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myristicisms · 1 year ago

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@knightfeared | Squall Leonhart says;;

❛ you are so brave, and i'm incredibly proud of you. ❜

Day in and day out it was always the same; Wake up, check emails for any missions or news from the director, get ready for the day, and depending on his schedule, either train or get paraded around by ShinRa to some degree before moving on to the rest of his day which often included having to provide some sort of morale boost for the troopers and lower ranks, doing paperwork, or on the rare occasion such as now, spend what little time he can with Squall before they're dragged off to work once more. It's typically unrewarding and yet with fingers carding through his hair so tenderly, lovingly even, Zack can't help but to appreciate the shared moment. He's burning out, much like a light that's shone for far too long or a fire fly swiftly approaching its final hours before their glow dims out into nothing, ever since his promotion he's come to note just how differently everyone treated him.

Everyone but Squall, to some degree. Oftentimes Zack cannot help but to reminisce on the times where the Turk would go out of his way to avoid anything to do with the First, it was amusing yet irritating to some degree back then simply because the Turk didn't know Zack well enough to have a valid reason to dislike him outside of gossip and rumors; Then again though, gossip had spread far too quickly the moment Zack's promotion had been finalized and suddenly those who looked upon the raven haired man with disdain suddenly thought the world of him, the general public who typically ignored his presence suddenly knew everything about the once bright eyed teenager and even fought for his attention. He'd heard Sephiroth put a name to it a few times, parasocial relationships was what the hero of ShinRa had said. ( People make an ideal you in their head, they don't know who the true you is so they use their imaginations and make assumptions. )

He hated it. Hated the fame that came with being a poster boy, hated the lingering eyes and the way people would speak about him so absolutely as if they knew everything about Zack and not just First Class Operative Zack Fair, his closest friends never did that and it was appreciated but even still, the lingering fear of those he cherished most having expectations of him that he'd never meet remained ever present and yet those damned fingers massaging his scalp, those wolf blues looking straight into his own Mako tainted eyes far too knowingly, as if seeing right into Zack's eternally full mind, and the voice that follows suit... Of all the people Zack's met, just hearing the words “ You are so brave, and I'm incredibly proud of you. ” finally break the dam that had been so carefully patched up in the privacy of his own home, hidden away within his pillows in the late hours of each night.

Teeth almost burrow into his bottom lip, an attempt to hide the choked sob that finally rips its way through his body, wet and painful in a sense as Zack fully digests the kindness offered to him. He hasn't heard anyone express pride in him since Angeal was alive, to feel as though he's enough had been something evasive since Modeoheim and yet Squall managed to break the joyful façade Zack had been so damned insistent on maintaining. All the hurt, all the grief and anxiety, it was all still there but it was slowly seeping out into something closer to being healed, something far more tolerable and less heavy as the swordsman clings desperately to the brunette. “ Thank you. ” He whimpers out, “ I try to be brave, gotta make sure I make it back to you in one piece. ”

To lose a loved one was expected in their line of work but that didn't mean Zack would rush to his death, especially not with someone to return to, someone who he knows loves him for who he is, not what he can do nor his rank or whatever foolish illusion of the SOLDIER that the media had painted; Squall didn't love Zack for the idea of who he was or what he could be, Squall accepted him for who he was; Flaws and boons all the same no matter how hideous the truth of who Zack Fair was as a person rather than a warrior, and in turn, the First openly embraced everything to do with the Turk. Moments such as this were a rarity, ones where he'd allow himself to rip open his ribs and rip his heart from his chest despite being utterly terrified to bear his feelings to anyone, but if anybody understood; It would be Squall Leonhart.

“ You make me feel normal, y'know that? ” Zack manages to babble out, tawny fingers wiping away the tears dripping down marred flesh. “ You make me feel like I'm not just some weapon for ShinRa, like I'm a person and not just a pretty face or cool story to sucker more kids into ShinRa with the hopes of being a hero, you just... You help me remember I'm human, not some character to idolize or fall in love with the idea of. I love that you challenge me, and that you're not afraid to call me out when you think I'm acting stupid and I just... I love you, and you don't have to say that back to me right now but I wanted to get that out. ”

#muse;; zack fair #knightfeared | squall leonhart #“ so take a chance on me ! ” squall/zack #• answered ic!#he got super in his emotions and thoughts #so sorry it's a wall of text kind of

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thattimdrakeguy · 1 year ago

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Every time i see someone try to defend James Gunn, they just repeat what he said while acting like it's genius. And it reminds me of apes eating their own shit.

like thanks, luv, really fucking putting in the man power to add to the conversation

couldn't give less of a shit people might like it, 'cause have you seen the dc fandom? they'll eat anything as long as it vaguely looks like something they may or may not like, or at least something in the peripheral of what they like

and it isn't a crime to like stuff, but it also isn't a crime to not like stuff either, honey bunch

but fucking hell. over a thousand likes on tweets that are saying absolutely nothing of merit. and i am so confused

No shit he's only going to be saying shit people want to hear.

And I'm some Snyder Cult bastard, I don't think I liked any Snyder DC movie all the way. Most of them were severely lacking.

but so many of james gunn's decisions are still wack as fuck

like how many of zack snyder's decisions are wack as fuck

James Gunn's skipping how many robins? and i know, he says he'll have all of them, but fucking hell that's so ridiculous if this universe is supposed to last awhile. all those stories that you can take inspiration from, critically adored stories that have immense cinematic potential

and james gunn's bright idea IS TO MAKE A BASTARDIZED ADAPTATION OF A STORY THAT ONLY WORKED BECAUSE OF VERY VERY SPECIFIC SITUATIONS THAT HE IS PURPOSELY NOT GONNA HAVE

that is one of the stupidest things i've ever heard in my life. the fact i haven't seen more people say that sounds ridiculous is baffling me. because while i can sometimes get why people wouldn't sometimes with many other things i say, i cannot with this. it's like he's TRYING to make a shitty batman movie. or at least an insanely disappointing one that let go of the gold he had literally right in front of him

i'm not asking for a word by word, panel by panel recreation of a story. JUST USE THE OBVIOUSLY PREVIOUSLY EXISTING FANTASTIC WORK INSTEAD OF COMPLETELY MISUNDERSTANDING WHY AN okay at best STORY WORKED

and he's going to have all these random movies, but not include characters that would be important to the greater DC world?

and he got the guy that directed a flash parody and pretended it was a serious movie to do this batman movie? when he made batman look like the Dude from Big Lewbowski and talk in a way that didn't even resemble Batman? and made all of his problems seem like a joke?

also while they're making sequels the critically acclaimed Batman movie, that people are more likely to look more forward to, because even though i didn't care for the movie, it at least looks like some cinematic effort was put into it enough to be an enjoyable watch that doesn't make you question your life choices because of how stupid it is. it's a lacking movie to me, but at least i feel like the people involved tried in a way that didn't feel like a child writing a fan fiction

'cept maybe a teenager, with kurt cobain inspired batman

i don't have to take a side to decide shit is wack as fuck

many thinks, are incredibly wack

i am a human being with a brain, i can look at things and figure out that shit looks like it's going to be total garbage, and will at best only be a good movie if you know jack shit or have no standards

just watch and talk about shit like human beings. i don't care if you like it or not, because you know what saying falsified bullshit about a guy you don't know or like, looks like? like you're a fucking maniac

like it

don't like it

but why is it so hard to people act like people? i keep avoiding anything DC related on my recommended trends on twitter, then i have a moment where i hope for the best, and every time, it's just garbage everywhere

it's not difficult to consume things in a world layered with shades of gray.

this black and white bullshit is fucking infuriating and makes it real hard to enjoy anything, when you have an echo chamber of dumbasses clamping down on it on the internet

i'm not even asking people to act like well-mannered gentlemen. that would be boring, and i feel people should be free to express their emotions as long as they aren't hurting anyone

i'm just asking them to think a little harder before they say the dumbest shit imaginable

james gunn is the guy who made one of the main points of guardians 3, that heroes don't kill people. while every appearance of the characters is them killing people, because they deserve to be killed.

like i'm not making a plea about the importance of the death penalty

but giving an obviously highly dangerous person, who has the potential to dismantle the fucking universe at least a smackrel of a chance to get out, is fucking stupid

it's stupid

superman letting lex luthor live, because he's just a man, and hasn't done anything to that extreme, may make that make sense

having batman not kill because he's worried he won't stop killing himself gives us an interest character perspective

giving the villain who still has a chance to be better, a chance to get better, allows that moral to be a thing

but letting the heroic murderers let the guy that killed conceivably BILLIONS AND BILLIONS, UPON BILLIONS OF PEOPLE DIE BECAUSE HE WAS JUST A TICKLE UNPLEASED

STUPID

i'm not trusting that mother fucker to make a whole universe work. when his movies before have only worked, exclusively because they were allowed to be their own things in the corner of a universe, where they hardly have any meaning to the rest of the world, besides a relation to the big stories big bad

he is a good film maker. i like most of his movies

but fucking hell. it's not insanity to insist the guy who has shown he makes bad decisions so far, may be making bad decisions. even if in the end the decisions may not be AWFUL

it doesn't mean he's doing a good job in the slightest

i'll give the fact he isn't bringing back the whole justice league a break, because we just had a justice league and maybe time will be good

but his other decisions make him look like a moron to me

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monochromaticbutter · 2 years ago

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do you think ptj will do jaeyeol/jay’s character any justice? 🥲 i’ve read so many comments on reddit saying that ptj will just throw jay away because he’s served his purpose (attracting a large enough fanbase through queer-baiting) because jay’s potential to be a great character is just going down the drain (he’s the son of steve hong, he should he able to step in and help right? also big daniel is kidnapped and jay used to have such a strong “daniel is in trouble i gotta go help him” sensor so where tf is he?)

okay, but excluding all that, i think jay should be developed further as a character because he has so much potential that’s being wasted so far. i really hope ptj hasn’t forgotten about him and pulls an eli jang arc for jay because he’s super interesting to me, like i wanna know why he doesn’t talk, why he isn’t acknowledged by his family (?), where tf is he when all this is going down, what does he do in his free time, what are his likes (besides daniel lol)??? i just want to know more about him as a person IS THAT TOO MUCH TO ASK PTJ???

ahem, sorry for the rant, i just caught up to the latest chapter and i am FUMING because the last time we saw jay was in chapter 300+ and he wasn’t even that prominent in the chapter? i just miss when all we had to care about was daniel having to hide his 2 bodies from people, crystal being a snoop, jay and joy fighting over the same man, zack and mira’s relationship, zoe’s inner conflict not knowing she likes the very same person, etc. like what’s with all these new characters i do not give a single shit about? i loved the hostel chapters though but once they got to the worker’s arc, man…. pls just bring the original cast back.. this story is getting too much man..

so what do you think? 🥲😅😔

Thanks for the ask! This is the first one I receive so I got a bit excited <3 Apologies for the big reply!

About Jay's character potential, yes. That boy has so much potential. So many things have been implied with those little scenes he appears in, like when his dad said explicitly he doesn't want to talk to him anymore, or how lonely he's portrayed as. PTJ isn't new to inserting social issues into Lookism (bullying, poverty, exploration of workers, sexual assault, etc), so I have a strong belief that his story has a theme of homophobia, somehow, somewhere.

I'd be perfectly fine if his feelings for Daniel/Hyungseok were completely unrequited and he was just a character that happens to be gay and have a crush on him, while still having a proper development. Many people think it's either being gay or being well developed, as if gay crushes can't be simple and trivial like straight crushes. PTJ has all the pieces needed to do that (if he doesn't want to bother making them canon), the stage is flawlessly set; I'd say the reader is even led to believe something about Jay's past will appear Soon™️ after his dad shows up.

Nothing happens, though. Jay is gone for more than a hundred chapters, except the one time he appears in one panel soon before Jiho's last arc. So being honest, as much as I like to be positive, I have the same fear as these redditors.

I fear even worse, in actuality. There's a chance that, if he wants to bring Jay back and keep queerbaiting, he can simply make a big reveal at the end of him being Daniel/Hyungseok's lost brother or something. This thought is so absurdly cursed that it only occured to me after 5 years of reading Lookism. I cannot even begin to explain the immense amount of disgust I'd feel if that happened.

But at the same time, PTJ is one of those types of authors whose intentions I just can't understand. See, from the beginning of everything to about the end of Olly's arc, it does seem that he has a strong grasp on character arcs and can balance comic relief situations well with serious development. Most of the original cast proved to be much more than their looks or became less appearance-focused (which I thought was the point of the webtoon until recently... but that's a rant for another post)...

After that, everything kinda started to go downhill. I pretty much entirely agree with your point about Worker's arc. For a while, I tolerated the massive amount of new characters and said to myself, "It's just to expand on the story's universe, soon things will go back to normal". But they didn't. 100+ chapters later, I can only remember two occurances that took me out of complete boredom while reading: Jace/Bumjae being defeated and forcefully tattoed by that guy (1) and Daniel/Hyungseok being caught and tortured in a way that cut the connections between his two bodies (2).

And those two occurances are what keeps me going and having hope. Somewhere among the clown fiesta of new characters and 1v1 spam, it seems that PTJ still knows how to write character development.

I wouldn't say I'm putting all my faith in him, it's more like, I know I can't do anything about it, he's pretty much unreachable for me (other than me being a nobody in comparison, I don't use the same social media as him), so I'll do the same thing I did last year: when it begins to be too much, I stop reading weekly and let the chapters pile up. You could say I'm just hoping for the best and you'd be right, that's my main way of coping with possible queerbaiting in fiction LOL

In addition, the anime has been a light at the end of the tunnel. Jay has significantly more screentime than in the beginning of the manhwa, if I remember correctly. This might sound like a loose guess, but... If PTJ planned on scrapping Jay's role completely, he would know how upset that'd make the fans; wouldn't it be easier on him to ask the show's writers to not give as much fanservice in the anime, to prevent further headaches...?

I don't know, maybe he wasn't even allowed to request changes and left everything in the hands of the writers. Sometimes, it frustrates me to have so little knowledge about the behind the scenes of Lookism...

Overall, I'll keep writing based on my interpretation of him and the original cast, at least until some major lore bombs drop and my perception of them changes. For me, despite being well off, Jay still feels lonely and shy, both from introversion and fearing homophobia; and despite being a Cool Lone Wolf in the perspective of others, he's a complete goofball who (canonically) fears insects and dogs.

Side note: I feel less alone knowing I'm not the only one who's unsatisfied with the way the original cast is being treated + the direction the webtoon is taking. Hoping for a better future...

#anon ask #reply #lookism #hong jaeyeol #jay praying circle #no queerbaiting praying circle

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someoneoffthestreet · 11 months ago

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this new song has me scratching my head because at first glance the lyrics kind of play out like your typical love song, but I keep getting stuck on the title: "No Promises to Keep"

looking at the lyrics, I'm trying to find the narrative: that the singer is talking about this person, and how it was neither fate nor destiny that brought them together, just random chance. so now that they are parting again, the singer hopes that chance will smile on them again and reunite them. there are no promises, no "I will find you"s or other intents to search for or wait for each other, just a hope that one day luck will bring them back together for good.

(which, in Cloud's own words: "Survival is a matter of luck or skill. And you can't rely on luck.")

laying all that out, the singer insists that they don't need promises, but I feel like the lyrics almost tell on themselves, especially paired with the video that was used for the trailer. the singer hopes that a reunion is in the cards, but hope itself is a sort of promise, betraying the casual attitude to their relationship. and especially I feel the video itself contradicts the "no promises" angle, because it feels like a theme going forward is all about how being a person, being a living creature in this world, is about the promises we make to ourselves and each other, such as Bugenhagen's promise to Seto, or Barret's promise to Dyne. (this is in contrast to Shinra, which makes and breaks promises on a whim.)

the singer (Aerith) says they don't want or need promises, they'll be fine if luck doesn't go their way again. and like, I can see a romantic angle to this, I do, but in the greater scope of Aerith's story, there's something almost fatalistic to this. it feels to me like the song is saying that Aerith is used to broken promises and has learned not to rely on them, because all they bring is disappointment. this also lends a melancholic read to her Resolve scene in Remake, where Cloud says he's coming for her and she just smiles sadly and says "thank you". if we read that this Aerith has some idea of what's in store for her, then there's the idea that she knows that she cannot be saved, and that Cloud is going to carry the guilt of not fulfilling a promise that was impossible to keep. so this is a way for her to say that he's off the hook, he's holding himself to a standard she never held him to, that he doesn't need forgiveness from her because she was never holding him to the promise he made. he was never going to save her, so it was enough that he was there at all. (all AC stuff btw.)

ONE FINAL THOUGHT (and this one is a reach):

because the phrase "promises to keep" makes me think of the closing lines to Robert Frost's "Stopping by Woods on a Snowy Evening":

The woods are lovely, dark and deep, But I have promises to keep And miles to go before I sleep, And miles to go before I sleep.

because maybe Aerith believes that there are no promises between her and Cloud keeping them together- but Cloud has promises of his own. the obvious one is Tifa, of course, but there's Zack, too. Cloud has to keep these promises he has made, and has to keep going, miles and miles, to where the promises lead him back home. but Aerith, who has "no promises to keep", will be parting ways with him and lingering in the woods.

#if this makes sense at allllll #in which I ramble #this is suddenly a video game blog #FFVII #ffvii spoilers #please don't start nonsense in the notes #this is just me thinking out loud #if you don't like what I have to say you can just move on

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k-dokja · 2 years ago

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Vasco!!! what will happen when him and reader finally get together?

Y'all... This is the final Lookism request I will take and I feel like this has come full circle since the first ever Lookism piece I've written is Vasco trying to ask the reader out on last year's August.

Anyway, thanks everyone for the support in the past year \o/ It has been fun!

You want to say Vasco looks younger when he's peaceful and relaxed, but that'd be... lying. To everyone. It's a blatant untruth, too. One doesn't even need to look for too long to see that there is no way possible for Vasco to be a high school student. It's even worse when you look at Burn Knuckles as a whole.

Suddenly, you feel the urge to slap someone around for this situation you are in.

"Vasco..." You call for him with your fingers running through the strands of his hair. It's now cut and styled with an uneven bang. Faintly, this reminds you of Zack Lee from the fashion department in a year lower. "Have you shaved recently?"

He hums, relaxed by your touch alone. It's not often that he gets to lie down on your lap between his training and... whatever it is that his crew gets up to. However, when this does happen, you find that he's nowhere near the intimidating man he poses to be for his crew. It's a bit disorienting. Just a bit.

Nobody can blame you for getting a bit nostalgic about the shy and naive Vasco of... a year ago. Seriously, you cannot figure out what in the world turns him into the current him. None of the Burn Knuckles would be this bad of an influence on him. If anything, you don't think they can even influence him badly at all.

"Uh, yeah," he says, "this morning."

You frown at the scuffle of beard on his cheeks. Maybe he didn't shave them all. The shape looks pretty neat and trimmed. Not that you know much about how beard works, of everything.

"I see..." You do not. "I noticed Burn Knuckles have gotten a wardrobe change lately." You glance at Jace with his ear pierced and hair tied up. When he notices your attention, he sends you a friendly smile, one that you mirror even if it is only on reflex.

You have no problem with him, personally. But his new tattoo and attitude have also been a choice. If anything, you have to wonder if he's the originator of this leather wardrobe the entire crew is in.

"Do you disapprove?" Vasco cracks an eye open, a bit apprehensive. However, you redirect your smile from Jace to him. To reassure him, if anything.

"No, it's..." Well, it is not like you oppose the choice. "New, that's all."

Vasco relaxes at that. Even with his eyes fluttering shut once more, he has yet to grow comfortable like before. "A lot happened recently," he explains, "I'm sorry for not keeping you up-to-date."

"It's fine, it's fine," you say empty words, "long as you boys are having fun and staying safe, I don't think there's any problem."

Vasco stays quiet, but you can see the sweat rolling down his forehead.

"...You are staying safe, yes?"

"Well..."

The remainder of his answer is snuffed into a whisper and overwhelmed by the laughter of other Burn Knuckles chatting. You frown, leaning down closer. "What?"

"It is like this..."

He starts again, but once more, his answer grows quieter with every word. Even without interference from other members, his reply fails to transmit to you with that low volume of his. You sigh, a bit annoyed with this antic of his. It is, how should you say this, irritable.

"This brat," you grumble, pinching his arm, "speak louder."

It is a futile action which proves to be nothing but a warning. With his bicep being this rock-hard, you doubt he experiences any pain physically. However, your displeasure always deals out psyche damage to him, and that is enough for you.

"Ah, noona...." He sputters. The sheepish expression on his face might've worked on a face far younger, but it fails miserably on his mature features. "You didn't have to pinch me."

"Speak louder then," you say, "where is your usual might?"

"Ah, well, you know," he tucks at his collar, "I don't like to get you involved with crew business, it's dangerous enough for Burn Knuckles. If others know you're with me, it might be dangerous for you, too."

"And I respect that decision," you cup his face in your hand and squeeze, "that doesn't mean you have to keep everything from me, how will I know what to avoid if I don't even know what's going on?"

"Pluh 'pare me, ma'uhm," he splutters, "Ah didn't mehm to ahpset yew."

You glare down and tighten your grip, "Are you really apologetic or do you think you're such a strong man now that you don't have to listen to your girlfriend anymore?"

"Ah cause not," Vasco endures his punishment valiantly but continues to speak in muffled words, "watevah yew shay, go."

Finally, you release him and Vasco breathes out a sigh of relief. "Besides, you know I can help you if anything arises, right? I don't think Jace alone is enough to make up for your absent brain cells..."

Distracted by rubbing his squeezed cheeks, he asks, "What?"

"Nothing," you say. "Anyway, you guys are big boys, now, I don't care if you get into fights long as you win it. But if you stopped winning, then I'll start having a problem."

"I'll do my best to not cause a problem for you," Vasco says resolutely, then with a sheepier tone, he adds, "can I get a kiss on my boo-boo?"

You sigh, a bit overdramatic. However, before granting him his wish, you pull at his cheek once more. Really... he doesn't have fat there, too. You can scarcely believe he's meant to be younger than you. Maybe it's you who are doing it wrong...

"Seriously," you drop a kiss on his lips, which is decidedly not where he asked, "you're lucky I love you."

"Aw," he grins goofily, not even noticing you didn't grant him his request, "I love you, too."

"Awwwwwwwwww."

Just then, you turn to see the rest of Burn Knuckles watching your little interaction. All of them make various expressions of fondness, but that does nothing for the strangeness of the situation.

"Stop watching, damnit!"

#vasco lee #vasco lee x reader #lookism #lookism x reader #fics

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iamfitzwilliamdarcy · 2 years ago

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"love how Zack Snyder took the Dark Knight and actually made him a properly ordered knight" explain??? pls

oh yes!! it's something i've been thinking about for a while and have talked about with @catie-does-things at least twice (bc who else do i talk to about this stuff)-

it's a bit two-fold inspired by both Bruce's role and title in the Snyderverse and then by Zack's own postings of Excalibur quotes

in ZSJL, bruce's motivations are all for Clark-- there is no us without him, i made him a promise-- he is devoted to Clark and at Clark's service. he is also submitting himself to a higher ideal- that he is not alone and that he alone is not enough. he is now working entirely in service of Clark, the figurative king.

(and why I have to talk to catie about these things is bc she pointed out that in BvS, Bruce is a rogue knight but chivalry cannot be individualistic)

so his arc in BvS to zsjl is rediscovering who Batman is supposed to be, his mission for justice, and becoming better thanks to Clark

The other piece is of course Zack's pictures with the Excalibur quotes, which I'll type out here (and bold the ones that were on bruce/batman pics):

what is the secret of the grail? who does it serve (Batman) You, my lord Who am I? You are my lord and king. You are Arthur Have you found the secret that I have lost? (Bruce and i'm just looking again and seeing that it is his FOR ONCE ALFRED I'M OPERATING ON FAITH NOT REASON scene and i'm crying) Yes. You and the land are one

we see the placing of Clark as King and Bruce his Dark Knight. Zack has always placed Clark in this role, his death in BvS is a visual homage to Arthur's death in Exaclibur.

(Catie also pointed out the king and the land are one is why when Superman succumbs to anti-life in the Knightmare verse, the land is gross and brown and desert and barren which I want to say bc I think that's neat)

(i ALSO think this is EXTRA interesting in context of Zack's original plan with the Bruce/Lois affair. Who, after all, had a fair with Arthur's wife but his Knight, Lancelot?)

#zack snyder #i just think he's neat #batman #bvs #zsjl #bruce wayne #the dark knight #LITERALLY #clark kent #batman v superman #long post #kind of not sorry #it's a summation i'm sure I could do a better think piece lol #batman v superman: dawn of justice #bvs:doj

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dutchdread · 3 years ago

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Hi again, I'm the same anon from your last ask. So my next question then is why would you consider it to be a bad story if Cloud ends up with Aerith in the end? You also say Cloud and Tifa supposedly have something going on, but even if they did, Aerith doesn't know that. Neither Cloud nor Tifa tell anyone, or even show that there's anything going on between them throughout the whole story. Did you see that in Remake that Aerith even asks Cloud if Tifa is someone special and he says no?

Thanks for the question. Your question is comprised of two parts, why Cloud ending up with Aerith would be a bad story, and then the secondary part about Aerith not knowing about the history between Tifa and Cloud. I think understanding the later will be helpful to understand the former so I'll start with that. This goes back to what I said in my last reply concerning the difference between thinking someone is a bad person, and thinking they're a bad character. First off, let me just make clear that I don't judge Aerith too much concerning her behavior in the OG, since as you rightly state, she didn't really know that there was anything going on between Tifa and Cloud, she probably knew there was some attraction there, but nothing about the extent or the history. And if in the remake it turns out she's actually blissfully ignorant I'll be more lenient there as well. However, in my opinion the remake heavily implies she does realize there is a thing between Tifa and Cloud. You mentioned Aerith asking if Tifa was Clouds girlfriend, and him replying "no". However, as always, there is context here, for starters, the scene doesn't end there and then. Aerith replies knowingly "but she's someone special". Moreover the scene is also only one scene in a series of relevant scenes concerning Clouds relationship with Tifa, which starts with Jessie asking about who Tifa is too Cloud, this plotpoint then continues through Aeriths flower. When Aerith gives Cloud the flower she mentions that his girlfriend will love it, then later when Aerith asks him who he gave the flower to Cloud says he doesn't remember, and Aerith calls him out on the lie. The question is then answered when Aerith goes to the 7th heaven and discovers Cloud gave it to Tifa, prompting a smile from Aerith. She figured it out, actually, she probably figured it much earlier, but now it was confirmed. She had a hunch about Tifa, just like Jessie, Cloud was defensive at first, then evasive, but ultimately, Aeriths hunch was correct, Cloud gave the flower to Tifa. He can pretend all he wants, Aerith knows. Personally, I think she smiled because it reminds her of the future. Throughout remake Aerith is hinted to know more than she lets on, and that's especially true concerning Tifa and Cloud. When Tifa is kidnapped she pushes Cloud to go after Tifa, calling Tifa Clouds special person. If I recall correctly she even uses the same terminology that she used to describe Elmyras husband. She actively tries to make Tifa jealous by calling Cloud her bodyguard, and then she straight up tells Tifa to follow her heart. She gives me the distinct impression that she knows perfectly well where Cloud and Tifas hearts lie, and is trying to push them into action. This is borderline confirmed during the Aerith resolution where she basically straight up admits to knowing more about Clouds feelings than she actually should, assuming you think that this apparition is at least somewhat related to the current Aerith in some manner. The thing that really clenches this in my opinion is a trace of two pasts, where Tifa straight up tells Aerith about her and Clouds history. If Aerith doesn't get it by then, then she's being willfully ignorant. But lets say she does indeed not know, that would to some degree absolve her as a person. But it would still make her a bad character, because WE, the audience, know. We know that Cloud is supposed to end up with Tifa, we know that's how the story goes. And when you rewrite old stories in such a way that you take things away from one character, just to give more to another character, you run the giant risk of insulting the characters involved. You see this in things like the star wars sequels, where they effectively character assassinated Luke Skywalker in order to artificially make Rey seem better. But there are two reasons why this doesn't work, for one, it tends to create Mary-Sue like characters who just get given everything, and two, it inherently causes the fans of the other characters and stories to resent the character that's taking it away.

People don't like people who are simply handed everything, even fictional ones.

In a sense, this is also why Cleriths so often seem to hate Tifa, because they feel like Tifa took their story away from them. The difference, of course, is that Cloud ending with Tifa is a part of the original game itself, while Aerith coming back to life and ending up with Cloud would be a 25 year retcon which would blatantly disadvantage one character in favor of another, this in turn would reek of favoritism, which in turn would generate bad blood in the player. A character who needs to take away from other characters in order to be put forward is not a good character. Good characters add to the characters around them, not take away, that's what Aerith in the OG does, that's what Aerith ending up with Cloud, would not do. This effect would then be magnified by Aeriths already over importance to the plot. Having the universe revolve around one character generally isn't good writing. One of the things that makes Lord of the rings so timeless and beloved is that Frodo is just a small hobbit in the grand scheme of things. Likewise, one of the key elements that makes FFVII so appealing to human nature is Clouds humanity and lack of importance. The fact that Cloud turns out to not be a soldier 1st class, but just a grunt who wasn't good enough, who still ends up being the one who saves the world, speak to the human spirit. Aerith living and ending up with Cloud wouldn't be just a small difference where the overall story would stay the same with only the love interest switched, no, it would inherently ripple effect into all other aspects of the story. From the smallest details to the overall themes of the story, from directing to the personalities of characters, everything would be effected and all of it would fall apart. I could go over a hundred examples but I'll limit myself to some of the smallest and largest. Stories have a flow, where what is happening follows logically from what came before. It's not that it's impossible to write a story where two characters that are roughly similar to Cloud and Aerith fall in love, get separated by death, and where the Cloud character mourns and pines for her after she's gone. The problem comes when you add in Tifa, Zack, and all the other context and details of the story. Consider Zack, if we take the concept of Zack as it relates to Cloud and Aeriths relationship and boil it down to the essentials we could see it as a story about a girl falling in love with a boy because he's channeling the spirit of her dead ex, the main internal conflict the characters need to overcome could then be the question of whether these feelings are true, or whether they are just the shadow of her feelings for the old boyfriend. On the surface, this premise works as the basis of a story. The problem lies in the execution. If you write such a story there are a few things you can and cannot do. For one, you have to make this love exceptionally obvious, you can't tell a story about whether or not feelings are true if you never even get to establishing the feelings in the first place. One of the key things you need to do for this is establish the two characters central importance to the others internal emotional arcs. The first thing you DON'T do is establish a second female character and have Clouds emotional arc revolve mainly around her. If you want to tell a story where Tifa and Clouds relationship turns out to just be friendship, while Aerith and Cloud turns out to be love, then you show the scenes establishing that. However, whenever Cleriths argue for a story like this they have to assert that Cloud no longer loving Tifa is just something that happened off-screen and is never mentioned. But if this were true, this would be extremely important to show. So again, if this is the story, then this is bad direction, aka, storytelling. Scene choices matter, if your story requires you to assume that the scenes you're shown aren't important, and that the crucial bits have to be imagined to happen of screen, then that's bad writing. And the reason you can't suddenly do it now, 25 years later, is

because of a thing called "set-up". Even if they were to change to story to suddenly direct it as such now, it would constitute a drastic change of direction, which means the larger 2-decade long story we've been told is no longer a single coherent whole. If the story in remake is that Cloud always loved Aerith, then why wasn't the ground work for that lain 25 years ago? If you want to say that the story is about Cloud loving Aerith, and ending up with her eventually, then you can't have Cloud not speak her name for the second half of the original game, and devote that time completely to establishing port-mortem that Cloud wasn't himself while with Aerith, and that his true self has deeply ingrained feelings towards another woman. And not some minor character who exists only as a plot-device, some fake hurdle designed to try to raise some fake tension, but Tifa, a character who is routinely established to be the "heroine" of the game, someone of equal importance to Aerith who cared for Cloud while he was in a coma, whose history with Cloud started his internal character arc, whose history with Cloud resolved his internal character arc, and who lives with Cloud 2 years later.

And the same thing goes for Zack, it was possible to write him as negligible when it was just FFVII, if you ignored the addition of Tifa and JUST focused on the Zack element as a side character. But the addition of Tifa and the existence of Crisis Core cause the narrative to become disjointed when trying to view it as a single story. This is why people so often want you to ignore Crisis Core, because they understand that if a conclusion of a story is that Zacks role isn't that important, then why did your story spend an entire game cementing the importance of Zack? One of the things I hear most from Cleriths is "why couldn't Cloud just get over his childhood crush on Tifa and fall in love with Aerith? It happens in real life" , or some other variation of "why couldn't this happen?" But this shows the problem with how they want the story to go, because stories aren't real life. Anything CAN happen in a story, but not anything should. Stories have a concept called " checkovs gun", if a gun is introduced into a story in the first act, it has to be fired somewhere down the line. If the gun turns out to not have a role in the story, why was it there? But the same thing doesn't apply in real life, in real life, chekovs guns almost never fire, with few exceptions, real life is a bad guide to how to write stories. Stories written like real life, generally suck. If characters in stories behaved like characters in real life, half their lines would be "uhhhhh", and half the scenes would be them sitting on the couch having meaningless unrelated events happen.

The entire flow, pacing, and sequence of events is wrong in a Clerith version of this story. In order to sell the idea that FFVII is a story about Aerith and Cloud getting together you first have to sell the idea that all these plot threats concerning Tifa essentially don't matter. But if they don't matter, then why are they there? What purpose do they serve? What purpose does Tifa serve? Or Zack? In order to "fix" their preferred interpretation, Cleriths need to get around this problem, which causes them to have to re-interpret everything that happens and twist it in order to create the appearance of a coherent story. This requires them to resort to minimizing characters, character assassinating characters, and generally misrepresenting everything that happens. I think there is no bigger indication of why Cloud and Aerith getting together would suck as a story than looking at how the people who propose this version of the story look at Cloud and Tifa as characters. What follows are some excerpts from the dumbest person I've ever debated.

This went on for over 200 replies, this is not a mentally sound interpretation of the story, but this is what you need to believe in order to get the Aerith/Cloud love story to work. You're forced to minimize Tifa and her importance to the story, and you need to demonize Cloud. So basically you have two options here, you either have to say "all this stuff with Tifa and Zack, doesn't matter", all their scenes, all those plot threats, they all aren't a part of the larger story being told and ultimately amount to nothing. Or two, you remove all those scenes or rewrite them to instead focus on Cloud and Aerith. And both those approaches suffer from the same basic problem, they're both effectively going "screw everything, all that matters is Cloud and Aerith". Which brings me back to my earlier point. If your story is pushing everything aside in order to hype up the main character, you're not writing a good ensemble story, you're writing a bad fan-fiction. This is the writing people HATE. Cloud is no longer a sad but likable character with complex motivations and feelings who wasn't as important as he thought he was, no, he's cliche self-insert main character that the world revolves around, who every girl genuinely loves regardless of whether or not it makes sense, even though he's a complete asshole who abandons children and takes advantage of women just because he's "lovesick". No other man could ever compare, a week with him braindamaged and you forget all about the man you pined after for 5 years. Aerith is not compassionate to a man who blames himself for his failings and thinks he'd do more harm than good, she's compassionate to a piece of human filth who refuses to go save children because he doesn't care about them. She's not just a girl with a big destiny and a tragic fate, no, the universe itself resets to make sure she gets laid. Tifa isn't a powerful woman who devotedly supports the man she loves through his darkest hours, instead she's a weak unimportant doormat without self-respect who even in 2 decades could not measure up to a week with Aerith. Zacks connection with Cloud doesn't come with complex implications about Aeriths feelings, Zack never really mattered, his entire story of getting back to her? Doesn't matter, it only exists to show how much Aerith must love Cloud to choose him over Zack. The entire lifestream reveal concerning Cloud? Doesn't matter, nothing matters, it's in the past. The central reveal of the story isn't important because Clouds true self suddenly likes Aerith now.....good writing. etc, etc, etc. Where Aerith was once a part of an ensemble cast, the heroine of the external plot, tasked with saving the world through her powers as an ancient, while Tifa as the equally important heroine of the internal plot saves Clouds through their shared feelings, now everything instead revolves around Aerith, and the other characters only exist in service to her, not as characters in their own right, but only to make sure she and Cloud gets together, like every hated mary-sue in history. The pain of her death? Gone, the impact and nuance of the story? Gone. Literally everything that made FFVII special? Gone. And concerning the small, even the little details would no longer be coherent, Cetras thematically guide people to the promised land, note: "GUIDE", but now Aerith would suddenly be the promised land herself. The through-line of Cetras "returning to the planet"? Gone, if Aerith doesn't die that doesn't link to the story anymore at all. Tifa's bar being the 7th heaven, aka, the final heaven, aka, the promised land where Aerith guides Cloud to? Suddenly a meaningless name. Tifa's last name "lockhart" being a direct hint towards the "tender feelings locked up inside Clouds hart"? Completely trivial, the feelings weren't that important to the story. And I could go on for hours, every aspect of FFVII, from small to large, would be fundamentally poisoned if Cloud ends up with Aerith.

I could rewrite the story to make it work, but that's the point, then you'd be rewriting the story in order to diminish every other character and story in favor of Cloud and Aerith. Which brings us back to it becoming a horrible fan-fiction where no one and nothing matters except Cloud and Aerith. It's ok to write unimportant characters, it's not ok to make your important characters unimportant in retrospect in order to wank off another character. Thanks for asking.

#cloti #FFVII #ffvii remake #cloud strife #aerith gainsborough

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lyntonier · 3 years ago

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A train to Paris

Carmen Sandiego x Gray Calloway

Summary: Carmen is taking a break away from her work — helping out at the Orphanage and fighting crime — and decides to take a trip back to Paris, a location she quite enjoyed. During her journey she meets a familiar face she believed she would not see again.

A/N: This is set after season 4.

"So Carms, I hear you are off to Paris for the week huh?"

I smile into the phone, listening to Ivy's comment.

"You heard correct. Well, assuming nothing goes wrong, that is".

I had gotten a break from working at the Orphanage with my Madre, so I decided to take myself on a little trip. We had finally met about eleven months ago, and I had been helping around as much as I possibly could without a break. Well, I tell a lie, I had a couple days free from working with Madre, though I used those days to check for any crime around. I guess some habits die hard huh, this was meant to be my new start but I can't seem to leave fighting crime behind. It was my choice to work so much at the Orphanage though.

Madre had had enough and told me to take a week away and go someplace, so where better than Paris? The beauty of the city when the sun goes down and the lights come on again, the food, the art and architecture, the history, it's simply something I cannot forget. It's truly a once in a lifetime thing.

"Wow, I'm so jealous! I wish I could be there with you, it would be so much fun- Zack stop! Leave Julia alone. No- She probably does NOT appreciate that, so quit it... Yes, you, who else?!.......... Sorry Carms, it's Zach trying to flirt with Julia again".

Giggling at Ivy's scolding to her brother, I make a mental note to tease him about that when I next see him. He kept flirting with the poor woman, to which she would politely laugh and make an excuse to leave.

"No worries Ivy, it's alright. I must admit though, I do feel sorry for Julia in some respects".

"I know right! Gosh, he's so oblivious sometimes. I love him anyway though, no matter how much of a douche brain he is".

"It would be nice to be able to meet up with all of you again, it's been a while since I saw all of you properly. You'll have to let me know when you two both have some time off and I'll get hold of Shadowsan and Player, then we can all have a nice catch-up".

I hear Ivy sigh wistfully into the phone, light laughter leaving her lips.

"Honestly Carms, that seems like such a good idea right about now. I'm so tired with work, I got called out five times within the past two days, three of which were last night. I've not had a nice snooze in for ages and I could do with one right about now, haha."

"You do sound quite tired. When do you get off shift?"

"Uuuh, hold on....... Forty-five minutes, then I can go home".

"Well, you should treat yourself to a warm bubble bath and a long rest".

"I think I'll take that one and do just that. Ah- I've got to shoot, Cheif is calling for me. I'll call you tomorrow and we can talk more, yeah?"

"Yes, wouldn't miss it for the world. Tell the others I said hello for me? And I'll work on arranging a girls trip between you and me to somewhere, just let me know where you fancy going".

"Oh you're a star Carm, I'll be looking forward to that then. I'll decide tonight and let you know tomorrow, and I'll pass on your 'hellos' to the others. Talk soon Carm".

I smile into the phone, mildly disappointed that our conversation had to end so soon.

"Talk soon Ivy".

With that, I hear the beep of an ended call as Ivy hangs up the line. A sudden wave of exhaustion washes over me as I move my phone down to my lap, checking the time. It was 1:15 in the morning. Raising my eyebrows, I nod at my phone, surprised at how late it was. I should probably try to get some sleep as I'll be arriving at my stop in about seven hours from now and I would much prefer to not be falling asleep at every given moment.

Setting my phone down next to myself, I grab a blanket out of my carry bag and drape it over my lap, removing my jumper and folding it into four before placing it onto the seat to my left. Reaching up above myself, I pull a cord that turned off the lights in my little train booth, engulfing myself in darkness. The only form of light that I had at this stage was the gentle light from the moon, it would be full soon. Laying down, I place my head onto my jumper and pull my blanket up higher, closing my eyes and relaxing my body.

Right as I began to doze off, I felt a strange feeling of wariness make itself known in my gut, enticing me to sit up and evaluate my surroundings. Within a couple of seconds of having my eyes open, I heard a light tapping on my booth door. Someone was there. Averting my eyes to the glass section of the door, I keep my body motionless as I trace the figure with my eyes and their every possible movement.

If I stayed still then they would not see me and assume I was sleeping and most likely leave.

*tap, tap, tap*

"Excuse me, uh, I know you are awake.. can I come in? My booth has no heating and it's really cold out here".

Or maybe not.

Cautiously eyeing the door, I slowly raise myself from the seats and brace my hand into a fist, ready to fight off a possible threat. Standing tall, I cautiously step my way over to the door before grasping the cool metal handle with one hand and undoing a lock with the other. Twisting the handle, I edge the door open bit by bit.

"Hello... Um.. yes you may".

It was a man, not that much taller than me, and Australian. Or perhaps Kiwi. I couldn't see many of his facial features, other than the fact that he had a man bun and a couple bags with him. I wracked my brain for any vocal recognitions, however, nothing matched.

Standing aside, I made room for the strange man to come inside.

"Cheers mate, sorry 'bout how odd this is. I went to the train staff to ask about the heating and they told me that the booth I chose was meant to be closed, though the person on duty of closing it off didn't get around to it, hence me choosing the unlucky booth. They told me I would have to ask to share booths with somebody else seen as though all others are booked, and I saw your light go out, so I came here. Sorry and cheers again".

The man laughed, rubbing what I assumed was the back of his neck. His explanation seemed pretty truthful and his reasoning honest.

"That's no problem, sorry that you got a faulty booth, that must've sucked".

"Hah, tell me 'bout it" He joked.

Smiling, I close the door and return to my seat, watching as he put his bags in the overhead luggage area, leaving out a blanket of his own. Smart man.

"So, what's your name mate?"

"Carmen. And you?"

I see him whip his head around, before shaking it and laughing lightly.

"I had a friend called Carmen, though I've not seen her in a long time. My name is Grah-Grayson. Grayson".

I raise my eyebrow at his stutter, smirking lightly.

"Well, it's a pleasure to meet you Grah-Grayson" I tease.

"Haha, as to you Carmen".

With that, we both fell silent, just basking in the pleasant atmosphere of the booth with the same idea of sleep on our minds.

Slipping back into my 'bed', I pull my blankets back over myself and close my eyes, listening carefully at everything around me. I hear some stuffing around, something dropping on the floor, followed by a second something, more shuffling, then a satisfied sigh. Peering over my shoulder, I see the outline of a body laying on the seat across from mine.

"Did you just take your shoes off?"

"Hm? Ah yeah mate, can't sleep with shoes on, that's just crazy".

Grah-Grayson laughs at his own statement, finding humour in my question.

I feel my lips draw into a thin line as I shuffle my feet around awkwardly, my shoes very much still on.

Am I crazy?

"G'd'night mate, thanks again for letting me in on such short notice".

"No, no, that's fine. Goodnight".

It felt strange saying goodnight to a stranger, though I had most definitely done stranger.

I feel my eyes shoot open rather rapidly, my heart pounding against my ribcage as I scramble to sit upright, taking in my surroundings eagerly before eyeing the strange man in the booth with me. I check the room once again for anything out of the ordinary, before removing the blanket from my body and standing, striding my way over the door and yanking it open silently and slipping out, closing it behind myself. I needed some fresh air.

Making my way to the end of the train, I open a door that leads to a small balcony attached to the carriage. Immediately the wind hits me, blowing my hair to the side.

Sucking in a deep breath of air, I relax my shoulders and close my eyes. I had a nightmare — rather a memory — that Coach Brunt had broken into my booth and tied me up, much like before, and decided that enough was enough and planned to end things then and there.

A pretty sad nightmare, huh.

I enjoy the breeze a little longer before turning around and opening the door, walking back into the train carriage and back to my booth. Opening the door, I am surprised to see Grah-Grayson awake and sat upright, watching out of the window at the scenery. It was early for him to be awake, it was about five in the morning and the sun had begun rising, casting a gentle glow in the booth.

"Ah, mate, there you are, are you alr-......."

The words leave his mouth as he stares at me in surprise, horror, happiness, sadness and recognition... a mix of everything. Exactly what I was feeling.

Tears fill my eyes as I gaze at the male before me. It couldn't be...

"G-Gray?"

"Black sheep..?."

Grah-Grayson stands up, tears in his own eyes as he stares at me intently.

Stepping forward, I feel my arms raising slightly and before I knew it I was lunging for him, sobs wreaking through my lips as tears flowed heavily from my eyes. Engulfing him in my arms, I feel him do the same with just as much ferocity. I hear sobs come from him too, his chest rising and falling quickly and sharply with each gasp of air.

Before anything could be said, I feel anger suddenly wash over me, leading me to remove my arms from around him and shove him away harshly, placing some distance between us.

A confused whimper leaves his mouth, clearly unintentionally, but before he could say anything I let months worth of hurt, confusion, upset and anger form into words and flow out freely.

"Gray where were you?! W-What did you mean 'don't tell her' that you woke up!! Do you know how long I waited for you to wake up in the hospital, unable to see you or hear from you, not knowing that you had long gone?! Do you- Do you know how long I WAITED fOR YOU? Three months Gray- three months that you were gone and I was waiting for you to wake up so that we could start over, so that I could know you were okay!" The words kept flowing out, no matter how much I tried to stop them. Although I didn't try. I couldn't bring myself to try. I started pacing back and forth as I rambled, making sure the emphasis on certain words came out.

"Carmen, let me explain, I-"

I cut him off, anger still clouding my better judgement.

"NO Gray, you don't get to explain until you hear me!! I searched EVERYWHERE for days, weeks, months for you, thinking that something had happened to you, only to be told by Chief that you had requested to not have your condition or whereabouts revealed to me! Why Gray, why..? If you were angry or upset at me and didn't want to see me, you could have just told me instead of making me worry like that! I spent so many nights awake trying to find out where you were with the help of Player, but nothing!! NOTHING!"

I heave out everything that has been resting on my shoulders, the feeling of relief evident on my shoulders as a weight had been lifted.

"Carmen I was never upset at you, more of I was upset at myself. It was my fault that you had been captured and lured in, I knew what was happening and I could have prevented it, but I didn't. I blamed myself for you being brainwashed and hurt, and for myself being hurt. I was such an idiot and I didn't want to do something that could hurt you again-"

"And yet you did.." I remark with a whisper, adverting my eyes as I crossed my arms over my chest, hugging myself and sniffling as I did so.

"I know and I'm sorry... I didn't want to interfere with your life, not after everything that had happened. VILE was caught and disbanded, you had information on your mother, everything was over and you had a fresh start ahead of you and I didn't want to get in the way of that. So, I changed my identity and lived away from the public eye, hidden away where you could not find me. It wasn't just a fresh start for you, it was one for me too... I asked for you to not be told of my departure, even though Cheif strongly suggested against it, the same with that Julia lady. I told them it was my only request, and they allowed it eventually. I now realise that wasn't a good idea and that it hurt you much more than I believed it could or would... I am so sorry Carmen.. I really am so, incredibly sorry.. I can't blame you if you are angry at me, I gue-"

"Of course I'm angry at you!! I finally realised after all of that time that I was in love with you, and I was prepared to tell you, only to find that you were gone! Those three months left in the dark were pure heaven compared to the.. the shitty, crappy, horrible feelings once I found out you were gone!"

I watch as Gray's eyes widen in surprise, as he stutters his next sentence, his face flushed from tears, much like my own.

"C-Carmen.. you- what did you just.. what did you just say?"

"That I realised after all of this time that I was in love with you, so very incredibly in love with you, and that I was prepared to tell you!" I growl.

We both stand there in silence, the cool feeling of my tears drying up on my face present. Sudden realisation dawns upon me at what I had just boldly announced. Smacking my hand over my mouth, I gasp, my eyes widening as the realisation finally sets in completely.

Nothing is said between us as we just stare one another in the eyes, waiting for the other to speak.

"Gray, I-"

I cut myself short as Gray abruptly strides towards me confidently, raising his hands to cup my cheeks as I step back, unsure of what was happening. Staring down into my eyes, Gray smiles gently.

"You always were a cheeky one, sneaking your way into my heart the way you did".

My stomach fills with butterflies at that, a small smile making its way onto my face, accompanied by little giggles. Soon enough, I was laughing uncontrollably into Gray's chest, him onto my shoulder.

The laughter died down soon after, we were just left with warm smiles on our faces.

Moving his hand across my face, his thumb stroking my cheek and his other hand caressed the back of my neck, he looks down at my lips before looking into my eyes.

"May I?"

That one sentence had my stomach doing flips as though I were a schoolgirl who just confessed her undying love to her crush and received the same feelings back, though I guess in some respects I was that schoolgirl, just a little older.

"You may".

With that, Gray leans down, pressing his lips gently against mine and pulling away. I did not feel those fireworks that people would describe a true-loves kiss as, rather I felt complete, safe, happy, joyous, excited, calm, at peace and so many more pleasant things, much better than those so described fireworks.

Leaning in for a second kiss, I met Gray halfway with just as much passion, more ferocity this time, however. Soon though, we had to depart for air, a gentle blush growing over both of our cheeks.

"Carmen, I-"

"Excuse me, are you two alright in there? I could faintly hear you arguing from next door".

Looking behind me, there was an older woman stood in the doorway, a concerned look on her face.

"Yes, we are alright madame, thank you for your concern. Sorry for the noise, everything is sorted now" I explain, turning to face the woman.

"Very well then, there is no need to apologise my dear, as long as you are both okay. Oh, and sorry for interrupting your moment"

The lady giggles cheekily, before making her way back to her booth while rambling on about young love, or something along the lines.

"We should probably close the door, no?"

"Yes, we should. You, mister, have a lot to explain to me, especially what you have been up to since we last saw one another".

I smile as I leave Grays embrace, walking to the door and closing it.

"As do you. We have a while till we reach my destination, so shall we?"

"Hmm... I say sleep and then explain at a later time, on a date perhaps?"

"Friday, 8PM at Au Vieux Paris d'Arcole?" Grey wiggles his eyebrows, a smile on his face as he does so.

Laughter bubbles in my throat as I sniffle, wiping away any tear streams on my face as I nod my head eagerly.

"Call it a date".

A/N: This is my first ever oneshot/story piece that I've done on here and I honestly do not know how good it is, or how bad it is. All I can hope is that it's decent. It was inspired by @wizardsoffthecoast who had mentioned something about this, so here we are. I hope you enjoy it!

(I do apologise for any spelling mistakes!)

#carmen sandeigo netflix #red crackle #gray calloway #carmen x gray

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mengyan · 4 years ago

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*coughs* enby player hcs?

YOU DON’T KNOW HOW EXCITED I GOT SEEING THIS ASK EVEN THOUGH IT’S 3 AM ANON LET’S GOOOO

everything’s under the cut because this got absurdly long!

first off, my personal hc is that player uses he/they, he doesn’t have a preference

player didn’t know they were nonbinary until they met carmen (who is also nonbinary, so true) in her black sheep days. he knew something was off, but didn’t know what, when:

“hey, black sheep!” a muffled voice joined carmen on her end, and player leaned back in his chair, intrigued. he heard some shuffling, then the voice became much more muted, carmen’s phone presumably shoved into her pocket. player dialled up his volume to make out what was going on.

“who are you talking to?” the voice asked curiously. carmen hesitated, unable to provide an immediate answer, and player tried not to feel too hurt. didn’t carmen tell other people about him?

“my... friend,” carmen settled on, after a long moment. “player. they’re, uh, imaginary, and super cool, we talk all the time. they help me come up with pranks and stuff, like a prankster ghost,” she laughed nervously. player blinked at her words. he didn’t focus much on the prankster ghost excuse she was blabbing (though he did make a note to ask her about that later), but on how she’d referred to him as they.

and he didn’t hate it. in fact, it made something in his brain buzz, the same way he got after acing a test or dethroning another person on a game leaderboard.

well. he was going to have to do some thinking.

anyway. player has a ✨gender crisis✨ for like a week as we all do

then at one point mid conversation with carmen he just blurts it out like “i’m nonbinary,” and carmen doesn’t even blink. she’s just like “okay? am i supposed to be surprised? so am i, you’re not special” and then asks them for his pronouns and she tells him hers in return <3 she also double checks if “player” is still fine, and of course they say yes, it’s always been more than just their gamer tag, he truly loves the name and is most comfortable with it.

immediately after they sort that stuff out, they go back to planning whatever prank carmen has planned for the academy next :)

fast forward to when carmen escapes vile and they choose their name, player is nothing but supportive!!

when carmen figures out money and slyly gets player’s address, she orders and mails him a small nonbinary flag (packaged in those black discreet packages of course, carmen knows he isn’t out to his parents yet and won’t jeopardize his safety) and they can keep it on their desk in their pen cup holder :D

(player mails carmen back a pin that they keep pinned under their coat with their tools, because in this house we be gay, be enby, and do crime)

when zack and ivy join team red, player waits a couple months before coming out to them.

zack: there’s a word for that? wicked cool! i’m the same way!

ivy, elbowing him: google is free, bro. but same. thanks for telling us, player, you’re so valid and we’ll always be here for you no matter what.

i already said this before but in the world where carmen doesn’t disappear for two years and she and julia reconcile and eventually start dating, when julia comes to visit, player comes out to her in person and she gives him the biggest hug. they’re besties. also she pulls an uno reverse card and comes out back because i said so

no cishets in carmen sandiego it’s my canon now

i cannot stress this enough TEAM RED AT PRIDE

player holds a nonbinary flag around his shoulders like a cape and the flag’s painted on their cheek. he’s never felt more loved and accepted than in this moment with his best friends, and more importantly, his chosen family.

#my writing #asking carmen #help i love enby player so much i wrote this instead of my assignment due in 5 hours #thank you for this ask anon #carmen sandiego #player bouchard #cs player #one of my favourite tags ->#never ask me about player and julia hcs i will literally hand you an essay #will remain true until i somehow shake this brainrot (so never)#on a final note if you don’t like this headcanon just don’t interact it’s that simple #don’t ruin other people’s comfort 😄#okay that’s all goodnight ✨

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bettsfic · 3 years ago

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hi betts! i got very interested in your posts esp the implied author. i wanna ask a question (if you dont mind!). so about the implied author, i always feel like that my writings though beautiful always lack mentioned maturity and read very... YA-ish? its not something im trying to achieve. i want to make it more mature and 'classical'. do you have a tips for this? im not aware enough of what to improve on to achieve that, basically. thank you in advance!

this is a great question! unfortunately, though, i don't have a handy dandy term like "implied author" to thoroughly encapsulate my possibly abstract answer.

first, while i understand your goals, i think beautiful prose, and the focus thereof, is still a very important pursuit. there's also nothing wrong with being YA-ish; the implied author comes from a book called the rhetoric of fiction, and the title implies that it's a study of fiction in interaction with an audience. so different readers get different things out of what they read (i wrote about this more in my june newsletter). possibly your perspective is something someone else hasn't seen before, and you've offered them something new without even knowing.

that said, i absolutely understand the drive to have a wider perspective, and write things that you find more complicated and challenging. however, the only way i can answer this is with metaphors couched in narrative, of how i learned about how to approach my writing differently, and which presumably, maybe widened a reader's sense of my implied author (but since i can't be a reader of my own work, there's no way to tell for sure).

so, i once took a creative nonfiction seminar during which i read a whole bunch of memoirs, and the final project was either a research paper or a personal essay. obviously i chose the personal essay. i decided to write about my ex-boyfriend, with whom i'd broken up five years earlier, and i was still very fucked up about it even though we'd been broken up far longer than we were together.

looking back on that essay, it reads like a sales pitch, ten pages of me just pleading with the reader to see my side of the situation, to see how i was the victim, sympathize with me and not him. he's the evil one. hate him with me. please please please.

it was not a good look.

there was a lot of unprocessed grief in that essay, a lot of anger. it was clear i had no wider perspective of the situation other than wallowing in my own narrow feelings about it. i was telling the reader what to think about me, about him, about the situation, rather than conveying the situation as it truly was and allowing them to draw their own conclusions.

in nonfiction, that's terrifying, because it potentially paints me in a negative light. a reader may see my actions and think poorly of me. and honestly, looking back, they should. i was as toxic to my ex as he was to me. i was not good to him at all.

but see, that's an example of me telling you what to think. in the essay, i am pretty much saying outright, "he is evil. hate him." i want to force the reader to be on my side. but after a mental breakdown and a lot of trauma therapy, i was able to step out of the situation and my feelings thereof, and see it from a much wider perspective, and instead of putting my actual emotions on the page, i'm able to illustrate honestly the emotions i felt at the time. i am no longer in the story. i'm outside of it.

here are the events as they actually happened: one night, he didn't come home. i texted him. i tried to call him. i waited a couple more hours and called him again. he came home as i was looking up numbers to nearby hospitals, around four a.m. he wouldn't tell me where he'd been. the next day i found a bunch of hickeys on his neck. i was hurt, and angry, and i pushed him. i told him to get out of my house. he still denied it, and kept denying it for hours longer, until finally admitting he'd been dating someone else for months. i couldn't find it in myself to blame him. to me, it was my fault for not being good enough for him, for not fitting into the shape of someone he could love.

there was more to the story than that; he was financially dependent on me, he was no longer attracted to me and felt trapped in our relationship, my father had just died and i couldn't even begin to grieve over the loss of someone whose life mine revolved around.

but an essay -- or a short story, a novel, a poem -- can't ever render reality exactly as it is. we as writers are always just curators of experiences, images, sentences. there's a lot of fear in that, of leaving out details, of being misunderstood. but that's the inherent risk of art.

the lesson i brought back to fiction is this:

it's not my job as a writer to place judgment on my characters, but to simply convey the story as it happens. my characters may have biases, misperceptions, judgments, and opinions, but they are not mine. widening the implied author, so to speak, is a process of removing yourself from your prose.

obviously you will make characters who are like you in some ways, and so they may share traits with you. they may be identical to you in every way. but they are not you, and cannot be you. possibly the implied author is the absence of ego. or maybe it's an embrace of the self and the world as things that can't be fully known.

i think about films that have a wide implied author versus a narrow one (in my opinion; see above point about fiction as rhetoric). to me, pacific rim has a very wide implied author. even though all the characters in the movie take the events therein very seriously, i know that the mind creating this story knows it's kind of ridiculous, even though it's not a comedy. they know this wild, over-the-top conceit is a vehicle for the more complicated and nuanced experience of intimacy and trust.

a narrow implied author would be zack snyder's justice league. that film leaves me with no evidence that the mind behind it is capable of truly understanding experiences beyond their own, or using their medium to render a nuanced portrayal of being. that doesn't mean snyder isn't, in reality, capable of those things, or that the movie isn't enjoyable on an aesthetic level, but that i found no evidence in the text of, well, themes. it's just...characters doing things. i see no exploration in it, no question that the narrative addresses.

which leads me to my second point, which is that i think the widest implied authors are the ones who are vulnerable enough not to have an answer or conclusion, to simply discover and explore larger questions.

so, what questions do you have? what things do you not know? what are you most afraid to convey or admit?

in some ways, my answer to your question is that you don't have to worry about it, because the implied author is the experience of the reader, which you can't control. however, i think all of us, myself included, can work toward a greater perspective of ourselves and our world, to understand things to a more complex degree. and beautifully, writing helps us do that, at the risk of exposing the things we don't know, the questions we can't answer, our true colors which may be darker and uglier than we'd like to admit.

#writing advice #implied author

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jonnyparable · 3 years ago

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Cottage Hills : The Red Chamber Part V

The Manuscript of Nehemiah

With all his magical ingredients and apparatus back in his possession, and the manuscript in his hands, Won can finally accomplish the work that he came here to do, since he arrived last year. But what is this manuscript? What's written in it and why did Won come all this way to get it ?

Won:

"At long last! The manuscript of Nehemiah, grand patriarch of the Moshus! I've come all this way, and now, thanks to you, Moguai, I finally have it! Now we can make these thieves pay for what they've done to my family!"

Moguai:

"Now that the manuscript of your great ancestor, Nehemiah is back where it belongs, in the hands of a Moshu, you can finally right the wrong that was done to your ancestors all those centuries ago. The manuscript was written by Nehemiah himself. And contains his very own recipe for making the most lethal potion in the world, the Black Cup. Better known as Death in a Bottle..."

Won:

"These fools may have the Golden Cup, which will protect them from lesser poisons, but even the Golden Flower's powers are useless against the finality of cold, brutal, instant death! "

The Next Day...

Old Acquaintances

As mid autumn rolls around, the town is busy preparing for the annual Mid Autumn Hotpot at the square, when who should come by the Cooper Farm but old friends, Eva and Oak, the scientists who saved Rod's life in the Simalayas last winter. He introduces them to his family, and catches them up on the miraculous happenings after his return to town.

Rod:

"Eva! Oak! You've come! Meet my wife and son. This is Lillia, and Rick."

Eva:

"Hello Tiger Spirit! It is wonderful to see you again. Your hometown is beautiful, like you said. Nice to finally meet you Lillia. We have heard much about you from Rod. We've come bearing gifts today. As promised, we come with medicine, made from the Golden Flower, which your husband found, but in an act of true nobility, gave to us. We are here to repay that debt"

Rod:

"Thank you, friends, but there is no need. As you can see, Lillia is well now. By some miracle, I believe the Goddess came to me in a dream, and planted the flower in my garden! Our local healer was able to use it to make a cure after all!"

Oak:

"My! That is tremendous news indeed! You are indeed very blessed! We must meet this healer!"

Rod:

"Of course! I shall bring you to see her later. For now, let me show you around the town! The Mayor would probably like to meet you too."

The Return of You-Know-Who

At Rose Square the mayor is currently overseeing preparations for the annual Mid Autumn Hotpot tomorrow as villagers help to set up the large iron pot and put up the lights and decorations. Every year, the townsfolk gather in the square and everyone brings an ingredient to add to the hot pot, followed by a hike up the mountain to see the full moon. The preparations are interrupted by Harris, who's come to tell everyone to stop.

Harris:

"Alright, listen up everyone. After the strange fire last night at the constabulary, Ellen was found unconscious in the church, and is currently recovering in the clinic. We have reason to believe that these are not isolated incidents and that You-know-who has returned. It is therefore unwise to go ahead with such gatherings. As such, everyone is advised to return to your homes for your safety immediately. Thank you everyone."

Mayor Thomas :

"Now, hold on a minute, son. I understand you're just being cautious but there's no need to make everyone panic. After all, there's no proof that any of this has to do with you-know-who, and-"

Harris :

"Father, with all due respect, the villager's safety is of the utmost importance. Until You-know-who is found, he will pose a constant threat to the town and I- We, must always be vigilant."

Just then, in the midst of their heated discussion, Rod arrives and introduces Eva and Oak. The Mayor, glad for the interruption, asks them to stay for tomorrow night's festivities, as the rest of the villagers continue with their preparations.

Mayor Thomas:

"Ah! So you are Rod's friends from the mountain! Rod has told us so much about you! Well, you two are heroes! And dear friends of the town! If you have no pressing matters to attend to, you simply must stay as our honoured guests and attend the festival tomorrow! The moon this autumn is particularly round, a very good omen!"

Harris:

"Father, please, I must insist that -"

Mayor Thomas:

"Alright, that's quite enough son. Your pursuit of Won has become a bit of an obsession of late, I must say. I think the villagers have had enough of all this you-know-who business and fear-mongering, when its clear that he's gone, and he's not coming back. The Goddess clearly watches over us! We must believe and never give in to fear! After all, He hasn't been seen for a year now, and the Goddess has blessed us with the Golden Cup, what's the worse you-know-who can do now even if he does return? "

Harris:

"Father! This isn't about fear! Have you forgotten what he did to us, and how much suffering he caused last year? Yes we are lucky to have the Golden Cup, but I'm duty bound to protect our town. Just because we've been unable to find him, doesn't mean he's gone. What if he's the one who hurt Ellen? "

Rod:

"Hurt her? What happened to Ellen?"

Harris:

"Last night she was found unconscious in the church. We don't know the exact reason why, but she's being examined by Dr. Tim as we speak...poor Ellen...how could all this happen in one night? "

Mayor Thomas:

"... Nobody blames you for what happened , you know... I know you mean well but.. "

Harris:

"At any rate, this festival cannot go on, its too risky, and..."

Mayor Thomas and Harris continue to disagree, and as Eva and Oak look into the serene face of the Goddess Statue behind them, they exchange concerned expressions. They have no idea who Harris and Mayor Thomas are talking about, but whoever he is, he seems to have the townspeople all worked up. They've come just in the nick of time it seems...

That Night...

The Autumn Moon

Back in You-Know-Who's hideout, Won is putting together the deadly ingredients for the Black Cup, and as he waits for the most important ingredient, he and Moguai discuss their diabolical plans.

Moguai:

"In the hot pot? Surely you jest."

Won:

"Not at all! It's perfect! Every autumn, these fools gather at the square and they all share from a pot of broth, laughing and cajoling and merry-making. It's the most vile thing I've ever seen, honestly. Pass me that bottle of newt's eyes, will you? They're probably making preparations for it as we speak. Now that we've gotten rid of that meddling Elmsley hag, this will be a breeze! I'll just freeze time long enough to add just a few drops of the Black Cup into their pot and...well, dinner is served!"

Moguai:

"Yes that's all well and good, but are you sure you have everything you need to make the Black Cup? The festival is tomorrow is it not?"

Won:

"Oh, yes, Moguai, yes we do. Not to worry. We have just enough to make one, which is all we need for now. As we speak, the last ingredient is on its way. Look up there, we have by act of providence, the biggest full moon we've seen in years this autumn equinox! When it reaches its highest point in the sky, I will call on its power to complete the potion! Sweet revenge is mine at long last!"

A Lamb to Slaughter

Meanwhile, Zack begins to worry about Olkan again. With a moon this big out, it seems Olkan's transformations are becoming longer and more violent. Zack goes out looking for him, just to make sure he's alright and not causing trouble. This time, however, he seems to have strayed a little far from their home in the wrong direction, and has stumbled into a strange part of the woods that he does not recognise. He sees some strange totems hanging in between two rocks. Unfamiliar with their significance, and drawn by curiosity, he walks through them...

As a Servo, Won's wards of concealment have no effect on him and he's able to just slip through, and Won's hideout is laid bare before him. Poor Zack soon stumbles upon Won and Moguai, and can't believe what he's hearing. He overhears Won talking about what they did to Ellen, and about his plans to somehow kill everyone in town by putting a lethal poison in the town's hot pot tomorrow! As Zack tries to override his panic function and execute his focusing program, so he can think about what to do next, he realises that they've stopped talking, and an eerie, suffocating silence hangs in the air...

Moguai:

"Hush! Someone has slipped through your wards. I smell a rat.... There! Below! He's heard us! Seize him!"

Zack turns to run, back to town to try and warn someone, anyone, and to tell them what Won is up to. But he doesn't get very far...

Moguai:

"And just where do you think you're going?"

#the sims 2 #ts2 pictures #ts2 screenshots #ts2 neighborhood #ts2 scenery #harvest moon back to nature #cottage hills #sims 2 #harvest moon tree of life #sims 2 simblr #The Red Chamber

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g0ttal0ve101 · 3 years ago

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Eddie in Wonderland (Part 1)

[This is based off of the 1951 film of Alice in Wonderland. I will be skipping some parts and characters, since the cast is pretty small. Please excuse any errors I make. This art is NOT mine, but it goes along with the story.]

✿ ✿ ✿ ✿ ✿ ✿

A meadow of beautiful daises looked to be dancing as wind blew through the luscious green grass. It was a warm day, a day where animals would be roaming about, a day where children would be playing together, a day where everything was at ease. A woman's voice calmly read out words from a page of a history book, slowly and particularly gentle to make sure each and every word was pronounced correctly. Soothing, but awfully boring.

Above the woman sat a boy in a branch, who was supposedly listening to the words she read. He picked daisies from the meadow and began making a flower crown, holding his dear kitten, Sadie, in his lap. The young boy's foot slipped off of the branch, close to his mother's face as she read. Her blue eyes drifted off the page as she looked at his shiny black shoe, then up at him. "Edward, would you please listen to your history lesson? It's rather rude not to listen."

His ginger hair fell into his face a bit as he placed the daisy crown on his kitten's head. "Sorry, mother. It's very boring to read a book with no pictures."

"Edward, there are plenty of interesting books out there that have no pictures." His mother gazed off at the meadow for a moment, knowing her son wouldn't be listening anyway.

"That can't be true," he tells her, watching as the crown fell to the ground. "In my world, books would only have pictures!"

"In your world? Edward, please. That's absolute nonsense. Now, from the beginning." His mother began to read once more.

"Nonsense? That's it, Sadie!" He sang, scooping Sadie up in his arms. "If I had a world of my own, everything would be nonsense. Nothing would be what it is, because it would be what it isn't! And contrary wise, what it is, it won't be! And what it wouldn't be, it would! You see?" Eddie puts the grey kitten down, jumping off of the branch without his mother noticing. Sadie let out a mew, still on the tree. "In my world, you wouldn't say "meow." You would say, yes, Mr. Edward." The kitten lets out another meow as Eddie picks her up, holding her close to his chest as he began to walk towards the woods. "Oh, but you would! You'd be just like people, Sadie. And all the other animals too."

Eddie sets Sadie down in the meadow, patting her head softly with a smile. "Why, in my world..." Eddie began to sing,

"Cats and rabbits would reside in fancy little houses...

And be dressed in shoes and hats and trousers..."

Eddie lays in the the flowers, almost disappearing into them. He gazes up at the sky, seeing that the blue moon was already beginning to show.

"In a world of my own...

all the flowers, would have very extra-special powers.

They would sit and talk to me for hours

when I'm lonely, in a world of my own..."

A blue bird then passes him by, causing an even bigger smile to rest upon his cherry cheeks. It reminded him of their small bird at home, who looked very similar.

"There'd be new birds,

lots of nice and friendly "how'd you do" birds.

Everyone would have a dozen blue birds,

within that world of my own..."

Eddie grabs Sadie and began walking down towards the wooded creek. The water was rushing by quickly, so the boy made sure to hold onto his little friend tightly as he skipped over a few rocks.

"I could listen to a babbling brook,

And hear a song that I could understand...

I keep wishing it could be that way,

because my world would be a wonderland!"

Eddie crouched and touched the cool water with his hand, feeling the stream go through his pale fingers. Sadie sat next to him, staring at the liquid as if it was a monster. Eddie's ginger hair was very clear in the reflection of the water, which made him sigh. He never liked how it looked or framed his freckled face. Suddenly, it began to look different. The reflection twisted and turned, showing Eddie's shocked face and a man standing right behind him. He turns quickly, only to see a tall gentleman with black hair, two white rabbit ears, bandages all up and down his body, and wearing a fairly fancy outfit.

Eddie turns around slowly, only to realize that his mind wasn't playing tricks on him. There was actually a man, a rabbit man, standing there behind him. Before Eddie could speak, the rabbit man looks down at a huge golden watch then points at it with a sickening smile.

"You made me three seconds behind. Now you have three seconds to run. That's only fair."

Eddie's green eyes grow huge and his kitten ran away as quickly as possible. He then saw the bloody knife in the man's hand, falling into the creek, but immediately getting up and running away. "MOTHER! MOTHER!"

The rabbit-man chased after poor Eddie, hysterically laughing as the boy had tears streaming down his face. His panic got the better of him, making him become lost in the forest. Eddie was nowhere near the meadow anymore, but he could just barely recognize where he was. His heart was beating out of his chest, feeling his foot fall through a hole and dropping him down who knows where. He let out a terrified scream for his mother, but nothing came from it.

However, his body felt light. He wasn't falling, rather, floating. His white dress shirt fluttered around a bit as his blue tie flew in his face from the unexplainable gravity. "Wha...? What's going on...?" Eddie mumurs, fixing his tie. The hole grew darker and darker, leaving a pit in his stomach grow. However, he could just barely see something that looked to be a lamp on a table. He reached out towards it and flipped the switch, illuminating the area. Random things were around him as he slowly fell, such as tables, chairs, and potted plants. They all seemed to be items that would be in a house regularly, but definitely not in a rabbit hole.

Eddie passes a mirror that catches his horrified expression, then a nightstand with books on it, then a rocking chair, all the way until he fell right on his bum. He was then in a hall with odd coloring floor tiles and weird doors. At the end of the hall stood the rabbit-man again, who held his golden watch. "I'm late cause of you, brat." He then showed Eddie's mask that was supposedly fell out of his back pocket as he was running. "I got this from you, lil-shit. Thanks."

Eddie gasps, knowing that was one of the only things that weren't a hand-me-down from his older brothers. He stood up and chased after the bandaged man in a fuss, forgetting how dangerous this cold be. "Hey! Give that back! It's mine!"

The man ran through a door at the end of the hall, Eddie racing after him in a spur of anger and fear. The door seemed to get smaller when he came closer, but blamed it on his imagination. He opened it, only to see two other small doors behind it, he had to crawl through it into a large room where there was another door the rabbit-man went through. He stood up and grabbed the handle, only for it to wail.

"Oh!" Eddie cried, lifting his hands up and touching his face. "Oh, I'm ever so sorry!"

The doorknob wiggled around like it had a life of it's own. "It is quite alright, young one. What is it you need?"

The voice sounded like a sweet elder gentleman, which comforted Eddie a little bit. "A man has something of mine. I must get through to get it back! It's very...important to me."

"Why, you're much too big to get through."

"I don't understand how he got through when he's taller than me."

"This is Zack we're talking about," the doorknob muttered. "Oh, but you could get through if you drink that substance in the bottle. There is a wooden table over there. It will have a bottle with liquid in it and a key underneath. Drink the liquid and use the key to enter."

Eddie followed the instructions, grabbing the bottle and key on a wooden table in the spacious room. He looked at the both of them, feeling a bit uneasy.

"Uhm...I'm sorry to be rude, but I'm not sure I should trust a liquid such as this...and this key has blood on it!"

"The blood must be from Zack...forgive it please. I have known Zack since he was a mere child. I cannot see, but I am sure the substance is safe as well."

Eddie felt naïve, but he truly believed that the voice was telling the truth. "Alright, I surely do hope I won't get sick from this."

The ginger then took a drink of the blue liquid, tasting the delicious flavor it had. Cookies, now bubblegum, now cake, now caramel. However, after it was all gone, the bottle became bigger and bigger, in which Eddie couldn't onto anymore. This is when he realized that it was not the bottle that got large, but he had shrunk!

"You should be short enough to go through now," the voice exclaimed. "Be careful, young one."

"Mhm! Thank you for the help!" Eddie gushed, opening the door and going through.

He was now in a forest-like area again, seeing the rabbit-man, supposedly named Zack, further in the woods than he was. Eddie hurried to catch up, but it was difficult to keep track of where he was. The trees were so thick and dark that it ended up confusing his eyes to thinking it was the man. "Stop! Please, wait!"

Eddie was then stopped by two pairs of hands grabbing him and pulling him back. He quickly spun around and fell over, in fear of whoever had touched him. There were two gentlemen with long black hair and strange tattoos on their faces. They looked identical, standing next to each other while gazing at Eddie.

"Oh! Why, hello there...!" Eddie nervously giggled, backing away from the two. "I'm sorry if I caused any trouble, I was just looking for a man named...Zack? He was running around just a moment ago. Again, sorry for the bother...it's been nice meeting you! Goodbye-!"

The two gentlemen then stand in front of Eddie, blocking his way from leaving. Eddie chuckled nervously before backing away a little.

"You're doing it backwards." One of them says.

"Yes, you go, 'how do you do?' and shake hands." The other completes the thought.

Eddie gasped, putting his fingertips against his lips. "Oh! Pardon me! My name is Eddie, how do you do?" he giggled, shaking their hands.

"We're splendid!" One says.

"Splendid!" The other adds.

"What are your names, if you don't mind me asking." Eddie puts his hands neatly behind his back, standing on his tip-toes.

"Our name is Shin." They both say with a smile.

"Ah! That is a lovely name! Uhm...I need to get going now, bye...!" Eddie goes around them, trying to speed off and catch Zack. However, the two jump in front of him again.

"Want to play hide-and-seek?"

"Or who has the button?"

"Thank you for the offer, but I really must get going." Eddie tries to walk around them again, but they both grab each of his arms to hold him back.

"Why?" They both ask together.

"I must catch up to a rabbit-man who has something very dear to me." Eddie says in a tender and loving tone, trying to convince the two to let him go. "Please, allow me to find him."

The two look at each other with a smirk, grabbing the boy and pushing him onto a small log to sit on. "We will tell you a story first." They both say together. Before Eddie could reject the offer, the two begin dancing around and singing.

"There once was a boy who made graves and got nothing of his own,"

"The only thing he got was the smooth and flat stone!"

"And over the trees,"

"And over the hills,"

"Laid a grave-robber at work."

"He took all the bodies,"

"It was his hobby,"

"And began to sing this song! Ohhh,"

"These bodies will make me rich, my boy! These bodies will make me rich! Take them and hurry, runaway, scurry, and watch him go berserk!"

"The young boy decided enough was enough,"

"Knowing what the man had done!"

"Grabbing his hand,"

"Pushing him in,"

"And began to sing! Ohhh,"

"This grave will be ugly, with no beauty at all! I'll put the robber in the casket with no one else involved!"

"The robber screamed,"

"And wailed,"

"And cried,"

"But no one came along!"

"This is why you never steal from a grave-keeper's son! Hurrah!"

Eddie stared at the two with complete confusion, looking genuinely concerned. "That story...has a moral to it, huh?"

"Don't steal from a grave-keeper!" The two shouted with a twisted grin, almost implying that Eddie would know this.

"...Well, I ought to be going."

"We have another song!"

"Yes, about a girl who stitches people up!"

The two began to sing about another odd topic, Eddie sneaking away when the two weren't looking. He saw a glimpse of bandaged rabbit ears behind a huge tree in the distance, regaining his composure and chasing after the man. "Wait! Please, wait! Wherever are you going?!" Eddie soon finds himself running down a dirt path, leading towards a garden of flowers. Since he was still so small from the drink, the flowers looked huge and out of the ordinary. He entered the flowerbed as he looked around for Zack. "Where are you?! Please, come bac-!"

Eddie was then met eye-to-eye with a flower, which had a face. It clears its throat, lifting up a small stick and beginning to orchestrate a song piece for the other flowers to sing. They all sounded wonderful. Eddie couldn't help but to watch them all flutter around gracefully with their petals in the air. His eyes then lock onto the most humanoid looking one; White petals, beautiful golden hair, and two big brown eyes. She laid by many spider webs underneath the sunset, the dew on her making her look so angelic. She was by far the prettiest, the most talented, and the most separated from the other flowers.

Eddie and the flower made eye contact, only for her to blush a rosy red and look away sheepishly as she continued to sing. The young boy was then stopped by the other flowers who surrounded him, seeing that he was the only one not singing. He nervously giggled and looked around to see all eyes on him.

"My, you are all so wonderful." Eddie praised their performance with a gentle smile. The girl flowers all swayed over him, whispering about his looks.

"Thank you very much, dear." The orchestrater rubbed her petals against Eddie's cheek before pushing him a little closer to the rest of the flowers. "Now, may I ask what flower you are?"

"Oh, why, I'm a steady-ready-Eddie flower!" He sang, causing the girls to swoon again.

"A steady-Eddie-what?"

"Look at that stem!" One flower exclaimed, grabbing his suspenders and yanking them a little.

"And those petals!" Another shouted, running their leaves through his ginger locks. "They smell like pumpkin spice, not very much like a flower though..."

"I think he's gorgeous," the white flower girl spoke, only to be hushed by the others.

"What flowerbed are you from?"

"None, ma'am."

"Are you a wildflower?"

"No, I'm not a flower at all!" Eddie finally told them. He didn't know that their response would be negative to that answer. Everyone began to whisper about him and the white-petaled girl looked a bit distressed. He was going to ask what was wrong, only to be grabbed and thrown away.

"He's a weed!"

"A weed!"

"We don't want weeds in our flowerbed!"

"I'm not a weed!" he cried, landing on his hands and knees. The flowers then began throwing water on him that was stored in their petals above. Eddie clenched his fists and stood up, now soaking wet. "Well, if I were my regular size, I could pick each and everyone of you!"

"Get out of here, weed!"

Eddie huffed, dusting himself off and looking back at them. The white flower girl gave him a small smile and waved, causing Eddie's anger to dissolve as he did the same. He then turned away to see that the dirt path led into a meadow that looked like a jungle, since he was so small. Each strand of grass was as big as a tree and all of the mushrooms were almost as tall as Eddie himself. He began his way through, knowing that the white rabbit must have gone this way. His black shoes that his mother had just polished grew muddy as the path grew wet. This was awfully annoying.

✿ ✿ ✿ ✿ ✿ ✿

I will post Part 2 later today~❤

#angels of death #angels of slaughter #eddie mason #edward mason #isaac foster #zack foster #Eddie in Wonderland au #fanfic #alice in wonderland au #art is not mine

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