door. I hated the feeling I had every time I did. I had to though. I had to live, so I continued.

I would go to work and come home. I tried but was unsuccessful in making friends in the park. Obviously, the people who worked there had a problem with me, and it was as if they were infecting anyone who may have approached me or been cool with me in the surrounding campers. Every time I would approach someone, I would sense the feeling you have when you walk into a room with a group of people who have been talking badly about you.

I questioned even myself- was this all in my head? I questioned my own sanity. Eventually, I received the validation I needed from one of the only people who I had befriended, who had at first spoken to me begrudgingly. Somehow though, they could tell I was good, so they gave me more of a chance than anyone else had. And they told me, without thinking obviously, how much everyone talked about me and wondered about me and gossiped about me.

I did what I tried to give myself advice to do: take it as a compliment. For some reason, I was obviously thought provoking and interesting to these people. What bugged me is that small minds discuss people. I had always tried to stay away from gossip, and now somehow I was taking the brunt of it. I did not like attention, especially this kind.

It seems like my head only sees ground these days. I’m afraid to look up. My shoulders hunch, I shudder to think what I am perceived as. Have I shrunk away these past few weeks?

I’m still breathing,

Blane

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#storytelling #rvlife #philosophy #creation #creativity #artists #writersontumblr

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brianwilly · 8 years ago

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So apparently I wanna talk about Secret Empire

[Shows up a month late with Pete’s Coffee]

There’ve already been a lot of well-written thinkpieces and entries about this comic, about Nick Spencer, about it all. But I wanted to maybe throw my two-cents into the pile because, to this day, I think most people are still a little confused about where the outrage is coming from, what exactly is making people uncomfortable, and why it all just keeps snowballing on itself.

And honestly I don’t blame those people; this whole situation is kinda hard to parse. You think it’d be easy to understand why “They turned Captain America into a Nazi” makes people upset, but the thing about Secret Empire is that it honestly does a good pretty job of covering its own ass, of not doing anything overtly offensive, of leaving in all the loopholes and technicalities and escape clauses to its own premise. “It’s going to be undone in the end.” “He’s not actually a Nazi, he’s just brainwashed (even though the story goes on and on for pages about how he’s actually not brainwashed and is in fact a Nazi).” “We’re treating Nazis as bad guys, not glorifying them.” “And they’re not really Nazis, they’re Hydra, it’s totally different.” “We’re tackling topical issues! Aren’t we brave! And daring!”

And that’s the kind of stuff I wanna try to cut through here, but it’s gonna require...well...yet another thinkpiece. Sorry about that.

So I think that Tumblr has covered much of this pretty well, but something to be aware of is that, for a while now, genre media has had A) really iffy mindsets about Jewish issues and B) a sort of casual flirtation with "cool Nazis" as some edgy cool thing to hype and market. It’s not glorifying Nazis exactly, but it’s using that kind of imagery and ideology as tools to sell your books and movies and TV. And when I say "genre media" has been doing these things, I actually am specifically referring to Marvel comics and studios for a notable chunk of these instances.

When you combine those instances with the state of the world where Nazism has been regaining traction with the 'chans and redditors and within the White House itself, with Holocaust denialism and Jewish defamation being a regular fixture of the news cycle...it's no wonder that members of the Jewish community and blogosphere has been feeling disenfranchised by a lot of the old entities and structures that had seemed like they should be able to count on as a matter of course. That includes the government, that includes our fellow citizens, and it also includes the media.

(sidebar, I am not Jewish, I just enjoy their comics!)

That's what readers mean when they say this feels like the worst sort of climate for a story that reveals and is marketed on the premise that Captain America was secretly a Nazi all along. It's not that people don't want the current political climate to be examined and lampshaded in media, it's that this specific method of examination comes across scarily comparable to all the antisemitic media and rhetoric that's been released throughout the years which has led us to this current political climate in the first place. It's the media-slash-rhetoric where Jewish (and other) characters have their origins retconned and whitewashed into homogeneity, where pontificating supervillains are just misunderstood revolutionaries who might have a point or something, where fascist police-states are shock value tropes to engender hype and interest amongst audiences.

Spencer's argument is that this story, which depicts a universe where the fascists win, is intended to incite discourse and criticism against such a universe. Hydra are still clearly the bad guys of the story, we're obviously intended to want to see them lose, of course they're going to lose by the end. But the way that the story has been constructed up to this point exhibits a lot of the same signatures of various antisemitic story beats we've had throughout the years. Captain America being retconned from a stalwart defender of Jewish people into being a Nazi agent, for instance, evokes Wanda and Pietro Maximoff being changed from prominent Jewish-Romani superheroes into whitewashed Hydra recruits on the big screen...and there was certainly no secret message or hidden allegory behind the Maximoffs' change; all it was was offensive and tone-deaf and that was it.

For another instance, Nazi Steve delivering issues-long sermons about how the heroes of this world have gotten complacent and misguided and that the world needs someone willing to make the tough choices, to do what it takes to protect it, is reminiscent of Tony Stark and Carol Danvers making fascism-apologia for months on end throughout the two Civil War event comics, like, hey maybe these guys playing the hardball roles have a point right? Hey aren't we so hardcore and edgy for tackling the hardcore and edgy topics? CHOOSE YOUR SIDE!...and in the end this fascism-apologia is just played completely straight, no hidden critique, no last-minute swerve, just Marvel turning its heroes into borderline supervillains and that was the end of the story. But hey, this story here and now will be totally different from that! Becuuuz...for some reason.

To be direct about his: This isn’t our first rodeo, Marvel Comics. Let’s not pretend that Marvel...and DC, let’s be fair...haven't in fact made a lot of legitimately terrible in-canon offensive character assassinations of iconic characters and that it's not that unreasonable to be afraid of it happening again at any given point. Let’s not pretend that Marvel hasn’t done a lot of those things for the specific reason of angering readers and then feeding off of that anger and attention.

At the very least, there's been this weird romanticizing of Hydra Cap from Spencer in what I've read of these books so far; it doesn’t exactly refute the premise that Steve being Hydra is bad, but Steve is still the protagonist of these books no matter how brainwashed he is, so these issues seem to have come across less like "Our heroes have to prevail against this nefarious schemer and his nefarious schemes!" and more like "Watch in wonder as this shadowy agent prevails against all the clueless establishment and does badass things throughout his mission!" It falls into the "cool Nazi" trend where it's like, of course we're consciously aware that he's the bad guy here, but isn't he so edgy and hardcore and badass anyway? I haven't read as many issues of Hydra Cap as Spencer would probably like so, I dunno, let me know if I'm way off here.

So, to summarize...well, not summarize exactly, but to organize these points, lets’ do a list. Everyone likes lists, right?

1) Showing the "bad guys" losing in, like, probably the very last issue of this year long storyline (which also included the main Captain America book which led up to the actual event) doesn't suddenly omit all those issues where the "bad guys" were shown being edgy and hardcore and badass and smart and powerful and pulling one over on all those dense clueless liberal "good guys," except in this case the bad guys are people who directly abetted in the Holocaust and not the guys who stole forty cakes.

2) This is during a time in the world where antisemitic rhetoric is seeing a startling resurgence -- or maybe just coming back into the light again after hiding away for a bit -- and Holocaust denialism, vandalism of public Jewish spaces, and outright physical violence being more and more common occurrences.

3) Readers in general have been consistently burned by Marvel's consistently tone-deaf depictions of moral or social narratives throughout their events (Civil War: police states are great!) (Civil War II: police states are great!) (IvX: Cyclops is goddamn HITLER for some reason). Jewish readers, in particular, have good reason to not to trust Marvel to be respectful and tactful of their issues. Any such complaints or concerns have been responded to with derision or misunderstanding on Spencer's part, which only makes everyone angrier and more wary.

4) Indeed, Marvel and Spencer's go-to insistence that Hydra are totally not Nazis at all and you're just being nitpicky if you say they're Nazis just further makes them come across as tone-deaf and bullish on the matter, on top of (probably unknowingly, if I’m feeling generous) mirroring the talking points of actual real life Nazis, who've been trying to rebrand themselves as something different for years in order to come across more fluffy and palatable to mainstream sensibilities.

5) I mean there's also the fact that Hydra is -- as currently depicted in this very event by the very writer who keeps saying they're not Nazis on Twitter -- a completely fascistic political regime that stifles free thought and rewrites history through fear, violence, and propaganda and oh hey did someone mention concentration camps? ‘Cuz there are concentration camps in this book. Hydra is functionally indistinguishable from Nazis in this actual book. This is not a book about Captain America being brainwashed by Saturnians to plant death lasers on the moon, this is a book about Captain America being a Nazi and doing things associated with Nazis in absolutely every respect. But sure let’s get comic shop owners to dress up like them and stuff

6) "I don’t care if this gets undone next year, next month, next week. I know it’s clickbait disguised as storytelling. I am not angry because omg how dare you ruin Steve Rogers forever. I am angry because how dare you use eleven million deaths as clickbait." Copypasted directly, because how can you get clearer than that.

7) Spencer's work with Sam Wilson Captain America, which generally turns him into a centrist apologist at best who couldn't believe that he himself was ever that much of an annoying liberal activist or something and occasionally fights literal "social justice warriors" on college campuses throwing bombs and internet slang, isn’t a particularly encouraging thing to have hanging on the back of your mind while reading this story about how Steve Rogers was actually a Nazi all along. 8) In a world where an X-Men artist is literally sneaking secret antisemitic propaganda into books that are supposed to celebrate diversity and civil activism, can you really blame people for being antsy about a comic book that is making members of Stormfront cream themselves by revealing that Steve Rogers was a secret Nazi all along?

So yeah, I dunno if I have any great point to make with any of this. I just felt like collating all the outrage and shedding a little light on how the situation comes across to me. Secret Empire isn’t exactly the sort of clear-cut idiocy where, y’know, some dense writer fridged yet another female character or replaced yet another hero of color with his white predecessor from forty years ago. Its problems are a bit more intricate, which means the blowback is a bit more intricate as well.

#Captain America #Secret Empire #Nick Spencer #Marvel Comics #Marvel #Steve Rogers #Hydra #Nazis #comics #Overthinking

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