#Zero is one of those films that's fun and the main messages are there and work

[delightful-dorks]

This is the part of the movie that just has me asking questions nonstop... does Monty know his brother lives down the lane normally? Has Benedict ever come down the stairs to find that Monty has wandered in demanding to play checkers with him? Does he try to take him out pubbing? Has he ever lawn flamingo-bombed him for a birthday? He seems to know him and the Delightful Children are there already, has he seen them around but never connected the dots? Knows they're there but also knows he cut contact a long time ago??

[yenonnoff]

TEACH ME HOW TO LOVE! 14. message sent, message received

masterlist ⌒☆ previous ⌒☆ next

fun facts:

kenma says he doesn't like kuroo's gossip, but he does. he listens closely and he listens well; he will pick up on every detail despite simultaneously playing his game.

after what happened between atsumu and y/n, osamu contemplated for a long time on whether or not he should revoke his brother's onigiri discount. he decided not to. (atsumu isn't really special since rin and omi both have discounts to osamu's store.)

TEACH ME HOW TO LOVE! ｡ｏ♡ an atsumu miya smau

synopsis: when y/n l/n, a rising actress, decides to star in a romance film that could make or break her career, she’s unable to showcase her skills, revealing her inexperience within the romance department instead. worst of all, atsumu miya, her co-star and the main lead’s love interest, seems to hate her guts! with absolutely, unbearably zero chemistry between the two, an idea was proposed: spend time with one another in the upcoming weeks. will y/n be able to ignore her professionalism and listen to her heart? and will she, a clueless romantic, be able to pick up on the signs her co-star is sending her?

a/n: editing this chapter was a pain. anyways!! hope u liked it i was going to upload this the next morning but i couldn't wait

taglist is open! dm or ask to be a part of it! (those bolded were unable to be tagged)

⌒☆ @kqbukimono @empathum @clyver @chosoluv @oceansfloor @sunarots @marga-j @rukia-uchiha-98 @wyrcan @thechaosoflonging @rintarousgirl @ast4rg1rl @seiamor @saiewithakatana @usermins @literally-a-ferret @terrarain @iuspired @haruskatana @wolffmaiden @ris-krispie @vellichxrr6782 @animenaces-world @reignsaway @emii4evr @writing-for-the-hell-of-it

[thefirsthogokage]

I don't remember who said it about the new Star Trek series they were making, but one of the creatives in charge said it was like they were getting to make Star Trek fanfiction.

No.

You were supposed to make more Star Trek. To continue it. To work with what is canon. To keep it's heart. Not upend everything about it.

I do think Picard was ok, but I kind have trouble with what they did with Star Fleet and if that was a good decision. Star Fleet was supposed to be progressive and a force for good. Then they turned it into something corrupt. I can kind of understand it, but I miss the positive message of what Star Fleet was supposed to be. I didn't need it to be a reflection of corrupt governments in the world. I miss it being a statement of the good people could achieve working together. Where is that messaging now? What other show can we look to for that? Hulu is probably going to cancel The Orville (which itself has major representation flaws). That was the next closest thing I could think of. Like I said, I get that the story makes sense, that doesn't mean I can't miss what was sacrificed to make that story happen. It is good to show people standing up to corrupt organizations, but I'm still sad about it. Those are both things that are possible to feel at the same time.

And Lower Decks is fine, too, but it's a cartoon.

However, I grown to hate an awful lot about Discovery. Some of the characters are fine. Tilly was good. Pike was fantastic and represented everything he should in a Star Fleet captain and that wouldn't have been possible without having the perfect actor for the part But I stopped watching a few episodes into S3 because it became just so irritating. Which was greatly upsetting due to how proud I was of their diverse cast. I didn't like most of the acting cast or the writing surrounding their characters, but I was happy about the diversity. The Klingon stuff was an egregious mess. Having one person save the day all the time is infuriating and not Star Trek in the slightest. Even though Michael is the main character (and having a main character in this type of show just bothers me, it works for Picard but not here), she doesn't need to be right all the time and be the one who's always saving the day. Let her need help sometimes. Let someone else know something that she doesn't sometimes. Now, maybe this changed after I stopped watching, I don't know. But it's just difficult to watch. Oh god and the bizarre shit they did with the technology the Discovery had that they did just because they could even though it makes zero sense with what's canon.

And now Alex Kurtzman, who has made so many bad decisions with this universe, will continue being Star Trek's Kevin Feige for a the next few years, only really shitty at his job. He's taking Star Trek and making it dark and not light hearted enough. It's not an escape like it used to be. It's not seeing people do good things like it used to be. The filming style itself is mood killer. There's a reason why a lot of JJ Abrams' projects are just downers with their filming style and coloring, and I hate how they emulate that and are going to get to continue to use that for the next several years.

I miss the bright - but not abrasive - colors. The positive lessions. The people smiling. The fun characters would have.

I miss what Made Star Trek, Star Trek.

I know there will be people who disagree with me. That's fine. I just needed to vent.

[lys-lilac]

A Break: IDOLiSH7 Third BEAT! Ep 10 Review

I can’t say that I have wasted a single second not fangirling them...

[Contains detailed spoilers of the episode below. If you don’t want to get spoiled, please refrain from going under the cut. Otherwise, dive right in, and make sure to watch the episode whenever you get the time!]

Also, please enjoy the spam of content I am going to provide and my blabberings.

Check the masterlist- here

(The fun has started!)

This episode washed all the week’s fatigue away. 

IDOLiSH7, TRIGGER, and Re:vale get to do a special programme on the occasion of Friends Day. Well, each group thinks it’s a good chance, but at the same time, some worry about their decline in popularity since 2 other opposing groups are going to be there.

What Iori reasoned out for his thinking was justified. They were the most recent group that had risen to popularity, so it was expected for him to think that their popularity could waver, if they did a variety show with their rivals. The same thinking can be seen in the President of Yaotome Productions too.

(He has such a mature personality... One can’t help but admire him...)

We got to hear a little bit of Tsumugi’s voice! I know, she is not a main character anymore, but at least mere sentences from her are worthwhile to hear.

(Umm, can the guys and Tsumugi be provided with some new clothes? I have been seeing this since S1, haha ^^;)

Just as the meeting of the show ends, the camera starts rolling. And from here only, I can’t express how every scene made me laugh like crazy. I mean, they are hilarious!

I will just provide a gist here. They go to Atami for their show, and are given the challenge of writing a song within 24 hours. Although they are shocked, gradual banters are chatters help them to handle this task too.

And we know, when situation like this shows up, what older guys are going to do.

(That was scheduled for the wrap up, but oh well.)

Regarding the ratio I talked about in the previous review, it’s the number of members sitting with their legs folded and those who aren’t! Well, their persona reflects through this one picture.

Poor Iori, these guys seem to not hear his instructions and discuss whatever they want. 

I pitied the managers so much. Protecting their stars at each scene, haha. It’s well said that alcohol can bring out the truth. Not some moments after, and these guys started to talk about dicey subjects, totally tossing out the main task in hand. This only stops after the show gives instruction.

Ahem. Tenn was the star of this episode, in my opinion. 

(My heart... >///<)

(Look at the two in the background knowing his double sided face, heh. And then there’s Riku.)

Jokes apart, what I said is actually true. We can see his improvement in personality when he has a conversation with Riku. It was not rash, but was formal, which is a good sign of the repairing of their tangled relationship.

The younger guys playing statue was soo cute!

(ヾ(≧ ▽ ≦)ゝ)

RIKU. BOY. He can SEE GHOSTS. I literally squealed when he calmly mentioned how the ghost that the ‘shopping’ group brought home wants to play with them. And darn, the other two members of ‘courage test’ group didn’t even falter.

Oh. Let me tell you the splitting of groups.

Cooking group- Nagi, Tamaki and Momo.

Washing group- Gaku and Iori.

Courage test group- Riku, Ryu and Sogo.

BGM group- Tenn (he was given to take requests, pftt...)

Shopping group- Mitsuki, Yuki and Yamato.

Since only Riku could see the ghost, he conveyed her each message to them. And this was true that he was not hallucinating. Because when he said that the ghost is going to bathroom to practice scaring the members with them, the result is the proof-

(Aw.)

Tamaki... The extent to which he was scared when the term ‘ghost’ popped up, and using Tenn to hide, was adorable. 

(How is one supposed to stop screaming when these scenes are shown??!! >.<)

The Tamaki-Tenn dynamics here made me to replay the scenes again and again, and yet again.

(Darn, he is super kind...)

But again, Tenn, he also didn’t get scared. These two brothers surely are something, huh. 

The courage test. OH GOD. It was the best part of the whole episode. Ahaha, whether it’s Mitsuki being a ghost, or Yuki, or Sogo... I was SCARED so much!! 

You have been warned. The photos below may cause your heart to skip a beat, OR SCARE YOU THE MOST.

.

.

.

.

(Nice one, Mitsuki.)

(A-argh!!!!)

(So-sogo?!)

(Why is he hanging upside down, ahhh!!! Tamaki, I have the exact reaction as you.)

Haha, anyways, Tenn even suggests Riku to ask the ghost to return to her own world, and even sings ‘Dis One’ by Zero for her, as she was a Zero fan.

(That smile is everything.)

What Riku says at last makes sense. Even though they ended up filming for a same show, they are still different and have their own goals to achieve.

Yeah, so that wraps up the review. I think this is the best episode of the whole season till now, as we saw the guys enjoying, without any tension. But you all know what this means.

We are all going to get some serious matters in the next episode. So buckle up! Apparently, this was also hinted in this episode as Momo found out how some staff from Tsukumo have stepped down from the show. Which means the only person he is sure of has started pulling the strings.

I hope not any guy gets hurt now...

See you next week~

[counterspelling]

Prompt: Rey, Finn, Rose, Poe, Chewie and the Falcon from the sequel trilogy get sent to the Legends timeline because they deserve better.

I think for me I'd actually rather keep the timelines separate? They absolutely did deserve SO MUCH BETTER, and time travel fix-it shenanigans can be so fun, but I love the EU as a completely separate thing and idk how you could incorporate them. I would rather just throw the sequels in the trash where they belong and keep the characters and just... rewrite everything else?? The only satisfying arc for that trilogy for me would be for Rey to be Luke's daughter since that is IMPLICITLY what TFA was showing us with her force visions of an island she'd never seen that Luke marooned himself on (after somehow failing young Rey and thinking she was dead, since that is the ONLY REASON Luke would ever abandon everyone like that, and even still I don't think he would cut himself off for years like that. We already saw that story!!! We saw Yoda and Obi-wan do it!!! Why did they just repeat the OT!!!) and with Rey calling Luke's lightsaber to her over Kyle Ron, they WANTED US TO THINK she was his daughter. And she should have been! The main SW movies are about the Skywalker family, and throwing away decades of that history to pull the rug out from the viewers and have her be a Palpatine in the name of shock value bc Rian Johnson is a racist piece of shit and JJ Abrams is so enamored of his own writing and thinks writing himself into mystery corners without presenting actual solutions is good storytelling.... that's dumb!

Disney originally letting 3 separate straight white dudes do the trilogy with no oversight or communication between them is dumb! George could pull out plot twists and shock the audience bc he was one man overseeing EVERYTHING and he never undercut the message of his own story. He was vocal about his movies being for kids, the point wasn't just to shock people, Vader being Luke's dad makes everything about the OT more complex and deepens every relationship, the same way Leia being Luke's sister does. It was about tying the characters together and underpinning their emotional journeys together, not pulling something COMPLETELY out of left field just so that the thing that everybody saw coming didn't happen (they resurrected Palpatine in the CRAWL and then never addressed it!!! I just!!! How is that something that actually got written and filmed and produced and nobody had a problem with it!!!). Disney doesn't care about anything but money, and they just need the brand for that, not a good story. I would rather bring Winter and Mara into Disney canon bc Leia deserves her sister and Luke deserves his wife but also I do not want to subject myself to suffering through whatever disney would do to them lol. Also, on top of everything else he's done, Abrams is still on my shitlist for putting out the casting call for Keri Russell's character to be named "Mara."

They set up Rey and Finn to be co-leads with parallel stories, they clearly set them up as love interests, they were two people who immediately recognized each other as someone to care for and trust, exactly the way Han and Luke and Leia all did when they first met, two people with incredibly fucked up childhoods who were never sure who they could trust or who would support them. But they knew from the first moment that THIS person would be someone they could count on, and had such an immediate bond together. And then they threw those characters away completely to woobify Kyle Ron and turn Finn from a lead into a side character without a plot or character arc for the next two movies. Rey and Finn in TFA are unrecognizable in the next two movies, everything about their personalities, motivations, and goals changes and has zero resemblance or flow from the first movie. And Kyle Ron himself is a joke, truly one of the worst SW characters I've ever encountered. I hate... so many sw characters lol, but he's just such a badly written and uncompelling character, and everything about him is so rooted in the racism that John Boyega the actor and Finn the character had to go through, it's just disgusting.

Anyway, if it was purely up to me, I would remove the sequels from canon and then do a 7 movie adaptation of the NJO and LOTF series. I want Jag and Jaina to be the main couple without decades of dumb love squares just bc Jaina is the only girl, I want Tahiri to be treated with the respect she deserves, and I want Tenel Ka to have more of a chance to bond with the other girls and in fact to make the relationships between all the women a priority. We'd get the first four movies covering the vong war, we'd see the twins and Anakin centerstage and having to fight the worst war the galaxy has ever seen as teenagers and how strong they were together, before they were even fully jedi knights. We'd get the bond between them and see them emerge as leaders in the war, and then we'd lose Anakin at the end of 3, see the toll that it took upon the whole family but especially Jaina and Jacen (Jaina! Who was always the protector of her siblings, from the time they were born! The oldest sibling, who feels responsible for their safety!! Losing her youngest brother!! And then coming into her title as Sword of the Jedi when she's knighted, and forever feeling the guilt that she couldn't stand in front of her brother and protect him!! When that was the literal prophecy spoken about her, that she would never rest bc she would forever stand in front of other to protect them!! Also?? To hear that about yourself at 17??? WOW!). And then seeing the last 3 cover LOTF and Jacen's descent, Jaina's realization of what he's become, how it's her duty to kill her twin, her heart, because she's the only one who can. That's the story I want.

[everyhowlmarksthedead]

KEEPING UP WITH THE ARIZAS

Michael “Riz” Ariza x Reader

Chapter 6: “The first date: first attempt”

Word Count: 2.3k

Author comments: Warning of some angst, and I'm not even sorry. This work wasn't re-edited, so I'm sorry if you find grammar mistakes! I hope you all enjoy. Gif isn't mine, more or less 'cause I cut it to keep Antonio's part, but credits to the author.

Tag list: @starrynite7114 ​ @chibsytelford ​ @dazzledamazon ​ @mara-mpou ​ @sammskellington ​ @gemini0410 ​ @1-800-imagines ​ @briana-mishell24 ​@sassymox @whyisgmora @aquamento @sadeyesgf @viviansafizada @samcrobae @jade770 @witchy-wish @rebel-without-cause-x @xx--day-dreamer--xx @spiced-reads @leaalfred ✨ (if you wanna be tagged, send me a message!)

“I can't believe you're gonna actually do'et”.

Your father appeared from nowhere, resting a shoulder on the door frame, cross-armed. He looked at you from top to bottom, rolling his eyes with a snort, while you put your makeup on point with a red lipstick. The rest was somewhat light, but you needed to highlight your lips, one of your best attributes.

“Do what, dad?”

“Trying to ask Riz out”.

“Why?” You inquired turning at him, with both hands supported on the edge of the sink, twisting your neck some inches to the right.

“'Cause he's my friend, my brother”.

“Then, I just have to kill you. Which is a good idea 'cause he could feel guilty for god knows why, so he would want to take care of me. Maybe live together at the ran—”.

“He's older than you. And not even his type”.

“The encouragement you give me… Wao, papá!”

“I'm trying to protect you”.

“Well, thank you. I don't need it, okay? I've been preparing myself since I have fifteen. And… shouldn' you let me commit my own mistakes?”

“Good. I don' wanna hear you cry after him laughing at this… bullshit”.

Those last words felt like a knife stabbing your chest. Almost five years working on it. Trying to be his friend, losing your ass even when he was simply breathing close to you, taking interest in whatever he could be doing (...). It wasn't only a physical attraction. You really found him very intelligent, funny, hard-working and loyal. And it could sounds bad, but sometimes you wished to be one of Vicki's girl, because of the much care he had with them. Almost five years working on it, arming yourself of courage, just to see how it burned among the flames of your insecurities at the end.

You raised your eyes subtly outlined, looking your reflection in the mirror. One minute ago, you were feeling stunning, amazing, out of this world, even sexy wearing a tight black dress over your knees and a heart shaped neckline. It was the first time you were dressing like that, trying to surprise him, being used to see you on your ‘rider outfit’ which is a cool one too. Now you felt ridiculous, with some painful lashes running under your chest, snorting because you knew your father was right. Taking off the makeup from your face with a wipe, your father put his head out the door.

“Are you re—? What are you doing? For god's sake, (Y/N), when I get to the party, there will be no beer! Those fucking prospects drinks more than the fuckin' Charlie Sheen on his day off”.

“I forgot I have an exam next week, leave to the clubhouse”. You just said, cleaning the red color covering your pinky lips.

“Mi amor, listen…” He raised a hand close to you, being stopped before he could touch you.

“Dad, just fuckin' leave! Okay? I'm fucking fine”. Interrupting him, you threw the wipe inside the sink with a sudden move. “I fuckin' get it. Your brother. Older than me. With interest in women, not in… in… I don' even know what the fuck I am”.

“Cariño...”

“A fuckin' clown, dad. That's what I am. A. Fucking. Clown”. You pointed out every word on air with your left forefinger.

“You don' need to be this rude”.

“Well, fuck you for breaking my fuckin' heart, instead of telling me ‘go, do it and if he doesn't want you, I'll hold you’. That's what a normal father would say to his daughter”.

“I didn' mean to hurt you”.

“But you did”. Turning at your father to face him, you took off the black dress raising it on air hanging it in your fingers. “I had to work at Bernardino's one month to afford it, and all the makeup you see here. From dusk till dawn, surrounded by creepy drunk old men”.

“I could have paid it for you”. He said then, with a guilty tone of voice because of everything.

“But, that's not the point, dad! I was trying to show Riz I can also earn my own jack”. You leaned towards the toilet where you left your huge Mayan's black shirt to wear it. “Go to the party, get drunk with your brothers, fuck some chick and have fun”.

Your father toured his incisors with the tip of his tongue, nodding in silence. After clean the mess in the bathroom and keep all your stuff there, you just lay down in bed hugging one of your big pillows. You were waiting for that weekend for five long days away at the university, as every week since you move out of Santo Padre to San Diego.

You didn't know you had keep it. You totally forgot it and finding it brings you bittersweet memories of that night and what happened the days after. Giving a spin over the black high-heels, putting well the tight dress on, you have a look in the mirror. Still fitting like a glove to your anatomy. And you're incredibly stunning in it. You like it, you have always liked. But you don't feel like you can use it. It's like if it is going to bring some bad luck to your relationship.

“Shit, you look like a cheap bitch, baby”.

You were so self-absorbed, that you haven't realized Riz was resting his back on the door frame.

“Yeah, I'm gonna ask Vicki to be one of her girls, 'cause you can't even find your small cocky”.

Teasing each other all the time it's a current mood. And you love it. Turning at him and focus all your attention in your husband, your eyes notice the way he tied his hair in a small black bun with some bristles falling by his temples. No matter how many years can pass away, he will run you out of air with the most minimal detail.

“Are we celebrating something?” Riz lifts up an eyebrow, licking his lips. Not being nervous, but excited about the idea. “I know every special date and today isn't one of them”.

“It's just a dress, Michael”.

“Really? I was about to ask you to marry me again”. He chuckles crossing both arms on his chest covered by leather.

“I bought it seven years ago, for a… date I should have had, and that never happened”.

Riz's jaw get tense from zero to one hundred, just in a second. His gesture turns into somewhat more confused, when he notices the sadness and the pain in your voice. You never told him about that night, but maybe could be a good moment to do it. Your eyes come back to your own reflect in the mirror, before taking off the shoes, heel against heel losing almost seven inches of high.

“One month working in a… bikers' pub, enduring bullshit, to buy it. But I stayed at home”.

Riz isn't sure if he wants to know how a guy broke your heart, but he's pretty sure he doesn't want to know why you kept that dress, seeming it like the dead body of a bad memory. And you're talking about something that happened seven years ago. Before being together, so he's starting to make his own Netflix movie in his head.

“I was i—”.

“I don' wanna fuckin' hear it”. He just raises a hand slightly, shaking his head.

“Why?”

“I don' give a fuck about what you did seven years ago”.

His hardened voice gives you some chills around your back, knowing he's really angry because of what he's imagining. Something too far from reality.

“Take that fuckin' dress off”.

And that is the best confirmation to know the grade of his annoyance.

“Riz, I wanna tell you something”.

“Fuck, no! You have told me a million times that I was your first love. Your only one. But something happened seven years ago that broke your fuckin' heart and fucked you down, and you keep that… clothe you were gonna use with him. How the fuck should I feel, ah? So you lied to me and… what? I was the second choice?”

“You should be a film director”.

“Good, thank you for first hurting me and then fucking laughing in my face”.

“Could you plea—?”

“FUCK, NO, (Y/N)! I'm fucking disappointed right now!”.

For a second you could swear that your husband is about to cry, with his eyes getting reddened. You can feel the tension in his body, seeing how furious his chest grabs and expels the air.

“It was my father”. You say then, before giving him the opportunity to leave the room. “My father broke my heart, actually. Even if the date wasn't with him. It was me who didn't go”.

Now, he's a little more confused, turning at you after giving you his back some seconds ago.

“Actually, me and… the ‘other guy’... we never talked about having a date. I just… wanted to force it. I mean, he was my friend. The point was come to the clubhouse and maybe earn some time together, alone”.

Yes, you're making him suffer a little, but he never was clear with you. So it's a kind of payback. And you know exactly what he is thinking. Clubhouse, Mayan, friend, seven years ago: Angel. He has been your best friend since ever.

“I can't fuckin' believe you…” He whispers letting his head falling down, until his chest meets his chin, laughing between teeth bitterly.

“But my father told me that he would never notice me, as I wanted, as I wished it. Do you wanna know why?”

“Fuck, no. And fuck you, (Y/N)”.

You have to do a big effort to not break in laughter, walking closer towards him.

“Because he was his brother. He was loyal. And a little bit older than me. Apparently I wasn't his type either”.

“I'm fuckin' done with this… bullshit, (Y/N)”. He says then whilst moving his hands about to lose his mind, walking away from the main room, looking for his helmet to leave the house.

You don't move a single inch of your body, waiting just one second before raising your voice.

“But he finally noticed me, 'cause I broke a bitch's nose who was talking shit about him!”

Silence. You can't hear his heavy boots touring your home. Riz is standing next to the principal door, and you don't need to be looking at him to know it.

“That night when Coco was full patched! I was ready to go and ask him out!” You add dancing your hips from the left to the right slightly, waiting patiently for Riz to coming back. “I was mentalizing myself for almost five years to do'et! But I thought my father was right! And I decided not to do it 'cause… I was more scared of losing that friendship, than him breaking my heart”.

Even if that last sentence is recited something low, you're sure he has heard it, with his steps walking through the hallway right to the room.

“But… well, I finally got my date, but I didn't use that dress just in case it brought me bad luck. I was too in love, to ruin it for a superstition. And I kept it in a bag”.

Riz appears again with pursed lips and his dark eyes on his feet. A little ashamed because of his words, but still being mad because of you making him believe something it wasn't true just to tease him.

“And…” Taking some steps close to the Mayan, you grab the helmet to leave it above a chair, placing his hands on your waist after that. “I made him the love of my life, my best friend, my confidant, the prize of my good karma, my soulmate…”

“All that?”

“Nope, I made him a lot of things more. But those are the most important”. Traveling your hands to his shoulders and lifting up yourself on your tiptoes, you kiss your husband with all the love you feel inside your chest. Slowly, enjoying it.

Sometimes you forget how lucky you are of having Riz by your side, and sometimes he does it too, but you know you own the whole world being together. He's the most kind man of all. The most loving, pleasing and empathic husband you could ask for. Always working hard to make you smile, to make you feel like a goddess, to make you feel proud of what you two have. Michael lives for you, and you live for him.

Deepening the kiss a little more by straining his tongue between your lips, his fingers go up to your cheeks caressing them and pushing you closer to him, with his scent intensifying and flooding your lungs. His mouth molding perfectly to yours, as always, so slow that steal you a soft gasp tangling your hands on his wrists.

“I have never felt love for anyone it's not you, mi rey”. You say almost in a whisper, when you pull away yourself a second to take some air, touching his nose with yours. “And marry you for a second time sounds so good…”

“Change your clothes, mi amor”. Riz soughs, eyes closed, with a silky loud tone bristling your skin. “We're leaving”.

“To Las Vegas?” You sound excited as a five years old about to go to DisneyWorld for the first time, even if you're already married.

“You wanna marry me again?”

“I wanna marry you every day of my life, Riz”.

[popculturebuffet]

The Legend of the Three Caballeros: Dope-A-Cabana Review (Commissioned by WeirdKev27)

Salduos Amigos! Since i’m covering a full series, i’d like to welcome any newcomers to the first part of the epic final stretch of THE RIDE OF THE THREE CABLLEROS! For those of you just joining us, a few months back WeirdKev27, easily my biggest supporter as the only one who comissions any reviews from me, asked if I could do a big project for him: a comission of EVERY major american apperance of those three happy chappies in matching serapes. Give i’ve ALWAYS loved the boys ever since house of mouse and had been sitting on Legend of the Three Cablleros for far too long, more on that in a minute obviously, I happily agreed. Plus the rather nice influx of cash from the comissions was very welcome. If your intrested in comissioning your own, hit me up via my direct messages. It’s 5 dolalrs an episode, though I do do discounts on orders of 3 or more, and 10 for a movie, with again discounts for orders of more than one. And yes that plug was very shamless, but again I have no other job than this.  Back to the point these reviews have taken me on a wonderful journey: I got to rewatch the movie and revel in the fun songs, acid trips and super horny Donald Duck, got to both revisit one of Don Rosa’s best story and read another all time classic from the man I hadn’t before, took a trip back to the house of mouse to hear some great songs and see some great cartoons.. and some not so great ones, took a small detour to Mickey and The Roadster Racers to be baffled and annoyed though I am proud to say it was my first review back after I came down with Cornovirus and lost a week of work time. And finally I covered the town where everyone was nice, and got to see the boys have a joyous reunion with Donald and be lushly animated while.. Dewey jackassed around in a B-Plot and Webby resisted the urge to throat chop him. It’s been a long ride and you can find all of it is so far RIGHT HERE IN THIS CONVIENT LINK ! CLICK IT NOW IF YOUR CURIOUS. Point is while this was well paid for.. it’s easily one of the projects i’ve been most proud of and while i’m sad to see it winding down, i’m proud of what i’ve done so far, and I just wanted to heartily thank Kevin for the ride and for being so generious as to fund the whole damn thing. Your a good dude man. 

Which brings us here, to the grand finale. The Legend of the Three Caballeros! As the boys first starring roll as a group since the movie, there was really no other way this retrospective could end, and since I have a terrible problem with procastination and really hated this series version of daisy I just kept pushing back watching the series until now. I’m not proud of it but I am happy to correct it and hope you’ll all come along with me.  Before we get started I could not find much background on the show. It was directred by Matt Danner who was the character designer for the utter classic Xiaoilin Showdown and currently works on the Muppet Babies reboot, so i’m happy he’s still getting work. Otherwise I couldn’t find much. The most I could was on tv tropes, claming the series was orignally meant for Netflix.. and while I have no proof and this could easily be conjecture.. i’m inclined to belivie it. The series was apparently done long before the Ducktales reboot, to the point Frank Angrones was only vaguely aware of it and it didn’t even remotely impact the series, with Panchito and Jose only debuting in Season 2 because the original idea for bringing them in was scrapped. So while I don’t have proof.. I’m inclined to belivie it since it makes sense: Disney DID have a healthy relationship with Netflix once, setting up the MCU shows and likely being happy there.. but eventually they wanted their own corner of the sky, and likely didn’t want one of their shows bolted to the network like all their marvel shows were.  The problem this created though is Disney was CLEARLY left with a show they no longer had a place for. But even with that the show was still done, they COULD have put it on the Disney Now app or just aired it on the Disney Channel. See if there was any fan intrest in season 2 or throw one into production to at least beef up the episode count. I mean the Cabs have a built in fanbase, kids would likely love it... it’s the logical choice. But this is Disney. They’ve had to be drug kicking and screaming into representation, to the point they had to be fought for the gay romance subplot in owl house to happen, try to hide that the Sparkshort “Out” is about a gay man struggling with coming out despite having you know reams of content on the service with either gay subtext or out and out gay characters, and their attempts at doing representatoin to score points in other little ways.. have been pathetic, easily missable bits in movies that could , and have been, edited out in more homophobic countries. My point is yeah i’m still sore about how they and a LOT of the animation industry have to be dragged into doing the right thing over profit, and they often make very stupid decisions for seemingly no reason. They are a good company a good chunk of the time.. but Disney has done fucked up quite a bit. This is one of those times.  Instead they dumped the show on the Disney Life app in the phillipines and slowly some other countries, basically the Disney Now equilvent over there, and then just sort of forgot about it until Disney Plus launched. And given how many shows they HAVEN’T put on the streamer for again, seemingly no reason, it is a nice suprise the show finally got a release on there in the US. But before that, and proving what a massive mistake just abandoing the show was, the show did gather a massive fanbase via people uploading the episodes online. So yeah the show was treated REALLY shittily for stupid reasons, but thankfully it still has a fanbase to this day and said shabby treatment, as it always does, just encouraged fans to support it harder. So naturally i’m more than happy to give the series some spotlight as fanbase or no, it badly needs it and Disney sure as hell dosen’t want to do it. So if somebody’s gotta do it, might as well be me. This is the Legend of the Three Cablleros.  We open on some narration from Xandra, Goddess of Adventure. Granted she hasn’t been identified yet, and won’t be till next episode.. buuuut it’s easier on me to not have to dance around her name so your learning it now. But Xandra narrates that long ago there were epic battles against the good and the evil and all that by epic heroes, and it’s all cumilated in the Legend of the Three Cablleros. Post title drop we’re treated to the boys, in cool looking armor and with neat weapons, fighting a purple monster man as you do in an really beautiful and epic sequence As this scene illustrates the animation for this show is GORGEOUS, a lavish update of the standard disney style with nice use of shadows. It feels almost film quality in it’s work, and it’s an utter treat to watch and opening at the end was a good call: it both ratchets up excitement and allows the first ep to have some action since this one, as part of a two part premiere, is mostly setup. It’s eyecatching, exciting and makes you want to know what the hell is going on. And since Xandra realizes MAYBE starting the story at the climax was a bad idea, she takes us back a bit.

Okay maybe not that far. No we open properly at Donald’s house, where it’s his birthday! And like the movie, it’s Friday the 13th, an excellent call back. Donald’s making his breakfast, boliling some tea and.. talking with the weird foced warped refelection in the kettle who can apparently only say “right back at you handsome, wink”. Seriously I have so many questoins and all of them are about what this guy is, why is Donald so calm about all of this, and is he still alive after Donald destroys his tea kettle later.  Donaldo gets a call from Daisy, whose visting to spend the day with him and is waiting patiently int he bad part of town. I didn’t know Duckburg had a bad part of town but given Glomgold has to get his sharks and bombs somewhere, i’m not surprised. Unless he special orders them, but even then what if he needs a shark or a bomb in a hurry? He’s gotta get them somewhere and now we know where. So there’s that. So all’s going well until Donald’s asshole boss calls and forces him to come in despite Donald having the fucking day off and it presumably being on the schedule. So Donald rushes to work, and we do get some great gags but as you’d expect for Donald it goes poorly and he botches a kid’s haircut despite the mother being very rude.. and also a female version of pete. LIke.. did he remarry after the divorce from peg or is that his sister? Does that mean PJ and PIstol have a cousin I never knew about? I want answers dammit.. and picutures of spider-man. Not for any slander job I just really like spider-man. 

Eh it’ll do.As i’m doing a full series this time i’m stopping to talk about the main cast as we go soooo.... Tony Anselmo is naturally Donald, even pitching in to consult the crew on Donald’s characterization here, as really what better expert is there? He’s voiced Donald since the original Ducktales and has stuck with the roll since, only taking a break for Mickey and the Roadster racers and that’s likely because between finishing up this series and the Mickey Mouse shorts, and moving on to Ducktales 2017, he likely simply didn’t have the time for it. Granted given how little he was used in the first season of the show, he probably still could’ve done it but regardless, he’s a legend.  Daisy is voiced by Tress Macneile, who not only has voiced the character since House of Mouse and is easily the best voice for her, but is also one of the most storied and legendary va’s in the buisness, having been at this since the 80′s with zero signs of stopping. Just to name a few of her more notable roles, in chronological order; Gadget Hackenwrench, Babs Bunny, Agnes Skinner, Charlotte Pickles, Dot Warner (Which as of last year she’s picked up again and will do the same for Babs, just in case you thought i was exagerating on the “zero signs of stopping” thing), Pookie from Hey Arnold, Mom, Hoodsey Bishop, and Queen Oona among MANY, MANY smaller rolls. I didn’t even realize Charlotte or Hodsey were here, she’s that talented and deserves all the praise.. and way better rolls as Daisy than this one but we’ll both get to that and thankfully much like with Tony, the reboot’s giving her character some depth to work with so she gets to reallys tretch her chops. The woman turns 70 here, will likely keep going until she dies, and is wonderful and deserves more respect. 

 So because this is Donald, life wont’ stop punching him in the face and it turns out his house burned down, the fire people are destroying everything because their assholes, seriously they destroy both a family heirloom and a picture of his parents despite not being on fire. I’d be genuinely suprised if their general strategy wasn’t scremaing “fire, fire fire” and then going “rock rock rock” while they throw rocks on it. Super brucey bonus prize for the first person who gets that refrence and comments on it. I’ll get back to this in a second but SOMEHOW, beisdes loosing his home, all his possesions and his job... it gets even WORSE and Daisy calls, refuses to listen to him despite him having VERY valid excuses and breaks up with him. Oh and then the fire fighters gladly talk about going home to their in tact houses  and partners. 

So yeah let’s talk about this. This first 6 or 7 minutes.. is why I didn’t return to the show for a while. My brain has a bad habit of glomming onto certain parts of things, so it remembered the rough to sit through and not very funny first act.. and not the rest of the episode which is very good and likely more indiciative about how good the series is. Thankfully it does get better but this first act .. frames things like it’s DONALD’S fault somehow. I mean yes he did burn his house down.. but even that really isn’t his fault. He was called away suddenly, wasn’t thinking and made a mistake. Hell he proabably woudl’ve had more left if the fire department hadn’t gone crazy with the axes. His being called into work? He took the day off, and his boss was just a dick. His screwing up at the job? he was genuinely trying his best and doing his best and the client was just wholly unresonable. Donald did nothing wrong but the episode WANTS to frame him like some sort of screwup.. which he is, it’s Donald.. but not in this case. It was just a string of uncomfortable to watch bad luck that cumilates in him having nothing left. It’s not funny, it’s jsust really sad and it’s REALLY hard to tell the tone their going for as they seem to awkwardly bounce from jokes to Donald being utterly devistated and alone. 

And the worst of this.. is Daisy. Daisy is EASILY the most infamous part of the show, as their portryal.. is pretty bad and apparently gets worse. We’ll see as we go but yeah.. her screaming at and breaking up with her boyfriend without listneing to his side and giving the claim we only have HER word on that he’s always screwing up, ON HIS BIRTHDAY no less, when he’s done nothing wrong, does not make a good first impression nor the fact the show seems to AGREE WITH HER. And look Donald is a trainwreck, this is true.. but the show dosen’t remotely portray him as one until AFTER this scene. As I said nothing that happened was his fault. Donald isn’t irresponsible or a screwup or dating a high schooler or anything. He isn’t Scott Pilgrim. He just has really bad luck. Again, we do see some foibles in the scenes to come.. but we don’t see any that would justify her claims, especially since she seemed perfectly happy earlier with him. Now if she’d say brought up some screwups in the first scene, and gently at that, then this would’ve worked.. but as it stands she just comes off as MASSIVELY unsymapthetic.. especially since Donald later calls her nieces over for help, which is objectively weird not gonna lie.. so she now KNOWS he had to move to a new house and his likely burned down.. yet still apparently has nothing good to say about him. 

It didn’t help this rubbed me the wrong way in a very special way. As i’ve made plain before I don’t like THIS version of Daisy, the nagging, selfish, vindictive asshole who will gladly try and cheat on donald, dump him at a moments notice and you know PUNCH HIM IN THE FACE. Which just in case you think i’m exagerating...

She fucking upercutted him..and like here for something that isn’t his fault. I mean this Daisy isn’t physically beating Donald.. but that’s a VERY low bar to clear. And emotional abuse is just as bad, so there. My point is too often in the comics when written poorly, Daisy is a pretty terrible person and I REALLY didn’t want a screen adaptation of this form of Daisy. It took a WHILE to recover from not liking daisy over this version, with help from remembering house of mouse, some good barks story with her and the AMAZING Ducktales version and the suprisingly good Quack Pack version.. I did. But yeah.. this is not a good sign of things to come for the character in this show. 

So yeah Donald’s heart is in the basement and his week is at an all time low when a post man shows up and gives him a letter.. well puts it in the box for a good gag but semantics. But the letter turns around as his ancestor Clinton Coot left him an inhertance for his 3Xth birthday: a house of some kind in the swanky neighboring town of New Quackmore. And i’ll also say.. it’s REALLY nice that for once, we focus on the Duck side of Donald’s legacy, or rather the coot but semantics, instead of the McDuck part. Don’t get me wrong, I fucking love the clanmcduck, always will and I love Ducktales exploration of it.. but it’s still nice to acknowledge Donald comes from two sides and while one of those may be humble farmers, they still accomplished a lot, including founding Duckburg in most continuities including presumably this one. It’s also a good way to seperate thigns from other properties including the reboot: focusing on a part of Donald’s lineage that isn’t usually touched on and making THEM just as badass as the other side. 

So we get a quick montage as Donald takes a cab there and takes in the rich and fancy sights. It’s also a brilliant way to set up New Quackmore and it’s attached instutite as a fancy, upperclass place.. and thus perfectly clash it with Donald. Donald ends up getting dropped off at a big mansion.. which is not his , but belongs to the insittutes head, Baron Von Sheldgoose, played by WAYNE KNIGHT. 

Hell. Yes. I freaking love Wayne Knight. In case you don’t know who the man above is, or at least don’t recognize his face, Wayne Knight is a very funny and talented actor and voice actor with a lengthy career primarily in side rolls, with the rolls that he broke out with being loveable asshole and Jerry’s enternal nemisis Newman on Seinfeld and Dennis Nedry, aka “that guy who got sprayed acid in his face by those horrifying frilled dinosaurs that will never not haunt my nightmares”. Seriously that scene fucked me up as a kid and I could not watch that part of the movie. For the most part he’s been a side character man but he has done a LOT of voice work, most notable Zurg in Buzz Lightyear of Star Command, Dojo for the aformentioned and excellent Xiaolin Showdown, and Mr. Blik for Catscratch and I wish he’d do more. He also recently voiced the penguin in Harley Quin so when I get to that you better belivie i’m looking forward to it. Point is while he may not always get the glory, and had to settle for starring in a mediocre tv land sitcom to get a steady paycheck once, the man is VERY talented, very funny and perfectly cast here. 

So Donald makes himself home, finds out it’s not HIS home and gets thrown out by the snooty rich asshole’s bodyguards. As you’d expect. Donald does find HIS home, a run down cabana next door to the mansion with caution tape all over. Still Donald takes it best he can as it’s better than no home at all> What he doesn’t take well is finding out from the executor of the will that he’s not the only one inheriting the house... which is  absolutley fair. The guy just had the worst day of his life, and this lady didn’t bother to put in the letter to any of them that they were sharing the house. The Sheldgoose thing was just an average Donald screw up. This is just this lady going...

But yes we meet our boys.. and the introductions are naturally given this series is about them the best we’ve gotten so far: Jose is thrown off a bus, having ran out of fair, and having wooed all the ladies on board, and quickly charms the executor and is perfectly cordial to Donald, while Panchito parachutes out of a plane and marvels at how he went from nothing to having two new best friends, a run down shack and a sleezy lawyer! In short the two make a great first impression, helped by wonderful casting.  Jose is voiced by Eric Bauza, a talented voice actor whose had WAY too many roles to list here, but two of the most notable are being the current voice of Bugs and Daffy, and his most notable role outside that recently has been playing Splinter in Rise of the Teenage Mutant Ninja Turtles. But the guy is endlessly talented, seems really nice, and is easily one of my faviorite Jose’s so far after just one episode. He just.. gets the character perfectly and is thankfully NOT another white guy stepping into the role, so that’s nice. He easily oozes the charm and layabout nature Jose and was a natural in the role and i hope he gets to take it up again at some point.  Speaking of naturals we have Jamie Camil as Panchito, who easily steps into the guys boundless energy and the sterotpical bits are swapped out for making him a cloud cuckoolander instead, which I genuinely love and fits the character perfectly. He’s best known for CW Soap Jane the Virgin, where his charcter Rodrigo just sounds like a delight, but has recently picked up a pretty good voice acting career, vocing Don Karnage in the Ducktales reboot, Globgor in Star vs the Forces of Evil and Todd’s Stepdad George in Bojack Horseman. I only hope he gets more voice work as he’s really damn great at it and it’s wonderful to get to see him in a role that’s not limited to a few episodes at best for a change. 

So Donald’s less than happy about this, again it’s hard to really be that mad at him when he’s had a really, REALLY bad day and wasn’t told about this, but it’s kept to just the light level of grumpy as to not make him unlikeable. Granted after that intro it’d take a LOT to make him unsympathetic, but after their version of Daisy I really dont’ want to test this series.  Our boys also find out they have a groundskeeper, ari, aka THE ARCUAN BIRD! He’s just a delight any time he pops up, doing his usual “ya ta ta ta” bit, and being adorable and hilarioius as always.. and also hilariously failing to fix the boys door. So Donald ends up just accepting he has roomates now, nothing he can do, and the three explore the house finding all sorts of cool old artifacts, feeling they’ve stumbled onto something specail. And you know what that means: YARD SALE! Seriously it feels like a bit out of Wet Hot American Summer or Stella, a  series from the same creators you really should check out and that is high praise, trust me. 

I wish this series was streaming somewhere.. I mean we finally got Clone HIgh streaming Viacom, get on that. Anyways, it’s just.. fucking hilarious, and a LOT of this episode is once we walk back from the writers kicking donald in the junk and acting like it was his fault. Once Donald gets his inhertiance, the episode picks up immensley and we see the shows real charm and hilarirty fly, with jokes coming at a rapid and wonderful pace. The show really did impress me with the second half and made me utterly excited for tommrow.. or I guess today’s, look at the follow up.  But we’re still in this episode and being a rich asshole, Sheldgoose isn’t happy about a yard sale, though given this series standards, we not only get some great deliveres from Knight of an outraged “A YARD SALE?!”... but a wonderful gag where Sheldgoose out to white guy it up and yell at them over this..accidently takes a wrong turn in his massive house, and turns around, not loosing how upset he is once.  Meanwhile, we meet.. April, May and June. Yeah apparnetly Della isn’t dead or lost in this continuity, so the boys are MIA, and are instead replaced by Daisy’s Nieces, who I hope show up in the reboot before it ends. Especially since the show makes them WAY more tolerable than classic huey dewey and louie and instead enjoyable like Ducktales HDL. While not as indvidual as those three, the three are still idendtical outside of outfits, their voice actress Jessica DiCicco uses her consderiable talents and experince to give each one a unique voice, so while they all share a voice actress, none of them sound alike. And to round out our main cast for now, as our last members will be joining us fully next time, let’s talke about Jessica DiCicco. Jessica is a very talented and increasingly prolific voice actor and if you haven’t heard of her, and you probably have, you’ve defintely heard her voice. Starting out with Disney, hence why the probably called on her for this, she did the voices of Maggie for the Buzz on Maggie and Melina for Emperor’s New School before breaking out as Flame Princess on Adventure Time, whose both one of my faviorite characters from the show and one we’ll be digging into starting next month. And not one to rest easily she picked up a second set of iconic rolls vocing Lynn and Lucy Loud on The Loud HOuse, and funnily enough using those voices for two of the girls here. And along with Loud House she’s also currently starring in it’s Pony and is int he main cast of Close Enough as Candace. My point is she’s exceedingly talented.. as is this whole cast, as it’s a DAMN excellent cast and just further sells that this series deserves better.  We’ll get into the girls more next time as they don’t do much here other than get called in by Donald for help, with what I saw of episode 2 fleshing them out more. Point is Sheldgoose offers a million dollars for the cabana and all it’s stuff and the boys are glad to sell.. they just have to find something Sheldgoose desperately wants, a mysterious golden atlas encrusted with Jewels.  Our heroes head in to find it with Panchito finding it, and being very specific about it. We also get a nice call back to Ari destroying the door as Jose cleverly calls on him to destroy the lock. So our heroes open the book... and a goddess pops out and threatens to kill them all. 

Final Thoughts: Dope-A-Cabana is a decent intro the series, but as i’ve said it’s heavily hampered by a weak and mean spirited first act. But once it gets going it REALLY gets going and as part 1 one of a two part pilot, it does it’s job well once it does get going: introducing our three boys and one of our antagonists well and setting up the side cast and preparing for our last to major additions Next Time: The Boys go on their first adventure, Sheldgoose finds a boss and the girls find their voice. Thanks for Reading, Goodbye, Goodbye, Goodbye. 

[anikkis-fantasirealities]

“LiVELY Legacy of Japan’s Lionized Anisinger”

➀ Personality Profile ┊ ˢʰᵉ ʷʰᵒ ˢʰᶦⁿᵉˢ ᵗʰʳᵒᵘᵍʰ ˢᵒⁿᵍ ᵃⁿᵈ ˢᵗʸˡᵉ··· ˢᵐᶦˡᶦⁿᵍ ˢʷᵉᵉᵗˡʸ ʷʰᶦˡᵉ ˢᵃˡᵘᵗᵃᵗᶦⁿᵍ ˢᵘᵖᵖᵒʳᵗᵉʳˢ·

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༘✶ ㊉ ㈦〘 ⅯⅯ 〙⋆｡˚𓆟 �� ║ Posted : ０６/１５/２１° ｡༄ ‧₊˚ ๑ ㅤ ㅤ ㅤ ㅤ •ଓ.° ｡❍ ㈩ ㊇

- - ——— ꒰ An article by Nicole “Nikki” Elaine S. Chua of NEU-IS ꒱

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ㅤㅤ ㅤ❝ Madamada iku wa yo~! ❞

ㅤㅤ ㅤㅤㅤㅤ ㅤㅤㅤㅤ ㅤㅤㅤㅤ ㅤ ㅤ- LiSA (Rally Go Round)

ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤ.ılı.lıllılı.ıllı. ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤᴺᵒʷ ᵖˡᵃʸᶦⁿᵍ﹕ᵍᵘʳᵉⁿᵍᵉ ⁻ ᴸᶦˢᴬ ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤ0:11 -◦————— 3:59 ㅤㅤ ㅤㅤㅤ ㅤㅤ〔 ↠ⁿᵉˣᵗ ˢᵒⁿᵍ ╵╻↺ ʳᵉᵖᵉᵃᵗ ╻╵⊜ ᵖᵃᵘˢᵉ 〕 ㅤㅤ ㅤㅤㅤ ㅤㅤㅤㅤVolume: ▁ ▂ ▃ ▄ ▅ ▆ █ 100%

Lush, loose—lofty and lovely. Lucent and lavish—lustral, laid-back, & luxuriant. Luminous. Legendary. Limitless. Light hearted and letter-perfect. There is not enough words for me to describe her overflowing talent for music, and the impact she has created for tech-savvy usernames cheering on their favorite idols & animations alike. Nowadays, most millennials and Gen Zs go neck-to-neck with their clashing interests of two international sensations: one known for the funky beats of charismatic boys dancing in synchrony, and the other, notable for moving illustrations of all kinds of stories that allure the imagination. Yes, let’s admit it, my generation has fallen in love with the influence of K-pop and anime, though I cannot blame anyone because of the fun & happiness they bring. Do you agree with me?

Well, even if you cannot agree or relate with me, I’m sure you would be able to find this article interesting! This personality is not someone of looming authority nor power—she is not a lady from the West, nor the Northern isles or even the Southern seas. She is here: the Rising Sun’s pride and honor bestowed by a sharp katana slaying all evil. It is where that familiar tune of hers is empowered with the narrative of a young man and his breathing techniques—a tale beloved by many anime fanatics. Yes! I’d like to introduce to you, one of Japan’s famed singers of all time: 𝙇����𝙎𝘼! Make your entrance, please!

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ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤ 【 今日もいい日だつ 】 ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ❝ Today is another great day! ❞ ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ㅤ- LiSA ╰╼|════════════════════════════════════|╾╯

My life is truly music-inclined, even if I have two left feet and a raspy, rough voice. Those foreign lyrics ring out in my head, every time I enter through the gates of Japanese culture and enter my fantasy I know so well. I mean, cool right? I can still remember how I first embraced her beginning chords in January 2020, when that song, Gurenge, was heard throughout the spacious stadium of the New Era University college department. It was the opening ceremony for Intramurals 2020, and as soon as the melody played, the crowd sang along in a noisy type of harmony.

𝙂𝙪𝙧𝙚𝙣𝙜𝙚, it means “red lotus” in English—the title of the Japanese opening theme for the animation called, “Kimetsu no Yaiba,” or more acclaimed as “Demon Slayer” by millions of anime ethusiasts across the web. I wondered what that range of vocals wanted to tell me. Those beautiful notes and the intensifying instrumental that accompanies such an epic story. Slowly, I understood why she is adored by many people, rain or shine, sun rays to lunar silhouettes. Now, here I am writing with everlasting conviction, to share everything I know about her—the reasons why that captivating rhythm, those inspiring words, and the pleasant emotions, made me sing along. So, let’s rest for a while, and I’ll tell you more about LiSA, behind the reflection of that worn out blade.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

LiSA, or Risa Oribe in real life, is a Japanese singer, songwriter, and lyricist from the Gifu Prefecture—in the small city of Seki. She is 165 centimeters tall, which is quite tall for a Japanese woman. She is known for her multiple song hits used in Japanese animation titles such as the Fate series and Sword Art Online. Though, did you know that she also sang for the music-based anime series, “Angel Beats!” as one of the main characters who so happened to be a vocalist, as well? This was LiSA’s professional song debut in the music industry, which she lunged into when she was given a chance to step onto the reknowned arena for some of Japan’s history makers: Nippon Budokan! As a kid, Risa Oribe was taught lessons in piano, dancing, and singing, which continued onto her junior high school years. After auditioning in the infamous Budokan, she held onto the dream of becoming an artist on the next journeys she would walk on outside her hometown.

Believe it or not, the name “LiSA” is an stylized acronym, consisting of confident letters that possess unique dignified meaning from one another. The stage name is adopted from a blast from the past, of the times Risa Oribe had travelled to Tokyo to form a band. “LiSA” stands for, “𝙇𝙤𝙫𝙚 𝙞𝙨 𝙎𝙖𝙢𝙚 𝘼𝙡𝙡” which may sound weird for English speakers, nonetheless, its significance still pulls my heartstrings all in all. Prior to becoming the individual singing artist, “LiSA,” Risa Oribe has always been a part of bands ever since high school—one of them being a cover band of indie rock music, “CHUCKY.” Despite the risk of working with the band in exchange for her accredited certificates from university, she continued to reach for her ultimate dream career as a singer. Unfortunately, “CHUCKY” only lasted for three years, and this is what led Risa Oribe to test her luck in the capital of Japan—persevering for that aspiration, because there’s no turning back now!

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ㅤㅤ 【 じっと見つめた　キミの瞳に映ったボクが生きたシルシ 】

ㅤㅤ ❝ As I stare intently into your eyes, ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤmy reflection there is the proof I exist, ❞ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ- LiSA (Shirushi)

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LiSA’s musical influences are, surprisingly, internationally respected musicians of the English language. Some of these prominent figures in her life are Avril Lavigne, Green Day, Paramore, and Rihanna. She is well-known for memorable hyped performances filled of power and passion. Sometimes, if people are granted the opportunity to be mesmerized by remarkable skill, she is also able to play the guitar and key harmonica in her concerts. She can sing in Japanese, obviously, but her words weaved with melody extends into Chinese and English perception, too. As a songwriter, she personally wrote some of her produced masterpieces like “Shirushi” and “Rally Go Round.” Though, perhaps you’ve never would guess that LiSA had a voice acting debut in 2015, too! Don’t get your hopes up because she did not give life to any anime characters, but instead, she became the Japanese voice of Madge Nelson in the film, “Minions.” I know, don’t get me wrong, it’s a shocking difference from the person LiSA is famous for.

However, for Risa Oribe, it was not something to be shy about, for she absolutely loves Minions! For avid fans of LiSA, they would often spot sightings of Minions merchandise in her social media accounts. It’s a fact that wouldn’t make you think that she can be that intimidating performer on fire, once she leaps onto stage. She still has that gentle vibe, especially when she raises her arm to greet the audience with a simple peace sign. The dark packed venue would chant along the bridge instrumental, rapidly waving their lightsticks until the song performance is finished. It’s as if the stars have landed in a small part of Earth during the night fall, to take a day-off head banging to the beat of rock. LiSA’s concerts deliver the message that “𝙇𝙞𝙫𝙚 𝙞𝙨 𝙎𝙢𝙞𝙡𝙚 𝘼𝙡𝙬𝙖𝙮𝙨,” as it is the running title pinned to her lives from then to now.

ㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤㅤ

Speaking of which, here’s a fun fact! Did you also know that LiSA’s albums all start with the letter L? From “Letters to U” and “Launcher,” to “Leo-Nine” and the recently revealed “Ladybug,” each album has a motif that follows her musical style. LiSA’s original songs tell stories of hope, determination, and love. Ever since she released her first solo single debut, “Oath Sign,” for the anime, “Fate/Zero,” her name would never vanish from the music charts of new singles and albums in Japan. Songs like “Crossing Field,” “Catch the Moment,” and “ADAMAS,” of “Sword Art Online” were also noteworthy for their impact on LiSA’s career as a singer, not only for Japanese animations, but also for Japanese TV dramas and live-action films. Her very own, “Homura,” for the anime film, “Demon Slayer: Kimetsu no Yaiba: Mugen Train” have even outstretched to the Billboard charts across the Pacific ocean!

Today, she has celebrated her 10th anniversary in the music industry—a realization that it just seems like yesterday when she got to meet her fans in different countries, go on tours to perform everyone’s favorite anime songs of hers, and made her mark as an “𝙖𝙣𝙞𝙨𝙞𝙣𝙜𝙚𝙧” of the Rising Sun. That is why she is, indeed, an artist with a lively legacy to our current era—a personality deserving of a profile article from yours truly. It’s been great having you with me in this article, and I hope you were able to find admiration for LiSA and her work! Thank you for reading! I’ll see you again in another blog where my fantasies become realities! A Nikki reminder: don’t always go with the flow, and be yourself! Good day!

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ㅤㅤ ㅤㅤ 【 生き残ったこの世界で　新しい　眩しい　 ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤㅤ 開けを迎えに行こうか 】

ㅤㅤ ㅤ ㅤ❝ In this world I live in, there will be a new glow, ㅤㅤ ㅤㅤ ㅤㅤ for now let’s welcome the new dawn! ❞ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ - LiSA (dawn)

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· * ✫ * ⊹ * ˚ . . 　　· ⋆ * . * . . · . · . * · . · · + . ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤㅤㅤ· ** ˚ . . + 　　· ⋆ * . * . . · . · . *

ㅤㅤ ㅤㅤ. . + 　· ⋆ * . * . . · . · .˚ ⊹ · * ✧ ⋆ · * . · . · · .. . .

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤㅤ ㅤ ㅤㅤ ㅤㅤㅤ· + ㅤㅤ ㅤ ㅤㅤ ㅤㅤ· * ✫ * ⊹ * ˚

ㅤㅤ ㅤ ㅤㅤ · ** ˚ . . + ㅤㅤ　· ⋆ * . * . . · . · .˚ ⊹ · * ✧

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ⋆ · * . · ㅤㅤ . · · .. . . · + .

ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤ. · + . *

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤㅤㅤ ⋆ * . * . .

ㅤㅤ ㅤ ㅤㅤ ㅤㅤㅤㅤ ㅤ . · ·

ㅤㅤ﹙dedication. ﹚ ୨˚୧ ˚ ༘♡.↳ ₊˚‧

This blog is dedicated to my sister, who is a big fan of LiSA. I am grateful that you’ve made me sing with her, forevermore.

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ

ㅤㅤㅤㅤㅤㅤㅤㅤ﹋﹋﹌﹌﹌「 🎀 」﹌﹌﹌﹋﹋

ㅤㅤ ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ┊彡 Credits

➥ Cover Edit

➫ Background

➫ Stand-out LiSA holding a microphone stand

➫ Sitting LiSA

➫ Butterfly themed LiSA

➫ Kimono LiSA

➫ "Brave Freak Out" promotional picture

➫ "Only ≠ Lonely"

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ

➥ GIF

➫ "Gurenge" Music Clip ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ

➥ First Blog Divider

➫ "Datte Atashino Hero" Music Video

➫ "KiSS me PARADOX" -LiVE is Smile Always ～PiNK & BLACK～ Live

➫ "No More Time Machine" Music Clip

➫ "LEO-NiNE" Limited Edition A Album Cover

➫ "LUCKY Hi FiVE" Single Cover ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ

➥ Second Blog Divider

➫ Raising Arm LiSA

➫ "ASH" Single promotional picture

➫ "Unlasting" promotional picture

➫ "ADAMAS" article by Billboard

➫ "Shirushi" Music Video ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ

➥ Third Divider

➫ Red-themed LiSA

➫ "Letters to ME" Music Video

➫ "Surprise" Music Video ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ

➥ Source of Information

➫ LiSA Wikipedia page

➫ LiSA’s Discography Wikipedia page

➫ Every Anime Song by LiSA fan-video compilation

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤ ㅤㅤ﹋﹋﹌﹌﹌「 end. 」﹌﹌﹌﹋﹋

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤ ⭆ Back to Homepage ⭅

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤ ㅤㅤ ㅤㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤ ㅤㅤ ㅤㅤ Next Blog ⇨

[thezodiaczone]

Sagittarius Compatibility

SAGITTARIUS + ARIES (MARCH 21 - APRIL 19) Chemistry and simpatico build fast between these two Fire signs, and you find a twin soul in each other. You're both independent explorers, driven by lust, joie de vive and a breathtaking moxie that others mistake for arrogance. That brio and derring-do is the badge of your spiritual kinship—a primal mating call that draws you together. You share a blunt sense of humor, and naturally understand the other's need for space and autonomy (at least at first). Thrilling conversations traipse expansive terrain: philosophy, art, human nature, science, spirituality, dreams. Together, the impossible feels probable, and your natural confidence soars higher. Caution: the view from your rosy lenses can be a bit myopic. Sagittarius is a gambler and Aries is a charging knight—neither thinks far ahead. You'll need crash insurance for the times that your grand schemes don't reach your projections. At moments, you both lapse into overthinking, which can kill the celebratory vibe. Aries also has a greater need to for coddling and personal attention. At times, the Ram may resent competing with Sagittarius' busy career, social schedule and hobbies—and Sagittarius gets impatient with Aries' needy spells. When angered, your burning tempers can raze a national forest to ash. Be careful not to unleash a spiteful spark, for that's all it takes to destroy this treasured landscape.

SAGITTARIUS + TAURUS (APRIL 20 - MAY 20) This is a curious match that demands adaptation, as you have vastly different temperaments and tastes. You're either wildly attracted to each other or completely repelled, and there's not much middle ground. Taurus is a traditional Earth sign who knows his tastes and sticks to a simple set of beliefs, social circles and experiences. Sagittarius is a wild, adventurous Fire sign whose anything-goes nature invites friends of diverse cultures and backgrounds. The Archer's global embrace can irritate Taurus, who doesn't feel the need to befriend every person he meets, or remain lifelong pals with his exes (though he can certainly rant about them). Jealousy can be an issue on both sides. However, you can make an excellent team if you respect each other's strengths. Taurus is practical and sophisticated, a grounding force that streamlines the Archer's expansive visions. Between the Bull's business acumen and Sag's charisma, you can build an empire—especially with your driven work ethics. You both have a ribald, lusty side to your personalities and misbehaving together can be a blast. With your hot tempers, you can go from zero to sixty fast, and arguments can be explosive. Your peace treaties should always take place at the dinner table. Sagittarius is ruled by Jupiter, god of the feast; Taurus by Venus, planet of pleasure and love. Gorging your bottomless appetites awakens a primal instinct in you both—you'll be tearing each other's clothes off before the second course.

SAGITTARIUS + GEMINI (MAY 21 - JUNE 20) You're opposite signs that actually have much more in common than this label suggests. Gemini rules the so-called "lower mind": common sense, reasoning, facts, hard data and intellect. Sagittarius governs the "higher mind": wisdom, philosophy, consciousness, ethics, metaphysics. Together, you find sweet neurological nirvana. You're both restless adventurers who hunger for knowledge and experience. With Gemini's curiosity and Sag's nomadic nature, you get antsy in commitments unless there's a lot of excitement and variety. Boredom is simply not an option for your signs, and you're both involved in a billion projects. Scheduling issues are your biggest hurdle, but for true love, you allow nothing to interfere. Take globe-trotting Sagittarius Brad Pitt and Gemini Angelina Jolie, who traipse the continents with their ever-growing brood. As best friends and playmates, they make their own rules about love and family—and you will, too. Conventional coupling holds zero interest for your signs. Your main difference is in disposition. Air sign Gemini is cooler and distant compared to Sagittarius, harder to read emotionally. The fiery Archer has a hot temper and wears his heart on his sleeve. Still, you make each other laugh; you're both clever, entrepreneurial and quirky. You do best with a common goal that's a thousand times bigger than yourselves, and you'll dream up many. However, you may need Brangelina-sized paychecks to fund your lofty visions. Who has time to consider the bottom line when you're focused on reaching the top? Take time to consider the practicalities before leaping off the cliff. Knowing you, you'll jump anyway.

SAGITTARIUS + CANCER (JUNE 21 - JULY 22) ♥♥♥♥ You're cut from entirely different cloths and patterns. Sagittarius is neon polka-dot on stretch Lycra; Cancer is Burberry plaid on Swiss wool. You'll never be a match that makes sense to observers—which is why Cancer Tom Cruise and Sagittarius Katie Holmes are such a tabloid target. Is it true love, a train wreck, or a little bit of both? Let's examine. Domestic Cancer rules home, heart and family, and holds his loved ones in his vest pocket. Sagittarius is the restless world traveler who craves freedom and adventure. Sag can either feel smothered or totally nurtured by Cancer. The Crab loves to provide every security for his sweetie, and it's a relief to the Archer to come home to a hot meal, a drawn bath, an adoringly attentive partner. The trouble starts when Sagittarius stops coming home. Sagittarius needs sunlight, air and wide open spaces. Cancer keeps the shades drawn and burrows into his metaphorical Crab shell. When Sagittarius neglects Cancer's need for togetherness, starts hanging out with a rowdy crew of rebels, or traipses the globe alone, Cancer's insecurities are rankled. You have fierce tempers, and the combustion of Cancer's moodiness and Sag's anger can be downright destructive. What the Crab must realize is that a pretty bird in a cage will soon fly the coop—at least, if the bird is a Sag. He must open the windows and trust Sagittarius to come back to the nest, a real act of faith. Your strong sexual chemistry sweetens the pot, but you'll need to adapt to each other's rhythms through hard work and keen listening.

SAGITTARIUS + LEO (JULY 23 - AUGUST 22) This is a lively match of two compatible Fire signs, filled with fun and adventure. As lifelong learners, you both juggle many projects and interests, often running on fumes. While neither of you is around to keep the home fires burning, conversation and creativity are far more important to you than starched linens and home-cooked meals. You'd rather enjoy takeout from your favorite ethnic restaurant when the fridge gets empty, or sleep under the stars when you run out of clean sheets. Living on the edge is fun, as long as you don't fall off the cliff, especially with finances. During stressful times, you can exhaust each other, as you both can be emotionally demanding and dramatic. Leo needs more personal attention and praise than Sagittarius, but the truthful Archer doesn't give false compliments. He should learn to sing Leo's praises, if only to prevent time-consuming emotional meltdowns. Consider the benefits: a little acknowledgment keeps Leo purring for days, and gives Sagittarius uninterrupted time to read, start businesses, edit his documentary film. When life gets routine, mix it up with a spur-of-the-moment road trip, a long hike or a night at a decadent boutique hotel.

SAGITTARIUS + VIRGO (AUGUST 23 - SEPTEMBER 22) ♥♥♥♥ Virgo is an introverted Earth sign, Sag an extroverted Fire sign, but you can bring out lesser-seen traits in each other. On the outside, you look like an odd couple. Prim, preppy Virgo is a crisply tailored schoolmarm; Sag is a rumpled hippie in wrinkled jeans and weathered shoulder bags, more like a grad student during finals. Still, you're both brainy types who bond through long, intense conversations. Intellectual Virgo has a keen, organized mind; thoughtful Sagittarius is the zodiac's philosopher. Together, you'll ponder the meaning of life and psychoanalyze your mutual friends—behind their backs and to their faces. You can both be preachy and judgmental, and you're fascinated by the foibles of human nature.

Beyond the talk, you have different lifestyles, and those require adaptation. Virgo's monkish side can make Sag feel lonely, and the Archer's blunt remarks can hurt the Virgin's feelings. Virgo is great listener, but hesitant to bare his own soul. This frustrates Sagittarius, who craves more intimate sharing. Your habits are different, too. Virgo concerns himself with every niggling detail, irritating the impatient Archer, who thinks in broad strokes. Sagittarius must learn to sweat the small stuff a little more. Thank-you notes, birthday cards, flowers, presents—these gestures don't mean much to Sag, but they mean the world to Virgo. In turn, Sag can teach Virgo how to have fun and take risks instead of playing it safe.

SAGITTARIUS + LIBRA (SEPTEMBER 23 - OCTOBER 22) You're fast friends who make each other laugh, sharing a sharp, sarcastic wit. People watching is your favorite pastime, and you can amuse each other with clever observations all day. Romantic Libra brings poetry and flowers to Sag's gritty, profanity-strewn world, and active Sagittarius gets Libra's nose out of the rosebush. Still, your different paces could cause friction. Languid Libra likes to take everything slow, weighing and measuring possibilities on those iconic Scales before acting. Naturally, this frustrates impetuous Sag's text-message attention span. The Archer prefers to leap before looking, relying on luck and goodwill to save the day. Such gambling and lack of security throws Libra's delicate constitution into a tizzy. Sagittarius finds Libra's champagne tastes too snobbish and materialistic—why pay over $20 for anything you can get at a thrift shop or make yourself? Sagittarius' half-baked ideas and churlish outbursts rain public embarrassment on Libra's carefully cultivated rep. When Libra plays damsel or dude in distress, independent Sag flees instead of saving the day. So why stay together? At the end of the day, your friendship remains solid. There's no conflict you can't talk through after a time-out. Although you may drift in and out of platonic feelings, you genuinely care for each other—and that speaks volumes.

SAGITTARIUS + SCORPIO (OCTOBER 23 - NOVEMBER 21) Level with us: Would you really be interested in each other without the element of danger? There's always something that feels a little dirty here—and it's not because you share an aversion to showering (although the musky pheromones might play in…). Your combined willpower—enough to combust a small village—can yoke you together despite your own best interests. The issue is anatomical: Scorpio rules the crotch and Sagittarius rules the hips and thighs. From the waist down, a magnetic field pulls you into insatiable sexual attraction. Above the midsection, it's a love-hate drama as you battle for mental and emotional domination, one-upping and offending each other at every turn. You both love to have the last word, and deep down, you're pretty sure you're smarter than the rest of the population. As friends, this makes you smugly superior comrades, but in love, you tend to unleash your intellectual weapons on each other. Sag's sarcasm and Scorpio's acid-washed retorts will leave you both wounded and estranged. Yet, a good shag seems to erase your short-term memory between attacks. For best results, remain naked at all times, and only discuss problems in the afterglow. Grant each other your own turf and never cross the line of demarcation.

SAGITTARIUS + SAGITTARIUS (NOVEMBER 22 - DECEMBER 21) At last, you've found someone who's just like you! How refreshing. How…boring. You're the zodiac's Columbus, setting sail for India and landing on Turtle Island, a merry miscalculation you take in stride. Getting lost is part of the journey for your adventurous sign. Sagittarius is the restless Centaur, stampeding across the globe on a quest for wisdom, new frontiers and lands to conquer. It's predictability you fear, the white fence picket driven like a stake through your heart. For that reason, the similarities that attract you could be your relationship's death knell unless you take regular breaks from each other (separate vacations, interests, perhaps even apartments). Otherwise, the world feels hopelessly flat when you wake up to a First Mate you can read like a flimsy travel brochure. What's left to discover? Indeed, two Archers can have a riot while it lasts. You'll never laugh so hard or learn so much, and you'll remain spiritual siblings forever. Dedication to each other's lifelong growth is a big part of this union. You'll inspire and relentlessly coach each other to take that next life step or leap of faith. Yet, like the Nina and the Pinta, you invariably set sail on your own voyages once this mission is achieved. Will you meet in another port? That depends on where the winds take you.

SAGITTARIUS + CAPRICORN (DECEMBER 22 - JANUARY 19) ♥♥♥♥ The fate of this match rests in your ability to merge your strengths. Sagittarius is the visionary and the starry-eyed optimist; Capricorn is the master architect and builder, the ultimate realist. You each excel where the other is weak, and you make excellent business partners. However, your values and lifestyles can be vastly different, complicating romance. It's like the class clown dating the class president—an odd couple indeed. To Sagittarius, it's fascinating that anyone could possess such restraint. Stoic Capricorn cracks hard-won smiles at Sagittarius' antics and amusing insights. Yet, Sag optimism soon clashes with Cap pessimism, and here's where you reach your impasse. Restless Sagittarius needs a playmate to dream and scheme, but cautious Cappy shoots holes in the Archer's impetuous ideas, pointing out the foundational flaws. Yet, it's that grim, unvarnished realism that saves the day in a crisis. While Sagittarius freaks out and lapses into denial, Earthy Capricorn holds a powerful, Zenlike acceptance of "what is." Love truly blooms when you make it through a dire breakdown and realize your incredible teamwork turned the ship around. For the long haul, independent Sag must allow Capricorn to be the rock, and the Goat must learn to take a few more bold personal risks.

SAGITTARIUS + AQUARIUS (JANUARY 20 - FEBRUARY 18) Sagittarius and Aquarius are two of the most free-spirited signs, whose joie de vivre and starry-eyed idealism make you perfect playmates. The "best friends with benefits" label was practically invented for you. Finally, someone who cherishes independence as much as you do! Like Sagittarius Brad Pitt and Aquarius Jennifer Aniston (who shared a hair colorist), you may even look like siblings. It's all so beautiful—until one of you messes up the party by demanding a commitment. Strangely enough, you remain loyal while the terms of the relationship are vague, sneaking out of work for mid-afternoon trysts and leaving with carpet burn. You both love the feeling of "getting away with something," the adventure of the unexpected. Yet, once it becomes an obligation rather than a choice, your libido nosedives. You've now killed off the very thing that attracted you to each other: no-strings attached excitement. Instead of trysting the night away, you're hosting Scrabble tournaments and turning in early. Boring. Because you're so alike, you'll need to work hard to keep each other interested for the long haul. Mix it up by developing separate friends, hobbies and interests—then come back and share your adventurous tales with each other.

SAGITTARIUS + PISCES (FEBRUARY 19 - MARCH 20) ♥♥♥♥ What happens when the most sensitive, tender-hearted sign (Pisces) links up with the most insensitive, tactless sign (Sagittarius)? Disaster, unless you handle each other with extreme care. Romantic Pisces is a Water sign who craves deep emotional bonding, while independent Sag is a Fire sign who feels smothered by too much of the touchy-feelies. You'll need to balance your most distinctive traits and parcel them out in measured doses. Your communication styles don't work together naturally either. Sagittarius is honest to a fault, dishing the unvarnished truth and heavy-handed advice (usually unsolicited), then whistling while Pisces weeps. Indirect Pisces would rather flee to Katmandu than face conflict, but standing up to Sagittarius requires it. Pisces is prone to passive-aggressive tactics; yet, subtle cues and hints will sail right over Sag's head, while the Archer's arrow of truth spears the Fish's heart. What do you have in common? You're both skittish about commitment—namely, the terrifying idea of being "trapped." Since Pisces rules fantasy and Sagittarius rules adventure, you can neatly escape the daily drudge together—at least until reality comes crashing down. Still, life is always tinged with magic when you're together, and the bedroom remains an enchanting space of divine communion for you.

[feuilly-cakes]

New Moon - Review - 3*

The problem with first-person narration is that when the main character is in distress you can't have fun reading the book, because everything is coloured with that viewpoint. As a result, I was more annoyed by this than I needed to be, because of the way Bella changed and also Edward's actions. It did, however, do some cool things too, in the way of important messages and descriptions of poor mental health, and also what it's like to begin to recover from that. So this was less enjoyable than Twilight, but not less important to read. Spoilers beyond this point Bella starts off on a high note, with a new-ish job at the Newton's shop and a close relationship with Edward and Alice, who are both friendly or even besties with Charlie in Alice's case. She's living the dream, and then the birthday party happens, and it all goes downhill. Edward is acting strange and indifferent to Bella, Bella is freaking out about that because she's a smart cookie and thinks he's going to ask her to leave with him, and then suddenly she's dumped, depressed, and hallucinating Edward's voice. It's not a great time for Bella. This whole experience makes her change from a strong, funny, normal girl to a selfish, hypocritical girl with zero self esteem or self preservation. As character growth goes it's not nice but it is realistic and it needed to be that way to further the plot. Let me be clear: she is still all the Bella things of the first book, but it's hidden away behind the depression and desperation and the way she can't think rationally anymore. I want to talk about Edward now, because I now think he's trash and am firmly on #teamjacob for the first time in my life. Edward is so pitiful here that he literally dumps her on the trail to some woods like a moron and then runs away and never expects her to, I don't know, follow him? He didn't think she would be too hurt by him rejecting her either because "how could you let one word break your faith in me?" I don't know Edward, perhaps because it was you that said those words? Also that's very 'let's blame Bella for my actions' of you... but I digress. After he's back he even tells Bella he "was coming back anyway" and "it was only a matter of time." Sir, if you're going to abruptly dump your girlfriend of 6 months and not so much as check in on her, then at least have the willpower to stick to that, because if this were a normal story you'd have gotten punched in the face the minute you showed up. The only saving grace for his character in this book is when Bella uses logic on him to get him to see he has hope for his own soul after all, and he begins to really come around to changing her, so there may be hope for him after all. The Werewolves I'm not going to talk about Jacob much because nothing massive stood out to me, just know that I love him and he should've been with Bella. The way he let her know he was into her and then remained her friend without pushing unless she did something was lovely, and I truly believe that if Edward hadn't been come back it would've been a perfect sequel. I am already expecting that to change in Eclipse because of the thing that he's going to do. Anyway, I also love the pack and wish we got more time with them. They call each other "brothers" and I just wanted some found family goodness and got nothing. I also wish we had gotten more interactions between Bella and Emily, because Bella starts calling herself a "wolf girl" and hanging out with Emily but we don't see that and it's so frustrating. I need a whole book dedicated to what exactly she was doing when she was spending all of her time at La Push. The Vampires. The Volturi are finally named in the scene where Romeo and Juliet is used to foreshadow the whole book. They are also used to foreshadow the rest of the book. Later we discover that they are a family of 5, with 9 main guard members plus an unknown number that changes. This is the information I always wanted to know but never did. Aro has "clouded, milky" red eyes, and "papery" skin. It isn't clear if this is from age or something else, but it kind of creeped me out I'm not going to lie. He also goes on a little tangent about how it "pleases" him that Carlisle was successful in being a vegetarian. This could have been a lie, but remember that Edward is a mind reader and would have given some indication. I actually like him in this book, he's very friendly and as soon as he gets confirmation Bella will be changed he's content to leave them be, though is a bit wistful that they won't join him. Caius is the one who tells them they have a time limit. Onto the big differences from the film -The Romeo and Juliet scene takes place in Bella's living room instead of the English classroom. As does the second half of the Volturi explanation scene, the first half of which took place in the first book. -Bella knows something is going to happen with Edward before he takes her on the walk. -The motorbike scene in Port Angeles isn't a motorbike scene, it's a walking towards dangerous men then leaving scene. -Bella and Jacob go hiking together to find the meadow, and Bella finds it on her own after all that hiking practice. -The werewolf reveal scene where Bella smacks Paul doesn't happen. Bella and Jacob deliberately meet them somewhere, Bella doesn't smack anyone, and Paul loses it anyway. -Jacob gets a grounded Bella in further trouble by showing Charlie the motorbikes they rose together many times, not just once. Parts I actually liked, because it wasn't all bad. -Bella stands up to Edward about her truck stereo in the beginning. It was a good moment. -Bella says that the birthday incident wasn't Jasper's fault at all. -A funny moment: (when Sam Uley introduces himself less than a year after she met him on First Beach:) "There was nothing familiar about his name." (And yes, I checked and she definitely met him, age 19, never learned how to read...) - Chapter 6: Friends. The whole page where Jacob and Bella are giggling and tripping over themselves and each other had me beaming. Such a happy section. -"I wanted to be fierce and deadly. Someone no one would dare mess with. Someone who would scare Sam Uley silly. I wanted to be a vampire." -There's a part during the voting scene where Edward grabs Bella by the face and she's talking to Carlisle and hoping he will understand because it was hard to talk properly the way Edward was holding her face. The mental image I got... he was squeezing her cheeks to the point she was doing fish lips and it nearly had me in tears. -Also with the voting scene, Rosalie votes against Bella, but she has no aversion to being her sister, only a vampire. Bella then tells everyone she feels the same about them as they do as her, which hurts Rosalie, and Bella realises that could be taken the wrong way. She didn't mean it in a bad way and the fact that Rosalie got hurt shows how their relationship is already developing from the first book. I found this part interesting and lovely to see, as I used to see it as a very abrupt friendship in book 4. There was no outright offensive language in this book, however there were several instances of questionable and uncomfortable behaviour, so I'll be listing them below. -When telling her about the birthday arrangements Edward and Alice don't listen to her protests, and pretty much force her into going to a party she doesn't want. It's creepily reminiscent of the prom incident, only with much worse results. -The Port Angeles post-cinema scene. Bella endangers her own and Jessica's life just to hear a hallucination of Edward. She then decided they were "probably nice guys. Safe." and just walked away, after realising they weren't the same men who wanted to r*pe her in book 1. She then thinks that Jessica is upset because she "must have really offended her" and not because she risked her life and well-being on a whim. The whole mindset Bella is in here is obviously not a healthy one, and I think we as readers are supposed to understand that and empathise with Jessica, but I can't be sure, and either way it's really bad and reckless behaviour. -Bella describes Leah as "exotic" which is not only weird but incorrect. Leah is native american and therefore the opposite of exotic. Leah isn't an animal, she isn't unusual or from far away, she's a person living in the place she was born, and it's beyond weird to call a person 'exotic'. -Jacob is back at it with the weird hatred of his own tribe. Pre-werewolf anyway. Before I get into it, I'd like to remind you that Jacob is not a real Native American because he was written by a WHITE woman, and therefore anything he says is a reflection of Stephenie Meyer and not of an actual Native American person. Now that's out of the way, Jacob is telling Bella about Sam Uley's behaviour, and while doing so he says this: "They're all about our land, and tribe pride... it's getting ridiculous." In the context of the book only, he's talking about how Sam's pack (though he doesn't know it's a pack yet) have become "protectors" and he thinks it's weird. In the context of who the author is, however, it's a bit more complicated. This line makes it seems like Stephenie Meyer may believe having lots of pride in your tribe as a native american person is ridiculous, and it skirts a dangerous territory. Remember she is a white woman and who clearly hasn't done research into why native american people are protective of what little land they have left and what culture hasn't been taken from them through genocide. This is your reminder to seek out native american voices, and especially Quileute voices in this circumstance, and learn their opinions and views on these matters. -Quileute is described as "an unfamiliar, liquid language." I couldn't find any video or audio of this language except the alphabet, and so I very much doubt Stephenie Meyer found something 14 years ago. It's my opinion that just like with the legends, she made this up and slapped the Quileute name on it for exploitative reasons. From what research I've done no young person would've known the language fluently anyway because it was dying before 2000 and is barely being kept alive. It wasn't hard to find this out, and as someone who was set to make millions off this book she should have done her research. -Bella's attitude regarding Gianna. She's horrified by her desire to become one of the Volturi, to be surrounded by vampires, and it doesn't seem to click that Bella herself has that same desire with the Cullens. She looks down on Gianna just because the vampires she desires are human drinkers and not animal drinkers, and it's clear she doesn't think of them as the same. All of the Cullens have killed humans or drank from them, so Bella is extremely hypocritical here. -"I mean, 'Fine, I'll move out.'" Bella holds this ultimatum over Charlie's head when he doesn't want her seeing Edward. She's being selfish and childish here, not caring that he's trying to look after her. When Edward left she was ruined, and Charlie is trying to stop that from happening again. Her actions in this scene are horrible and show how little she cares for Charlie, the man who looked after her while she was broken, who is her father. This is where we truly see how selfish Bella has become over the course of the book, or perhaps since being in a relationship with Edward, as in Twilight she would have never said this to Charlie. She may be an adult but she is sure acting like a child. -Finally, the vote. After it takes place, Bella demands Alice turn her immediately, and refuses to listen to reason when Alice tells her she can't just do it right away. She then turns to Carlisle, putting him right on the spot, and demands the same. He agrees but it's not right or proper behaviour, but unfortunately it's behaviour we come to expect from Bella by the end of the book. The switch from vote to demanding she be changed was jarring, and it really rubbed me the wrong way.

[lavenderlattaes]

call me babe. | hwang hyunjin

⇒ summary: you’ve had this thing going on with hyunjin; you called each other babe and acted like a couple for fun. but what happens when he starts liking someone else?

⇒ [college! au, idiots to lovers! au, friends to lovers! au]

⇒ pairing: hwang hyunjin x reader

⇒ word count: 4.4k words (woAh)

⇒ genre:  fluff, with a smidge of angst, i guess

⇒ warnings: swear words, plus clingy and flirty hyunjin and reader lmao

⇒ note:  ajxbwjsk this is lit rally based off my best friend’s friendship with another one of our guy friends but i tweaked it a bit so now it’s purely self-indulgent bc HWANG  H Y U N J I N. honestly this is total word vomit and a complete mess — it’s just random moments of my self-indulgence for hyunjin (i need help) so ignore mistakes bc im a bit of a blind bat and enjoy!  ＼ʕ •ᴥ•ʔ／

“I’m gonna go ahead, see you guys tomorrow,” Hyunjin bids all of you good bye, slinging his duffel bag over his shoulder. Everyone momentarily looks up, saying good byes to him. 

Locking class had just ended, but Hyunjin was already in a rush to leave. You stop fixing and put your hands on your hips, raising an eyebrow at him.

“Running off again, I see. Where are you off to, Hwang?” You demand, your chin held up high.

He rolls his eyes, walking closer to you.

“I’m meeting up with Yeji,” he answers and you huff. You push him away, turning around to continue fixing your things.

“Hmm, yeah sure. You’re probably just too lazy to bring me home,” You scoff. You hear Hyunjin sigh behind you and seconds later, his arms are wrapped around your waist, his cheek resting on your back.

“Please don’t be mad, babe. And I’m not being lazy! I really do have something to do with Yeji. We need to finish our choreo for the showcase. If you want, you can wait for me and I’ll bring you home later, yeah?” he answers you, making you smile while rolling your eyes. You turn around in his arms, seeing him pout at you with those pleading, puppy dog eyes of his.

“Nah, it’s okay. I can go with Jisung. Just, stay safe okay? Don’t go home late, I’m going to call Felix and make sure you’re home on time. If not, Felix won’t be able to dab again,” You threaten and he lets out a hearty chuckle, his eyes crinkling.

“Yes, ma’am.” He hugs you tight and you return with equal enthusiasm. You break the hug and he says his final goodbyes to everyone, jogging out of the studio.

Once he’s out, Jisung speaks up. “Why don’t you just date already? I’m tired of you guys calling each other babe and shit.” He complains.

You roll your eyes at him as he comes closer to you. “Why don’t you go date Minho then?” You retort and Jisung huffs.

“Shut up, we’re just friends,” Jisung pokes your cheek. 

“Hmm, okay,” you shake your head at him, and he grins, wrapping an arm around your shoulder.

“I’m going to go write lyrics with Chan and Changbin. You wanna come with?” Jisung asks as he leads you outside.

You shake your head and smile. “That’s fine, I should probably go check on my essay that I sent in for Mr. Kim’s class last week,” you reply.

“Okay, but don’t tell Hyunjin I didn’t bring you home alright? He might beat my ass up,” Jisung pouts and you laugh, hugging him. 

“Don’t worry about him. He’s just being over dramatic,” you reassure him and he laughs. “Okay, gotta go now! Bye, Y/N!” 

You wave good bye and as Jisung’s form becomes smaller the farther away he is from the building, the more you wished you had gone with Hyunjin.

A few days have passed, and Hyunjin’s been spending less and less time with you. Ever since he told you about the dance he’s working on with Yeji, he’s hardly been spending time with you. 

Truth be told, even if you wanted to call him out for it, you can’t. Because honestly, wouldn’t that make you seem clingy? It’s not as if you and Hyunjin are dating anyway. You just had this habit of calling each other ‘babe’ with a lot of flirting involved.

It started off as a simple joke; you accidentally called him babe, since you used to call your girl friends that way back in high school. He laughed it off, saying you could never resist his charms — you probably really couldn’t, but you wouldn’t let him know that. Another time came when you needed to get out of a sticky situation with a guy who just couldn’t understand that you didn’t like him, so when you saw Hyunjin pass by, you called him babe and he helped pretend to be your boyfriend for five minutes.

“Come on, Y/N. Just one date,” the guy who’s name you didn’t even know asks you, stepping closer as you stepped away.

“I’m sorry, but no. I don’t even know you that much and I really can’t,” you try again and he steps closer, taking your hand in his as you try to get away. 

“Why? It’s not as if you’re already taken,” he reasons and at that moment, you see Hyunjin pass by. You pull your hand back and smile.

“Babe, Hyunjin!” You call out and Hyunjin turns to you. He sees the pleading look in your eyes and the way you subtly glance at the stubborn boy beside you. 

Hyunjin winks, letting you know he got the message. He jogs up to you, wrapping an arm around your waist as he kisses your cheek. 

Okay that wasn’t necessary but, thank you.

“What’s up? I was just looking for you,” Hyunjin pokes the tip of your nose, side-eyeing the guy.

“I’m… gonna go now. Forget what I said, Y/N,” the guy awkwardly coughs, walking away, stealing small glances at you and Hyunjin. Hyunjin pulls you closer and watches the guy walk away. 

The guy turns around the corner and Hyunjin snorts, letting his head fall on his shoulder as his cheeks burned red. “You’re lucky I love you, Y/L/N. I wouldn’t have done something like that if it was Jisung,” Hyunjin giggles as you laugh at him.

The whole babe thing just kind of stuck, and while most people thought you two were dating, only your friends knew that you were just playing around. You and Hyunjin sort of used that tactic to “ward off” — his words, not yours — those people who wanted to get into relationships with either of you that you didn’t want. You weren’t up for a relationship yet, seeing as you both were working hard in college to get into a really good company after graduating. You had to fight off any potential distractions and helping each other out by pretending to be a couple seemed like the best option. You both had this joke that the whole calling each other babe thing would end once the both of you started seeing someone officially. 

Anyway.

Currently, dance classes have just ended and you look around to see that everyone’s already left. 

Except for Hyunjin.

“Jinnie.” You call out, walking over to him. Hyunjin opens his arms for you and you step into his embrace. 

“Hi, babe, what’s up ?” He says, grinning. 

You pout at him. “Where do you run off to these days? I feel like I haven’t seen you in forever,” you whine. Hyunjin laughs, making you laugh as well. You sounded so clingy but you didn’t care. Hyunjin’s even worse.

“I, uh, meet up with Yeji to practice our dance.” He replies and you raise an eyebrow.

“Are you really practicing for the showcase?” you ask, stepping away from him, raising your eyebrow playfully and he grins sheepishly. You keep teasing Hyunjin about Yeji, the pretty girl in his other advanced hiphop class, telling him that soon enough, he’d drop the babe on you once he finally gets the balls to ask her out. The poor boy just whined at you.

“Well...” he trails off, scratching the back of his head.

“Aish, whatever. Go to your woman,” you say, sounding like a mom. He grins, hugging and kissing your face. You scrunch up your face, swatting him away.

“Ew, Hyunjin stop,” you whine and he laughs at you. He stops pestering you and he fixes himself up like a little kid would on his first day of school.

“How do I look?” He asks you, and you looked him up and down.

“Like an idiot,” you deadpan. He pouts and you laugh, ruffling his hair.

“You go on and have fun, yeah? Don’t go home too late,” You tell him as he picks up his stuff.

“Yes, mommy.” He mock salutes you, walking out.

“If shit doesn’t work out with Yeji, don’t whine and ask me to come pick you up! Take care, oh and don’t be an idiot, okay?” You call after him and he raises his thumbs up.

“Whatever you say, ma’am!” He calls out. 

Looking out the window, you soon see Hyunjin walking out of the building. He breaks into a jog once you see Yeji standing a few feet away. There’s a smile on her face and she grins, giving him a hug which he reciprocates. Sighing, you lean against the wall and slide down, bringing your legs up to your chest.

You look up and start talking to yourself.

“You’re such an idiot, Y/N”

“Do you really have zero feelings for him?”

“If I did, you think I’d be pushing him towards Yeji?”

“But isn’t that what main protagonists do in films? If they like a person and can’t risk the friendship they push them towards other people?”

You purse your lips, resting your cheek on your knee.

Do you really like Hyunjin? Or are you just bothered by the fact that his attention is on someone else that isn’t you? Didn’t you initiate the entire thing with Yeji, anyway? Do you want Hyunjin, or do you just want the attention that Hyunjin gives you? 

Weeks after that encounter with Hyunjin, he’s been spending ZERO time with you. You were looking for someone to hang out with, since your rehearsals just ended and you had about three hours to kill before your next class. But Hyunjin’s busy practicing with Yeji, and it didn’t help that Jisung’s busy too with his final showcase with Chan and Changbin. All of your friends, Woojin, Seungmin, and Jeongin were all busy rehearsing for their showcase too. Felix and Minho were your only hope since they didn’t have their rehearsals until later, but they weren’t answering their phones. 

“Why buy phones when you won’t answer them,” you mutter, slowly walking away from the auditorium. “Hyunjin would probably try and find some way to hang out with me,” you whine and stop in your tracks.

Damn it.

You do like him. 

“Y/N!” Fuck, speak of the devil. You don’t turn around and speed-walk, trying your best to pretend you didn’t hear him.

“Y/N! Hey, wait up!” Shit, shit, shit. At that moment, the doors to the lecture hall a few steps away open and a crowd of students file out. You walk faster and slide in the huge crowd, losing Hyunjin. His voice drowns out and you soon find yourself in an empty room, locking the door behind you. Looking around, you survey the area and realize it’s the photography room. The photography majors didn’t use the room around this time, so hopefully no one will scold you for being there.

You like Hyunjin. You actually like the idiot. Why else would you compare him to the other guys? Why else would you try and avoid him like the plague like you’re hiding something? You were an open book around him, so he’d definitely see right through you. You’d blow your cover and ruin the best friendship you’ve ever had with anyone.

You flop down onto one of the chairs, running a hand through your hair. Whipping your phone out, you type a message to Jisung.

you: i know u’re probs still w chan and changbin, but what time do rehearsals end?

jisung: i was just about to text you, hyunjin came in looking for you. Where are you?

you: dont tell hyunjin anything. can you come over to the dorms now? 

jisung: i have about fifteen minutes more with chan and changbin. Is that okay?

you: yeah, just. Don’t tell hyunjin or chan or changbin anything. Or any of the guys.

jisung: okay 

You exhale shakily, standing up to leave. You quickly make your way to the dorms, hoping Hyunjin didn’t see you.

“What’s up? Spill.” Jisung says the moment you open the door for him. You lock the door behind him and pull him to sit on your roommate Ryujin’s bed. 

You stare intently at Jisung, trying to find out how you’re going to tell your loudmouth friend. You’d much rather tell Woojin since he definitely wouldn’t tell anyone, but he was unavailable at the moment and Jisung was actually really trustworthy if he wasn’t so loud all the time.

Deciding to just go with it, you blurt out, “I like Hyunjin.”

Jisung smirks, “I knew it.” He’s about to say more, but then pauses, suddenly confused. “So, what’s the problem?”

“He likes Yeji and I can’t risk our friendship. We both agreed to drop the babe thing once we found someone we genuinely liked, and he’s found Yeji. Soon enough, he’s going to tell me he’s dropping the babe and I’m not going to be selfish and admit that I like him. That’ll just ruin everything and I don’t want to ruin the best friendship I’ve ever had with anyone; not that I don’t have great friendships with you guys too, but you know what I mean.” You say all in one breath, Jisung looking at you in awe.

“Do you wanna, maybe join 3RACHA? We can be 4RACHA,” Jisung says.

You stare at him. “Jisung.”

Jisung shrugs, then sighs. “No, he doesn’t. He doesn’t see Yeji that way. Besides, they’re both Hwangs. Wouldn’t that be weird?”

You give him a look. “Jisung, you and I both know that last names don’t matter. I mean, look at Song Joong Ki and Song Hye Kyo,” you point out. 

“Didn’t they get divorced around like, August or something?” Jisung looks up in thought.

“Han Jisung!” You whine.

“Okay, sorry, we’re getting off topic. Anyway. Hyunjin doesn’t like Yeji.” Jisung reassures you, leaning back on the wall.

“Well, even if he doesn’t, he’ll never feel the same way for me.” You look out the window, seeing all your friends running around the field, minus you and Jisung. Hyunjin was there too.

“I want to avoid him.” You turn back to Jisung. He looks perplexed at this point.

“And why? Are you insane? You know that avoiding your problems never help, Y/N.”

You sigh. “I can’t let him know I like him, Ji. It will make things worse.”

“But—”

“Please trust me on this. I’ll ignore him only for as long as my feelings are here. I’ll talk to him when I’ve completely moved on. It won’t affect my relationships with you guys. I promise.” You plead, clasping onto Jisung’s hands.

Jisung looks defeated. “I won’t trust you on this one, but I’ll respect your decision. If this is what you want, I’ll go with it. I’ll always be here, okay?”

You give him a grateful smile and he pulls you into a hug. 

“Please don’t get your heart broken, Y/N,” Jisung sighs, and you can only squeeze him tighter.

A month passes by and you’ve been ignoring Hyunjin. During the first week that you didn’t greet him when he entered class, he brushed it off as you not having a good day. However, Hyunjin knew that even if you weren’t in a good mood, you’d come to him all the more. You once told him his hugs made your day better, so the fact that you were ignoring him and not asking for his hugs left him confused. He just let it go, thinking that maybe it’s something really serious. You’d tell him eventually.

The second week that you still didn’t talk to him, he tried asking the guys about it, but none of them knew what was going on with you. You still talked to all of them, except for him. Hyunjin however, did notice you hanging out with Jisung a lot more than you usually did, so he tried asking Jisung, but the boy refused to say anything. 

By the third week, Hyunjin soon thinks that maybe he did something wrong. But every time he tried to think of all the possibilities, he couldn’t come up with anything at all. Did he forget a promise he made with you? Did he say something wrong? Did he borrow your favorite book and lose it or forget to return it or something? Did he eat your secret stash of M n M’s in your dorms? Hyunjin’s sure he’s done none of those.

By the fourth week, Hyunjin gives up when he sees you hugging Jisung. Maybe you had feelings for Jisung and you didn’t know how to confront Hyunjin about the babe thing. Maybe you think it would be weird to continue being so touchy and flirty with Hyunjin now that you’re dating Jisung. 

Your last class had ended for the day, and you’re now just waiting for Jisung and Felix. Jisung had invited you to hang out with him and Felix, since they were going to go relax a bit before facing the showcase which was scheduled to happen next week. 

You’re too lazy to take your backpack off, so you’re just sitting cross-legged on a bench, your backpack still on your shoulders. Your earphones are in, playing really sad Day6 songs you didn’t realize Woojin and Seungmin snuck into your playlist while you read some underrated angsty teen novel you found at a random bottom shelf in the library. It’s around 4pm, so the sun is still high up in the sky, giving you enough light to read. Suddenly, your source of light is blocked and you frown, trying to make out the words. You look up and lock eyes with the one person you’ve been avoiding this whole time.

You gasp and try to stand up, but realize that someone’s tied the ends of your backpack straps to the bench. Fuck. You pull your earphones out and take your backpack off, deciding right there that you can be a total idiot and just abandon your bag there and get it later. 

Yes, you were that desperate to get away from Hwang Hyunjin.

“Y/N, wait.” Hyunjin’s hand shoots out to wrap around your wrist. You freeze and look down at his hand resting on your wrist. His grip is firm, but gentle.

You gulp and slowly turn around. Your eyes meet his hurt and confused ones, your heart aching at the sight.

“Are you dating Jisung?” Hyunjin asks softly and you frown at him.

“Are you dating Yeji?” You answer back with your own question.

“Answer my question first,” Hyunjin sighs and you purse your lips. You shake your head and Hyunjin lets go of your wrist, visibly relaxing,

“I’m not dating Yeji either.” He says. Although you didn’t want to know that, because your stupid, stubborn self refuses to believe that he likes you, you still find yourself feeling relieved.

Hyunjin steps closer to you. 

“What wrong did I do for you to avoid me this long? How big was it that you’d willingly leave your backpack here, when I know that you’d never ever leave it behind even if a zombie apocalypse would suddenly happen because you told me that one time? You even told me you’d leave Felix behind, or maybe sacrifice Changbin, but never your bag. So, what did I do wrong, Y/N? Why have you been avoiding me? It’s driving me crazy,” Hyunjin bombards you with questions.

You purse your lips and shake your head. “I’m not avoiding you. I’ve just been really busy.” You lie right through your teeth.

Hyunjin chuckles humorlessly. “So busy is sitting down on a bench, listening to music and reading books now? You’ve been avoiding me for an entire month, Y/N. Like, blatantly avoiding me!” He snaps. 

That escalated quickly. You’re getting tired of this. The more you look at him, the more it’s getting hard for you too look away. Even with his face in a frown, his eyes filled with frustration and maybe even anger, Hyunjin still looked beautiful to you.

Fuck him and his genes.

You take a huge step back from him, crossing your arms over your chest. “What’s it to you, huh, Hyunjin?!” You glare.

“I just wanted to know why you’re avoiding me, Y/N! What did I even do? Please do enlighten me,” He shouts, frustrated. You’re glad everyone’s either gone home already or still in classes, so no one’s there to witness your fight.

“Can’t I just ignore you because I just don’t want to talk to you?” You say, anger bubbling up inside of you. Or is it your feelings, already on the verge of spilling out of you like vomit? 

“No, Y/N! I know you well enough to know that if you avoid people it’s not because you just don’t feel like it— there’s a reason behind it.” Hyunjin replies, exasperated. 

“Why do you want to know so badly? Why do you care?!” You shout back. You’re tired of this; you’re tired of staying away from him, hoping it’ll get rid of your feelings for him. But the more you stayed away from him, the more your heart yearned for him. You just wanted the words to leave your lips already.

I love you. 

You’d only realized it recently; you don’t just like Hyunjin— you love him. You love the way his eyes crinkle into small crescent moons when he’s genuinely happy. You love his loud, infectious laugh that you can pinpoint even if you were a mile away. You love his hugs, you love how he dances with so much passion because it’s something he loves to do. You love everything about him and it’s driving you insane too. It’s driving you insane that you keep wanting someone who can’t love you back in the same way.

“Because I’m your friend, Y/N! I worry about you, okay? Can I do something to help you? Why don’t you share your problems with me? Please tell me!” Hyunjin pleads with you, his hands coming up to grip your shoulders desperately.

Uh oh.

“No, Hyunjin! You can’t do fucking anything to help me because you’re the reason why I’m doing this, why I’m avoiding you! I love you, I’ve fallen in love with you, and it’s scary. It’s scaring me, okay? I’m scared that you don’t feel the same and it will change everything! You have Yeji now, don’t you? I can’t be selfish and ask you to return my feelings when you’ve already found the one for you,” you blurt everything out, feeling out of breath afterwards. The tears you didn’t know you were holding in start falling freely down your cheeks now. 

You didn’t care anymore. Hyunjin at least deserved to know. You feel better though, because everything that’s been bottled up inside of you is now out in the open. 

Hyunjin stands still in front of you, his face holding an unreadable expression. You’ve always been able to read Hyunjin like an open book, but you can’t decipher what’s going on in that pretty head of his. Every second that passes by that he doesn’t say anything, makes you feel more and more of an idiot for saying anything at all. You sigh, wiping the tears away hastily, but there’s still more. 

“Forget it. Forget I said anything.” You whisper, your voice rough and raspy. You turn around to get your things and get the fuck out of there when Hyunjin suddenly holds you back. 

You sigh. You turn around to face him, “Hyunjin, what—” he cuts you off mid-sentence when his lips crash against yours roughly. The kiss catches you off guard and you almost stumble, but his arms quickly wound around your waist, holding you in place. You’re surprised, but you kiss him back, and he tilts his head to the side to kiss you better. Your tears are still flowing freely, and his arms leave your waist to cup your cheeks, as his thumbs wipe away the tears. Your arms go around his neck, pulling him in closer. He pulls away slightly, before going back in to kiss you again, this time, softer and gentler. The second kiss leaves you lightheaded and you clasp your hands tighter around his neck. Hyunjin’s lips, his oh, so soft and plump lips feel so perfect as they mould against yours. His lips taste like vanilla, and you’re guessing he just ate vanilla ice cream because he knew you liked vanilla and he once told you he’d eat the things you loved — even if he didn’t like it that much, if he missed you.

And you’re just realizing this now, too, that Hyunjin does so many things for you, and because of you. On days when the winter air is particularly cold, he’d bring you an extra pair of gloves because he knows you keep forgetting yours. He buys you hot packs because you easily get cold. You’re always trapped in his hugs because he knows how much you need his body warmth. In the summer, no matter how hot it is, if you want to go out for ice cream, he’d willingly go with you, if it means seeing you all smiley and happy. He always seems to know what you need, whenever you need it.  You realize now that Hyunjin lives for your happiness and he cares about you way too much. 

Maybe he’s always felt the same way for you and you were just too dense and too stubborn to realize that.

When you both pull away for air, he looks at you, your heart beating loudly in your chest. He kisses your forehead as he pulls you in for a hug, his arms going around your shoulders as yours wrap around his waist. You bury your head in his chest and listen to the fast beating of his heart.

Hyunjin suddenly laughs, causing you to snort.

“How’s Yeji doing?” You joke, your hands playing with the ends of his hoodie. Hyunjin chuckles, his chest vibrating as he kisses the crown of your head.

“You know I only have eyes for you, babe.”

“Glad to know we don’t have to drop the babe thing and it’s finally official,” I laugh.

“True. Oh, and by the way?” Hyunjin pulls you back so he can look at you properly. He cups your jaw and tilts your head up, pressing a soft kiss to your lips. He smiles when you pull away and he looks in adoration at the expectant look on your face.

He rests his forehead against yours and nuzzles your nose, making you giggle. “I love you too, Y/N.”

⇒ let me know what you think or hmu with anything under the sun here!

[cassatine]

TROS rambles under cut. Spoilers ahead.

There’s a lot I didn’t particularly like in TROS, but I expected that, so I’m mostly disappointed by the execution. It feels extremely messy, stuffed full of things supposed to please the audience but without that much thought given to the overall effect or the underlying message.

It’s small things like a cute new droid whose function in the narrative is to deliver one hint for the high-stakes treasure hunt, and also be cute and sell merch. At least the droid has a function; I’m still wondering why the giant slug on the Falcon at the beginning of the movie. Isn’t the cast big enough. Aren’t there enough new characters as is. Did we need the slug. I’m aware it sounds like nitpicking, it’s just that I feel it’s representative of the film making unnecessary detours for cool factor while moving at breakneck speed, which makes the whole story suffer.

But there’s other, bigger things. Leia’s training, her having a saber, even if she put it down – it was such a big deal that Luke was the Last Jedi, the only one who could train Rey, and although we’ve seen Leia use the Force, there was absolutely nothing in the previous two movies to let us think she’d trained under Luke. I feel the main reason Leia has a saber is simply the need to replace the one yeeted by Ben so that he’d have a weapon in the final fight, and having another family saber handed to Rey was yet another way to confirm Rey as the chosen heir of the Jedi and the Skywalkers, something TROS really tried to hammer in imo; Leia’s saber and training, the pep talk with Force Ghost Luke (who doesn’t have anything to say to his nephew), everything about how the Jedi live in her in the final fight, plus the voices of Anakin, Obi-Wan, etc (who, like Luke, don’t have anything to say to Kylo/Ben), and the Force Ghosts of Luke and Leia appearing to her at the end. They didn’t do that when their nephew and son died. I don’t really mind that Rey takes the Skywalker name, because I’m not big on the blood lineage fixation to start with, and the film doesn’t make her reasons explicit so I can find a way to make it work for me, but it’s the culmination of the pattern framing her as the one heir.

Even her ending up in Luke’s childhood home fits within it, but I have other issues with her ending up alone on Tatooine; mainly what the fuck am I supposed to do with it? Like if there was something about how she was, idk, starting a Jedi school AT LEAST that’d make sense for the story I think Abrams is trying to tell because right now… how are the Jedi not going to end if she’s basically in exile?? Wasn’t it such a big deal to see the Jedi continue? How did we end up pretty much back to square one, with the last of the Jedi self-exiled on an out-of-the-way planet for not-so-clear reasons? For that matter, how is Rey choosing exile in the grand tradition of Jedi who failed – Obi-Wan, Yoda, and later Luke – supposed to be read? We’re given no insight in what goes on in her head after Exegol; her reaction to Ben’s death I’m 100% certain is meant to be heartbreaking, and it’s filmed that way. But after that she’s just… it’s not clear *what* she is, because there’s some happiness on her part, yes, but it’s part of the over-the-top ROTJ-like happiness expressed by all the Resistance peeps at the end, like they’re all so glad the Empire, First and Final Order are gone that they’re high on it. But as far as characterization goes it’s hard to say whether Rey’s going through the motions, if she’s sad but content that at least Ben turned or smthg, or if she’s totally fine and dandy. There’s nothing about why she choses to go to Tatooine, why she chooses to use the Skywalker name, why she buries the sabers, or how the fuck she feels about anything. I don’t think everything in an ending needs to be made explicit and explained in details, but it all kinda feels like a cop-out.

Speaking of cop-outs, I could mention The Pit, but also... I know a lot of people wanted Finn to have the Force; I’ve always been on the fence, because I feared his having the Force would end up being the reason he defected, and I didn’t want that decision to boil down to the magic force field told him so. Well, he had A Feeling, which implies he’s Force sensitive at least? Him and a whole other bunch of ex-troopers? I don’t know what to make of this. I mean, sure, the FO indoctrinates kids, but apparently once the Force gives them A Feeling they just break out of it? But also, how much does the Force meddles in events, because it kind of feels like those Feelings are moving people to where they need to be for Plot to happen (Leia’s saber premonition doesn’t really help the thus it was written vibe).  

Neither Finn nor Poe had any personal arc to speak of; they don’t grow or learn or do shit beyond being Rey’s sidekicks on her speedrun to the big boss (literally it’s a treasure hunt to open the final dungeon and beat the big boss; that’s it that the plot). They do Cool Action Stuff, and once Leia dies become Generals in her stead, which has about zero impact on anything. Poe’s revealed to be a spice smuggler because I guess a real Star Wars trio™ needs an ex-spice smuggler, just like a real Star WarsTM needs training scenes and a family reveal and a planet-destroying weapon (not spherical this time woohoo) and some Palpatine sprinkled on top. The trio’s interactions were… Idk what’s going on there. Sure there’s lots of banter and one-liners, but it left me with the impression that the film tried to have something for every ship (minus, very glaringly, Finnrose) – Finn seems to be trying to declare something to Rey, which seems to piss off Poe, but it’s hard to say if it’s because Poe’s into Rey as well, or into Finn, who also seems to be into Poe, but less than into Rey. And then there’s almost no interaction between Finn and Rose, who’s side-lined for the whole fucking movie, but there’s Jannah, who has either shippy or sibling vibes with Finn, I have no idea honestly, and Zorii, because I guess every ex-spice smuggler needs a Leia analogue.

Speaking of Leia, I have more to be displeased about – her death was fucking underwhelming, and not given much impact. Having Kylo/Ben haunted by Han (Ghost? Memory? Hallucination?), while not something I dislike in itself – Han had his big moment in TFA, and here he completely overshadows Leia’s. She doesn’t even get to have actual dialogue with Kylo/Ben, and the yeeting his saber should have happened after Leia reached him imo; switching that would have given a lot more impact to her death. The dialogue with Han doesn’t even need to change, but if Leia had contacted Kylo/Ben after the “I know what I have to do” repeat, it’d have been a more effective scene (and again, Han already had his big moment in TFA). The aftermath wasn’t particularly well-done either; characters are sad she died, of course, but it’s like perfunctory five minutes sadness and then she’s barely mentioned again, and her body just lies there in the background of some scenes while people talk.

I’m running out of steam, so in conclusion –

TROS I think mostly fails because it takes no risks; it’s trying to have something in it for everyone, and goes about it messily, without that much care for the big picture, which is how it ends pretending to have a happy end when we’ve just seen the final act of three generations of Skywalker tragedy. It doesn’t commit to anything, excepted leaving room for fun trio adventures sequels, because if there’s one thing we know, it’s that self-exiled Jedi are always found by some bright-eyed tentative student, if not a call for help from old friends.

[atamascolily]

@pleasantemperorpenguin said

   IDK. Dudebros I’ve seen hated TLJ/Sequel trilogy and Dark Fate for being ‘woke/sjw propaganda’, and the TLJ fans/Sequel fans I’ve seen were on the progressive side and didn’t think Kylo was right.    

I think it depends on where you hang out in fandom. Certainly, a lot of dudebros hated TLJ for exactly the reasons you mention, but not everbody who disliked TLJ is a dudebro. My particular circle of Star Wars fandom leans towards female-identifying progressives who dislike the ST because of what it does to our faves from the previous movies, while enjoying, appreciating, and celebrating the new characters (except for Kylo). I’ve also seen a LOT of “Ben Solo did nothing wrong!”/ “Ben Solo was abused by Snoke/Palpatine/Luke/Leia/Han/the universe and therefore isn’t responsible for any of the terrible things he did” / “Kylo is the real hero and shouldn’t have died” posts from self-identified ST fans here on tumblr.

It’s fascinating to compare the dynamics between the different factions of Star Wars fans with those of the Terminator franchise. I find it striking, for instance, that both the dudebros and Reylo shippers have wildly different politics from each other, but both groups love Kylo’s character and hate that he died in the last movie--for wildly different reasons. Meanwhile, I have observed two main camps of Terminator fans since the release of Dark Fate: women who loved Dark Fate and ship Grace/Dani hardcore, and long-time fanboys who despise it for killing John Connor. There are obviously folks in between, but I haven’t encountered them as much on the Internet thus far.

I find it fascinating that Dark Fate is frequently criticized for rehashing the previous films and making the old timeline meaningless, when one of the key themes of the Terminator films (as I understand it) is that human beings get caught in these loops  and repeat the same cycle over and over again until and unless they are able to break it. So Dark Fate’s decision to say, “well, you can change the future, but changing fate is harder because of the human tendency to keep building aggressive AI and then trying to destroy it” is well in keeping with the genre, tone, and aesthetic of the previous films, as well as a reasonable premise for a sequel.

In contrast, Star Wars is a fairy tale set in space, a fantasy--not a horror or a thriller where time loops and messages from the future are major plot points. While one of the themes of the OT is about breaking the cycles of the past and forging a new path, the ST’s reset feels crueler, because the OT is less focused on breaking down and killing off its characters, and I find the change in style, tone, and emphasis, to be jarring and off-putting. T2‘s ending is ambiguous; Return of the Jedi’s is not.

The ST also takes a very different track from the previously established Legends universe, in which Luke’s Jedi Academy ultimately succeeds (after a rocky start), and he marries Mara Jade and integrates family life with the Jedi Order. Legends!Han and Legends!Leia have a long and happy marriage with three awesome kids, and Leia isn’t kicked out of the New Republic because of her heritage. There’s a lot of stuff in Legends that isn’t all fun and games--plus a lot of weird shit that hasn’t aged well--but I don’t know if I would have been so wrecked by the ST’s decisions if I hadn’t spent a lot of time invested in a continuity that was, until 2014, canon.

(Confession: I stopped reading Legends when the first book of the New Jedi Order series killed off Chewie to show that “anyone could die” and things were going to get dark. I didn’t get back into the fandom again until a few years ago, largely because of the release of TLJ.)

I suppose you could argue Dark Fate did the same thing by erasing the events of T3, Salvation, and Genisys, but I don’t get the impression that fans were attached to those films the same way they were attached to T1 and T2. Or maybe they feel the way I do about some Star Wars Legends novels--”This is 100% garbage, but I love it, and I will fight you if you mess with it because of the bits I do love so much”. I honestly don’t know.

But maybe the biggest difference between Terminator and Star Wars for me is that I grew up with Han, Luke, and Leia, and their adventures in the Legends universe, and that’s a huge part of me on some deep emotional level because I read those books when I did. To see that ripped away on screen was personally upsetting for me, and I confess that much of my antipathy towards the reason for my faves’ unhappiness (Kylo Ren) may not be rational.

Meanwhile, I just watched Terminator for the first time last fall, with zero childhood expectations in the mix. A large number of people who report loathing Dark Fate self-report that seeing young John Connor in T2 was a formative and meaningful experience, and I get how that would hurt to see him die on screen. That doesn’t justify many of their other negative comments, but I can see from my own experience with Star Wars sequels how this could impact their feelings towards Dark Fate as a whole. 

tl;dr: sweeping generalizations about large groups of people are tricky, emotional attachments to media are real and valid, and I find the whole business of contrasts and parallels both within and between major media franchises really interesting.

[orionsangel86]

Narrative Mirror Characters in Supernatural – An Overview for the Uninitiated.

Mirror characters have always been a classic story telling device. The purpose of a mirror character is to reflect on the main characters journey and emotional state and to provide lessons for the main character to learn. Mirror characters in TV and movies can also be used for foreshadowing purposes and encourage the audience to question the main characters path.

A famous example would be Frodo Baggins and his narrative mirror Gollum in The Lord of the Rings. Gollum is a dark mirror for Frodo in that he represents everything that Frodo could become if he succumbs to the power of the One Ring. Frodo’s present is Gollum’s past as Smeagol, and throughout the books Frodo becomes more and more aware of his fate as he grows closer to Gollum/Smeagol and makes the decision to try to save him as a reflection of his desire to save himself.

Narrative mirrors are everywhere and widely used in all forms of storytelling. To deny them, is to deny basic storytelling tropes. Sometimes the narrative mirrors are extremely, painfully obvious, and other times they are quite subtle and have only a very minor meaning in the greater story.

Supernatural is a series which has used narrative mirror characters quite extensively throughout its long history. It frequently uses mirror characters to provide an additional layer to the emotional journeys of its lead characters to encourage emotional growth. Supernatural also often uses mirror characters to highlight unspoken main character storylines which support subtextual themes as well as foreshadowing potential future plot outcomes.

Supernatural relies so heavily on its narrative character mirrors, that recently in episode 14x04 Mint Condition it gave its viewers a textual lesson on character mirrors straight from its lead characters mouths:

Gif Source: (x) 

DEAN (Pointing at Samantha): She’s like your twin.

[SAM pushes his hair back just as SAMANTHA does the same.]

SAM: What? What are you talking about?

DEAN: Soft, delicate features, luxurious hair. She’s like your wonder twin.

SAM: Yeah.

[A man, DIRK, is crouching in front of the comic book stands picking up comics. He has a lollipop in his mouth. SAM points to him.]

SAM: Well, okay, if that’s me then that’s you over there.

DEAN: That guy?

SAM: Yeah.

DEAN: Yeah, we have zero in common

(The scene then proceeds to show just how much Dean has in common with Dirk)

Following this fun scene, the episode continues to show how much Sam and Dean have in common with their mirror characters in many ways, including a moving moment between Dirk and Dean in which Dirk talks about how important his friend Stuart is to him. (Stuart who was first introduced in this episode wearing a tan trench coat similar to the classic coat worn by Castiel – Dean’s best friend).

From this blatantly obvious in-show commentary, we can infer how the Supernatural creators like to present their mirror characters and how we, the audience, can keep a look out for them. The key indicators are as follows:

Similar clothing - Character clothing choices are very important in this show. The brothers are almost always dressed in plaid and what Castiel would probably call “lumberjack chic”. Castiel always wears a tan trenchcoat, formal attire, white shirt, blue tie. His mirrors are pretty much the easiest to spot. Arguably any side character wearing a tan trenchcoat is a mirror for Castiel.

Siblings – Where side characters are siblings, they are mirrors for Sam and Dean.

Parent/Child pairs – Less common, but also often a comment on Sam and Dean’s dynamic, Dean being the parent to Sam.

Immortal characters with a sympathy to humanity – usually a Cas mirror.

Tastes/interests – Like with Dirk, if a side character appears who the main characters bond with over mutual interests, the chances are they are a mirror for the main character in question.

Storylines; depending on overarching season plots – less obvious, but sometimes the most interesting. Characters that appear in standalone episodes that have an emotional tie to the mytharc plot of the season usually serve to give lessons to the main characters. Those characters will stand in for the main characters when dealing with their own emotional turmoil, which will usually be similar in theme to the emotional turmoil that the main characters are going through. Consider Ed and Harry from 9x14’s #Thinman episode - such a blatantly obvious Winchester mirror that it should need no explaining here.

By taking all these various indicators into consideration when watching any episode of Supernatural, it becomes rather easy to spot the character mirrors and depending on the actions and plot purpose of those mirror characters, we can usually conclude their purpose and the connection to the overall mytharc, or in some cases character development plot.

I’m about to pull out some big examples so you can use those as templates to go forth and find the mirrors! But my main point in this post is to argue that meta writers aren’t pulling this stuff out of our asses. Character mirrors are a story telling technique that is used frequently and with clear author intent. Don’t ever let anyone tell you that you are seeing things when you believe that characters are meant to be mirrors. It is far more likely that they ARE intended mirrors than not.

I recently came across these tweets on Twitter:

Mark Harris is a former Entertainment Weekly executive editor and author of several books on Hollywood and the film industry.

Brian Koppelman is the co-creator and showrunner of the TV show “Billions” and has worked in the TV and Film industries for over two decades.

I would hazard a guess that both of these individuals have a greater authority on the inner workings of TV show production than YOU or I or anyone else in this fandom about to scream those immortal and highly ridiculous words “yOu ArE rEaDiNg InTo ThInGs!”

But by all means, if you are going to disregard my post as nothing more than a “crazy” fan trying to claim author intent where there is none, perhaps you could first take a look below the cut, because these mirror characters in SPN are hardly coincidence, and the general motto to run by is that if some characters are definitely mirrors, then the chances are that wherever you THINK you see a character mirror, and it makes logical sense, the INTENT was for you to see a character mirror all along. 

So therefore, never disregard a fan interpretation of a narrative character mirror when they see one. 

If you do, you are going to look like a huge jackass.

Please keep reading for glaringly obvious Destiel character mirrors along with some nice brother character mirrors for comparison. We ain’t kidding around folks.

First of all, lets consider some examples where Supernatural has used narrative mirror characters specifically to highlight Sam and Dean’s emotional growth.

A recent and very obvious example is from 14x12.

The brothers interview Eddie, the twin brother of a murdered man in a case they are investigating. Eddie is distraught by his brother’s murder, and he says the following:

“I can’t believe he’s gone. We were close. Best friends. Alan always said he was my big brother, ‘cause he was born first. By, like, four minutes. Losing him is like losing a part of myself. I never knew it could be this bad.”

In this situation, Eddie is a clear Sam mirror character, because his emotional response to his brother Alan’s death is exactly what Sam’s would be if he were to lose Dean. Dean, in this scenario, is the one learning the lesson. He is having to witness through a character mirror the pain that Sam would go through upon Dean’s suicide. This reflects the current mytharc plot in which Dean has chosen a suicide mission of locking himself away with the archangel Michael in order to prevent Michael’s escape.

This is a simple mirror which specifically relates to the theme of the episode. However, other character mirrors have a wider lesson in mind. Another recent episode that used character mirrors for the brothers was 13x12 Various and Sundry Villains.

In this episode, the brothers come up against a pair of villainous witch sisters. The sisters are determined to bring their mother back from the dead and will stop at nothing to succeed. The sisters are dark Winchester mirrors in that they symbolise the lengths the brothers will go to in order to save themselves and their family – putting their own goals above the safety of the world. This episode took place during a season 13 mytharc plot in which the Winchesters own mother Mary was trapped in an apocalyptic universe and the Winchesters were looking for a way to save her (and Jack) regardless of warnings from Death herself that no good would come from jumping universes.

It was also a wider commentary on the Winchesters own toxic co-dependency – a theme that has been running within the subtext of the show since Season 8 which portrays the brothers co-dependent relationship as a negative force in their universe and something that they need to break free of – a theme which has been building quite nicely in these later seasons.

The episode 13x12 ends with the witch sisters horrifically murdering each other whilst under a spell in a scene which symbolically shows just what could happen to the Winchester boys if they don’t free each other from their own toxic relationship.

This was a prime example of character mirrors have a deeper message in terms of their relation to the main characters and their overall character journeys on the show.

Sam and Dean have had mirror characters established in the show since the early seasons. One obvious example was in 1x18 Something Wicked This Way Comes which prominently features a young boy called Michael who feels responsible for his little brother Asher. Michael is an obvious Dean mirror used to emphasise Dean’s loss of innocence at a young age due to the boy’s early introduction to monsters by their father.

Many of the early season character mirrors were used to provide backstory for Sam and Dean such as this one, or to provide dark foreshadowing (like used with Frodo and Gollum) for Sam particularly with the “Special Children” throughout seasons 1 and 2.

In the later seasons, character mirrors are more likely to be used to either provide Sam and Dean with emotional lessons, or highlight their co-dependency as a negative force.

See, its quite simple so far right? Would you actually deny that these characters were Winchester mirrors? You can possibly argue with my interpretation, but you can’t really argue against the mirrors themselves, that much is obvious.

Now is where it gets interesting. Because whilst you may have no problem seeing mirror characters for Sam and Dean in the show, would you feel the same way if I was to present you with an EVEN LARGER mountain of evidence for mirror characters for Dean and Cas? 

Another frequent use of character mirrors within the show in the later seasons is to highlight a potential romantic partnership between Dean and Castiel. This is a controversial opinion and one many viewers of the show either ignore or adamantly deny. However, arguably you can’t pick and choose your meta in this show. If you agree with one set of thematic mirrors, you must surely admit to the same filming techniques being used elsewhere. If mirrors exist between Sam and Dean, they must also exist between Dean and Cas, and sometimes those mirrors are just as blatantly obvious, if not more so.

One prominent example (and probably the most obvious) comes from episode 9x20. Written by the current showrunner Andrew Dabb, this episode was an attempt at a spin off show with a completely new set of characters. One part of this episode included a love story between monster characters David and Violet.

Please refer to this post: http://bluestar86.tumblr.com/post/178577156431/i-cant-recall-where-but-i-read-somewhere-that-a for further detail about this character mirror. Because it’s so obvious its laughable.

The basic mirror is that David is Dean. He is the son of a powerful monster family in Chicago who is pulled back into the war when his brother Sal is murdered. “David” = Dean, “Sal” = Sam. Get it? That’s one clear mirror. The back story alone is obvious enough.

Violet is the daughter of another powerful monster family, one that is actively antagonising the others and supports the war. She spends most of the episode wearing this:

Violet is clearly our Castiel mirror. A daughter of a troublesome monster family that wants to start war, but who tries to prevent that because of her love for one of the other families sons? Its Romeo and Juliet but it is also very Dean and Cas.

The turbulent relationship between David and Violet is told using lines previously spoken between Dean and Cas word for word, but in an obviously romantic way (because heterosexual romance is irritatingly obvious even when using lines previously given to “just bros”). Seriously, go read the linked post and just TRY to deny this mirror.

One of the more recent obvious DeanCas mirrors in the show comes from season 14 between Mary Winchester and AU!Bobby. In the episode immediately following 14x04’s lesson in recognising mirror characters in Supernatural Mary and Bobby show up to put our mirror recognition to the test.

Mary has been used as a mirror character for Castiel and vice versa since she was reintroduced to the show in season 12. In terms of the key indicators, she has often been seen wearing a tan trenchcoat, or a general tan coat with white and blue clothing (her clothing is often coded for Castiel) as well as her emotional journey being tied to his in her struggle to find belonging among her family.

AU!Bobby is a Dean mirror. His story very closely compares to many of Dean’s storylines over the years, including Purgatory and being traumatised by the loss of his son (a canonical fact being that both Sam and Dean acknowledge that Dean raised Sam and was practically his only parental figure).

The romance between him and Mary is still pretty much completely subtextual, and yet people still acknowledge its existence. It has been shown through longing looks and conversations with the brothers where Mary voices her frustrations at her inability to break through the supposed communication barriers between her and Bobby (an interesting storyline which compares extremely closely with season 13’s long running miscommunication theme for Dean and Cas.)

Bobby and Mary’s current story reflects Dean and Cas’s especially in Mary’s frustrations to get Bobby to open up to her about his troubled past. There is an underlying message here which indicates Castiel’s own frustrations at Dean for not being more open and honest with him (again this was shown far more subtly as recently as 14x12 in how Dean keeps things from Cas because they are far too painful for him to address). This mirror is practically undeniable, just like David and Violet. Yet both are romantic. 

The other glaringly obvious het character mirror pairing for Dean and Cas was Cain and Colette in seasons 9 and 10. Just because the story didn’t resolve itself, doesn’t mean the mirror wasn’t intended and specifically catered for Dean and Cas from the start.

Cain and Colette is a HUGE example of a mirror that was practically textually confirmed (and was actually confirmed by Jared Padalecki at a convention).

(x)

In fact, arguably 10x14 called for the audience to notice character mirrors before 14x04 did! Cain constantly reiterated that he was a Dean mirror TEXTUALLY. He told Dean that Sam was his Abel. He very clearly stated how Dean would live his life in reverse - Cain killed Abel first, then he unwillingly killed his wife Colette, before finally giving in and killing his demonic kin - the knights of hell.

He told Dean he would first kill Crowley - his own demonic kin in a sense, then he would kill Castiel - Deans... partner? Before finally killing Sam. How can I make this any clearer? Oh yeah. This:

In fact just got take a look at the source post for those gifs to see all the other ways Cas is a mirror for Colette and watch me laugh at anyone still trying to deny this: http://casclaire.tumblr.com/post/119456988024/and-everyone-you-know-everyone-you-love-they

Those were the het pairings (among many others) but Dean and Cas have also been mirrored to practically every other queer pairing in the show save one (and that was played purely for jokes for W*ncest fans). 

Now the importance of queer representation is something we frequently discuss in fandom. So before some asshat decides to pipe up and accuse me I’ll just add a nice little disclaimer so said asshat can shut the hell up:

Theorising that queer pairings in Supernatural may also be mirror pairings for Destiel does not diminish the pairing or the representation in its own right. To claim it does so is utter bullshit. The pairing is still awesome and should be celebrated because hey! It’s on the show isn’t it? It’s out in the open as a canon queer pairing! YAY for US! Speculating that it could also be a Destiel mirror pairing only ADDS to the awesomeness. It does NOT diminish it in any way...

Unless you hate Destiel of course in which case... well:

So now we’ve got that out of the way:

Several of our best queer pairings in SPN over the years can also reflect Destiel and their relationship.

Charlie and Gilda is a prime example:

Gilda appears in episode 8x11 as a fairy from another realm who has been taken prisoner and forced via magic to do horrible things against her nature by a bad guy. Charlie is able to free her from her “masters” spell.

Sound familiar?

It should do, because this is basically Castiel’s story in season 8. He is brainwashed by Naomi to do bad things against his nature which culminates in Dean managing to break through to him by declaring how much he “needs” him. Isn’t it all so marvelously gay?

How about this awesome gay couple:

(x)

Honestly I could wax poetic about this episode for a thousand years, but I will just stress this: Anyone who tries to suggest that the mirror here is for Sam and Dean is clearly missing the fact that the entire point of this episode was about a BROTHER getting revenge for and mourning the loss of his BROTHER. So the Brother mirror is already well established at the start of the episode. 

But Cesar? Cesar is all Cas. He’s the “foreigner” supporting his partners revenge quest regardless of his own desires. Hell, even their names are similar. Besides, their entire relationship was a lesson for the audience in how to recognise body language. All those shoulder squeezes and longing stares? Destiel was all over Jesse and Cesar. I have no doubt in that.

But if that didn’t swing it for you how about this lovely canon pairing?

(x)

The fandom coined “DreamHunter” pairing between Claire Novak and Kaia Nieves was built completely on famous Destiel moments. Longing looks, pledges of protection, “I’ll go with you”, saving each other, trying to go back for each other, mourning the others death… Dreamhunter was also still completely subtextual until recently when Jody Mills stated “First love strikes quick” a simple sentence, and it was confirmed as canon in the show. 

Here’s a handy post of how dreamhunter was built on a Destiel framework:

http://bluestar86.tumblr.com/post/179549508598/tinkdw-first-love-strikes-quick-to-lose-it

Other than these obvious pairings above, there are literally hundreds of character mirrors used throughout the show’s 300 episode run so far which are put in place by the writers and the crew specifically to indicate some deeper meaning to the overall lead character emotional arcs. This has been common and frequent in the show throughout its long history. The above examples are just the most obvious ones related to either Sam and Dean or Dean and Cas.  Almost every episode of this show includes character mirrors in some way or another. Character mirrors specifically linking to Dean and Cas have been particularly frequent throughout Carver and Dabb era (practically every episode in season 8 had a tragic human x immortal creature love story for example).

So for ANYONE to argue that we are seeing mirrors where they don’t exist? Well, those people are straight up wrong. I don’t care who they are, or whether they have some status within fandom or if they are just some asshole on the internet, unless the denial of character mirrors is coming from the writers or the directors of the episodes, they are wrong.

Which leads me nicely to this:

My reason for writing this long meta post was because of this. Simple enough right? We got three kids in 14x13. One is a tall nerdy boy who just seems to radiate with the same aura as Colin Morgan’s young Sam Winchester. One is a fiery young lady called Max, who wears a plaid jacket and has a shy crush on her friend - she also gets behind the seat of the Impala at one point as if that wasn’t obvious enough. The other girl Stacy we don’t know much about, other than that she is quiet, pretty, with dark hair and clearly the object of Max’s affections.

When I first watched this episode with @tinkdw​ and this scene came up we both didn’t even have to think about it. It was so clear to us. Nice one SPN, we see what you did there. The framing, the characters personalities, the coded clothing... there wasn’t a doubt between us that this was framed intentionally, and in a scene literally moments before Cas comes home to his family.

It was supposed to be simple, no big deal. Yet another Destiel mirror among the mountain of Destiel mirrors the show has already given us. Its not even anywhere near as impactful as one of the character mirror pairings previously mentioned in this post. Yet it was enough to cause such a huge wank storm on Twitter and have BNF accounts start a parade of abuse and blame towards meta writers for even DARING to consider that Destiel mirrors may exist AT ALL in this show, let alone with author intent!

Colour me effing surprised.

If ANYONE tries to tell ANY Destiel shipper that they don’t have a right to see character mirrors in the show, to believe that there is author intent, to SHAME them for seeing those mirrors in queer pairings specifically. You go right ahead and block those people. Because their opinions are their own no matter how much they may scream like they have some kind of authority. They don’t. 

No one has any authority over the way you interpret the media you enjoy. Even me.

Don’t forget that. 

So my point on this post was basically to say this.

You go right ahead and keep looking for character mirrors in SPN, because they have been intentionally included in the show since its humble beginnings.  Destiel mirrors are a huge part of that. You are NOT wrong for seeing them. 

Max and Stacy in 14x13 were just the latest in a long line of Destiel specific character mirrors in a show renowned for using character mirrors to the point that it has textually given its audience A. Lesson. In. How. To. Spot. Character. Mirrors. 

I am not making this shit up.

At the end of the day, by believing the mirrors are intentional, and what makes this post controversial, is that it means I am telling you that TPTB are intentionally providing us with romantic Destiel subtext.

Well, that is exactly what I am saying. Because they are. There is no doubt about this. You don’t fill your show to the brim with romantic tropes, romantic character mirrors and an underlying romantic narrative C plot for at least 4 seasons without having some intentional desire to potentially make this thing an actual thing. 

You just DON’T. 

The writers know what the hell they are doing. They want to keep Destiel an option for endgame, so they keep it going throughout the show. Whether or not they eventually make it textual to a point that a general audience can’t deny its existence is another story, because that’s the kind of thing that need a green light from the CW suits. 

But the writers, the creators of the show, everyone involved to an extent, they all know what they are doing. Anyone who at this stage would deny author intent regarding Destiel loses all my respect because frankly its insulting to the creators themselves. No one is so idiotic that they would make something look unintentionally romantic for 10 years.

The mirrors are real. Destiel is real. The creators of SPN continue to include it so they can keep it an option for endgame because (and this is the part I don’t know for sure but can at least guess because I don’t consider the entire writing team to be asshole queerbaiters) they want to make it canon as much as we want it to be canon.

Whether they actually CAN or not is the issue at this point. The debate on whether or not we “are reading into things” has been null and void since season 12. It was practically null and void since season 8 TBH.

So keep looking out for the Destiel mirrors (and the Sam and Dean mirrors and any other character mirrors you may pick up on) and you go right ahead and post and speculate and tweet and blog and do whatever the hell you want to do to voice your opinion on the topic because NO ONE has the right to police what you see in the show - especially when it has already been proven to be clearly intentional on the part of the creative team.

Finally I will leave you with this humble message from our “overlord” in case my post hasn’t already swayed you away from negative thinking and believing the deniers:

Thanks for reading. :)

[kitkatwinchester]

Anyone else disappointed by the Oscar Nominations, or is it just me?

Admittedly, I, surprisingly, haven’t seen quite a few of the movies that got nominated, but there were several movies I did see that were barely on the list or not on there at all that I really enjoyed. Also, I like to think of myself as pretty pop-culture savvy and pretty good at movie-watching, but I haven’t even HEARD of several of this year’s nominations, which is baffling to me. And I saw 1917 and Joker and loved them both, so I fully support all of their nominations wholeheartedly. I hope they win a bunch. But, like, Rocketman? Knives Out? Only one nomination each, and I thought those movies were AMAZING! And Taron Egerton didn’t get a Best Actor nomination?? No Best Actress for Ana de Armas either?? Really? My mom tried to tell me Rocketman wasn’t the type of movie to get multiple nominations, especially for Best Picture or Best Actor, but I would like to combat that with the fact that Bohemian Rhapsody got nominated for everything under the sun last year AND won in several categories, so why didn’t the same thing happen for Rocketman? I thought it was just as good. But whatever I guess. (Admittedly, I love Taron Egerton and Elton John, so I might be biased, but I feel like people generally agree with me. But oh well.)  Also. Small point, but did I miss something?? Is Mr. Rogers NOT the main character of A Beautiful Day in the Neighborhood? Because WHY on EARTH is Tom Hanks up for SUPPORTING actor?? That makes zero sense to me, but okay Hollywood.  And okay, I’m sorry, but I was not that impressed with The Irishman or Marriage Story. I certainly understand the cinematic value of The Irishman, but I honestly found the story line and execution kind of boring, and yet here it is with ten nominations. While I did find the story line of Marriage Story much more interesting with solid acting, I didn’t necessarily see anything crazy special about it that makes me feel it deserves all four of its nominations. Then again, I have some negative bias with that one that I’m not going to go into. (I haven’t seen Once Upon a Time in Hollywood or Jojo Rabbit yet, so I can’t comment on those, but don’t worry, I’ll be seeing them soon. And yes, I know, how could I have missed those ones. Good question, don’t have a good excuse, I’m gonna watch them soon, moving on.)  And while Bombshell admittedly wasn’t necessarily one of the stronger movies in comparison to things like 1917 and Joker--at least in my opinion--I thought it was pretty good, and I was expecting it to get WAY more nominations given its cast, story line, and theme, but I guess I was wrong, given that it only got nominations for actresses and makeup.  Also, the animated movies are kinda weird, but I guess I don’t really know what I was expecting there. Definitely not Missing Link, I can tell you that much. And I haven’t even heard of I Lost My Body, which sounds and looks kind of weird, but I guess I’ll have to watch the whole thing to know for sure. In any case, I’m rooting for How to Train Your Dragon 3. Sorry Toy Story 4.  Also also, Parasite kinda came out of nowhere and swept up a bunch of nominations, but thinking about it and the whole message of the movie, I suppose it makes sense. Still kind of surprises me though.  Also also ALSO, and I’m adding this now, having officially tallied. Not one, not two, but THREE of the Academy Award nominated movies, best picture or otherwise, are Netflix films. NETFLIX films. That’s absolutely insane, and really says something about a changing society. And honestly, I’m not really sure how to feel about it.  I don’t know. Usually I’m super excited about the Oscars, but for some reason, having seen this year’s nominees, I feel less invested in them than I usually do. Maybe there’s a weird bias involved for another reason, or maybe there’s something else bugging me about it that I can’t put my finger on, but in any case, I’m kind of disappointed.  But hey. I’ll still try to have fun with it, and maybe the few things I am rooting for will win, at least in some of the categories. And maybe after seeing Once Upon a Time in Hollywood and Jojo Rabbit, I’ll feel better. Who knows. Maybe I just need to be in a different mood lol. I guess we’ll see. 

P.S. Of COURSE I loved Avengers: Endgame with every fiber of my being, more than any of the other movies on this list!!! But knowing how the Oscars work and knowing that Marvel movies don’t tend to resonate with audiences in a way that other films do (which, I suppose is fair. They’re not exactly about sexual harassment or social classes or any big themes like that--they’re more fun and can be a little more surface level. Though, if you ask me, there are PLENTY of deeper meanings that give them their own cinematic quality, but I suppose the point still stands), I wasn’t expecting it to get anything other than Visual Effects. Maybe Sound Editing and/or Mixing, but even that was an uncertainty. And, despite its nomination, I don’t think it’s going to win, as unfortunate as that is. But hey! Who cares! It’ll always have its place in my little fangirl heart. ;)  P.P.S. Yikes. Sorry for the long rant and babble. I got a little bit more carried away than I was expecting lol. I praise you if you got through all of this, and if you didn’t, don’t feel bad. I didn’t necessarily expect you to. I tend to talk a lot. XD ;) But if you did read it all, let me know how you feel, and feel free to message me if you wanna start a conversation about any of these movies or any other movies! I always love talking about movies! (Clearly. XD) :D 

[bonesloveeverandemilyanddavid]

Emily Deschanel on Biggest 'Bones' Lessons, Working With David Boreanaz and Returning to TV

  June 04, 2019 9:45am PT by Jean Bentley

  The actress formerly known as Temperance Brennan is returning to television in TNT's 'Animal Kingdom,' and discusses the evolution of her career with The Hollywood Reporter.

When Emily Deschanel graduated from theater school, she planned to spend her career doing off-Broadway shows and the occasional indie film. The actress, who is best known for the 12 years she spent starring on Fox procedural Bones, chuckled on the phone while remembering those early career goals.

"I remember somebody laughing at me, like, 'OK, if you never want to make any money, then great,'" she told The Hollywood Reporter.

While her earliest credited parts include small roles in not-so-indie films including Cold Mountain, Glory Road and The Alamo, Deschanel's big break came after being cast in Stephen King's ABC miniseries Rose Red. A couple of pilot seasons later and she was the No. 2 on the call sheet for Bones, behind former Buffy the Vampire Slayer and Angel star David Boreanaz, where she'd spend the next decade-plus of her life.

                          Two years after her Fox drama ended, Deschanel now finds herself headed back to television in a recurring role on TNT's crime family drama Animal Kingdom. While she spent 12 years playing forensic anthropologist and straight-laced FBI collaborator Temperance Brennan on Bones, she's on the other side of the law as recovering addict Angela on Animal Kingdom.

Deschanel spoke with The Hollywood Reporter about her nearly two decades in Hollywood — including following in the footsteps of her younger sister, Zoey Deschanel (their parents are both in the industry; their father is the Oscar-nominated cinematographer Caleb Deschanel and their mother is Twin Peaks actor Mary Jo Deschanel), working with occasionally difficult co-workers, the Bones lawsuit that has made her wary of signing contracts, and deciding to return to the small screen after a hiatus.

When did you start acting?

When I was growing up I always wanted to be an architect, for whatever reason. I guess it's the perfect blend of art and math and science, which, to me, was really appealing. But then I went to Crossroads for high school and I discovered theater and discovered acting, and I really loved doing it. I think I wouldn't have become an actor if I hadn't gone to the conservatory at Boston University for theater. You get to do four plays a year there, and I think I wouldn't have had the experience to give me the confidence to pursue being an actor after college if I hadn't done something like that. Of course, I look back and wish I'd gone to a liberal arts school and got a more well-rounded education, but there's always time to educate yourself, I guess. I think it was probably the right path for me because it gave me the experience, it gave me the confidence to try and pursue acting. My sister was already [acting]. She was always a natural performer, so she didn't need an external source to tell her she could pursue something.

I just loved theater, I loved to study, I loved Shakespeare. I'm the kid that went to Shakespeare camp three years in a row. Of course when I left school I was like, "I'm going to do Off-Broadway theater only and maybe independent film. And that's all." I remember somebody laughing at me, like, "Okay, if you never want to make any money, then great." It was such a specific thing. I can't say that I had a grand plan of what my career would be. Clearly I had one idea that changed completely, and I've done television for many years.

I moved back to L.A. after a period of time in New York and I finally got representation that sent me out. I had representation in New York but I think I got zero auditions for a whole year, so I was just working in a restaurant there, but it was still fun. A few months in, I think it was six months after moving back, I got this miniseries: Stephen King's Rose Red. Such a big job to get, where I was in Seattle for many months and it was so exciting to me. It was not a main character but it was a character that was in the show a lot. It was so much fun and I quickly loved being a complete sellout. [Laughs] I met one of my best friends, Melanie Lynskey, on that. We're still so close. I love the camaraderie with the actors — I love working on set and being on location too, you get to know people even more because you're kind of stuck in a place far away. I loved it.

Then I did a pilot after that and I did a Law & Order: SVU, so my first several jobs were all in television, and then I did some independent films and small parts in other films.

   What was it like when Bones came along? It was probably exciting to book a pilot, but obviously at the time you have no idea that it's going to last more than a decade.

I had zero idea, and that was not my plans for things, either. I had done a couple pilots before and this was towards the end of the pilot season, or the end of their casting of the show, and I got a call to come in and audition for it. I met with Hart Hanson, who created the show; Barry Josephson, the producer; Greg Yaitaines, who was directing it. They laughed at my jokes, so I thought they were really nice people. Especially Hart Hanson loved my stupid jokes, so I'll always remember that.

I remember loving the dialogue between the two characters, really quick witty repartee, and I liked that relationship. I liked that it was a strong female character. When you sign on to do a TV show you have to think about the long term, especially in the beginning when you're doing the pilot, what kind of message you're putting out there for people. Of course this is like the opposite of now what I'm doing — Animal Kingdom is like the worst thing that could ever happen to a person for what you put out there. On Bones it was a different show. Younger people watched it, so you have to think about young girls watching the show and seeing female role models and scientists who are really smart and accomplished in their careers, and are successful.

I thought about all of that and I really responded to the script, and then I met David Boreanaz. He already had the part when I auditioned for it. I remember thinking, Oh, this could last us three years. That would be the longest I could ever in a million years imagine that it could ever last. And then it kept going and going and it was a lot of fun, with some great people. I look back with such fondness.

I [spoke with] a friend recently who was an actor on the show as well, and he was saying, "You seem so might lighter than when you were on the show!" And I'm looking back on it thinking I was so easy-breezy but apparently I was like "I will stress out about every single thing that I could possibly stress out about." It's a lot to be the lead of a television show. It's a lot of responsibility and it's an honor, but you do have to set a tone for a set, and there's pressure to keep the show going and be good. There's all kinds of things that I was probably holding on to that I wasn't realizing, and I look back just remembering all the fun times we had on set with the other actors — like the times in between when they say "cut" and before they say "action" — and of all the conversations we had. I look back thinking I was so easy-breezy but was usually very stressed about everything.

 She's also a character who is not very emotional, so you probably also had to tamp down your own feelings more when you were playing her.

Yeah, that's true. I remember the first season doing takes where there was some things that were super upsetting. I remember there was an episode about a girl in foster care and my character was supposed to be in foster care and I was just bawling crying. We couldn't use any of it. I was so upset but my character was so cut off emotionally. I loved, like I was saying, that we had these strong female characters. Hart Hanson, who created it, was a feminist himself and we talked about how my character would never be saved by the male lead until I saved him first. We had things like that, and my favorite thing ever was when I met young girls who said they wanted to become scientists or they were in the process of studying science because of watching the show. That just makes me so happy that we had that kind of impact on people in such a positive way.

What was it like working with David Boreanaz, who had come off of a decade of successful shows with Buffy and Angel? What was it like for you as a relative newcomer to be paired up with someone who can be notoriously prickly sometimes?

No comment. [Laughs.] No, he was very respectful of me. He respected me from the very beginning, and I will always appreciate that. We had a great relationship. I had worked for several years but I'd never been a regular on a TV show before, so it was very new to me. He never tried to tell me what to do, never tried to school me in any way or make me feel like I didn't belong or like I was learning and new. We went to an acting coach, so we basically had therapy every week together which is kind of hilarious, in certain ways, 'cause we would talk about our lives as well in the sessions.

We also had an agreement: We spent more time with each other than we did with our own spouses — with anybody else, really — and we fully acknowledged that we would drive each other crazy. We gave each other permission to walk away at different times, or just say "you're really bothering me right now," or "you're annoying me, I have to get away from you." And we rarely used that because we gave each other permission and we talked about it. It really helped us to get along better in that way, and he always respected me and I love that about him. We would laugh about a million things and he became like a brother and played jokes on me and stuff. For some reason it became a joke that if someone was acting badly, you give them a Diet Coke. I don't drink soda, so if somebody brought me a Diet Coke, I knew it was because he would tell a PA to bring me a Diet Coke as a joke. I didn't do that to him every often. He was more of the mischievous one of the two of us for sure, but we had a lot of good times together.

That sounds like a healthy way to approach that type of relationship.

People have work husbands and work wives at their jobs. I think that's not uncommon, but it takes it to another level playing opposite each other and being married to each other, for sure.

You and David still have a lawsuit pending against Fox for withholding profits from the show. Is there anything you can say about what you learned from that whole experience, and how it has impacted your deals going forward, or even advice to other actors dealing with that issue?

I can't really talk about it because it's still going on. It's not over. I would love to talk about it at some point, but I can't talk about it now. I can talk about it with my friends, but I can't talk to the [press] about it. We can talk in a couple of years. It makes me nervous to sign a contract.

                   What's your biggest takeaway from your experience on Bones?

Oh, there's so much. I loved playing that character for 12 years. I loved the people I worked with, not just the cast but the crew. I loved telling the stories. I loved all of it. For me, going forward, I just don't want to do the same thing twice. At this point, I have no interest in doing 22 episodes of a television show. I want to play different characters, I'm open to anything — I'm not going to say that I'm not doing television because I'm currently filming television, but I'm not a series regular. That was a plus to me going in. I have flexibility. When you're a guest star you can come and go, and there's no contract, which is great going into my first job after doing Bones. And I don't want to take too much time away from my kids. So that's basically how I see things now, but I'm not anti-television by any means. It really is the golden age of television right now; there's so many amazing things going on, so many stories that are being told, and people doing it so well. I would never write off doing television.

You produced and directed on Bones, is that something you want to do more?

Yeah, all of it. I loved being a producer on Bones. It gives you a say in things, and I really appreciated that. Directing I really loved, and I'm very much interested in doing more of that in my life, but it takes up time. It depends on the time and finding the right project, because you don't want to spend all that time producing or directing something that isn't something you are completely passionate about. It's about finding the right project, and the right timing, with family and everything, I could do that again.

Your character on Animal Kingdom is very different than we've seen you play in the past.

I was really interested in having the conversation about addiction. The character is a recovering heroin addict, and this is a big issue in our country right now. This is a character you're seeing enter the show at rock bottom: She's just come out of prison, she's got nowhere to live, and she's trying to establish herself. This is a character who is sensitive to things, has seen everything in life, has done all kinds of things in her life, like a lot of people who have dealt with addiction have. This is a character who is a survivor. She's trying to find her way in the world and she's doing to do whatever it takes to establish herself to get what she needs, basically.

So she might come across as manipulative. She always has the reasons for doing what she does, but that's like all the characters on the show. They're like criminals, addicts, sociopaths,and she fits in with all that. My character is the best friend of Ellen Barkin's character's daughter so I've known the family for years and years and years, and I see it as an opportunity for myself to get in with the family and see what I can get out of it.

It sounds like there might be a throwdown between Angela and Smurf, Ellen Barkin's character.

Yeah, my character and her character did not like each other. I blame her for her daughter's death, and she blames me, essentially. There's no hiding how we feel about each other. It gets very intense between the two characters for sure. I'm the woman coming in for her territory and I move in to her house. She is not happy about that. I can't say that there's a throw-down fight between us, but it gets intense. Which is always uncomfortable because I love Ellen Barkin so much as a person and as an actor, so I hate the fact that our characters don't get along. But at least we get along off camera!

Animal Kingdom airs Tuesdays at 9 p.m. on TNT.

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