#Yeah no. He's fine where he is.

[runawayfuture]

I think it's funny that Gale, Wyll, Shadowheart, and Astarion all have these moments where they're like "ok, I need to confess something that I've been hiding from you... I'm actually a horrible person because (I'm a ticking time bomb/I made a pact with a devil/I worship a goddess widely regarded as evil/I'm a vampire)" and Karlach is like "uh btw, before you start being too nice to me, the devil who made me into a living weapon might track me down and try to kidnap me back after I escaped from her" and they're all like "so I understand if you don't want to travel with me anymore, I'll pack my little bag and go... wait, I can stay? You mean it? Oh my god thank you, I'll be good just give me a chance to prove myself, I can't believe you're still letting me travel with you" and half of them just expect you to kill them on the spot once they tell you what's going on

... meanwhile Lae'zel has been up-front about all her crazy stuff from the moment you met and she thinks you're either insane or the stupidest creature alive if you don't want her to tag along. what a queen

[cappycodeart]

CONCEPT DOODLES for an AU I dabbled in with a few friends after the winter king episode but kinda forgot about after the Fionna and Cake finale... I decided to revisit it and explore a little more after coming to terms with everything LOL... So, it's another "Winter King doesn't die immediately after his crown gets nuked" AU, but THIS TIME he's just dying really slowly (like Simon in the Betty episode) and ALSO joins Fionna, Cake, and Simon on their search for magic crowns. There's no logic behind this tbh, we just wanted to put him through The Horrors. And make them all friends. But mostly The Horrors. :) (he only gets to live as a treat, because I think he's funny).

Bonus (old screenshot), because this is still funny to me:

[milkbreadtoast]

idk how i want to draw him yet and not ready to make a srs attempt but here's a bad kdj phone doodle lol🚶🏻

[thepunkmuppet]

patrick stump soaked in blood with yellow eyes and a hook for a hand limping and stalking and possessed with a murderous rage. reblog, you agree

[cowardlykrow]

"Ooooo, you wanna get in my toy box SOOO badd"

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[the-great-papyru]

something i’ve never seen covered: flowey after neutral runs.

let’s say you do a pacifist run, spare flowey, and then just do not reset. you still hold the save file. before, you had the save file, yeah, but you were there and you were interesting. now he has nothing. yes, some dialogue is bound to change, but eventually he’s going to end up bored. and here’s where it gets interesting.

suddenly he has to live life in a linear fashion. no more going back. and i can see him being incredibly paranoid about every choice ever. he can’t go back! what if he does something to change the story irreversibly? so he starts gradually shutting himself off from everyone. more than before, i mean. he can’t even watch people; what if he’s spotted? he doesn’t know where people will be! so he ends up completely isolated from everyone; lonely, unstable, etc. papyrus is wondering where he is but he can’t just talk to him! what if he messes up, what if he reveals too much, what if he says something wrong and papyrus hates him, what if. he can’t interact with anyone. ever.

or.

or he swallows his fears. he’s a being of curiosity. he’s got to keep talking to people. what if they do say something new? what if he misses it?

and maybe, after enough time, papyrus does start saying new things.

but papyrus isn’t enough. flowey can’t miss any dialogue, things have changed and he wants to see them. so he starts branching out. papyrus “introduces” him to sans. and sans is a bit sceptical at first, but the flower really doesn’t seem to mean him or his brother any harm. and why would flowey? he’s got his dialogue. he doesn’t need to change anything. he doesn’t need to hurt anyone. and there’s no going back to get the favorable outcome. flowey messes up sometimes, and they have fights, and it’s okay. they get over them, and their friendship is stronger because of it. and they are friends. flowey didn’t mean for it to happen, he doesn’t even recognize it as friendship until papyrus points it out.

because he’s used to being the one “carrying” the entire “friendship.” (i’ll write an actual analysis about this later in another post, so this one doesn’t drag on.) and now he’s interacting with people without having to worry whether this is the optimal outcome. it’s an outcome he likes. and maybe that’s enough.

[domo-arts]

Hits them with the utena beam 🌹⚔️

[meteortrails]

law and luffy are just like. what if I saw you at the peak of your miracle working competence, and then the literal next time I saw you it was at your most isolated and broken. and what if that moment of seeing you alone and grieving and terrified was the moment where I decided you were someone worth keeping, someone who I personally cared about and wanted around. how does that not make you wanna lose your fucking mind.

and then the other thing on top of that which always gets me is the way that you can just so clearly see that neither of them has any idea how to fit this relationship into any preexisting context - Luffy calls him part of his crew, but law is the captain of his own crew and would clearly die before giving that up; law calls them allies but it is glaringly obvious that they care about each other in a way that goes beyond that. of course Luffy is generally a lot less bothered about this than law, who routinely wants to put his own head through a wall about it, but it’s just such a fun layer to their dynamic I think.

[azure-clockwork]

I love three houses discourse because I'm pretty sure everyone just picks their route based on which house leader they're the most gay for and then tries to defend their pick by pointing out the other sides's war crimes via twitter memes. Reader, all four of them do substantial quantities of war crimes. So many. We're just here because the woman with Issues and a big fuck-off axe said so, and then we gotta justify everything she did in the name of dismantling the class system. I mean, I'm here for that, but you could also try justifying Charm Man uses poison and perfidy to try to stop racism, A Sad Little Meow Meow gives no quarter instead of doing therapy, or the Thicc Pope tries to bring back her mom via human experimentation, depending on your tastes

[eelclaw]

stupid fucking bastard. i am not coping with the leaks

[turtleblogatlast]

I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.

Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”

Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.

Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)

For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.

I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.

[teyrnacousland]

Just a compilation of times Illario worries about and cares for Lucanis in The Wigmaker Job ♡

[nellasbookplanet]

I recently started reading (and ended up dropping partway through) an m/m retelling of an old legend, and it made me think of this reoccurring thing I've come across a handful of times now in m/m fiction and how they approach women, equality, and world-building.

Let's call it the omegaverse problem, because that's where it seems the most blatant (I've only come across it twice outside of fandom spaces that I can remember). Basically, it's when the writer looks at the unequal and sometimes oppressive roles women serve in society (today and historically), and goes 'this is a good basis for dark romance but there are too many women here' and then just. plops men into the roles traditionally served by women and recreates heteronormative tropes but They're All Men Now, none of those icky women.

Now, completely removing any and all gender based inequality isn't a bad basis for a queer-inclusive fantasy! But thing is, this type of narrative isn't interested in women, so they often read as if women have mysteriously disappeared from society (except for the occassional mom or sister). They don’t bother to include women in traditionally male areas (the book I dropped had plenty of male courtesans, with diplomats and bodyguards and advisors also being male) nor to create new roles for them.

They also generally don’t bother to look critically at the systemic and societal inequalities they're mimicking. The concept 'typically sexist society but they're all men (or all women)' could be used to alienate and deconstruct our ideas of what’s 'normal' and what’s oppressive, a way to compare the intersections of class and gender. Instead, this kind of story is only interested in using inequality as inter-character conflict and set-up for romance. And it sucks.

[lloydfrontera]

lloyd 'survived on one meal per day for years' frontera would absolutely see sharing food as a love language and javier 'lived in the streets for months as a child' asrahan would be fluent in it

i do believe there is a point in their lives where they both heal from the trauma of going through severe food insecurity but neither of them ever quite really forget just how important food can be. and when the other shares their food with them, they appreciate it as the show of affection it was meant to be

[moeblob]

Haha, it's so funny how I am so indecisive that I go "I wanna draw my son" and then have too many ideas as to how. So here!

Take Ferdinands (and a Felix, I suppose, bc they are boyfrinds in my heart and soul).