#a bit of worldbuilding and cameos

[eorzeashan]

Commander Stew

Theron cooks something for the Commander.

Odessen - The Kitchens

A young man sporting a dollop of white hair and refined features entered the communal kitchen of the Alliance carrying a large crate, wearing a plain burlap apron, rubber gloves, and waders over what usually would qualify as a stealth suit–a bit of an odd sight, but one Theron had gotten used to over time.

“Hey! You’re back early. Put ‘em down over there,” Theron glanced over his shoulder, nodding briefly at the young man, then motioning with his head at the kitchen island. Eight squeezed past him as he ran his hands under the faucet, careful not to bump into the other spy. They set down the box on the counter and patiently folded their hands, awaiting instructions.

Theron turned off the sink and flung the remnant droplets off his hands, drying them with a slightly stained checkerboard dish towel.

Even with his fearsome past, Theron found the quiet operative to be pleasant company most days, with Eight acting as his assistant in daily matters ranging from mundane chores to deadly missions. All at the behest of Lana, of course. She was the one who insisted on (see: forced) a pair of helping hands for him after he'd incorrectly assumed she’d wanted him to take on all her burdens.

Not that he was complaining about the extra hands. Certainly not today of all days–he was planning something special, and that required all of the help he could get.

Theron opened the flaps of the crate. Fresh from their gardening plot in the Odessen fields, the box was practically bursting with colorful root vegetables and leafy greens native to the planet. Purple, orange, striped yellows and swirls of blue–all packed with vitamins and the healthy color of a successful crop. Plain proof that their efforts to cultivate more organic food for the personnel had finally given fruit, after several long winters of withered stalks and exhausting meals of food chips.

Theron smiled wryly. He’d have to make a toast to Dr. Oggurrobb’s fertilizer and the Force Enclave’s agricultural knowledge later.

“Will this be enough?” Eight asked, mellow as ever. He watched him coolly through deep umber eyes.

“It’s more than enough,” Theron answered, a bit of uncertainty leaking into his tone as he stared at the foodstuffs. The vegetables taunted him from their comfy spot atop the counter next to the impressive array of knives and cooking utensils laid out side-by-side like an interrogation toolkit. “...I think.” He wiped the tip of his nose.

Theron hated to admit it, but he was no culinarian. Master Zho had never taught him (really, what could you teach a kid to cook in the wilderness besides canned goods and pre-packaged rations), and his stint as a SIS agent since his youth had left him with little time to prepare nor care. The extent of his cooking repertoire could quickly be summed up to sticking a frozen Orobird leg in the flash oven and waiting for two minutes, sadly.

So why was he making an effort now?

The image of the Commander’s tired face weary from battle and sleepless nights, aging lines etched deep into their skin with the carvings of a destiny too large for one person, flashed in Theron’s mind. He’d seen the way they’d fought–skipped meals, denied themselves sleep, hid the way their gaze turned vacant when they thought no one was looking, left their cafeteria plate practically untouched, compounded blackened bottoms of endless cups of caf, the stims—the Commander was burning themselves at both ends.

Hypocritical as it was, he couldn’t stand watching them drive themselves into the ground. The galaxy’s fate was important, but…not as important as they were to Theron. Yet he found himself at a loss; what words he wanted to tell them to eat better, to sleep more, to stop hurting themselves fell short whenever the Commander gave him that one look. That look of resignation, deep as the dull ache that would settle in his chest afterwards.

“I’m okay,” They’d tell him, smiling wan, “Thank you, Theron.” It’s alright. It’s nothing. Don’t worry about me.

Like hell he couldn’t. He–

“Theron…?”

Theron snapped out of his reverie, realizing he’d been wringing the dishcloth far too tightly for too long. Eight stared at him, puzzled. He released it. His knuckles returned to their previous pink.

“...Sorry. Just. Tired,” Theron shook his head, massaging his temples. Tired. Yeah. He was sure someone else was too, and he hadn’t asked Eight to come here to watch him have a breakdown. Pushing off from the counter, he clapped his hands together, mustering up a second wind. “Let’s get to work. Shall we?”

Commander Stew

Ingredients:

Young Makrin Legs

Orobird Soup Stock

Rootleaf, 1 Head

Imperial-issued Instant Glowblue Noodles, 1 Package

Republic Synth-Ham and Grophet Sausages

Odessen Wild Onions

Mandalorian Spice Sauce

Zakuulan Swamp Glowshrooms

Slice of Ration Cheese

Directions:

Prepare the young makrin legs by soaking them in water and shaving the fibrous exterior with a peeler.

Theron stared at the unassuming pile of…legs that resembled roots more than they did the limbs of any creature, and secretly shuddered. Makrins weren’t particularly uncommon on terrestrial worlds, but their crabby, tree-like appearance and tendency to wallow in loam didn't make them his first choice to eat. He wasn't exactly opposed to adventurous cuisine, but he wondered how exactly the legs of a chitinous creature equaled something that would make the Commander more appetized.

As if sensing his cause for pause, Eight peered over his shoulder where he stood frozen with peeler in hand. “The Jedi recommended them for use in medicinal dishes. When eaten boiled, it lowers blood pressure, and contains many nutrients.” He said thoughtfully, as if reading an entry from an encyclopedia.

“Is that so.” Theron inwardly balked at the mention of the Jedi–a little known fact was that Master Zho had raised him on Jedi cuisine, most of it vegetarian, but even then he hadn’t sampled every bit of agriculture the galaxy had to offer. Makrin legs were a bit out there, but seeing as they were native to Odessen, recommended by the enclave and another piece of stress relief on a plate for the Commander? His survival training told him the harmless limbs could only benefit, despite their gnarly appearance.

Remove the tips and fibrous base. When cleaned and processed, set aside.

He buckled down and began shaving the legs. Lack of proper nutrition was always a deciding factor in conflict–Theron had seen his fair share of soldiers who contracted disease from improper eating and lack of supplies– and he would feed the Commander any bit of ugly vegetables if it meant seeing a little more life restored to their pallid cheeks. His fingers found their rhythm as he removed the tough outer skin from the legs exposing their soft white core beneath the blade of the peeler, their texture reminding him oddly of Dantooinian tubers with an extra coat of slime.

Slice and dice half of a medium-sized onion.

Theron had to pretend he wasn't looking particularly emotional as he chopped the onion. Or maybe he was simply brought to tears at the thought that their food could have flavor for once, all thanks to the Alliance’s team of scouts who procured such supplies for them from the unmapped regions of Odessen’s wilds. Eight was among that team, hence Theron's willingness to let an Imp spy of all people join him in cooking. There was only a small handful of people he could use to conceal his efforts from the Commander, and Theron would make use of both his ability to obtain food in secret and his espionage skills to see this through, opposing factions be damned.

And if others worried about poisoning, well. He didn't pride himself on being Chief of Security for nothing. The safety of the Commander was his priority, as were the characters of those he chose to fight alongside them. They were his responsibility. His to trust with their most important fight and everything in-between. Theron couldn't afford to keep the old grudges that the Republic and Empire maintained in these desperate times, and he would not fall victim to their need to blind themselves with their unending war. He had to fight for what was important, and that was…people. Not sides.

Theron would always be a son of the Republic at his heart. But now his heart belonged to another, and those lines had long blurred.

Slice the glowshrooms length-wise, removing the head from the stems. Set aside.

Clean and cut the rootleaf in half, then the following halves into quarters; chop into smaller squares until you have about 1 cup’s worth of rootleaf. Store the rest in a cool, refrigerated place.

Unpackage the Synth-Ham, Republic Ration #0625, and slice to desired thickness.

Theron opened the can of mystery meat and upended it onto the chopping board. The green ham-like substance plopped onto it with gelatinous grace. He poked it with his cooking knife. It jiggled away from the tip.

Eight placed an empty pot next to him along with a can of opened grophet sausages and an unwrapped package of Imperial ration Glowblue Noodles, their signature color shining through the foil. Theron quickly thanked him out of the corner of his mouth.

Arrange the rootleaf, onion, makrin legs, and glowshrooms at the bottom of the pot in even layers.

Add a helping of Mandalorian Spiced Sauce on top.

Theron couldn't forget Torian and his people. They were the ones who suggested using their own spices for the hotpot, as “no other spice in the galaxy compares to that of a Mando’s.” Though he’d initially expressed some reservations at setting the Commander’s tongue aflame, this special mix had been made with their preference in mind; Shae had been so impressed by their valor that she presented several crates worth as a gift after the battle of Darvannis. Spices were a luxury if not a grand gesture in wartime, and not one Theron intended to use lightly.

Add the Synth-Ham, grophet sausages, and top with a slice of ration cheese over the previous ingredients.

Finally, add the Glowblue Noodles and 3 liters of Orobird stock.

Theron blinked at the finished product. “Wait a minute. This is…”

“Revanite stew?” Eight once again helpfully supplied.

It was Theron’s turn to ask the questions as he raised a suspicious brow towards his sous-chef. “They ate this during the coalition, when the camps combined. How did you get the same recipe?”

Eight smiled quietly to himself, in his mysterious and elusive way. “Our Commander was there. It was their idea to share food across factions. I still haven't forgotten its taste. If you ask any of the soldiers from that time, they will say the same.”

Theron stared at him, speechless. To think the same recipe he’d been making this entire time was a result of their union on Rishi…he recalled seeing Imperial and Republic soldiers bonding over a cookpot, but hadn't joined in, content to watch the proceedings from a distance. So much had happened during Revan’s rise that he’d failed to pay enough attention to something so innocuous as a moment of camaraderie between unlikely allies.

It had been their idea to eat something both Imperial and Republic that fateful night. To form the basis of their Alliance over a simple, warm bowl of soup.

Theron felt his heart swell.

He…he had to remind them of what they had built. What they meant to him. With this.

Set on top of a burner and deliver to recipients with bowls to share.

Theron held his breath as he wheeled the cart of foodstuffs to the Commander’s quarters, careful to avoid jostling the stew that balanced atop it as he reached his destination. He rapped on the door with the back of his knuckles.

A puff of pnematic air revealed the Commander, yawning wearily from yet another sleepless night of work and burdens. “Yes–” They stopped. “Theron? What are you doing here?” They eyed his cart. “And what's with all the food?”

Theron cracked a sheepish smile, rubbing the back of his neck. “Thought you could use some dinner, so…I brought you some. If you don't mind, that is.” He quickly added, feeling out of place in the deserted hallway.

The Commander smiled, a genuine one that reached their eyes, crinkling at the edges. “I’d love to try whatever you made. Come in, we can eat it together.” They stepped aside to allow Theron room to maneuver.

Enjoy with your intended party.

As expected, it was delicious.

Not as filling as seeing the Commander laugh to the point of tears at his explanations as to why he'd been so secretive all week trying to hide the fruits of his cooking from them, but filling nonetheless. He'd give it a 5/5, personally, as a true soup for the soul. (And a note to make it again with less sneaking around).

If the Commander was satisfied and satiated... so was he.

[neo-wolfe]

LIMELIGHT pt. 1

A project for school where we had to make a small pitch from scratch. This was a pitch for a game based off a dream I had where your goal was to bring an obscuring god back into notoriety- into the limelight.

More details under the cut!

I love basing stuff off my dreams- I do it a lot more often than you'd think! And this one was so linear and perfectly timed and it first right in with the rest of my body of work, so I had to make Something off of it.

The concept was: You start by taking a short quiz, answering questions about yourself and how you think, and you get one of four protagonists paired with one of four gods- Next post will have two of the gods and one of the protagonists, since those are the only ones I remember- and, as stated, the goal is to bring them back to relevance while maintaining whatever other elements of your life you have (be it jobs, school, ect.).

These days I only remember a bit of the dream- the things I wrote down and all. Stuff like having sodas and drinks as additional little powerups, color coded to the different gods as you could get blessings from any of them, the bar they all hung out at that's oddly reminiscent of one I go to myself, train tracks you had to run across to get there (with an oncoming train), and some things I'll ramble about next post.

Part of me wishes I could really do something with this, but I'm a comics guy and not really much of a gamer. Visually, in the dream, it was distinctly a game similar to Kentucky Route Zero, that's kinda why they have no faces. It's meant to be in that same realm of like. Afterparty and Oxenfree and other games like that. Idk, I always really liked this idea. I have expanded on it a touch outside the dream but I tried to keep it mostly to that.

Thanks for reading to those who did! And happy new year to those its for!

[dottores]

HELIOTROPES

pairing: dottore x fem!reader & segments

summary: the gods were sick and twisted. for five hundred years, he believed he was fated to be alone. he had long accepted it—embraced it, even. that is, until a midwinter night when that elusive red thread finally appeared on his finger. but as much as he wants to ignore it, the pull of a soulmate simply cannot be ignored.

genre: soulmate au, canon compliant for the most part.

warnings: fem!reader, worldbuilding for snezhnaya & fatui & fontaine, reader gets a bit hurt in this chapter but only briefly.

notes: y'all we are officially 50k words in omg what a milestone. we are almost there--they are going to meet soon... but technically.... well you'll see. there are THREE special cameos in this chapter

A WARM WELCOME

“Now is not the time, doctor.”

Pantalone didn’t even raise his head to look at Dottore as he scribbled away at whatever parchment he was writing on. Dottore pressed his lips together, eyes cold beneath his mask as he watched Pantalone, unmoving. The windows of his office creaked against the winds outside, fireplace crackling to keep the room warm but other than that, silence rang loudly between the two of them.

Finally, when Dottore made no move to leave, Pantalone looked up. “What is it? I have a week to prepare for the induction of the Eleventh. I don’t have time for petty complaints.”

Dottore should be insulted, he could feel his irritation rising at the man’s comment but he forced himself to push it away. He had more important things to deal with, notably, his soulmate and as much as he hated to admit it, Pantalone’s resources were necessary if he wanted to find her before someone else did… before she got herself and by extension, him, hurt.

“You offered me resources a few years ago,” Dottore finally said, watching Pantalone carefully for a reaction. “I would like them now.”

The Regrator was a sharp man. Dottore did not have to go into detail for purple eyes to flicker down to his thumb, where the red thread connected him to his soulmate. He watched as Pantalone’s brows furrowed, as he tried to figure out why the sudden change after years of Dottore denying her very existence to him. 

“You have terrible timing, doctor,” Pantalone murmured, pushing the parchments aside as he leaned back in his seat to look up at Dottore. “My resources have been all but expended between the upcoming event and trying to track down that menace to the east who has been slaughtering our underlings.

Dottore’s lips twisted. “It is not my timing that is terrible,” he said coolly, Pantalone raised his eyebrows and Dottore exhaled. “It’s hers. I believe she is here. In Snezhnaya.”

Pantalone exhaled, turning his head to the side to look out the window. “That’s not good,” he murmured. 

“I know that,” Dottore said shortly.

“Why not send one of your segments?” Pantalone asked after a moment, pen tapping against the wood of his desk in an unsteady manner that had Dottore’s eye twitching in annoyance.

“They’re busy,” Dottore answered tensely. 

A lie. Both Epsilon and Rho were back in Snezhnaya City with nothing to do until Dottore decided what research he wanted them to continue on after finishing a round of successful experiments in Archon residue down in southern Liyue. Dottore just didn’t want to send them after her. 

Epsilon was Epsilon. He could not trust that the segment wouldn’t do something foolish driven by the emotions that the rest of them did not have or were not capable of understanding. He was the one that Dottore worried about the most ever since the thread appeared, fearing that he would do something that would irreparably strengthen the bond… like forcing Dottore to meet her because he thought it would be best for them.

And Rho had been the one most vocal about at least letting the kids meet her and if the kids met her, he knew it would inevitably lead to Dottore meeting her and that was the last thing he wanted. 

He had a feeling that Pantalone could read right through the excuse if the unimpressed look on his face had anything to say about it but Dottore did not waver, raising his chin and staring down at where the man was sitting. 

“Unfortunately, I don’t have the resources to look for her right now,” Pantalone finally said, shaking his head and scooching his chair back to ruffle through one of the drawers of his desk. “If you can send one of your segments to take out the threat in the east, I might be able to conjure some up and have them keep an eye out but right now my hands are tied.”

“Fine,” Dottore said sharply. “Give me the information you’ve gathered. I’ll send a segment to track him down and kill him.”

Pantalone raised his eyebrows again, this time not even bothering to ask the question that Dottore knew was dancing through his mind: I thought your segments were busy, he could hear the mocking words just through the man’s expression. 

Instead, Pantalone just slid a thick folder across the desk to give to Dottore. He snatched it and tucked it under his arm, intent on passing it off to Rho before he returned to his labs, waiting for Pantalone to confirm that he would look for her.

“We don’t want him dead. We want him captured,” Pantalone warned. “Pierro wants information from him… then I’ll convince him to pass him off to you. Another test subject, you’re welcome.”

Dottore only smiled thinly. “And the girl?” he pressed.

“I’ll do what I can,” Pantalone said. “What do you know about where she is? Western or Eastern Snezhnaya? The border? I need to be able to narrow down the search, I can’t send men all across Snezhnaya with the upcoming event. I need them in the city to prepare for the arrivals of the aristocrats.” 

“I know that she is in Snezhnaya,” Dottore told him. Maybe he would know more if he would swallow his pride and reach out to her, but that simply was not an option. 

Pantalone stared at him, irritation thinly veiled behind his purple eyes. “You do not like making things easy, do you?” the corners of Pantalone’s eyes crinkled in annoyance at Dottore’s words before he finally sighed, shaking his head. 

“I’ll see what I can do,” he finally repeated, “but with nothing to go on, I can make no promises that I’ll find her before someone else does… so, for all of our sakes, I suggest you try to narrow that down.”

It was cold. 

You knew that was something you should have expected and you thought you prepared adequately for it but now, you thought that no amount of preparation could have made you ready to face this. As soon as you had crossed over into Snezhnaya, the temperature had plummeted, the sheer cold was beyond anything you had ever felt before--cold enough to crack the stones of the buildings in the small villages littered throughout the countryside, cold enough to freeze you from the inside out.

Traveling during the night simply wasn’t feasible, as soon as the sun crossed the horizon, the already bone-chilling temperatures plunged further. You had been lucky the first night when you were traveling down the main road deeper into the northlands--you had bumped into an older man traveling back to his home from the one of the villages, he had ushered you back to his place and he and his wife had looked after you, warning you that you wouldn’t live through the night without shelter in Snezhnaya.

Since then, it’d been a game of survival. The deeper you got into Snezhnaya, the more winding and confusing the roads became, the harder it became to track down villages to find inns to stay at and the more nervous it made you about finding shelter for the night. You thought that Snezhnaya was a trap laid out for foreigners, only those who were born and raised there knew how to navigate the lands without meeting an untimely end. 

The tundra of the east appeared endless, a daunting venture you dared not make, and the forests of the west were dark and maze-like with dangerous creatures prowling about and the threat of getting lost and not making it to an inn before night fell was high… but the forest was the only way through to the mountain range south of the Snezhnayan capital city. If you wanted to get to the heart of the Fatui, you would have to trek through the forest and pray you stumbled upon one of the villages before the sunset. 

You exhaled, leaning back in your seat at the bar of the inn you were staying at as you swirled your empty glass between your fingers. You had reached the end of the main road, the only way further into Snezhnaya was through the forest now but the thought of entering it made you anxious. A part of you thought you might be better off heading back home. 

“Another?” the bartender questioned as he walked by you but you only shook your head, thanking him quietly as you remained lost in your own thoughts. 

You couldn’t turn back. Not now, not yet. You had promised yourself and your father that you wouldn’t return home until you had ample evidence to bring this to court… unless you died trying to get it.

Your grandfather didn’t want you going north. He thought that no amount of evidence would be worth you risking your life for but you disagreed. You didn’t think there was any world in which you’d be able to live with yourself knowing you didn’t even try. 

From the corner of your eye, you noticed that he was looking at you again--the man sitting at a table in the corner of the room. You couldn’t see his face, there was a hood masking it from view but you could feel his eyes on you, he’d been watching you for nearly thirty minutes now. A part of you wanted to confront him, grab your stuff and head over to his table and demand to know why he kept staring at you but… the more logical part of you knew you shouldn’t. You didn’t know why he was staring at you and all of the worst possibilities were running through your head:

Does he know what you’re here for?

Is he Fatui?

Is he planning on attacking you?

Your vision vibrated from where it was hidden beneath your cloak, warning you to prepare for a battle but you were not the battle type. You had never learned how to wield your vision in a combat manner and you didn’t know if he had a vision or not, you only knew that he had a large claymore set down on the seat next to him and all you had was a small blade that couldn’t even be called a sword. You had only learned to use your vision in the way your father and grandfather taught you when you were younger and it was not something you enjoyed doing to people. 

Finally, you forced yourself to stand up. Your gaze caught the window on the far end of the room as you rose to your feet--it was dark already, night had fallen and the hazard of the cold had become even more real. 

With a sharp inhale, you turned on your heel to make your way over to the table the man was sitting at. You watched as his head turned to follow you as you approached him and you watched as his body tensed, gloved fingers gripping the edge of the table tight as you slid onto the bench across from him.

“Is there a reason you keep staring at me?” you finally asked. You leaned back against the wall that the bench was placed against, feigning ease, but your legs were tense, ready to move at the first sign of an attack.

“You’re not from here,” the man said after a moment of silence, you caught a glimpse of red beneath the hood he wore. His accent was foreign--unlike the Snezhnayan dialect you’d become used to throughout your travels. 

“Neither are you,” you retorted. He shifted back in his seat, the lighting of the inn revealing equally red hair hanging in his eyes, cold and empty with something dark thinly veiled behind them that made your skin crawl--eyes that had witnessed massacre, eyes that promised vengeance. Vengeance for what? You didn’t know. You weren’t sure you wanted to know, you knew it would lead to nothing good. 

You suddenly felt as if you had made a mistake. 

“There aren’t many foreigners this deep in Snezhnaya,” he noted cooly. “Just merchants… are you a merchant?”

Somehow, you felt as if ‘yes’ was the wrong answer. 

He was accusing you of something, you could feel it in your bones but you didn’t know what he was accusing you of. Being a spy? Was he Fatui? 

“I’m not a merchant,” you said, taking in a small puff of air when you caught the blood smeared across the man’s chin and neck as the hanging lights in the middle of the tavern swayed a bit. His lips pressed together subtly at your words and your vision was becoming even more erratic--danger, danger, danger, it warned you.

Somehow, you knew now that ‘no’ had been the wrong answer too. 

“It’s hard traveling through Snezhnaya without knowing what paths to take, you can get lost easily… all of the paths on the old maps have been snowed out,” he responded. “How’d you make do?” 

“An older couple living off the main road pointed me in the right direction,” you told him. “How about you? Are you a merchant?”

You knew he wasn’t. No merchant traveled with blood staining their faces and a weapon the size of the average person. He had no goods that he had arrived with, he’d shown up at the inn a little after you had with only his sword in tow and his eyes were unfriendly and glacial, unlike the faux charisma that painted the expressions of merchants as they tried to get you to buy their products.

The man stared at you for a moment and then he said, “No,” with no further explanation.

The Fatui usually traveled in groups or as pairs. He had a foreign accent. He wore no mask or sigil that affiliated him with the organization as they usually did. Who the hell was he?

And then you remembered the hushed whispers of the elderly couple you had stayed with--warning you that the Fatui had become more active in their area because of a belligerent wreaking havoc throughout central Snezhnaya who had been spotted at a nearby inn. They told you to take care because they didn’t think that the Fatui would take kindly to any outsider in the area so long as the hostile remained terrorizing their strongholds but…

Was this…?

You watched him carefully, trying to figure it out without having to ask. You were several miles from where you had been staying with them now and it had been two and a half days. Traveling through Snezhnaya was slow and arduous, the wind fought you with every step and half of the time you were dragging yourself through snow that reached your knees. 

If this was him, then maybe… 

You didn’t even have a chance to finish the thought, head snapping to the side as the door to the inn slammed open and cold air rushed through the tavern at the entrance, blowing out half of the candles keeping the room lit up. Your stomach churned uncomfortably and from the corner of your eye, you watched as the man you were sitting with reached for his weapon. 

Who the hell was traveling in the dead of night?

Your throat felt tight as you watched another hooded figure step into the inn. You couldn’t make out his features in the dim lighting, you couldn’t even tell if he was armed or not but there was an odd vial that glowed blue even in the dark hanging from his right ear.

The bartender had paused in making a drink for one of the other patrons of the tavern, a wary look visible on his face that you caught as the chandelier swung dangerously beneath a harsh wind. You let out a shaky breath, the cold from outside was already creeping beneath your cloak and freezing your skin. You wondered why no one was shouting at him to close the damn door like they did to other people who arrived until the bartender finally spoke up, voice shaky: 

“Lord Harbinger,” he breathed out. “How can I-”

The man’s head turned in your direction--no, you realized, not your direction, his--and that was the only warning you got before the world around you exploded. 

The entire right side of his body felt like it was on fire. Dottore let out a spew of curses as his hand spasm and he dropped the vial he had been studying right to the ground, watching as the glass shattered and the silvery liquid splattered all over the floor, dissolving the tiles and eating through the ground.

Dottore exhaled, briefly shutting his eyes before looking down at the mess on the floor. His lips twisted in annoyance as he realized he was going to have to restart what he had been testing but the annoyance very quickly faded, instead shifting into confusion as the pain persisted. His gaze drew over to his arm--nothing was wrong with it on the surface level but it was a blinding type of pain that had him gritting his teeth, like a jagged blade was tearing through his bicep.

It was…

He hadn’t felt anything from her in nearly two weeks. No anxiety, no fear, no anger or sadness and certainly not any pain. He stared down at his arm, where the pain was coming from, and not for the first time since the accursed thread showed up, Dottore had no idea what to do. He thought that he should reach out to her, figure out what was going on and get a general idea of where she was so he could send one of his segments to find her. The pain was more than anything he had ever experienced through her and he wasn’t sure if it was just because she had a low pain tolerance and he was feeling what she was, or if it was because the pain was actually that bad. 

Neither boded well for her. 

But if he reached out to her, if she was fighting someone, it could distract her. 

Dottore’s teeth grit together. He didn’t know what would happen to him or the segments if she died. He didn’t know how it would affect them. Logically, he thought it shouldn’t affect them at all. They hadn’t met her yet and if the bond worked anything like how they believed it did, it shouldn’t take effect until after they met, which wasn’t going to happen… but after two weeks of silence, Dottore was unsure. Every day that passed, an odd, unfamiliar feeling expanded through his chest. He didn’t know how to describe it besides overwhelming and unwelcome but he knew it was because of her silence and the lack of communication through the bond. It caused an emptiness that made him question everything they had learned about the bond. 

And if mere silence could cause that, he wasn’t sure he wanted to risk knowing what her death would cause.

Are you okay? 

He asked it before he could decide against it, taking a seat back down at the lab table he had been working at as he waited for a response. Each second felt like an eternity, he could hear the silver liquid still eating through the ground below, sizzling and cracking as the floor dissolved wherever it touched the substance. 

He wondered if she would just ignore him like he did to her for years on end.

But then, his forearm stung--a familiar feeling that he hadn’t experienced in two weeks now. He hated how that empty feeling he hadn’t been able to get rid of since he had pushed her away immediately disappeared. It made him feel weak… as if he had no control over his own emotions like a puppet on a string being commanded by a stranger. He glanced down at his arm, red eyes flying over the words that had appeared.

Does it feel like I’m okay?

At once, he rolled his eyes, regretting reaching out to her. He rose to his feet again, pacing across the room to get the tools he needed to clean the mess of his mistake but before he even got halfway there, the pain tripled and a creeping fear began to spread through his chest. He grimaced as he leaned on a nearby counter, trying to regain control over himself but he found that he couldn’t--her fear and pain was simply too intense.

What happened? 

He slid down against the counter he was leaning on until he was sat on the floor. He watched the silvery liquid from the corner of his eye, watching as it ate through the ground closer and closer to him as he waited for a response from her. He despised how he couldn’t compartmentalize her feelings. He had learned how to separate them from his and the other segments but he had never figured out how to store them away and convert them into something that was easier for him to process. 

Attacked. 

Dottore felt cold. His gaze drew over to the window on the opposite wall of his lab--it was dark out, the sun had long set and the wind was harsh. He wondered if the coldness was a result of the damning realization that she was in trouble or if it was because she was outside. Either way, Dottore needed to act--if she was still being attacked, he had to get one of the segments there and if she was stuck in the cold running after being attacked, she would die to nature.

Dottore tried to push away the rising anger--the fury that never failed to appear whenever he was put into an impossible situation because of this bond, whenever he felt like the gods were looking down at him and laughing as he played right into their sick games. 

Who attacked you? Where are you?

He shot out questions to her at a rapid speed, the pain was getting worse on his end. He could feel a light-headedness and a fuzzy feeling beginning to seep through his body and mind. She had to be losing blood and too much of it. If she passed out, that would be the end. She’d be killed by the attacker or she’d be killed by the cold, there was no other fate that awaited her. 

Don’t know. An inn at -------

Dottore stared at the indecipherable words branded onto his forearm--he wasn’t sure if they were scribbles or an ancient language that he just couldn’t understand, another way for the gods to laugh at him by dangling the answer wants right in front of his face but making it so that he couldn’t understand it. 

What do you mean you don’t know? Figure it out.

Dottore wondered if she could sense his irritation at her response. He didn’t really care if she could, maybe it would make her think harder. 

Fatui, finally scrawled itself on his forearm and Dottore thought he might want to throw something because he had called it the moment that he had realized she might be coming north, he knew that between her being a foreigner and their subordinates being anxious over the masked hostile running through their camps that something would happen. They called him Lord Harbinger. 

Dottore stared at the words trying to piece together what was going on. Lord Harbinger? Pulcinella and Pantalone were rarely, if ever, sent on missions that would end in combat. As far as he was aware, Brighella was at Zapolyarny Palace working with Pierro on something. Capitano was traveling north from Natlan for the initiation of the new Harbinger in a few days, he’d be on a boat traveling the western sea. Scaramouche? It could-

He had a blue earring, it was bright.

A blue earring, he was acutely aware of the one hanging from his own ear, mind racing as he tried to remember where each of the segments were. Lambda and Theta were in Sumeru. Zeta was in Mondstadt. Delta and Iota were on the Fontaine border. Gamma, Epsilon and Kappa were all hanging around his labs. 

Rho, it dawned on Dottore suddenly. He had sent the segment south to track down the belligerent because their subordinates had proved incapable. He had mentioned that he was closing in on the man. Had she gotten caught in the crossfire? Was she traveling with him? 

No, that wasn’t possible. All reports had claimed that the hostile was traveling alone.

Rho, Dottore spit out, reopening the connection with the segment, intent on having him find the girl and drag her back across the border into Fontaine. Where are you?

Not now, Rho responded, voice cold and angry. It took a lot to anger Rho, he had tight control over his temper unlike the Theta and Delta segments. Dottore could feel something stinging his cheek, a cut--he wondered if the hostile had actually managed to land a blow on him, no matter how small. It would explain why he was so angry. 

Get back to where you came from. Now.

Now? Rho demanded, livid. I’m on him. 

She was there. At the inn. The reaction was instantaneous as Rho’s resolve wavered. If she dies because of you, you won’t even get the relief of deactivation.

Dottore rose to his feet again once he was certain that Rho had turned back, pacing across the length of his lab, careful to step over the melted ground where the substance had fallen. 

Once he found her, this would all be over. He’d have Rho bring her back to Fontaine whether she liked it or not, and once he knew where she lived, he’d make sure to send one of the other segments to keep an eye on her so something like this would never happen again.

Finally, he would have some semblance of control over the bond for the first time since it appeared. He’d no longer be hanging onto her whims, he’d no longer have to stress about her getting herself hurt or killed and how it would affect him, he’d no longer be bound to this mess and he’d never have to worry about accidentally running into her because the segment would keep her confined to the city and he would stay far from it.

He’d send the Zeta segment. He couldn’t send Theta because he didn’t trust him not to do something rash. He couldn’t send Delta, Rho or Epsilon because the younger segments were attached to them at the hip and they would press to meet her. Lambda was an option if he could ensure that the segment wouldn’t try to ‘handle her’ as he threatened to already. 

Relief began to inch its way through him—too soon.

He had jinxed himself.

She’s not here, he heard Rho tell him. I don’t know-

Dottore closed the connection, biting back vile curses as he pressed his fingers to the bridge of the nose and tried to think. 

Where could she have gone? It had only been a few minutes. She was hurt. She couldn’t have gotten far. 

Where are you? He finally decided to ask her and he waited, and waited, and waited for a response but was only met with the empty silence he had become accustomed to the past two weeks. 

“Where am I?” 

Your eyes followed the cloaked figure carefully, trying to keep your breath steady as the pain coursing through your arm gradually subsided. Your gaze flickered to the side, watching as the red, bubbling skin of your right arm began to smooth and clear beneath whatever substance that had been smeared over the burns. 

“What is this stuff?”

You had a lot of experience with using elemental energy to heal wounds. Fontaine City had some of the best medics throughout Teyvat--Wriothesley’s family’s special trait could call upon hydro energy to heal even the most fatal and grievous of wounds. He had never been able to wield it the way his family wanted him to but his grandfather was the best of the best, he had helped you when you had broken your arm and leg ten years ago after falling down the steps of the clocktower when exploring with Wrio.

This was not elemental energy. It was odd and cool, like gelatin, but it worked as fast as any medic--in no time, the pain was gone and the burns had vanished, leaving the skin of your arm unblemished again.

“Old magics,” the person responded. Their voice was low, androgynous. You couldn’t tell if it was a man or woman.

“Why did you help me?” you asked. “Who are you?”

You didn’t know where you were now--it was a dark room, a stone building with a fireplace on the opposite wall. The last you remembered, you had been in the snow. You had started to lose consciousness, the cold and the pain too much for your body to bear. You could barely even remember what had happened: you could picture the hooded man who you had been sitting with brandishing his claymore and the man that they had called Lord Harbinger meeting him blade for blade, pale fire coating his weapon and eating away at the wood of the inn, burning through your cloak down to the skin. You could hear the screams of the other patrons of the inn as they got caught in the crossfire of the battle between the two men. 

And then you were here, in this room… with this person. 

“Who are you?” you demanded, more insistently this time when you didn’t get a response.

Finally, a reaction from them. The flames flickered across their face as they turned to face you and finally, you got a glimpse beneath the hood… but it was not a human face that stared back at you. It was a mask, dark with a spade-like pattern around the eyes, a smile painted onto the plastic. 

“No one,” they replied, “just a trouper.”

What? You thought to yourself, confused. Your nose wrinkled and your brows furrowed as you mulled over the word. A trouper? Like the entertainers at the Grand Theater? 

“Why did you help me?” you tried again, raising your chin to meet the two voids in the eyeholes of the mask. They hadn’t tried to bind you or restrict your movement, they hadn’t even taken your weapon--just a bit of concentration and you could put yourself in control of the situation. 

They tilted their head to the side, you couldn’t see their eyes or expression but you knew they were smiling, “Is that how you treat someone who saved you?”

You hadn’t even moved, you stared at them, unmoving, forcing your body to relax. How had they known what you were thinking? You weren’t a person that was easy to read--if you were, you would’ve been put on trial for treason a long time ago. 

“Why did you save me?” you asked slowly, not letting them get out of answering the question. 

“Because I want to help you.” 

Yet again, they evaded the question. Your lips twisted in frustration, “Why?”

“Because I think we can help each other.”

There it was, you recognized, taking in a sharp breath. They wanted something from you. The air around you suddenly felt cold, as if the fire across the room had been snuffed out even though it was still burning bright. They were eerily still, almost like a statue as they watched you, waiting for a reaction. 

“Why do you think that?” you asked carefully.

“Do you really think you can infiltrate the Fatui on your own?”

You were on your feet in an instant, reaching for the blade sheathed at your side but your eyes widened when you realized it wasn’t there. You only had half of a second to react before you found yourself backed up against the wall, a forearm pressed to your throat and the tip of your own blade pressed to your side, threatening to puncture the skin.

It had just been on you. How did they get it?

“Well?”

Well what? You wanted to scream, mind panicked and racing as you tried to force yourself to calm down and think but it was hard to concentrate with your air being half-restricted and a blade pressed to your ribcage. 

They wanted you to answer their question, you realized, about infiltrating the Fatui.

“Yes,” you said but you weren’t even sure you believed it yourself. You kept telling yourself that you would figure out a plan once you got to the city and had a scope of the area and more information available to you but you had a feeling that nothing would change even once there. Zapolyarny Palace would be impenetrable. 

“How?” they murmured, not letting up on you. You wanted to turn your face away, unnerved by the proximity of the mask, but you thought that would show you as weak and you couldn’t afford to show weakness, not right now. “Do you plan to storm the palace? Face the Harbingers and demand retribution for your father? Do you think you will fly under the radar of the Knave’s webs of spiders? That you can simply walk past the automatons of the Marionette prowling the streets of the capital city? You will find yourself a victim of the Doctor’s twisted experiments or the Friar’s sick games before you even hope to find the evidence you seek.” 

You couldn’t mask your expression, not after hearing that. You stared at them, lips parting as if to speak but no words left them. You felt like a fish out of water--for the first time in a long time, you were fumbling for words, your tongue felt twisted and heavy.

How were you going to do it? The question laid atop you like a crown of thorns, tearing through your skin and scarring your face. You didn’t know. You didn’t know how you were going to do it. You used not being in the city as an excuse, convinced yourself that it was the only reason you haven’t thought up a plan yet but the truth was branded right on your face as you stared at the masked person: you simply didn’t know.

“I can help you,” they whispered, leaning in impossibly closer. “I can give you your in, the chance you need to find the proof.”

“How do you know all of this?” you finally asked and you hated how your voice cracked over your words but you were scared because if this person knew all of this then it could spell your end, just like that. All they had to do was send word to the Fatui and you’d have hell bearing down on your doors.

And if they knew about this…

“I know a lot,” they said cryptically. “Would you like me to help you?”

… did they know about your soulmate?

You let out another shaky breath, staring ahead. You didn’t know what to do. If you didn’t accept their help, would they sell you out to the Fatui? Or would they laugh and watch as you fumbled your way through Snezhnayan courts and fail to acquire what you had traveled all this way for? You could feel the pain ricocheting through your head, you could barely even think straight, much less come up with an answer. 

If you did accept, you finally forced your head back on track, what did they want in return? That was what you needed to know.

“What would you want in return?”

“We don’t know yet,” they said quietly but their tone was not hesitant--if anything, it was amused. Finally, they released you, taking a step back to watch you. The eyes staring down at you were empty, like looking into an abyss.

A dangerous, dangerous gamble. It gave them too much power.

“No, I want to know what you want in return.”

We. You suddenly recognized how they referred to themself--we, not I, they were not working alone. You felt all the more suffocated at the realization. 

“Then I guess we have no deal,” they said with a sigh, making a move to leave the room the two of you were in. Your heart leapt to your throat. “I cannot tell you what we do not know. Take the deal as is or fail, you will not succeed without help. You have no way of getting into Zapolyarny Palace. It is impenetrable.”

You should take that as a challenge, tell them fuck off and make them watch as you succeeded. Your blood boiled at the condescending tone and it took all of your willpower to not snap at them. 

This was not the time for pride. You had to abandon all vices and virtues if you were to get the evidence to condemn your stepfather, if you were to bring justice to your father… and if this person were to offer you the chance you desperately needed… then maybe it was worth whatever price they wanted you to pay in the long run. 

Committing injustices in the name of justice, the thought rang through your head loud. Wrio would love the irony. 

“You can get me into Zapolyarny?” you finally questioned, hiding the way your hands were shaking behind you as you sealed your fate. 

They hummed in agreement, “You will be on your own once you’re in there. Take care not to anger the wrong people… or draw too much attention to yourself.”

You could do that, you told yourself. Once you got in, you needed to find a place. Weasel your way in as an attendant so you could search for the evidence you needed. 

“Okay,” you finally agreed. The air suddenly felt heavy and oppressive, you thought that if you looked up, you would see the blade of a guillotine dropping on your neck. “Okay, we have a deal.”

You didn’t have to see their face to know that they were smiling, the voids staring down at you glimmered cruelly, you swore you saw red deep within the eyeholes of the mask.

“Welcome to the game, spadille.”

rbs appreciated!!

[ohnoitstbskyen]

Are there any champions from Piltover/Zaun or beyond, who didn't show up in s1 of Arcane, who you'd like to see in s2? Both from a “this character would work really well with the story” perspective, and a “I just really like this champion” perspective.

Mm... I'm really wary about introducing more characters, honestly. Arcane's first season was already absolutely crammed to the gills with characters and one of my criticisms of Season 1 is that while everything that was in it was very very good, it was also so incredibly dense that the audience barely has time to breathe.

It's the kind of delicate balance where it feels like they just barely had the time and space to tell the stories of the main ensemble, and introducing more champions into that mix might make it all tip over.

That said, they do have the advantage that all the introductions and worldbuilding have basically been done now, and there's probably room to introduce one or two more characters to shake things up.

Instinctively I want to say Camille, except it makes no bloody sense why she'd only turn up in Season 2 and have been a complete non-presence in Season 1. Like, there was some shit happening that she should have been involved with in the first season.

Renata Glasc is an option. Zaun is going to have a big power vacuum and she would slot in very nicely as the new major power in the undercity. On the other hand, she's also perhaps a little bit too much like Silco 2.0, being partly based on him in the first place, and I think there's a solid argument for bringing the chembarons from season 1 back to fight with each other instead. Especially since one of them has a literal death vendetta against Jayce now.

Then there's Orianna, who in this canon seems to be Singed's... daughter? Some kind of family member? If all of Singed's research in the first season was about trying to find a way to save her life or bring her back to life, then she'd be a natural character to use to expand on Singed as a character in season 2. I think she'd have to be substantially redesigned, though - "music box ballerina" would be a weird thing for Singed to want to build her into.

Seraphine and Zeri are non-starters, I think, primarily because they are both mages, which would make absolutely no sense in the Arcane universe. Like, it is kind of important to the plot of Arcane that mages are essentially as rare as cryptids in this world. Same reason I don't think they'd introduce something like Janna either. She's a literal demigod, it would raise too many unanswerable questions.

There's no reason to bring in Ezreal, Zac, or Dr. Mundo, but Urgot is... not out of the question. He's the kind of relentlessly dogmatic, bloodthirsty cult leader that would make sense as a figure in the chaos and violence of the war that's likely to erupt. Twitch could also cameo, I suppose, but only as a cameo, I don't think it makes sense to make him a central character.

Outside of Piltover and Zaun, I'd say the main champions we are likely to encounter would be Swain or Darius (Darius specifically was most likely teased by Ambessa), and if Darius shows up there's a greater than average chance he'll have Draven with him. It's not impossible that Samira could show up for a bit of a cameo, as some kind of Noxian bounty hunter getting in the way of things. Katarina and Talon are... not impossible, I suppose, Noxus is probably going to want to assassinate someone, but I also doubt they'd introduce a champion character to fill that role in the narrative. It'd be wasteful.

If Noxus is making moves, of course, there's a non-zero chance that there'll be like a Demacian diplomat at some meeting, which... makes it possible that Xin Zhao or Garen might cameo, and if Noxus wants Piltover's technology to prosecute their war in Ionia, hey, maybe there will be Ionian diplomat characters showing up to plead their case, which opens the distant possibility of someone like Irelia or Shen showing up.

I very, very much doubt it though.

tl;dr in my opinion:

Most likely new champions: Darius, Swain, Orianna, and Warwick (Warwick being Vander)

Not impossible: Twitch, Urgot, Renata Glasc, Draven, Camille

Extremely small Easter Egg cameos at best: Xin Zhao/Garen/Jarvan, Irelia/Shen/Karma, Azir (Shurima is Piltover's southern neighbor), Miss Fortune/Gangplank (Piltover controls the sea gate and trade between two oceans), Ziggs (Heimerdinger's best friend), Ryze (the science boys are starting to fuck with World Rune-level magic hazards), Vel'koz (might show up in a Void vision inside the Hexcore or something).

[literary-illuminati]

2024 Hugo Best Novel Rankings

[Off the cuff and subject to change, between 1 and 2 especially]

Some Desperate Glory by Emily Tesh - a mess, the ending kind of fell apart in the rush to be near and uplifting, still probably the best SFF I read in 2023. Kyr a protagonist of all time, and the first 80% of the plot and worldbuilding were near-perfect.

Saint of Bright Doors by Vajra Chandrasekera - I enjoyed this less than Glory, but if you made an argument that it was the better novel on literary merit I couldn't argue back that fiercely. The very rare sort of fantasy that feels modern. I admit I thought the ending of this one was also a bit of a let down compared to what came before, but the journey was entirely worth it. [Major Gap Here]

The Adventures of Amina al-Sirafi by Shannon Chakraborty - A really excellent exploration the 12th century Indian Ocean trade with a fun (if broadly drawn) Sinbad pastiche thrown on top to keep the reader's interest. I do wish the mindsets and personalities of the characters had felt a bit less modern, given how committed to verisimilitude every other part of the worldbuilding was - but then that probably wouldn't' have been great for the fun, swashbuckling adventure vibe.

Translation State by Ann Leckie - Perhaps dragged down by the comparisons to the rest of the Radch books? It was a fun, interesting read, but on reflection it seems less than great that by far the funnest and most memorable character was the returning cameo. Also it's enough About gender than I was left kind of annoyed how oddly surface-level everyone but the Radch's systems of it felt.

Witch King by Martha Wells - Literally just finished this, so thoughts not fully gathered yet, but; it was fine? There's a lot there, but I was mostly left annoyed how most of it seems to have been left off-page to make room for action scenes and wardrobe descriptions. Also, it's enough About war, conquest and high politics that the fact that the evil empire's political economy makes no sense really irked me.

No Award

Starter Villain - Didn't read, but I very much didn't really care for the Scalzi I have, and the friends I have who are fans of the guy hated it, so.

Overall just incredibly, amazingly better than last year though.

[wuffgang-ameowdeus-moozart]

Aren't you tired of forced romances with no chemistry that only take away from the actually interesting plot? Don't you just want media where romance isn't portrayed as being superior and more important than (queer)platonic relationships?

Well, my exhausted aro ass is too, so here are a few tricks and wisdoms I've gathered over my years of being a-spec (which is all of them) on how to avoid romance (in media) in a very allonormative society 💚🤍🩶🖤

(this is a rec list btw. no I am not shitting on the shows that I tagged, quite the opposite)

1. Middle Grade

I get if you aren't really into that, because it is kind of annoying to be pointed to literal children's literature when all you want is a story that isn't constantly being interrupted by describing the main guy's heated eyes for the twentieth time.

However.

It is true that in middle grade, friendship is always more important than romance. Because, let's face it. Making two eleven year old characters kiss is kinda weird. So even if there is a romance, it isn't very prominent and treated more like friendship and/or a puppy crush. Plus some stories get surprisingly dark?!?!

Examples

- Howl's Moving Castle (Diana Wynne Jones), technically a romance in the end, but mostly focused on found family, shenanigans, and finding your own value

- House of Many Ways (DWJ). Yes, again. I really like her books okay? They always have something so fantastical and whimsical about them. This is my other favorite book by her and it has literally no romance at all. Plus a hmc cameo that is so fun !!

- Coraline (Neil Gaiman). Maybe this is cheating because I never actually read it. However. a) the movie traumatized me. b) Wybie was added to the movie, he doesn't exist in the book, so if "power of friendship" isn't your thing this will be great. Probably vibes over plot.

Flyte (Angie Sage). Technically this is the second book, but I never read the first one and still understood everything. Once again, no romance at all. A fun read, which can get surprisingly dark at times.

2. Short Story Collections

Once again, I get it if it isn't your thing. Short stories are - as the name reveals - short. Which means: no worldbuilding, very limited narrator, open ending, no time to really get attached to characters, etc.

But.

The cool thing about collections, is that they always have a certain theme. And as long as the theme is not romance, romance will not be the focus. Even if there is a romantic relationship, it will be used to explore this theme since there simply isn't time for anything else.

Examples:

Life Ceremony (Sayaka Murata) This is the book that actually made me figure out: hey! I do actually like short stories !! The main theme is basically about being different and it plays a lot with body horror and the perception of your own body in contrast with how society sees it. There is even a story about two women who platonically live together and raised multiple children!

Canterbury Classics: Classic Tales of Horror (introduction by Ernest Hilbert). As the name suggests, this is a collection of horror short stories, featuring well-known authors such as Bram Stoker, Edgar Allan Poe or Charlotte Perkins Gilman. As these are classic old tales, the language is a bit complicated at times and you can read them for free on Gutenberg. However, the book is very very pretty and the introduction is very interesting (Origins of the genre, specific tropes and monsters, etc.)

3. Podcasts

PODCASTS!!! If you follow me, you are probably already aware of those. However, in case you don't, let me introduce you to the wonderful world of Audiodramas.

The cool thing about Podcasts is that pretty much anyone can do it. All you need is an idea, a mic, a lot of motivation, and you're pretty much set to go. No producers or publishers you need to get approval from. So it is only natural that this medium is filled to the brim with queer creators. Basically every character is somewhat queer. It's awesome.

Examples:

- The Silt Verses. I adore TSV. I listened to the first season like, four times. (the second one is good too but OH MY GOD THE FIRST ONE). And one of the main characters is canonically and explicitly aro!! Sister Carpenter, I love you with my whole being. And the great thing is, it is very clear that the writers love her, too!! There is a lot (like a LOT) of body horror so it isn't for everybody. But if you think you can handle it I really recommend it. (Plus, not any romance plotlines at all !!)

- Wolf 359. This is one of the older ones and it is really good. It's a bunch of restless and very unwell people stuck in a spaceship under the unforgiving rule of capitalism. However bad you imagine it, I can assure you it is worse. But the really cool thing is that there literally isn't any romance at all. Like, there are great m/f friendships but they never even hint towards a romance. Some people are so unused to that that they literally ship the main dude with the fucking robot AI. (don't worry, not an actual romance plot).

- Girl in space. I am sure you will be absolutely shook to know that this one also takes place in space. It is about a girl. In space. Shocking, I know. Except that she has been on her own for well over a year when suddenly a fleet of strange ships arrive and kidnap her. There is also a very asshole-y robot. And questions about what makes us human. And found family!! And a goat. And cheese. Just go listen to it okay. This is also one of the shortest ones of the list, so maybe a good start.

- Malevolent. I have to confess that I personally am not a huge fan of this one? Like the premise is really cool - a detective who wakes up blind and with a demon in his head who can see through the detectives eyes. What the fuck?, you may ask yourself. So does Arthur Lester. Mysteries and other dimensions and a whole lot of pain ensues. Harlan is undeniably an awesome VA and a great writer, but his stories just seem a bit too repetitive to me? Nonetheless I know of lots of people who enjoy it a lot. Trying to define the relationship between Arthur and John (his demon) is perhaps the biggest mystery of them all. (Jk. there are multiple murders and stuff. they've really got other priorities)

- Middle:Below. This is another short one and probably the least famous of this list? It's about this funky lil dude with a ghost roommate and a cat who can talk (.....or can it?). There is a m/f friendship but it never turns into a romance (wow it is possible!!). They all go on adventures on the dimension between life and death. Despite the description, this is literally just a comedy. A bit spooky at best. Reminds me a bit of scarier kids cartoons like gravity falls.

4. "Gay" movies/series in countries with homophobic censorship

Now you may think, "hey that seems like a bit of an asshole move!". And you would be 100% correct in thinking that.

However.

It does also mean that the main relationship of the story can never be explicitly romantic. They can allude to it, they can try to show it. But they can never confirm. So it is very easy to interpret them as having a QPR. (because tbh I don't think I've ever seen one on television.)

Examples:

The Untamed. Look. I am aware that the first episode is so fucking atrocious, all right? And no, the CGI does in fact never get better. And sometimes the translated subtitles are a bit awkward. But I swear that it is so good. Trust me on this one, okay? Just make it through the first ep. It's a wild ride. Lan Zhan I love you. (However the book it is based on (written by a woman) depicts them being in an explicitly romantic relationship, with lots of very inaccurate and badly researched smut, so the fandom pretty much sees them as exclusively romantic.)

- Word of Honor. Very much in the same vein as The Untamed. Except that the first episode is less horrible. And the one dude has a very fruity fan. And they also raise a kid together. And the costumes of the villains are really fun!! I actually never finished this one tbh. I know that the book it is based on has one very extremely terrible ableist plot point, but I don't know if that made it into the show since I never got that far

The Devil Judge. The last two were fantasy, this one is a dystopia. Very tense and interesting. There is a romantic subplot (typical childhood friend vs bad boy love triangle), but he rejects the childhood friend and they can't exactly show him and the "bad boy" (who is actually a judge. and also kinda his sugar daddy) as explicitly romantic for the reason above. They also live in the same house and cook together and take care of a child together. Can totally recommend.

Assassination Classroom. A bunch of students have to kill their teacher who is an alien. that's literally the plot. I cried so hard at the finale. Nagisa and Karma have MASSIVE vibes and you can't convince me otherwise. (There is a romantic subplot that does end in a kiss, but they agree to continue as friends since those were..... extenuating circumstances. The dude very clearly is not into her). Nagisa also very aro-spec coded imo.

5. "Straightbaiting" Anime

Sometimes Anime does this thing (which I personally find very hilarious) where a boy and a girl will have no other romantic involvements or love interests while growing closer and closer, but never get together. A bit like reverse queerbaiting.

Examples:

- Fairy Tail. The ultimate power is friendship anime. That is all you need to know. (I should also perhaps warn you that the end of the last arc (and the sequel series, but we don't talk about that) are huge letdowns. Like the buildup? So good. But....welp. If that doesn't bother you too much and the idea to have a group of people be the main character instead of one person only, this may be the series for you. Just do yourself a favor and skip all the filler arcs

Soul Eater. I really love the vibes of this one. Once again, most of the fandom likes depicting them as explicitly romantic, but they never canonically are. It also reminds me a bit of creepy children cartoons. It is also where the superior fictional school exists, Devon. Frankenstein teaches there (the dude, not the monster). People transform into badass weapons. Nobody can convince me that Make Albarn is not a trans woman. However the ending deviates a bit from the manga, and I personally think the anime one is a bit worse

Noragami. This one will always hold a special place in my heart because it was the first anime I really watched. This one also has people who transform into weapons, but the vibes are very different. It goes a bit more into Japanese folklore in case that interests you.

Bonus: Canonically Aro/Heavily Aro-Coded Characters

They were not anywhere above because the stories they are in didn't really fit any of the categories. But they exist!

Wolf (Kipo and the Age of Wonderbeasts). I adore Wolf. There is also barely any romance. Like, it will seem like it at first, but don't worry, it's only straightbaiting. There is a romance subplot but it's very brief and very much in the background. Overall very good aro show 👍

Isaac (Heartstopper) Very queer show, very high likelihood that you already know of it. The series per se is very romance focused, but as far as I've heard the a-spec rep in S2 is really good

Georgia (Loveless). Actually never read it. But, well. Title pretty self-explanatory dare I say. By the same author as Heartstopper (Alice Oseman)

Chance/Chris and Shadow/Ryan (woe.begone) Are explicitly in a QPR together !! they are also probably the healthiest couple in the podcast lol

Henry Clerval (Frankenstein). Henry is the "a couple of besties!!" to Victor's "we look like a couple <3"

Barbie (Barbie 2023) If you've seen it you know what I mean.

Jo Marsh (Little Women). I never read the book, but Jo in the 2019 movie??? very sus.

I would also recommend checking out Japanese books! I personally think they are much better at writing romance than the western people lol. It's more about knowing each other and sharing your views of the world, thus changing each other and leaving a mark forever, even if the relationship ends. (studio ghibli romance vibes). My favorite Japanese book doesn't have an English translation :(

aber an alle Deutsch-Sprecher*innen: Die Katzen von Shinjuku (Durian Sukegawa) -> og title: Shinjuku no Neko

Can't think of anything else right now, but please leave some of your own recommendations! Hope this helps ^^

[ghostalservice]

Tagged by @xoxoemynn and @spirker (and @soupbtch literally while I was writing this!!) to share my favorite fics I've written! What a lovely meme!!!

I have sixty OFMD fics published for a total of over 700k words in this fandom (with another 100k at least dropping for AUgust....) and if I listed every one I loved I would be here for hours SO. Let's do a few per category??

THE BIG BOYS

Wanna Fly Away, my collab with Petrichorca, is my most beloved work and the most complex, personal, and honest thing I've written. It's an alien!Stede AU based on the Animorphs universe, and it explores gender and identity and community and what we owe each other and ourselves and. I love it. 180k, E.

The Squssyverse, my collab with @zombee, is 70k of tentacles, worldbuilding, mythology, ocean shit and gender fuckery, and it's one of the richest worlds I've ever been a part of building. Also.... it's INCREDIBLY SEXY. 70k, E

2. THE WEIRD BOYS

I write a lot of monsterfucking and monsterloving because of queer reasons and also it's FUN and it's HOT, so. Here's my favorites of those!

The First Wave, my mer!Stede/Selkie!Ed collab with @nonplayer-character, is full of sweetness and weird bits and my favorite OC i have ever met! 10k, E

A Latent Spring, my tree!Ed collab with @swashbuckling-sweethearts, is weird and wonderful and about what it means to change and grow and also fuck a tree. THE ART IS SO GOOD AND THE MAGIC IS SO FUN. 31k, E

The Curse of Iphigenia, my giant sea god!Ed/mer!Stede fic, was written in 30 wild hours, many of which were at work, and is one of the silliest, most fun universes I've written and i LOVE IT. Featuring a really fun cameo, too. 8.5k, E

Come Hither Gleam is perhaps my most ridiculous fic—Yeti!Stede and Sandman!Ed who also happen to be X-Files style investigators. Also, there's sex pollen. Sort of. 6.7k, E

(if you like these, subscribe to me on ao3 because there is MORE COMING YOUR WAY FOR AU-GUST)

3. HUMAN AUS

Checking it Twice, my learn-to-fuck fic, is my most traditionally kinky fics. Sweet, hot, featuring a list and some lace. 14k, E

Mighty Real, my pride fic, is all about the many different ways pride hits—and how it can kind of hit in all of them at once. Also, dildo parachutes and dick bubble wrap. I contain multitudes. The sequel is also a HUGE FAVE OF MINE. 15.5k, E

Man is a Giddy Thing, a post-apocalyptic radio theatre AU, is one that I love and that some of my favorite people in this fandom say they love best of my work. It's a strange one, but I've very proud of it. 10k, E

4. MULTI-PERSON COLLABS

Choose Your Own Adventure: Reunion! was maybe the coolest project I've been part of in fandom, ever? over forty scenes, 17 authors, SO MANY ART PIECES, and over a hundred ways the story could go. If you haven't checked this out, DO IT. 44k, E

5. CANONVERSE

Take It Slow (Hold Me Close) is a sweet little coda to 2.05, and I think it's one of the best things I've written, actually? 1.6k, T

Um. That's like. only 18% of my fics. I tag @trans-top-stede @swashbuckling-sweethearts @thetardigrape @gaypiratebrainrot @morethanslightly @dracothelizard and @mxmollusca!

[shewolfofvilnius]

There is a huge part of me that is curious about dragon age because I love BG3 so much. But idk anything about it? Also none of the characters strike me as interesting (or attractive....) Maybe you could tell me what you like so much about ? maybe talk about the characters so I can give it a chance? I want to like it! but I just don't know!

I DIDN'T FORGET

So for me the first draw of Dragon Age is the incredible lore and worldbuilding that goes on in the games and books. It's arguably just as fleshed out as a setting like the Forgotten Realms despite just being three (soon four) video games and about a dozen books/comics. There's centuries of history. Ancient ruins. Environmental storytelling for days. A little visual cue in the first game that's referenced in optional banter in the third that pays off in the fourth (FIFTEEN years apart). I really appreciate that the first game, Dragon Age: Origins, only exposes you to part of the story. The game's set in a pestilence known as the Fifth Blight, and you're the plucky young adventurer that the grizzled old veteran manages to recruit out of a bad situation just before the end. And you and your friends are all that stand between victory and oblivion. But right off the bat there's storytelling about love and loss and prejudice and honor. There's a noble character who dies, leading to a coward being killed as the stakes are built. (There's also a dog you can pet, and moments to show kindness during armageddon, like a prisoner who just wants a sandwich before he dies, he hasn't been fed.)

And the banter is funny (if some of it's aged a bit unwell), and the gameplay really encourages you to get in the head of whatever character you want to build. Yes you can be the cliche prince charming. You can also be the sibling of a prostitute to pay the bills until your sister lands a high profile john who catches feels for her. From the start it's equal measures hopeful and bleak at the same time. (And as you invest in YOUR character emotionally, you inevitably emotionally invest in your companions too.) And gradually the world gets bigger. A character whose town you watch get destroyed becomes the protagonist of the second game, and they hook you in to. They're a refugee, a very timely story, and if they're a magic user, then they're an especially persecuted refugee. But you still make friends amidst the hopelessness. More of the world gets revealed. You have FUN, somehow. Characters from past games recur, either as cameos or in one very specific case as a high profile recurring character in 3 out of the 4. And you become so glad to see them as they represent continuity of story.

It's a game about family and faith and the lack thereof and prejudice and love and how one counters the other, about how persecuted people often pay the price of things that happened before their ancestors' ancestors were born, and that tomorrow should always be better than today.

That's thematic, though. Maybe you take a shine to Isabela the Pirate and Aveline the Guard Captain (maybe Merrill the blood mage elf, too). The three women basically form one of the best depictions of big/middle/little sister trios I've ever seen in a game. What starts out as cold hostility becomes banterful compassion and love. A lot of folks fell for Solas, an elven apostate whose every word is couched in three mysteries and two half-truths but seems to know way more than he's letting on. When you find out a horrible secret about the honourable Grey Warden Blackwall, do you leave him to his fate, try to redeem him, deliver a sufficient consequence, or outright torture him.

And you won't like everyone. The odds of you liking both the spirit-possessed mage Anders and the anti-magic elf Fenris in the same play of the same game are low unless you metagame it. And sometimes the games even rewards you for someone hating your ass or vice versa, and THAT'S organic. But being mean or having a negative interaction isn't some edgelord thing either, it's just "sometimes people don't get along" or "something you just need to punch someone"

You get to laugh at the tough stern warrior Cassandra getting absolutely beside herself wanting to know what happens in a book that it's writer, another of your companions, hated writing - and that even Cass herself calls smutty literature. Another character, The Iron Bull, is faced with a choice: His found family and the freedom to be who he's become, or the belief system he's known his entire life and that expects him to conform.

Does your character sacrifice? Does your character make the streets run red with blood? Is all you want to make people feel inspired and in something bigger than themselves? Even playing three (soon four) wholly new characters, you get to truly role-play and emotionally invest in these little blorbos, maybe even more strongly in Baldur's Gate. When a character returns you weren't expecting, is it joyful or melancholy? Can your character handle a confrontation of everything they've ever known.

And in the newest game, there's a baby griffon.

I love Dragon Age. The lore is expansive beyond sanity for a franchise with it's commercial output. The characters feel alive, and the game tasks you to emotionally invest in order to reap the maximum reward and suffer the strongest heartache. Plus, in many cases, when the game doesn't tell you, say about your character? You get to roleplay and use your imagination so, so strongly.

[kozachenko]

A Retrospective Analysis on Touhou 17

So it's finally here, and even though I know for a fact that I am not going to be able to get the Keiki drawing done by this time (I'm having trouble with the eyes, for some reason it's always that aspect of drawing her that's difficult for me, I can never really capture the essence of her character no matter what I do) I still wanted to post something about this game today since it's the game's 5 year anniversary. I have a lot of thoughts on it, and my views on the game have changed quite a lot throughout my time being a Touhou fan. This is going to be very long so I'll put the rest under the keep reading tag.

So for some background, Touhou 17 was the first Touhou game I ever played, I got into the series during 2021 shortly after my Hunter X Hunter phase ended (since the manga was still on hiatus at the time) and I remember playing 17 during that time as well. I'm pretty sure that the reason I played it was because of that one nitirushh animation where Keiki disses the animal spirits so hard that they die (still my favourite fan-depection of Keiki tbh, it's just really funny to me) and that set my interest in the game itself. It was also the newest Touhou game at the time and none of the other games interested me as much. Then I actually played the game and at the time I found it insanely fun. I remember feeling so excited playing the stage 1 of the game and thinking to myself "Holy shit I'm actually playing a Touhou game" and having a lot of fun with it. Even though the game itself is the easiest out of all the Touhou games, it was still a challenge for me at the time since I had never played a bullet Hell before. For this reason, the game as a whole struck a chord with me. Funny Touhou animation aside, I don't know if it was because I had only recently gotten out of my Hunter X Hunter phase after finishing the whole 2011 version of the anime and had caught up with the manga during 2020, but maybe some aspect of 17 kinda scratched a similar itch in my brain and it really stuck with me IDK.

As for what I think of the game itself now.... gameplay wise, it could be better, it's still fun but there was so much potential for the game to tell it's story through the medium it chose to present itself in. Why did we not have more similarities between Eika and Keiki's danmaku styles to show their connection? Why did we not have a moment similar to what happened in TD during the final boss fight where Mayumi comes back in to take over during the fight in a last ditch effort to protect Keiki? It's the final boss so go all out! The animal spirits could also be balanced a lot better as well, especially with Youmu becoming incredibly overpowered with the wolf spirit, and visibility is a bit of a problem in this game. Some of the tracks could use a bit more polish too, I commend ZUN for being experimental with his newer tracks but the stage 3 theme and staff roll theme are both kinda eh, and while the boss themes have a lot of good punch to them and can be really good, it still feels like some extra spice could've been added to really make them stand out (which is why I love the theme remixes Saki and Yachie got in Touhou 19). I also wish the Animal Realm got explained better within the lore of the series, mainly because it raises a lot of questions about how Hell was founded and it kinda needlessly complicates things. I would've rather it be introduced as it's own region of Hell rather than being a separate thing entirely that just so happens to be located next to it. I also wish that we got more stuff with this setting that explains how it connects to the rest of the worldbuilding a lot more, I definitely feel like actually having it explained more in the mangas would definitely help to make it feel less convuluted, but unfortunately the closest we're getting are cameos in Lotus Eaters and very brief mentions of the games themselves. I still like the game though, as I've mentioned I do love a lot of the music and I love all the characters we got introduced to in this game. I've been appreciating Eika a lot more recently, I do like Urumi but she's neat and I like her design a lot, Kutaka is a fucking shithead who kept FUCKING UP MY 1CCS IN BOTH 17 AND 17.5 THE FUCKING BITCH- who is very funny and I love seeing more insight into Hell's management. Yachie's great and I find her relationships to the other characters in this game very interesting, Mayumi is awesome and the more I think about her the more I like her, and I love how Saki contrasts Yachie in her strategies. That being she has no strategy and just goes "fuck it, we ball" with no hesitation lmao.

I'm pretty sure you all noticed the absence of one character in particular, that being Keiki. I've made it no secret on this blog that Keiki is my favourite Touhou character, and a lot of that is because of her role as an antagonist in Touhou 17. I always found it really fascinating how ZUN created her as an allegory for AI (I don't know if Apollo just randomly blessed him with the gift of prophecy because MAN does that statement hit harder now more than ever) and the fact that she's portrayed as a very morally grey character in the game itself and Reimu's reaction to her, stating that she can see an "evil aura" in Keiki. I've already talked a lot about Keiki on this blog and I don't know what there is that I haven't said, but I wanted to start off with her because it ties into a big part of why I still find this game's story interesting. That main aspect being it's parallels to Gensokyo and Touhou's overarching them of humanity's relationship with nature.

So to step back from 17 for a second, I feel like we should look at what the Youkai represent in the story. Youkai in Touhou are created from humanity's fear, and back before science was able to properly explain anything, this fear very often manifested into a fear of nature. Natural disasters would end up wiping out villages, dangerous animals would often lurk in forests and end up killing anyone who would go in them. Overall nature isn't very kind to humanity, and humanity knows this. This is why humanity would often try and find reasons as to why these things would happen. This brings us back to the Youkai in Touhou who are the embodiment of the unexplainable. In manga like Forbidden Scrollery and Lotus Eaters, we often see how the humans in the human village are at the mercy of these Youkai, the only reason that they aren't being slaughtered is entirely for their own benefit so they don't run out of resources. The only hope the humans in the village really have is to turn to the gods, another product of man's desire to explain the unexplainable, to potentially save them. The survival of the people in the human village will always be in the hands of beings beyond their comprehension. No matter what, humanity will always be at the mercy of nature.

Coming back to Touhou 17, we can see that the relationship between the human and beast spirits isn't exactly.... pleasant. The beast spirits all see the human spirits as slaves essentially and they gain strength from their torment. The only way that the human spirits are even able to stand a chance against them is to submit themselves to a god and pray for their protection. And even then there's no way in Hell that they're getting out of this situation since the god they're praying to views them the same way as the animal spirits (whether they are aware of it or not).

So if you haven't noticed by my word choice, there are quite a lot of similarities here with the dynamics of the Animal realm and Gensokyo. That's not even mentioning the fact that in both places we have at least 3 different parties fighting over control of the humans, whether it be animal spirits or Youkai. Hell, this race for power in Gensokyo is a plot point in Lotus Eaters and Forbidden Scrollery, so it's not like this is a new concept for the series to explore either.

There's also something to be said about how Keiki and the technology she brings with her are seen as a threat to the order of the animal realm. Throughout human history, humanity's creativity and ingenuity have always been major factors in our survival as a species. We created tools to use the nature around us and make it work to our advantage, we created weapons to more efficiently hunt and find food to survive, and we created art and literature to document our histories and make sense of the world. Going back to 17, Keiki is the epitome of humanity's evolution and creativity and she is the one who responded to the human's cries for salvation. Another thing to think about is that in Gensokyo, the best the villagers are going to get in terms of technology are old computers that are very limited in their use, and even then barely anyone will have any idea how to use them. The reason that Gensokyo even exists in the first place is to preserve the Youkai and Gods that would become forgotten by humanity's technological advancement. In both of these places, technological advancement is seen as a threat to the natural order and must be suppressed at all costs.

Of course in Gensokyo it isn't as extreme as the animal realm. The Kappa, the Tengu, and even gods like Kanako are all quite technologically advanced and/or are introducing new technologies to Gensokyo (those are just the ones I could list off the top of my head, but please tell me if there are more that I forgot). But here's the interesting thing, notice how none of the examples I listed there were humans. The only way for the humans of Gensokyo to have these technologies introduced to them is if the powers that be, nature, let them have those technologies. Going back to the animal realm, even after Keiki is defeated we can see that the beast spirits are still using the technologies she (most likely) introduced, i.e. that one chapter in Lotus Eaters where one of the otter spirits introduced what is essentially a GameBoy to the Kappa and Nitori saying stuff like, "oh yeah the animal realm is actually pretty technologically advanced nowadays" as well as that one story in CoLA where Ran and Yachie deal with the AI Sumireko made. Once again, the only times when the use of technology goes unprotested in this series are when it's kept out of the hands of humans and back into the hands of nature. Even when humans are able to fight back and create their own technology, nature will always win in the end, no matter how hard humanity tries to defeat it. The way Touhou 17 ends is indicative of this, with Keiki being defeated and the Animal Realm returning to it's status quo.

However, Gensokyo has never had this kind of issue before.... or so it may seem. Yes there's never been any technological uprising by the human villagers and with the way things are there most likely never will be, but when you take away the potential for technological advancement from humans then the next best thing would be magic. And when humans in Gensokyo use magic to find a way to gain power and be more than just fodder for the Youkai, they end up being punished. This is most prevalent in Forbidden Scrollery when Reimu kills the fortune teller. I don't think I need to go too in depth about this moment since I already did so in my Forbidden Scrollery review but this once again shows a parallel between Gensokyo and the Animal Realm.

So what am I trying to say with all of this? I've been bringing up a lot of the similarities that these two places have but similarities can just be chalked up to coincidences that don't mean anything. What I've been trying to say with this whole thing is that the Animal Realm represents an extreme version of Gensokyo, one where every ugly aspect of it is dialed up to 11 and the law of the strong eating the weak rules all. It's a Gensokyo without a spell card system to level the playing field. I do want to say that I don't believe Gensokyo is a grimdark setting, sure some parts about it are bleaker than others, but there are also many good aspects of Gensokyo that I feel like I should bring up. It's a safe-haven for the forgotten, and if we continue viewing the Youkai and Gods from the lens of both of them being allegories for nature, Gensokyo is a place where nature can fluorish outside of humanity's hands. Unlike the Animal Realm, Gensokyo was never established with the intentions of harming people. Nature is both beautiful and terrifying, and where Gensokyo displays the beautiful sides of nature, the Animal Realm displays all the ugly sides of it. Even then, there is some overlap between the two, Gensokyo does have a nastier side to it and the Animal Realm is a place where nature can exist unrestrained by humanity (even if the place is still a shitshow overall). Now that I think about it, this sort of duality between the two realms is kinda fitting for Touhou, and I can't stress enough that when I say that Gensokyo and the Animal Realm have some parallels I am not trying to say Gensokyo is a grimdark dystopia. Hell even going back into the Lotus Eaters manga, the otter spirit that escaped from the Animal Realm even said that Gensokyo was a better place to live.

So yeah, I don't really have any good way to end this aside from saying happy 5 year anniversary Touhou 17. You are a flawed game but god do I still love you. Oh yeah, and if there's anything I missed or any mistakes I made, please correct me/let me know.

[fuckyeahaudiodrama]

✨APRIL/MAY LISTENS✨

hi i’m back, i’ve just finished my degree and do not have enough of a brain to write an in-depth of anything. but! here’s some of what i’ve been shoving in my earholes for the past month, in no particular order.

The Magnus Protocol — (season 1 ongoing) continues to blow my fucking mind. the sound design/music combo for this series is of particular note, it really just… mwah. elevates the text so much for me. i also continue to be impressed by how well this works as both a standalone series and as a delicious trail of candy for those of us who loved Archives. we’re halfway through s1 now and all i can think about is alice dyer.

Beef and Dairy Network — (ongoing @ 109 eps) a partially improvised absurdist comedy pod set in a world that is bizarrely obsessed with beef. my qpp listened to one episode and called it “distilled british humor” which feels… correct. i’ll be real, i’m actually mad at myself for not getting into this one sooner, but on the other hand having a long binge of it has been divine. i would kill to go to one of their live shows.

The White Vault — (5 seasons, 10 eps apiece) not including goshawk because i’ve barely started on that. but the main series… woah! god, i totally didn’t think this was going to be my thing but i could not put it down? the first season is definitely slower than i usually prefer but the characters kept me hooked and by season 3 the narrative completely took over my brain. i also love how well they sold the found audio format, it WORKS. gold fucking star, highly recommend.

Jackie the Ripper — (3 seasons, 5 eps apiece) put this one aside for a rainy day and binged it all at once. deeply wish there was more of it. it’s a raunchy crime drama with a downtrodden detective at the helm who i SWORE i wouldn’t root for but ended up doing so anyway. do recommend! if it sweetens the pot, the protag has the same VA as watson in the currently popular Sherlock & Co.

The Mistholme Museum — (6 seasons, soon to be complete) people have been recommending this to me for years and i just never got around to it, but on the bright side — it was an incredible binge. anthologies aren’t my strong suit but i found the framing device really strong and, crucially, it develops a meta plot that balances really well. biggest strength for me was the narrator, but i can’t explain why without spoiling some key plot developments. just trust me.

Wake of Corrosion — (4 seasons, final ongoing) very cool apocalyptic suspense/horror. i initially loved this show for the dynamic between the two leads, who are brothers trying to reconnect on a solitary camping trip when the world decides to go wonky. i ended up loving the worldbuilding as well. final episode drops very soon.

Neon Inkwell: The Pit Below Paradise — (miniseries, ongoing) this one has a bit of a western vibe and heavy religious/culty overtones, which isn’t my favorite genre. but i think each of the main characters has been developed really well thus far. + many fun cameos from members of the production team, those are really fun to try and spot :)

Twits: A Steampunk Distraction — (2 seasons, 5 eps apiece) very silly comedy of errors from the pov of a bumbling aristocrat. can’t say too much without giving the end of s1 twist away. i highly recommend it if you’re looking for some lighthearted listening. the ending credits are also very cute.

Planet Arcana — (ongoing @ 71 eps) i’m so bad at TTRPGs but this one has such a unique setting, i’m just captivated. tarot-flavored sci-fi adventure for anyone interested. i’ve made it through the first arc and the party has already experienced a crazy amount of development; stoked to see what happens next.

Selene — (ongoing) anthology about a spooky little town with a vintage vibe. single narrator, quite talented. i’m not always easily invested in anthologies but the narrator here really sells it for me, and (!) i think he writes children — both their thought processes and dialogue — very realistically. which is my grandest compliment.

Camp Here & There — (s1 complete @ 33 eps, hiatus?) i put off listening to this for a rainy day because i’d heard nothing but rave reviews and they weren’t lying. this is quite literally the ONLY pod i’ve come across that completely captures the same magic that WTNV did for me on first listen. the creator is kinda going thru it so idk if s2 is going to happen but i really hope so. even if not, s1 is very worth listening to. it’s wacky and sinister and i just love the narrator, it’s hard not to.

We’re Alive: Scout’s Honor — (8 ep miniseries, complete) imagine WA from the perspective of some awkward tweenagers. what’s not to love? the gore is really heightened by each characters’ stage of emotional development. i especially loved the conclusion but i won’t spoil it here ;)

Among the Stars and Bones — (2nd season ongoing) sci-fi drama with a solid first season, really nice narrative tie-up, but the second season was SUCH a glow-up nonetheless! + the most memorable karim kronfli performance of all time IMHO.

[quess-art]

Unbound by sky! Reader here!

First and foremost, I LOVE YOUR FANFIC TO BITS! The love where you just want to bring it everywhere, thoughts of it popping everytime and making my imaginations run wild. Your worldbuilding and characterization is so amazing, i love itv So that's why, thank youuuuuu really much for for making this gem!

Secondly, i found the listed out the maybe oneshots of charas that will be featured in post canon. Which lead to this; is it possible for basil and enma cameo? Even just one of them is fine! I found that basil wasnt written a lot in fanfics, so to find him in this story is such a delight! Multiple times at that and having a big role too! It really makes me happy to see him so Thank you again! And enma, i just found the heacanon of him and tsuna being best friend is so lovely and making me want to see them just having fun. Enma is such a cinnamon roll and considering his past, i want to see him happy. Or the hyper trio! They have a place in my heart, those three. The trio just taking out the todoroki children to have fun and maybe watch a movie.

This is up to author-nim of course! It's perfectly fine to refuse! I apologize if i make you uncomfortable. You're such an incredible author, and we readers love you. Hope you have you a nice day and happy new year! Wish you a good year to come🎉

Hi! Thanks for the really nice message! What a positive way to start the year. I have a lot of love for the series and my fic as a writer even if I'm not active in those fandoms anymore. I'm happy that my writing gives you food for your own headcanons and ideas!

Noted! I'm not sure about Basil but I definitely want to write about Enma. Plus Byakuran. I love the potential dynamic between them and wish canon would've went into the three's relationship as bosses and as changed people after Tsuna's intervention. Also for the shits and giggles.

You didn't make me uncomfortable at all! Thank you for the nice message and interest.

For your health and happiness, Happy New Year to you as well!

[invested-in-your-future]

I am new to rwde stuff, and I'm wondering why Miles is so often singled out in criticism? Like, with self-insert stuff that makes sense, but I also see people criticize the relics/gods worldbuilding as a Miles thing, without mention of Kerry. Same for similar criticisms like the plot driving them into a corner in v10, or the mishandling of the WF plot line. Is there a reason for that, or is it holdover from not liking him for the self-insert? Is he the one who talks about it the most, or has he specifically claimed responsibility for that, or he writes more than Kerry, or something? Is it because he just seems to be the more public of the two of them, doing things like his cameos? Is he simply the more unlikable one? Thank you in advance, if you answer this question.

I think it is that, yeah - Miles is the one most often putting his foot in his mouth with weird hot takes that come back to bite him.

Him being tasked by Monty to watch a bunch of anime to see what NOT to do and ending up gushing about sword art online and loving the one soul eater character he was supposed to understand about being crass?

Him going on an off-tangent rant about how Korra world building is bad only to then rip off parts of that lore and it all end up a mess.

Him ranting how on how LGBTQ+ rep in Korra has absolutely no build up only for BB ending up getting ZERO PROPER DEVELOPMENT that it SHOULD HAVE GOTTEN FOR VOLUMES (because the show was too busy queerbaiting) and only getting a desperate kiss to attempt to get the views back up... (Mind you Korra was under a LOT of network restrictions and actually doing what the show did took actual guts while the only excuse RT has for dancing around the topic is "we don't wanna")

Him watching Land of Lustrous (a show about an immortal being experiencing trauma and PTSD and dealing with grief and existential crisis) and going "I don't get it" and then delivering the absolute messy v9 nonsense that literally vilifies trauma and goes against basic mental wellness concepts.

There's a trail of Miles stepping on the same rake over and over again going back years so he kind of became the face of all the wrong decisions taken in the show.

Plus, you know, yeah, Jaune is his baby and he somehow ends up being the faux protagonist of the show leeching off the screen time of actual protagonists and getting more development and focus than actual protagonists. And him being the guy to whom "the idea of brother gods came to in a dream" and it's easy to see why he kind of became the poster child for everything bad in the show.

However, Kerry is just as guilty for a lot of aspects of the writing but people are bit more lenient because again two worst parts of the show - Jaune and brother gods both come from Miles.

RWBY having borderline nonsensical setting and offensive problematic writing is a group effort though because RT as a whole never grew out of the "edgy homophobic jokes machinima youtuber" phase - not even after becoming a company that owns million dollar franchises.

[supersaiyanjedi14]

STAR WARS REBELS APPRECIATION WEEK Day 2: Favorite Episode/Arc

Like with the characters, it's next to impossible to pick a single episode or overarching story arc as my favorite. The standalone episodes weren't always on the money, but 9/10 times they were still excellent little adventures that I'd kill to see more of (not everything has to be a multi-part story, okay? You're allowed one-and-dones once in a while). While there weren't any multi-episode sagas like TCW had, the overarching story of the seasons themselves always had a fantastic level of buildup and payoff, especially since almost all of them were tied to a certain character's development and structured around that fact. So, since there's no real favorite to speak of, I'll cheat and pick my favorite from each season.

SEASON 1: Fire Across the Galaxy. Perfect payoff to the season-long arc, bringing Kanan's rediscovery, if not quite complete, still well along the way, great moments for all the main cast, and an epic lightsaber duel to cap off the show's inaugural season. Plus, the long-awaited return of Ahsoka since TCW's cancellation can't be understated as an exciting moment for everyone.

SEASON 2: Shroud of Darkness. Great character work for everyone involved, Kanan especially, and setting the stage for a lot of stuff that would come to a head in the season finale. The return of Frank Oz to the voice of Yoda also speaks for itself.

SEASON 3: Twin Suns. The Maul story arc comes to a close. Functionally the culmination of everything surrounding Maul since his return in TCW, wonderful cameo by Old Ben Kenobi, and ultimately frees Ezra from Maul's toxic influence, reuniting with his new family by the end of it all.

SEASON 4: A World Between Words. A doozy of an episode that not only introduces a fascinating new bit of worldbuilding into the setting, but also serves as more or less Ezra's final Jedi test as he must accept Kanan's death and move on. Oh, and the fanfic potential coming off in droves!

[chacusha]

Visions of Mana review

Non-spoilery thoughts:

I really like this game! I was a bit worried about combat from the demo, but I really like the combat in this game, actually. The different weapons all have their own combos and situationally helpful moves (dishing out a lot of damage, attacking in a wide area, launching enemies, staggering them, etc.), so there is quite a bit of satisfaction in learning different fighting styles for each weapon. It almost feels like a fighting game rather than an action/adventure game, which I like.

I feel like this game successfully captures a lot of recurring elements of the Mana series (multiple weapon systems, finding elemental spirits, familiar monsters and bosses, world in decline, simple environmental puzzle-solving) while also being a fresh story and world with its own rules, which is pretty ideal for me. I also think this game does a better job of merging Legend of Mana worldbuilding elements with non-Legend of Mana elements than any other Mana game, and I find that pretty impressive because the aesthetics kind of clash, in my opinion. But they did a good job of merging them here.

The characters are really fun and I like the party dialogues that happen as you go around the world. I think the game could probably use some sidequests or subplots (rather than fairly simple fetch/hunt quests) to flesh out the world a bit and give the story a bit of nonlinearity (it is *quite* linear, although this is pretty normal for the Mana series (LOM aside)...), but I am not complaining. Even though they were fairly simple, I enjoyed the quests here, and they got pretty elaborate in the end.

The progression and gradual unlock of skills that make your characters stronger is also really satisfying. I'm also a big fan of the way that they incorporated a game mechanic (random corestone drops) into the story, and I felt the corestone ability trading added a bit of depth to the gameplay.

Overall, I rate this game like 9/10. It could be better, but there is a lot here to love and the gameplay is pretty polished (game crashes a lot, though -- be sure to save frequently!).

Spoilery thoughts:

My partner keeps joking that Careena is somehow this world's only Texan. (How come her parents have no accent?!)

Magical girl transformation sequences was SUCH a good idea. I approve. (Is there a way to toggle these back on...?)

The tragedy/tragic backstories in this game are exquisite.

At the same time, I really like the humor and cuteness in this game. It's important to have both in a Mana game, I feel.

I wasn't expecting anti-capitalist propaganda in this game, haha.

I like that there's a bit of a nudge in this game about which elemental vessels to assign to which character. Like, Careena's Wind class has pretty nice passives compared to the others and same with Morley's Moon class -- kind of nudges you to start them off with those classes.

It's interesting having Niccolo in this game be such a nice guy. In most games, he's pretty sketchy and self-interested (although he is a pretty great guy in Trials of Mana too). I like that he's Morley's adoptive dad and Palamena's confidante too.

Val is the himbo we all need.

Hinna 😭 They were so ready to be happy together too. I guess Hinna dying this early means she has a reasonable chance of coming back by the end.

SOMEONE high-up in the development team definitely has a foot fetish. But I like seeing Palamena's stylish footwear so I don't mind.

I'm a big fan of Pikuls for land transport and Vuscav for sea transport. Love that we got Vuscav's theme back for this game.

Oh snap I'm in The Lion King right now. XD In general, I was a bit meh about the areas featured in the demo (Rime Falls, Fallow Steppe, and Rhata Harbor), but I've been pretty impressed by the other areas. I liked the Charred Passage, Ledgas Bay, Pritta Ridge, Illystana, Dura Gorge (love the music of this one), Deade Cliffs, and quite a lot of the dungeons.

Von Boyage / Professor Bomb is here! Great cameo.

I like how this game strikes a balance between SOM/TOM-style "there is one of each elemental spirit" and LOM/World of Mana-style "there are many spirits for each element" by having one main elemental spirit but a bunch of mini/lesser elemental spirits with a slightly different design (and they're very cute!).

I like how Khoda looks exactly halfway between Sumo/FFA protagonist and Randi. Well done.

Lol, I thought Aesh was going to be evil. I do like how he occasionally goes into "mad scientist" mode, though. The parts of the game where he has bonding time with the party were some of the best. (His initial introduction was sooo good. When you introduce your friend to your other friends and he's the worrrrst, lol. I like how Morley went from jealous of Aesh to Worried Mother Hen lol.)

Overall, I like the boss battles in this game. I like some of them have a gimmick or puzzle-solving aspect to them, and I like that none of them dragged on too long, which is the main thing I hate about modern action RPGs. The Earth Benevodon battle in particular was a favorite -- epic! Some of the other benevodons sadly went down a bit too quickly (I kind of felt sorry for them having to fight my overleveled party XD).

Okay I guess Hinna isn't coming back. I do like the theme here of it being important to accept the death of loved ones. Ephemeral beauty i.e. things are valuable because they don't last forever. (Ever since my partner pointed out this is an extremely common theme in Japanese art, I am unable to unsee it...)

Some of these late game areas are also really beautiful. *o* I really love the floating island, the Entwine Pass boss battle with all the flowers in the background, and the lighting in the corrupted Mana Sanctuary areas.

Being able to see the previous alm contingents (including Lyza's group!) made me emotional. ;_;

Oh snap, I can't believe Passar was the big bad.

I haven't finished all the postgame content, and I'm not sure if I'll have time. I do eventually want to farm all the abilities and play around with different party setups, and I also want to try playing on Expert difficulty and also with Japanese voices, but we'll see.

Overall, I liked the story! You didn't get Hinna back, but you did manage to fix the world, so there is still that bittersweetness that is important for a Mana game.

[byfulcrums]

okay. i just watched transformers one yesterday (couldn't do this b4 because it was like 3am) and want to give it a review so here we go!!

the overall rating i would give this movie is a 9/10. there are some flaws, some that are noticeable and some that aren't, but the good overshadows the bad here, so. nine out of ten

and there are gonna be spoilers from now on so be careful and go watch the movie if you haven't!!!

The good parts of this movie

TF1 shows us the story of Cybertron before the war in great detail, something that isn't very often seen in the movies and series, as the most info we get about this (mostly of Optimus and Megatron's relationship) comes from things like flashbacks. It's just a very nice thing to see!

The graphics and animation of this movie are stunning. I couldn't watch it in a very good quality, since I was unable to go to the cinema like I'd previously planned, but it still looked incredible. The designs are super cool too. The amount of detail that went into this movie is amazing, and I also loved all of the cameos (I screamed when I saw Arcee)

The voice acting is also very good. I think that the casting for Megatron/D-16 was brillaint. The VA did an incredible job in playing his character. It was like I could feel what he was feeling. Chris Hemsworth's voice for Orion Pax also worked really well! It was a great choice to cast him for a younger version of Optimus Prime. I think that it works better as Orion than as Optimus, but that's just me being picky lol

Elita's and Bumblebee's VAs were amazing too! I talk more about OP and D-16 because they're the ones the movie is centered around, but the rest also were great :)) The other characters's voices help give them more character depth, as they change once the movie goes forward. I think that's beautiful. Unlike the Spanish version, the EN one has some VERY good casting (im salty)

The lore was done extremely well, especially with the limited time they had. The worldbuilding was great too!

I loved the designs of the places. Iacon was just,,,,, great. The flora of the surface looked beautiful

The fight scenes made me fall in love. The sequences were incredible. Fast, with lots of action, and very exciting and fun to watch. The race made me feel so many things too

The visuals are pretty much perfect basically

I love how they worked with OP and D-16's friendship too. In most universes, their characterizations are very different: OP is more serious, a little more introverted, and Megatron/D-16 is still angry over the unfair life he was given. In this version they give them more personality, as a way to show that they have changed a LOT by the time the war begins

They weren't always leaders. In here, Orion is a little bit of an idiot; he's reckless, he talks a lot, he gets into trouble. Surprisingly, D-16 appears to be quieter. He wants to follow the rules, to not cause too much trouble. These two things mean that D-16 often has to help Orion when he fucks up

Something I loved to see is how much of a rule breaker mech Orion is. A thing most people tend to foget is that (in every version I've seen, at least) Orion Pax also fought for freedom before he was a Prime. He's a "fuck the goverment" kind of guy, only less violent than, say, fucking Megatron

I was lowkey scared of what they would do with Orion. I didn't want them to give him only a Hot Rod type of personality and then give him too little depth. But i loved him!!! so much!!!!!!

I also believe that making Orion a miner too was a great choice and that more should do it from now on. It just speaks more to me to see a guy that wasn't a high or middle class person fighting against Megatron

Orion and D-16's relationship was amazingly done too. In this movie, they actually feel like friends. They do things for each other without the other having to ask, they banter, they hit each other playfully, they always have each other's back

From the little things like D-16 quietly helping Orion get out of trouble, Orion looking behind him to make sure D-16 is following him, to the bigger things, like Orion getting themselves in the race and them helping each other during it, Orion giving him the Decepticon insignia sticker, and D-16 being horrified when he realizes who he shot

The banter, the way they laugh, how they just seem so comfortable around the other, showcases how truly great their relationship was, how much they love each other. These two actually feel like friends

Their relationship also makes D-16's anger stand out more. From Orion's reactions, we can see that he was never a truly angry person. Every single time D-16 did something different, something that wasn't like him at all, the camera would show us Orion's face. D-16 wasn't always like this. Orion knows this more than anyone, and he is scared and worried for his friend

Orion and D-16's motivations and ideals are very clear throughout the entire movie. Orion wants to be something more, he knows that he's missing something, that something's wrong. D-16 follows the rules and makes sure to not get into trouble, and yet even though he just wants to live in peace, he still allows himself to get into so much trouble when it comes to Orion

Orion's ideals didn't change much. He knows everything is unfair. He wants to change it. He changes, too, but he's still the guy that craves freedom more than anything

D-16's dreams are shattered with one hit. Everything changes immediatly. Before, he wanted to stick to protocol, and now, he just wants to kill Sentinel Prime. He still wants freedom, though; that much hasn't changed

It hurts how understandable D-16's POV is. He's angry and he's hurt and he never wants to be afraid again. He begins to hate. And we know that he's not good, that he isn't doing the right things, but God. I understand him. I understand the people cheering when he kills Sentinel and I undertsand him. It's not right to kill an unarmed man begging for mercy, and from a tactical POV it is also not a good idea since he's the one making deals with the Quintessons and they could use him to put an end to the invasion, but D-16 is rightfully angry

It kills me how this shows the way rightful anger can be useful, but also deadly when it goes too far. D-16 stopped being right when his anger got the best of him, when he started killing civilains, when he let his best friend fall to his death

Optimus, after getting the Matrix, looks so... tired. His best friend is gone. He knows that peace will not last forever and that it might be because of Megatron's fault. The logical choice would be to kill Megatron where he stands, but he just. Can't do it. The day he becomes a god is the day he loses everything

I have more things to say but this is getting long, so we'll go with the rest now

The bad parts

I wasn't a fan of how Bee seemed to only be a comedic relief, and though I loved him a lot, I wish he was something more

I'm also not a big fan of how Elita was done in some parts. Sometimes she felt a lot like the stereotype of the badass girl character. She didn't do much and she seemed to be there just for there to be a Girl Character. Honestly, they should've made her more central to the plot, instead of just having her give a terrible pep talk (which was funny, I did like it, but it was not enough) and expect everyone to just roll with it

The plot could've been better. Not complaining, but it seemed odd that everything /just so happened/ to be where it was (Steve, Meg and OP being chucked 50 levels below ouut of nowhere)

The pacing felt too fast. D-16's downfall came too quickly. Not much to say about this

I think there should be less familiar faces in one place. It can make the world feel a little too small after a while

I also would've liked more scenes of Orion confronting Meg when he gets Violent TM, instead of just standing there. At least just.. trying too, even if he's not being listened to. I think it would've made it better

Plus I would've liked to see them struggling with fighting more. Make them a little less competent, make it look more like they're just improvising, and the movie would've been a lot better

I also wish we'd seen more anger from the other characters. More sadness. From both background characters, and the MCs (minus meg he's already angry)

I cant think anymore i am very tired. so this is it. but i have more opinions that i might be sharing later!!!

Overall

Very good movie. Not perfect, but still fantastic. Fell in love with literally everything

Voice acting: 9/10. The main cast was perfect!!

Visuals: 10/10

Plot: 7.5/10. We already knew what would happen, so it wasn't too much. However, the movie did some VERY cool things with the way it worked with the plot!

Characterization: This is kinda hard. Overall, I'd go with an 8/10. Meg, Sentinel, OP, Alpha Trion, etc are 9.5/10, but there are some other characterrs I didn't like so much, as I've stated before

Music: 7/10, the TFP soundtrack KILLED ME

[laesas]

Hiiiii anon <3

I think Boun and Prem are doing a stellar job with what theyve been given, and they do manage to create some moments of decent chemistry, but between the masses of filler plot, the character choices and the objectively awful editing, the show feels like it’s limping along.

I’m also just getting more and more upset with how inconsistent Team’s characterisation is. One minute he’s pinning Win to a locker, or doing bits in a restroom at a bar and at least reciprocating somewhat, and the next he’s cringing and blushing and whining whenever Win flirts with him in the typical seme-uke dynamic that WinTeam were meant to break. The show started so strong with the longing looks and Team’s cheeky dismissals of Win’s flirting and now that’s all gone and we’re left with “P’Deaaaan” 2.0: “Hiiaaaaaaaaa”.

I’m gonna finish it. For BounPrem. But unless it picks up in the final stretch (🤞) I have a feeling I’ll partly be relieved that it’s over.

your post about between us Saaaaame. the way I enjoy bounprem/winteam as actors and characters so much and their chemistry but everytime I watch an ep I'm just like 'I should drop this' I HATE IT

i think this was meant for my wife @aikinn ! i haven't posted about between us today (though i agree with her post, and this lol)