#a child that can do no wrong and will never realize it

[alisonwritesimagines]

If Bruce and Batmom Divorced ~Bruce Wayne Imagine~

Summary: The final straw was Bruce officially cheating on you.

Author’s Note: I saw a TikTok about a comic of Catwoman having Bruce’s daughter and I thought of the angst between Batmom and Bruce.

This is not canon to the Batmom Universe

Reader’s Pronouns: She/Her

Warnings: Mentions of divorce, angst, cheating

Do not repost this anywhere!

You were a smart person after living with Bruce Wayne who is also Batman. You learned his tricks and gadgets while being his wife. So when you left without word the day after finding out Selina was pregnant with Bruce’s child, everyone grew into a panic.

“It’s like she just disappeared,” Tim said in disbelief.

“Now I know how she felt when I left the mansion,” Dick says.

“Where could she have gone?” Jason asked.

“Alfred, are you sure she didn’t say anything to you before she left?” Cassandra asked him with a sad and desperate look.

“If you think, she would disappear without telling me, you’re wrong. I do know where she is however, she asked me not to say anything. She only gave it to me for emergencies.”

“Then tell us, Alfred! We won’t tell Bruce,” Stephanie begged.

“I’m afraid I cannot do such thing. Not until she calls me and tells me that she is ready.”

Selina had showed up to your doorstep one afternoon and told you the news of her being pregnant with Bruce's child. You spend the first hour in shock before gathering your stuff that you had packed and left without saying goodbye.

It broke everyone when you left. Even Bruce.

Bruce would rather kill Joker and all the villains if it meant keeping you with him. He would murder every single person with bad in them if it meant he could have you with him. But what he did that finally broke you would never change your mind.

Then came the day when you finally showed up. But with a surprise.

"Mom?" Dick asked in shock.

"Hi honey," you smiled softly. Dick engulfed you into a quick hug before looking at you.

"Are you okay? How are you?" Dick asked.

"I'm okay. I'm doing well," you tell him. "Is Bruce home?"

"Yeah. He's home."

"I need to talk to him," you tell him.

"Yeah. Okay."

You followed Dick inside the manor and found Bruce sitting at the dining room table with Alfred and Damien.

"Ummi!" Damien said the moment he saw you.

He rushed over and hugged you tightly before realizing your condition.

"Oh. I'm sorry."

"It's okay sweetie."

"It's good to see you Ms. Y/n," Alfred said, giving you a hug as well.

"I need to talk to Bruce really quickly. Alone," you tell everyone.

Everyone rushed out of the room so you two could be alone.

"Y/n-"

"I don't want to hear you talk Bruce. I am here to have you sign these," you say as you took out the divorce papers from your purse; "And I am here to let the kids know that I am okay."

"Y/n, can we talk about this? Is the baby mine?" Bruce asked referring to your pregnant bump.

"It's yours. But I don't need you for them. I am going to raise this child alone and we do not need you. You are having a child with Selina so if you want to be a father, go be that child's father because you have no right to be in my life anymore," you tell him.

"I put up with so much with you. And I am done. I am exhausted and being away from you for the past four months made me feel so free and relaxed. I have a good home now and it's in a good city and good neighborhood. I just want you to sign these papers, and let me go."

"I don't want to let you go. I don't want to lose you," Bruce said, looking up at you with tears in his eyes.

"Bruce. You lost me when you went to Selina after you told me you wouldn't go back to her," you tell him, tearing up as well.

"At least let me give you alimony so you don't have to work anymore. If I am going to lose you, at least let me do something good for you one last time," Bruce begged.

"Fine. But I don't want contact with you. I'll talk to the kids gladly and they are more than welcome to visit me or live with me but I am done with you Bruce. Until our child asks about you and wants to see you, then I will tell them about you and that they can visit you with the other kids as supervision. But for now, I don't want anything to do with you," you tell him.

"Y/n-"

"You can mail the paperwork to my lawyer," you tell Bruce before walking out. You found Damien and Dick standing by the door after you opened it. You gave them a hug and a kiss on the cheek before walking out. You looked over at Alfred and gave him a small nod.

Alfred walked over to the two boys and handed Dick a piece of paper.

"If you kids want to visit her," Alfred tells them before walking off.

Damien rushed out after you. He wrapped his arms around you, stopping your tracks.

“Don’t leave me Ummi. Please.”

“I’m sorry Damien. Alfred gave my address to you kids so if you want to visit me, you can. But I need to go right now,” you tell your son. Damien nodded before letting you go. You kissed his head once more before getting into your car and driving off.

----

Bruce never interacted with you again after that day. He knew where you lived due to following the kids over to visit you. But he never went down to talk to you. He knew that you were stubborn and that you were holding your ground on not wanting to see him again. He just wished that he could take everything back to have you back in his arms.

The years went on and the kids began to grow up and move out of the house. That was until he got a knock on the door one day.

A girl who looked too much like you stood in front of him as she stared up at him. She couldn’t be older than ten.

"Are you Bruce Wayne?" She asked him.

"Yes I am."

"Hi! I'm Ella. I'm your daughter," she introduced.

"Ella," Bruce sighed in awe. He kneeled down to her height so he can look at her better. "Where's your mother?"

"She doesn't know I'm here. Which reminds me. I need to call her to tell her that I'm okay and that I'm sorry for running away to find you," Ella tells him.

"She will definitely have a heart attack. Come on," Bruce said, holding her hand.

He watched as Ella talked on the phone with you before she looked up at him.

"Mama wants to talk to you," she said, handing the phone over to him.

"Hi, Y/n."

"Is she okay? Is my baby okay?" You asked.

"She's okay. I got her."

"I don't know how on Earth she managed to get to you! I know I said I never wanted to see you again but please bring her back home. We can talk about her seeing you every weekend or something," you tell Bruce.

"Of course."

"I know you know where I live. Just come over with her please. Now," you say.

"I will."

Bruce took Ella back home where you waited for them.

"You young lady are grounded!" You sternly tell your daughter.

"But mom-"

"No buts. Go to your room!" You ordered her. Ella hugged her father before running to her room.

"Y/n-"

"Thank you for bringing her home safely. I can drop her off every weekend if you're not busy for her to see you," you tell Bruce.

"If you think that's best for her."

"She’s been asking to meet you,” you tell him. Bruce stayed silent for a moment.

“How are you?”

“Fine. How are you and Selina? Have you two been raising your child together nicely?” You asked him.

“We aren’t together. She put the child up for adoption,” Bruce explains.

“I’m sorry to hear that.”

“And I’m sorry for everything. Are you happy?” Bruce asked you.

“I’ve been better.”

“You know, I never stopped thinking about you.”

You stared at him for a moment.

“I’ll drop her off next weekend after she’s grounded. You can have her for the weekend as well as Father’s Day. I’ll have my lawyer draft up a new custody agreement,” you tell Bruce.

“You could always come with her,” Bruce said.

“No. Like I said years ago Bruce. I’m done with you. I can forgive you. But you also proved to me that you will never love me as much as I loved you,” you tell him.

“I’m sorry Y/n. For everything,” Bruce said before walking out of your home.

[mrsunder]

Ever since I made that post about Alone with the little joke about him being Ghoap baby I haven't been able to stop thinking about it.

Like imagine Soap (who isn't dead because fuck activision) finding this hulking monster while doing zombie clean up and thinking it's Ghost at first but Laswell swears up and down (and even shows him proof) that Ghost is safe. After he sees his own familiar tattoo and the unmoving arm he thought was just shadowed behind its back was actually darker skinned... he realizes what it is and is both SUPER PISSED and hesitant.

He knows what these monsters can do… but he can't bring himself to kill Ghost even if it's not actually him. He'd never sleep again if he had to put a bullet between Ghost's eyes himself. (he didn't think about the arms, didn't want to think too hard about what they were trying to do that resulted in a three headed monster and signs of the entire 141 on its body) So he just sits down in the room he found it in, stays close and lets the thing engage first while trying to be as little of a threat as possible. (It's the STUPIDEST thing he's ever done and Ghost absolutely tell him that as loudly as possible when they eventually meet up again) It takes a while, but when it sees his tattoo and realizes they share a mark on their skin Alone decides that Soap is clearly Like Him and now Soap has his very own Giant Murder Child. He goes back to the 141 because he can't keep doing what he's doing while also trying to care for Alone with just the hands off help Laswell can provide and the only reason they have a Calm Discussion and they don't all throttle him for faking his death is because said murder child doesn't quite understand different levels of violence and would just assume they're attacking him. It obviously takes a while for them to really get behind having Alone around (especially Ghost for REALLY OBVIOUS REASONS) but eventually they all realize he's got some kind of humanity in him. He was able to be taught to use a gun and doesn't just run around killing everyone he gets his hands on like the other monsters they were shown after Soap's return. While he has issues speaking because of damage to his body and how the side heads attach to the main one, they're able to teach him to read, write, and how to use BSL. It's slow going, but they make progress. Soap retires to a nice secluded place after a while so he can dedicate more time to helping Alone. Ghost follows along behind him because he's not going to let Johnny out of his sight ever again. (Price and Gaz visit often because Ghost wasn't the only one waking up from nightmares of Soap's "death") Alone will be as close to a fully functional person as he can be (what with the multiple heads, arms, random body jerking, and being a literal monster making it a bit hard to just go get a normal 9 to 5). He just needs to be taught what he missed because he was "born" fully grown. He'd probably either take up Soap's place with Laswell and get to go happily rip zombie heads off or join Kortac because they make a him a damn good offer (and if he threatens to tear out the throat of anyone that so much as looks at the 141 wrong, well that's just between him and his fellow operators).

[after-witch]

How a Minute Spends Now [Yandere Platonic L Lawliet x Sibling Reader]

Title: How a Minute Spends Now [Yandere Platonic L x Sibling Reader]

Synopsis: Your brother is dead. What pieces are there left to pick up?

Word count: 3800ish

notes: yandere, abusive sibling dynamic, grief and death mentions

Your brother is dead.

And oh, it’s clear now: whoever said death was an inevitable cold hard fact was a liar. Or stupid. Or both. Because this fact is not cold or hard; it’s warm, oozing, feeling like so much black sludge running between your fingers. 

You’ll never get it off--the death, yes, and the awful, sinking realization--

Your brother is dead and their first priority was not to tell you. 

They don’t bring you into a quiet room and ask you to sit down, before explaining in sympathetic, gentle tones that something bad has happened. That the brother who carried you through hell as a child, who kept you safe (and locked away) well into your thoroughly stunted adulthood, will never be coming back again. That you’ll never hear his voice or see his face or feel his touch. 

No. They don’t bother with you, first.

Their first priority is to gather together two of those damned groomed successors--Near and Mello, of course--and take them into a quiet room and explain, softly but succinctly, that L was dead.

That’s how you hear the news. You’d followed along, hackles raised when they were gathered up, and padded silently into the next room with a sourness in your stomach. And that’s how you hear it. With your ear pressed against the wall of the room next door, gleaning snatches of the conversation afterward through a horrible ringing in your ears.

(And aren’t you an awful thing? That you didn’t know until that moment? That you weren’t struck numb the moment he died thousands of miles away, that some guttural psychic primal instinct inside you didn’t say: Something is wrong and my brother is dead. Aren’t you a shitty person, that you didn’t somehow know without the muffled words through the wall?)

Mello is loudest. He cuts through that awful, disbelieving buzz that courses through you. 

“Who did he pick--”  And you don’t have to hear the rest to know what he’s asking. Did L pick him--or Near--as a replacement? As if he could be replaced. As if someone could simply step into his shadow and wear his skin.

“He didn’t have time,” answers Roger, and you puke a little bit of breakfast back into your mouth. 

What a thought--that L had been snuffed out without warning. Without time to think about it. Without time to regret, to come to terms--to call you. 

What was he thinking about, as he died? Was he thinking at all? Was there even the quickest of thoughts about you or your parents (distant, foggy beings that they were) or something else, something you would never know because your brother always kept some parts of him out of reach?

The wallpaper scratches underneath your fingernails, and a dim part of you wonders if they can hear it beyond the wall. Maybe you want them to hear you, hear the way your fingers dig into the paper and drag down as you slide onto the floor.

Your brother is dead, and you’re alone, and what the fuck was any of it for, if he was just going to get himself killed?

--

They do get you, eventually. Or rather, they find you, quiet and curled up in the corner of the room next door, a room you ought never to have been in. 

You don’t respond to the quiet calls of your name. You don’t respond when they step inside and Roger crouches down beside you, asking if--and he doesn’t finish the question, because he knows that asking someone “Are you all right?” when they are in a tight fetal position after clearly hearing news of their brother’s death through an orphanage wall is a stupid fucking question.

So all Roger does is put a hand on your shoulder and squeeze. It means nothing, and you get no comfort from it. No one here could comfort you. No one alive. 

“L left a letter for you,” Roger says, and it’s only now that you turn your head to look up at him. “Before he left for the Kira case.”

Kira. If only everyone who uttered that name had their tongue turned to ashes. 

“Give it to me,” you whisper.

--

It is his handwriting. Not a typed letter, which could be a forgery. No, this was written by his hand, his distinct scrawl. But what sealed the authenticity was that it was written in invisible ink, revealed through a solution only you had access to; L made it himself. Because he was smart--and a pompous asshole. 

But that’s how you know in the end that it’s not a fake, but a real letter. The last letter you’ll ever get from him. 

You bring the paper to your nose and sniff; it doesn’t smell like him. Maybe it did, at first, before whatever filing cabinet they’d stowed it in leached away the scent. Or maybe it smelled like him before you poured the solution on, and your anticipation to read what he said destroyed your last chance at remembering what he smelled like. 

It doesn’t matter.

The letter is simple and your hand trembles and the first words on the page hurt--tears drip down stupidly and turn blue when they hit the chemical solution on the paper. 

He’d make fun of you for crying, before wiping your tears with his shirt, so you’d call him gross and smile and feel a bit better. He would do that, if he were alive. But he can’t, because, as the letter says--

If you are reading this, I am dead. Kira has killed me. 

I was aware that this was a possibility--

Oh, fuck him. Fuck. Him. 

There is the urge to crumple the paper now. To find a fireplace and make someone light it and watch the paper burn, chemicals sparking, with satisfaction. How dare he. How dare he chase after this case, knowing it was a possibility, knowing that you might end up staring at this letter. Knowing that you’d be so utterly fucking alone. 

Breath coming in shallow pants, you keep going. 

I was aware that this was a possibility and I’ve prepared for it, as such. You don’t need to worry about money. It’s taken care of. You don’t need to worry about a place to live. It’s taken care of. 

You realize, dimly, that one of your hands has begun to pound against the wall. Who-cares-who-cares-who-cares. You don’t want to know that there’s money and a place to stay. 

What you want is your brother. 

You want him here so you can grab his shirt and tug him close and tell him he’s a massive asshole and you love him. You want him to tentatively wrap his arm around you, to give you a pat, to murmur something about being too clingy. 

You want him to suddenly pull your hair so you can stomp on his foot. You want to curl up in bed, like you used to, and wait for him to stroke your back to sleep while you asked him questions about anything and everything. His voice would be soft and dull, walking that fine line between patience and annoyance. You’d fall asleep while he told you something especially important, and he’d debate flicking your head to wake you up, a 50/50 chance that he’d do it.

But he can’t do any of these things. Not now. Not ever again. He has no voice to speak with, no body to touch. He has no more life in him at all. 

You couldn’t even visit his grave, assuming he had one. 

The tears are hot against your eyes as they drip-drop and stain the page now. It’s not fair, none of this. The death and the letter and the gray future ahead of you.

But you have to keep reading. Every word is precious, the last ones you’ll read from his hand. And maybe--this is awful, isn’t it--maybe this letter is where he finally has to admit that he’s been selfish. To keep you locked away, to put his need for control over your need to live a real life, to stay away as much as he does--as much as he did.

Maybe this letter is where he admits his faults as a brother, so you can cry over something other than the feeling of a gutted cave inside your chest. 

Maybe this is when he admits he’s kept you wrapped in a useless bubble, and that was wrong, and now you’ll get to--

I have given instructions that my successor will care for you like a brother.

The pounding on the wall stops. Thoughts come quick, snapping, punctuated by a red hot stings of electric hate. The bastard--how could he--why would he--the words don’t even seem to make sense, so you read them over and over and over, trying to understand. 

I have given instructions that my successor will care for you like a brother. I have given instructions that my successor will care for you like a brother. I have given instructions that my successor will care for you like a brother. I have given instructions that my successor will care for you like a brother.

But no matter how many times you read them, the words don’t register as anything but a jumble of phrases put together. He couldn’t have written that. But he did. Yet the very thought that someone else would care for you like a brother--

No. Your brother is dead, and no one can replace him. Not as the best detective in the world, not as your brother, not as anything. How could he, why would he, there’s no answer that comes so you let the questions singe the air instead. 

There’s a woozy, hazy fuzz that descends on your head like a net, and you lean against the wall. Red-hot anger simmers, bubbled with a hazy grief, as you force yourself to continue. 

I have left them detailed instructions on how to care for you. 

The words drop into your stomach hard, with no reprieve. He left instructions for your care, like you were a pet being looked after on a vacation. Fucker. You try to determine if it was a joke, or an intentional slight meant to irritate you, or not something he put any spite into at all. Was he being sincere? 

Because--well.

Is it entirely wrong? You and the figurative pampered dog both leapt to attention whenever your owners--whenever your brother--deigned to come home from vacation. From solving crimes. Both whined when he left. Both circled and moped, staring out the window, hoping for their return.

Not that there would be any return for L.

You will be safe and protected, as you were under me.

A hand goes to your mouth, covering a smile that no one else is here to see. Safe and protected, sure. Like a princess in a fairy tale, like some maiden kept under lock and key in a dragon-guarded keep. Only the dragon never breathed fire--only familiar platitudes and a comforting sameness that chained you down as well as the actual locks on the doors, the security cameras, the strict instructions for the security guard at the gate.

But you were safe, and you were protected. And here you are, now, wet tears on your cheeks, anger in your stomach and a smile on your face, because your brother apparently put you in his will like some sort of inheritance for whoever takes up his mantle. 

Please don’t do anything foolish now that I’m gone. Not that it stopped you, before.

A flash in your mind, the image of your brother’s smirk, curling up at the ends. A thumb in his mouth to soften it. 

It aches and it doesn’t, this image, the clear sense of L in these words. Why can’t he be here? Why this pain, this gouged sense of reality that makes you feel like screaming until there’s no more air in your lungs? 

Your hand finds the wall again, scratching at the paper with as much force as you can, rippled scratches following in their wake. 

Better the paper than your skin--your skin will heal. They’ll have to replace the wallpaper if they want to fix the jagged scratches. Let them replace it. Let them replace it like they want to replace your brother, and see where it gets them. You’ll be there in either case. 

There’s nothing more on the paper. You’re not sure if you expected there to be; you can’t imagine him writing soft, sweet words of comfort. He never said them, not exactly, so why write them now? No “I love you,” no “You’ll be fine without me.”

But, ah. There’s more to that, isn’t there? L would never write “You’ll be fine without me,” because he didn’t like to lie. 

And who is the successor that will receive these so-called instructions? He hasn’t chosen anyone. Roger, you’d heard, suggested Mello and Near work together. Fat chance. Like they would--like they could. 

They couldn’t, and they can’t, and they don’t. It isn’t long before Mello leaves and there’s one less orphan in the building, and Near steps in.

To be trained, to be raised, to study the Kira case--to take care of you, so says your dead brother in his last letter. 

But Near isn’t L. 

And you’re alone.

--

It is not terribly long after you become brotherless--and rudderless--that you walk into your room to find Near sitting on the floor, stacking rows of gray, pattern blocks that resemble a cityscape in the center of your private little space.

The sight of him is wrong. He looks--not like L, not in that way. But the posture. The outfit. If you squint--and you do--you can blur him into something like a younger version of your brother. Different hair, of course, but didn’t he sometimes sit like that when he played? When he refused to share his blocks, and made you watch him play, and occasionally deigned to let you place a piece or two as long as you put it exactly where he told you?

And you always did, little fingers trembling, because you wanted him to think you were good enough to listen. Good enough to do what he says, because he was older, and smarter, and you should listen to him. 

There’s a lump in your throat before you realize it.

”Why are you here?” Your own voice is a croak, rusted from ill-use. Crying. Shouting. Not talking for hours until you had to.

It’s not like you had too many people to talk to, anyway; but if you get him to talk, then this blurry vision will vanish. Near might look a bit like your brother, might have the same penchant for picking things apart, but he wasn’t L. Never would be, not really.

He doesn’t look up when you speak. Thank God for small mercies. Instead, he takes one finger and pushes it in the center of a block tower, creating a window. 

“Roger said you were upset.”

The temptation to blur vanishes with the sound of his young and decidedly not-L voice, and it’s easier to cross your arms, to put up the defenses. 

“Obviously.” A little less dry now. A little more sarcastic. And a little more alive than you’ve sounded in weeks, or months, or however long it’s been since your brother ceased existing and your life at Wammy’s became all the more bleak. “My brother died.” 

Near’s eyes finally flick up to you before they dart back down to the blocks. He carefully slips a block figure--a bland smiling thing--into the window. 

He speaks softly, with little intonation. You hate how familiar it is. 

“That is, upset about me.” 

The sound of your stupid little intake breath in the quiet room is a little too much to bear, and you try to focus on the sound of the blocks instead. The small shift of the pieces as he slides them here and there, the clacking sound as they stack together. 

Click. Clack. 

What does Roger know, anyway? 

“Not about you… in particular,” you admit. It’s the most you’ve admitted to Near in--well. Ever. It’s not like you were eager to talk to many of the children at Wammy’s, especially when you outgrew them. Yet unlike the orphaned faces that faded from memory in time, you weren’t adopted, weren’t eased into some other life outside these walls; instead, L kept you here, guarded, safe, and completely stuck. 

And you are stuck. You’re an adult. You could’ve stormed out the doors the minute L died, you’re sure, legally speaking (before that--even--before that you could’ve left); started walking and taken up a job at some shitty diner and rented a room in a seedy motel until you were on your feet. 

It’s something that you’d threatened in L’s face from time to time, and he didn’t even deign to take you seriously, and it’s only now that he’s dead that you understand why.

He knew you wouldn’t leave. Couldn’t leave? Maybe it’s the same thing. Because he was right. There’s no life for you out there; no life for you in here, except for what L left you, which includes--somehow--this boy in front of you, stacking blocks, who is supposed to take up the position of older brother. In capturing Kira and everything else.

“I’m going to take care of you,” he says, all matter-of-fact. “L left instructions.” 

Your chest squeezes. Those fucking instructions. You had asked--stormed up in a huff, demanded, in a tantrum--Roger to read them, and he refused. Said L indicated the letter was for his successor’s eyes only. 

So all you had was your imagination; did L write down a list of things you liked, things you didn’t like? Did he rattle off your favorite foods, what time you were supposed to go to bed, what to do if you had a meltdown and began to cry over your social isolation? Or did he--the thought was tempting, however improbable it was--write something more sentimental? 

Logic and bitterness win out, and you imagine Near reading the details of the letter meticulously, probably looking for the words-within-the-words, all while flying an airplane with his other hand. 

“I’m not a dog.” Your eyes dart over the blocks, over the memory of all the toys you’ve seen Near playing with; there’s something painful in that image, for too many reasons. “Or a toy.”

“Yes, I know.”

Near doesn’t look up again. Instead, he flicks his hand, and knocks over the tower with the window, with the smiling person inside, who topples to your carpeted floor. Something about it makes you want to laugh; makes you want to get on the floor and ask if you can push over the next one. Tears prick at the edge of your eyes. 

Instead of swooping onto the floor, you weave around the circular city he’s created in your room without permission, and climb onto your bed. The book you were reading this morning is still there, ragged bookmark jutting out of it. Your bed is unmade, otherwise. Sheets rumpled and unwashed. You haven’t bothered with the bed since L died. Haven’t bothered with a lot of things, besides. 

It was an older book. A philosophical treatise from the 1930s, when Europe was on the cusp of war; translated into English and shuffled around the hands of starving artists and avant garde thinkers until, decades later, it landed, battered, onto the shelves of the orphanage for gifted children. Gifted children and you, L’s leftover baggage.

Well. If Near is going to barge into your room without permission, you won’t let it impact your day. Roger said if you didn’t start eating again, you couldn’t borrow books; that’s where you’d been, before you came back. Grabbing something to eat under his watchful eye and eating it with deliberately pointed chewing motions, as if it bothered him.  

So you’ve eaten. Now you can read. 

“What are you reading?” He asks, like he didn’t already see the title of the book. He probably saw it on your bed whenever he first came into your room. Probably knows exactly where it rests in the Wammy library when it’s not checked out, and who else has read it besides you.

But he’s asking anyway and something empty in you clings to that question, as you curl up on your side--body and soul aching for the physical curled-up nest of your brother that doesn’t exist anymore.

You hold up the cover and shrug, hiding the need, pushing down the urge to bury your face in your pillow and have an imaginary conversation with your dead brother.  It wouldn’t be the first one you’ve had this week.

Near’s eyes flick to the book, before he works on creating another tower. 

“Do you like it?”

Your heart clenches. You’re reading into it, the way it reminds you of L. The way the question is open and you can’t tell if it’s asked because he thinks the book is pointless trash and will find you silly if you like it, or because he genuinely wants to know. 

It’s not a book you’d read again, that’s certain. Not because you think it’s awful, but because none of it really makes sense to you. You’d grabbed it because the thought of reading a novel you’d been eager to read while your brother’s corpse was buried thousands of miles away made you want to vomit. So a random philosophy book was the better option. 

You don’t want to tell Near all of this; because of his age, because he’s little more than someone you know, and because like your brother, you want to keep some things secret. 

“I don’t understand most of it,” you admit, finally, the words sticking to your mouth a little. A bit of truth would be okay, in the end. “I just wanted to occupy my time, I guess.” Reading words from someone who furiously pushed them out on his typewriter almost a hundred years ago was better than thinking about who wasn’t in the room. 

Near smiles, a little, not looking away from the blocks. 

“Do you want to help?”

He doesn’t stop what he’s doing, picking up each piece carefully and stacking it just-so. He leaves the toppled tower, figure and all, where it is. 

You’re not sure how long you wait before deciding.  All you know is that in your isolated room at Wammy’s, with only a window to the outside world you’ve barely known to give you any inkling of the passing of days, you slide onto the floor and tentatively pick up one of the toppled blocks.

Near doesn’t tell you to leave those where they are, and that’s okay.

He doesn’t tell you where to put it, either, as L would have certainly done--and somehow, that’s okay, too. 

[jdtrashman]

What stood out to me the most about Episode Aigis' first and second acts was how despite Makoto rarely being mentioned - and obviously never by name - you feel his presence hanging over every conversation. He is the true, underlying, unspoken topic of half of what the team talks about, long before the arguments and insults start flying.

You never see the funeral, you never see his grave. Instead, the game shows something so much worse: the hole Makoto has left in his friends by leaving the way he did. (spoilers under the cut)

Aigis naturally falling into Makoto's role as the silent protagonist leader-kun, and for the same reasons as him: introversion caused by deep self loathing.

Junpei proverbially tightening his belt and straightening his shirt, stepping up to be the team anchor because someone has to keep this team from falling apart on each other. How you see that through his jokes, how carefully timed they are to avoid a conversation going down a dark path. He's gone from the guy who blamed Makoto when things went wrong, to the one keeping the team's eye on the ball.

Akihiko doing his level best to stay strong, to prove to himself that he didn't fail his two best friends.

Yukari and Mitsuru's paralleled pain, both having been failed and left behind by yet another man in their life. And how that pain manifests differently - Mitsuru isolating herself for much of the expansion's first act, and Yukari's attempts to shut away the pain manifesting in petty jealousy over Aigis receiving the wild card powers.

Ken appearing to be totally fine until you sit back and realize that what you're seeing is a child's carefully trained numbness in response to trauma. He's lost his mom and two surrogate older brothers. He is, tragically, the best of the group at pretending he's okay.

The only one who seems to be adjusting as well as anyone can is Fuuka. You get the sense that she's the only one who is actually attending therapy for this. And even then, when the story gets to its end, it's clear that she's as hurt as the rest of them.

All of this is conveyed through dialogue way before the colosseum lays all the trauma bare. Genuinely masterful stuff.

[weepingtalecowboy]

Four meets the colors

I decided to be absolutely evil so here you go fanfic prompt :

What if four was never capable to combine into link but they didn’t even get the opportunity to take turns because everyone controls different body parts and they have to coordinate absolutely everything together and pulling the four sword back just to be four people again isn’t something they can just do

They learned to live with it but no matter how hard they try to make it look naturally

they still move in a way that feels wrong even when they are trying hard to cooperate

Their feet have slight delay

their hands have trouble gripping stuff in a way that looks naturally and one hand might grip the wrong side of a box ending with nearly dropping it

Their face can show different and several emotions at once and they can sometimes be heard mumbling to themself

And because of that they are perceived as unsettling or unstable by their own village

Their father couldn’t truly understand or accept them because link his child essentially died and they know it no matter how hard he tries to hide it

Their grandpa is getting older and even though he grieved his grandson he still wanted to accept them and when he is gone they would only have Zelda left

And she spends most her time in the castle ruling Hyrule

Shadow is not coming back ever again

And because of that spend as much time as they can on blacksmithing to not have to worry about things

But when linked universe happens they meet a version of them that has everything they could possibly want

Like their own bodies and lives

Shadow is still alive

The village doesn’t fear them

Vio,Blue , Red and Green all get to go by their own names

And four has to go by link

It’s genuinely paining them because it just doesn’t seem fair

Main while the colors hate how four is looking at him

Because they used to think that link would understand and support their decision to stay apart

But obviously link feels to good about himself as the perfect and superior hero of the four sword

And they all start hating him for it because it means that their decision wasn’t approved by the one person it mattered from the most

The chain feels the tension but doesn’t really know how to fix it so they separate both

And when they all get to four’s Hyrule they feel ashamed of how bad they are viewed by their own village

Because the colors are loved but they are not

So they tell them that when they put the sword back they never became one

The colors feel absolutely horrified when they realize the implications

Because four's existence sounds like their worst nightmare

And it makes them feel sick

That a version of them could be so screwed over by their own existence

And shadow isn’t even with them

And their dad doesn’t even want them to exist

Man and they thought they had it rough

Four gets to meet shadow and has a mental breakdown over it

Shadow is also very disturbed by the situation

Also they keep four there is no way hylia can stop them (it still is extremely weird when they interact with their counterparts because they like don’t always have the same expressions )

but also four is all fucked up like red is delusional (he was doing his own thing the entire adventure in the manga), blue has an obsession with keeping things under control(getting frozen and swallowed by a host is not fun) (which is why he is so obsessed with cleaning because it gives him a way to control the environment ) , Vio is depressed about shadow,green has a hero complex (he is link if you delete all personality traits except hero)

Yeah that won’t be fun

The colors have it easy in comparison

[randomly--accessed--memories]

@storm-ismyusername

Okay, so, the "Vox's kids die as children AU." I came up with the image of Vox keeping his kids in a fish tank first, but upon further reflection, I've realized that it doesn't really line up with the timeline I've established.

Vox's children were 7 and 10 when he died (1957)

Vox worked under an overlord for 3 years after his death until he broke free, started his own business, and met Alastor (1960)

He and Alastor were friends for 6 years until they fell out (1966)

Vox gained official overlord status 2 years later (1968). By the time Vox had the resources for the fish tank plan, his kids would've been 18 and 21.

The only window of time where Thomas and Sarah can die and still be children is 1957-1961, so it would have to happen when Vox was still in the employ of his overlord. I actually think the idea of struggling single dad Vox is really charming, so let's go with that.

With that background, I'm not sure if Vox would feel the need to do the fish tank thing since they went a decade without anything going wrong. Maybe it exists, but Sarah and Thomas aren't confined to it 24/7. Everyone already knows they exist, so they're allowed to move around the tower as they please (they are absolutely not allowed to go outside, though).

Okay, with that out of the way, onto the responses. Gonna answer this in parts: this one is the pre-canon stuff, the next will be the canon stuff, and the third will be RAM stuff.

Ondine & Fineas where they die as kids: How does child Sarah and Thomas react to: 1-Dying 2-Going to Hell 3-Reuniting with your dead Dad (who now has a TV for a head) Would any of their Sinner features be different? Is it weird I can see Vox being more fatherly to Sarah and Thomas than he was in his human life? So when Sarah & Thomas die as kids does Vox find them before or after his big fight with Alastor? If before, what would Alastor make of the situation?  How long does Sarah and Thomas fend for themselves in Hell? A few days, a few weeks, a month, a year?  Did someone find the first? Did Vox only learn his kids were in Hell when someone was using them as blackmail against him? Did Sarah and Thomas watch as their father brutally murder their kidnapper in front of them?  Maybe another Overlord (like Carmilla, Zestial, or Rosie) found them and gave them to Vox because they felt threatening children was beneath them and drew the line at hurting kids. Wait what if Alastor found them first? What would he do with them if he did?

Okay, so Sarah and Thomas die somewhere between 1958 and 1959. They still drowned, maintaining their aquatic theming, but I'm not sure how exactly– could've been from their mother driving under the influence and crashing the car through a bridge's guardrails, could've been just regular drowning at the beach or something. Their mother survives, so they land in Hell alone (I have no idea what an 8~9 and 11~12-year-old could've done to get sent to Hell, but let's just move on).

Not sure how Vox finds them. In the main AU, they found him by recognizing his voice in an advertisement and seeking him out, but at this point, Vox is just some random nobody. Let's just assume he got extremely lucky and happened to come across them 1-30 days after they first arrived but before anyone else thought to scoop them up. Vox is horrified that they're dead and in Hell and privately swears to permakill his wife for letting this happen if he ever sees her again. He brings them back to his shitty little apartment and starts trying to figure out how the fuck he's supposed to care for children in Hell.

Despite the circumstances, Vox is actually a better father in Hell than he was on Earth. He has nothing to his name other than a shitty errand boy job, a tiny apartment, and his two small children, who he thought he'd never see again. While the stress of having to provide for them is a beast, losing everything sort of forced him to get his priorities in order. They become far more tight-knit than when they were alive, as Vox is forced to spend more time with them and get creative when it comes to meeting their needs.

It's all quite the adjustment for Thomas and Sarah. Dying and trying to survive on the streets was as traumatizing as you'd expect. Reuniting with your dead dad and having to adjust to living in poverty is also a lot to take in. Every day, they're stuck in a one-room apartment with gunshots constantly going off outside and explicit instructions from their father to be as quiet as possible and not open the door for anyone– very different from the upper-middle-class suburbanite life they were used to. Eventually, their dad will come home with cheap food, they'll spend some time together, and then all curl up in their one bed and try to sleep. Wash, rinse, repeat. It's not a comfortable life, but it's definitely more intimate than how things used to be. Thomas starts letting go of some of his resentment of Vox since he can tell he's actually trying now, and Sarah's view of him as A Good Dad, Actually solidifies.

Eventually, Vox secretly kills his overlord, starts his first business, and is taken under Alastor's wing. Things become more comfortable for the three of them, and Alastor becomes something akin to a weird but fun uncle to the kids. Things are looking up for the family as Vox starts to build power and wealth. It's horrifying for the kids when Vox comes home one night without a head and swears vengeance on Alastor, but that incident only adds to Vox's upward momentum. After ten years of struggling in Hell, Thomas and Sarah (or rather, Fineas and Ondine) find themselves back in the lap of luxury as their father claims the title of the Overlord of Television.

[i-cant-stop-fandoming-help]

Bored so. Dra characters and if i think theyd be shit parents or not. (Not including people who are canonically parents)

I will reblog this with the sdra2 characters and what i think theyd be like as parents.

Mitch: he'd be an absent father

Kiyoka: i mean. She'd probably do decently enough. She wouldnt be perfect but she wouldnt be awful, either.

Kizuna: it really depends!! If shes a single mother, i think she'd really struggle with it. Both of her parents were bad, but still in her life, and as a single mother... i think she may unintentionally be bad. BUT!!! If she has a good partner, i think she, like kiyoka, could be a decent mother. I think she'd also definitely need to get some sort of therapy before being a mother, just so she can unlearn things that minako taught her.

Ayame: she'd definitely be a good mother! She'd make sure her child has a good balance between everything. 25/25/25/25 for games, excersize, schoolwork, and anything else. She would care a lot.

Kakeru: probably a good dad. I think he'd adopt kids, maybe teenagers, and try his best to make sure theyre happy as can be.

Kanata: like kakeru, i think she'd be adopting. And i think she'd be a good mom. After the good ando and his wife did for her, by adopting her and raising her with care and love, she'd want to do the same for other children out there.

Kinji: part of me is tempted not to include him because of the orphans.... hes actually their dad now. He was willing to kill to keep them safe so... hes at least decent. At most hes a great parent.

Haruhiko: probably decent. Not the best, not the worst.

Satsuki: i mean... i dunno she feels a bit complicated. She was raised in a large family. Her parents basically saw her as something else to help them profit, as they probably did with all of their kids. Almost all of her siblings saw her as competition instead of family. Keisuke was basically acting as her father, because neither of their parents did a proper job raising her. I think she'd have to realize how wrong all of this was before having her own kids-- only then do i think she'd be better than decent. Also i think it'd be best if she only had 2-3 kids because we are NOT repeating what her mother did. 21 KIDS???? JESUS CHRIST

Yamato: from the sounds of everything, Hanzo did a good job raising him. Because of his strong sense of morality, i think he'd be a good father. Not great, but not just decent, either. I think he'd help his kid with a lot of things, but possibly, unintentionally, make his kid worry about living up to expectations.

Mikako: i think she'd be a very caring mother. Not overprotective or a "they can do no wrong!" mother, but she'd care for her kids as if her life depends on it. I think, if there were ever a possibility of her finding out what kokoro did to her, it'd mess her up a bit and she'd worry more about failing as a mother.

Utsuro: ........would he even be present? I dont know. I dont think he'd even want to be a father.

Akane: its easy to imagine her as a mother, but shes gone through hell and back and she's experienced lots of poor treatment. She didnt really have a mother for a lot of her life, because her mother died when she was still young. She never knew her father. I dont think she really had any good parental figures in her life, other than the possibility of another maid or two caring for her when she was just starting out and when she grew up. But so many people have harmed her that... i think she'd be scared of having a child. I think she wouldn't want to bring a child into the world, knowing they could suffer the same hell she did. Knowing how cruel the world is. So, i dont know if she'd be a good or bad mom. I don't think she'd want kids.

Teruya: kojiro set a good example for him! He'd probably be a good/great dad! Bbbbbut theres a chance his kid could end up being terrified at the idea of being the heir to otorimart.

Tsurugi: SHIT FATHER!!! Maybe in a happier timeline, he would be decent. Maybe if given the time to escape the beliefs that his father placed on him, he would be decent. But if we go by the tsurugi seen in sdra2... i just dont think he'd be a good father at all.

Rei: AMAZING MOTHER. LISTEN TO ME. She's smart. She knows that what she experienced as a child was wrong. She would not want her own child to feel as unloved as she did. She was abandoned and had to fend for herself on the streets while she was still young. She would be hesitant on having a child, but she'd be an amazing mom to any offspring she has. I actually have written a fic with her as a mom! it's uh. for the fankidronpa i'm helping write. Here's the link. (it's going to be released in parts bit by bit as the fankidronpa itself actually releases, to expand on a character more :3)

Keisuke: i said it in satsukis portion, but he practically raised her. She was practically his daughter. (Meaning he likely experienced parentification of some sort which is a topic for another time.) But I think he'd actually do pretty good! At least... that's regarding DRA keisuke. SDRA2 Keisuke would not do as well, probably. He'd be decent, still, but after beginning to follow the same beliefs that Tsurugi follows... I don't know how to explain it, but I think he'd fail a bit in certain areas.

Ryutaro and Midori: Honestly? I don't know, with these two. But... I think they'd have to adopt. If they wanted children at all, I think they'd have no choice but to adopt. Why am i including them together?........ Listen they're the only ship i'm going to include in this post. They're their own people away from the ship, yes, but i think it'd be the same either way. The only difference is that I think ryutaro might not want children, and Midori would be worried about adopting a child at all due to the fear that she could die from any sickness at any random time.

Anyways it's 2:08 AM and I am your locally insane dra fan.

[nixie-deangel]

Because I'm s sucker for kid fics and really interested in the Jake's family idea.🍼🍼🍼 🍷🍷🍷. Great work!

🍼 non navy bradley/fighter pilot jake as parents - hangster

“Are you being good for daddy, sweetheart?” Jake can’t help but stare in wonder at seeing his little girl so big. All of five years old and Jake feels like he’s missed everything. “How’re you likin’ school? Makin’ friends?” He grins playfully at Bradley, who lets out a snort of laughter. “Good!” Emmy chippers happily, grinning big, showing off the gap in her teeth. “Daddy said I had to be good and go to school, otherwise the Navy would keep you way longer! So I’m being extra, extra sweet and good, papa!” She flashes Jake her brightest grin, before frowning slightly. “Don’t like school though. Mrs. Amy always ends reading time too soon.”

🍷 Jake's family causes the hangster break up

“You don’t really think he’d be happy, having to actually settle for you, do you, Bradley?” Bradley flinches back startled at suddenly hearing Jake’s sister just behind him. Spinning on his heel, he stares wide eyed at the younger woman. “Wh-what?” He watches as she scoffs, rolling her eyes before moving around him to get at the fridge without having to come close. “Jake. You don’t think he’ll actually settle for you. You’re just a stop of fun for my brother.” Flinching again at the snide tone, Bradley huddles into himself and mutters out a soft ‘excuse me’ before making a beeline back to Jake’s bedroom.

Make Nixie Write This Weekend!

[amummy]

This is a miquella supporting blog, miquella haters don’t interact (I’m kidding idc who or what you like or dislike)

[roakkaliha]

the fact that im slowly getting more comfortable with video editing n the general process of making a video is making it more n more likely that i will make a video talking abt how everyones interpretation of the writing n characters of stardew valley are Wrong and also racist/classist/ableist/etc. and also uninteresting n doing the actual writing in the game great injustice.

[bisaster-energy]

think i'd actually rather die than read another fic where the main plot point is cas trying to make up for something "bad" he did

[voulezloux]

.

[seelestia]

✧ i'll show you (if you'll let me).

⎯ there is a certain touch of beauty to witnessing a side of theirs revealed to you so naturally. it becomes as easy as breathing if you just let it happen... so, will you? ( or in other words, a way you enable them to be themselves. )

#STARRING. aventurine, dr. ratio, sunday, dan heng ft. gn!reader. { 4.2k words }

#TAGS. fluff, established relationship. more: minor spoilers for aven's backstory (described mostly abstractly), ratio is referred to by his first name, i called sunday a nerd (sorry), dr. ratio & dan heng are certified workaholics.

#P/S. i think i may have yapped a little considering the word count but i hope it ends up being a good kind of yapping. tysm for reading! ♡

© seelestia on tumblr, may 2024. please do not repost, plagiarize, translate, use for AI-related purposes or claim as your own.

★ 〜 masterlist.

will you let aventurine hold you close when he sleeps? . . . whether it's an arm slung over your hips or his nose buried in your shoulder or fingers tracing shapes onto your skin. he doesn't ask for too much; only that you grant him the permission to cradle you in his arms, somewhere within his reach. it's a habit, he hopes you don't mind.

you have to wonder, though. considering the plenitude of pillows on the bed, why do his hands still seek you out? with all the credits he spent on those cotton-stuffed angels, you thought aventurine would relish them a bit more. but ah-ah, see? that is where you're wrong. sure, the pillows are extremely comfy but he always has a preference for things with much, much more value.

and the truth — well, his truth — is that even the softest cushions from oti mall couldn't compare to the privilege of laying his head on your chest, he'd say. especially when you brush his hair with your fingers - oh, one of the easiest ways to paradise. truly, the best value there is! can you blame a man for being honest and a little lovesick?

(“sappy,” you accuse. he pouts, offended.)

but aventurine has a flair for theatrics, you know that. his witty quips are as feather-light in weight as light-hearted they are in intent. but his touch - in the forms of kind caresses or rhythmic taps to a tune from his forgotten culture - lingers on your skin, with a yearning so heavy. you question whether it could be nostalgia or instead, silent awe at a reality he never imagined could ever be his.

(kakavasha remembers. clinging onto you for warmth like he once did to his sister, falling asleep with her prayers to mama fenge in his ears. the avgins believed gaiathra triclops to be the symbol of humility; so naturally, their prayers to her should also be humble, not too quiet but not too loud. all in moderation. for a frail child like him, those gentle prayers alone were enough to let him drift into a dreamless slumber and to ignore the shackles of reality if not for the briefest moments.

time passed. came a time where the melody he associated with slumber was no longer a soft voice lulling him but pure static, a noise to distract his mind from the chains around his wrists. they burned themselves onto his skin, searing, but he was already too familiar with the sensation to care. the mark on his neck was unwelcome, laughing at him, but he too laughed at his own pitiful reflection so what's the difference, anyway?

time passed again, the call of slumber then turned into clattering noises of chips doused in gold and dice thrown onto a surface. he thought it'd stay that way forever but before long, it morphed into up-and-down waves he couldn't decipher initially. they're gentle, faint like a human's breathing: your breathing as you allowed him to lie beside you for the first time, he realized back then. although he deems himself unworthy, an ugly grime on your pristine existence that still insists on cradling him — but despite it all, he finds this last melody to be his favorite so far.)

✧ a moment among the stars:

ticklish.

the sensation, minor yet still impactful enough, causes you to stir out of sleep. the light of noon greets your eyes and you become vaguely cognizant that the root of it all is the tufts of blond hair brushing against your neck.

there is a solid weight on your torso and a pair of slender arms loosely wrapped around your waist - but they're nothing you haven't grown used to. you comb your fingers through the messy locks licking at your skin, instinctively, and the fragrant scent of what you register as penacony's limited edition perfume kisses your nose.

“...ugh, what system time is it?” you let out a grunt, shifting around slightly to let your limbs breathe. you don't get an answer to your question, instead, aventurine's arms reestablish their hold on you. hooking you closer to him as if to wring out whatever proximity is left, if there is even any. his simple proclamation of “who cares?”, in a sense.

there it is again, that ticklish feeling. you feel soft lips grazing feather-like kisses against your collarbone. oh, he definitely isn't letting go just yet. truly merciless, a dozy morning thought accompanied by your tired sigh. the noise still comes out fond, however, so your feigned act of annoyance is fooling no one.

“it's warm, you know,” you grumble. but the yawn escaping your mouth right after betrays whatever stern image you're trying to adopt. not like you can ever be too stern with him. aventurine knows this, yes, and he gives you an A+ for effort each time.

“mhm,” he finally speaks, snuggling into your chest with no care about anything in the world, “g'morning to you too, lovely.”

his favorite mornings aren't his favorite if not thanks to your innocuous complaints and delightful attempts at pushing his pretty face away, no? a lazy grin graces the stoneheart's lips and eyes like exquisite gems, although sleepy, flutter open to gaze at you languidly. he takes the sight of you in then lets out a sigh - a fond noise just like yours earlier; the both of you really are two peas of a pod.

you must look a terrible mess right now and yet, the sight of you has aventurine smiling dazedly. “ah, what a spectacular sight. i really am the luckiest man in the galaxy,” he hums in approval. you want to roll your eyes but stops as he leans up to pepper (ah, one necessary correction: smother) kisses all over your face, arms dragging you closer to his chest like a cage. your eyes widen comically. what a nefarious trap, he has the advantage!

every remnant of sleepiness clinging to your mind evaporates. you squeal with laughter, shoving at his shoulder using the strength of a baby deer because no, you don't really want him to stop. he knows that too, of course.

“mwah, mwah, mwah—”

“pfft...! kakavasha, i can't breathe!”

(he has half a mind to pinch his skin, as if to remind himself that this is real. he can feel your giggles tickling his skin as if to tell him in return: yes, you are.)

will you let veritas pour his heart out after a long day? . . . well, that could count as too much of an overstatement. others say, “that man is like a brick wall!” some more dare to whisper, “doesn't his temper already exhaust whatever emotional quota he has?!” needless to say, everyone knows that dr. ratio is a man ruled by the mind, not by the heart. alright, that's quite true - but does that imply he has discarded the latter altogether? if so, then you beg to differ.

(not in the literal sense, of course! the heart is a vital organ of the body. saying otherwise would be akin to spitting on his shiny phd in biology... or his seven other phd's at that.)

the pedestal which the public places veritas ratio on reaches still great heights, even if it may not rival an ivory tower a member of the genius society resides in. it is so high up that mundane troubles of those below can't reach a genius like him, surely? well, as tall as he stands - somehow, the universe grants you a front row seat for a particular sight that proves otherwise.

if only they knew the doctor has a habit of mumbling these incomprehensible (more like barely intelligible) grumbles under his breath, striking a resemblance similar to a grumpy old cat. if you strain your ears hard enough, you might catch a “...this has to be it...” or “...i dare not think so...” from time to time as he roams around the room with materials in his hands.

(absurd, people would say. but you think it's extremely cute.)

veritas doesn't say it out loud - but you can tell by the hunch in his stiff shoulders, by the one or two sighs he huffs every six minutes - that he is itching to tell somebody of all the tomfooleries he has encountered today. of course, the topics he laments about vary; it's only when you hear him exhaling the loudest sigh that you get to find out.

mostly though, it's about his students and remarks on how they can further improve their performance — sure, he could phrase it a little gentler — but you still find it sweet that he cares. if not that, then it'd be about indolent colleagues, complicated formulae and more. on some days, he'll even let out an exasperated “truly mind-boggling! could you believe that?” to which you'd reply with an “uh-huh, go on.”

at the end of a ranting session, veritas takes careful note to leave a kiss on your person afterward. no matter where it is - on the lips, the cheek or your hand. no matter where you are - sitting on the couch beside him, behind the kitchen counter or across the room. the warmth that stays on your skin when he pulls away is somewhat tingly. appreciative, you think, especially when he looks at you with such loving eyes that his colleagues would be sure to retch in shock if they were a witness.

looks like you are right on the money; he has never discarded his heart, after all. so yes, to rephrase - will you lend veritas a listening ear when he needs it?

✧ a moment among the stars:

“...yet another headache.”

as unsubtle as ever, the doctor's complaint is barely hidden behind the guise of a mumble. those neatly styled violet bangs of his aren't doing an excellent job at concealing that frown strewn across his forehead either. veritas's posture is tense, a dead giveaway, as he goes over the piles of documents on his desk.

you cock an eyebrow upon seeing the stamp belonging to the intelligentsia guild on one of the papers. definitely work. it has been two system hours since he took a seat at the work desk, you concur, or lifted a finger to do something besides flipping through drafts. a mere glance at the stack of documents is enough to convince you that those researchers at the guild must really value veritas's input.

a perk of being a genius, maybe? the phantom of a weight lands alight on your shoulders. with a mug of black coffee in hand, you make your way to him. your footsteps are without a sound, only the noise of porcelain being placed down onto woodenware is enough to announce your arrival. “rough day at work?” you ask, peering down at his progress.

(a doctor's handwriting really is something. you resist the urge to squint.)

veritas doesn't seem to mind. if the way he smiles at the sight of you, albeit tiredly, is any indication. “hah,” he rests a hand on his temple and scoffs wryly, “so much grievances like you wouldn't believe.”

oh, he is teetering on the precipice of a tangent but stops himself. “...fret not, i'm fine. this is hardly something beyond my expertise,” he shakes his head, the motion causing his reading glasses to slide down a smidgen down the bridge of his nose.

you're too familiar with the self-assured bravado he puts on. you're quite endeared, actually. “okay, mr. i-require-no-rest,” you take the glasses off his face and he breaks into a frown. at the childish tone you're using or for having his reading glasses taken away, you don't know.

“why don't you take a little break?” you suggest. veritas sighs, “need i remind you that dilly-dallying is for fools who wish to waste their time?” and crosses his arms defiantly. he knows your strategy, he has come face-to-face with it several times.

“do you think a break with me is a waste of time?” you present him with a rhetorical question, quite the difficult adversary.

(and he keeps losing to it every single time.)

“well, that's—” the doctor nearly splutters, taken aback. “that's different if you insist on inserting yourself as a variable,” he infers, putting emphasis on the last part accompanied by an incredulous look.

“the answer is up for debate then,” you shrug with a cheeky smile. your hand then deftly lifts the mug you previously set down to your lips, veritas's eyes dilate in bewilderment. “so,” you hum at the rich taste of your handiwork, “wanna tell me about your day? haven't heard about the council in a while.”

“you—” he gasps in defeat, “i thought that was supposed to be my mug of coffee.”

(he has a slight pout on his face, but you dare not point it out lest it disappears in the blink of an eye.)

“our mug of coffee,” you take a few more sips with an innocent decadence. “all is fair in love and war, doctor.”

“i can never win with you,” he buries his face in his palm with a groan. you laugh heartily, a sound that chimes like quaint little bells in his ears - it elicits a reaction from his lips, for them to quirk up at the corners in the smallest of ways.

“regardless. . .” veritas relents and reaches for your free hand. you let him. “it seems a break wouldn't be so amiss, after all,” he then presses a kiss on the side of your wrist, affectionate.

(your heart skips a beat.)

will you let sunday regale you with facts you've never heard of before? . . . a man of eloquent words, no less a man of educated mind. you have no doubt that the books in the dewlight pavilion really aren't just there for show - not that you're allowed to browse through them at your own desire. a servant's voice would stop you in your tracks should your fingers ever brush against something in the family's secret bookshelf.

how mysterious.

but sunday makes it known to the staff that you, in particular, are allowed more access to the shelves - perhaps, not too much - but more than even mr. mccoy, at least. with the way you have to crane your neck far up to pinpoint the tallest height that the shelves reach, you wonder: has sunday gone through everything here personally?

your immediate answer is most likely. you know sunday fairly well; to have something that he hasn't scrutinized from the inside out in his possession will surely gnaw away at his psyche incessantly. not being in the know at all times is a looming fear for him. but of course, you have other ways to confirm the answer for yourself.

pick out a book from a shelf there, either intentional or purely arbitrary, and watch as sunday carefully traces his steps towards you. his curiosity is piqued, which topic has caught your interest this time? but he tucks it under proper cordiality. with a hand behind his back, he'd utter your name in the softest tone and ask the familiar question of “would you like to know more?” — asking for your permission to ramble, essentially — you find this tendency of his to be charming, so you nod each time.

(and he smiles when you do. a smile less refined at the edges, kinder and relaxed.)

the best place to start from is always the beginning. you think sunday agrees because he often starts by telling you the history and its origins before moving on to its impact on the galaxy, then his personal stance on the topic. it's a pattern, you notice, his ramblings have a pattern. and it's consistent every time, you might've believed he was reading off a script. and what's more? sunday is blissfully oblivious of it.

fascinating. you ponder: what kind of things you can do with this information? decisions, decisions, decisions. . . but ultimately, you opt for keeping it a secret like a treasure only you're allowed to see.

(that might be true in a way. you don't doubt that robin, his dear sister, is familiar with this side of him. does that mean he treasures you like he does her? your chest starts to feel a bit lighter.)

if you were to point it out, you fear you might never witness it again - goodness, to know that he has been displaying such foolishness or rather, what he viewed as an embarrassing freudian slip in front of you? his wings might as well resort to covering his face for good until the end of time.

as you listen to him talk (with such elegance at that), you can't help whatever tender look you have on your face. really, who would've thought the head of the oak family could be such. . . a nerd?

(you hope in secret that sunday will be more willing to show sides like these to you in the future. and that they're not a weakness at all, not when they're shared with you.)

✧ a moment among the stars:

“it looks like you're fascinated by the dreamscape nursery rhyme this time.”

sunday spares the article in your hold no further inspection. one glance at the cover and walls of memorized information rush to the front of his mind. he looks familiar with it; could it be a part of his childhood too? but then again, everything found here is within his knowledge.

“i am,” you say with intrigue, “it got me ruminating for a while.”

you meet his gaze, stumbling upon yellow irises that glimmer akin to gold under penaconian chandeliers. you think you see a hint of affection in them, swimming around your reflection like a school of fish in a pond. it makes you smile.

he smiles back, oblivious to your thoughts but returns your gesture. he asks, “how so?” and you reply without delay, “i read through it and the morbid undertone took me by surpri—”

or at least, it's supposed to be without delay until you realize sunday has stepped closer in order to peer down at the page you're holding open. and suddenly, you're extremely aware of every minute detail like how his breath brushes against the side of your cheek and how his chest rumbles as he hums in acknowledgement.

(you flush in the neck and he perceives this reaction of yours with mirth.)

“my apologies,” sunday chuckles and pulls away, “i've simply forgotten the rhyme and wished to refresh my memory.”

“somehow, i feel that isn't the case...” you mumble accusingly. that seems to amplify whatever little amusement he gets from flustering you. “oh, my dove. i can assure you that it is,” he caresses your head, a little placatingly.

most times, sunday isn't so laidback about giving affection in public — since he has an image to maintain — so you assume the fact that the servants are out and about, leaving only you and him here, plays a role in his unusual boldness. you accept the gesture with a bashful pout.

“now, where were we?” sunday clears his throat, “ah, yes. some people have noted on the nursery rhyme's strange quality but still, it retains its popularity in penacony. it is also widely assumed that the hound resembles the bloodhound family while—”

you hold back an amused sigh, but it's more out of fondness than anything. he'll start from the history then the effect on the general public, as per usual, but you're not the only predictable one here. you'd listen to him anytime too, won't you?

(you do adore when the head of the oak family would put off his public figure mask around you. if only for just a while.)

will you let dan heng rest his head on your lap when it's just you two? . . . the sense of comfort it provides isn't something he can explain with words. as if he has ever been good with words in the first place. saying a sentence bereft of logical reasoning or witty remarks doesn't come easily to the express’ guard. neither does intimacy. . . but you know that already, don't you?

after all, it isn't a secret that dan heng prefers speaking with his actions. if to show one's intentions is the end goal, then actions are the fastest route to choose. words, although able to sweeten the trip like how a beautiful scenery can, will eventually lead to actions regardless so why take the extra step?

but you're different from him; you articulate what you think and what you mean. you're honest in ways that keep catching dan heng off guard without fail — just like the first time you offered your empty lap to him when his head was swirling in pain — but he supposes that is one of your charms. “words can be useful. we're not all born mind readers,” you told him once and he hummed, accepting of your perspective.

(“look at you two! opposites attract!” march chirped. he recalled shooting her a look of indignation and she rubbed the back of her head sheepishly in response.)

dan heng has learnt to grow used to your propensities - but by far, your shameless invitations are still one matter that can't be comprehended even with time. he cannot understand; how you smile as you sit on his futon in the archives (he doesn't mind), how you link gazes with him so effortlessly, how you pat your lap knowingly and say, “why don't you rest your head here?”

(he has to restrain himself from bursting into flames like a heliobus.)

sometimes, he'll accept reluctantly or he'll decline with an underlying tone of longing he doesn't want you to notice. because as much of a good hold dan heng has on nonchalance, he cannot deny that this particular gesture of yours has left a mark on him.

(it remains persistently.)

when he rests his head on your lap, he can't help but take a deep inhale - your fragrance fills his senses and he discards the selfish desire to keep it all to himself. your fingers are soothing as they thread through his hair gently. the feeling that washes over him is serene, almost comparable to submerging himself in the pure waters of scalegorge waterscape.

when overcome by such a tranquil state of mind, dan heng wonders what expression he might be making at that moment? he always keeps his eyes closed, so it's a shame he may never know. but you do, and you don't think you've ever seen him look so at peace before like he does now.

(perhaps, that's why you keep offering him this in the first place.)

✧ a moment among the stars:

“someone looks tired,” you state with a pointed stare. the archives isn't a room too spacious and the only ones here are you and him. the target of your sentence is obvious.

but dan heng doesn't take the bait, barely looks away from the entry he is currently authoring. still, he spares you a glance and hums glibly, “are you projecting? if so, feel free to use my bed in the meantime.”

you let out a noise, something gibberish that conveys disappointment but it is effectively drowned out by the typing noises. “you haven't even touched the food i bought you,” your voice becomes mellow, “why don't you rest for a while?”

he isn't convinced, you think, since his fingers are still hard at work. the new info the team brought back must've been a lot if he's that focused.

“dan heng?” you try again, hopeful for the last time. you don't take him for a fool, of course, he'll know when he reaches his limit and have proper rest then. but would that really be ideal? a second passes and that hope flickers like a dimming light. but just an inch before the edge of giving up, the typing slows to a stop.

“. . .alright,” he murmurs. finally, after a good hour spent drawing patterns on his backside with your eyes, dan heng turns around to face you. he look tense, you note with abject concern.

“here,” you usher him to your lap, empty and conveniently so. dan heng shoots you a blank look - this isn't the first time you offered and this isn't the first time he reacted like that. you try to suppress a laugh, failing gloriously at it. “just for a little bit,” you utter through a stifled fit of chuckles.

dan heng shakes his head, not in rejection but in defeat. his eyes slip close, second nature, as he leans to situate his head on your lap. you welcome him with a hum and let your fingers card through his hair. a calm sigh falls from his lips like a water droplet in springtime.

“this. . . is nice,” he admits, sudden and unprompted. you nearly doubt your ears for a moment there. did he— “i don't hate it is, uhm, what i mean to say,” dan heng adds and it dawns on you that your ears are still working. his eyes are still closed, not that you'd expect anything else, he prefers to treat it as a shield from being face-to-face with embarrassment.

(or to avoid your ecstatic gaze. he can feel warmth rushing to his cheeks already.)

“i know,” you smile, brushing away a few messy strands from his forehead. he isn't an open book but you think you've read the pages enough to remember all the little details. “but thanks for telling me. i'm no mind reader but i think i can read yours pretty well.”

“i shall provide no further comment,” he holds back an incredulous exhale, yet his lips still curl slightly at the corner. you feel the teeniest desire to trace the curve of his lips with your fingertip but settle for silently admiring them instead.

“it's fine. i know the answer already,” you say, words dripping with affection. such a shame dan heng never looks up at you during a time like this. because if he did, he wouldn't have missed seeing the sheer fondness in your gaze that rains down on him in light showers. a true shame.

(one day, he'll gather the courage. maybe.)

— thank you for reading! reblogs with comments are most appreciated. ♡

[nochepsicodelica]

Toji who got really drunk after a misunderstanding you left him to ponder upon one morning when you left for work. You missed a part of your routinely goodbye to him and at first it didn't bother him. He understood that you were running late, but once he started chugging the cold drinks and he sat with the sentiment, he realized it did strike him.

He hated the entire process of getting drunk, hated that drinking was unbearable unless it was chased with sweet kisses from you, but there he was, downing bottle after bottle. He was starting to feel liquid full but even in this intoxicated state he didn't want to put down the bottles. At some point he starting feeling uncomfortable being by himself and didn't want to feel that way anymore, so he called and texted you. Multiple times. You finally picked up after the eighth call.

-Hi, baby! Sorry, I missed your calls. I just left work and i'm heading home.-

-Baby? Who are you calling baby?- He scoffs, a roll of his eyes following.

-You... Toji. It's you. Who else would I be calling baby?-

-Honestly, I...- He laughs, the sound not coming off as one of joy with the next words he speaks. -I didn't think you even loved me enough to give me stupid pet names. I feel very unloved by you and... mhm, just want you to know that.-

Now, that's just entirely untrue and it hurts to hear. You prove your love for him every day. What is this sudden false claim against you?

-Toji, love, what are you saying? I'm coming home, already. Maybe we should talk in person. This is hard to discuss over the phone.-

-Uh-huh, you do that.- He sighs, heavily, his eyes lidding with sluggishness. -Can't win a verbal argument, s-so you're gonna come over here and try to seduce me with your pretty face. I'm just gonna say no when you try to touch me. Just no.-

-I'll see you in a bit, Toji.- you say, before abruptly hanging up.

He sounded off. You knew something was up the second you saw his eight missed calls and a stack of messages just saying 'hey'.

Your keys jingled as you pulled them out of your bag to unlock the front door. The house was steady, no sign of Toji watching TV in the living room or of the shower running. You walked further in, calling his name. It was kind of eery walking through your silent house. You also knew of Toji's tendency of scaring you, so you were on guard for that as you paced around the house. You had one more room to check and it was the bedroom. You dragged your feet over to the room, knocking when you noticed the door was closed. There was no answer after two more knocks so you just opened the door.

The sound startled Toji who was lying against the headboard of the bed, almost falling asleep. The second he saw you his demeanor changed. He perked up like a dog when their owner comes home, before melting back to the stoic state he had been sitting in.

"Hey," you say, almost tentatively, as you walk towards your shared bed, sitting down on the edge. You're met with an acknowledging hum of a response. "What's wrong, baby?"

"There you go calling me baby again. Baby is for people who love each other, so stop it."

You look over the bed, spotting the evidence that led to the bite in his attitude towards you— those bottles that spill the remaining drops of their content and Toji's backwash onto the bed, making the sheets reek of alcohol.

"Well, I love you, so no, i'm not gonna stop calling you baby."

He crosses his arms over his chest, huffing like a child. "That so? It didn't seem that way this morning. I've never felt so forgotten about by you."

"I told you I was gonna be late for work, but you insisted on keeping me trapped beneath you. Bring that part to light, handsome." You can see the corners of his lips twitching. He's holding back the most wicked smirk at the short burst of memories from the morning. "Plus, I still gave you your goodbye kiss, so what are you on about?"

"You didn't say 'I love you'. That's part of goodbye with you, so you can't blame me for feeling this way." His eyes express something of hurt. Maybe it's enhanced by the drinks he had, but you can't leave him that way.

"You're loved, baby. Very much so. Me not saying it this one time doesn't diminish the actual feeling." He's been reduced to a cub over this, so as his lover, you step in to mend the feelings that were grazed.

"Can you..." he rasps, patting his thigh, signaling for you to sit. You drag yourself towards him, and plop yourself onto his lap. You can smell the alcohol on his breath as he rambles on about how you can't forget to say 'I love you' to him ever again, even if it's a blurted, rushed one that he doesn't get a chance to respond to as you rush out the door.

The look he reserves for you is entirely soft, his hands are hot against your clothed back as they feel the warm body he's missed for hours. "I still..." he pauses to sigh, tiredness imbued into the sound. "Still want you to call me baby," he starts again. "I was just bummed. Don't stop calling me baby. Don't ever do that." He's letting his hands roam all over you. Your back, your waist, your hips—everything.

"Are you gonna let me touch you or are you gonna say 'no'?" You grin, remembering his words, verbatim, just incase he tries to tell you he never said them.

"Why aren't you touching me? Why would I not want you to touch me?" He looks insulted by the question and you have half a mind to remind him of what he said to you on the phone, but the heat in his eyes dies out as quickly as it appeared. "Really need a hug, mama. Please, hug," he says, the last part muffled by your chest as he keeps his face buried into it.

You held him tight and murmured 'I love you' countless times, while he hummed in response and groaned quietly as you ran your fingers through his hair.

[floatyflowers]

Dark Platonic! Fire Nation Royal Family x Non-bender Reader

With Ozai:

At first he didn't accept the fact that you, his youngest child, is a non-bender, and ignored your existence.

That was until he noticed how his older brother, Iroh, spends time with you, Ozai got extremely jealous.

And decided to spend time with you, only to realize that you are his favorite child, and felt like an actual father.

Yes, you can't firebend nor do you even have the ability to protect yourself.

But why would you need to protect yourself when your father is going to be the Phoenix king of the fire nation?

Ozai will burn down the world for you.

"You, my sweet child, will grow up in the presence of a very powerful father"

With Ursa:

When Ursa found out that you couldn't bend, she became overprotective of you to the point of paranoia.

Since childhood, she refused to allow you to play with anyone except Zuko.

One time, one of her handmaidens scolded you harshly for playing outside without your mother's permission which resulted in you bursting into tears.

The next day, that handmaiden was fired and Ursa made sure that she gets no other jobs.

While thinking of escaping, she thought to take you with her.

However, Ozai has forbidden that from happening.

"When you find out the truth, promise to come find me"

With Azulon

While still alive, he made sure you had the best education and guards.

Azulon also made sure to have you believe that the fire nation is without mistakes or faults.

He tried manipulating you into believing that just your loyalty to your people is enough duty.

However, you are kind, too kind.

Yet, he Azulon didn't hate you for it even if he considered a weak trait to have in the royal family.

He also still has the flower crown you made him stored away safely so it doesn't rot.

It is rumored that the last word he muttered was your name.

With Iroh

Uncle Iroh isn't really as possessive as the other characters, but he focuses on advising you from time to time.

You enjoy drinking tea with him and gossiping about everything.

Even though, Ozai has forbidden him from speaking with you, you would sneak behind your father's back to drink tea with him.

After the loss of his son in the war, Lu Ten, Iroh felt depressed.

Yet you managed to comfort him with your cheerfulness and playful attitude.

It reminded him of his son.

"The best quality in a princess is her kindness, something which your sister clearly lacks"

With Zuko

Zuko thought you would be like Azula but you have proven him wrong.

You are kind, gentle, and nurturing just like your and his mother.

That's why Zuko always found himself by your side, being your playmate...being your protecter.

His mother told him that it's his duty to protect you from danger considering that he is your older brother.

Even though Azula has never hurt you, but Zuko was always wary of her, especially after his mother disappeared.

When Ozai challenged him to an Agni Kai, you were the first to cry out and plead with him to let Zuko off, but Ozai felt jealous of your relationship with Zuko and was determined to teach his son a lesson.

However when your brother got banished, Zuko took you with him in secret not wanting you to be left with Azula.

"I know the journey will take long but once I restore my honor we can return home together"

With Azula

Azula was extremely jealous when you were born, thinking that you will take all the attention from her.

But she realized that you deserve all the attention.

You didn't treat her like a monster, you weren't scared of her.

Instead you showed her love and called her 'big sister'

You would cling to her as a toddler, whenever there was lightning, you would secretly sneak to her room and sleep beside her.

"How can you be scared of lightning, we control it, silly"

Mai and Ty Lee saw how Azula softens whenever you are around.

And when Azula discovered that you have left with Zuko, she destroyed everything in her way and burned a few servants.

"She's mine, and only MINE"

[hiruseki]

god i seriously am never getting over That Scene in orv. kim dokja has so little compassion for himself that the only thing he can think to do upon being confronted with the most powerless, frightened, vulnerable version of himself is to try and murder it with his own hands. even when everyone is sobbing and begging him to stop, even when everyone has already forgiven him without reservation, even when yoo motherfucking pilgrim of the apocalypse joonghyuk cannot muster any animosity, kdj will not stop trying to convince them this trembling little boy needs to die. it had been well established by that point that kdj is self destructive and self loathing, but he was good at maintaining some emotional distance from his actions. but the moment he steps off that train, recognizes his own drawings, realizes what's happened, that impassive veneer shatters and he becomes desperate and vicious. this man hates himself so much. seriously, can you imagine how it must have felt to be oldest dream? you're an abused, lonely, depressed child. profoundly alone in this world, betrayed by everyone you've ever loved. you are so frightened of everything you can't bear to live in reality. you meet yourself from the future, but even he has no sympathy for you. no, he hates you. he hates you so much he wants to kill you. he would point a broken sword at his own throat if it meant he could erase you. you don't know what you did wrong. you never do. all you can do is cower from the monster and hope he doesn't get you.

like it's so fucked up. orv is so fucked up.