#Yes you've seen me only make comics

[featureenvyproductions]

dude why do I have to participate in capitalism I wanna live in a cabin wrought by my own hands and draw some fucking pictures and trade my friends furniture and handyman tasks for vegetables and eggs or some shit

[averlym]

hi, i see you are on hiatus, but thought at some point you might like to hear that january 28th is henry’s deathday ~ holiday anon

another one bites the dust (haha because you hoover dust)

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[yayll]

~ a little something about Dazai's impeccable detective skills... only when it comes to you ~

"Uh-huh... And you said you were meeting someone last night?" Dazai pretends to jot down this information, his brows slightly furrowed as he scribbles into the notepad he conjured up from his long tan coat just a few seconds ago.

"Yes, that's correct."

"Ah, I see.. Fascinating. And how was it?"

"How was what?"

"Your date." He says, smugly. His head tilts in mock innocence, and his smile stays plastered on his lips while he watches you practically choke on your own spit. Now he's really going to start writing details down...

"Oh, no, it wasn't like that. Nothing that official, heh." You fidget with your fingers, looking down, and suddenly your shoelaces are the most interesting thing you've ever seen. You didn't think questioning would last this long, you weren't even involved in the crime, but this eccentric detective before you says all witnesses are vital for the investigation and you're just doing your civil duty as a valued member of society!

And this drives Dazai insane... how ridiculous that you don't have a clear standing within the life of whomever you were seeing. It should be a crime, really! If you were his, no one would ever hear the end of it. He hums to himself, nodding as if in deep thought as he draws a heart around your name in his notepad, adding his own name right under yours. He clears his throat and looks back up at you, making sure his knees don't give out at the way you seem so bashful around him.

"I beg your pardon? Do I hear that a young and beautiful person has not been swept off their feet successfully?"

Just before you can answer, a young man with white hair and a peculiar asymmetrical haircut runs to Dazai's side. He peers at his notes, and nervously chimes in.

"Er, Dazai? Mister Kunikida wanted me to come find you, but I didn't think you'd actually be working- Why are there so many hearts drawn-"

Dazai immediately moves his hand over the young man's face and comically shoves it away from his notepad, still smiling at at you. He speaks through gritted teeth and a nervous chuckle.

"Not now, Atsushiiiii, I'm working~"

This causes Atsushi to grumble, his face deflating into an annoyed sigh as his gloved hand scratches the top of his head.

"But Dazai, this is kind of important, and I really don't want to have to be the one to tell Kunikida that you're slacking off again..."

Dazai instantly snaps his head to look at Atsushi, pointing at you with dramatic flair, his voice reaching a mocking pitch.

"Oh, but I'm not, young Atsushi! I've come out here on pure basic instinct... I'm conducting a very serious investigation, and so unfortunately Kunikida and the rest of the folks at the agency will just have to wait for my genius intellect to come up with a tantalizing resolve. Get Ranpo to help. 'Kay byeee!~"

Dazai grabs you by the arm and though the gesture is hasty, he's surprisingly very gentle as he drags you away from the white haired young man. You're now standing outside a cafe and Dazai takes out what looks like a business card, presenting it to you. He scans your slightly confused face, and thinks about what other precious faces you'd make for him if he stuck around you long enough like the hound dog he is. He wonders if you'd let him touch your arm again, maybe even your hand... maybe even your-

"Are you okay, Dazai?" You ask in slight concern. Oops! He's been nonverbal for too long. He shakes his head rapidly and lets out a soft chuckle.

"Never been better! Here, take this, it's my personal contact. I think I've got all the notes I need to finish my work, but I seem to be missing one last thing-"

He proceeds to lean in a little, his now softened hazelnut eyes looking into yours intently, and his voice becoming drastically more serious. There's a glint of sincerity, and an emotion you can't quite place, but it makes your blood pressure spike and your cheeks flush at the casual intimacy of it all.

"... A time and date so I can see you again, perhaps?"

You feel yourself feeling giddy, and slightly stammer as your response flows out of you coyly.

"Ooh well, maybe tomorrow in the evening? I'll be off of work then. We can um, get coffee here?" You nod your chin up at the cafe sign, and flash him a soft smile. A smile that will keep him happily satiated until tomorrow.

"Ah, then it's a date! An official one..." He winks at you, and pats the top of your head, the feeling is light and angelic. By the time you recover, he's gone. You get a last glimpse of the way the tail of his coat swishes as he sharply turns the corner of the street, and you stand there smiling like a giddy schoolgirl. What you don't know is he does the very same thing, thinking about how playing with the fire of his own destiny is worth ruining if he could cement himself into your heart. In his adoring eyes, you could do no wrong. That's his job.

[wannaeatramyeon]

Seongji Yuk x Reader: Treats

G/N. Meeting Seongji for the first time.

"Your teeth are gonna fall out."

The monster of the mountain looks at you, face blank though eyes amused, tanghulu hanging from his mouth.

You've seen him enough times to know there's not much monstrous about him, apart from his overwhelming sweet tooth.

Rumours of this monster were grossly exaggerated.

Maybe you should have had more self preservation than to wander the mountainside when such tales persist. Yet when you found out the monster was a mere man, a mere boy close to your age, who seemed to have a penchant for sugary, syrup covered fruit-

You realised the only thing to fear was cavities and tooth decay.

Still. It helps to have someone with such a reputation on your side, you decide, as you toss over a pack of fruit gummies.

A hand shoots out and swiftly catches it.

(Six. You swore you saw six fingers on that hand.)

"Thought you might like these," you shrug as he gives you an odd look, "See ya!"

.

.

After the fifth pack of candies you threw at him, the guilt sets in.

You make your way through now familiar half hidden paths, searching for the monster.

He's there. Sitting in front of his giant wok, surrounded by freshly made tanghulu. Scents of sugar and caramel fill the air.

"You're here again," The words are spoken so quietly you almost missed them. His voice is softer than you expected.

"I bought you more things," you hold out a small plastic bag. He gives you the same look each time. 

"Open it," you encourage, shoving it more forcefully in his direction.

With little trust - which is somewhat unfair, you think, considering all the treats he has received from you - he takes the bag.

(Six. You know you saw six fingers on that hand.)

He opens it, peers in, face clouded with caution. Then-

Eyebrows shooting into his hairline, eyes widening almost comically, mouth forming an 'o'-

The tension breaks and he chuckles.

"It's one thing if all the tanghulu you eat rots your teeth, that's your own fault," You rub the back of your head self-consciously as he pulls out more fruit candies, as well as a new toothbrush, toothpaste, floss, mouthwash one after the other. "But if it's because of me then..."

"You're strange," he says, staring at you like you're a puzzle he can't quite figure out.

His words have no bite.

.

.

"Seongji Yuk," he eventually provides his name with reluctance. In exchange, you provide the rest of the banchan and rice to accompany his homemade kimchi.

(Your single braincell stopped functioning the first time you realised he does in fact eat something besides sugar.

It's endearing, this supposed 'monster' making his own tanghulu, making his own kimchi.

You kept comparing his recipe with your own before eventually he asked you to leave out of exasperation.)

"Well Seongji, your kimchi needs more saeujeot," It's not bad, it's just missing something.

"You don't have to eat it," he grumbles, swallowing down an extra big mouthful.

.

.

"So..."  You stall, elongating the word, letting it drift into the night. You don't really know Seongji well, hell you don't know him at all. Maybe it would be intrusive to ask.

You hear a rustling beside you. "So what?"

"So… you live on this mountain?"

"I do."

"Huh." You gaze out at the stars. It's a pretty peaceful existence, or it would be if not for Cheonliang. "On your own?"

"Yes."

"Do you ever get lonely?"

A beat. Then - "No."

Oh.

You turn to him and see his face blank but eyes amused. Messy hair and high cheekbones highlighted by the fire.

"Well I can visit you if I get lonely then."

There's a huff of laughter. Seongji knows he can't stop you anyway. He turns back toward the vast inky sky. Takes in the scattered stars. Feels the heat from the flames, a heat that settles into his cheeks.

A smile dances on his lips when he tells you "Okay."

[pretty-little-mind33]

Kraven The Hunter x fem!reader

Summary: You meet a dangerous stranger in the woods...

Genre: SMUT (nsfm)

Warnings: kinda dark but still tame, cheating (reader), unprotected sex (pls use contraceptives in real life!), oral sex (m receiving), praise kink, degradation kink, rough sex, riding, he spits in reader's mouth 👀, kissing (duh), fingering, light misogyny, ik he has a name but i use Kraven in this, bad russian google translate maybe (I AM SO SORRY I DID MY BEST—if you speak Russian and have any suggestions… please 🙏 ) LISTEN…I'M SORRY LIKE I COULD NOT RESIST WRITING FOR HIM…HAVE YOU SEEN HIM? Probably NOT comic accurate…

SERGEI KRAVINOFF MASTERLIST

You don't know what you hate more at the moment—your boyfriend or the continuous sweat forming on your hairline from the dampness and heat. It's becoming dark outside, which should cool the air and help with the heat but not as much with how pissed you are at Chris. 

With a small squeal, you stumble on the roots of a tree, gasping as your ankle twists awkwardly in your hiking shoes and the buzz of an insect flies around your ear. You swat your hand near your cheekbone. You're holding the branches you'd found in one arm now as the stickiness of the air makes your skin feel heavy. 

Screw you bugs! 

Screw you woods!

And most of all screw you Chris!

You're too immersed in your hatred that you don't realize you've fallen into an animal trap until it's too late. You scream, the branches falling from your arm as your body folds and the net wraps around you, pulling you up into the air. The rope burns your exposed skin as you squirm. This had to be a nightmare, some sick cruel joke Chris is playing on you. You half hope he'll jump out from behind the bushes and laugh in your face. 

You wait in silence for a moment but your boyfriend doesn't show up. 

"Help!" You scream out helplessly, "Is anyone there? Please, I-I'm trapped," you call. 

"Hmm, yes, that is the point of one of those," a deep voice drawls from behind you and you wince. You try to strain your neck to look at the newcomer but you can't move enough to see who it is. It certainly isn't Chris. Chris doesn't sound like that.

"Please, can you help me?" you plead shamelessly now. 

Your heart is beating so hard. You hear the creak of leaves and dirt as whoever stands behind you walks closer to you. You feel them turn the entire net around and soon you're face to face with dark piercing golden eyes. A color you can only describe as supernatural. 

"Now why would I help you? You stumbled into my trap—that makes you my prize."

The man is tall and strong. His shoulders are broad and his hair curls messily across his forehead. He's wearing an open vest made of brown leather and adorned with fur, thick leather bracers, and a necklace where three animal teeth hang.

You concentrate on the sharpness of the teeth for a while, ignoring how very much shirtless the man is against them, but eventually you lose focus as with a swift motion, he uses a knife he'd taken from his belt to cut the net and you crash to the ground. 

Immediately, the dirt sticks to your sweaty skin as you scramble up onto your feet. You brush hair from your face and stumble back, almost falling again until the man's large, calloused hand finds your forearm and he holds you still. "Calm down," he says hoarsely, his eyes narrowing and his grip tightening.

"You don't wanna run from me, gorgeous. Clearly, you don't know your left and right around here but I do. So, stay still for me so I can think about what I'm gonna do with you."

He has a thick accent and you find yourself nodding. He drops your arm and you don't move. You look up at him as he looks around, rubbing his hand over his jaw like he's debating his next moves. You can see his knife, which he has secured into his belt again, glistens with blood and your stomach churns. 

"Please don't hurt me," you whisper.

The man stares at you blankly, his eyebrows crease as he looks you up and down. After a moment, the corners of his lips curl upwards and he moves closer. You squeeze your eyes shut, scared, and you gasp inaudibly as a tear escapes you. 

The man's thumb wipes it away, his hand cupping your cheek and he speaks a language you don't understand—russian you assume—"Я бы никогда не подумал причинить тебе боль, (I would never dream of hurting you)," His tone seems sweeter than how he'd spoken before but all hopes of him translating what he'd said disappear when he asks:

"Why are you out here all alone?"

You recover from his touch as it leaves you and you try and explain, "I'm not alone. My boyfriend," you turn to look behind you but all you see is the trees and hear the rustling of animals in the shadows, "is around here somewhere," you finish.  

"He left you? Alone? Now? It's almost dark," the man accuses as if it had been your choice.

"I- I was supposed to bring branches for the fire," you say quickly, gesturing to the branches that had fallen from your arms. The man looks where you're pointing and chuckles darkly. 

"Oh, милый (darling), those aren't branches. Those aren't even twigs."

You glare at him, not finding it funny at all, "Well, I couldn't carry the heavier ones," you defend and the man interrupts with another chuckle.

"Ah," he smirks, "so why was it you who went out? Can your man not care for you properly?"

You scrunch your nose, "What's that supposed to mean?"

The man's smirk turns into a smile, his teeth showing, and you can't help but feel butterflies in your stomach as he smiles. He's handsome—almost too handsome for someone who looks like they live in the woods.

"I mean," he drawls, leaning in even closer, "what kind of man allows his woman to do all his labor, leaving her on her lonesome and vulnerable to bad men like me?" Your breath hitches and your eyes widen when he finishes, "Your man is a pathetic little boy who doesn't deserve a woman like you."

Your mind races. You want to defend Chris, tell this man that Chirs is an amazing, loving, boyfriend—but another part of you can't deny Chris had basically coerced you onto this hike, on your birthday nonetheless, and then promptly abandoned you to fend for yourself.

However, those details weren't what your mind latched onto. No. As you stare at the handsome stranger, his words ring in your ears; "bad men like me"

The man can tell and he chuckles, "Don't look so scared. I like you. You're the most entertainment I've had in a while. Come," he beckons you over, turning around and gathering his net over his shoulder. When you don't follow instantly he calls out, "I can offer you shelter and food, and a fire," he adds with a glance over his shoulder, "Unless you'd rather find your way back to your boyfriend. Your choice, милый (darling)."

So, you end up in the man's home. The man—who had finally introduced himself as Kraven— lives in a small cabin that's obviously been worn out by time and weather. All the furniture looks barely used—as if there hasn't been life inside this cabin for a long time. 

Kraven's hospitality is coarse and oddly demanding as he pours you some honey tea he made himself and hands you some bread. You don't complain, you're starving. As Kraven makes a fire, he mumbles things in Russian and occasionally he'll look over at you, sending a shiver up your spine. Your hair is wet from the shower you just had and the strands stick to your cheeks.

Your mind wanders to Chris. Is he okay? It is a warmer night—so he really shouldn't freeze to death. You feel guilty for having accepted Kraven's offer but your thoughts are interrupted by the fire starting and Kraven stands. He runs a hand in his curls and drops his vest on the couch near you. You look up, suddenly extra aware of how shirtless and toned he is. 

"Продолжай смотреть на меня так, и у меня не будет другого выбора, кроме как трахнуть тебя прямо здесь и сейчас, милый, (Keep looking at me like that and I'll have no choice but to fuck you right here and now, darling)," Kraven says in a growl and the only word you recognize is the last one since he's used it a few times.

"What does милый mean?" you ask, attempting to pronounce the word but fumbling it. Kraven smirks and tilts his head as he walks closer until he's sitting next to you. 

"It's a term of endearment," he chuckles, "like darling—or honey."

You feel your cheeks burn. It's almost worse to hear him explain the term rather than just using it. You look down at your hands, feeling Kraven's warmth next to you. He smells like pine-wood and ashes and the scent is invading. You feel safer near him then you'd ever felt in Chris's arms. Guilt settles in your stomach again. 

"Ты так сладко пахнешь. (you smell so sweet)," Kraven says again and his hand comes up to move some stray hairs behind your ear. The air shifts and sexual tension settles around you and the feeling dances across your skin with fervor. 

You don't dare turn your head to look at him, afraid of how he's staring. "What does that all mean? The Russian?" you mutter.

"It means I want to kiss you, doll," Kraven chuckles and his hand cups your chin and he turns your head so you're staring at him. Your eyes are round and he chuckles, "what do you say милый (darling)? Will you indulge me? I wanna see if you taste as good as I think you do."

Your heart jumps in your throat and suddenly you feel very small compared to him. Your eyes flicker to his lips and then up to look into his eyes. They sparkle darkly and you wonder if anyone has ever been able to say no to those eyes. You surely won't be the first. You nod. 

Kraven leans in and captures your lips with passion so fierce you're afraid your lips will bruise. Still, they slide across his easily and it's as if you've been molded for one another. Kraven's hands tighten in your hair, bunching up the strands so he can control your head movements. Control. His entire demeanor screams control.

"Good girl," he mutters with a smirk against your lips and his hands move to grip your hips. You're wearing some shorts and a shirt you found in the bedroom when you changed from your shower.

You gasp as he helps you up and you straddle him now. With a humph, he lifts up his hips and slides his knife holster to the side so it isn't digging into your thigh or his. He grins wolfishly, continuing to kiss you. His lips trail up your neck and near your ear. 

It never felt like this with Chris. Sure, it had been fine—it had been good even in the beginning—but this? No, nothing could compare to this. 

Kraven's hands are large and strong against your skin as he kneads your waist and ass. "Ты такая хорошая девушка для меня (You're such a good girl for me)," he whispers, his voice hoarse, and as attractive as it is, you whine and furrow your brows.

"Please, don't talk in Russian anymore. I can't understand you," you pout, pulling him closer as you unconsciously grind your hips into his for more friction. "I wanna understand you," 

Kraven grips your hips harder and rolls them onto him, earning him a soft moan that falls from your lips. "Alright, darling, alright," he smiles and kisses you again. "Tell me, do'you want more from me? Seems like you do," he grinds your hips again, punctuating his words as he teases you mercilessly. 

You are at loss for words. This is wrong. You're cheating on your boyfriend, you try to remind yourself, with a man you met in the woods. But if this is so wrong, why does it feel so good? You moan. You desperately want to slide your shorts and panties down to allow even more friction on your clit. Your cheeks burn with embarrassment and you must look so needy. 

Kraven hooks his fingers in your waistband, running his thumb over your hip, reading your mind, "Is this what you want, darling? You wanna rub yourself on me like a little slut?" 

The insult shouldn't be as hot as it is, but when it's followed by a searing kiss, the word is honey on his tongue. You moan and drop your head in the crook of his neck, grasping onto his shoulders as you lift your hips so he can easily slide your panties and shorts down. "Please," you whisper, nails digging into the muscle of his shoulders. 

Kraven smirks and, as he holds your nape with one hand, he uses the other and finds your pussy. He explores your folds, wanting to make sure you're wet and ready for him. He rubs your clit, earning him smaller, more high pitched sounds from your parted lips as your wetness seeps over his hand. 

Kraven teases you for a little while longer, murmuring praises in your ear until he suddenly spreads his legs and you fall to your knees in front of the couch. You gasp, looking up at him from the ground. 

He looks majestic, sitting there, as if the couch was his throne and he was a King. 

Kraven's smirk widens as he fists one hand in your hair, using his other hand to lick his fingers clean of your arousal and then swiftly unbuckle his belt. He stares at you as he does this and tilts his head. "D'you do this for your boyfriend, gorgeous?" Kraven seems amused by the word boyfriend, as if it's some game to him. 

You nod, sinking onto your heels as you watch Kraven pull out his cock. He's big and hard and your eyes widen. "D'you like doing this?" he asks, his voice low. You catch his eye and shake your head honestly. You didn't like giving Chris head—but Chris's dick didn't look like this. Your eyes snap up to Kraven's cock. 

"You'll like it with me," he adds, smirking, and guides your head to his cock. You let him, having no complaints as you take him in your mouth. You're nervous at first, unsure of what to do, but soon you gain more confidence as you try and take him even deeper. 

You gag a little and Kraven just tightens his hand in your hair. 

"You can take it. I know you can, doll. There," he coos, clearly enjoying your work as you adjust your mouth around him. "There, yeah. That's my good girl." Kraven grunts out the word "my" and warmth pools in your stomach. You moan around his cock, sucking faster as if to respond yes, I am yours.

With a pop, he pulls your head away and tilts your chin. He helps you up to straddle him again, keeping you eye level as he positions his cock at your entrance. He squeezes your cheeks, opening your lips, and then spits into your mouth before claiming your lips again. Your eyes flutter shut as you feel him against you and he sinks you down onto him. 

"Can you feel me, милый (darling)?" he grunts, moving you on his cock slowly, torturing you. He chuckles darkly when you whine. 

"Mmh," is the only sound you make as he fills you up. It feels so good. 

"You feel full, hm?" Kraven taunts, moving your hips a little faster as his hands grip your hips hard enough to bruise. He pulls one away a moment and rips your shirt, attaching his lips to your hardened nipples as you squeal. 

"Yes, oh, I feel so full," you whimper, bouncing up on him, helping him so you can go even faster and deeper. "Shit, you're so big."

"Шлюха (slut)," he groans, the word slipping past his lips in ecstasy as he kisses and sucks across your chest. You whine, wanting him to tell you what the word means so you can understand him but Kraven smirks. He kisses your collarbone and then, using his strength, he easily flips you over so you're laying on the couch and he's on top of you now. 

Kraven sinks his cock back into you as he snaps his hips hard. You gasp, wrapping your arms around him and your nails slide up and down his back, and he groans with pleasure at the sting. 

"Fuck, fuck, fuck please," you plead, eyes rolling as your body shivers.

"You're so tight around me. As if you were made just for me," he says as he continues to fuck into you. "Does your boyfriend fuck you this good?" Kraven asks, his accent thicker as he loses himself in the pleasure. His hand comes to wrap around your jaw as he holds you in place under him. 

You shake your head. 

"Слова (Words)," he growls but then curses and says, "Words, darling. Tell me."

"N-no. He doesn't fuck me this good," you whisper as Kraven's cock slides into you. You're so wet and he's so hard and this is so so wrong. 

"Yeah? You gonna run back to him now, bunny?" he snarls and nips as your earlobe. He thrusts harder and smirks at the pet name. "Hmm. run little bunny, back to your poor excuse of a boyfriend? No," Kraven grunts, as if he's made a decision, "I'm keeping you, doll. I can take care of you better than he can."

You moan at this and nod, "Please," you whisper, feeling your thighs clench around him as you can feel your orgasm approaching. 

Kraven feels it too. "You're squeezing around me, Шлюха (slut), do you wanna come?" Kraven teases and his thrusts slow. You whine and look at him, your eyes becoming teary from need. You nod.

He laughs and kisses your lips with a grin, "Alright, you can come. Go on, let yourself come all over my cock," he smirks against your skin as his sharp teeth nip at your neck. 

 You whine, letting your body finally relax as you come. You gasp, your eyes rolling from pleasure as your legs feel like jello. Kraven finishes inside you with a grunt and you whimper at the feeling.

He smiles as you sink into the cushions and your eyes flutter. His large hand comes to hold behind your head as he pulls you up and leans you against his chest. 

While Kraven's touch is comforting, it's also possessive and claiming. His thumb strokes over your hair and his lips kiss your head. He's holding you so close you're almost afraid he'll never let you go. You sigh when he slides out and picks you up in his arms as he stands.

"Good girl," he mutters as he walks you to the bathroom and adds, "You did so well for me." You let yourself relax in his arms as he promises he'll be here from now on. You're his now. 

You're so blissed out from your orgasm that your mind doesn't understand what that truly means. Instead, you shut your eyes and let him take care of you and, with a small smile, you think,

Happy. Fucking. Birthday. To. Me.

[kiddphel]

No more fighting and shaming people for their type of f/os. Support and love for all kinds of f/os Now.

✰ You have live action f/os? Maybe even only live action f/os?? That's awesome!! Your f/os from movies? Tv shows? Some independent series/project? That's so cool!

✰ You have anime f/os? Does your f/o list have popular characters from this season's newest anime or the most popular anime phone games? Love that for you! Glad you're having fun with your latest interests.

✰ You have f/os from video games? That's cool! Recent releases? Maybe even older games, last generation? Or maybe games even older than that? Indie games only a handful of people know, or indie games everyone knows? That's amazing!

✰ Your f/os come from children's shows or movies? Are they animated, or maybe live action, or one of the shows that use puppets? That's really great, I'm glad you can find beauty in these shows people might say you're too old for. Never let anyone stop your love for your interests.

✰ Your f/os are from comic?? Me too! Are they from big name series or maybe the lesser known ones? Are they indie comics? Maybe even webcomics?? Hell yeah, great taste.

✰ F/os from podcasts? Actual plays/liveplays?? Novels?? Yes!! How fun!! It can be hard when there's very few visuals of your f/os and all of your content is just audio/writing, but it's sweet that you can find so much love for them that you don't need visuals.

✰ Maybe your f/os are from something I didn't even think of. If so, I love that. Your taste and love for your f/os is unique!! And I'm glad I get to learn more about it :)

I think it's great that there is such a wide variety of types and tastes when it comes to self shipping. Some people's f/o lists are only super attractive anime pretty boys, some are from clunky PS2/Xbox games, some don't even have visuals of what they look like, some you've seen everywhere and some you've never heard of in your life. It's great, our differences are what make all of us coming together even more beautiful, I think.

[If you're an adult that ages up characters under 18 or are pro.ship or whatever, this post isn't for you to reblog]

[just-a-sewer-goblin]

Simon x gn!reader

Read the Modern Warfare: Ghost comics yesterday and they poked my brain in some spots. They inspired this, because yes Simon sexy; big man makes brain go brrr but what if Simon says no?

Warnings: heated make out session, not proofread and it's late so it sucks

Simon moans under you as you kiss him, the sound making your body ache with need. It echoes in your ribcage making your heart flutter and frantically beat against your ribs, trying to get to Simon.

Your bodies are pressed against each other and you already feel lightheaded when you haven't even taken your clothes off.

But Simon is shirtless and all that skin under your hands drives you insane while you're making out. Tongues lazily intertwining, rubbing together, creating that delicious friction that makes you pant.

Simons pupils are blown wide as he looks up at you on his lap. You can feel how affected he is by you as well and it increases your desire tenfold.

You think you'll go crazy if you don't get the clothes separating you two out of the way. Your entire body is calling out to the man under you and you need to do something about it before you lose your mind.

Slowly you move your hand over his pecs, dipping your head to follow that path with your lips and tongue, marking his skin while you're at it.

Simon makes a sound that's half a whimper, half a moan and it makes you bite down on his pec which in turn gets an actual whimper out of him.

You look up at him and he's thrown his head back, watching you through almost closed eyes, burning you with his desire.

His chest is heaving and his harsh pants of air are actually audible. You have never seen him so wrecked before and you can't wait to ruin him when he moans your name. And your hips twitch in response.

Th reaction only seems to fuel his desire more and he bites his lip trying to stifle the sounds he's making.

Your hand continues its path down his tummy towards his pants where your reward awaits. Your heart speeds up as you get to his waistband.

It's such a tiny moment you would have missed it if you were less aware of every single movement of Simon.

Just for a second he goes stiff and then relaxes again.

Your hand stills. Your eyes trail up from his crotch again to meet his eyes. There's a tightness around his mouth that doesn't sit well with you.

He's the picture of relaxation, but it's not real anymore. His eyes are wide open, you can see the muscles in his arms flex, even as he keeps them down, seemingly open and relaxed.

You sit back on his thighs, ceasing all other movement.

"Tell me, baby.", you gently encourage.

Simon shakily exhales, puts his hand over yours, that's still sitting just over his waistband and moves your hand back up to his chest.

You can feel his heart hammering under your palm and it doesn't feel like desire anymore. It feels like a hectic little animal being chased. It feels like anxiety and slight panic.

He stays quiet, not moving a muscle and you match him, gently stroking your thumb over his skin, scooting closer again, so you're not half bent over from where you tried to get to his zipper.

"I don't... I'm sorry, 'luv.", he whispers roughly and you smile. A sad smile but it's gentle and you can feel Simons heart slow down under your palm at your smile.

"It's okay. No need to apologize."

His other hand finds your neck and he draws you in until your foreheads touch and you can feel his shaky breath on your lips.

One of your hands mimics his, while the other one stays on his chest, his skin warm and scarred against yours.

Gently you squeeze the back of his neck. "We're okay." You whisper and you can feel him finally relax again.

You know there's so much he probably feels like saying but as he so often does he lets the silence speak for him.

Luckily you've gotten fluent in Simon's silence over the time.

"I don't care, baby. I only care about you being here with me. My needs can be taken care of in other ways. We don't need that to be close. We've got our own ways."

Instead of answering, he kisses you again and you arch your back so all of you is pressed to him.

It has nothing of the desperation of earlier even if the heat is still simmering deep in your belly.

It's all comfort and closeness now.

He cups your face, as if you're the most precious thing he's ever held and you smile into the kiss.

"How can you be so... so... good?", he asks. If you didn't know him as well as you did you would have missed the way his voice sounds slightly choked up.

"I love you.", is your simple answer and he shakes his head.

"I don't get it. Why are you not sick o' me? Why haven't ya found someone who can do normal shit."

You smile, peck his lips and try to pull back, which turns into him holding you close and deepening the kiss before you attempt to pull back again. He doesn't let you and you grin into the kiss. Finally he lets you go, both of you laughing quietly.

"I will never be sick of you. I don't need anything but you. And you are enough, exactly as you are, right now in this moment. You've always been enough."

You can see his eyes widen as your words hit him, his hands find your hips and hike you up a bit more and then he hides his face in your chest, his arms around you, chrushing you to him

If the way his fingers dig into your skin is slightly painful you don't comment on it. You bring your arms up and hold him just as tightly.

[zoe-oneesama]

Hi! I'm one of the people who coloured in the first and second episodes of your Scarlet Lady comic!

First off, massive fan of your work, every update makes my day and it's been amazing watching it evolve over time! Both the art itself and the story you've created is incredible and is some of the best I've seen from the fandom!

Second (and why I'm here in the first place,) it occurred to me after posting the coloured second episode that I am essentially reposting your art (with full credit, yes, but a repost is a repost.) I wanted to make sure that, if I were to post more coloured episodes, you'd be alright with it? I don't want to step on any toes, and I'm fine with keeping them to myself. I don't want to potentially detract from other fans who have yet to encounter the original.

As long as you only post it on tumblr (where it can't be monetized) I don't really care, have at! And obviously tag me in it.

[the-froschamethyst4]

When You Tell Them About The Older Men You Liked

————

COD Men Headcanons

————

König

Legend of Korra: Tenzin

"HE'S A CARTOON!" König yells.

"I know."

"WHY!? AND HOW OLD WERE YOU!?"

"I don't know why? I think I was...13?"

"Scheiße, Baby (shit, baby)." He curses under his breath.

"Yeah, I think that's when I knew I liked older men."

König was still speechless. He learned something new now, how you like older men, and the reason why you two are together because she like him because he was older and larger.

The topic was brought up due to him saying one of his daughters favorite cartoon character was a bit hot, so it was only right you brought up an old crush of yours

————

Ghost

Robert Downey Jr.

"I mean that makes sense," Ghost says. "Could have been worse."

"How worse?"

"You know, I'm not gonna say, but I get it. I mean it's fucking Iron Man, of course a lot of people are gonna like him, like fuck, I fucking like him, love, I will marry him if I could."

Honestly you learn that Ghost is basically secretly gay for Robert but I mean come on, agree with the man here.

The topic was brought up because you asked him, if he a celebrity crush on a older person and he said Julia Roberts, so it was only right she said Robert Downey Jr.

————

Price

Hugh Jackman

"Do not get me started," Price says.

"I mean you saw the movie! His body, come on now, John."

"I know, love, I saw it, and I saw how you looked at him, you like Hugh? I fucking love Hugh, baby." Price says, he was jealous that you told him Hugh Jackman was hot and sexy, and how you had a crush on him

"Baby deep down, I gay for Hugh," Price says, as you laughed and lightly tapped his shoulder

The topic was brought up when Price and you saw Deadpool and Wolverine and the part where Hugh had his suit shocked off him and you see a clear view of Hugh's body and his hairy body, he became a bit jealous

————

Soap

Gravity Falls: Stanford Pines

Honestly, I would say don't ask but the topic was brought up because he said the assistant from PowerPuff Girls was sexy, so you pulled the 6-fingered Grunkle from Gravity Falls

"JK Simmons has a tight hold on me." You tell him.

"Seriously?"

"You said Sarah Bellum was hot, so it only fits I say, Stanford Pines is hot."

"HE'S 60 YEARS OLD!"

"You're point? SARAH DOESN'T EXIST!"

"NEITHER DOES FORD! AND I'M PRETTY SURE HE'S MARRIED A TRIANGLE!"

AN: This is off topic (sort of) but he also voice acted for Tenzin (in case you didn't know).

————

Alejandro

Keanu Reeves

"Have you seen him in John Wick?"

"Yes. mi amor, I know." He chuckles. "He's a badass."

"Exactly, like Jesus, he can kill me all he wants to as long as I get to look at him."

"God, amor," he chuckles again.

The topic was brought up because you two finally had the time to sit down and watch the John Wick movies and now you understand why middle aged women love Keanu Reeves

————

Gaz

Shemar Moore

You two talked about Criminal Minds, how you love Spencer Reid but you mainly loved Shemar Moore the most, and how it feels like every time you watch something he's always in the movie or show, and you like it

"I see it," Gaz says. "Jesus." In the show, Shemar didn't have a shirt on and Gaz finally understood.

"See what I mean."

"You've definitely have a type, hot men," he says through a laugh and you light punched his arm.

————

Alex

Bruce Wayne

"Bruce...Wayne..." Alex says.

"Yep."

"Are you...Are you okay?"

"Definitely not," Y/n says, in a serious tone.

The topic was brought up after you two discussed comic books and which characters you two thought were hot or sexy, he brought up Selina Kyle which who was suppose to be Bruce Wayne's girlfriend/Fiancé.

[ginnsbaker]

fic: if i bleed (you'll be the last to know) (4/?)

Part summary: Getting to know Leigh Shaw comes with some hardships—literally.

Pairing: Leigh Shaw x Fem!Reader | Word count for this part: 4.600 | Warnings/Tags: Pining | A/N: Still haven't decided how many parts will there be, but for now, enjoy reader's POV as her interest in Leigh grows :)

Masterlist | Part I Part II | Part III | Next

-

For some reason, you keep saying yes to Leigh Shaw.

Yes to providing your veterinary services for her.

Yes to divulging the private aspects of your relationship with Matt.

Yes to staying in her yoga class.

Yes to running very early in the morning, with a lung-busting pace that leaves you dehydrated and feeling queasy by the end of it.

As if to add insult to injury, Leigh Shaw doubles back to where you're lagging behind, barely hanging on for dear life. She flashes that cheeky grin, says, “Try to keep up,” and takes off again like it's nothing. You're left gasping for air, your heart screaming in agony as you attempt to match her pace, but Leigh's already a blur ahead. 

She was right—your endurance is really nowhere to be seen. It's in these moments, as you're pushing past what you thought were your limits, that you start to get why Leigh's both a pain and a push that was kind of missing before in your life. 

Leigh eventually vanishes around a corner, and consequently, you lose sight of her. You dig deep, pushing yourself to keep going, refusing to quit out of stubbornness and curiosity of what your body could do. By some miracle, you make it to the finish line, which turns out to be that park you've been to only once before with Matt. He had made it a special day with sandwiches and comics, while you got lost in a book he swore you’d love. You can’t shake off the feeling that this place is significant for Leigh and Matt too.

When you finally stumble in, there's Leigh, chilling on the grass, looking like she's lost in thought, her eyes dark with something you can't quite put your finger on. But then she spots you, and it's like someone flipped a switch. She’s back to the flippant Leigh—easygoing, as if nothing’s amiss.

“Was half expecting to find you passed out somewhere back there,” Leigh smirks up at you.

You can’t help but flop down next to her, letting the sun beat down on your face, feeling every bit of your skin that's exposed soaking up the warmth. Thirst claws at your throat, fierce and unforgiving. Gathering the little energy you have left, you manage to ask, “How long have you been waiting?”

Leigh glances at you, her casual ease belying the brief glimpse of concern you thought you'd seen earlier. “Oh, about five minutes,” she says, her tone light, as if the grueling run was nothing more than a leisurely stroll for her.

You pant out, “Why are you so fast, anyway?” 

Leigh bursts into laughter, finding your question absurdly funny. “Fast? Me? That's hardly competitive speed, you're just... completely out of shape.”

You pout, feeling slightly offended but too exhausted to argue. Stretching out beside her, you let out a series of groans and pops, feeling your muscles protest and then slowly relax. “Feels like I'm a hundred years old,” you mutter with a heavy sigh.

Still chuckling, Leigh shakes her head. “I've been running for three years now. It's more of a hobby, really, but I need to stay active for my job at the Beautiful Beast. Or my mom will fire me.”

“Your family owns that place?”

Leigh corrects you quickly, “Not my family, just my mom. And being the owner's daughter doesn't give me a pass to slack off. I can't afford to be terrible at my job.”

Her distinction between “my family” and “my mom” sticks with you. It seems like a clue into her family dynamics. In the short time you've known her, Leigh comes across as straightforward, genuinely helpful, and yes, perhaps a bit quick-tempered, but overall...she's okay. 

More than okay, actually. She must be incredible to those she truly cares about. So, what went wrong with her and Matt? How could he betray her like that? It’s even more baffling when you remember Leigh saying they were trying for a baby. That detail still turns your stomach, and you're endlessly grateful you never went down that path with him, despite once wishing things had gone differently.

Lost in your thoughts, you don't realize how intently you've been staring at Leigh until she calls you out on it. “What is it?” she asks, her voice pulling you back to the present.

Flustered, you find yourself asking the question that's been simmering in your mind, since you first pulled on your sneakers for that 5k this morning. “Why'd you bring me along for your run? Why are you even helping me?”

Leigh just gives an offhand shrug, says, “Well, you didn't have to show up, so you're actually helping yourself.”

“Fair enough,” you reply, but can't shake off a bit of disappointment. The truth is, you were hoping she'd say something that suggested she was up for being friends, or at least saw you as more than just another client of hers.

It's weird, really, why you keep wanting to be friends with Leigh Shaw.

Suddenly, Leigh glances at her watch and looks up at you. “Ready to go?” she asks, a bit impatiently.

“If I can still walk after this, sure,” you say, half-joking, half-serious, feeling the effects of the run in every muscle.

Leigh laughs at that, a genuine, hearty laugh that lights up her face. It's a sound that's real and unguarded, making you think that maybe, becoming friends with her isn't such a far-fetched idea after all.

-

Yoga sessions with Leigh stick to the script you first stumbled into. She's all business, only really tossing you a nod or a word when your form goes sideways. “Shoulders down, back straight,” she corrects you, her voice firm, yet not unkind. Outside of that, you might as well blend into the walls for all the personal attention she gives, just like anyone else there. Everyone gets the same treatment—tough love, dished out in equal measure.

Despite her imposing presence, there's something else, a depth to her that often seems just out of reach. You catch her sometimes, looking out the window with a distant gaze. But then she blinks, shakes it off, and is back, fully attentive and ready to guide the next pose.

“Focus on your breathing,” Leigh's voice snaps you out of your focus on her. “Inhale deeply, and as you exhale, sink deeper into the pose.”

Determined to excel, you pour all your effort into being the student Leigh doesn’t need to worry about. Ironically, your diligence only seems to make you more invisible to her. As you master the poses with less need for correction, Leigh's interactions with you dwindle further.

After class, you toy with the idea of approaching her. Maybe get some feedback, or even suggest grabbing dinner together so you don't have to eat alone. But as you're putting together what to say, you notice Leigh seems in a hurry. She exchanges a few quick words with another instructor who's just arrived, and before you can decide, she's excusing herself and heading out.

The moment to ask her has slipped away, leaving you to pack your yoga mat with a resigned sigh. 

Another time, then, you think.

-

The next day, without another invite from Leigh for a run, you lace up your shoes and follow the same route you and Leigh took together. Just 20 minutes into the run, the solo effort feels more like a chore than the engaging challenge it was with company. You loop the route four times, hoping maybe to cross paths with Leigh purely by coincidence, but she’s nowhere to be found. 

The studio had announced last night that Leigh’s yoga classes would be temporarily led by a different teacher, with her expected to return next week. This bit of news leaves you mulling about her absence, kind of hoping you might accidentally run into her to find out more. But as the week goes by without any such encounters, you realize you actually know very little about her daily routines or habits. Despite the nagging curiosity, you refrain from texting her, not wanting to intrude or anything.

Admittedly, your motivation to work out dipped slightly without Leigh being part of it.

-

When you finally talk yourself into visiting Matt’s grave, you do so just minutes before it could get really dark. You've chosen this time deliberately, betting on the common fear that keeps most people away from cemeteries as night approaches. 

Your main concern isn't the general public, though; it's just Leigh. Past experiences have shown that encounters with her can happen unexpectedly and in the most random of places—like that night at the club when she ended up getting sick just a few inches away from you. You're not here out of a longing for Matt. Instead, you aim to properly close this chapter of your life, hoping to do so without running into his widow and giving her the wrong impression.

The air holds a chill that wasn't there when you left home, making you wrap your jacket tighter around yourself. It’s quiet, just the sound of your own footsteps crunching softly on the path. Being here as the day turns to night, watching shadows stretch out long and skinny, really gets you thinking about life, death, and everything else in-between. Maybe that's also why people avoid this place—it sort of forces you to face the music, making you curious if all the things you're wrapped up in are actually important or utterly pointless. 

As for you, you haven't quite figured out where you stand on that yet. Lately, you've really come into your own in your career, especially now that you’re seeing the profits steadily rising each month. But that sense of achievement fades each evening as you return to your empty apartment. It's just you, night after night, pushing through the grind, pouring everything into your job. Yet, when you try to envision where you'll be in five years from now, the picture isn't clear. Will you be settling down with someone, or just picking up the pieces from another relationship that’s gone awry?

Finding Matt's grave takes a moment, but when you do, your heart clenches. It’s just a simple stone with his name, the years he was here, and a couple of words(you’re guessing it’s Leigh who wrote them) about him. 

You kneel down, the grass cool and slightly damp beneath you, and lay the flowers you've brought on his grave. They look kind of bright against the dimming light. Like hope.

“Hey Matt,” you say, stepping into a silence that feels like it's hanging around, just waiting for you to fill it. Talking to a dead person feels ridiculous like they do in the movies, but it's not like anyone's around to hear you.

“You know, I met Leigh,” you begin. “Your wife you conveniently forgot to mention when you were busy asking me out.”

There's a sour edge to your voice, airing grievances to a guy who can't throw back excuses anymore. You can't help but chuckle, though it's more bitter than amused. You let your thoughts more freely now, like the barrier between you and Matt has thinned out with the honesty. 

“Leigh is… beautiful, you know? Not in that runway or social media kind of way, but in a manner that's hard to just overlook.” 

You could list a dozen more positive things about Leigh to tell Matt, but he already knew all that, didn't he?

“The first time I met her, I felt small, maybe even insecure. And now?” you shake your head, smiling slightly. “...I still do. But mostly, I'm just left thinking…” You pause. The next thought isn't really for Matt, not anymore. 

It’s for you.

“I just can't wrap my head around why you'd want to be with me when you had her. I feel like the murder weapon that's trying to seek justice for its victim.” You let out a dry, humorless laugh. “Not a great spot to be in, honestly. Makes me feel kind of helpless, you know?"

Sitting back, you take a moment, just looking at the headstone, at the name etched into the granite. The conversation, if you can call it that, feels like it's shifted something inside you. Not closure, exactly, but maybe the first step towards understanding—or at least accepting—that some things just don't make sense.

Standing up, you dust off your knees, taking one last look at the grave. “Anyway, Matt, I hope you've found peace. It looks like we're all searching for a little of that ourselves. Thanks for the book suggestions. Though, you might be a bit disappointed to hear Agatha Christie remains my top favorite.”

As you walk away from Matt's grave, it feels as though you're leaving a piece of yourself behind to rest with him. You decide then, as the cemetery gate closes behind you with a gentle click, that you won't let this page in your book define you. Maybe tomorrow, you'll try a new coffee shop, or take a different route to work. Small changes, but important ones.

Maybe you’ll even try that spin class that scares you so.

-

“Since when did you start living at the gym?” Suzie teases you from her spot across the desk, that signature playful, all-knowing arch to her eyebrow.

Suzie, who had originally come on board as a receptionist at your vet clinic with little more than enthusiasm and a genuine love for animals to her name, had quickly become much more than just a staff member. Her lack of relevant experience was initially a concern, but her dedication and the way she connected with both the animals and their owners made it clear she was a perfect fit. Over time, she evolved from being just the receptionist to a friend. 

A friend who seems to enjoy teasing you, though.

“First off, it’s hardly the gym. It’s this fitness class I’ve been trying out—big distinction,” you clarify, eyes glued on your phone. The last half hour has been a slow crawl towards 5 PM, the magical hour when you can finally shut down and head to Leigh’s class at Beautiful Beast.

“Tomatoes, to-mah-toes,” she quips.

“Not the same thing,” you insist, still not fully engaged in the conversation, your focus on a food article you're reading.

Suzie just waves her hand dismissively. “Semantics. But seriously, you've been really into whatever this is. There's gotta be a guy making those sweat sessions worth it.”

You can't help but laugh, the idea so off base it circles back to being hilarious. 

“Trust me, the allure isn't the sweat. It's those endorphins,” you say.

“Yeah, sure,” she drawls, unconvinced. “Come on. Who is it? I know you're not this amped to be all gross and sweaty for nothing.”

“There's no guy, Suzie.” Then, as if the thought just occurred to you, you add, “Or girl. But honestly, there's really no one.”

At that, Suzie's expression shifts from playful teasing to one of pleasant surprise and a touch of mock offense. “Hold up, you might be into girls? And here I was, shooting my shot in the dark this whole time!”

Your ears burn red at her blunt flirtation. “Suzie, come on,” you stammer.

“If I had known that was on the table, I would’ve upped my game ages ago,” she says, her wink sending your face from warm to inferno.

“You’re impossible,” you manage to say as you hurry to collect your things, ready to rush out the door.

“Impossibly into you,” she retorts saucily.

“I’m gonna have to fire you, you know,” you mutter jokingly, glancing at your watch. “Gotta run, bye!”

“Just so we're clear, the offer stands,” she adds, still grinning.

-

You feel a sense of relief seeing Leigh back in class. 

Though the website clearly stated her schedule, you found yourself on edge until you could see Leigh with your own eyes. There's nothing noticeably different about her; Leigh seems just as composed and in control as ever. When she catches you looking, she offers a small, somewhat dismissive smile before turning her attention elsewhere. 

You spend the whole session with your energy dialed up, partly because Leigh's presence just does that, and partly because you're already plotting. As soon as she calls time on the session, you're practically springing into action. Your belongings—a water bottle, towel, and the rest—land in a haphazard pile on the floor as you quickly stand up, eager to catch her before she disappears. You make your way toward her, determined not to let her slip away this time.

Leigh's busy packing up her own gear, her back to you as you close the distance. “Hey, Leigh,” you say, and it sounds like you've got this under control, even if your heart's hammering away in your chest. She turns, and there's a flicker of surprise in her expression. You’re hoping it’s the good kind of surprise.

“I'm really glad you're back,” you push on, hoping it doesn't sound as clumsy to her as it does in your head.

She takes a swig from her water bottle, giving you a once-over, and then says, “Thanks. Do you need anything?” There's an expectant look in her eyes, and in that moment, your confidence begins to wane, melting under her gaze. You're on the spot, scrambling for words, any words that don't involve asking her out for dinner, which suddenly seems like an insurmountable task.

“Uh, actually,” you start, your mind racing to find a safe topic, “I was wondering if you had any tips on improving my form?”

Leigh's expression softens, and she nods, setting her water bottle down. “Sure, I can show you a few things. Let's go back to the mats,” she suggests, leading the way. Despite feeling like your tank is on empty and your body crying for hydration, backing down doesn’t feel like an option. 

Not when Leigh is already spreading her mat next to yours. She does so with a sort of blasé authority, and you can't help but think how this is Leigh all over—straight to the point, no fuss. You're tired, sure, and a part of you is suggesting that you're about to make a fool of yourself with your shaky legs and probably even shakier form. But then, Leigh starts talking, pointing out where you're going wrong and how to fix it, and suddenly, you're not thinking about dinner anymore. You’re too distracted now by the smell of her perfume mixed with the scent of her sweat.

The next few minutes turn into what feels like a whole new session under Leigh's watchful eyes. She's on you about everything—the angle of your arm, the set of your shoulders, even the way you're distributing your weight on your feet. Leigh's not mean about it, but she doesn't let anything slide. You're just trying to keep up, watching her move with that easy confidence. It's mesmerizing, really, how she can make something so complex look so simple.

By the time you're done, your muscles are burning, your breath is ragged, and you're pretty sure you've sweated out every last drop of water in your body. As you lie there, staring at the ceiling and asking yourself how a ten-minute guidance turned into an even harder session, you mentally kick yourself for not just admitting you wanted company for dinner. It was right there, and you were too scared to be rejected. 

But why? Considering everything that's happened and the circumstances, Leigh turning you down seems like the more probable outcome anyway.

And then Leigh does something totally offbeat. She glances at the clock, then back at you, and out of nowhere, she's asking, “Want to grab something to eat?”

It's so unexpected, that for a moment, you're sure you misheard her. But Leigh's waiting for an answer, a slight smile playing on her lips, and suddenly, the fatigue feels a little less overwhelming. You sit up, a slow grin spreading across your face as you realize this is it—your chance, handed to you when you least expected it.

“Yeah,” you finally manage to say, almost tripping over your tongue. “Yeah, that'd be great.”

-

When Leigh mentioned grabbing something to eat, you expected a sit-down at some cozy restaurant serving healthy food. Instead, she pulls into the drive-thru of a fast-food joint, orders a mountain of fries and a couple of burgers, and parks the car in a secluded spot overlooking the city. It's laid-back, unpolished, and honestly, pretty perfect.

“So, how long have you been in town?” Leigh asks as she hands you a burger, the city lights twinkling below like a scattered deck of glowing cards.

“Just over a year,” you reply, taking a hearty bite of your burger. “Moved here for the business opportunity, but it’s been... you know, slow on the social front.”

Leigh nods, understandingly. “It can be tough, starting fresh somewhere. This place isn't the friendliest to newcomers.”

Your eyebrow lifts, curious whether she's speaking from her own experiences or perhaps someone else's.

“Yeah, most of my socializing happens online these days. My closest friends are scattered across different states,” you say.

Leigh just hums a bit, not really adding anything else. She doesn't go into details about her own friends, so you're left trying to think of something else to talk about. But everything that comes to mind feels too personal, like asking why she wasn't at the Beautiful Beast for a week, how she's dealing with being a widow, or questions about her family.

Small talk isn't really your thing, so the conversation fizzles out from here. Both of you just end up staring out at the city lights in silence. Leigh seems comfortable with it though, so you decide to just go with it and savor the quiet moment too.

After a while, Leigh breaks the silence. “I didn't think I'd be able to love another dog after Rogue,” she shares, not taking her eyes off the cityscape. “Matt and I had to put her down because she was sick. It was brutal. I swore off dogs after that.”

You look over at her and offer a soft, “I'm sorry.”

But there's no trace of sadness on her face. It’s so nonchalant, almost as if she’s just talking about the weather and not a painful memory.

“But then...I saw Visitor,” she goes on, a small smile cracking through. “I just knew he needed me. And, this might sound odd, but I realized I wanted to feel needed. When Matt—” She stumbles over his name, a rare falter, but she's quick to brush it off. “When he died, nobody needed me. And I struggled with that. Because being needed felt like a purpose.”

The idea of needing to be needed isn't something you've ever considered. Truth is, you've never really needed anyone. You've been a solo act for as long as you can remember, handling things on your own, relying solely on your own capabilities. And so, that also meant you couldn't imagine being on the other side of the spectrum—being needed by someone.

However, there's a part of you, unexpectedly, that feels a twinge of jealousy towards Leigh. To truly experience loss, there first has to be something meaningful to lose. You're not sure you've ever let yourself have that kind of bond with anyone. Not yet, anyway. It's a sobering thought, making you think about what you might be missing out on.

Leigh notices you're not saying much and says, “I don't even know why I'm telling you all this. I'm sorry.”

You shake your head slightly, “It's okay. I just... I don't think I've ever been in your shoes.”

Leigh looks a bit puzzled. “What do you mean? Are you talking about the dog thing, or…?”

“The other thing,” you clarify.

Leigh smirks. “Oh, I wish I was like that.”

You quickly realize how arrogant that must have sounded, so you rush to explain, “No, I'm not trying to brag or anything. It's just, I guess I've never really opened myself up to that kind of bond.”

“Not even with Matt?” she asks, and there it is—the topic of Matt you've been tiptoeing around. You're suddenly aware that Matt's shadow is something you'll have to get used to, just as Leigh apparently has, given the unceremonious way she alludes to your almost-affair with her late husband. 

“No,” you whisper, looking straight into Leigh's eyes, hoping she’ll believe you. “We never needed each other like that.”

Leigh's eyes linger on yours a moment longer before she looks away. Eager to change the subject, you add, “Must've been rough, giving Visitor back to his real family.”

“Yeah. I mean, I shouldn't be, right? But part of me was actually angry at them for letting him get away like that. He could've been hit by a car or worse, all because they weren't careful. But at the end of the day,” she stops, a sigh escaping her, and that smile that doesn't quite reach her eyes comes back as she looks at you again. “He’s not mine.”

“Visitor really snuck into your heart, didn’t he?”

Leigh nods. “I wasn't expecting to care that much, you know?” Then, she offers a small, reflective chuckle. “Makes you think about the connections we allow ourselves to have, and the ones we avoid, doesn't it?”

You try to gauge whether she's still talking about Visitor while also trying to figure out where you stand—the connections she's chosen or the ones she sidesteps?  Before you find the courage to ask, Leigh starts the car and presses down on the clutch, ready to switch gears.

“I need to head back to the studio, so I can only drop you off somewhere on the way,” Leigh says, signaling the end of your time together for now.

You quickly decide that being dropped off at the studio is fine. “The Beautiful Beast works for me,” you reply, hoping to extend the time you have left with her, even if it's just by a few minutes. 

The ride is quiet, the earlier ease replaced by a thoughtful silence. You're watching her, the way she's all eyes on the road but clearly lost in her head. Leigh, as you’ve noticed, is someone hard to get to open up, her walls built high and strong. She's this fortress of a person, but tonight felt different, like she accidentally left a window open and you caught a glimpse inside. 

It just makes you crave for more.

As the studio comes into view, it feels like you've both made some progress with Leigh and yet, somehow, not made any at all. Stepping out of the car, you’re met by Jules, another staff member at the Beautiful Beast whom you've heard Leigh refer to numerous times, approaches. You barely catch her saying, “Danny is waiting for you inside,” to Leigh. You miss the frown on Jules's face or how Leigh instantly seems on edge.

“Thanks for the ride—and for dinner,” you say, feeling a bit out of place now.

“Don't get used to it,” she says, the corners of her lips twisting into a reluctant smile. “Was nice talking, though. Thanks for not making it weird.”

As she's quickly pulled away by whatever's going on inside, you hover for a second, debating if you should go in for a goodbye hug. But before you know it, Leigh is tossing a quick “Bye” in your direction as she strides towards the studio.

You're left there, floating in the aftermath, wondering about everything and nothing all at once.

[majorproblems77]

Linked maze updated which means I'm back! :D

Hello Linked Maze fans! :D

Linked Maze returns with scent pt10, which means I am back to ramble about the small details in the comic because I enjoy it!

If you dont know what Linked Maze is, It's a links meet comic. About the links in a maze.... Self-explanatory really, but trust me it's amazing and I love it. It's great! But also for more mature audiences, so do take care and heed the creator's warnings before going in!

Importantly - Linked Maze and all the art belongs to @linked-maze and its artist @frulleboi, this chapter also had a guest artist, so the second page's art is done by @marenwithanm. And thanks again for the permission to do this! I really enjoy making them!

With that out of the way, My timer is set, grab some snacks and a drink of your choice! And lets get started! :D

We begin with the small bean

He looks so happy, okay, I love him

Aww four, just wanted his sword back. Also here to straight up appreciate the detail with the little ticktacktoe on the scabbard of his sword i love him dearly.

Wolfie looks both Done and worried at the same time.

Also, them discovering Sky's sailcloth! I'm so excited about this okay I want these two groups to find each other so bad.

Also, I was interested cause I dont think we've seen the sailcloth in the story yet. So it's fascinating that it's here. I blame Angel, she has shenanigans that I think work for this. Like imagine when we see Sky and he's like the fuck why do you have my sailcloth I've not seen it since I got here, type thing.

Wind taking charge as he should be.

There's a bunch to unpack here, so just give me a moment.

That's not Sky's sword.

That's Twilight's sword.

The wrappings on the blade and the markings we see on it later match Twilight's sword. (From the character reference sheets.)

Do you have any idea how excited I was when I saw this? Then saw Wolfie's face like

Why the fuck is that there?

I think this tells us two things.

Twilight/wolfie is now able to be armed. So he's got the capability to fight without the wolf form now. So he might transform soon!

Angel/ djævel are using the hero items to bring the groups together for some reason.

But now im considering the implications of having these specific items here. Like, Thats an item from a character from some of the major groups that we know off right now.

Twilight's sword(Twilight, wind) / Sky's sailcloth (Sky,wild,Time) / Four's sword (four, warrior)

Was the idea for them to find it, or for just one of the groups to find it so that they could find the others.

Something to think about.

Moving on!

Me too four... me too

Yes it does. He's sat about five feet from you

Look at his guilty face, he know's but he can't say and he's sad about it.

Warrior looks worried, you think he's thinking of war stuff right now?

A sword planted into the ground with an important item beside it... a sword who they dont know its owner. Its owner who to them could be dead?

Twilight is the only one who know's his sword after all.

Good call Mr. Captain Warrior sir!

Again with the sad wolfie ears, they give me life okay I love him.

Good on Wind for being the one to lead the charge, we need a good vibe like Wind to get us through the shenanigans that I'm sure are going to ensue.

Again Twilight is looking towards his sword. When you think he would be looking towards Wind at this point. But his eyes appear to be looking towards the markings on the sword.

I love his shocked face. He's like

I can't track myself...

Totally not me going to be using this reaction when someone asks me to do something.

Wolfie is the real MVP of this chapter let me tell you right now.

I love this lot they are wonderful

Yes, you look to your sword and think about what you've done.

Sniff sniff out the cinnamon roll wolfie, find him!

Oh man, this update was fun, I got so unbelievably excited about the sword like it's great to basically have a confirmation about something that's been rotating around in my brain since we saw it before.

Thanks again for listening to me ramble my way through another comic update! :D

And thank you again @linked-maze for letting me do this, i will be continuing them (as long as you let me:) ) cause this was so much fun!

Thats me done for this update tho, so I'll be headed out!

Have a great night! :D

[redhoodinternaldialectical]

As someone who sticks mostly to post-crisis pre-flashpoint continuity, it is always so, so WEIRD to see Jason treated like he's rejecting love that's readily on offer, cause that is such the exact opposite of what happens during this time period

He reaches out to Bruce and gets his throat slit. (Not to mention the scene were Bruce tells Alfred not to take the case down because "it makes no difference" i.e. he is dead to him, and essentially disowned in my reading of that scene)

He reaches out to Dick and Dick wishes he had stayed dead and seriously considers not rescuing him when he's in danger. Like straight up he's not sure he shouldn't just leave him to die.

He reaches out to Tim and Tim fights him. Like through this whole time period Tim just friggin hates the guy!

Donna... Kinda tolerates him, and mostly sticks up for him as the world's ending around them in Countdown, but it only takes one normal Bat fake betrayal to *save their lives* and he's back to being rejected.

Kyle hates his guts.

Mia definitely doesn't like him, and yes I am counting his staged battle where he made his case that they were similar and she should be a lethal vigilante as reaching out.

And like they have very good reasons not to like him!! The ways in which he's reaching out are often pretty fucked, but the fact remains that his attempts to connect are real, even if they're not what any of us would consider reasonable. The other bats could have accepted and joined him. Jason changing his ways is not the only possibility here. He clearly, desperately wants to be a family with them in many of these comics and works (disasterously lol) to make that happen.

Like... Genuinely not mad, cause newer continuity changes a whole lot, most of this is probably nothing but perspective bias due to which comics I've read, but it's just so head scratchingly bizarre to see Jason portrayed as being the one who won't reach out, won't try to reconnect, when that's the main thing I've seen him do in comics lmao

Like how are you gonna tell me that the most desperate to be loved, "I just wanted to see if we could still be family", "Work with me Tim! You've got great strategies!", "Donna is sad, I'm gonna hug her now", clingy motherfucker on EARTH is gonna sit there and claim he's better off alone???? And doesn't want HUGS???????? Cannot parse it lmao

[abstractfrog]

HI I JUST SAW YOUR INCREDIBLE SHERLOCK AND CO COMIC YOU MADE AND I WOULD LOVE FOR YOU TO TALK ABOUT THE PROCESS AND THE SYMBOLISM AND INTRICACIES AND EVERYTHING PLEASE ‼️‼️‼️‼️‼️‼️‼️

GOD THANK U ok if i actually talked about EVERYTHING i would be here forever and ever, there were things about the process where it kept surprising me and i kept adding stuff.

I talk about my general comic process here , it started out mostly the same for this one. Analysis of the script, sketches, panel and colour blocking

The scene from Mr Sherlock Holmes presented me with a unique challenge (for me) because...usually I pick scenes from the podcast that are instantly visually stimulating. This scene is NOT that. It's sort of unclear and confusing and even the emotive narrative is sort of hard to pick out. Those things I had to sort of decide for myself. It's hard to draw a whole scene like this without first deciding what the scene is about, what its purpose is. If you go back and listen to the episode along with the comic you'll notice all sorts of changes and tonal shifts - that's because of me and my decision making.

I decided that the direction I wanted to go in was to show John having his realization about himself, his podcast, and Sherlock, showing him getting pulled into, yes, Sherlock's world, but also the world of the podcast as an adaptation. I knew i could do this just with colour, but if you've seen my other comics, you know i almost always use colour to show shifts. I guess I had some insecurity about doing the same thing over and over again so I pushed myself to think of other ways I could accomplish it visual. Enter: rendering technique

I will say I didn't expect this effect to make John seem so SAD and MISERABLE, i only wanted to show him getting pulled in, but its effective for his emotions in this scene as well. Scanning drawings into the computer sort of flattens the paper texture, so I started adding photos of the pages of A Study in Scarlet to make him feel more paper-y. And then, of course, realised i could use that to further elaborate on John's inner thoughts, backgrounds, and motivations. People are welcome to interpreted that how they like and i've seen a number of variations, but to me it operates on sort of a meta level, showing the inevitability of what John is going through. He's a Watson, he's always going to follow Holmes, he's going to try and figure him out, and that's why you sort of see a back and forth between acd and pod Watson, highlighting the ways in which they are similar, and then, John breaks off and becomes his own character, still with those foundations but also entirely different.

there's one piece of text that i haven't seen anyone pick up on or mention and I'm starting to think it's gone unnoticed because it's in an unexpected spot. I won't mention what or where because it is, for now, a very indulgent little secret.

I notice a lot of people are getting a kick out of Sherlock playing with the speech bubbles, which I am so pleased by because I almost didn't do it! I thought i was maybe breaking something in the comic but it was so fun that i didn't care and I'm so glad it came across well. It operates on a lot of levels, it shows his thought process, it plays into that fourth-wall medium play i've got going on, and it feeds into the web metaphor as well as visually showing him roping John in.

on the topic of Sherlock, I feel a lot of people are rather focused on John, which is understandable (he's the main event) but Sherlock has a lot of details I love too.

For instance, him pushing his hair back and putting on a coat when the officer arrives, almost like he's shifted modes, and then his hair falling back down when he gets excited and John starts to understand.

I really love this moment of Sherlock seeing John's potential for interest in mysteries when he's trying to solve the matter of what Sherlock Does, and being surprised and flattered for a moment (until John messes it up again)

John copying Sherlock's pose <3

There's deliberate things in the character design as well, things like the fact that once John comes into colour, it reveals that he's actually wearing more colour than anyone else in the scene, and the fact that the grey in John's hair only appears post-greyscale. Things you are welcome to read into. And there are, of course, the socks, which I've seen people pick up on.

Those are the main things for now so i might leave it there, but thank you so much for your ask and i'd be pleased to elaborate further on absolutely anything!

[factual-fantasy]

27 Asks! Thank you! :}} ✏️

@unpopularartist14

I don't ever number my panels or strive for a specific number- the only limitation I keep in mind is keeping the comic under 30 canvases. But that's only because of Tumblr's stupid new image limit. Before that crapdate I would make a comic with as many canvases/panels as I wanted.

And idk what you mean by overwhelming- I put between 1-6 drawings on one canvas, it just depends on the comic and what i need from that scene :0

Also idk what a comic chapter is- and I don't believe myself to be the best with dialogue 😅 I just slap comics together and keep adjusting it until it feels right..

Sorry, I'm sure these were not helpful answers. I never claimed to be good at explaining how I do things. Plus I'm in a pretty bad headspace so I'm sure that's not helping me..😓

I'm self taught, so its hard to explain how I learned anything or to teach it to others- "I just.. do it." "I just change it until it feels right." "I just draw it. How?.. idk I just.. draw it..?"

I hope you can find another artist to help you. Unless the questions get very specific- I'm afraid I can offer no better answers. <:(

@ayliminum

Ngl, I have no idea when I'm gonna open it again. My server has gotten enough members that if it gets any bigger, I'm gonna need a mod to help me monitor it. But I don't have anyone I trust/feel comfortable enough/know well enough- to add as a mod. And considering how horrible my mental and physical health has been.. I haven't wanted to even deal with it anyways.

Right now my server is manageable at its size. So I just closed it off to new members and put "get a server mod/reopen the server" on the list of millions of things I need to do once I crawl out of this health deteriorating pit.💀

AWWWW!!! WORGI!! COLF!!💞💞

@h31fd3ad

No way XDDD

@cicutagreninja

For Bonnie, he is an animatronic designed to handle small groups at a time and have 1 on 1 interactions. But in the case where Freddy is decommissioned, he takes Freddy's place as the star. So he constantly has huge crowds swarming all around him..

As a result, Bonnie is basically constantly overwhelmed. And any second that he has to himself, he just goes completely stone faced and quiet. Kind of to mentally take a break and recharge from all the interactions..

As for Foxy, he always looks so solemn in that AU because his heart just aches for his friends.. He misses Chica and Freddy.. He can see how horrible Bonnie, Roxy and Monty are feeling.. he wishes he could help them all.. but there's nothing he can do...

@neo-metalscottic

AAAAAA Thank you! :DDD I wonder how long it'll take me to get to 30K.. 🤔

Also as for terraria- I haven't fought any of the bosses on my own and I'm sure I haven't seen all the biomes 💀 But so far I like the jungle biome and the wall of flesh is a cool concept :00

I'm glad to hear you've liked my Octonauts stuff! :)) As for what attacked Calico Jack, it was supposed to be a sea monster that could be mistaken for a gator :0

I also had no back story in mind for how he got the scar on his eye <:0 and idk if he'd be willing to share the story.. it depends on how he got it! <:/

Aww.. poor Emmet.. man. I am not looking forward to experiencing that myself.

@holly-opal

I've seen the movie trailer for it! Beyond that I know nothing about it <:0

@sussyhahag

Its more of a reverse egg yolk, but I see what you mean! XDD

@captain-skyler1987

My week has been rough.😔funny picture though XD

(Referencing this post)

WAHGG THANK YOU!! :DDD

Also thankfully no- if Wally ever got close to being that tired he'd sit down somewhere. Maybe even accidentally take a nap-

@pink088

Idk if its supposed to hurt after the initial piercing- make sure you're taking care of the holes! <:0

(Referencing this post)

AAAA YES ITS EXCITING AND A LITTLE STRESSFUL! XDD

@ask-observer-ron

@cat7890

I haven't been feeling well, my health it pretty bad.. but thank you! I'm glad to hear you like my artwork! :)))

@beryl-shade

I haven't seen it, is it good? :0 Perhaps I should watch 8-Bitryans video on it..🤔

@birodactyloftheblog

WAAHHGHGH THANK YOU SO MUCH!!! :DDD

Maybe someday! :00

@enbydemirainbowbigfoot

No need to apologize! I take it as a big compliment! Thank you! :)))

@wolfie-777

Aw! Cute wolf! :)

Ugh.. that's always such a shame to hear.. but hey thanks for telling me 👍

@antikittysocial

Aw,, that's so sad.. <:( poor Shellington..

@briandraws

My head is more of a liquid. If you took a hair dryer to it I'd go splat XDD

I imagine the mama Emboar got pregnant and then the father dipped. Just like real boar fathers do 💀

I've never heard of it.. is that a show about the Daycare attendant..? :0

I do not know what that is.. sorry! <:(

(Referencing this post)

<XD It was certainly a show. I should go back and watch the whole thing in order sometime-

[cookiepie111]

I'm insane HOWEVER! König with milf darling.

A/A This piece is finally escaping draft hell! Again started as rambling so sorry if its all over the place. not proofread, feedback would be appreciated 🙏🏾( Hopefully, part 2 at some point, eh🫠) x black fem reader

It stared out small, nothing terrible. He'd just admired you and your strength. Being a single mum wasn't easy.

The lady next door who's always so kind dropping leftovers at his house, she'd bring over missed letters and parcels to him.

He notices how you're always rushing back home whenever you drop something off as your youngest chases after you outside. He makes sure to come to you now.

He's seen you through the window struggling with your kids trying to guide them to the door with bags of shopping. Tapping away at the sink his eyes following you with shopping. He should help you, yet he stood there thinking a little while longer racking his brain for... something.

He can't help but project. Are you managing okay where is husband he must no good if he's not around if you're constantly struggling.

You'd invited him over a handful of time merly pleasantries, he refused each time. This time, when standing at your door, waiting for you to find his parcel, "Can I come in?" You're surprised he refused your previous offers, and frankly, you're a bit scared to have a man so.. intimidating in your home. You look to the side, hesitating "sure"

He sits at your coach, dwarfing the space around him. The scene before you reminds you of Alice in Wonderland, as if he'd drunk a position to grow making the biscuits in his hand look comically small. looking around your house, toys, books, honestly half your house was just scattered about. pictures of you and your children on the shelf, yet no baby pictures. Strange.

He's laying on the seat in his house, he's antsy, hasn't done anything in a while, in the army there's structure and routine he hadn't planned to be off for this long. He needed to put himself to work.

He felt bad, he was reminded of his mother he wasn't much help back then not much he could have done, but its different now, he can still help a mother in need right?

It wasn't exactly intense work, but it was something, your house needed a bit of help, and it wouldn't hurt to do something to keep his body busy. You were adamant he didn't need to. "You don't work, you don't eat, you've been feeding me for some time, let me put in the work." He was so flat with his delivery, A shocked look was all you could give him. that seemed to squash any argument in you.

He got work picking up the toys and items putting them in the fabric box, so flimsy. "You need a proper place to put this stuff. Your lack of furniture and storage, you should have spaces for these in your kids room". he thinks he's helping giving you good advice.

his words come out harsher than he expected. You tensed under his words, you'd been working yourself crazy trying to get your two kids settled in. You didn't want your oldest to become a second parent to their siblings. Between working and looking after your youngest, you simply didn't have time. You were making do with what you had. You didn't need this man shaming you. "Yes I, I'm trying." He hadn't meant for his words to come out as criticism of you. He turned back at the ground. "Wait here"

You turned looking out of the window huh?! He was dragging a cupboard out his house "wait wait what are you doing" was he serious? You could get a cupboard later. It took a lot of convincing that you didn't need it he could put it back in his house. If your neighbours were to look outside, they'd see your panicking form waving arms about over a confused giant. He let up but left at "fine tomorrow we can go and buy new cupboard"

" I can't I have to stay with my kids"

"Bring them" You're pretty sure he was giving you an order there, no room for discussion. This man is really throwing you for a loop, you're only pulled out of confusion when your youngest pulls on your leg. 'How did they get out so fast?!'