#Yes I have put a lot of thought into this story

[lovelytayforce]

I agree with this comment here so hard, I remember getting blasted for calling readers who don't comment "leeches" on R/Fanfiction and I'm glad people are seeing that for what it is even if it's four years late

So, I'm gonna share my own little story here because discord has actively ruined communities for fanfic (and art too I'm not gonna leave y'all out cause my bestie @zoetiger-1106 is an artist who deserves way more praise than she gets!!) The reason why authors and myself see the "I'm shy" shit as an excuse is because the same people will type long ass tirades on Discord without a single thought. YOU CAN EDIT AO3 COMMENTS PEOPLE! If you make a mistake, read it back over and edit it. I've watched it happen in real-time with one of my favorite commenters on my one-shot where they left a short gushing comment and then came back and wrote more, you have no excuse much less reason to go "Man fandom keeps telling me to not critique and I might make a mistake so I will say nothing and consume like the average TV and Streaming consumer who thinks there doing something!" YOU have a lot of power with comments and even those bookmark tags hell just copy-paste what you put into those bookmark tags as a comment I DON'T CARE AT THIS POINT USE THAT LIL BOX TO VOICE SOMETHING!!!! God this is all over the place idc but I read back at those bookmarks, and saw people call my works the best and super cool and I APPRECIATE THAT but tell me! Stop taking the easy route, I been blasted for misunderstandings over comments multiple times cause people take my "tone" terribly cause it sucks being black and emotive online yay and for some reason people think !!!! Is bad? yes, I've been hit with that but I keep on trucking cause fuck whatever some weirdo thinks about exclamation points! Anyways back to discord and why I hate it now, I was in a small fandom, KFP got invited to a discord cause ONE person commented on my works and saw they talked about my fic, and at first, I was happy and people TALKED about my chapters at length in the fanfic channel. I basically was the ONLY ONE posting consistently in that channel and it was great but also I wanted that on my fic to show I improved so guess what I did? I went all in trying to one-up myself to be noticed, to have the acclaim my peers did so it would evolve outside of discord channels but it never happened. And Imma tell y'all now; it never will. Readers prefer convenience over your hard work, they are not gonna take time for you no matter how much you improve. People told me over and over while I looked for solutions for this; "We can't make commenting look like an obligation." "Add more prose, space these paragraphs better" all this just for no one to take the initiative and say something SINCERE towards a work they love on it. I've had to tell my own ex-friends now to go leave comments on works they called Masterpieces while ignoring me. Despite the fact they wanted Gen content in which I WROTE. Or met people who have very weird "I don't review" rules for themselves despite getting motivated by reviews themselves!! We're in a shitty time for creatives much less community cause we don't see each other as humans much less want to treat each others as we desire to be treated. Fanfic readers want to treat authors like showrunners and I hate it. But then your peers will tell you 'not to worry about engagement" and no I am because why is my hit count going up every day but ain't no one saying shit? Make it make sense!! I sat in that community commenting as much as I could, especially on long fics; it wasn't all perfect but I TRIED. I didn't expect shit back but hey it would have been nice but it never happened and again I learned; it never would. That's the real issue, no one wants to give no more; just take and take and take til you're sucked dry of passion worse than any corpo out right now. It's why I thankfully switched fandoms. I got ONE consistent commenter and they are better than that ENTIRE SMALL CLOSED COMMUNITY!! So, to any discord reactor for fanfic you better skip on to that message you made and copy and paste it in this box right here and never utter "I'm shy" ever again cause we see you, our friends tell us about you. You are not as anonymous as you think! 🫵🏽

A writer friend told me something that broke my heart a little bit today; they're going to quit publishing their fanfic.

My instant thought was that they had been trolled or attacked or that something terrible had happened in their life because this person is so passionate about their writing. It wasn't any of that. Engagement with their works has been going down, as it has for many of us. Comments are like gold dust a lot of the time, and just looking through the historical comment counts on old fics on ao3 demonstrates this trend very clearly. It was not simply the comments dropping off which caused them to decide to stop posting, however.

My friend came across a discord server for their fandom (I should point out here that their fandom interest and mine diverged a couple of years ago, we stay in touch but don't currently read each other's posts because I'm not into their fandom and they would rather gouge their eyes out with a wooden spoon than read anything Star Wars) and specifically to share fic in that fandom. They joined, because we all love a good fic rec, only to discover that their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

This discovery has absolutely destroyed my friend's love of sharing fic. They share because they love seeing other people's enjoyment, and fic writers do that through comments and kudos/reblogs/likes because we don't get paid. There is no literary critic writing a blog post/article about how amazing the story is for us to copy and keep/frame. There is no money from royalties. All we have are the words of the people reading our works.

Those people on that server could have taken five minutes of the time they spent gushing about how amazing my friend's story was to other people and used it to tell the one person guaranteed to want to hear that praise how much they loved it. They could have taken a moment to express their opinion to the person who spent hours upon hours plotting, writing, editing, and posting those chapters. Instead, they deprived my friend of thing that keeps them sharing their writing, and in the process have killed their love of it. My friend now feels used and unmotivated.

I won't be sharing a link to their fic, they said I could share their experience but not their identity. I know they plan to post one final chapter. I know they intend to express their hurt at being excluded from the praise for the thing they created, and I know they intend to announce that as a consequence they will not be posting for a long while, if at all.

So please, I beg you, don't hide your love of a story from the writer. It's just about the only thing we have.

[lemotmo]

Yeah let's not do this for 3 months people. He's not leaving! We're at the beginning of Buddie!!!

Q. I'm so confused by all the excitement, and I admit that I struggle with facial awareness, but all we got was Eddie saying he's leaving so that feels way more like a Ryan exit than a beginning to Buddie. What did I miss?

A. Okay I'm going to say this once, and only once. We are not spending 3 months on a nonstarter spiral. Ryan is not leaving. It's not an exit story. It's the beginning of a feelings realization story, only Eddie hasn't quite arrived at the starting point for his part yet. Lots of people struggle with facial cues, anon, and there's nothing wrong with that, but it's not an exit storyline. It's drama set up to kick start Buck's spiral and to bring Christopher home. That's why I loved that they had Buck on the couch and Eddie in the kitchen. The couch has kind of always been used to symbolize a romantic relationship between Buck and Eddie, both of them being home when they're on that couch, so putting Buck on the couch in that scene basically puts Buck in position. Buck has arrived at the start of his realization arc. The box has been opened (the box being his long unexamined feelings for Eddie) and he won't be able to put the lid back on it this time. The moment we see Buck have at the end of the episode was not his 'oh Eddie's my person' moment but it was the start of Buck's journey to that realization. Buck was devastated in that moment, but for the sake of Eddie, he attempted to fake enthusiasm. Eddie being happy means more to Buck than his fear of being left behind, again. But that fear will come out when the season returns in March. Tim basically confirmed that Buck will spiral and he will throw himself into a distraction to try and block his pain. That distraction will inevitably fail, as Tim also already spoiled (they learned their Tommy lesson and they won't be repeating it), and that will force Buck to once and for all have to confront and figure out why the thought of losing Eddie sends him spiraling. The end of the episode was the beginning of Buck's journey.

Eddie hasn't reached his starting point, yet. But having him in the kitchen, the other big Buddie room, was a way to show that he is close. Framing the shot the way they did, Eddie having a straight line of sight to Buck on the couch, was intentional. Eddie is close but he's not there yet. He's distracted by the whole Christopher thing, as he should be. Eddie won't be able to arrive at his starting point until he gets the Christopher situation settled. That entire scene was LOUD. Buck letting himself in using his key. Eddie not being able to look at Buck when talking about moving. The flirty way Buck asked what he was watching on the iPad, fully believing it was porn. And again the way the entire scene was framed and shot. The close up of Eddie's face when he realizes he's not alone in this moment and that he does have someone in his corner. Then the close up of Buck's face when he allows the mask of enthusiasm to slip and we see the real sadness that he is feeling. It was very clearly the beginning of their storyline. It was in no way shaped, framed or written as the beginning of an exit storyline. It's happening, anon. Let yourself enjoy the build up 💗

Thank you Nonny! Much appreciated!

YES to all that Ali talked about here! Let's be happy you guys. We are finally here after 7 very long years of ups and many downs. This is the first time we've actually gotten real confirmation that the Buddie slow burn is on!

Let's enjoy this break before the show comes back, because I anticipate a lot of drama in 8b. And once the show is back on? Let's just sit back, relax and watch Buddie's story unfold. It'll be glorious!

Heads up! For anyone who is giving me the shifty eyes for reposting Ali's updates instead of reblogging. Read this.

Remember, no hate in comments, reblogs or inboxes. Let's keep it civil and respectful. Thank you.

If you are interested in more of Ali’s posts, you can find all of her posts so far under the tag: anonymous blog I love.

[eternalbuckley]

His everything. — aemond targaryen

SUMMARY: You help Aemond to calm down before he was about to meet your family for the first time since you've been in a relationship.

word count: 1,781

genre: fluff | no specified reader, queer!reader, bipoc!reader and plus-size!reader friendly

warnings/tropes: modern au, aemond feels insecure, it's mentioned that reader has siblings, parents and grandparents, reader wears lipstick and earrings, english is not my first language, slightly proofread — if I forgot something, please let me know!

a/n: i needed to write some fluff for our favourite silver-white haired man again. it's been some time since i've published something here because i'm still working on my au for him BUT i needed to write something else, so i hope you enjoy it <3 reblogs, feedback and comments are highly appreciated and welcomed!

disclaimer: please do not repost or try and take ownership of my work or post this anywhere without my consent. do not translate my work and post it anywhere — i give you no permission to do that. i only post my stories here, so if you find my work anywhere else please let me know!

stars and moon divider by cafekitsune

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“Babe, are you ready?” You asked Aemond while you walked into his bedroom and fixed your earring. You were about to drive to your parents’ home to have a dinner with your family. A family dinner where you would finally introduce Aemond to your loved ones. You were nervous about their reactions and if they’d accept your relationship, but so was he for many reasons. He wanted to make sure that your family would like him, but he was still feeling very uneasy – given that he didn’t want to potentially lose you. You had been together for over a year now and it was the best year both of you ever had – and you wanted to share many more with each other.

You saw your boyfriend sitting on his bed, fiddling nervously with his fingers and staring down at the floor. “Babe?” You asked him again; this time, your voice was softer. You didn’t want to accidentally startle him in case he was lost in his thoughts, which happened often some days.

Aemond didn’t look up or turn his head to you, but you noticed that his leg started to bounce. You walked up to him, “Hey… What’s going on in your mind?”, you spoke with a tender and caring tone in your voice as you stood in front of him. You gently cupped his face with your hands to tilt his head and make him look up at you. You stroked his cheeks with your thumbs and watched him closing his eye for a moment and taking a deep breath.

“I’m nervous…” Aemond mumbled and opened his eye. He looked into yours for a moment before he put his hands on your hips and pulled you closer, so you stood between his legs. He nuzzled his head into your stomach and sighed contentedly. You moved your hands to his hair and carefully brushed over his head, helping him to relax with your gentle touch.

You already assumed why he was nervous – it would be the first time he’d finally meet your family. You knew your family had their prejudices about other people, it was basically a part of their nature. They always had their specific opinions, especially if they were about members of other influential families in Westeros – just like yours. The world you and Aemond live in isn’t always the easiest one. Yes, you may have opportunities some other people aren’t able to have but growing up with the world having its eyes on each step you both take and the responsibilities you have, has taken a toll on both of you many times in your lives. His family expected a lot of him, and so did yours. And in this big chaos in your lives, you and Aemond found each other and fell in love.

It may be the first time your family would be meeting him, and they had heavy prejudices about the silver-white haired man, especially because he was a Targaryen, after all. They were very biased due to different things they had heard and seen of his family already, but they were open to meeting him – for you. They knew about your relationship for months by now and how happy you have been since you met him. Even if they had their prejudices, they were eager to meet the man who made you so much happier.

You knew how protective they were over you, especially your older siblings. After two failed relationships in the past, they always looked out for you and hoped you’d eventually find someone who was good for you and treated you well enough. After all, you found that someone and that person was Aemond, he made you feel complete, loved and seen for who you are. Even if you had been together for over a year already, there hasn’t been a moment yet where you could have introduced Aemond to your family until tonight. You didn’t put in a lot of effort to actually find a fitting day to introduce Aemond to your family – you wanted them to meet him but you were too afraid that they could or would try to find something to ruin this for you, even if you were completely sure that they would not succeed. Aemond understood that feeling perfectly, he wasn’t ever pressuring you to do anything you weren’t ready to do, even if it meant waiting longer.

You had met his family before, and it would be a lie if you’d say you were relaxed back then. Luckily everything went well, and you get along with his closest ones, especially his siblings. But you were just as nervous about meeting them as Aemond was about meeting your family, you knew what he was feeling. He was afraid that they would not like him for different things, one of them being that he was a Targaryen and the reputation some of his family members – if not all – had, or even the different rumours about him and his family. There were days when it didn’t bother him, but on other days, he felt incredibly bothered by it. One of these days was today.

“What if they won’t like me?” He looked up to you, his chin resting on your stomach, “If they’ll dislike me for who I am? If I fail to impress them? I know they aren’t very fond of the stories about my family. Even I’m not happy about some of them,” his voice was rough as he spoke, “They’ll hate me. If not for the way I am, they might find something else to dislike about me. I know that.”

You looked down at him and brushed a hair strand out of his face. Your gaze softened, but your heart wrenched as you listened to your boyfriend’s worries, “You won’t have to impress anyone. If you’re yourself, it will be enough. You don’t have or need to put on a show for them, my love. I love you, and that’s what matters, okay?” You leaned down and kissed his forehead, he closed his eye and hummed before you continued to speak. “I know they have their opinions about your family, but I’m sure that they’ll see what I see in you once they get to know you. It will be okay, and even if it won’t be okay, you won’t lose me. I care about my family, but so do I care about you, and I won’t let any of them get between us, okay?”

“I love you so much,” Aemond whispered, his tensed shoulders dropping as he seemed more relaxed again. He gently pulled you on his lap to straddle him, “I’m most terrified to meet your father and grandfather,” he mumbled as he snuggled into your arms even more after he wrapped his arms around your waist and leaned his head on your shoulder.

You chuckled and moved your arms around his neck, gently stroking his back and neck with your hands. “Well… If you want to be terrified of someone, it should be my grandma,” you warned him playfully, “My father and grandpa may seem like a dangerous and hard to crack duo, but my grandma is harder to crack than anyone else in my family.” You noticed his body tensing up again as he slowly lifted his head to look at you with an uneasy expression, “But she is one of the most loving people in the whole wide world once she gets to know you better, I promise,” you quickly added. “She’s just very protective of me and my siblings, which doesn’t mean anything negative. There just might be a few…” You exhaled, “Uncomfortable questions she might ask you, but it’s her way of making sure you’re good enough for one of her grandchildren. I’m not helping to calm you down, am I?” You whined at the end of your sentences, but he chuckled and shook his head – he felt calmer again.

“It’s okay, Issa jorrāelagon (my love),” he spoke tenderly with a small smile tugged on his lips. You kissed his cheek, which left a small amount of your lipstick on it, “Sorry,” you giggled softly and gently wiped the lipstick away with your thumb. You looked him in his lilac eye and held each other’s gaze for a moment.

Aemond leaned his forehead on your shoulder again, “Thank you for being there for me, love. I’m still nervous about the dinner, but I have you, you’re all I need to feel better.” He left a tender kiss on your collarbone and shoulder while his fingers circled on the flesh of your hips.

You kissed the side of his head and gently swayed both of you, telling him that he was good enough for you and how lucky you are to be with him. Telling him how happy you’ve been ever since you’ve met and got closer with him. That he was the love of your life, no matter what your family might think of him in the end. No matter what would happen at the dinner tonight. You’d always love him. He was your person, and you were his.

After a few minutes, you slightly pulled away from him and removed your comfort bracelet from your wrist – which he got for you on your second date. “Here,” you put the bracelet on his wrist, which caused him to smile again, “I know that it helps you every time you feel nervous. So… You’ll wear this tonight, okay, my love? I’m still going to be there at your side all night, and nothing will happen. If anyone in my family wants to say something negative, I’ll tell them to fuck off because I definitely won’t let them get between us. I promise.”

His smile widened and he moved his hands over your wrists and held your hands. He moved them to his lips and kissed your knuckles tenderly, “What would I just do without you in my life?”

You giggled softly and pulled him in for a passionate kiss. “I love you so much,” you mumbled against his lips. “And I love you,” he responded and kissed you again.

Aemond felt ready for whatever might happen tonight, as long as he had you by his side, he was ready to face it all. Even if he was still worried about the potential outcome, he wasn’t going to let you go. Not after everything he was able to feel just because of you. You made him happier; you made him feel seen and loved – something he had been missing and wasn’t able to fully experience many times in his life before he met you. You were his everything.

[alextydaisuda123]

Pepperman PT + MLP Creepypasta [WARNING!: Lots of text] Let's admit honestly that MLP Creepypasta has already become a separate fandom, existing separately from MLP itself, whose stories are one better than the other. I've had an image of Pepperman in the role of "Lil Miss Rarity" in my head for a long time. Why her? Well, explanations in the studio! 👏 1. There is something in common between the characters of both, and both are creative natures and love themselves; 2. Both have cats (this is not a reason, but just a fact); 3. I can imagine Pepperman as the same sado-masochist, but in his "role"; 4. Let's admit that Pepperman can be a "Daddy" too 🌚✨️ 5. Lil Miss Rarity used to be one of my favorite creepypastas (which I only knew a quarter of, it turns out, because the rest of the story was shrouded in darkness for me for many years, and... I just didn't understand the rest of the events when I learned the rest of the story, so for me only a part of it exists and that's enough for me). Well, if I explain the image, then... I took from the original Lil Miss Rarity only scars with scratches and a black eye. As for the brand, sorry, but I removed it, because there is nowhere to put it on Pepperman, but the question is, would he have made it as a "sign of devoted and mutual love of fans and himself", the answer is "yes", damn it!>:) For some reason I wanted to remove his shoes and gloves, exposing his paws and hands, replacing them with something else (I don't know what it is, like... the remains of his shoes and gloves? I have no idea how to explain this😐), like for the sake of convenience and "beauty". As for the doll, I'll go into a little more detail about it, because I slightly changed the events in the story, if Pepperman were like Rarity. I'll start with the fact that the wounds were not left by his kitten Chili (because he, logically, is a kitten, not aggressive and physically cannot scratch him), but by Noise, who ruined his paintings and statues once again. During the fight, Phil got injured and he killed Noise, and in fear and panic, in order to cover his tracks, he made a doll of Noisette because of Noise's connection with her (now Noisette's phrase: "You will always be in my heart" played with irony, lol) and placed his heart there, hid the remains (he does not remember where), and disguised the blood as paint (which he later drew with due to carelessness, but from there came the pleasure of drawing with this, and then a tendency to cruelty). Don't ask what I smoked to come up with this, I just wanted to speculate on this topic, to bring his image to at least some logic. And finally, I made the style of the drawing almost like from the comic about Lil Miss Rarity herself. I thought it was appropriate here. Yes, I didn't color Pepperman himself, he was originally in b/w, but I colored him in digital format, just to show the approximate shades of his palette as a whole. Is this necessary at all? 🤔 No, but if someone was still interested in finding out, here it is. And while I was drawing, I listened to 2 songs dedicated to this creepypasta (and I took the phrase written next to it from the song and replaced the word "mommy" with "daddy". So yes, now we have a cruel, but "loving" daddy😏.

Color version:

[better-than-sleeping]

A part of Richard's isolation from the group that I would like to put forward is this:

I truly do believe the group care for Richard as a friend, even when their relationships start to spiral out of control near the end. But that care isn't always present throughout their lives, the same way most people aren't constantly obsessing over their friend's feelings 24/7, and he cannot understand it.

It's not just the stuff you would typically think of that proves this to me, like the twins going out of their way to include him, companionable rambles with Bunny, making food with Francis. The most obvious instance of this is Richard being excluded from the Bacchanalia, and yes, this obviously sucks as someone trying so desperately to be included and a part of the group, but also makes so much sense from their perspective.

If Richard had been normal, he would have been so weirded out! This could be a convenient excuse, but it could just as easily be the group showing their own desires to be accepted by HIM, in a kind of reverse of roles that Richard naturally doesn't want to pick up on, because that would be seeing them human, and fallible, and SIMILAR TO HIMSELF. Unthinkable!

Something I've not seen discussed is the little aside when he first falls in with the group proper and relates that they had found him just as aloof as he had found them. Their inviting him to Francis's house was simply an urge to impress him, and I can't see any other way of reading it than that. If they had simply wanted to include him, but didn't care about how he saw them, they could have simply kept inviting him to their houses and out for lunch.

But, it's the moments that also double as little instances of ostracism that really interest me: Camilla saying Henry didn't want to do another pig ritual because he thought it would upset Richard, the group telling him they've already involved him enough and that he shouldn't participate in Bunny's murder. The general reading of this (that I've seen so far) seems to be that Henry did these things purposefully to keep Richard apart from the group, he didn't know him as well as the others, an unknown quantity, someone he didn't care for as much since he hadn't known him as long. But there's a lot of ambiguity there as well, and I think what makes things so compelling is that uncertainty. It could be purposeful, or unintentional, or some inextricable combination of the two.

(As an aside- ironically, I believe Henry may care about Richard the most out of anyone in the group. Helping him while he was sick, worried about seeing Richard drunk during the day, it's all rather sweet, and I don't believe it was entirely some machievellian scheme.)

However, I like to see the isolation as mostly, if not entirely unintentional, because that makes it so much more cutting to me. It's subtle. They don't put any special thought into doing it, they just…don't even think how these things could make him feel.

The worst part is, as far as I remember, Richard never fully engages with his feelings about this, but they are felt so much through the story and his actions within them. They are moments that sunk deep within his psyche like a stone that's dropped into water and swallowed immediately without a trace. It sits very still inside him, unmoveable.

His acceptance of these moments as they are happening to him is likely a result of his history of loneliness and being apart from others. There is nothing unusual to him about this, that it would require further thought from him within his narrative.

A large part of Richard's isolation is due to his glorification of the people he deems worthy, which continues even after he begins to see their flaws. Despite them, he still can't bear to see them torn down to his level, people he can relate to instead of glorify or look down upon. I think there is an element of self destruction to this, not wanting to understand so he has an excuse to punish himself for self perceived deficiencies.

It's very intriguing, this uncertainty of how much of Richard's isolation from the group is imagined, or perhaps even self imposed in a kind of feedback loop, where he feels pushed away and so pulls himself away from them, to anonymous parties with people he professes not to care about, takes pills and sleeps for days, to numb himself from the pain of their rejection.

And in the process, this feeling of isolation is enforced, becomes more a reality through the concrete evidence he has produced by himself. Maybe the group see his behaviour and think he needs space, they give it to him. He feels lonely, he says nothing. Because he would rather freeze to death than ask for help.

[stillness-in-green]

why do you think Deku never tried to talk to Shigaraki? doylist reason is obvious but what's the watsonian reason?

Honestly, this one’s pretty tricky to answer.  It’s very hard to get myself into the headspace of Deku (and the people in his own headspace!)—mainly because I get extremely uncharitable, extremely quickly.  Mainly about Horikoshi, yes, but that does extend to Deku, too, as well as the broader world he lives in.

The brain goes immediately to answers like, “His world is so incredibly slanted towards retributive models of justice that the fact that he even thinks about wanting to know Shigaraki’s motivations makes him a candidate for mad sainthood to the people around him.  The fact that he doesn’t follow that impulse through all the way to actually asking is immaterial; while Villains have to be punished for their actions, for Heroes, it’s the thought that counts.”

See how I’m already drifting back towards meta-narrative analysis at the end there?  Deku brings a lot of that out in me, especially from Villain Hunt onwards.  Like the wooden doll he’s named for, he comes off to me as a vessel for the plot to happen through more than he does a consistently written, well-thought-out character.  Trying to think of him through a purely Watsonian lens—no refences made at all, period, to what I think the story was trying to express or what Horikoshi’s intentions towards that story were—I almost immediately jump the tracks into territory that is all but certainly incompatible with what I was “supposed” to take away from MHA as a story.

But, you did ask, so I’ll follow the thought experiment through.  If I were to try and set down to paper an explanation for Deku’s actions from a purely in-universe stance—say, for writing canon compliant post-series fanfic—what would be my explanation?

(Hit the jump.)

Right off the bat, from a cultural perspective, I think Deku is afraid that if he tries to make excuses for Shigaraki, it would be disrespectful to Shigaraki’s victims.  That’s why you get the heroic characters constant harping on about how they can’t forgive the Villains, even though, as adjuncts to the police, “forgiveness” is utterly immaterial to them doing their jobs.  Too much sympathy for criminals, in some peoples’ eyes, becomes indicative of a lack of proper regard for the victims of crime; this is very much a dynamic in play in Japan’s legal system.[1]  Ochaco initially has the same impulse, where she’s terrified that even thinking about Toga Himiko’s human circumstances puts her in danger of forgetting the suffering Toga and the League brought about.

1: That’s a meta consideration, yes, but one that I think the target audience would understand to be implicit in the canon as written, so I’m treating it as a Watsonian detail.

Ochaco and Deku commiserate and ultimately encourage each other to embrace their desire to understand their respective Villains, which leads to Ochaco talking to Toga at some length!  Ochaco must do this because asking Toga these questions if the only way she has to reach that understanding.  Deku does not have to ask, however, because he has a cheatmode to fall back on: the mindscape shared between All For One and One For All.  If Deku thinks too much open communication with Villains risks dishonoring Shigaraki’s victims, well, he doesn’t have to openly communicate.  He doesn’t have to talk to Shigaraki the person at all.  He just has to find that crying little boy in the mindscape again.

I also think it’s notable that Deku very much does stop talking about wanting to save Shigaraki after he talks to Gran Torino.  From that point on, everything he says about Shigaraki becomes about wanting to understand him instead.  Coupled with the idea that he insists upon not forgiving Shigaraki, I get the sense that what Deku wants is not to help Shigaraki at all, but rather to simply bear witness to his truth.  And even that much feels self-serving to me—as if Deku doesn’t care so much that Shigaraki is in pain, but rather that Shigaraki might have a point, that Shigaraki’s pain might be valid.  Shigaraki having a valid point would destabilize everything Deku believes about Heroes and Hero Society, and Deku has, by that point, seen enough that he’s too upright to look away, to “sweep things back under the rug,” so he has to find out Shigaraki’s story to judge it for himself.

The fact that he feels he has the right to judge Shigaraki’s story speaks to the arrogance of Heroes—the same arrogance that leads them to declare their lack of forgiveness as if it’s in some way relevant to doing the job in front of them—as well as a deeply rooted defensiveness: that they must have, and be perceived as having, the moral high ground over those evil Villains.  I think, for example, of the Flamin’ Sidekickers and their cringingly awkward self-justifications to Dabi about their continued association with Todoroki Enji.  Their reasoning has zero bearing on either Dabi’s pain or their own heroic responsibilities to assist in the arrest of a known murderer/terrorist/arsonist, but they feel the need to spell that reasoning out to the child abuse victim/volatile Villain anyway, seemingly for no in-character reason save to rationalize the deep discomfort that Dabi’s video accusations provoked in them.

Heroes must be seen as morally just—this is the whole basis for the authority they’ve been granted to wield their powers against other people.  Best Jeanist talks about this idea explicitly, as does Police Chief Tsuragamae.  Far more damningly, it’s what led to the HPSC using agents like Lady Nagant and Hawks to quietly dispose of anyone that would present a threat to the public image of Heroes and, by extension, the fragile peace that rests on that public image.

Heroes must be pure and righteous, and Deku is just as apt to believe that as any other Hero—maybe even more apt, given that he’s also had All Might leaning on him about the bearer of One For All being the Pillar and the Symbol of Peace.  All this baggage winds up conflicting, however, with the horror and reflexive need to help Deku feels upon seeing the small, crying child within Shigaraki.

Saving small crying children is the absolute, innermost core of Deku’s personal framing of Heroism—seriously, he says this nearly word-for-word in Chapter 1!—and so, like Shouji says of the heteromorph riot, it isn’t something he can ignore and still call himself a Hero.  He’s unprepared for that personal brand of Heroism to conflict with the demands of professional Heroism, because he never expected to face someone who was both Evil Villain and Crying Child at the same time.  This is what he wrestles with over the course of his time away from UA and why, ultimately, he decides to use the mindscape as a way of resolving the conflict.

(Note again that I'm talking about my fanfic explanation here. Deku's reasoning is much murkier in the canon because of the canon's late turn towards locking us hard out of Deku's personal feelings and thoughts when they're about anything more complex than chain OFA combo moves.)

Remember that Deku begins the Villain Hunt Arc with a tentative desire to “understand Villains” so that he can perhaps use that understanding to avert or at least deescalate conflicts with them—and then the very first Villain he falteringly tries to understand is fucking Muscular, who shuts him down cold.  Deku never tries that hard[2] to understand a Villain again—Lady Nagant dumps her backstory on him with very little prompting from him, he has nothing but ultimatums for Overhaul, he doesn’t seem to ask any of AFO’s other minions any personal questions whatsoever, and with Shigaraki, he goes straight to the mindscape instead of even attempting a dialogue.

2: Insomuch as you could call asking three invasive, judgy questions in the middle of combat and then throwing in the towel “trying hard”.

My take is that Muscular scared him off of trying to verbally uncover the backstories of Villains—even though Shigaraki is ready to all but hand the first Hero to ask an illustrated history of his grievances with Hero Society, Deku can’t trust that anything Shigaraki tells him will be the unvarnished truth.  Unlike Shouto, he has no one to corroborate the truth with, but unlike Uraraka, he doesn’t just have to make the best of it, either.  He can instead utilize the mindscape, an approach that sidesteps all of the issues that a spoken dialogue would entail:

Getting Shigaraki’s truth via the mindscape means he can trust the answers he gets, rather than having to filter those answers through Shigaraki’s warped worldview.  This allows him to honestly evaluate Shigaraki’s perspective, gauging whether Shigaraki has a real point that Deku has any responsibility to address, some injustice that needs to be corrected independently of Shigaraki being held accountable for his crimes.    

Having decided that—for reasons of justice, All Might’s Pillar mentality, and his own peace of mind—he has to know Shigaraki’s truth, Deku comes to feel self-righteously entitled to that truth.  Thus, even though Shigaraki always seemed perfectly willing to share his thoughts in their previous encounters, Deku can’t take the chance that he’ll change his mind and rebuff Deku like Muscular did.  Using the mindscape takes that agency away from Shigaraki, rendering his willingness to share moot.    

No one other than people with access to the shared mindscape can perceive the interactions happening within it.  This means that, no matter what Deku learns or how he reacts to it in the moment, he doesn’t risk being seen as disrespecting Shigaraki’s victims by prioritizing the feelings and perspective of a vicious terrorist.    

Finally, on a tactical note, the encounter Deku has with Shigaraki in the mindscape during the Jakku battle seems to happen nigh instantaneously.  If he can get his answers at the speed of thought, that means he doesn’t have to specifically draw out his battle with Shigaraki until he’s resolved things to his personal satisfaction.  This is ideal, since Shigaraki presents an incredibly dangerous threat to everything and everyone around him, and Deku’s Hero education has repeatedly emphasized the importance of ending battles quickly.

There's just one problem with all this: Deku is assuming access to Shigaraki’s mind.  And why wouldn’t he?  He got in there without even trying last time, after all!  I assume that’s also why he rolls up to the battle with zero plans of any kind: he doesn’t understand how the mechanics of the shared mindscape work and none of the prior bearers can advise him because it’s a brand-new phenomenon for him as the ninth bearer, so they’re just as clueless about it as he is. 

Lacking that knowledge, he opts to simply take it on faith that he’ll be able to access that mental space again, find the crying child in it, and uncover enough about Shigaraki’s history to render his own judgement of it.  He's the Deku who does his best, after all; if it doesn't work, at least he'll know he tried. The good faith attempt, however it turns out, will allow him to satisfy his own sense of justice while not interfering with whatever temporal justice the adult Heroes are planning for Shigaraki—to which Deku fully believes he must be subjected as punishment for his crimes!—be it arrest or an execution broadcast to the entire world.

Unfortunately for Deku, thanks to his being waylaid by Toga, he turns up late to the battle only to find Shigaraki’s psyche sealed up tighter than an All Might-themed wall safe.  Then, since he never had any kind of plan for talking to Shigaraki, and his own ability to plan things is strictly limited to combining quirk abilities on the fly, he has to wing it until Kudou is able to come up with a plan for him.  Naturally, because Kudou is Kudou, and Heroes’ solutions are tailored to Heroes’ strengths, this involves violent psychic assault.  And why not?  It’s not like Deku believes Shigaraki deserves the mercy of a gentler approach.  Just think of all those people he hurt!

Now, is this all heckin’ uncharitable?  Does it paint Deku as well-intended but blindly self-righteous and ethically timid? Oh, for sure.  And I do think there was a point at which Deku wanted to save Shigaraki in a truer sense—indeed, he’s quite plain-spoken about it in the OFA Mental Conference in the aftermath of the first war!  However, it’s absolutely within his established characterization to run into things that make him uneasy and take the first out an authority figure offers him that spares him the work of demolishing and rebuilding his entire world view.  Look no further than the aftermath of the mall scene. You can draw a straight line from Deku taking Tsukauchi's out (that Shigaraki is just a sore loser) to him also taking Gran's (that killing Shigaraki could be a way of saving him).

That’s the mentality I would lean on to explain Deku’s anemic efforts to truly save Shigaraki in the end: an inherent desire to help people that has been hamstrung by a learned dehumanization of Villains, a repeated emphasis on swift, unthinking action as a Heroic virtue, a culture that regards sympathy for those involved in a crime as a zero sum game, and, last but not least, a psychological complex about the basic nature of Heroism rooted in his fraught childhood.

Deku says he’ll “never forget” Shigaraki. If it were me writing the sequel, “never forgetting” would look an awful lot like, “Following a particularly frustrating day of the Pro Hero grind, Midoriya Izuku opens his eyes at 4AM one cold winter night in his early-40s with the horrible, inescapable realization that what he did as a teenager to a deeply victimized young man barely older than he was himself back then was fucked up in ways he can never repair or take back.  And further that now, not only is he going to have to spend the rest of his life trying to make up for that act, it’s going to be much, much harder than it would have been back then, specifically because he did what he did back then and let the world get away with calling it heroism.”

Thanks for the ask, anon! I hope you find the answer interesting and at least somewhat believable, for all that it certainly isn't tonally in-line with the story's portrayal of its much-lauded protagonist.

   

(P.S. On top of convincing both All Might and Deku to not pursue saving Shigaraki in any concrete sense, Gran Torino also takes partial credit for Nana's decision to abandon Kotarou. Torino Sorahiko might actually be the all-time world champion of convincing OFA bearers that preserving One For All is worth abandoning children to their grim fates. Give him a hand, everyone. What a great and admirable Hero who absolutely deserved to survive all the way to the end of the story and who definitely is not a symbol of all the most jaded and cynical priorities of the old order.)

[docholligay]

I have no idea how wild the fandom for Hadestown is. If you don’t know me, if we’ve never exchanged words, and you have BIG FEELINGS about Hadestown that any level of critique will set off, I very much encourage you to move it along. I can’t do Hamilton 2 or whatever. (If I know you I will give you more leeway FOR SURE. I just want to keep strange weirdos out) 

First, I have to provide a little bit of context: I got in on the ground floor with Hadestown. 

Yes Doc, I too, have been obsessed with it ever since it was in previews--no, I mean, i saw folk singer Anais Mitchell perform the whole thing like 15 years or whatever ago in a converted garage venue. 

I wasn’t even in town to SEE HER, I was in town to see a different artist and this was back when live music was a bigger thing and not a dying scene, and people just bought tickets to whatever was playing on a free night. I like folk music, I liked the idea of what was then being called a folk opera. It was instant love. Orpheus and Eurydice is one of my favorite myths, I am from a rural and exploited place, I loved everything I heard, some absolutely glorious poetry going on there. Bought the concept album, forced so so many people to listen to it all the way through. Forced jetty to listen to it on our road trip! Before the musical came out even!

I have been following this musical ever since then. I kind of thought it would never get made! I followed the original version, and then the broadway one. What I’m saying is, I have what now amounts to about fifteen or so years of history with this musical, and all the changes it has gone through, and all my individual feelings about each of those changes. My evaluation necessarily lives within that context. 

This was part of the reason it took me so long to see the Broadway! I wanted the emotional space to feel however I felt about it, even if that ended up being, “I fucking hated that” and it’s hard to have that when someone buys very expensive tickets and a trip for you to see something you’ve been following for years. Part of jetty’s gift of this was “And you can hate it!!” and I knew she meant it, because when you watch something move and be workshopped and change, you get a lot of feelings about it. 

So I can’t really go, “I liked Hadestown/I didn’t” I mean, I have loved hadestown for a very long time. If all you wanted to hear was , ‘Did you like it?” oh yes! But I have at least four versions sitting my head right now, and they are all next to each other for evaluation in a way that someone who has only experienced the broadway can’t have. 

I want to provide this knowledge because my thoughts about it go so far beyond what is currently being staged on Broadway. No, this is not going to be me saying, ‘Everything was better with the concept album!” no, some things are, but this isn’t that I promise. 

Everything below this is spoilery

So, originally Hadestown was a slightly different story and admittedly, one that spoke to me more than the story I saw last night. It was a lot more specific in its earliest days--it was about an impoverished mining town. Hadestown was the company town, underground, and there was basically no mention of Hades and Persephone being actual gods, anything was winked to, but it was mostly about how the holders of capital have all the accountability of gods. The whole thing had a much stronger anti-capitalist framework, and Orpheus and Eurydice were basically naive kids who thought they could avoid involvement with the mine. Obviously, this very much spoke to me. It was matching my freak exactly. 

It is not that now. And that’s both totally expected, and disappointing to me personally. The show now is much more of a, I’m trying to put this in a way that feels less insulting because I don’t mean to be, very Captial L Liberal. Audiences who can afford Broadway tickets will eat up the vague notions of wishing for a better tomorrow and ‘show the way the world could be’ and putting this back into the framework of a story of the gods instead of the utter lack of choices available to people, that the game is rigged from the start, and Orpheus even having this chance is both an exception and a test hades expects him to fail. I get why this happens. Literally every story that has ever been brought to Broadway has had to be made more palatable to a broader audience. The story it is now, is much much more broad, much more life affirming or whatever, and much more easy to hear. I think I would like it better if I didn’t know the story from the very first versions. 

But that was not a problem last night! That was a problem when i heard the previews out of Alberta! So I’ve had years to adjust to knowing that they were going to blame Orpheus a lot more. Which I love that the Broadway seems to have backed off of! The Alberta production really sort of LAID INTO THE BOY in a way I aggressively did not care for, because it was the antithesis of the story as I understood it. Love that they took that back a step. 

Anyway, so, things I loved about the musical last night:

The staging of Wait For Me fucked SO SEVERELY that honestly it makes me forgive like 90% of the things I don’t care for in the final Broadway version, that I thought were done better in other versions. I almost cried, it was EXACTLY what I would have pictured in my head after hearing it all those years ago. It was incredible. I wish I could see it again, and study it. I am thinking about it right now! It will live rent free in my head. Perfect. 

The gal who played Eurydice has clearly listened to Anais Mitchell albums, because she sounded SO MUCH like Anais that it even took me back for a moment. 

I’m not sure if this is praise or a criticism: 

I don’t know how I feel about having Hermes as an overall narrator! I go back and forth on it and have since the Alberta came out. If I were going to do it I would do it differently than it is currently staged. Jetty was talking about how she loves when the instrumentals are onstage, and I’m the exact opposite--I mostly find it crowds the stage while not bringing much interest for me. But in general, i both like it and do not like it, to give a very useful critique. I don’t hate it, for sure. I love the opener for Wait For Me II. But overall I will probably need to think about it for another 15 years. 

Frustrations I have:

 I think I have decided that even for the MASSIVE INSANE BUCKWILD flaw of seemingly blaming Orpheus for Eurydice’s decision, the Alberta is the best version. I think I prefer the concept album on a personal level for a lot of things, but I think the Alberta is, well for starters, definitely more complete--the concept album has some massive gaps in it that desperately needed filling--but it preserved a lot of the poetry that the Broadway version seems to have stripped out while being much more mass appealing. I was particularly GALLED by the rewrite of Epic III, one of the things in the Alberta version that made me say, ‘Wow I am prepared to forgive a lot of horseshit for this song, my god” 

NEVER FORGET WHAT THEY TOOK FROM YOU

They took out "The heart of a king who loves everything like the hammer loves the nail" imagine writing that line and scrapping it, are you HIGH, fuck me running.

And I think this summarizes a lot of my frustrations about the changes between the Alberta and the Broadway. It no longer sounds like a folk opera. It has lost a lot of the poetry of the original, folk music being very grounded in lyric and somewhat less in vocal theatrics. 

Also, and this might just be an actors thing, I did not get any sense that Persephone and Hades love each other…at all. Part of the appeal for human beings named Doc who are me is that they love each other, and they can’t stand each other, and I didn’t FEEL that at all. Like i said this could be an acting thing--I was not overly impressed by our persephone broadly. But taking out her part in Chant II I think also really contributes to this problem. 

This is both the Alberta and Broadway versions: I MISS THE FATES BEING A REALLY TIGHT 40s STYLE GIRL GROUP SOB SOB SOB. In the original, the fates were the only characters ‘outside’ the story, and this was indicated stylistically by the fact that everyone else was singing folk music, and they were singing in this very different style. The idea fifteen years ago was that they actually would be dressed all in that style, but yeah, none of this happens now and i find it SOOOOOO disappointing personally. I hate their stupid costumes I hate the ‘rougher’ style of vocals I hate it so much ahahahahha. If I was going to force Anais to change one thing it would actually be this, even though it is insanely petty and silly. 

The best version of when the chips are down:

I don’t know if literally any of this is what you were looking for but I somehow deeply suspect not. I am IN THE SHIT with Hadestown though, so if you have any specific things you wanted to ask about or have me talk about, let me know! I am just cutting this off now because it’s already at 1700 words and I’m not sure anyone cares that much about my journey with the only musical I can truly say I knew about when it was still a twinkle in someone’s eye. 

(Yeah Doc, I have a question: Do you have anything mean to say about the concept album? OH BOY DO I. Some of it is to be expected like, "Uh, Anais you need the rest of the story here girl." but a huge one is I fucking HATE that she got Justin Vernon, who you know better as Bon Iver, to do Orpheus. He SUCKS. He sounds bored the whole time because that is how that motherfucker sings. I have HATED it since day one. Reeve Carney is perfect and literally what I started my local women's prayer and casserole circle to petition the Lord for.)

[gothamite-rambler]

The Outlaws helping out Harley

Harley spent the last hour and a half recounting to the Outlaws the harrowing experiences Joker had put her through—his manipulation, the various forms of abuse, how he let her come perilously close to death numerous times, and how he always twisted things to make her feel like it was her fault.

Harley (concluding her story): After finally escapin' and acceptin' that Joker never truly loved me, I thought maybe this whole redemption thing could work. And, well, it has. That’s probably all I want to say about it.

She sighed contentedly, leaning back in her chair. The reaction from the Outlaws was stunned silence mixed with horror. Artemis even covered her mouth, struggling to find the right words.

Roy (speaking first): He threw you out of a window because you explained a joke?

Harley (coolly): Yeah. Fucked up, I know.

Bizarro (disgusted): He didn’t leave you in a vat of acid and not escape? He is good man!

Harley: Tell me about it. He’s dead to me now, stuck up at Arkham and always schemin' his next escape. I heard Slade gave him a serious beatin' a few weeks back. Caramel, I’d say.

Jason (checking his gun’s ammo): You mean karma.

Harley: Oh, right. Sorry. I said that a lot with Joker, too, for the smallest things.

Artemis (struggling to restrain her anger): Yeah, you mentioned the ice cream cake incident. Hey, Harley, we appreciate you opening up. It takes a lot of courage, and I’m glad you feel comfortable here with us.

Harley: No problem! When I started this group therapy, I wanted it to be a safe space for everyone to share what’s been botherin' 'em. I trust all of you. So, who's next?

Artemis sent a quick message to Jason, Roy, and Bizarro, receiving a thumbs-up in reply.

Artemis: We need to put a pause on this. There's something urgent we have to handle—someone awful we’ve dealt with before. We're going to pay him a visit.

Harley (crossing her legs, intrigued): Kill or no kill? I want you to be honest; that’s how my street therapy works.

Roy (checking his phone for the right response): No kill. That would be way too easy. He needs to live and suffer. While we’re gone, can you watch Lian?

Harley (perking up): I can watch her? Yes! We’re goin' to have so much fun together! Sorry for bein' so energetic; I’ve always loved kids. You guys do ya thing, and I’ll hang out with Lian. Then we can get… whatever you want. My treat!

Jason sighed and covered his face at her over enthusiastic response.

Jason (in his head): Oh my God, she's so hurt.

Artemis (nodding in agreement with Jason's reaction): Yeah, I get it.

Bizarro (sincere): Harley? You're... not our friend. I don’t want you to know that. Okay?

Harley (smiling, understanding what he meant): I needed to hear that. Thanks, pals.

Wiping her eyes, Harley got up and headed to Lian’s room to let her know they were going to spend the day together. Meanwhile, Roy prepared for their trip to Arkham.

Roy: We can be there in about thirty minutes.

Artemis: Jason, just checking—are you okay with this?

Jason: I’ll probably stay outside and keep watch because I will kill him if I see him. I want you to shoot him though, the leg at least. I had no idea he did... that much awful shit to her. He just keeps getting worse.

Artemis: It’s like the worst of Zeus mixed with Apollo. Let’s hurry before she catches on—she is not paying for our food either! Hera, I’m going to snap his penis like a twig.

Roy: Fair enough... Not sure how you're going to pull that off, but fair.

Artemis (cracking her knuckles): Oh, I’ll find a way.

The group moved quickly, just as Harley was leaving Lian's room, holding her hand and leading her to the living room.

Harley: So, it’s about dogs in Australia?

Lian: Yeah! It’s really cute, but heads up—Bluey and Bandit are sisters, not brothers. It’ll make sense when we start watching it.

Harley shrugged and sat down on the couch with Lian, pulling up Disney Plus on the television.

[adultemophase]

A VERY LONG ARCANE S2 REVIEW (Not spoiler free below page break)

Firstly, these are all my opinions and everyone is entirely entitled to their own. If you hated S2? That’s fine but I didn’t. So, I will be doing a kind of general breakdown of my thoughts on each act below but first my general review is that I think in terms of overall story telling, season 1 is better.

To ME, S2 seems like more of what they initially had in mind for the show, and they just really nailed the exposition of S1. This is what I think made S1’s pacing feel a lot better - it’s all exposition for S2. Season 2 had to fit a climax and resolution for all of these characters in the same amount of time that they took to set up all of these story lines in the previous season. I genuinely think that each act could have been it’s own season but w/ how expensive the show is to make and the amount of time production took between seasons, I see how that’s not practical. Especially if they want to explore other regions sooner than 15 years from now.

TBH I really enjoyed this season. I understand some people are hating it because of the parts they don’t like but it’s still a visually stunning show with great characters. Do I think there were areas where the story fell flat? Yes. I also think given the time constraints and restriction of this being the last season, the visual story telling was very well done and a great way to move along the story without sacrificing time. I genuinely think it’s such a phenomenal feat of animation that characters expressions convey thoughts and emotions that feel real without dialogue. I still am blown away that it’s a LoL show because despite my love of league lore and characters, I never would have expected that Riot could produce such a heart wrenching show about the tragic nature of love and loss, the things we do for love, and the flaws of our own humanity.

I also think some people set their expectations WAYYY too high for the social commentary aspect of the show after s1, as far as I’m aware there was never any claim made by any part of the prod or writing team that it would be one. Idk overall, I thought it was a lot of fun and still an exceptional show. Not what I was expecting but I’m not upset about how it ended. I think it was conclusive but also not so finite that it leaves zero room for interpretation of the characters implied futures.

It is a little disheartening to see so many immediate negative reactions to it but, again, people are entitled to their own opinions and as much as I complain about people not using critical thinking skills or passing grade 9 literature - art is subjective. Animation, ESPECIALLY at this scale and complexity, is a form of art. I, as I’m sure many other’s did, found it a fulfilling end to one of my favorite shows. Yes, I wish there was more but I can’t bring myself to be disappointed with what we did get.

Below is my (again PERSONAL and NOT SPOILER FREE) 1-10 rating and my thoughts on each act (not really going to analyze anything because I need about 3-5 weeks to scrub through every episode so only my little reviews) :

ACT 1 (7/10) : I think this act is the one with the worst pacing, but I said a whole back in a previous post that I believe to some degree it was intentional. There is suddenly a war happening so I think it’s supposed to feel chaotic a bit chaotic. However I can concede to part of it just being, well, bad pacing. This act is definitely one I wish could have taken up more episodes if there were more seasons since I would prefer flushed out development as opposed to music videos at the beginning of each episode. However, for what it was, they serve their purpose narratively and relay the information that the viewer needs to know. Otherwise, as heartbreaking as the act is, I gotta put myself on blast and say that I LOVE the end sequence of ep 3 when Ambessa makes Caitlyn commander. Like it’s so daunting and cool. Ep 1 fight scene at the memorial? super sick. I also loved the development of the dynamic between Sevika and Jinx. You can feel the characters devolve into a version of themselves that truly is worse and I think that’s so fun. Most of my drop in rating is from how fast it feels.

ACT 2: 9/10

I simultaneously have so much and so little to say. I won’t talk about Isha’s death because to me it was fairly evident that she was going to die from act 1. Anyways, for me this was the most tragic act and I’m still trying to decide between this and act 3 as my favorite. I love them both, in different ways. Seeing Jinx and Vi be brought together and Vander was so touching and sad. You get a real look of how much they still care for each other despite the fact that they’re perpetually ripped apart. I’ve already made a post about the scene between Caitlyn and Vi, so I won’t just say the same thing I’ve already said. I also honestly am not upset that Vi’s “six-ish months of going insane” wasn’t drawn out. Again, I don’t LOVE the music videos, but narratively, it tells you virtually everything you need to know about what’s happened to her and where she is mentally. It’s literally a montage of her life for the past several months. As a recovering addict and someone known to self destruct, I would much rather they condense that like they did rather than draw it out and not handle it well. If you’re going to be cynical, you could say they didn’t anyways but, recovering addict, so I was more worried before the act 2 release that it would be triggering rather than handled poorly.

Jayce coming back and tweaking out was also such a fun touch when it wasn’t explained until the next episode why he was acting that way. Like I figured it had to do with the hex crystal now fused with his body but it was still so interesting.

ACT 3: 9/10

Maybe unpopular but I LOVED this act. Everything was so visually intriguing that on my first watch I wasn’t even fully locked in just because I was focused on how good the imagery/animation is. I thought I was going to hate ep 7 because, unfortunately that leak was real (no I won’t be changing my pfp to a clown like I said I was bc I’m stubborn) but the implication to me of that episode was not “Vi dead so everything good!” it’s that they saw a kid die because of the crystals Jayce had and, in brevity, saw what the tension between the undercity and Piltover was doing to people. I am curious what happened to THAT universes Jayce but I imagine he was probably imprisoned.

Obviously, I have to address the sex scene, and honestly? I don’t mind that it’s in a jail cell BECAUSE of the very obvious parallel to how they first met. It was also done in such a wonderful way that it feels like a legitimately intimate scene between the characters and not just a “man well I suppose they need to fuck, huh.” or male gaze-y “lesbians 🤤” way.

I will be honest and say I don’t like multiverse stuff since it kind of kills the whole “arcane is cannon” thing. I also just don’t love it in general because in recent years it’s been just a cop out for companies to make more money off of IPs (see Marvel) but it makes me want to go back and rewatch s1 again to see if this has always been the plan. I don’t mind Viktor being the wizard that Jayce sees when he is a kid since they tied that up in a way thats really cool. I do think it’s an episode though that, after seeing it a couple of times, is easily skippable since it doesn’t really do a ton for the main plot. Like Ekko gets his Z drive, heimerdinger (i think?) dies, and Jayce discovers the damage hextech can do. Don’t get me wrong, I really like the episode, unfortunately it is just one that I feel like viewers can skip over upon rewatch because of the AU stuff.

Also MEL, I love her storyline with the black rose and I really hope that her putting on the Noxian clothing in the end is an indication that we will get more of her if Riot does a series based in Noxus.

[incandescentflower]

So I've been thinking about this a lot. There have been studies that have said that knowing what is going to happen in a story (i.e. being spoiled) can actually increase your enjoyment of it. I was thinking about this in particular because yet another trailer of a drama had the first kiss in it. I see kisses not only in trailers, but also in opening or closing credits. I really kinda hate it. I already know that these two people are gonna get together since dramas are almost always billed as about two characters/actors. The one thing I miss while watching dramas is the surprise of discovering a couple I might like that wasn't intended or wasn't planned right away.

So that said, what about you?

[hryniewiecki]

Grand Arcane S2 review

because I really need it to move on

Remember how I mentioned I could write an entire book about everything that went wrong with this season? Well, this is what a little excerpt from it would look like.

Let's start with a personal note to clarify my relationship with this hell of a piece of media.

S1 was this miracle show that was able to break through the several years of depression and anhedonia and make me interested in something, make me try to get back into making art (or at least try to try), to put myself out there on the internet a bit, to try be a part of something and not ashamed of enjoying it, which I never allowed myself before. Coincidentally, I've been at what I thought then was the worst place in my life when it aired and it helped me a lot to get through it. I didn't even think I would make it to see S2, as thee years felt like forever then. Taking all that into consideration, I think you can already tell where this is going.

I honestly thought I was prepared for S2 not being good, as no show could be this perfect. Turns out I wasn't prepared at all. Act 1 made me very happy, so happy I watched it two times, but the rest is something I would've never watch again and rather forget about.

The characters I wanted to see the most were Warwick (body horror, The Wrath of Zaun haunting the streets - got just a glimpse of that, but it felt like nothing) and Viktor (cyborgs and cyber gore, misunderstood idealist, Blitzcrank - got basically nothing; the idea was kinda there somewhere, but got changed so much it didn't matter at all).

I can't believe they took a godforsaken champion like Viktor and not only ruined his story completely, but also managed to fuck up everything else by all of a sudden making him a center of all of this mess. The center being the arcane/hextech/magic, which never even gets resolved/explained. Still no idea why it got corrupted and what was the nature of it; the void was never taken anywhere despite being heavily hinted - everything was evil because it was, but luckily the magic of friendship saved us!! (I'll get to that)

Speaking of crucial plotlines that weren't taken anywhere.. Basically every character got screwed over and made empty. Let's use Vi for a quick example (may not actually be the best example, but hopefully you'll get what I mean) - when I saw the pit fighter scene released early, I expected to see it have a continuation in the show, but instead it ended up just being the exact same music video, nothing more. And that goes for some more events - they get compressed into music videos that make it all incredibly hollow. Fight scenes are fine like this, sure, but not something that was supposed to be a bit more emotional and serious. Anyway, they successfully made me hate most of the characters. Either hate or just straight up not recognize them, and in a bad way.

Long story short the pacing is awful (it only gets back to normal in ep7, as it resembles the structure of S1) and the writing sucks ass. I can't for the love of god believe it was written alongside S1. There's no way in hell - it's literally all the worst fan theories I've seen come to life and get mixed with fanservice. *puts on a tinfoil hat* Maybe this is the real why they needed an extra year or two, as S2 was initially supposed to be released earlier. No way in hell the same people who wrote S1 and cared so much about the characters would do anything like this. Riot must've gotten heavily involved, making us believe they cut the story short (I think 5 seasons in Piltover/Zaun were planned initially?) for the benefit of it, but all it really was is greed - let's make a bunch of bullshit happen and quickly move to another region to sell more skins for new champions.

Now let's get back to the ending. Man, it really had it all - the nonsense, the multiverse bullshit which basically makes nothing make sense anymore (if there was anything left), the (yes, I'm going to say it, because that's exactly what I felt) cringe and embarrassment. Never seen anything more hollow trying to convince me it was deep and emotional (sums up the whole show perfectly).

How the hell the only thing that was supposed to save Viktor from himself was Jayce telling him he's perfect the way he is? Sure, don't try to cure your illness (that my city caused, but "fortunately" another crucial part of the plot, which is the sister cities conflict, ceased to exist), it makes you beautiful, this is who you are (miserable, unwanted, feeling meaningless and like a burden, dying). I am at loss of words.

Now buckle up jayvik fans. I wasn't a fan of the ship as I'm not a fan of any ships in general, but now I despise it. I wouldn't mind if they actually went on with it, which no, they didn't. We don't want two men kissing (women making out is fine tho, won't make the gamers too angry), so let's play extra safe to make sure it could be explained as any type of other close bond (and that's exactly what Christian Linke does when asked about it). You disgusting cowards, either you show me this in plain sight and I wouldn't give it a second thought, or don't even try bring it up at all (and you can't deny it wasn't implied in S1 with all the Viktor's looks and parallels to Mel).

Where do I even begin? Because I don't think you have any idea on how many levels it actually sucks. If you read it as romantic it's basically telling me that if I was a gay man struggling with my feelings and not being able to confess for years, because I'm convinced I'm unworthy of love as something is inherently wrong with me, then the best I could get after surviving all this (what honestly seems like hell) is a hug, because you're ashamed of me and thus I should be ashamed of who I am till the very end.

Something equally bad is Jayce finding out (or rather we finding out) how wonderful the world could look like if he let go of his beautiful dream, his life's work, and killed himself - it never gets denied, as the corruption of hextech doesn't get explained.

Long story short, if you're struggling with your mental health, trauma issues, disability or any of the problems the characters you related to deal with, this show spits you in the face.

I could go on forever about everything that's wrong (even Jinx got played dirty), but let's finish with the few things I liked: act 1 was promising (it's when I believed they could still make sense of Viktor), fun Sevika's arcade arm fight, the epic fight at the Janna's temple (Woodkid goat), Jayce killing Salo (I felt something) and Jayce's glitchy madness in general, young Vander flashback (felt something), ep7 and Singed's story (the only one that makes any sense).

Other than that the show left me with nothing but void in my heart (I guess that's when it all went). The saddest thing being the masses love it anyway, as it seems they'll watch anything that's colorful enough. And Riot will make lots of money of off it, because in the end they never loose. I'm not denying Fortiche absolutely outdid themselves with the art, it's just heartbreaking nothing else even remotely stands up to it.

[georgiapeach30513]

It's wonderful having ADHD. //

How is ADHD wonderful? Just curious. I know a lot of people who grew up with it managed pretty well, but getting diagnosed later in life is pure hell. On top of having majority believe it’s bullshit, ADHD is a lot and I just I want a refund. 😮‍💨 I don’t know where my damn adhd begins or ends vs me just being an idiot.

I’m on meds and still struggling but I’m so happy that people here believe it’s legit. 🤗 I’m struggling bad, but I’m pretty good at hyper focusing and stating random ass facts. I think one million thoughts at once but then I get overwhelmed and shut down.

I’d love to hear other adhd stories if people don’t mind sharing. A lot of people think adhd is just not focusing or based on what they see on Tik Tok and it’s so much deeper and debilitating.

I said that with full sarcasm. It is not fun in the least bit. It's something I have heavily dealt with my entire life. And even as a child when I was first diagnosed, and my mom refused to put me on medication. I learned to deal. But I think now my ADHD has manifested in interesting ways. And yes, I learn to cope/deal with it, but I feel sometimes every day can be a challenge.

I find it fascinating to realize that people's brains/thoughts don't function the way that mine does, and to realize some people have silence in their brains is a bit annoying.

I mean ADHD is a lot of things. Not being able to focus is such a small part of that. And like I said, every day is a challenge of sorts.

[v--143]

OH boy do I have a story for you guys hhehehehehehe

Boyfriend slept over in my dorm again and gaahhhhh okay I think he fully knows I love tickles but not in THAT way like I think he just thinks I think they’re fun, which that is the case.. but he doesn’t know I’m literally obsessed with it 💀💀 ANYWAYS

He’s started to do this thing where he’ll sing a song, either a Halloween one or a Christmas one, whenever he’s about to start tickling me. So I’m like NOOOOOO and he just keeps singing and starts doing the claw hands AAHHHHH

And he found out last night that my ribs like riiiight under my boobs (? if that makes sense LMAO) are SO sensitive, like insanely ticklish. But like, a good very ticklish… like I can take it and it won’t be toooooo too much for me. So, I had a bralette and an opened zip-up jacket on, and when he found this out, he KILLED MEEEEEEEEEEESBJENDJSKSN

He was laid down on the left and me on the right (the beds are lofted up but there’s a bar to keep you from falling so I was fine to squirm and thrash). He took his right arm and grabbed both my wrists in it (he is strong as hell), and then he WRAPPED his LEGS around MINE. SO at this point my entire torso (my zip up jacket was opened, so just wearing my bralette) was COMPLETELY exposed. Obviously not my chest but all else. So I was already giggling a ton like an idiot because I was nervous and he kept repeating “say just 5 more seconds and then I’ll stop. Or 10 more. Or, yknow, if you don’t want me to stop, don’t say anything.” And then any time that I’d try to say anything, he’d tickle me HARDER and FASTER hshdejenenjend

Genuinely couldn’t move my arms or legs at ALL and he kept intertwining from vibrating and wiggling his fingers between my upper ribcage to the center of my stomach to my sides to my lower ribs to all over my chest to my neck like oh my GOD I was so done for. But I mean hey I was having the damn time of my life I’m not complaining🙂‍↕️

So I was really just laughing my entire being out. Like, I think I laughed for maybe 2-3 minutes straight, which is a lot if you really think about it! Like mf wouldn’t stop! (In his defense I never once said stop between my laughs and screams, nor did I made it known in any way that I wanted him to stop… so… YIPPEE)

His TEASES too my God his teasinggggg “you can tell me to stop, yknow” “you love this don’t you?” “you’re so ticklish oh my God” “you’re so loud!!!”

OH and when he said “you’re so loud!!” he then grabbed his hoodie that he took off and put it over my face saying “there. Chomp down on that, okay?” and then continued even HARDER as I tried to bite down on his hoodie and not be as loud (epic fail) 😭 He was smiling the entire time as all this went on too which was so cute to me like he looked like he was enjoying himself too. He called it my “torture time” which just made it all the more EEEEEEEEEE

But. Guys. This is the. Ahhhh moment for me.

Then after a while once my hair was all over my face and I was heaving like a madwoman, he was like “are you okay?” (He always asks that after he tickles me really hard or for a long amount of time💘) and I was like “uh-huh, yehehes” still giggling with a big ass smile on my face as I looked at him, and he goes, “…do you like it?”

I knew EXACTLY what he meant but my nervous ass goes “huhh?” acting like I’m too drowsy and out of it to answer the question 😭😭 and he STRAIGHT UP ASKS, “do you like being tickled??” AND I GO “w- whaatt?” still acting like I’m sleepy or some shit and then I just make some random noise GAAAHHH 😭😭😭😭😭😭😭😭

The thing is he is the least judgmental person I know. He’s so open and vulnerable and would not give two shits if I said yes. In all honesty.. he probably would’ve giggled and said something along the lines of, “Awww, that’s what I thought. I wanted to make sure first though. Glad I know now, I will be using this against you” 🙈 I regret changing the topic after that bc I could’ve at least been like “I meannnn I don’t mind it, it’s a nice bonding thing and it makes me happy so” UGGHHH that would’ve been such a good response. But it’s definitely gonna happen again so I’ll say it if he asks again ☺️

Anyways. Yes. Yeah. Ah. Best moment ever. Best 3 minutes ever. I had so much fun. He’s so great. I luv him

[icantwithstormandsilence]

I completely agree with you. While I haven't read To Kill a Mockingbird(I haven't read a lot of classics), I really love seeing how other people perceive the world so I do think authors should be given a chance to show their perspective and understanding of how they see the people around them being brutalized solely based on their race and the people who do the brutalizing.

Yes, the N-word is undeniably offensive, but its inclusion in the book isn’t gratuitous; it serves a purpose.

The reason why many people were displeased by the author of Storm & Silence using a slur was because his stories rarely address racism. Seeing how Karim, a man from India, was one of the main reoccurring character, I had hoped there might've been some heavy topic surrounding how people treat(I know it's a Wattpad book but still👀). Yes people called him a brute, savage, made him sleep in the stable, etc. but as an Indian myself, I have heard how many English people treated Indians. I guess because Karim was Rikkard's bodyguard no one dared to say anything too much.

The use of the n word felt out of place and unnecessary in this series. I'm sure people would've still been outraged about it even if the author constantly addressed it. I also feel people would not have liked it if he constantly addressed it because "it's too political for a Wattpad book". Either way the author would've been seen as the bad guy because people always feel the need to put some sort of blame onto to someone😅.

When he addressed why he used the slur, he said it was for historical accuracy. That made me angry because even if he says he wants historical accuracy, there are many times where his writing contradicts that.

I wonder, does your stance apply only to works on Wattpad, or does it extend to all forms of literature?

I'm honestly not sure how I feel about this. Like I said in the beginning, authors should be allowed to express their view(they should also be aware that there will be criticism no matter what), but there definitely is a difference with stories published on Wattpad.

While it's a platform that allows anyone to publish, it is very much a social media. Many people are able to interact with each other, which includes the author. If you publish on Wattpad, you are most definitely more exposed to other peoples opinions. Other readers also get easy and instant access to these opinions.

Something you might find offensive is not something that will offend others. But once you express that it offended you and others see that, they get offended for you. Eventually it becomes a hate-train where they berate the author saying "you have offended this one person so you are bad". It was probably never purposeful on the authors side, but once people form an opinion of the author, it stays.

I understand that Wattpad allows authors creative liberties and is positioned more as entertainment than as a critical engagement with historical issues. And that's what you disagree with? That Wattpad authors may not always intend to educate or provoke critical thought, whereas canonical literature often seeks to do that?

I'm not much of a writer, but I grew up reading on Wattpad and learned to write as I pleased. It definitely taught me to improve my imagination and creativity. To many young people who read original stories on these platforms are sure to think of these stories as more than just entertainment, but because others see it as a silly and unprofessional platform, it discourages the readers from engaging with it as anything but entertainment. I find it annoying because I've read many original stories that I really loved and wanted my friends to read it too.

I come from a somewhat conservative religious community and there was a lot a things I didn't know about the world. I've only interacted with my classmates and family for most of my childhood and having access to Wattpad other than just published physical books, which I could only discuss with few people, I got to see more and learn more. If I didn't have Wattpad, I don't think I would be as open-minded as I am today.

Many authors publish on Wattpad with the intention of sharing their stories and in many ways they teach a lot of people something new.

I understand the desire to protect young readers from harm, but I worry that in shielding them from uncomfortable realities, we’re doing more harm than good.

I agree with this too. Currently, the US is in the process of getting many books banned for the most dumbest reasons. They always find some reason to remove books from the shelves saying "It's to protect the children". I've read a lot of uncomfortable topics when I was young but it also taught me somewhat of how the world works. If we're not exposed to these stories, no one will learn how to interact with other people or why some people feel the way they do about certain topics.

Thank you for sharing your thoughts. It was nice to understand how differently you saw that situation. I hadn't given it much thought because I wasn't aware of it until I read about it on tumblr. I saw how many people were outraged and I understood them too. I guess I agreed with them because I didn't fully understand why it hurt them and wanted to support their feelings😅.

One thing I'll never get over is how Storm & Silence could've easily been so much better if Rob Their(the author) wasn't afraid to actually write a compelling story.

Don't get me wrong, I adore the whole concept of '19 year old Victorian girl dresses up as a man to get a job'. But it's just so poorly written that I think about all the ways the story could be better when I'm in the bus going home from college.

I mean, that's how it is with books, they will be criticized no matter how good or how bad it may be. But then again, this is a Wattpad book. You can never expect too much from a Wattpad book. Every character feels very two dimensional after the first book that every other book after that is just plain fan-service.

The first book is genuinely good, except for the hyper feminist way Lilly is written to be. The author doesn't even bother to add conflict between any of the characters. The ONLY conflict that we ever get is Lilly arguing with Rikkard how she's capable of anything even if she's a women in every single book. It keeps going on and on like this that it just gets boring.

And the way Lilly's intelligence is suppressed makes me mad too. Like in book 3, she literally deciphers a map to find the treasure, but god forbid she recognizes her fiancé's(whether she likes him or not) initials on the waste disposal file and connect the dots on how he and her previous guy(I forgot his name) might've just disappeared. That right there could've been a good conflict. She recognizes the initials, realizes what Rikkard might've done, get angry and argue about not wanting him to interfere with it, then having to find an escape from her next fiancé and choosing to go out of town with Rikkard against her will instead of telling him why bcs she doesn't want a new waste disposal file.

Not to be mean, but the author is a man. At the end of the day, the way female characters are written by men will never be realistic. I know there might be real people out there like Lilly, but the way her "inner feminist"(I hate when she kept saying 'mY iNneR FemIniSt iS prOtEstiNg' stfu) is written truly makes me want to pull my hair out. It will never be same as writing a story from a women's perspective when you already know what it's like. I'm not saying that men are incapable of understanding the female experience, I'm saying that it's stupid and annoying when a man pretends he does.

Also the lack of historical accuracy boils my blood. Rob claims to have done thorough research on every historical details yet somehow Lilly and Rikkard goes on top of the Statue of Liberty despite the story taking place around 1840 and the statue starting its construction in 1876.

SNS was the last and final original story I've read on Wattpad. I really wish I could go back and keep myself away from that app and read an actual book. But it's the only place I could go to when I lost my sanity. Let me know how you feel about the book. I know there's barely anyone in the fandom, but please tell me your perspective.

P.S. can someone tell me where Rob used the slur. I read about many people talking about it but I cannot remember or recognize where it is.

[mrehkka]

Never posted any of my Mrehkka art here! Despite it being the character I used for my username lol

(Also forgot to note on the images, but the tail is retractable like the arms!)

so Mrehkka is from an ancient book about his life- how he went from being a simple and beloved model to Irk's greatest hero, saving them from annihilation from an invading species they used to share the planet with. .....it's also famous among other aliens for being Irk's only (surviving) love story, though in modern translations, the romantic bits are downplayed and translated out. Only those chosen to learn Classic Irken (rare) get to read the original (it's their only surviving text written in Classic, anything else has just been translated INTO Classic). No other alien knows Classic as they keep it highly classified (they use it for military abbreviations).

And as it was written in a time before PAK's, many aliens use the story to study Irken psychology and what they might be like if they didn't have PAKs.

THEN there's Squin-Zinn (sometimes spelled Squin-Zin). They are a third species that also lived on Irk back then. Also Mrehkka's lover 😌 they're the one who warned Mrehkka and his people about the incoming army. Though, they eventually regret this, as it's eventually made clear that Mrehkka will die fighting to protect everyone, and they beg him to stop and run away, but Mrehkka tells them "I would fight for you, if it meant I could die in your arms". ...which he then proceeds to do.

the story in modern Irken culture is framed as, Mrehkka died protecting his people and you should be just like that :D aaaand they kinda downplay Squin-Zinn bc they don't want anyone to end up thinking "Mrehkka fought to protect one person, and died for THEM not Irken society" bc that could be bad...

[agentc0rn]

oh man...2 decades on earth...wow.