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#YES I'M STILL HERE OK???
jonathanbyersphd · 4 months
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No you don't UNDERSTAND the only difference in the flannel is a white strip.
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bixels · 4 months
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What did/do you like about Pharah?
Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.
Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).
But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.
There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.
Now Mercy? Mercy is a real complex character.
#i was a diehard pharmercy shipper back then btw#the inherent homoerotic experience of pharmercy gameplay.#the homoerotic experience of looking to the skies to fly to safety under the protection of your knight in shining armor#the homoerotic experience of feeling white hot murderous rage at an enemy trying to pick off your pocket mercy#i still kinda despise gency lmao. you cannot convince me mercy would be in love with genji. at all.#he'd make her feel so uncomfortable and guilty. in my head. the canon is obviously different#gency is sexless. absolutely zero bite or tension.#i could go on about mercy and how her character has so much missed potential#i'm no longer in my overwatch fandom phase but#i still think about that new flirty line they added in ow2 where mercy goes “ahh you're like my knight in shining armor!”#and pharah goes “that's what i'm goin for ;)” and i sigh dreamily#really happy that pharah outright says she's a lesbian too but it's hard to feel good about rep when you know blizzard uses it for pr#to be honest i'm willing to bet cash that blizzard's keeping pharmercy in their back pocket as ammo for the next controversy#last year we already saw logs about pharah fretting and taking care of mercy and the two talking about how good it is to see each other#tbh pharah has the same energy/demeanor as applejack. cheerful and competitive in a can of whoopass#but yeah overall pharah's a pretty shallow character. i have IDEAS on how i'd go about deepening her but. whatever#that's sorta what happens when you have to juggle a cast of 40 characters. a lot get left with the bare minimum#ok so i wrote this entire post up saying that pharah isn't in ow2's storymode when she is. she's in the story i just. forgot#because she doesn't do or contribute anything interesting#ok i'm stopping here. overwatch's story is such an interesting narrative mess i could go on for hours#i dunno how you come up with such incredible character designs and give them such an unincredible story#it's also so so so interesting seeing the conflicting takes on characters the writers have#mercy in gameplay and voicelines is peppy and cheerful and optimistic#but mercy in the storymode journal logs is tired. jaded. a total shut in who forgets to leave her room and social#and YES! THAT'S WHAT I WANT!!! THAT'S MERCY TO ME!!! THE DOCTOR WHO FORGETS TO TAKE CARE OF HERSELF#ask me#anon
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finalgirlgretchen · 2 months
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if one more person tries to claim that the oh hellos are no longer christian i am going to lose my shit
#they are no longer EVANGELICAL and they don't associate themselves with the organized church#but like ... the whole anemoi series is about deconstructing their faith and coming back around to a new faith? still in god??#they don't just use christian themes. they are christian. if u think that they are NOT christian then u are not understanding their music#like .. i am not religious so this isn't coming from a place of needing them to be recognized as gospel music#if u want to interpret their music differently then go ahead!!!#but straight up. we KNOW what those albums are about because they have TOLD us. & they're deeply intertwined with tyler and maggie's faith#going around spreading the idea that they aren't christian at all is so so so so so so fucking stupid#it's fine if u don't want to think the songs are about christianity but then don't pretend u know what they mean!!!!!#don't pretend u understand all the albums while claiming they're not christian because they ARE!! that's like the whole point!!!!#idk. whatever. just feeling some type of way about people like refusing to use absolutely any critical thought#yes the oh hellos are extremely progressive. no they are not evangelical. yes they try to be subtle about their faith & make music that#non-christians can also listen to & relate deeply to#but making up lies about their personal lives is like. ok whatever. but ur missing the whole point of the albums then. don't pretend ur not#please someone tell me they understand what i'm trying to say here#like this isn't coming from a christian perspective it's coming from a frustrated album-listener perspective#the oh hellos
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corallapis · 1 year
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We're opening up a rift in the Braccatolian space. Won't see us coming. Kind of scary. Then stop. Once the Empire is established, and there's a new Gallifrey in the heavens, maybe then it stops... the drumming, the never ending drumbeat. Ever since I was a child, I looked into the Vortex — that's when it chose me. The drumming, the call to war. Can't you hear it?
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imunbreakabledude · 1 month
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idk why but last reblog as i was tagging it. it made me think. how losercringe (affectionate) (but also a little derogatory) it is that angel named himself angel. cuz like he's liam or whatever as a human, and then he is christened "Angelus" as a vampire. (I forget if canon makes it explicit who gave him that name - if it was just generally spawned by humans who feared him, 'the vampire with the angelic face', or if it was Darla who gave him that name?) but then anyway when he gets his soul back he's like. WHOA!!!! I'm a totally different person. wow I can't believe how fucked up I was as Angelus, he was a totally different guy than me. I need a new name, I am not Angelus anymore. but.... (blush) I kinda like that everyone thinks I'm cute. so let's make it just a little less menacing. just Angel~~~~ uwu
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silusvesuius · 3 months
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this tree from my new drawing looking goated afffffff 👑👑
#yes this is a nel/vas drawing get off me😂#text#i wanted everyone to see it but also since i draw on paper in total silence i think a lot about everything so i wanted to voice some -#- thoughts too's. tbh i've been veeery self indulgent lately#actually i'm happy that n*lv*s is getting actual hits out of me that i like looking at#especially on-paper stuff that i can recall being fun for me to draw. all traditional art is fun to draw#and digital has turned into an actual task for me (only sometimes tho maybe i;m lying.. mspaint we're still bffs)#i think i just don't see the joy in trying to scrap up a ''' finished ''' piece in an art program .. pencil i love you and i love the -#- feeling of it scratching along the paper....sigh............ Rabu#i don't want my blog or thoughts to turn into traditional art suck-off ventures bc ik not everyone can get into it for many possible -#- reasons but if u feel like it U can ok? do it for Pencil✏️ and for me? for silusvesuius? 𝖎 𝖜𝖎𝖑𝖑 𝖕𝖗𝖔𝖙𝖊𝖈𝖙 𝖞𝖔𝖚#but Lord i hope i don't also come off as one of those people that r like 'to improve in art just draw that one fictional character u -#- rly like 😂😂' bruh gtfo my face with that.#i'm noticing 'improvement' in my stuff mainly...i think... because i'm always striving to impress#not so much other people that are here just for my art but more so myself#i have a very huge ego (Mind Battle)#also it makes me sad to think about how big egos or genuine (not obnoxious) flauntiness are looked down on#and i can tell bc i used to look down on people that would express the things i'm expressing now#especially in art focused spaces. now i'd rather be in a circle of artists that love to J*rk off their own brain for it's ideas -#-and talent than be w/ very self-conscious artists that are never expressing pride about any of their work#worse if it's to the point where they actively start to fish for compliments bc of it#fishing for compliments is always OK i just wish it didn't stem from insecurity in that context if that makes sense#but maybe that's very easy for me to say and admit bc i did develop a very big ego around my art and ... Creativity? like it's a sims skill#not that i still don't seek out 'attention' or compliments from others to soothe myself but hmmmmmm i hope u feel me.#it just turns me into a very competitive person#who am i competing with? Myself#i'm always in 'you can do better Because you're YOU' mode#which is much better i believe than comparing yourself 2 other artists#i don't think a lot of people read my tag ramblings but if u do i wonder how one feels about a very pompous artist#like me .......(?)
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kindahoping4forever · 8 months
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Just chaos, dude
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girlpetrarca · 9 days
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gang I'm not sure I have the courage to come out to my boxing coach
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dreamlogic · 3 months
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i have no clue what's going on w/ the hiring process for the job offer i got yesterday, but at least it seems like nobody at the post office does either. 🙃
#ctxt#charlie vs mail#got a call from some guy at the regional sorting facility like 'uuh yeah just drop in to your PO whenever for fingerprinting'#so i show up in shorts & a t-shirt as a stop along a multi-errand trip bc my impression was that this is just a part of the background check#woman doing my prints was like 'idk if anyone's here to speak with you today but we can check'#me still thinkin it's just a casual meet/greet 'oh no worries haha! btw i got the job offer before having even 1 interview is that normal?'#she doesn't know but leads me around until we find someone buried under a stack of paperwork at her desk#'hi [redacted!] charlie is here for their interview!'#redacted peers over his monitor like a deer in headlights 'who is here for their what now??? oh uuuhh gimme a minute uuuhhhhh'#i'm sweatinnnmng like i'm wearing my birks i am massively underprepared but ok i guess we're doing this & they already offered me the job so#redacted also seemed to be panicking a lil bc the person who usually does these interviews isn't even in today#we had a moment of 'so we're both utterly blindsided here right?' 'yeah can we reschedule?' 'yes god please let's reschedule'#so i'm going back thursday for an actual interview. after already completing background check & filling out tax paperwork#get home to an email from the dude who called me this morning like 'btw dress business casual for your fingerprinting & bring XYZ'#but still stating nowhere that the implication was that fingerprinting & interview would happen concurrently????#this is a federal institution & the second largest employer in the US. get ur shit together !!!#hoping it's not gonna be a black mark that i showed up in my casual summer clothes without the necessary docs#but tbf to me the expectations were hella unclear like i wasn't even given a point of contact for an onboarding supervisor until today#since they were also drastically underprepared i hope it'll just be water under the bridge & we can properly meet thursday#hands down weirdest hiring/onboarding process i've ever gone through but fuck it we ball
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akai-anna · 1 year
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arendaes · 2 months
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I know and love Ariadne so well but I always love to hear your thoughts:
8. What do they desire the most?
13. What is their biggest regret regarding their time as the KC?
26. Did they separate from any companions? Why? (Consider killing a companion too for this question)
Thank you!! These are for this ask game here
8. What do they desire the most?
You know, this is a very good question. Part of the reason Ariadne's in Mendev is to get away from Absalom for a while, because her ex Kjelle had threatened her and she figured if she was gone from the city her fathers would be safe. Everything involving Kjelle was a mistake in her mind, and beyond that, her father Marius was gravely injured because he was trying to help her get into the Pathfinder Society. So, if Ariadne could have anything in the world, I think the thing she'd like most is to be able to go back in time and stop those mistakes from happening, because the guilt eats at her.
It's a good thing she didn't decide to go Aeon, huh?
13 and 26 were answered here
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khaotunq · 2 years
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uncle jim rly said this guy who's been helping with all the bills, organising my shit and trying to help save my livelihood means less to me than a guy i shagged this one time ?? make it make sense mate
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hum--hallelujah · 1 year
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don't want to kill time like it doesn't matter - 3.5k words, (platonic) funkobra hurt/comfort
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Ghoul is actually younger than Kobra. They always forget it though.
At least, they usually do.
Kobra's stopped shooting upright and reaching for his blaster whenever someone wakes him up at night. Stopped two years ago, honestly, when him and Ghoul started sharing a room. That was a collective decision that is very much not discussed. It left the old office as a perfect room for the Girl, in the end. Between Ghoulie and Girlie, the former of whom has wild, sleepless tendencies and the latter liking to scramble her way into bed with somebody else every other night of the week, Kobra's knee-jerk reaction has become more of a lack of reaction.
"Yo," hisses a pitchy voice. It's dead daylight, the heat of the day. This is the time of the year when you sleep while the sun's up, wait until the darkness falls to do anything or else it's too miserable or too dangerous. "Kobes."
Kobra utters a verbose "Hrrmngg?" and rolls over. He cracks an eye open to see Ghoul standing at the end of his bed. If it hadn't been light out, he'd be doing a good job of living up to his name. His hands are shaking, but when aren't they?
"You good, man?" Kobra asks groggily. He's half awake, half asleep, drifting in between the two states of being. Ghoul is shifting his weight back and forth on his feet. It makes the floor creak. It makes him look even smaller than he is. "Ghoulie?" He mumbles again when he gets no reply.
Ghoul makes a noncommittal half-whispered sound. "Wanna go for a joyride?" He asks instead of an answer.
Kobra blinks himself more fully awake and pushes up on one elbow. "Mirage or the 'Am?"
Ghoulie shrugs. Won't meet his eyes. Oh shit, that's not good. Something's got him worked up. It's too late for this. This is why they share a room now. They didn't used to, but Kobra refuses to let him sleep alone anymore. Kobra knows how he got that wicked scar that runs from the corner of his mouth nearly to his eye.
"Either," Ghoul says. "Doesn't matter much to me."
"Mirage," Kobra decides. He'll never say no to a late-night joyride. Not this kind. Party'll have his neck for sneaking out on the bike without letting anyone know, but the 'Am is too conspicuous when strange crews are out and from the look of him, riding double on the motorcycle will be good for Ghoul.
It's still too hot to be out. But going for a spin won't take too much exertion, getting to someplace with shade, so long as it's away from here, won't take too long. Ghoul's gonna get sunscorched. Maybe that's the point. While Kobra covers up with his jacket, Ghoul is still in the loose, half-covering clothes he sleeps in.
The sun glints painfully off the sand when they climb quietly out the window. No reason trying to get past Party when they've got an exit right here. Ghoul clambers out first with a probably accidental but surprisingly graceful roll and then flinches, violently, when Kobra jacket catches on what's left of the glass in the window and he tumbles haphazardly to the ground. They both hold still for a long dozen seconds, Kobra staring at the diner wall and straining to tell if anyone heard them, and Ghoul staring at Kobra and shaking.
When Party doesn't come along, eyes glinting with annoyed amusement, and yell at them for sneaking out, Kobra sits up and checks the hem of his jacket where it caught on the sharp edge. "Great," he mutters when he sees the tear in the lining. He'll have to sew that back together later. "Ghoul, you good?"
Ghoul shrugs and stands up. "Aren't I always?"
"No."
They stare at each other for a few seconds while Kobra rubs his palms together to clear the sand off them and reaches into his pocket for his gloves. "You're wearing a helmet," he says flatly.
Ghoul rolls his eyes and sneers. It crinkles the scar running up his face. "No way."
"Fine." Kobra doesn't push. Half the time he doesn't even wear his helmet. He's the driver. He'll keep them safe. It was worth a try, though. "Come on."
The heavy bay door of the garage makes too much noise to open without being caught. They slip in the side door and Kobra brings Mirage carefully back through it. He wears a helmet this time. Ghoul stands and waits, bouncing impatiently on the balls of his feet, while Kobra starts the bike and, out of habit, does a couple checks.
"You ready?" Kobra says, with the visor of his helmet flipped up.
Ghoul grins, but it's lacking in heart. So often, Kobra thinks he's not all there. So often, Kobra thinks this is his best friend. "Born that way," he replies.
"Come on then," Kobra says and nods for Ghoul to get on the bike with him. "Hey, hey. Hey, Ghoulie-" he says, when Ghoul is standing right at his shoulder, about to throw a leg over Mirage and climb on. "You okay?" He asks again, because he needs to know how safe any of this is.
Ghoul doesn't respond. Just settles himself behind Kobra and wraps his arms, tight, around Kobra's middle. Kobra stays there a second, until he's sure Ghoul's grip is solid, so that he can feel Ghoul breathing against his back, before he kicks off. He doesn't care if Party and Jet wake up now, they won't catch them. The bike's tires kick up a fountain of sand as he spins a loop, leaning into the turn until Mirage tilts close enough to the ground that Kobra could touch the sand if he reached out. Ghoul asked for a joyride. This is that.
"What the hell, man?!" Ghoul yells over Kobra's shoulder, muffled by the engine noise and his helmet. Kobra feels Ghoul's hands grab at the fabric of his shirt as he pulls around the first turn, bringing them around the back of a sand dune at full speed.
"Trust me?" Kobra shouts back. He's getting into it now, relaxing into each wide, showy swerve and fishtail. He slows down just a bit when he can feel Ghoul's fingernails start to bite into his skin. It makes him edgy when Ghoul is like this.
Ghoul sniffs sharply. "Well, yeah, but I've seen you crash out enough times at the track-"
"Aw, shut up," Kobra snaps back, without venom. Ghoul's his mechanic. He's seen his best wins and worst losses. "Where you wanna go?" He asks, after a few random turns, just drifting around in the sand. Ghoul is quiet. Kobra reaches back with one hand and smacks him on the leg after awhile. "Ghoulie, where we goin'?"
"I'm thinki-" Ghoul cuts himself off and when he speaks again his voice is flat and so quiet Kobra has to strain to hear him. "Turn right up here."
There's the remains of a road cutting across their path and Kobra hops Mirage up onto it, swings right and follows the pavement. Ghoul's grip around his chest has loosened, but Kobra can feel the fast, shallow rhythm of his breathing and the shaking of his hands even still. The road goes on for ages, long enough that it starts to feel infinite. This must have been a highway, back before the wars and BL/ind. At some point, Ghoul leans forward and puts his forehead against the back of Kobra's neck. Kobra can feel him pressed just below where his helmet sits.
"Get off at this turn," Ghoul mumbles suddenly, but not soon enough because Kobra completely overshoots the exit. He flips around the empty lanes of the highway, admittedly showing off mostly just to make himself feel better.
The group of buildings along the former highway off-ramp isn't really a ghost town. It's a cluster of old stores and restaurants, like the diner but mass produced, and down at the end is an ancient truck stop and gas station. Kobra slows the bike to a crawl as they drive down the street, struck with an eerie sense of deja vu. He's been here before. They both have.
He pulls over and stops in the middle of the road, beside what used to be a coffee store. Coffee is usually made in the form of compressed, dried out shots now, called Motor Juice in the Zones when rehydrated. They don't have coffeeshops in the City. They have prescriptions.
Ghoul is off the bike and Kobra's back suddenly cold even under the heat of the sun before Mirage even comes to a full stop. "Ghoul-" Kobra snaps, angry for reasons he can't even say and unsettled in ways he doesn't want to. This is a ghost town. Just not in the normal way. "Ghoul. What are you-"
But Ghoul is walking away, his back to Kobra and the bike as he moves toward the gas station as if it's a magnet and he's the blade of a knife, trembling so hard with the pull that it might break. Kobra hesitates, then swings his leg over Mirage and bumps out the kickstand. Ghoul is standing stock still, or as still as he can, on the faded pavement of the gas station parking lot. Kobra's glad it's faded. He doesn't want to see the bloodstains.
Ghoul looks small as he approaches, absolutely miniscule. He's got his arms wrapped tight around himself and Kobra can hear the harshness of his breathing even from several strides away. He doesn't want to get too close too fast. Ghoul's enough like a wild animal that it could turn out badly, and Kobra for once really doesn't want to fight him today. Not out here, at least.
They're within two years of each other, Kobra and Ghoul. They usually forget they're not the same age. But right now Ghoul looks so small and so, so young and Kobra doesn't know what to do.
"Gh- Ghoul. Ghoulie." Kobra calls carefully, stumbling over his tongue. He clamps his teeth together, takes a deep breath. "Ghoul."
Ghoul doesn't turn, doesn't look away from the door into the gas station he'd been found in, back when Kobra and Poison and Jet were a crew of three and Ghoul'd been even more feral than he is now. The gas station where Ghoul watched his entire family die and he was helpless to do anything about it. He still thinks he hadn't done enough. Kobra knows that. Ghoul always thinks he didn't do enough. That one kid with a blaster and wild eyes could take down a full squad of Dracs and two Crows.
Kobra doesn't know how to tell him that if he'd tried, he would be dead too. Kobra doesn't know how to tell him he's glad he didn't. When it comes down to it most, Kobra finds he can't speak.
"Ghoulie," he says again. "Hey. Hey." He moves closer, pulls off the helmet he'd almost forgotten he still has on. "Ghoul," he tries, one more time, as gently as he knows how even though it's not that gentle. He's never been good at this. Some of the scars scattered across Ghoul's body are from him. But Kobra had stitched up Ghoul's face and he's not going to give up now.
Ghoul finally turns and Kobra breathes a sigh of relief. Just a response. Proof of life even though he's still standing. And then Ghoul steps toward him and suddenly he's right there, shaking but otherwise just as eerily still as this entire place, like he's trapped in frozen time just like the rest of it, and he collides with Kobra's chest in a way that's both surprising and yet entirely expected.
"Oh." Kobra drops his helmet, dangling from one hand, and his arms hover uncertainly in the air for a moment before he carefully closes them around Ghoul. "Oh. Okay. Okay." He says quietly, startled, but not really. He'd felt the way Ghoul was holding onto him as they rode Mirage all the way out here.
Ghoul unfolds his arms from around himself and grabs onto the unzipped sides of Kobra's jacket. He doesn't cry, not out loud at least. He's just shaking, so much, and so, so small. Kobra's not good with words. He's even worse with them under pressure. Anything Jet or Party could say to make it better, that kind of stuff gets stuck on his tongue when Kobra tries to say it. So he doesn't. He just holds on.
"You plan on coming here?" Kobra asks eventually, even though he has a feeling the answer is no. Unless it's an engine or a bomb, Ghoul never really plans on much. Ghoul shakes his head, hair scrubbing against Kobra's shoulder and neck where his head's pressed. "You wanna... y'wanna go inside?" He asks then, against his better judgment. But then again, he's never been known for that, has he.
Ghoul tenses, but it momentarily stops the shaking. "Can we?"
Kobra huffs. "Nobody stoppin' us, and even if there were, we'd do it anyway, wouldn't we?"
Ghoul pries his fingers from their hold on Kobra's jacket and turns back toward the station. "Should we?"
"Dunno." Part of him thinks it might help. Part of him remembers exactly what happened the last time they were here. It's the Killjoy way to call death ghosting. It means some part of you lives on even when you're gone. There's a lot of ghosts in this pavement. "It's your-"
He can't think of what word goes there. Choice. Past. Grief. Place. So he stops talking. He shrugs, bends to pick up his helmet. "I can." He sucks a breath through his teeth. He's going to say it again. "I can... I can go with you. If you," he shrugs one shoulder again. "If you, uh, want to. I'm not- I'm not trying to force you," he adds, like it needs to be said. "It's your... yours."
Because that's all that really can be said. This place, the place that made Fun Ghoul what he is. The journey, however brief, that brought them here. Even, kinda, Kobra himself. It's all for Ghoul, here and now. Kobra drove, but he's just along for the ride. Weird how that happens.
Ghoul steps toward the station. Magnetism, again. And Kobra follows, because how could he not. He feels sick at the though of letting his friend go in that place alone.
The doors are gone. Shot out years ago. It looks to Kobra exactly as it did back then, but Ghoul probably remembers better. There are shelves toppled and glass and plastic broken all over the floor. Whatever hasn't been scavenged is broken and shattered. Ghoul walks toward the back of the store, the corner that's not so much a mess. Kobra stays back a bit, trying to give his friend space.
It's where they found Ghoul. Or, where Pois had found him. Ghoul was half in shock, terrified and scarred and fighting, and Party was the first one of their then three-strong group to notice the dark shape watching them hopelessly trawl the carnage for any survivors. It took Pois physically restraining the much smaller kid to keep Ghoul from going for all of their throats.
Kobra has a lot of bad memories of Ghoul. None are as bad as remembering the way he'd screamed when they first met.
"Y'okay?" Kobra asks after a while.
Ghoul has his moments. They all do. Sometimes, you wake up bad in the night and it's hard to pick yourself up. Sometimes you just gotta hit the bottom before you even can. But Ghoul's a fighter. "Yeah," he says, walking back and forth between fallen shelves once stocked with food and stupid trinkets. He crouches to pick up the shattered remnants of something once made of colorful glass and when he looks back over his shoulder at Kobra, he doesn't seem quite as small.
"'M sorry," Kobra mumbles, not knowing what to say now. Somehow, the shaking and the touch are so much easier than having to talk about it. He's never been the talker. That's Party. And he knows his brother regrets not getting there — here — sooner that day, but there's a sick, selfish part of Kobra that's too glad to have Ghoul to want anything different. But really, it's all he can say. If there's remnants of bones that haven't been carried away by carrion-eaters, he doesn't want to see it.
Ghoul slowly stands up from his spot on the floor, staring intently at the broken knick-knack in his palm. It might have been a glass teddy bear, once, something a parent might grab up for a child waiting at home. It's partially shattered, though. Half of its cartoonish smiling face is gone. The heart shape it once held in its paws is cracked down the middle. Kobra isn't great with metaphors, but this is pretty fucking obvious.
"I didn't save them," Ghoul says quietly, his voice grating through the charged, silent air. "I didn't save her."
Something clicks into place. They all know that the crew he lost was Ghoul's real actual biological family. He's a sandpup. He was born and raised in the Zones. He doesn't talk about it much. Kobra's shocked he even came back here, let alone with anyone else. Ghoul doesn't talk about his family, but they've all figured for a while that he had a sibling. You can see it in how he treats the Girl.
"Your sister," Kobra says. It doesn't sound like so much of a question when he says it out loud, but he knows Ghoul will understand it as one.
Ghoul nods. "Yeah." He steps over some toppled displays, sun-bleached ads that used to be bright colored, and slips the shiny piece of broken glass into one of Kobra's pockets since he doesn't have any of his own. Kobra can already see the sunburn forming on his friend's shoulders and the tops of his knees. "She was like, eight."
That's all the more he says about it, but Kobra slips his hand into the pocket and runs his fingers over the broken glass toy still warm from Ghoul's hands, and hears the years of grief and bitterness in the few words. Ghoul's more talky than he is, but he's cagey, too. Kobra can hear him, though. He gets it. Doesn't mean he knows what to say, though.
"Shit," he spits. He wants to say I'm sorry again, but that feels fuckin cheap. He wants to say stop beating yourself up about it, but that sounds even stupider. "Fuck." Sometimes that's all he can say.
"Yeah," Ghoul replies. "Fuckin shit."
"Exactly," Kobra agrees, fiercely relieved that Ghoul gets all the shit he's trying to say. "Hey, uh. Y'know I'm-" He stumbles over the words, cringes at himself for the inability to get past a stupid two-letter word. "I'm glad I know you." He manages, as selfish as it sounds standing here in the ghosted wreckage where Ghoul's family was killed. But if that hadn't happened, they wouldn't be here now. They wouldn't be friends. And Kobra needs Ghoul to know he's glad that any suicide run to save his family failed. The pain sucks, but he's grateful for the outcome. He hopes Ghoul can understand that.
Ghoul doesn't reply. His acid green eyes bore straight into Kobra's for a few seconds while Kobra's heart hammers in his chest. Then he kicks at some dust and looks at the floor and shrugs. "Let's go, man. I don't wanna stay here."
"M'kay."
Kobra's almost tempted to reach out as they walk back out into the glaring sun, grab onto Ghoul like he's a ghost, too, and the light might evaporate him. But he doesn't. He can't.
He thinks the feeling of Ghoul hanging onto him as he steers Mirage away, back up the ramp to the road they came down in the first place, will make him feel better. It doesn't. Ghoul holds on much looser than he had on the way here, and it makes Kobra nervous. He wonders if he should have made him wear a helmet, and steers more carefully around the turns.
And then Ghoul adjusts his seat and throws one arm up over Kobra's shoulder, loosely hooking around his neck. He leans up forward and shouts, "C'mon, Kobes, let's play with it!" Like he's itching for the risk that a couple hours ago had had him holding on for dear life. Kobra's used to thinking his best friend isn't all there. But he's also familiar with the times he is. Sometimes, he forgets they're not the same age because Ghoul is so larger than life.
He tips his head to the side in acknowledgement, and punches the throttle. He even pulls a couple of tight, quick loops. He can't slide on the pavement the way he would on sand, but he can catch a little air when there's a thermal bump in the highway. Ghoul clutches onto him, but it's not scared. Something's cleared up in the gas station. Maybe it was closure. Hell if Kobra knows.
When they pull Mirage off the highway and the diner finally comes back into view, just a small glint of signage, Kobra slows his pace and can feel Ghoul sigh more than he can hear it. His friend's arms stay firmly around him. "Hey, Kobes?" Ghoul says, just barely loud enough to be heard over the engine.
"Yeah?" Kobra says, a bit louder to be heard past his helmet.
Ghoul hesitates, then says in a rush, "I'm glad I know you too. Like, really glad." And then he squeezes Kobra a little tighter for just a second and Kobra can't even say anything in reply. It's been a long night at the wrong time of day. And they're almost home.
#yes I know kobra is doing that annoying ''r u ok'' thing very repetitively he's like me he repeats himself A LOT it's ok. we still love him#I cannot express this enough. kobra has a stutter. literally sometimes the only word that will come out is just. F bomb.#the others have gotten very good at translating him skskskddkfj#btw wrt kobra's speech patterns just know I'm cutting WAY back on the amount of repeating I do irl#like I'm giving him my (mild) stutter but cutting down the repetitions by a lot bc it looks weird on paper#so whenever he's repeating himself and stammering? yeah it's a lot more like a scratched CD than how I typed it out#in my head it's like SUPER noticeable. like everyone knows this happens and that sometimes he has to stop and be quiet#and take a minute before he can get on with what he's saying. it's just a thing#ok now that I'm done rambling about kobra kid having a stutter- :)#btw they're like 16 and 17 here. they are children trying to navigate these very big emotions and I love them so so dearly#next time I need to emotionally or physically hurt kobra skfjfnskdn I keep going after poor ghoul#ok I think that's all I have to say for now#she speaks!#she writes!#danger days#the true lives of the fabulous killjoys#danger days: the true lives of the fabulous killjoys#ttlotfk#kobra kid#fun ghoul#this isn't really funkobra just bc I don't actually ship ANYONE here skskfjdghkdjgfkd#I'm much more compelled by platonic relationships that are kinda the Secret Third Thing than I am by romance. so. yeah
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absenthearted · 2 years
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🌼  [insp.]
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clonerightsagenda · 1 year
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While talking with people about the ways FMA approaches the topic of Ishval, I've realized it falls into a SFF trend I jokingly call "are we the baddies?" stories. These are stories that focus on characters from a colonialist and/or imperialist society who are active parts of the imperial project, and they often spend most of their time investigating harms coming to people within the empire. Examples include Imperial Radch and the Locked Tomb. (Nona has started to move beyond that, although the core characters in Nona remain former high status imperial citizens.)
What I've noticed is that these stories are often written by comparatively privileged residents of imperial/settler colonialist nations (America, Aotearoa, Japan, specifically Hokkaido). Something that has also interested me is that there's often a level of distancing imposed through the characters' races. Many of the 'are we the baddies' stories by white authors that I've read have mostly brown characters (whether this is because ambiguously brown spacefutures are trendy, it's a quick way to check the diversity box without having to research culture, or they don't want to ask us to sympathize with white imperial villains, idk) whereas FMA makes its fascist military state European and Germanic-influenced, gesturing toward Japan's imperial history via a former ally without confronting it directly.
I've seen enough of these that I wonder if it's people trying to grapple with what it means when instead of being one of the scrappy rebels fighting the faceless evil empire, you are a citizen of the evil empire. What does it mean to be part of that system when you consider yourself, your family, your friends to be good people? How do you become more and more complicit? What can you do about it?
That's a storyline that will probably hit people differently depending on whether it's a question they're wrestling with or if they've been victimized by these systems and never had to stop to go "huh are those the baddies"? And there's certainly room to criticize stories like these for glossing over the damage done to external victims of empire, but I think they're deliberately focusing on people within the system for a reason.
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words-be-upon-ye · 7 months
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There are a couple tropes I really love in the space of Miraculous Ladybug fan works, but quite possibly my favorite is when the miraculous holders just get creature from using their powers.
Like yeah, I would say that hosting the power of an abstract concept given sentience, that got shoved into the shape of an animal and bound to a piece of jewelry, would kinda mess with your body a bit.
The little bit of this we get in canon is basically that Adrien loves being a cat and the whole Tikki munches incident.
But I love it when people give them ears and wings and tails, give them eyes that aren't quite human anymore. Fuck with their gender and their sense of body. Sometimes it's body horror, sometimes it's just aesthetic. Love it either way.
I just think it's so fun, a lot of the time it's combined with the like "when a holder and the kawami really respect and bond with each other there's nothing that can be done except having magic bleed into the holder" I think that's fun, but also just making the animal of the kwami a bigger deal is fun. Like if you're going to make it a ladybug you might as well give her wings and antenna and mirrored eyes.
#yes I do like ml#there's just so many characters I like to mess with in my head#also sue me I'm trans and have a certain respect for body horror. for the forced change of your physical self especially when you chose it#anyway I alwasys ramble in the tags#I set up this side blog to hide random writing thoughts I had and oh boy do I have a lot and none of them are on here#and recenetly (and by recently I mean like the past year) I've been hit with so many ml thoughts)#they're all gay#and some of them are cohesive#actually a lot of them revolve around chloe and au's where she gets a meaningful improvement arc#give that gay girl intresting stuff#miraculous ladybug#ml#although one of my ideas is also my very fun very gender take of ml where to conceal their identities ladybug and chat start pretending#to be different people under the masks like they don't need to like explicitly say. they just#switch costumes a lot and they like slyly hint at maybe theres dozens of people who pass around the miraculous to make sure that their#Identities are always safe#and to support the act they also start changing the genders they present as as holders. everyone is like “it's clearly multiple people”#and during this process marinette and Adrien are both like slowly having personal gender revelations#and gabe is like tearing his hair out over having to fight this secret group of superheros that he can never find or catch#but he's still just getting his ass kicked by two kids who're doing the world's most successful costumes change bits#it's like those “fake dating” tropes where they're like “oh but we really do love each other” but with gender#“oh I've got a great idea lets pretend to be different genders sometimes”#cut to “hmh ok so I think I'm not pretending anymore”#oh I do always ramble in the tags
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