Tumgik
#Zero Virus
dailyrockman · 1 year
Text
Tumblr media
1554: Zero Virus Patreon | Twitter | Ko-fi
163 notes · View notes
darkavids · 2 years
Photo
Tumblr media Tumblr media
Collab with Legacy VM
95 notes · View notes
zer0wlet · 8 months
Text
Tumblr media
First character profile for the au!
2K notes · View notes
luluxa · 1 year
Text
Tumblr media
pathetic wet boy 🥰
redbubble
+a bit of the drawing process
Tumblr media
557 notes · View notes
kimtiny · 17 days
Text
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
When I was in Berlin I was drawing creepypasta as splatoon characters and was gonna make illustrations of them all but never did so here's the entire collection of designs finally
54 notes · View notes
koolaidoverliving · 3 months
Text
"how many genders are there"
Jeff: "Probably like a billion."
Masky: "How many judges? Supreme Court or what? There are —"
Toby: "Oh! I just learned! There's like 58!"
Hoodie: "I don't know. I just got here."
Ben: "Uhhh, me and your mother."
Jack: "Who cares?"
Nina: "58!"
Jane: "Male, female, transgender—what matters is that you're comfortable in your own skin."
Clockwork: "I don't even know my own."
Lulu: "I wanna sayyyy... twelve?"
Sally: "Three, I think!"
Lazari: "It's boys and girls, right?"
Nurse Ann: "Biologically two."
The Puppeteer: "There is not a specific number of genders."
Zero: "One."
Liu: "Uh... Gay, bisexual, pansexual, asexual —"
Laughing Jack: "WHAT GENDER AM I? UMMMM. I AM A CLOWN."
Candy Pop: "Gender is a scam made up by bathroom companies to sell more bathrooms."
Judge Angels: "A lot, I would think."
Helen: (stares at you till you walk away)
Sadie: "Uhm, uhm... Uhm... I-I don't know...!?!?" (starts sobbing)
Jason: "I do not care for this "El Gee Bee Tee" thing."
Nathan: "Do I look like a fucking gendertologist to you?"
Cody: "That's what I'm tryna figure out."
Kate: "🙁"
83 notes · View notes
starsareshinning · 2 months
Text
High School AU: What year everyone is in and some Info
Tumblr media
SENIORS
Annalise Lusen Mia: She’s a student nurse that had an opportunity to learn from the nurse working at Proxy High. She took it now she goes to the nurses office whenever she can to learn and help out.
Liu Woods: Moving from Ottawa to Toronto he’s brand new to the district and city. Liu looks like your average loser, but he’s much more. A lot more social.
Helen Otis: Helen was actually sent to jail for attempted murder. He lied and manipulated his way through, pretending he was getting better. He is now back in Proxy High. He has a weird obsession with blood.
Candy Pop: Funky little jester who looks as if he’s ready to catch Pokémon! He was born in New York but now lives in Toronto Canada with a weird man (human Night Terrors) who he avoids by filling up his free time with after school activities.
Nathan Maxwell Lux: Goth guy who’s a hater and can be a bitch. He’s also Candy Pop’s best friend and neighbor, which can suck because Candy Pop is annoying as hell. But they get along. Somehow.
Dina Angela Clark: Dina is known for being a sweetheart, her whole reputation was built upon her sweetness. She helps out whenever and whoever she can. Everyone calls her an Angel. However, just because she is an angel, doesn’t mean she’ll let people walk over her.
Kagekao: School’s one and only plug. I’m not kidding when I say that. Kagekao provides people with drugs and alcohol, though he only provides it to trusted and known people. Ones who won’t snitch. He’s also one of the rich students that attends Proxy High.
Jason Meyers: Honor student. His parents expect highly of him, and so his own exceptions of himself are high. Though his wish is to be a toymaker, he knows his parents would kill him if he ever said that out loud. Jason gets bullied because he is: British, a born red head, self-centered, and worst of all…he wears a top hat.
Ciara H. Callaghan: In a loving and healthy relationship with Nathan. She’s a confident student, doesn’t let anyone mess with her or someone she care deeply about. Lives with Candy Pop and (human) Night Terrors.
Tumblr media
JUNIORS
Alice Marie Jackson (Zero): Alice prefers to go by Zero. Her adopted father is abusive to her so she usually spends her nights at Kagekao’s rich ass mansion. It’s gotten to the point where she can be called a roommate.
Jack Nyras: Most people dislike him because of his personality. Which is sarcastic while also being a smart ass. Group projects with him? You won’t be doing anything. He does all the work. He chooses to do all the work just because he doesn’t trust anyone else. Despite this, he can be caring for some people. He lives with his three siblings and older cousin.
Jonathan Blake (The Puppeteer): He’s sort of a sad little man these days. Found out his girlfriend cheated on him, but he has his best friend Helen Otis. Jon likes instruments and arts! He works as a delivery person. Delivers pizza at night and newspaper in the morning.
Laughing Jack: Schools personal clown. People either hate him or love him, he pulls pranks on anyone, anything, and everyone. No one is safe from him. Not even the teachers! He’s gotten in trouble because of his pranks. Oh and. He’s most likely never going to graduate. So. Have Fun LJ. His childhood best friend who was Issac Grossman turned out to be a serial killer, so that fucked him up a bit. But, he distracts himself with jokes and avoids people who want to question him about it.
Laughing Jill: She is Laughing Jacks twin sister. She’s the better twin. She does pull pranks, however her pranks only targets assholes like school bullies! Sometimes she gets pulled into LJ’s shenanigans. She does ballet after school!
Jane Richardson: She’s in a relationship with Mary. She’s also an honor student! Jane doesn’t mess around with her grades, she does everything on time and completed. She wants to make her parents proud (they already are).
Natalie Oullette: Natalie is known for getting into fights. She’s a sucker breaker through and through. She skips most of her classes and leaves the school when it gets to lunchtime. Her family is a mess which she avoids ever interacting with.
Tumblr media
Sophomores
William Grossman: Will loves crime podcasts, especially the ones that talk about his cousin: Issac Grossman. He works at a hotdog stand at the malls food court, needing money because he’s poor. He gets bullied because he’s poor. It’s not fun.
Jeffery Alan Woods: Liu’s younger brother who helps Liu sneak out of the house occasionally. Jeff is a closeted homosexual who wants to become emo, but unfortunately cannot because of how strict and religious his parents are. He hates going to a new school because he has to make new friends, and that’s a bit difficult to do when you keep moving.
Frankie: He has an alcoholic deadbeat father who uses the money he earns to get more alcohol. And his mother is a junkie that won’t quit doing drugs. So to provide for him and his little sister, he sometimes steals his parents booze and drugs to sell them on the streets. Frankie sometimes works at the mall as well. Part time worker.
Cody Richards: Cody is a science and biology nerd. His adopted father is a famous scientist so he wants to follow his legacy. However he’s also a straight forward guy who will insult anyone who annoys him, even when they’re right in front of him.
Tobias Erin Rogers: Toby’s parents are going through a divorce, which meant he could no longer stayed homeschooled. It was a hard decision, but his mom had to let him go into public school. Toby’s excited to start his first year at Proxy High! (Oh he’s so cooked.)
Tumblr media
Freshmen
Nina Hopkins: Nina runs the biggest gossip blog, she’s been running it since elementary. She knows everyone and everyone knows her. Because her parents are busy she lives with her grandma and her little brother, Chris.
Kate Milens: Kate is sort of a social student! She talks to anyone that she thinks is interesting enough. When she’s not talking she listening to music and sketching on her sketch book. She likes hearing Nina yap about her blog.
Vaughn Pavel Volikov: Or more known as Vine is a very sad and traumatized student. His foster parents sent him into public school. He hates interacting with older men that isn’t Papa Grande (who he finds comfort in). Once he’s at the age of eighteen he inherits his father’s fortune.
74 notes · View notes
stephaniebrownslover · 5 months
Text
MY MAIN CREEPYPASTA AU
Guys guys this is kind of my biggest AU project so far,.
I was wondering why I can't write a nice and long fiction like everyone, and I think I found one of the reasons. It may be that I have so many AU's.
So I decided to create a basic base AU. You know some of my side AU's, and while they'll also exist, but there are no such AU of mine where I can say "oh yeah, this is like that.".
Every time I write a fic, I design a different past story or something for the character or change the details, so basically in my AU, I can't say Clockwork doesn't like this or something like that.
So I'm doing something like this so that I won't have to go experience this anymore.
Again, there will bestories where I change these details and so on, but I will try to stick to this AU most of the time, no matter how difficult it will be for me at first.
So that's why I won't give details like ficlets, saying things like this will happen, that will happen, and I'll probably do background information or something instead.
This is what happened when I couldn't decide between 2-3 ideas for a character, but I finally decided to take a hand to fix this mess.
Maybe this AU will be used only in 1-2 stories, and I won't use it any more. I don't know, so it depends on whether I like it or not and my indecision.
I know that Masky and Hoodie are not in creepypastas, I will try to use them in a mixed way of creepypasta and Marble Hornets. 
DEATH TO TWINK MASKY!!!!!!
Offenderman doesn't exist in this universe because I hate him for being pedo and rapist. Don't come and try to defend him to me.
Also I'm starting out with the idea of designing a main AU and I'm waiting for your questions whatever you want to ask!!!
I'm going to make separate posts or something to answer questions, and I'm going to try to create a past story about the characters by trying to use the order I wrote here.
WARNING: I don't think about sticking to canon in most things, because the characters' stories are really bad and cliche and need to be rewritten. So if this AU is not 'realistic', you may not read it, I'm not forcing you to read it.
...
Main characters
-Jeff The Killer
-Clockwork
- Hoodie
-Masky
-Ticci Toby
-Eyeless Jack
-Jane The Killer
-X-Virus
-Nina The Killer
-Kate The Chaser
Total: 10 characters
Main supporting characters
-Homicidal Liu
-Sally
-Ben Drowned
-Puppeteer
-Zero
-Nurse Ann
-Bloody Painter
-Judge Angels
-Mary Vaughn
Total: 9 characters
Supporting characters
-Lulu
-Laughing Jack
-Nightmare Ally
-Kagekao
-Rouge
-Jason The Toymaker
-Laughing Jill
Total: 7 characters
Background characters
-Slenderman
-Emra
-Dr. Smiley
-Cat Hunter
-Zalgo
-Weeping Forest
Total: 6 characters
The sum of all: 32 characters
You can ask questions and things you are curious about my ask box as anon or yourself, I will make a post about it!
65 notes · View notes
kupkate04 · 3 months
Text
A Hapless Endearment || Creepypasta x F. Reader || Ch. 1 - To Grandmother's House We Go
—Quick author's note—
I'm sure you all know the drill by now, but for those of you who don't, here it is:
Y/n = Your name
L/n = Last name
N/n = Nickname
H/c = Hair color
E/c = Eye color
F/c = Favorite color
B/m = Birth month
S/t = Skin tone
B/s = Body shape
B/c = Blush color
L/c = Lip color
H/l = Hair length
Also, I try to leave Y/n up to interpretation as much as I can, although some things will still be assumed about her, whether that be the kind of food she likes or her style of clothing, etc. It's difficult for me to fully write for a character who's a "blank slate", just thought you should know! Enjoy reading~
༶•┈┈୨♡୧┈┈•༶
She exudes an inaudible sigh, propping her jaw in her palm and gazing through the somewhat smudged surface of the glass. Trees and houses of varying sizes whiz by, blurring together and composing an evanescent of greens, browns, whites, and yellows. The sun sits high on its invisible throne above. Its warm, golden rays break through an army of fluffy clouds, capturing the atmosphere in a brilliant, cheery radiance.
Struggling to imagine the clouds morphing into fun, inspiring shapes due to her current lack of concentration, she frowns, letting her discouraged eyes fall. The engine hums, the AC whirs, and wheels scrape the asphalt below, bringing the passengers closer to their destination. They've halted a few times to allow everyone a chance to stretch their legs and collect themselves, which has been Y/n's saving grace. Still, after ten hours of riding, her muscles are stiff and she is more than eager to be free from the confinement of this chatter-brimmed bus. Nestled in her lap is a backpack, and below the seat, directly behind her legs, lies her duffel bag; both have been stuffed with an assortment of clothes and other items she deemed imperative to bring along. 
Headphones have been diligently positioned over her ears, the tunes that flood from which manage to block out most of the incessant noise surrounding her–including the ungodly snores of the man to her left. She fiddles with the wire, twirling it absentmindedly around her finger as she stares at the window frame, her mind wandering aimlessly amidst a blanket of fog. Languidly glimpsing to the side reveals her seating buddy has his head resting on the back of the bench, eyes closed and mouth hanging wide open. It's a wonder he hasn't caught a fly in there yet.
Ah, well. At least he doesn't stink.
She lets the dirty glass support her temple, her eyes threatening to seal shut. She's barely seized a wink of sleep throughout the course of this little road trip and her body is beginning to feel the full effects of it. Pondering momentarily how much longer it will be until they reach the station, a fleeting peek at her phone screen informs her of the time: 6:44 in the evening. The bus left at 6:30, so there shouldn't be much time remaining. Gosh, she can't wait to stand again. She's not even sure she remembers what her feet feel like.
She succumbs to the temptation to yawn quietly, giving her drooping eyes a reprieve. She thinks about what she's going to do when the bus parks and she saunters through the folding doors to reunite with her grandparents. It's been so many years since she saw them last. She was...nine? 
Memories of her childhood have grown faint, but she can recall how happy she always was around them; how much boundless joy they brought her simply by existing. They were never neglectful, impatient, or spiteful, no–only caring and affectionate and overflowing with love. She's missed having that kind of positive influence in her life. It's been hovering in the distance for so long, just out of reach. Taunting her. 
But now it doesn't matter, because she's coming back. She's finally going to see them again. 
It's unfortunate that it took seven years to convince her father to let her return. He's so swaddled in his needless resentment and self-pity that it's blinded him. She doesn't understand how he could care so little–be so detached from the two people who raised him with every ounce of adoration they possessed because of some silly disagreement a few years prior.
She isn't certain what transpired exactly; all she knows is the vague comments she was told by her mother. It was likely an argument based around the roads he was traversing to make an income, as it seems highly in-character for him to get offended by something so trivial. Knowing him, he blew their moral concerns out of proportion, pitched a hissy fit, and vowed never to speak to them again, dragging his daughter and wife into the crossfire. 
It was that reason and that reason alone why Y/n had to wait until she was sixteen to pay dear Nana and Pops a visit. He only relented because she wouldn't stop bothering him about it for two weeks straight after she found out both her parents would be out of the country during the summer for their jobs. She didn't want to be stuck at home for three months without any friends to spend time with, and she didn't want to go back to camp either, so traveling to Alabama for a summer vacation seemed like the only logical solution. They dropped her off with some money on their way to the airport, she bought a ticket, boarded the elongated vehicle, and that was that.
Her father had been less than enthused on the matter, and she recalls his torpid, irked expression reflecting in the rear-view mirror of the car as they pulled up to the bus stop. Her mother, on the other hand, was rather indifferent; far too invested in whatever messages lit up the screen of her phone to concern herself with domestic conflict. Y/n could only imagine which one of her flings she was texting this time, as situations involving her work certainly never gained her attention so fiercely.
A melancholic indignancy bubbles up within the girl's chest at the countless encounters she's had with her mom as of late that involved puny excuses, middle-of-the-night departures, and poorly-disguised secrets. She's never outright confirmed it, but her behavior is undeniably suspicious. She smiles more at her phone than she does when she's ever with her husband, and her 'husband' in question doesn't even seem to notice—or, if he does, simply doesn't care. Y/n hates it. Her family is falling apart at the seams and she's powerless to stop it. 
A bitter sensation grabs at her tongue and she desires to spit the foul taste out, though only swallows and chews the inside of her cheek, attempting to rid herself of the disconcerting concept. She searches the hollows of her mind for something, anything lighthearted; a memory that contains laughter, joy, fondness. However, she finds nothing. She’s unable to remember a delightful moment between herself and her parents that took place recently. A time when her father outwardly expressed happiness or her mother was shamelessly candid.
It's a distressing realization to approach, that her family hasn’t acted as a true family since she was twelve years old; only still a child when her clinquant life slowly came crashing down before her. She isn’t sure the exact minute that it happened, nor does she have a specific reason as to why it happened. All she knows is that her parents steadily grew more and more distant, drawing themselves out of her sight until the feeling of inevitable abandonment seeped in.
She tried to communicate with them, collapse their walls and get them to allow their only child back in, though each time without fail, they forced themselves farther back into the cold, bitter darkness and left her desperate, longing for their love and affection. It became apparent she was getting nowhere with them, so after many fruitless attempts, she threw her hands up in surrender.
The example they set was not a good one, yet she couldn't help but subconsciously follow their lead. She grew emotionally drained, jaded—bordering depressed, even. Suddenly, maintaining any relationships outside of her home became a chore; a nearly impossible task that needed more energy than what she was willing to sacrifice. The more her friends noticed her inner turmoil, the more they tried to help, and the more she pushed them away. After all, if her parents didn't care, why should she?
She would get over this miserable hump eventually, and she would do it alone. Cutting contact with her dearest companions was an easier feat than one would expect, as it was accidental and gradual and she always affirmed herself with the fact that it wasn't permanent. She could always get in touch later. But weeks passed, and then months, and she made no effort to do that. At some point, she convinced herself that they wouldn't take her back now anyway. It had been too long, and she had treated them coldly. She wouldn't want to be friends with her, either—there was too much drama and emotional baggage.
It feels as if the person she once was fades from reality a little more every passing day, becoming invisible among people and society as a whole, including herself. Somewhere in the back of her troubled mind lays her positive outlook on life, and it's been locked in a box with the key thrown away. 
Now sixteen years of age, she still struggles with these ill-fated circumstances and her dilapidated mental state but has learned to drive a vast majority of it into the chasms of her brain, leaving her an empty, aggrieved husk.
She blinks, reemerging from her thoughts of deep disdain as she registers the large vehicle she sits in turn off the main stretch of road and park in front of a building—the Fairfield bus station. She's here.
Despite the otherwise displeasing series of events that lead up to this, she feels a glint of excitement, pausing her music and gingerly removing her headphones, being careful not to tangle the wire as she unplugs it from the MP3 Player and wraps them around the f/c object. She then takes hold of her backpack, still open from where she retrieved the source of entertainment, and shoves them inside, zipping it closed after finishing.
Eagerly, she bends over to reach below the seat and lift up her dufflebag in preparation before glancing out the window, e/c irises gleaming in the rays of sun. The bus brakes, the door is slid open, and several of the passengers rise. She isn't far behind, throwing her bags over her shoulder and squeezing past the man's broad legs, being careful not to thwack him upside the head with her luggage as she does so. He's barely disturbed, stirring for a few seconds before drifting off back to the realm of dreams. Merging into the middle aisle, she tries to control her rapidly-beating heart as she treads to the exit, being mindful of the people surrounding her in every feasible direction. 
How will Nana and Pops react to seeing her again, after all this time? Will they still love her? She has changed in significant ways, and not necessarily for the better, either. Surely that won't deter them, right? Of course not. I'm one of their only grandchildren. They won't stop caring about me just cause I've grown up.
Though her pep-talk does little to soothe a new wave of anxieties that wash over her like an angry tsunami. 
Oh gosh. What if it's super awkward?
She maneuvers down the stairs and makes distance between herself and the mode of transportation, scanning the crowd to locate the elderly pair her thoughts center around. A whirl of nervousness penetrates her stomach, her brows knitting together subtly. 
What if they've changed? What if they're just like Dad?
But as she meets the warm brown eyes of Nana from afar and notices the giant, surprised smile stretching across her features, all doubt withers away, and she offers a meek wave. The lady bumps the arm of the hefty man sitting next to her to gather his attention before she springs to her feet and sprints to greet Y/n, her expression contorted into one of pure bliss. A small grin tugs at Y/n's face, and she stands idle, taking into account Nana's appearance as she hurries forward. 
She’s adorning a floral dress, patterned with tiny petaled flowers of all different shapes and a skirt that drapes down to her shins. Her shoes are simple beige sandals, and her grey, fine hair is tied back into a Chinese-inspired bun. Her eyes are kind and welcoming, though sunken with age and life experience, and the wrinkles that crease her forehead and cheeks only clue Y/n in on how old she must be getting, now.
"Y/n!" Nana calls out, voice brimmed with exhilaration as she dodges other pedestrians before reaching out and enveloping the h/c in a tight embrace, her frail arms wrapping around her frame and reeling her in as close as she can. Her actions almost knock both of them to the ground, but Y/n balances herself before she can stumble and reciprocates the gesture. 
"Hi, Nana," she says, tone more genial than it's been in a long time. A pleasant scent wafts up into her nose; a peaceful aroma, a mixture of strawberries and cinnamon. She hugs back with her free arm soon after, squeezing her grandmother’s scrawny torso with as little force as required so she doesn’t somehow injure her. 
Pops joins his wife with a notably calmer pace and snakes his arms around the two smaller individuals, his slightly yellowed teeth apparent through his beam. A stout man of classic tastes, he wears a 1950s fedora, a baby blue collared shirt, and suspenders. His hold is strong and secure and Y/n feels an almost overwhelming sense of comfort slam into her without warning. She chuckles—a soft, elated sound—and her chest is flooded with gleeful fuzziness. It's certainly an odd, foreign type of feeling, but she accepts it nonetheless. "Welcome home, kiddo."
"We've missed you so much," Nana chirps, pulling away after what has to be a solid two minutes and prompting Pops to do the same. Her wrinkled hands grasp her shoulders before sliding up to cup her face, gently tilting it upward to get a better look. A stunned expression crawls across her attributes before it’s replaced by a wider—if it’s even viable—smile. “Oh, you’ve grown so much!” She turns her head. “Phil, do you see her?”
“Aye. I sure do,” he says with a proud nod of his head. “She’s just as pretty as she was the last time she visited.” Blush dusts itself along the apples of her cheeks and she averts her line of sight, embarrassed. He chuckles. “Just as bashful, too.”
“Leave her alone.” She pivots again to face her, excitement dancing in her faded brown eyes. She brushes a strand of hair behind her ear before giving her another hug. “We’ve missed you, sweetie. It’s been too long.” Y/n nods timidly, not accustomed to being so doted on. Behind her, the wheels of the bus grind against the asphalt as it leaves shortly after the doors close, and she twists her head around just in time to see it drive away, leaving her there for the summer. There's no other place she'd rather be, and their presence is only confirming those feelings. "We have so much catching up to do! I haven’t seen you since you were a little girl.” She looks back at the old woman and feels her squeeze her arm. “How old are you now? Fifteen?”
“She looks more grown-up than that,” Phil comments, and Y/n shrugs, biting her lip.
“Uh, I...turned sixteen in B/m.”
“My word!” Nana exclaims, cupping a hand to her mouth to emphasize. “You’re practically an adult, already!”
“Only a few years older than that darned cat of yours, Farrah,” he says, and Y/n’s eyes light up at the mention of the familiar feline.
“Marshmallow?” she questions, astonished enthusiasm coursing through her, once again. “He’s still alive?”
“Why, yes, he is,” Farrah laughs as if amused by her inquiry. “Getting on up there, though. I’m a little shocked to know you remember him.”
“Of course I remember him,” she says, the volume of her voice increasing with glee. “He’s my little buddy. I wonder if he still remembers me...”
“I’m sure he does,” Phil says. “He was always followin’ you around. Probably cause you spoiled him all the time with leftovers.” The corners of her mouth pull upward and she rubs the back of her neck.
“Well...he needs to be spoiled. Too sweet not to be spoiled.”
“Very true.” Farrah smiles.
“And yet I can’t even have a dog in the house,” he grumbles playfully. “You cat lovers don’t make any sense.”
“We don’t have to ‘make sense’,” Farrah says. “Cats are gorgeous, wholesome creatures, and they deserve to be treated as such.”
“Sure, sure.” He waves her off. “You treat that cat better than you do me.”
“Well, you’re not covered in angelic fur and lay on my lap to cuddle, now do you?” She raises a thin eyebrow, and he scoffs.
“I can lay in your lap if that’s what you want.”
“No, thank you.”
“Well, c’mon woman, make up your mind!”
“My mind is made up! Now, come on, dear.” She tugs Y/n to her and begins walking toward the grey-blue Toyota Corolla that sits motionless in the parking lot, and the teenager follows, readjusting the bags hanging on her shoulder. 
“You want me to carry those for you?” Phil asks, and she glances over at him, her eyes widening, taken off-guard by the abrupt offer. But she collects her bearings rather quickly and shakes her head with a grateful smile.
“N-no thanks, Pops. I got it.”
“Whatcha got in those things? They look heavy.” 
“Um...clothes and stuff,” she replies quietly as they reach the 2007 vehicle, Nana shuffling into the passenger's seat and Pops opening the back door for her. She tosses her luggage to the opposite side and climbs in, smiling up at him to signal that she's done. He nods in acknowledgement and shuts the door, soon claiming the area behind the steering wheel and cranking the engine. The interior of the car smells like lavender, thanks to the cardboard air freshener swaying below the rear-view mirror, and the beige-toned leather lining the seats is torn in various places, no doubt because of how many years it has under its belt. 
"You got any'a that modern technology that kids use nowadays?"
The air conditioning blasts through the vents to cool the space as he puts the car in reverse to back out of the lot before shifting the gear, navigating between other automobiles, and driving onto the highway. Y/n clicks her buckle into place and twiddles her thumbs, jerking her shoulders up lightly, though she knows he won't be able to see it. "I—I mean, I have a cellphone, if that's what you're asking..."
"A cellphone, huh?" He eyes her in the mirror and she shrinks away meekly, unsure of how to react to the sincere attention. "We have one of those. Don't really know how to work it though."
"You sure do know your way around Solitaire for someone who doesn't know how a phone works." Nana's light jab makes him scoff playfully as he stares through the windshield observantly. 
"You know what, Little Miss Sassypants? Yeah, I do. That app is the only reason I ever even pick it up."
"And when you do, you're playing it for three hours straight."
"It's enjoyable!" Huffing, he shoots her a glare of faux annoyance. "Don't act like you ain't got things that you spend hours at a time doing."
"My hobbies are productive, as opposed to yours, so that excludes me from this discussion."
"That sounds like code for 'I know I'm losing so I'm gonna back out now before I'm called out on it'."
"False." She flattens out her skirt and narrows her eyes at him. "I don't speak in code, dear."
He laughs gruffly at that sentence, plainly not buying her words. "Keep thinkin' that, sweetheart." 
The frisky banter has Y/n failing to suppress a grin, having forgotten how well her grandparents get along, and why they've stayed married for almost sixty years. If only Mom and Dad had that kind of chemistry. Maybe then their home wouldn't be so void of love and life every waking moment. 
"So how was the trip, Y/n?" Nana twists around to the best of her ability to catch a glimpse of her granddaughter, seeming to completely brush the mini argument aside and spare Y/n her undivided recognition, eyes touching base with her own. 
"It was okay," she mumbles, voice just loud enough for them to understand her. "I'm ready to stop riding for a while, though."
"I'm sure. You traveled a long way. I'm glad you stayed safe."
Pops decides to contribute to the conversation. "How's your dad doin'?"
Her face scrunches up faintly as she racks her brain for a suitable answer that won't draw any concerned feedback. "Uh... He's busy. Him and Mom both."
"Figured that much. Probably why they're leaving the country in the first place, huh?"
Her gaze drops to her knees. "Yeah..." 
"Do they do that often?" Nana asks, her tone curious. "Take trips for their job?"
"That's like, forty percent of what they do..." She registers the car turning left sharply, onto a dirt road that leads into a capacious patch of forestry. They pass a faded blue and white sign, and the letters in bold printed across its surface reveals: Oneiric Lane, half a mile.
Wow, almost there already.
"But, um...it's usually not so far away," she continues her previous statement as they drive over gravel and rocks in their path, making the ride a little bumpy. "Not usually for such a long time, either."
"They still workin' for the same company?" Pops says. If Y/n were to listen extra closely, she'd be able to detect the tiniest hint of enmity masked within his voice. She blows a bubble into her cheek.
"Yeah, but it got sold to another corporate body a couple years ago and they changed a lot of things. So both of them have been on duty a lot more since then."
"I bet that's been stressful." 
"It's..." She could speak the truth, but the truth would dampen the mood, so she goes for a lighter alternative. "It's fine. They don't mind some extra work. Just means more money in the bank."
Pops mutters something under his breath, but Y/n can't decipher it. She can only assume it isn't anything particularly nice, based on the conversation that elicited it. 
Before she can dwell on it for too extensive of a period, a familiar, Victorian-style cottage becomes visible, and a ghost of a smile sweeps across her features as she perks up. Around the house lies a white picket fence, fringed with beautiful flowers of all different colors, their stems having grown tall and coiled themselves around each individual post, giving it an engagingly untamed appearance.
At the gate, about ten feet from the front door perches an intricate white arch made of wicker and intertwined with more vibrant plants, and the house itself is a muted shade of cyan, with an ornate wooden roof that sparkles like tiny crystals in the glittery stream of sun. The window frames are white, their shutters open to allow optical access inside of the home, and stained glass roses rim the transparent pane.
The whole architecture makes it look as if the words from a book of fairy tales crept out of its pages and sprung into existence, staying hidden between the trees until someone comes across it. It takes her breath away, and she stares in awe, waiting anxiously for Pops to guide the Toyota off the road so she can jump out and get re-acquainted with it all.
I forgot how incredible this place was... She unbuckles, practically leaning against the glass in building anticipation as the car comes to a stop in their driveway, a few feet from the gate and underneath a willow tree. She extends her hand hastily to grasp the door handle and swings it open, the early summer breeze caressing her skin as she hops out, the bottom of her shoes making contact with vivid green grass. She steals a big whiff of the unpolluted air, natural scents swirling through her nostrils as she drags her belongings out of the car and slings them over her shoulder once again.
Nana copies her movements and Pops isn't too far behind her. She gives her an encouraging pat on the back, then motions for her to trail after her as she moves toward the arched gateway, unlatching it to grant her entrance. "Wait till you see the dinner I'm whipping up, Y/n," Nana says as they walk along a neat path of polished stones and white marble. "You still like pineapple casserole, right?"
"Yes," Y/n says with no hesitation, the very image of the dish making her mouth water. Although she hadn't had the privilege of eating it in years, one thing she can remember clearly is how delicious it was—then again, everything Nana cooks is delicious, so maybe that point is moot. On either side of the orderly pathway are two rows of tulips, comprising pink, white, red, and violent, perfectly maintained. It astounds her how her grandparents can keep the garden so alluring while also making sure the house is in tip-top shape. They surely tidied up before she arrived, but they're also the kind of people who like a neat living space, so she doubts they had to do much. 
"I'm so happy to hear that!" She claps cheerfully as they reach the painted oak door, and both females make room for Pops as he conquers the porch stairs and wrenches the screen toward him, the creaking of its old and unoiled hinges evoking a sound similar to a screech. He rifles around in his pocket, pulls out the keys, and unlocks the entrance, holding it open as his wife and granddaughter stride through. 
Y/n examines the property in wonder. Along the floor lies a hand-knitted rug, shaped like a rectangle with additional ruffles at its edges. On her left is a vacant doorway to the living room, with a vintage floral-patterned sofa resting against the wall, and next to it, facing the front door are two chairs; one matching the couch and the other a darker, less feminine material. A frosted glass coffee table sits in front of them, and beneath it is a hickory plank floor.
Past the living area is a small dining room, with a wooden table and four chairs slid neatly on every side, and behind that is an antique China cabinet with double doors and several drawers, all of which are transparent and hold various cups, platters, and knick-knacks that have been collected over the years. Straight ahead is a linear staircase;  she remembers it leading up to the bedrooms and the second bathroom. To her right is a kitchen, with a white, ceramic-tiled floor, a long countertop that curls around the edges of the room; the refrigerator and the oven both fit snugly.
Hanging overhead is an oven light and cabinets with crystal knobs, and in the center is an island, with a vase of lemon yellow roses, a casserole dish, and a couple of pots.
The fragrance of honeysuckle crawls into her nose, as well as the smell of a currently-cooking turkey, mixing and creating a rainstorm of nostalgia. She almost cries from raw mirth. I really missed it here...
“Make yourself comfortable, dear,” Farrah chirps from behind her, giving her a few moments to get used to her new—but amicable—surroundings. “If you need me, I'll be finishing up dinner.” Y/n gives a soft hum in response, stepping farther inside and allowing herself to succumb to the wave of memories that bombard her.
Her eyes sweep over everything in reverence as she comes to a halt in front of the staircase, glimpsing back at her grandmother with a sheepish demeanor and parting her lips. “Um...am I staying in Aunt Darcy's old room? Or somewhere else?” A flash of realization shimmers in Farrah’s eyes before she steps forward and nods her head.
Farrah nods as Pops shuts the door, blocking the bright sunlight and capturing the area in a bit more darkness. “Yes, that's where you can sleep, store your things, anything. Of course, your dad's room is available too, but I didn't figure you'd want to stay somewhere with all those ugly band posters."
She breathes a quiet laugh. “Y-yeah, Aunt Darcy’s room will be fine." She spins on her heel and begins her small trek up the dozen or so stairs. The concept of being in her father’s childhood bedroom doesn’t sit right in her stomach. “Thank you, Nana.”
“Are you sure you don’t need any help with your bags?” she questions from below, her soft voice echoing upward and easily extending to Y/n’s ears. “They look awfully heavy.”
“No, it’s okay, I got ‘em,” she reassures, attaining the top step and taking a moment to pilot the somewhat narrow space before her. On the floor is a thin white rug that stretches the length of the hallway; to her immediate right is a small, polished table that supports a dainty-looking bouquet of petunias in a glass vase. On her left is a door that's been left ajar, divulging a bit of the interior and reminding her that this is indeed where she’s going.
She uses her free hand to push it open, lighting up when she wanders inside. The walls are a pristine, rosy pink, with a floor crafted out of ash wood planks that complements the design and hues nicely. On the opposite side of the room is a bed, made as a sort of cubbyhole into the wall and at a direct angle next to a window. Built into the wall are two bookshelves, both on either side of the bed and filled with colorful books of assorted sizes.
Beneath the mattress is a long drawer which she recalls to be a trundle bed. Attached to the ceiling above is a set of turquoise sheers, slid to either side of the sleeping niche, and loosely tied to the wall with some twine. In one corner, next to the other window, hangs a basket swing, with two pink pillows placed inside to cushion it. To her right is a closet, the door shut and a shoe organizer clinging to its top edge. Inside the pouches are several pairs of footwear, each separated and easily discernible.
A white, fluffy rug lays spread across the floor, underneath a clothes hamper, a small, cushioned bench, and a cotton bean bag chair. A chipped desk sits pressed against the wall, with several drawers inside and a stool of the same color pushed neatly beneath it. A reading lamp stands atop the surface, along with a couple of minuscule baskets to hold diverse writing tools; a notebook and binder stacked onto each other, a glass paperweight, and a mirror.
She releases an inaudible sigh, the corners of her lips quirking up into a content smile as she walks further inside, depositing her bags on the bed and doing a double-take of her temporary bedroom. A giddy sensation arises within her chest; one she hasn’t experienced in far too long. She turns her head and gazes through the open window, viewing the yard of green grass and colorful flowers below and admiring how the sun’s stunning yellow beams peer down through the towering trees.
She unzips her duffle bag and removes a pile of clothes from the main compartment, busying herself over the course of the next thirty minutes. The walk-in closet isn't huge but still larger than she remembered, meaning there's plenty of space to store all of her clothing pieces. She takes note of the fact that a vast majority of her aunt's stuff is no longer here, and she presumes Nana removed them to create space or Darcy herself came by and collected everything. Y/n hangs a good half of her items and keeps the rest folded, stuffing them into the shelf of drawers across from the door. She refrains from unpacking her art supplies and other accessories just yet, as it would feel weird and wrong to get so comfortable here after so little time. 
After throwing her—now empty—bag into the corner, her stomach rumbles and she concludes that the last thing she ate was a honey bun, and that was hours ago. Yearning to ease her mild sense of famine, she pivots, leaves the room, and descends the stairs, once again being swathed by the pleasant smell of food, only this time, it's much more intense.
Farrah sends Y/n an affectionate smile as she turns off the oven and waves her in. “Hi, sweetie. Are you settling in okay?” The teenager nods, letting the smell lure her, and steps inside.
“Yes, ma'am. I had forgotten how nice this house was.” The woman chuckles in response, grabbing one of the three plates on the counter and passing it to her. She takes it in her hands and shoots her a look of gratitude.
"It isn't as clean as I would like it to be, but oh well. I'm too old to dust away every little cobweb." She sighs in disbelief, eyes twinkling. "Maybe I should hire a maid."
"That might be a good idea. You don't wanna overdo yourself." Nana occupies herself with making a plate of food for her husband, listening to Y/n talk and humming along. "But, uh...while I'm here, I'd be happy to help you with anything you have to get done."
"How sweet of you to offer, N/n." She grins as she scoops a spoonful of mashed potatoes onto the dish. "I'll keep that in mind. Now, please—eat something. It's all ready."
"Thanks for this, Nana." She finds her way around the woman and gets a serving of everything—potatoes, turkey, rolls, pineapple casserole. The thought of indulging herself makes her want to melt. "It smells delicious." 
"Oh, you're so welcome, dear." She pours a glass of milk for Pops and offers a toothy smile. "I hardly ever get to cook for anyone besides your grandfather and myself. This is an honor."
Y/n feels compelled to hug her again, but ultimately resists the urge, not wishing to take a chance on spilling the food being held in both sets of hands. Tears threaten to rim her eyes, her grip tightening on the plate. Such displays of selflessness is a stranger to her, but she cherishes every second of it. "I love you, Nana."
She fails to see the way Farrah's heart swells at her words, her face contorting into one of deep adoration. "Oh, I love you too, Y/n—me and Phil both. So much. And we're so happy you wanted to come visit us."
After a short exchange of smiles, Nana departs and Y/n finishes gathering her meal, fetching a bottle of water from the fridge and heading into the dining room, noticing Pops already sitting at the table, silently awaiting his own share of food. She lowers herself into the chair opposite him, the steam from the hot meal floating up into her face and making her eager to taste it. 
“Hello, young lady,” he greets, and she meets his copper-brown eyes. “This house treatin' you okay?”
“Yes, sir,” she replies with a slight dip of her head.
“Is it cozy enough for ya? I know you’re used to all those fancy items and rich city life, so I’m sorry if it doesn’t meet your expectations.” Her eyes widen almost a comical amount and she stares at him as if he’d attempted to behead her. Taking a scoop of mashed potatoes with her spoon, she swiftly shakes her head before taking a bite.
“No, Pops, it does. The country’s amazing.” She brushes a strand of h/c hair behind her ear and swallows the flavorful vegetable. “City life isn’t that good. Honestly, I’d rather be here than in some hundred-thousand-dollar penthouse.” A large, satisfied smile takes residence on his wrinkled features and his eyes crinkle up before he laughs blissfully.
“You hear this, Farrah?” He regards the said woman as she enters the dining room, taking her rightful seat to the side of her spouse and passing his plate to him. “This girl hasn’t been tainted yet. We should keep her here, make sure she stays that way.”
A kind grin etches across her lips, though she dismisses him. “I don’t think her parents would approve of that, Phil.”
“No, they wouldn’t care,” Y/n murmurs in response, noticing the pitying looks being thrown her way, and she eats a forkful of casserole to fill the somewhat tense silence that’s fallen over the table. She keeps her eyes trained on the platter in front of her, suddenly finding it much more interesting.
“I’m sure that’s not true, sweetie.” Farrah’s voice is tender and reaffirming. Y/n only shrugs.
“They'd probably forget I was here at all, after a while. Too caught up in their own lives to really remember something like that.” Her tone drops within each word, embarrassment creeping up into her mind and flushing her cheeks a pale tone of b/c. Phil shakes his head disapprovingly while Farrah just watches her with sympathy.
“That’s shameful,” he starts, his voice flooded with disdain. “You're their daughter. How could they just forget about you?"
“I...I don't know. They just can, and have gotten pretty great at it, too.”
“When did all this start, sweetheart?” the old woman questions, sipping her drink.
“A few years ago, I guess...” It’s silent for several moments and Y/n wishes she wouldn’t have even interjected at all. Perhaps she just feels that she can tell them anything. Way to ruin the mood, genius.
“Hun, they’re not...abusing you, or anything, right?” The teenager can sense the reluctance in her words as if she’s afraid to hear the answer, and Y/n is quick to shoot her inquiry down.
“N-no, Nana, don’t worry. Nothing like that.” She releases an audible huff of air, relieved.
“Don't they spend time with you or anything?” Phil asks, leaning forward and facing her with agitation. She scours her brain for a coherent reply.
“Uh...no, not—not really.” She glances up briefly to meet his eyes, trying to shroud the hurt found in her own. “They hardly even talk to me. They don’t even talk to each other anymore. Dad’s always too busy and Mom is...” She swallows, probably a little too hard, and subconsciously taps her foot against the floor; a nervous habit she's taken to whenever her anxiety levels rise.
Her mind flashes with images of her mother sneaking out in the dead of the night. When asked about it, she'd snap at her, insist it was for 'business', and leave it at that. She remembers that one time she borrowed her phone to email her teacher, since hers had stopped working the previous day, and instead got notified of a message, received from a man with an unknown name. Initially, she believed it was a coworker or friend, but the contents of said 'message' involved raunchy flirting and, upon opening his contact, these advances were heavily reciprocated, and he wasn't the only one. It made her sick to her stomach. Sure, she was aware that Mom and Dad weren't exactly at a healthy place in their marriage, but she never thought one of them would actively cheat on the other. Those actions were guaranteed to ruin a family, yet her mother didn't seem to care in the least. 
Her foot makes a soft thump noise each time it collides with the floor, though her mind blocks it out as she tries to draw herself back into reality. “Uhh... Keeping secrets.” Phil and Farah share a glance.
“What kind of secrets, darlin’?” her grandfather asks, and her grip tightens on the fork in her hand. Does she really want to say this?
“I—I think, well, uhm... She’s cheating on Dad.” She doesn’t look up to see the startled expressions on their faces, afraid that they’ll judge her and her parents. “I mean, the way she's been acting, texting people all the time, sneaking out of the house, e-especially at night, and I’ve caught her before but she just got mad and said it was ‘business-related’.” She brushes a strand of hair out of her eyes. “Plus, Mom and Dad haven’t gone on a date in forever. And I don’t know, it’s just...worrying.”
“Sweetie,” Farah starts, and Y/n internally winces at the strict tone that her voice adopted, “that kind of behavior is unacceptable.” She shakes her head in agreement, taking another bite of her food though finding that her appetite is steadily decreasing. “We need to talk to them about this.”
“No,” she interjects, finally meeting Farrah’s eyes with frightened e/c ones. “They can’t know I told you all of this. They—they’ll hate me.”
“If this is true, something needs to be done,” Phil says, his bushy eyebrows furrowed in distaste. “You don’t need to be in a house with two people that are so unstable. We could call them and you could stay with us.” Although the thought of living in a house with her loving grandparents sounds fantastic, she refuses by shaking her head again and speaking in a tremulous voice.
“N-no, it’s alright. I can deal with it.” Although her parents don’t seem to care about her anymore, she would most definitely shatter whatever remnants of a relationship they still have between the three of them if they were to find out what she told Farrah and Phil, and she doesn’t want that. She doesn’t want her parents to despise her; that would be a horrid feeling. And she wants to avoid experiencing it.
The rest of the dinner goes by at a leisurely pace for the girl, with her grandparents attempting to talk about more lighthearted subjects to cheer her up, and it moderately works. They ask her about school, her friends, whether she’s in a relationship yet, to which she responds with valid answers: “It’s good”, “I don’t have friends”, and “No”. It makes itself more apparent to them with every reply she isn’t living a normal, decent life. But they figure it’d be best not to pry too much. After all, she’s here for a break, not to be harassed with questions and pity.
She stands with her plate and bottle of water in her hand after swallowing the final bite, pushes the chair back under the table with her foot, and walks past Farrah and toward the kitchen, feeling full and tired. Her gaze shifts to the window, perceiving the orange and pink mixture in the sky through the leaves of the trees, signifying that the sun is setting below the horizon and darkness will soon replace its blaze of light.
“Marshmallow is probably waiting outside if you wanna let him in for the night,” the woman hollers from the dining room as Y/n discards her dishes in the sink and rinses them off under warm water. Thinking about seeing the furry feline after such a long time causes her heart to skip in excitement, and she nods, knowing Farrah won’t bear witness to it.
“Okay, Nana.” She finishes washing the porcelain and silverware and props them in the plastic drainer resting on the counter-top before walking a little quicker than normal, unlocking the front door and nudging it open, being welcomed by a cooler evening gust of wind.
She glances around the small porch and can’t help but smile when she lays her eyes on the white and grey cat sitting on an old chair, swiping his paw over his face to clean himself. He peers up at her curiously, and she approaches at a gradual pace to avoid scaring him.
“Marshmallow? You remember me?” She sticks her hand out and lets him sniff her fingers before fondly rubbing his head. “It’s Y/n. I haven’t been back for a while.”
He stands and lets out a small meow, rubbing against her palm and enjoying the affection he’s receiving. She moves forward and wraps her arms around him, deeming it safe enough, and lifts him to bring him inside. He bumps his head against her neck and she can hear distinctive purring; a sound she hasn’t heard in years.
“Aww,” she coos, unable to stop herself from coddling the furry creature. “I missed you, too, little buddy.” She turns, walks back into the house, and shuts the door behind her, nearly colliding with Farrah as she goes into the kitchen, holding two plates and a glass with a few droplets of liquid remaining.
She takes notice of Y/n and grins at the sight. “Ah, see? We told you he’d remember you.” The girl scratches Marshmallow under his chin, eliciting another meow of content from his mouth. His tail swishes and bumps her on the arm, making her chuckle.
“Yeah. He’s just as soft as I remember, too. And cuddly.” As she says this, she hugs him closer to her chest, and Farrah smiles warmly as she places the plates in the sink. “Do you need help cleaning up?”
“No, thank you, hun.” She parts her lips to object, but Farrah shakes her head. “You just spend some time with the fur baby. Finish settling in.” Y/n feels Marshmallow struggle against her hold, so she crouches and loosens her grip, allowing him to jump down and sprint to some area on the first floor, presumably his food bowl.
“Are you sure? You know I don't mind.”
“I can’t believe you’re the spawn of my son,” she says, chuckling and wiping down the surface of a saucer. “It’ll be fine, sweetie. I’ve got it covered for now. You go and relax.” Y/n figures that as stubborn as she is, her grandmother is much more so and it won’t do her any good to argue about it. Emitting a sigh, she grabs her water bottle from where she laid it on the island in the center of the kitchen and hesitantly ambles toward the staircase.
“Okay...but, tell me if you need help?”
“Stop worrying. You’re the guest here.” Without another word, she heads up to her temporary bedroom, unaware that she’s being followed by a certain feline, and sets her bottle on the desk before grabbing her backpack to move it off her bed. As she twists around to walk to the desk, she stumbles over Marshmallow, who's rubbing against her leg, and just barely catches her balance before falling on the poor cat.
It takes a short moment to calm herself and get over the unexpected adrenaline rush that swamps her system, but once she does, she scoffs. “Trying to trip me already?” She reaches down and scratches his head, and he momentarily stands on his hind feet as a response. “Silly cat.”
Marshmallow finds a bed on the cozy-looking beanbag as she finds a place for her bag and goes to sleep rather swiftly, his body curled in around itself as his shoulders gently rise and fall with each breath he takes. She strokes his cheek tenderly with her index finger, admiring the ivory and light grey fur that graces his small frame. She can barely remember the last time she pet an animal of any kind because it was so long ago, and many grim things have happened since then.
Sitting on the bed, her eyes drift out the window, where the sun has almost completely vanished and a full, bright moon now replaces it, dozens of stars beginning to litter the sky, all surrounding the miraculous white orb. I never get a view like this from the city.
She can’t help her entrancement of the scenery and feels a trace of disappointment that she hasn’t seen more of it. All because of her selfish parents. She leans her head against the windowpane and surveys it, blended emotions making her feel conflicted. But she assures herself that it will be fine. She will be fine. Everything will work out in the end.
Yeah. There's nothing to worry about.
34 notes · View notes
tic-toc-clock77 · 8 months
Text
Xvirus and his plot relevance to "Dwellers"
Tumblr media
-X-Virus/Cody plays a role similar to an adoptive son to Toby and Clockwork
-Toby, similarly to Clockwork, was designated to find Cody by Slenderman but with Clocky by his side this time
-The 28 year olds found this 17 year old child on his own after killing his adoptive father which struck a chord with Toby nearly on sight
-Cody was usually afraid of other people like Jeff and Nina and intimidated by proxies like Tim, Brian and Kate which kept him practically glued to the two who found him
-The two who had moved into their own cabin a year prior offered him refuge there and he gladly accepted.
-He was a great help to the couple and always eager to aid them with anything, he was very attached to them both and loved going on missions.
-Toby and him shared a friendly dynamic and found similarities in each other that brought them closer while Cody's relationship with Natalie felt much more mother-son than two friends
-Clock took care of him how his mother never opted; cleaning dirt off him, telling him to wash his hands before he ate and so on which he didn't mind because it felt nice to have someone look after him
-Cody has slipped up in calling her "Mom" so much that she gradually pretended not to notice while hiding a bit of a smile
-Nat spends time with Cody so motherly because she genuinely loves kids, she's very protective of him too, so is Toby.
-These three and their found family dynamic<3
Extra:
-Nina and Zerro are Cody's cool gay aunts, Nina is overbearingly affectionate and Zero would collect bugs with the boy if he asked.
68 notes · View notes
sharp-silver4795 · 1 month
Text
Nationality HCs
Idk I just felt like it-
DISCLAIMER!!
If you have some sort of prejudice towards any country, race, nationality or anything, you can go ahead and get the fuck outta here.
Sorting!
I have it sorted kind of cuz I wanted to make sure I get everyone.
I still haven’t completely planned out who’s in the dungeon yet 🫠
In the Mansion:
Inner Mansion
Toby 🇨🇦
Kate, Rogue, Wilson, Tim, Brian 🇺🇸
Cat Hunter 🇲🇽
X-Virus 🇷🇺
Neon Spike 🇰🇷/ 🇯🇵
Circus Freaks
Jason and Doll maker 🇺🇸
Candy Pop and Cane 🇮🇪
L. Jack and Jill 🏴󠁧󠁢󠁥󠁮󠁧󠁿
The Rebellion
Jane, Nina, Clockwork, Jeff, Nathan 🇺🇸
Puppeteer 🇨🇦
Eyeless Jack 🇷🇺
Liu 🇨🇳
In the Dungeon:
Exterior
Zero 🇮🇪
Chess Master 🏴󠁧󠁢󠁥󠁮󠁧󠁿
Bloody Angel 🇺🇸
Interior
Bloody Painter 🇺🇸
Judge Angels 🏴󠁧󠁢󠁥󠁮󠁧󠁿
Scarecrow 🇮🇹
Unsure:
Ann and Smiley 🇺🇸
28 notes · View notes
darkavids · 2 years
Photo
Tumblr media
Zero X dive
34 notes · View notes
zer0wlet · 8 months
Text
Tumblr media
And back to ponies we go!
648 notes · View notes
Text
39 notes · View notes
creepywrites · 1 year
Text
Real names
Jeff the Killer- Jeffrey woods
Liu- Liu Woods
Ben- Ben Lawman
Sally Dawn- Sally Dawn (formerly Williams)
Sam Williams- Sam Williams
Milo the Electrocuted- Milo Moretti
Lulu- Lucille Greatfield
Clockwork- Natalie Rogers (formerly Quellette)
Zero- Zero
Jane the killer- Jane Vaughn Richardson (formerly Richardson)
Mary Vaughn- Mary Vaughn
Jane Everlasting- Jane Arkensaw
Vailly Evans- Vailly Evans
Nathan the nobody- Nathan Lux
Crystal the Hidden- Crystal Lux
Eyeless Jack- Jack Nyras
Kate the chaser- Kate Hayes
Rouge- Heather Marshall
Wilson the basher- Wilson Marshall (formerly Warren)
X-virus- Cody Rogers
Lazari- Lazari Swann
Stripes- Eloise Bellarose
Kaidy- Kaidy Zalgo
Senora Zalleen- Pandora Zalleen s.
Rasika- Rasika
Nina the killer- Nina Hopkins
Puppeteer- Puppeteer (formerly Johnathan Blake)
Zachary- Zachary Gibson
Emra- Emra Aldrige
Bloody painter- Helen Otis
Suicide Sadie- Sadie nanook (formerly Bennett)
Roadwalker- Zayner Nanook
Judge angel- Dina Angela-Otis (formerly Clark)
Nurse Ann- Ann Mia
Randy- Randy Harrison
Sully- Sully Harrison
Keith- Keith Davis
Troy- Troy Green
Dollmaker- Vaughn Volikov
Svetlana- Svetlana Volikov
Vicky genocidal- Victoria Ross
Hannah the killer- Hannah Jackson
Lily Kennett-Lily Kennett
Hung iris- Iris Illman
Lifeless Lucy- Lucy Jones
Asylum Nancy- Nancy Adams
Chris the Revenant- Chris Myers
Monday Child- Christabel Smith
Laughing Jill- Laughing Jill
Laughing Jack- Laughing Jack
Toby- Tobias Rogers
Lurking Lyra- Lyra Rogers
Killing Kate- Katherine  Knight
Lost Silver- Lost Silver (formerly Hibiki)
Cata the Killer- Cata Blackwood
Rotten Abigail- Abigail Walker
The Hare- Lin Wang
The Doll- Andrea Stevens
Raven- Manon Plume
Anna Schurks- Anna Schurk
Weeping forest- Jenifer Rhynes
Nightmare Ally- Adeline Abendroth
Red Death- Sifreid Gadriel
Gas mask maid- Marion Gadriel
Tim- Timothy Wright
Jessica- Jessica Locke
Taylor- Taylor Locke
Ellie- Ellie Aimoto
Labrador- Dean Lupei
Moth boy- Benjamin Miller
Starved angel- Lyet (formerly Matthew Lyet Campbell)
Sketcher- Sakura Aki
Sarah Erickson- Sarah Erickson
Hannya- Momoko Yamashita
Rosie- Dorothy Wilder
Hunter the proxy- Ethan Wilder
Doctor Irina- Irina Kennett
Deborah- Deborah Robison
Lucy the cannibal- Lucille Johnson
Andie Rosslyn- Andie Rosslyn
98 notes · View notes
koolaidoverliving · 3 months
Note
GENERAL HCS FOR EVERYONE, GO!
OOOOOO FUNNNN
these are gonna be all over the place LMFAO just a bunch of random stuff they do in my AU nothing specific
GENERAL HEADCANONS
Characters: Jeff, Ben, Sally, Toby, Clockwork, Kate, Nurse Ann, Eyeless Jack, Lulu, Lazari, Liu, Jane, Nina, The Puppeteer, Bloody Painter, Judge Angels, Lucy, Suicide Sadie, Jason, Nathan, Candy Pop, Laughing Jack, Zero, Kagekao, X-Virus
Lazari has terrible pronunciation and grammar. Ben makes fun of her for it while Lulu teaches her better English.
Sally invites the proxies to attend her weekly tea parties. Except for Zero and Kagekao. They're banned.
Nina has a dislike for Clockwork due to her being Jeff's best-friend. She's rather petty towards her — like an annoying high school girl — which Clockwork rolls an eye at.
Over time, Clockwork and Toby help Nina realise how bad Jeff is for her. But right now in the AU, Nina is head over heels for a man who doesn't love her back.
Jeff takes good care of his appearance. He deeply hates how he looks since the incident, so he's always trying new things to make himself look better. For that reason he steals a lot of skincare, accessories and makeup.
Nurse Ann's hair was turned red due to Zalgo's influence. It's nothing significant, just an effect of her reanimation. Her original hair colour is brown.
Liu was somewhat of a delinquent when he was a teenager. He taught his little brother how to jump fences and steal from people at church.
Liu and Jeff have matching rosary necklaces. Jeff can't get himself to wear it anymore. Too much guilt.
Eyeless Jack likes gardening. He has flower pots lined on the window sill and a mini produce garden in front of his cabin. His favourite flower is the snapdragon.
He uses grown herbs to make herbal remedies and perfumes for Lulu.
Toby and Kate steal from Jack's garden. Kate does it unknowingly because Toby lies and tells her they're gifts from Jack.
Kate sometimes collapses in the woods after her Chaser form. When it gets too late and she isn't home, a few proxies go out to look for her.
The Bloody Painter and The Puppeteer are best friends, although Pup tends to be possessive of him.
The Puppeteer is superficially nice. The kind of nice that makes you wonder if there's something worse underneath the surface.
Zero's last name is The Hero. "Cower before me, humans! It is I: Zero The Hero!"
She is also colourblind (can only see in monochrome) and can't tell the difference between Toby and Cody.
Zero loves politics because of the tension it arises. She tried to run for "president of the mansion". Ben ran against her and he won.
Laughing Jack rarely leaves his box.
Once a month, Toby and Cody "switch places" — changing clothes and pretending to be each other. Cody hates this; Toby finds it funny.
Cody mindlessly lies about little things. It's like filler conversation. He isn't paying attention and just says stuff. "What'd you do this weekend?" "Built a snowman," Cody says, even though it's summer.
Lucy hates The Puppeteer because he's always stealing "dad" (Helen) away from "mom" (Dina). It's one-sided beef.
Dina is a bookworm. She's the type to sit under the shade on a plaid picnic blanket and read a novel while eating freshly picked strawberries.
Sadie is also a bookworm. Except she reads Colleen Hoover books and recommends it to Dina. Dina smiles and nods, knowing she'll never read that.
Jane listens to true-crime podcasts — or rather interviews with past victims. She finds it easier to cope with her trauma knowing she's not in it alone.
Candy Pop has a skill for writing. He had spent a lot of time in libraries, utterly fascinated by human works. Candy Pop writes poetry, novels and plays of his own.
He's pretty childish, too. He likes making friendship bracelets, drawing with chalk, crafting (ugly) dolls, etc.
The kids join in when Candy Pop is absentmindedly drawing on the streets. Lucy finds Candy Pop to be rather embarrassing and talks shit about him to Crystal. "He's playing with crayons and chalk at his big age!" "...No comment."
Nathan is a self-taught tattoo artist. All his piercings and tattoos are done by himself.
Jason and Nathan take care of stray cats that roam around. There isn't a vet at the town, so they try their best to keep both the cats and themselves safe. Candy Pop isn't allowed near these cats because he tries to juggle them.
Jason has a sweet tooth — particularly for biscuits and tea. The amount of sugar he consumes contrasts his bitter personality.
wow... long post. these are just a bunch of random facts!
send an ask if you have any questions!!! :D
64 notes · View notes