#YES! YES! HE HAS ALWAYS BEEN SAVE TO WIN HIS ENTIRE CHARACTER IS SAVE TO WIN

[carnivalcarriondiscarded]

not to out myself on main but Katsuki Bakugo continues to make me fucking insane

[hamliet]

the notion that bnha is pro authoritarianism or social hierarchies is nonsensical not to mention acting like being pro cop is bad

Err... BNHA is pretty pro-authoritarian. I actually find it pretty disturbing. And that's even if the story turns out with the League alive at the end.

As for being pro-cop--cops are human individuals, yes. But people have in recent years in multiple countries (including Japan, by the way) protested against cops being used as tools to maintain social hierarchies wherein people who are not part of that hierarchy suffer for daring to want to be treated as human beings. When I say I'm anti-cop, I'm not saying I hate anyone on the basis of being a cop. But I am saying that the ways in which the police force are used in many countries does societal harm. Critical thinking, yo.

Honestly I feel like this whole story (BNHA) and fans reactions throughout (especially when compared to other stories) demonstrate how people are not using critical thinking. And that can have real world consequences, though it doesn't have to.

I just find it weird that people are okay with a story where the ruling class is always right and always wins. Like... how have they not? I mean, even stories that end up suggesting the ruling class isn't entirely wrong or show flaws in rebellions generally don't go hard on the authoritarianism. But Horikoshi... is doing this.

The whole thing is so weird to me personally, too, because Horikoshi's wishy-washy framing and switches in coding generally seem to be the result of him caring, deeply, what his audience thinks and feels. Too much, really, but it also seems like he genuinely doesn't want to hurt people. Except this ending--even if Tenko does reappear as New Character and saves the League--is the exact opposite. (If Tenko doesn't reappear, then everything I'm about to say is multiplied by a thousand.)

It's catering to mean-spiritedness, and while I do understand fiction isn't reality, the side he's catering to now is making the argument that fictional crimes are real crimes and thus must meet real penalties.

I can play this game too.

If people are gonna make those arguments, I'm going to say they're the problem and the reason we have wars, genocides, assaults, and more.

If you ever want a cycle of violence/abuse to stop, someone has to accept that they've taken the last punch. Not keep going until the other side is WIPED OUT.

If you equate justice with equalizing losses, then you are enacting Dazai from BSD's statement on justice: justice is a weapon. You can never heal by it.

If you want to heal, you have to stop fighting and bandage wounds. And maybe you are too injured to do the bandaging. That's okay. But someone else can, and if you try to stop them on the premise of "but no one bandaged my wounds" you're a bitter person who makes the world a worser place.

If you say a tragedy is the story, sure. But you have to set up tragedies from the start. See, Attack on Titan, which's ending I love. It began with someone crying and an ominous message to the future. You don't set up your first chapter with "this is the story of how I become the greatest hero!" spend 200+ chapters criticizing hero society and have the hero fail at the goal he'd been repeating for 200 chapters in the end and join hero society and still think you wrote a story that delivered in what you promised. You failed.

Either you wrote a tragedy and are trying to pass it off as a happy story (see how well that works usually) or your understanding of a happy story is pretty much just fascist propaganda. And yes, BNHA does have fascist themes at this point. Way more than AoT ever did. But they have smiles and cute frog girls so it's not nearly as dangerous, right? (sarcastic).

The thing is, this is where the lack of critical thinking comes in. While I've seen people talk a bit about how BNHA seems like copaganda, it's taking things much, much further than other stories usually do and into territory where I'm frankly disturbed.

Yes, BNHA started out as a clever critique of hero society and of the very idea it's now seeming to uphold: that the human instinct (which is universal in real life to) to idolize people leads to a lack of humanity for those who do not have those traits we idolize, whether their fault or not, and for people to become villains in response. But not only has it failed to deliver on this premise by upholding society (hey, Naruto and to a degree Tokyo Ghoul also failed to completely change society), it's gone so far as to endorse what it previously criticized.

It's more akin to Game of Thrones Season 8 upholding racism, sexism, and classism, than it is to Naruto or Tokyo Ghoul. GoT ended with a joke about prioritizing brothels being open, as if the misogyny was actually a good thing and not what caused a lot of the problems. There's no critical lens here. It's just like "hey, there was no point in struggling. Monarchies that abuse women, rah rah, let's go!"

BNHA seems to be going a similar route. Deku's murder of Shigaraki, Ochaco's crying over Toga, the way Shouto reaches out to Touya--it's sad, but not framed as something the audience should see as a wrong done on behalf of heroes. In fact, the heroes are not criticized at all. Frickin' Edgeshot, whom no one cares about, is fine. All of them are fine. Their statuses are generally fine, too, except maybe Enji's and even then he's not like going to face the fate of the League and die alone. His family still supports him. Hawks is completely fine and framed positively. His regret over Twice is pure lipservice. Deku really did just need to kill Shigaraki, and all his "I want to save" spiel, much like Ochaco's, is for naught. He just needed to learn to grow up and get in line.

Even if Tenko comes back, and even if Deku like... somehow knew this would happen via vestiges or whatnot (let's be real, he will if this is the case), and the message is just that society isn't ready to move forward, but at least they can live, then... I don't know, y'all. That's still depressing. I don't see how Deku is a hero for that, much less the greatest number one hero. He decided to be a hero at the cost of his own integrity, and if this was a gritty story about the realistic struggle of living in a capitalistic society where ethics are always compromised that would make sense, but... it's not. Even until the final battle, the characters were endorsing idealism.

At the very least, Horikoshi didn't deliver on his promise in the first chapter. At the very worst, he's endorsing fascist ideals.

Like, I'm sorry, but "kill this person for the good of society," the violent upholding of oppressive societal hierarchies, the importance of being a cop hero and the way the military hero brutalities are worshipped, the way heroes are lauded and everyone who doesn't get in line with this is punished, went from being criticized to being endorsed. Those are all central elements of fascism.

The little guy deserves to lose, but, but Deku is the little guy, so it can't be! Except it can be. Because it's actually pretty common irl even to trot out examples of people like Candace Owens to be like "hey, you can't possibly say Republicans are racist!"

And don't you dare say "but Japanese culture makes it unreasonable to expect a non retributive justice!" The Japanese people are not a monolith. Not to mention... Naruto, Bungou Stray Dogs, Monster, Hunter x Hunter, Yu Yu Hakusho, Mawaru Penguindrum, Oshi no Ko, Dragon Ball, Attack on Titan, and Tokyo Ghoul all say hi.

I hated the TG ending, and still hate it, but I'm not going to say that it upheld the CCG as right all along because it didn't. BNHA thus far is doing that with hero society. And even if the answer is for the League be revived and to leave society or whatever, then how can we be happy Deku is a part of this society? How can we root for him, or his classmates? Is he going to work from the inside to change it? Why wasn't that emphasized beforehand as a theme or struggle?

tl;dr Horikoshi has cooked his story no matter what he does now, and I don't think it's salvageable. Either way it has themes that are disturbing especially considering real world events across the globe, and that people should be more aware of instead of focusing solely on stories that have fascism and monsters in them but don't uphold it.

[entamewitchlulu]

Putting this as an aside to my last post, but I think this also explains why, out of everyone he interacts with, Yuuri's conversation with Dennis is much different than it is with everyone else.

Everyone else starts the conversation with antagonism, and Yuuri replies gleefully - because yes! This is how the game starts! You are mad at me or scared of me, and I provoke you back until you're so mad you have to fight me, and then I fight you and I show how much stronger I am than you and I win! :)

Dennis, though, is the only character to immediately be happy to see him. To meet him with genuine care and compassion and a desire to see him as a friend. Yuuri doesn't tease Dennis the way he did the others, because I think it throws him off guard. Like hang on. That's not how the game goes. You're doing it wrong and I don't know what to do with this.

It also seems like probably in the past, Dennis had never talked back to Yuuri either. "Are you sure you want to take that tone with me?" A warning that implies to me that up until now, Dennis has always been accommodating. Things are going off script. Yuuri is warning him to get back on track. And this time, Dennis ignores him.

Because it seems like out of the entire cast, Dennis was the only one to get just close enough to Yuuri to realize that there might actually be a person underneath that dirty laundry pile of neglect, abuse, conditioning, and poor coping mechanisms, enough to even now think that whatever relationship they had in the past was enough to call him a friend.

And to mention Dennis too, from both the show and what we got from his event in Duel Links, Dennis thinks that he himself is the worst person ever who didn't deserve to be forgiven at all. But then everyone did. Every single person he hurt forgave him nearly unconditionally. So in Dennis's logic, if even he can be forgiven.... surely Yuuri's not beyond saving either, right?

And Yuuri....doesn't know what to do with this. So he gets touchy. He gets more irritable with Dennis than he does with anyone else. He loses his lighthearted "oh i'm such a stinker hehe" energy because Dennis throws him off balance. this isn't right this isn't how people are supposed to talk to him what do you mean actual human connection that's not real, this is a game, it's just a game, it's always been a game, what are you doing

I think deep down Dennis coming to Yuuri with genuine compassion scares Yuuri. Because no one's ever reached out to him like that before. That's not how he's supposed to be treated. But if he can be treated kindly...if people can care about him...

then does he even know who he is anymore?

[sapphic-agent]

Trios that would have been more compelling and less obnoxious than the "Wonder Trio":

Izuku, Tenya, Ochako: This needs no explanation

Izuku, Tenya, Shouto: Again, this really needs no champion vouching for it. The Stain arc and the subsequent character work that came with it will never be matched by any other arc in MHA.

Izuku, Denki, Yuga: These three all have self-harming quirks that can be really dangerous and inconvenient during a battle. It was truly a lost opportunity to see these three bond over their issues. Making Izuku and Yuga being close friends right off the bat would've have been really beneficial in sowing the traitor plot point early on and would've have also been far more devastating for Izuku during the reveal. And honestly, Yuga being formerly quirkless and having a self-harming quirk is a much better narrative parallel than the "Save to Win and Win to Save" bullshit that we got. Denki and Yuga just seem like they'd have really good chemistry.

Izuku, Tenya, Momo: These 3 intelligent specimens would've have been extremely overpowered if Hori actually cared enough to develop them. Also, Momo would get to shine because her quirk is powerful as hell (I actually head canon that she has the strongest/most versatile quirk in 1A and maybe enough the BNHA verse as a whole) and it's a crime that her intelligence and OP quirk went underutilized. Also, Momo and Izuku helping each other through their lack of self confidence would have been really touching and maybe have Izuku reflect on his life and how he was treated pre OFA. Momo and Tenya also seemed really no nonsense in the beginning when she ruthlessly criticized Bakugou, so this could help Izuku cut Bakugou off much earlier and allow him to grow.

Izuku, Tsuyu, Mineta: Yes I know, I know. Mineta sucks. But even so, these three were super compelling and interesting to watch during the USJ arc. The ways in which they used their quirks to escape death has way more charm and personality in their hair follicles than post season 3 ShoBakuDeku have in their entire bodies. Also, since Tsuyu was one of the first to call Bakugou out, I feel like her bluntness would be a really good reality check for Izuku to realize that the way Bakugou (and Aizawa) treat him is not okay. Also, Mineta already idolizes Izuku (which is actually sort of sweet) so this could have been used to develop his character rather than the awful and repetitive perv shtick that we're unfortunately stuck with.

Izuku, Shoji, Tokoyami: Like with the above trio, their forest camp sequence in trying to escape dark shadow has more personality and authenticity in their hair follicles than anything having to do with the stupid wonder trio. After all, the whole thing started because of Tokoyami witnessing Shoji being harmed by moonfish, which feels really raw and touching. Shoji also carrying Izuku on his back is super cute. These three also could've been used to address quirk-based discrimination, which is basically that backbone of BNHA's premise (even if it is always glossed over). Tokoyami and Shoji would've had to be victims of heteromorph discrimination (I think it was even confirmed in later chapters) which could drawn the three to each other. No offense to Shouto (and full offense of Bakugo) the two of them could never really relate to Izuku's trauma especially since Bakugou is responsible for 85% of it. They're both rich, they were both born with extremely powerful quirks. While Shouto is tragic because he was abused, he also benefits from the system of powerful quirks being favored which makes the two of them privileged. I also feel like Shoji and Tokoyami finding out about OFA and Izuku's previous quirklessness would just strengthen their bond and would motivate them to help and protect Izuku in any way they can unlike Bakugou who was a total nuisance the entire time.

Izuku, Mei, Ochako: Again, like with the last two, their admittedly limited time on screen together has more charm and personality than the stupid Wonder Trio.

These are the ones that I could think of from the top of my head. Feel free to add anymore.

These are all so cool! I especially liked Izuku, Denki, and Yuga. I always thought Izuku and Denki should have had more interactions anyway. And of course I love Izuku's scenes with Yuga. This is definitely a more unique one.

I would add Izuku, Momo, and Shoto to the list because I love the thought of Izuku being super intimidated by them only to be like, "Oh, oh no they're just isolated rich kids who have never talked to another kid their age and they're mine now" and adopts them.

Also, Izuku, Fumikage, and Shoto. I feel like they're fun.

It's not an Izuku trio but I'd also love Ochako, Tsu, and Momo just because they're best girls

[darling-i-read-it]

Convenience and Desire

Johnny Cage x fem!reader

Word Count: 2.3k 

Warnings: heavy allusions to smut (eventual smut basically but i got lazy)

Author’s Note: i main kitana cause she’s powerful and beautiful and a good leader and intelligent. But beside her i play johnny because he’s hot and dumb and i love him with my whole heart. 

Summary: You and Johnny work together often and go to blow off some steam. 

Song: unironically listened to hey baby by pitbull while writing this. feel like johnny would be proud

I don’t own these characters. They belong to author/director/creator

(not my gif) (can't wait to play this little guy right here even though dilf johnny has my entire soul)

Johnny Cage’s smile was infectious. The way it curved was practically a trademark. It was shiny like a cartoon, almost too good to be real. He tossed it at oncomers, at girls who even half looked his ways, at people who could potentially elevate his status, at DJ’s who played songs he liked. 

It was annoying. 

You stood beside him, not sure how you had gotten caught up with him. Raiden had assured you that you were both some of Earthrealms best fighters, even if there was a bit of a personality shift. You weren’t sure how one ‘saving the world’ mission had turned into two, which turned into three. Eventually someone decided you worked well together and you were constantly shoved into the same space. When had convenience become necessity? 

Johnny smiled at Liu Kang, who returned it with a gentle gaze. Why couldn’t you have been paired together with someone like Liu? He could forever pine after Kitana and you would work well together. 

“Are you even listening?” You were broken from your thoughts by Kung Lao. His voice cut through your annoyance, making you snap out of it. 

“Yes. Yeah, sorry.” 

“Geez and usually I’m the one who doesn’t know how to listen.” Johnny nudged you. You couldn’t even muster an eye roll. Your smile is distracting Johnny. Even the thought made you gag. When had convenience become desire? 

“Thank you for your help,” you finally said, ignoring Johnny. “We couldn’t have done it without you. Your assistance is always greatly appreciated.” 

“We could have done it without you but that would’ve taken too long,” Johnny quipped. You ignored him. Liu smiled gently and nodded once. 

“It’s always a pleasure to work with you Y/N. Are you both heading back home after this?” You nodded, finally glancing at Johnny. 

“We should. I have to report back to Raiden on all of this and I’m sure you two have lives to get on with. Plus, Johnny has an early bedtime.” He snorted. 

“I’m glad you were able to reach us in time. Please don’t hesitate to call if you need anything else,” Kung Lao said. His voice had more of an edge to it. You knew Kung Lao less well than you knew Liu Kang. You tended to stray from the vastly magical aspects of earth realms defenders. “Do you read him a bedtime story too?” he quipped. 

“You all are acting like I didn’t help out there,” Johnny argued. He took his sunglasses off, revealing his eyes. He cleared his throat, like he was going to say something fancy. “Personally, I plan to celebrate our win. I know I’m going to drag her with me, you guys wanna come?” 

“Where are you going?”

“Dunno. Bars. Clubs. Wherever there’s drinks, music and ladies.” You closed your eyes hard and shook your head. You would have put your fingers to your temple if you wanted to be any more stereotypical and feed into Johnny’s cartoonish personality. 

“Probably not the best idea for a bunch of people with superpowers to get drunk,” Liu commented. You snorted and the tension of the fight officially dissipated. There was quiet laughter coming from the two in front of you, usually on the heroic stoic side. 

“Just us two then!” 

“Who says I’m coming?” you questioned. He rolled his eyes, gesturing for you two to head back home. You had the ability to conjure portals to any place you knew of. It came in handy when getting out of sticky situations, from which there always were some with Johnny. 

“We should bar hop in Ireland,” he suggested. 

“I’ll see you guys around,” you finally said. They nodded, ghosts of smiles on their faces. You turned around and Johnny stepped aside, allowing you to lift your hands. You had no interest in going to Ireland, where you were fairly sure it was early morning anyway. Instead you opened the portal to a place Johnny knew well; the streets of Hollywood. 

“Fuck yeah!” he exclaimed. “You’re the best babe.” You rolled your eyes and let him walk in ahead of you. Liu Kang and Kung Lao watched as you entered your own portal and then it closed shut behind you, leaving only a faint singe in its wake. 

“Are they together?” Kung Lao asked. Liu narrowed his eyes and shrugged. 

“I’m actually not sure.” 

“I didn’t think they were but I kind of think they might be.” 

“Yeah no, I could definitely see it.”

“Maybe we should have gone clubbing with them.” 

“Could’ve been educational.” 

Thankfully for Johnny, most of his fighting clothes could double as clubbing clothes. As he emerged from your portal he was in the thick of LA foot traffic and he fit right in. You on the other hand looked a little out of place with your padded armor and knives at your side. Though thankfully, most people seemed too drunk to care. 

“I’ll come pick you up at 4am?” you questioned. He shook his head. 

“Oh c’mon,” he said. He walked up to you and he had to get close because you could barely hear him over all the commotion. “Loosen up.” You looked in his eyes that were usually shaded by his sunglasses. It was a nice change of place to see that movie star complexion up close and not covered in blood. Though you’d be lying if you said he didn’t look good after a fight. 

“Just for a little bit.” 

“That’s the spirit.” His voice was low and sultry. If he knew how to do anything it was to seduce a woman and you knew that. You knew Johnny Cage better than most. He gestured for you to follow him through the crowd. “I know this place like the back of my hand. I used to live down here after auditions.” 

“How long were you auditioning unsuccessfully?” you teased. 

“Not as long as most.” You walked closely behind him. People were rushing by, wearing barely any clothing, laughing with their friends. You admired their carefree nature. Johnny’s shiny jacket fit in perfectly in the sequined crowd. You pushed yourself against him when others tried to get between you and he made no snarky comment like you expected. 

Finally he made a sharp turn. You looked up at the name of the place but you only saw long loopy bright letters. You half thought he had brought you to a strip club when he got to the door. You noticed the line that wrapped around the corner. 

“Johnny, there’s a line,” you said. 

“They know me.” 

You rolled your eyes. Always with that mentality. He approached the bouncer. 

“Hey,” he exclaimed, enunciating the y. “Mark, right? How’s the wife?” You expected the angry answer that always came after Johnny asked about someone's wife. 

“Hey man!” the bouncer said, giving him one of those bro handshakes you could never understand. “Where you been?” 

“Not doing many movies,” Johnny admitted. “Too busy saving the world and whatnot.” 

“That’s cool, that’s cool. Go on in man, it’s nice to see you.” You tried to suppress your surprise. You started to walk forward but the bouncer stopped you before you could. 

“She’s with me.” 

“A little different than your usual crowd huh Johnny?” 

“She’s better than them,” he said and it even sounded like he meant it. The bouncer's gaze followed you as you walked past. 

You emerged in the club. Clearly exclusive but large. There were two floors and the one you were on was filled with staggering people. Music blasted. You couldn’t locate the speakers but they had to be close with how aggressive they were on your ear drums. You stuck close to Johnny as he weaved through, saying hi to people as he passed. 

Your place had always been the fight. This was clearly Johnny’s place. 

He turned back to you. 

“Pretty cool huh?” 

“Not bad Cage. Not bad.” He smiled back at you. He approached the bar area. It was a clear table that was glowing from the inside. He found an easy place to order and he did it for both of you. He had gone with you to a bar or two. He knew your tastes. 

Drinks came quickly. He put it on his tab. 

He leaned his back against the table, handing you your glass. You took it. 

“So this is your world?” 

“Yes ma’am. Thoughts? Concerns? Comments?” You looked around. People were high or drunk or happy. You had left the war and blood outside. For now, there was only every form of ecstasy that man could come up with. 

“I can understand why you like it.” 

“And…” 

“And I like it. Is that what you wanna hear?” You took a sip of your drink. He took a drink of his as well, narrowing his eyes on you. You and Johnny had spent so much time together on the field. Usually the occasional drink was limited to both of you being exhausted. You suddenly felt like you had just woken up rejuvenated. 

“That is what I wanted to hear. Thank you.” The pulse of the club felt aggressive. They were playing some shitty Pitbull song that everyone got excited to hear. “You ever wonder why Raiden set us up together?”

“In the working capacity? Yeah, I do.” 

“Got any working theories?” 

“You needed a babysitter and I’m patient.” 

“I wouldn’t say that.” Your lips turned into a smile. His movie star grin had returned, the one that looked so easy to kiss. “Eyes are up here sweetheart.” You met his gaze. He was starring. 

“Wanna dance Cage?” 

“Thought you’d never ask.” You took off your jacket and tossed it on the bar table. You had replacements lining the walls. With it off it revealed your arms and the tightly woven fighting armor you kept. It was thinner than it should be but you didn’t need the protection. Johnny watched your back as you walked to the dance floor. You took your hair out of its tight updo that was keeping it out of your face. It fell and you brushed your hands through it, smoothing it out. 

The lighting was lower there. People’s bodies were melding together, kissing but not knowing whose lips were on the other end. You didn’t even bother looking around. The music that had been pounding in your head since you walked in was now against your chest. Johnny was swaying and you didn’t even notice you were too. He put his hands on your hips and you didn’t stop him. You put your arms over his shoulders, straightening them out so that your fingers were clasped together. Your torsos were flush, glued to each other. 

The tension of the day's battle loosened in your shoulders. You were bruised but not broken. You were safe, here, with Johnny. In the middle of the dance floor without a thought in your head other than his eyes. You wished he had left his jacket behind as well but you knew he was too materialistic for that. Your smile looked drunken but your head was clear. 

When had convenience become need? 

Johnny pushed you closer. Now your bodies were together, dancing together, a sly smile on his face. You brought your hands down, against his chest and then around his torso, beneath his jacket where he wasn’t wearing a shirt. It was his problem he never seemed to wear armor to a fight. 

He had goosebumps. You smirked. When you looked at his face you noticed his eyes had traveled south from your lips. 

“Eyes are up here Cage,” you teased. He snapped back up. 

“You wanna be real classic and go to the bathroom?” he questioned. You rolled your eyes. He pressed you even closer to him, if that were at all possible. 

“What, you don’t have your own hotel room upstairs or something?” His movie star grin came in full force. “Raiden’s gonna kill us.”

“Raiden’s gonna kill you. He knows I make bad decisions.” His head dipped, slipping his lips onto yours. You were actually taken aback. His lips tasted like chapstick and beer. You put your palms flat against his back and then scrunched your hands so that your nails dug into his skin. 

It hadn’t occurred to you until then that Johnny was nearly indestructible. The thought was alluring. 

His lips left yours. You had stopped dancing to kiss him. The music seemed to muffle. 

“That okay?” he whispered. 

“Perfect.” 

“Good. Been wanting to do it for a minute.” You grabbed his arm and turned back to the crowd. He pouted as his hands left your body. You dragged him through the crowd, weaving through the other people having the time of their lives. “Bathrooms the other way.” 

You finally came to a space that wasn’t completely filled with people. You stopped abruptly and Johnny ran into you. You lifted your hands in a formation he knew well. He didn’t even try to hide the smirk when the portal opened revealing his own room. He walked in before you and you followed, leaving only a soot behind. 

[immaturityofthomasastruc]

IOTA Reviews: Conformation and Re-Creation (The Final Day)

Well, here we are. The final two episodes of Season 5. It's been a long and complicated journey, so let me get you up to speed on what exactly happened this season, episode by episode.

Evolution: Ladybug and Cat Noir chase Monarch through time, and it's not nearly as cool as it sounds.

Multiplication: Adrien likes Marinette now because the plot says so.

Destruction: Cat Noir accidentally Cataclysms Monarch, and it somehow leads to the most guilt he feels using his Cataclysm on anyone.

Jubilation: Ever want to have the image of Ladybug and Cat Noir being teen parents burned into your brain? No? Too bad!

Illusion: Nino establishes himself as a leader so terrible, Zapp Brannigan would call him an idiot.

Determination: Marinette likes Cat Noir now because the plot says so.

Passion: Nathalie shows she'd rather silently judge Gabriel for his actions over actually doing anything to stop him.

Reunion: Marinette talks with the spirit of Joan of Arc, and it's not nearly as cool as it sounds.

Elation: Someone tries to murder Marinette over ice cream for the third time in four seasons.

Transmission: Yeah, I totally believe you're replacing Marinette and Adrien with two new main characters in the middle of your fifth season.

Deflagration: Because of Tikki and Plagg's terrible decisions, Monarch comes the closest he's ever come to winning.

Perfection: Kagami becomes a giant cloud Akuma, symbolizing her also becoming a total airhead for the rest of the season.

Migration: The writers realize they have no idea what to do with Luka, so they kick him out of the show entirely.

Derision: “How many things do you want to retcon to make this story work?” “Yes.”

Intuition: Gabriel continues to prove how pathetic of a villain he is, even when he has unlimited chances.

Protection: Even after being tricked three times by her, Kagami still thinks Lila is a trustworthy person.

Adoration: “We have Lumity at home”.

Emotion: The episode where Felix essentially commits genocide is somehow also the one where the writers want the audience to start viewing him in a sympathetic light.

Pretension: Felix likes Kagami because the plot says so, and vice versa.

Revelation: Lila only gets as far as she does thanks to Marinette becoming as dumb as the rest of the class.

Confrontation: Our heroes expose the villain's evil plans by spying on them through a bathroom peephole.

Collusion: Remember kids, violent revolutions against politicians are never the answer.

Revolution: Remember kids, violent revolutions against politicians are always the answer.

Representation: To the surprise of literally no one, Felix is revealed to be a Sentimonster, yet the writers still won't tell us that Adrien and Kagami are the same.

Now that you're all caught up, let's get into the twenty-fifth and twenty-sixth episode of Miraculous Ladybug's fifth season: Conformation and Re-Creation

After a brief news report showing everyone enjoying the first day of Summer vacation, Gabriel and Tomoe finally decide to launch “Perfect Alliance”. What does this plan entail? For starters, Gabriel transforms into Monarch, detransforms to akumatize himself into Nightormentor again, gives himself the powers of the Mouse, Rooster and Horse Miraculous in order to clone himself and fly around the globe to spread his nightmare dust. Because just akumatizing Sandboy again and giving him the Mouse Miraculous' Multitude was just too complex of a plan.

Marinette is the first to be affected by the dust, we get a dream where she dresses up as a knight to save Adrien from a cheap recolor of Fang in his dragon form.

This is a weird episode of Super Why.

Marinette defeats the dragon, who reverts back to Gabriel, who is accidentally killed by the fight, causing Adrien to cry since Adrien was watching the whole thing. Marinette wakes up, thankful that it was all just a bad dream sequence. She decides she needs to find out just where Gabriel sent Adrien to make sure he's safe, something that won't make sense as I'll explain later on. As she tries to leave, she keeps experiencing sudden headaches, as do her parents and Alya.

Meanwhile, Adrien is still left reeling from the effects of the nightmare dust from last episode, to the point where he has a panic attack, demanding to be let out. Gabriel, seemingly aware of this, decides to give Adrien the “antidote”, an Alliance ring with an app called “Perfect Alliance”. So once again, despite claiming to do this for his son, Gabriel willingly chose to make his life worse as part of his evil plans. Remember this, it'll be important later on.

Plagg suggests Adrien transform into Cat Noir, but Adrien reminds him that there are cameras everywhere, so he can't risk it. Plagg disables the cameras, but Adrien still says no. Whether he was aware that the robot who was sent to give him the Alliance ring with the new app had a hidden camera is irrevelant, because Adrien gives a different reason why he can't transform.

Adrien: I'm not in my right mind. I'm too angry; at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm. Marinette, Ladybug...

Plagg: Surely Ladybug can help you.

Adrien: If I ask her for help, I'd have to give her information that would jeopardize my secret identity... and I can't.

Okay, let me make one thing clear. The reason that Adrien can't risk exposing his identity thanks to all the cameras is a good one, and the fact that he doesn't want to risk exposing his identity to Ladybug in particular is a good sign of character development, but the problem I have is the fact that the writers decided to bench Adrien in the first place.

Yes, you heard that right. In arguably the most boneheaded decision in the show's history since... well, a lot of things this season, Adrien, despite being the son of the main villain, isn't going to get involved in the final battle at all.

There are multiple reasons why Adrien staying put in this room is a terrible idea, and most of them involve the fact that almost none of the in-universe explanations for this hold up.

Adrien is being heavily monitored by cameras? We just saw Plagg was able to disable them with ease.

Adrien can't ask Ladybug for help without jeopardizing his secret identity? The fact that he's at risk of being akumatized as is, with or without the Cat Miraculous, will still blow his cover due to Monarch's mind reading abilities (which we saw when Monarch almost learned Luka's secret in “Migration”), so he really has nothing to lose here.

Adrien isn't in the right state of mind thanks to the nightmare dust? Literally every other character who takes part in the final battle is able to either find a way to fight off the nightmares or keeps going while still under the influence of the nightmare dust.

Adrien's ultimate plan to take off his Miraculous and let Plagg choose a new temporary holder? We saw this exact same scenario play out earlier this season in “The Kwamis' Choice”, and things went horribly, horribly wrong.

Do you see why this makes no sense? Even though the show loves to boast about how valuable of an asset Cat Noir is, the writers are bending over backwards to justify keeping Adrien as far away from the final battle as possible, because they know damn well that they'd have to address how terrible his father really is with the reveal.

And the best part? This is basically the last we'll see of Adrien in this episode. Do you want to know how many lines he gets in the next episode, AKA, the final episode of the season? Three. AND THEY'RE ALL AFTER THE FINAL BATTLE.

But we're not done talking about this stupid idea yet, because unlike the other episodes, I have something else to rant about: The writers' commentary. In November of 2023, around four months after the finale premiered, the writers of this show recorded their own audio commentary, and while I don't have the exact translation (if anyone reading this has a translation of this, I would really appreciate the effort), I have seen one post summarizing the things they said, and all I can say is DEAR. LORD. This is not just shooting yourself in the foot. This is shooting yourself in the foot multiple times with Judas Bullets.

Like, it's amazing. We've always speculated just what goes through the writers' heads that makes them come up with some of the strangest ideas to take the story, and now, we have a first-hand account of why these episodes turned out the way they did. For this one moment, they gave about three explanations as to why Adrien was benched for the finale.

Let's start with the first one, Cat Blanc. I know what you're thinking, wasn't Cat Blanc an Akuma from an alternate timeline that our Adrien shouldn't know about? Not according to Melenie Duval. While Adrien's fear of being akumatized is reasonable, Duval claims that he could become Cat Blanc... which makes no sense as A) Adrien's nightmare was of an entirely different Akuma, and B) The aforementioned nightmare dust never informed Adrien of the alternate timeline where Cat Blanc destroyed the world, it just provided him with a nightmare about a similar scenario.

And in case you weren't questioning this woman's judgment, Duval has done on the record to state that her favorite episode of the entire show is “Derision”.

Our next reasoning is especially stupid, as the rest of the writing team reveal that they had planned to keep Adrien out of the final battle as far back as 2014, nine years before the finished product premiered. Why would they do that? Because they wanted Ladybug to unify with the Cat Miraculous, of course! Sure, you could have just saved this unification for a special or something like that so you don't bench one of your main characters, or you could have at least had Adrien willingly give his Miraculous to Ladybug to unify with in person, but nope. This is seriously one of their defenses— I mean, explanations, for why Adrien isn't allowed to be in the final battle, because they thought it would be more important to give Marinette her 10th new form in three seasons than letting Adrien get some form of closure with his father.

And here's the final reason they gave in the commentary. Remember that dream sequence of Marinette dressed as a knight that was also sort of foreshadowed in “Gabriel Agreste”? Turns out, the writers wanted to, and stop me if you've heard this before, play with the tropes and symbolism of fairy tales. Wow, I've never seen any kind of pop culture do that before... except for Into the Woods, The Princess Bride, Hook, Shrek, Princess Tutu, Ella Enchanted, Hoodwinked!, Enchanted, Tangled, Once Upon a Time, Frozen, RWBY, Ever After High, Red Shoes and the Seven Dwarves, Guillermo del Toro's Pinocchio, and Nimona. But other than those, that's so original!

Even though the writers are acting like they're breaking new ground, do you want to know what they mean by this? They're just doing another damsel in distress situation but this time, Adrien, the boy, is the one who needs to be saved by Marinette, who is, GASP, a girl?! WOW! That totally changes everything!

Okay, yes, the damsel in distress trope has usually been seen as a misogynistic one due to the fact that the people who needed to be saved are usually women, but like I mentioned way back in my “Gabriel Agreste” review, just swapping the genders isn't enough to breathe new life into a trope as old as this one. It's arguably worse because Adrien isn't just someone who needs to be saved. He's a superhero, and like I mentioned, there were plenty of options to get him out of his room in London.

And I'm guessing that some of you are thinking, “But IOTA! You just want Adrien to save the day by himself because he's a guy!” Just remember that I had this exact same problem last season where the roles were reversed. Remember how I hated the way Marinette's arc about dealing with the stress of being Guardian was hijacked by Adrien complaining about Ladybug not trusting him? This time, we have an arc about Adrien trying to break free from his father's influence that's been hijacked by Marinette needing to save Adrien by herself, robbing him of any agency he had to the plot entirely. This issue isn't about gender. It's never been about gender. I would have the exact same problem if Adrien was the one who confronted Monarch by himself while Marinette was trapped in her room.

This leads to the biggest problem I have with this plot development: It ultimately goes against the core theme of teamwork the show keeps trying to convey. Remember how last season, Marinette needed to learn to let other people trust her? Now, she's going to beat up Monarch all by herself without any help. Remember how last season, Adrien needed to prove he didn't deserve to be left in the dark about everything? Now, he's going to stay all the way in London while his partner gets in the fight of her life. It's detrimental to both of them as characters, and makes everything that happened to them in Season 4 completely pointless.

Okay, now that I've spent five pages ranting about this insane decision, let's get back on track, shall we? As the Perfect Alliance app helps Adrien and Kagami calm down, Marinette sneaks into the Agreste mansion as Ladybug. Meanwhile, Nathalie has her own nightmare about Gabriel winning, AKA, the very thing she could have stopped a long time ago by ratting her evil boss out to Ladybug and Cat Noir.

We then learn just what the Perfect Alliance app really does. Basically, thanks to the technobabble, it helps alleviate the stress from their nightmares. Or, to put it in Layman's terms, Gabriel and Tomoe plan to get the entire population of Earth addicted to cyber crack. We see this affect several of Marinette's classmates, but because Mylene has a sudden disdain for technology that “Was made without respect for the Earth's resources”, she's the only one who sees the problem here. I'd ask why this wasn't established earlier this season, but it doesn't matter, since Mylene gives in anyway,

Because it's a day that ends with a “Y”, Gabriel goes to talk to Emilie's body yet again, and it seems like even the writers realized how tired this got, as Nathalie finally decided to ambush him with a crossbow.

Miss Sancoeur, I served with Buffy the Vampire Slayer. I knew Buffy the Vampire Slayer. Buffy the Vamprie Slayer was a friend of mine. Miss Sancoeur, you're no Buffy the Vampire Slayer.

Yes, it only took five seasons worth of evil plans for Nathalie to realize just how demented her boss really is.

Nathalie: I can't let you do that... if you make the wish to bring her back, someone will have to go in her place. Emilie would never have agreed to this!

Gabriel: Do you think I'd be monstrous enough to sacrifice a human being?

Uh... yes? That is literally what equivalent exchange means. You really don't know how the wish works after researching it?

Shockingly, the frail woman armed with nothing but a crossbow isn't able to stop someone with superpowers. There isn't even a fight. Monarch just knocks the crossbow out of her hands and she faints. Maybe you should have actually come up with some sort of plan before confronting Gabriel by yourself, dumbass.

Back to Ladybug, she searches through Gabriel's stuff and finally learns he's Monarch... even though she should already know thanks to Felix and Kagami's play last episode. She even looks pretty shocked to see Monarch detransform.

Back to the commentary, the writers justify this with their absurd “Every episode can be watched on its own” rule. Because simply having Marinette say she already knows was out of the equation, I guess. Seriously, earlier in the episode, Tikki (who, along with Plagg, wasn't affected by the nightmare dust for some reason) had doubts that Marinette should break into the Agreste mansion, and it came across like neither of them knew the truth, and this was a reckless decision that wasn't motivated by Gabriel being Monarch at all. Once again, the writers fail to understand the idea of using “Previously On...” segments to help new viewers catch up on what's happening. It's even more confusing when you remember that Tikki knows Adrien is Cat Noir, so his father being Monarch coupled with his sudden absence should be setting off all kinds of red flags in her book.

Ladybug tries to text Cat Noir about who Monarch really is, but chooses not to send it after Gabriel pushes a few of her buttons. Rather than jumping Gabriel while she still has the element of surprise, she only chooses to grill Nathalie for questions once Gabriel is out of the room. And of course, only when she's on death's door does Nathalie tell Ladybug to stop Monarch, but not before telling her to transform back.

We see Gabriel and Tomoe put their plan into action. They create a fake scene of Ladybug and Cat Noir kidnapping Adrien and Kagami in order to rile up the public (who aren't in the best state of mind thanks to the nightmares) in order to for them to use the Alliance rings to transform them into the “Miraculized”. In other words, it's basically “Heroes' Day” all over again. Seriously, think about it. Just like “Heroes' Day”, it looks like Adrien is being harmed by Ladybug in an attempt to push the population to the brink of despair so Gabriel can create an army in the process. Yeah, the public doesn't know the two are the same, but the audience does. Granted, this is a minor nitpick compared to the rest of my problems with this episode, but I hope you can see what I'm getting at here.

Case in point, the reason Nathalie told Ladybug to detransform was because Gabriel has found a way to track her and Cat Noir through their “quantum signatures”. With Cat Noir, it was thanks to the dust from Gabriel's Cataclysm wound, and with Ladybug, it was thanks to the Magical Charm she gave Gabriel earlier in “Gabriel Agreste”... which he shouldn't have since it was destroyed in “Dearest Family”.

Seriously, this is the season finale. How the hell are the writers still struggling to remember important events like this?

Now's as good a time as any to talk about the Miraculized's design. Yeah, they're pretty lame. They all look like they're wearing fencing gear, and don't look intimidating in the slightest. They also now have the ability to use every Miraculous power at once, which breaks the previously established rules about the Alliance rings in that only one ring can handle each Miraculous power. You could at least argue that the robots used in “Confrontation” had more advanced technology that made them capable of using multiple powers, but nothing has changed about the Alliance rings to justify this. And remember, this is something every Miraculized in the world can use, yet the system hasn't been completely fried, and as we'll later see Monarch can still freely use the other Kwamis' power even when they're being shared with the Miraculized across the world. In fact, how can the Miraculized even transform like this? Monarch doesn't akumatize anyone to spread this transformation. Gabriel just tells to say “Alliance, Miraculize Me!”, and now they can transform. Was this always a function of the Alliance rings? Is there a tiny Akuma hidden in each ring? How the hell does any this work?

Ladybug fights off some of the Miraculized who used Voyage to find her, and remembers Nathalie's advice to detransform. So just like in “Passion”, even though she's still wearing her Miraculous, the system specifically designed to track her down isn't able to find her unless she's still transformed. Marinette runs away to a safe place before running into Plagg, who tells her Cat Noir is out of commission. With no other options, Marinette decides to unify with the Ladybug and Cat Miraculous, turning into Bug Noire, revealing her identity to Monarch in the process, and ending the episode.

Bug Noire's design is admittedly pretty nice. I like the balance of red, black, and green, though the hair is a little too long for my taste. Granted, I still don't get why this is the reason why Adrien can't be here to fight Monarch alongside his partner. I'm just saying, was it really worth it, writers?

THE BIGGEST IDIOT OF THE EPISODE IS... NATHALIE

Yep, right before the finish line, Nathalie gets her second award this season. After spending several episodes doing nothing but letting herself rot away, Nathalie only chose to finally do something about Gabriel once he was literally about to enact his final plan, thought she could stop him with nothing but a crossbow, and only begged Ladybug for help when it looked like she was about to die and had nothing left to lose.

“Re-Creation”, the final episode of the season, starts off with Lila watching some broadcasts of people succumbing to their paranoia (and she does it while smirking because the writers still don't think we understand she's evil) and transforming into Miraculized while she puts on a new disguise that makes her look like an evil Edna Mode.

How come Lila isn't even affected by the nightmare dust like the rest of the human population? As always, never explained!

Back in the Agreste mansion, Bug Noire and Monarch are duking it out, and we get some pretty creative uses of Lucky Charm, like when she summons a piano to crash down on Monarch. Meanwhile, after Marinette's friends manage to get the Alliance ring off a Miraculized Ivan, we get to see how the rest of the world is dealing with the Miraculized. In Shanghai, the Renlings help Fei through her nightmares, Su-Han has recruited Jagged Stone, Luka, Penny and Fang to the Order of the Guardians instead of actually getting backup like he said he would in “Multiplication”, Present Bunnix finally decides to do something and uses Burrow to sent the Guardians to Paris, while the United Heroez fight off the Miraculized and learn the true nature of the Alliance rings. Just remember, it was too much for the writers to let Adrien get involved in the final battle, yet all these side characters get to do something in the finale for some reason.

Meanwhile, as if things couldn't get any worse, Nino decides the Resistance needs to get involved after reassuring Mr. Damocles that they never give up. Believe me, not much would change if you guys just threw in the towel, especially now that the United Heroez are here, and have Eagle, a member whose powers work as an instant cure for everyone's nightmares. Hey, while we're on the subject, does anyone know where the United Heroez were this entire season? I can excuse Fei as she's just one teenager in Shanghai, but the Americans have a small army of heroes, including the president, yet they just let two violent coups in France happen last week.

As Bug Noire and Monarch keep fighting, Bug Noire comes up with the brilliant idea to Cataclysm the Butterfly Miraculous, only being foiled by Monarch already having Resistance active. Okay, is a side effect of using the Cat Miraculous this season a taste for blood? Why the hell are the heroes so okay with trying to use Cataclysm on their enemies now? Bug Noire then decides to use her Cataclysm for something far more reasonable, breaking the ground beneath her and Monarch. Because I guess Bug Noire is really gunning for Biggest Idiot this episode.

Back with the Resistance, they meet up with the Guardians, United Heroez, and Ladydragon, who have actually been getting shit done. Wow, it's just like that scene from that one movie where all the characters we've come to know over the years rally together for the final battle! What was it called again? Oh yeah, Spy Kids 3-D: Game Over.

While the other heroes are overwhelmed by the Miraculized, we cut back to Bug Noire and Monarch yet again, now inside the area where Emilie's body is. The two keep fighting as Monarch tells Bug Noire why he's doing all this, all while Lila breaks into the mansion.

Monarch: I want my wife, Adrien's mother, to come back to us! Once our family is reunited, Kagami and Adrien will become the eternal icons of this world! And we will be here to witness their absolute triumph!

Bug Noire: “Your wife”? “Come back”? “Kagami and Adrien, eternal icons”? How many lives are you going to ruin in the name of your crazy dreams?!

Monarch: As many as it takes! In order to bring Emilie back, someone else will have to disappear! In order to heal the wound that Cat Noir inflicted on me, someone else will have to be wounded!

Bug Noire: Someone else? But who?

Monarch: Anyone! No one matters except us! How about you, Marinette? Wouldn't you give your life for your sweet Adrien's happiness?

Bug Noire: Do you really think that's what he'd want? To discover that his father has turned into a supervillain, willing to make innocent people pay the price of his madness?

Monarch: Adrien would do the same thing!

Bug Noire: Never! Unlike you, Adrien has made his peace with it. He's not living in the past! He has a whole life ahead of him!

Bug Noire: You'd know this if you ever took an interest in him. But in reality, Adrien means NOTHING to you anymore! You've locked him in your house! Locked him in your Alliance rings!

Bug Noire: Locked him into a life that allows you to hide behind him in order to justify YOUR madness!

Monarch: All I want is for him to be happy!

Remember all of this, because it's going to be important soon.

Bug Noire uses her Lucky Charm, and gets a tube of glue. She uses some of it on this random boomerang she found (I'm assuming it's the remains of Nathalie's crossbow), sticks it to her yo-yo, and then throws it at Emilie's coffin. Monarch reflexively grabs the sticky boomerang, and loses all of the rings on his right hand just as Bug Noire uses Cataclysm on the elevator to get to this area of the mansion, with the intent on CRUSHING EMILIE WITH IT. Our hero, ladies and gentlemen! Monarch saves his wife, but because he's distracted, he can't stop Bug Noire from throwing her staff at the Butterfly Miraculous, knocking it off and reverting Monarch back to Gabriel. Bug Noire ties up Gabriel's feet, and when Gabriel tries to sucker punch her with Venom, Bug Noire grabs the hand, threatening to Cataclysm the remaining Alliance rings and the two rings she should damn well know contain Adrien's Amok. Either she's bluffing, or we accidentally got the Paris Special universe's version of these events.

Bug Noire tries to reason with Gabriel, who then breaks down crying, showing how deep down, he just really cares about his family. And even though just six episodes ago, Marinette said that it was very easy for idealistic people to be taken advantage of by others, she buys into Gabriel's last-minute sob story, and wouldn't you know it, he stabs her in the back. Congratulations, Marinette. You just doomed the universe. Even when the Dino Charge Rangers accidentally got everyone on their planet killed, they were at least able to fix it themselves.

It's time to go back to the commentary, where we can learn the writers' true intent for this scene. They honestly believe that both Marinette and Gabriel care for Adrien in their own ways, and the whole reason that Marinette chose to trust Gabriel was to teach the lesson that it's important to talk out your feelings with others... a lesson that fails because 1) Marinette had already beaten Gabriel through violence, 2) Marinette trusting Gabriel backfired horribly, and 3) Gabriel won because he took advantage of Marinette's trust! You can't teach a lesson about trust when for all intents and purposes, Marinette once again lost BECAUSE SHE CHOSE TO TRUST SOMEONE!

Even though he had to unify with Tikki and Plagg to try making the wish in “Deflagration” (I really shouldn't have used the “Great Continuity!” clip earlier), we get yet another retcon this season: Tikki and Plagg have to reveal their true forms. Yeah, I know Tikki's true form was briefly seen in “Dearest Family”, but that doesn't change the fact that Monarch didn't do this when he had the Ladybug and Cat Miraculous in “Deflagration”.

Tikki and Plagg's true forms just look okay. I like the otherworldly theme, but they don't really stand out much. They honestly look more like forms Ladybug and Cat Noir would have than anything else.

It's here that we get the culmination of five seasons' worth of lore. After a brief glimpse of it in “Ephemeral”, Tikki and Plagg, the Kwamis of Creation and Destruction will merge their energies to form their true true form, the Kwami of Reality itself, able to grand any wish asked. This majestic, otherworldly being's name? Gimmi. Just... Gimmi. The commentary claims they're named after an ABBA song, and I wish I was making this up.

Like with Tikki and Plagg's true forms, Gimmi has an okay design. They're just a little too pink for something meant to be a fusion of the red Tikki and the black Plagg.

As Marinette begs Gabriel not to go through with this, Gabriel doesn't think twice about it, and instead, gives Marinette the rings containing Adrien's Amok, along with a request, fully aware that his time is almost up.

Gabriel: Marinette, make sure that Adrien never knows about the villain that I was, but instead, that he remembers the times I tried to be a good father.

Alright, we've finally gotten to the most controversial part of the episode: Gabriel's “redemption”, and I put that term extremely loosely.

Put aside the fact that almost a third of this season was spent telling the audience that a certain character who shall not be named is beyond saving despite working alongside him multiple times for the past two seasons, Gabriel's last-minute redemption falls flat because he doesn't even seem to feel remorse for what he's done. Not once does he actually say he's sorry for what he's done, just how Emilie's death affected him. That's understandable, but he doesn't even seem to acknowledge the weight of his actions or how many lives have been endangered. Remember earlier, when Monarch said he was perfectly okay with sacrificing someone else if it means his family can be happy? Yeah, that never comes back, especially now that him making the wish is portrayed as a good thing when every time it's been discussed ever since it was first explained in “Robostus” just how dangerous actually using it is.

In fact, let's discuss the fact that Gabriel is getting to make the wish in the first place. The whole idea of this basically contradicts Gabriel supposedly realizing he's gone too far. Rather than just having Gabriel give up his quest and let Emilie rest in peace, we're supposed to be happy that Gabriel double-crossed Marinette even when the music is making it seem like it's a bad thing... WHICH IT IS! Once again, for a show that loves to go on and on about how powerful love is, it really loves to show people getting screwed over whenever they decide to show compassion to their enemies. Imagine if in Return of the Jedi, when Luke chose to not give into the Dark Side by sparing Vader, Vader took the chance to kick him in the crotch while he was distracted. That's basically what happened here.

Next, notice how Gabriel specifically asks Marinette to make sure Adrien never learns the truth about who he was, and “Remembers the times he tried to be a good father”. After everything he's done, Gabriel isn't even willing to let Adrien learn about what he's done, because he wants him to focus exclusively on the times he TRIED to be a good father. This isn't the matter of Gabriel missing Adrien's fencing tournament because he had an important business meeting. Gabriel was a literal supervillain who preyed on innocent people in order to obtain absolute power, and he wasn't even a good father to his only kid. He was neglectful, controlling, and in the last few months of his life, spent more time trying to ruin his relationship with his girlfriend for no reason other than because he thought his associate's kid was a better match for him. He was a terrible father, and Gabriel even seems to be aware of this, but rather than find a way to repent for everything he's done, Gabriel is basically going to take the coward's way out by forcing Marinette to sugarcoat his life instead of admitting he was, at the very least, a flawed parent, all so Adrien will feel bad when he finally drops dead.

And yeah, let's talk about how Gabriel assumes that Adrien shouldn't be allowed to know the truth... WHEN THAT'S NOT HIS DECISION TO MAKE. Adrien should be the one to judge whether he believes Gabriel was a good father or not. Of course Gabriel would assume he was a good father despite the numerous red flags, but Adrien is another story. By keeping the truth hidden from Adrien, you're depriving him of a potentially important moment in his life where he finally learns to break free from his father's influence. Instead, even though he's a fucking superhero, we're just supposed to accept the fact that Adrien is just a poor, fragile, sensitive baby boy who can't handle hearing any bad news or else I guess he'll explode. It says a lot when, of all movies, Star Trek V: The Final Frontier did a better job handling an idea like this, by saying that pain is a natural part of life.

But let's talk about the biggest problem with this turn of events: The fact that it essentially vindicates everything Gabriel has done, with or without the mask, as well as essentially convey a pro-child abuse message. In case you weren't around before I posted this review, I asked my followers who have been victims of child abuse or poor parenting to share their experiences so I could get an idea of how similar they were to what Adrien has had to go through. And a lot of them were pretty similar.

During almost all of what I read from these people, their parents or guardians shared one thing in common: An inability to admit being wrong. All of them tended to either blame their kids for whatever happened to them, or find ways to justify their poor treatment. As far as they're concerned, it's the kid's fault that they're being treated so poorly. And while I'm sure a handful of people isn't enough to survey the entire population of abuse victims on this planet, the fact that some of these people, as in actual victims of child abuse, were able to see similarities with their own upbringings and the way the main villain treats his son and don't buy the show deciding to act like all of that was perfectly okay says a lot about how much this finale dropped the ball when it came to the lesson it wanted to teach.

Yes, from what I've read from my followers and other things online, some abusive parents do believe that what they're doing to their children is out of a warped view of love, but that isn't enough to validate their actions completely, and it obviously doesn't validate Gabriel's actions during the last five seasons. During the entire run of the show, Gabriel has denied his son a normal life, treats him like an object, and despite claiming that he really loves him deep down, he almost never shows it. It seemed like the show was either going to have Gabriel realize the error of his ways due to how fruitless they ended up being, but having him get the upper hand on Marinette at the very last second ultimately makes it so all of his effort, every evil plan, every civilian endangered, was all worth it. And that's why Gabriel's final moments supposedly acting like he's repented for his actions don't work, and why it turned what was initially just a boring finale into one that was beyond infuriating.

And I'm assuming that you're thinking to yourself, what exactly is the wish Gabriel was so desperate to make that he tricked Marinette at the last second?

We never really learn what kind of wish Gabriel makes using Gimmi, even in the epilogue. I'm also going to talk about this in a later post, but of course Astruc, being Astruc had to give his usual sarcastic remarks to anyone who had the slightest question about what the hell just happened.

I love how someone will ask something like “Do you mind clearing up a few questions I have about the season finale?”, and Astruc will hear what they said as if they just asked, “Is Mylene secretly the reincarnation of the Anti-Christ?”.

So Gabriel makes his wish, somehow reunites with Emilie's soul as he ascends to Heaven... until the angels realize they made a horrible mistake, and send Gabriel to his custom-made Tenth Circle of Hell. Reality itself is rewritten and all of the characters we've come to know over the past five seasons are effectively dead. If that isn't supposed to be a happy ending, I don't know what is.

According to the transcript, it's been a month after the wish is made, we see how Paris has changed since then. Not only has Miss Bustier given birth to her baby, she's also been elected as Mayor of Paris, already passing her first law, the “Eco Rule”.

Miss Bustier: It consists of very simple principles: don't take more from the Earth than what it can give us, distribute its riches equitably and don't pollute more than it can recycle.

Remember when Mylene said that you can't solve climate change with a single law? I guess the writers forgot to recycle that moral too, because despite the vague as hell guidelines, Paris has already adapted to function without plastic wrappers or cars. Just remember, it's only been one month since the wish was made. Even Star Trek needed at least 130 years and a nuclear war before its utopian society could be established. And that's not even getting into the new school she's helped create.

Miss Bustier: In this new school, there will be no classes or struggling to get good grades. Children of all ages will be able to intermix and freely access all kinds of activities.

The fuck you mean “no grades”?! How the hell will that even work?! We're supposed to see this as her being an impressive politician, but it comes across like some grade schooler's “If I were president” essay. And remember, ONE. MONTH.

How else has the Eco Rule been implemented? All of the Alliance rings have been melted down and reforged into a statue honoring... the great hero, Gabriel Agreste.

Yep. This is the ultimate fate of the main villain after five seasons of terrorizing the city of Paris: He gets a fucking statue in his honor. Are we sure this is a victory for the good guys? And no, just surviving the villain's master plan doesn't count as a win.

Even better, according to Adrien, he somehow helped defeat Monarch... even though Gabriel is Monarch, so is Monarch a different person in this world? What about Monarch's previous identities, Hawkmoth and Shadowmoth? Did they still exist in this world? They had to, considering that Chloe and Andre are still nowhere to be seen since the revolution, implying that either she's different in this world, or she also betrayed Ladybug for the same reasons. Nathalie is also back in full health, so did she ever use the Peacock? Was the Peacock ever damaged? We see Felix has it in this new world, but Emilie is still dead, so did she die of different causes in this timeline? Speaking of time, what happened to Bunnix? Did she survive too? Is she aware of the changes to the world like she was in “Cat Blanc”?

To summarize, WHAT THE FUCK IS GOING ON!?

Adrien is hesitant to wear the ring because he's not sure if he can ever be even half the man his amazing father was. Marinette tells Adrien to be himself while handing the ring to him. So... was this an order? If so, was it intentional? Does Marinette even know what she's doing, or because she's a product of Gabriel's wish, she has to do this without a hitch? In fact, when he made the wish, why didn't Gabriel make Adrien, Felix, and Kagami humans instead of forcing them to rely on rings containing their souls that can easily break?

This scene is a great way to summarize Adrienette this season: The writers trying to write a heartwarming scene while hoping the audience doesn't think too hard about all the uncomfortable things it implies.

After reforging the Miraculous she got back from Monarch, Marinette decides to hand them off. Because fuck it, let's break the temp hero rule while we're at it! Chloe who? Ladybug, Cat Noir, Rena Rouge, Carapace, Viperion, Pegasus, Ryuko, Vesperia, Polymouse, Pigella, Purple Tigress, Miss Hound, Rooster Bold, Caprikid, Minotaurox, Bunnix, and even Argos (despite being the reason the heroes lost their Miraculous in the first place) assemble, ready for whatever challenge the world throws at them. Also, there's no reveal between Ladybug and Cat Noir this season because the writers still want to drag this plotline out, even when there's no excuse as to why they can't now that Monarch is gone.

We then learn who got the Butterfly Miraculous: Lila, who plans to get revenge on Marinette. Yep, the girl who has never even touched a Miraculous in five seasons is going to be Hawkmoth's successor. Not Tomoe (who I should mention never answered for being Gabriel's accomplice), not Audrey, not even Chloe. It's Lila. How the hell did she even get it anyway? Did Gabriel intentionally recreate the world to have Lila get the Butterfly Miraculous, or did Lila somehow retain her memories through close proximity to the wish and--

Fuck it, season's over anyway. Thank God...

THE BIGGEST IDIOT OF THE EPISODE IS...MARINETTE

While I can't say for certain what she did with Adrien is her fault thanks to Gabriel making the wish, I can say a good chunk of the things Marinette did leading up to Gabriel winning are on her. She recklessly used her Cataclysm multiple times in her fight with Monarch, tried to crush Emilie's comatose body with debris, once again chose to gloat about how she was going to take Gabriel's Miraculous instead of just doing it the first chance she got, seemingly forgot Adrien was a Sentimonster, and somehow managed to lose even when she had Gabriel at her mercy.

So, yeah... this finale was terrible, if it wasn't obvious from this review.

It was just a complete trainwreck from start to finish. A good chunk of the first part was spent either ignoring the events of the last episode, or coming up with excuses as to why Adrien shouldn't get involved. And that's not even getting into Nathalie's “redemption”, which only really happened once she had nothing to lose, seeing how she was even closer to dying than Gabriel was. In fact, now that I think about it, why was more emphasis given to Nathalie's declining health over Gabriel? You know, the guy who's enacting his final plan because he's supposedly hours from death, yet effortlessly manages to clone himself, fly around the world as an Akuma, and keep up with Bug Noire when he struggled to enact a plan that required him to leave the lair without traveling around the world during “Intuition”? Given how we now know that the writers wanted the final battle to involve Bug Noire, I'm starting to think they also prioritized her opponent being in top shape while ignoring the Cataclysm wound affecting him.

The second half was mostly boring thanks to just how low the stakes felt. We know where Adrien is, and since Bug Noire was fighting Monarch, there was no danger of them taking her Miraculous, so for the most part, the Miraculized fighting the other heroes just felt like padding. Nobody even seemed to look for Ladybug or Cat Noir, not even the heroes. Of course, then we got to Gabriel's wish. I've gone over this before, but it bears repeating. Gabriel's “redemption” just doesn't work due to how little effort is spent actually making the audience feel bad for him other than saying “His wife is dead, and he's sad, so that justifies everything”. It doesn't help that we kind of had four episodes explaining why some people can't change, and it wasn't used when talking about Gabriel, but rather, Chloe and Lila. Because these writers really have their priorities straight.

The ending of the season itself practically falls apart with how many plotholes and unfortunate implications it has. And before you say that stuff like Adrien once again being left in the dark can be resolved next season, here's the thing: This was planned to be the series finale with how everything feels wrapped up. There's a sense of finality that shows all the main characters getting their happy ending, and we're just supposed to not question the new utopia Paris is now, much less the fact that even after eight years, Ladybug and Cat Noir still don't know who the other is. Even putting that aside, the show has always done a poor job of following up on plotpoints established in earlier seasons, as the lunchroom scene from “Illusion” shows.

Here's a summary of all the lessons the finale teaches: We shouldn't hold terrorists accountable for their actions if they just say they love their family, abuse victims should be constantly coddled and shouldn't be allowed to know the truth about their viewers, it's okay to keep crucial information from your significant other, genocide is okay as long as the person who commits it says it's for a good cause, love for others can easily be taken advantage of, so never trust anyone, genocide is the only way to create an eco-friendly world, environmental protection laws can be passed within a month and nobody (not even car manufacturers) will complain, teenage girls are worse than abusive parents who double as supervillains, and even if it was planned for almost a decade, don't let your main heroine be the one to save the day, but rather, the villain.

If anyone reading this is planning on becoming a writer and is worried that people won't like their work, just remember that there are people who get paid to work on this show.

But yeah, this is how the season ends, not with a bang, but with a nosedive. I was mostly pissed off with how Seasons 3 and 4 ended, but here? I'm just disappointed. This was the finale that we waited eight years for. The epic final battle against Monarch, and rather than the ultimate fight to the finish, the writers came with several excuses to not involve one of the two main characters in the final battle, the other main character fails to actually save the day, and the villain is rewarded for all of actions because he chose to turn himself into a messiah. I tuned into this season to at least see how the story would end out of curiosity, but it didn't even deliver an ending that made all the pointless filler, poor writing, and bad characterization worth it. I started this finale off bored, and I ended up furious for how lackluster this ending felt. It says a lot when this finale has been compared to Star vs. the Forces of Evil in terms of just screwing everything up.

THE BIGGEST IDIOT OF THE SEASON IS... MARINETTE

Marinette may not have been able to beat Gabriel in terms of stopping his plan, but she did manage to outdo him in terms of stupidity. Because she got the award four times this season (Evolution, Revelation, Confrontation, Re-Creation), she takes home the title of Biggest Idiot.

And for those who are curious or didn't keep up with my reviews, Gabriel gets second place with three Biggest Idiot Awards (Intuition, Protection, Revolution), we have a five-way tie for third place with Luka (Determination, Migration), Mayor Andre (Adoration, Action), Chloe (Deflagration, Collusion), Felix (Emotion, Representation), and Nathalie (Passion, Conformation), who all got the award twice, and a ten-way tie for fourth place with Alya (Multiplication), Xuppu (Destruction), Mr. Damocles (Jubiliation), Nino (Illusion), Joan of Arc (Reunion), Ice Cream Man Andre (Elation), Kagami (Perfection), Kim (Derision), and Tomoe (Pretension) each getting the award once.

And with that, we're done with Season 5. It's been a long road, but all I can say is...

At least, until the analysis and ranking posts.

[sobasluuurp]

Ok. About Tenko.

I understand why so many people are angry that he's dead. I really do. I would've loved for him to live as well. I cried when he died.

However.

Just because he's dead doesn't mean his character has been handled poorly. In fact, all things considered, this ending (even though it makes me real fucking sad) makes the most sense for both his character and his story. Let me explain.

First and foremost, there's the matter of Shigaraki's characterization and arc. It goes without saying, but he's an angry, used, and abused child who grew up into an adult who wants nothing more than for everything to end. His goals have always been destructive to an extreme and honestly, the logical end to "let's destroy it all" is LITERALLY everything, including himself. He's also had absolutely zero agency since the moment his parents even thought of conceiving him, and has been struggling to become his own person since the beginning of his arc. He, against his abuser, who covets immortality and eternity.

What better a way for a person such as himself to assert his agency is there than to go out the way he did? To shift his focus away from the faceless masses and to the (similarly faceless, lol) abuser who caused his pain in the first place? To destroy the control AFO has held over him and prove to him that he was always his own person? To say, this is who you molded me into. And because I am who I am, I will now kill you, and take myself down with you, and be glad for it.

(and in the process, destroy the worldview AFO showed us in the Star and Stripe arc, that the ones who survive are the victors. AFO has completely and eternally lost, but Shigaraki is victorious to his last.)

It's his first moment of complete agency in his life -- acting entirely against anyone else's wishes for himself or his actions. And he uses it to do the one thing he's been itching for his whole life -- to destroy the source of his pain.

It's a negative character arc, in a way. It's not what any of us would've wanted for him. In a perfect world, he would be able to recover and readjust, building a life for himself and his found family in peace. He'd be able to experience life fully for the first time, and see that the world is not so bleak after all.

(I'm choking up just thinking about what's been lost. It's a fucking tragedy.)

But not every character arc gets to end happily. Sometimes people do slip through the cracks. That's always been what Shigaraki's character is about.

....and what every other member of the League's characters have been about.

Because here's the thing. The story of Shigaraki's life and death would be incomplete without his relationship to his found family. He's their leader. Their symbol. Their All Might.

Shigaraki's death is not the grimdark, fuck-the-audience, senseless kind of tragedy. He is a martyr, yes, but the people he stood for will in all likelihood survive. He died for the League. His life -- his existence -- brought them together, gave them purpose, and showed them a bright future. It is my steadfast belief that he will be the only death among the main villains. Because this is a story about saving to win, after all. And given that My Hero doesn't like to kill characters off too often and each one of them still has a path to recovery, I think it's a safe assumption to make. Especially since (especially in Toya's and Toga's cases) each of them had a moment of reconciliation at the end of their fights -- the kind of thing that can help them move forward.

And to be honest, we've known for a very, very long time that BNHA is the kind of anime that likes to turn old cliches on their heads. Kacchan did not become a villain during Kamino. La Brava's literal power of love was not enough to win the battle. Deku fought tirelessly to talk-no-jutsu Shigaraki into redemption, and while he did get through to him, he still couldn't save him after everything that happened. It's nuanced and messy in a way that I've come to expect from BNHA.

So yea, Shigaraki died. But Shigaraki also lived. Despite everything that AFO and Kotoro wanted from him (despite the fact that he was never meant to really be alive in the first place), he lived on his own terms and fought so that the people he cared about would be seen. Because he lived, the old world was destroyed, and from his ashes, a better one can be built. He achieved everything that no one thought he could, and reclaimed his life in the process. What better ending could you ask for a tragic character?

[aspoonofsugar]

Hi! I like your RWBY metas. I had some questions related to a few headcanons and observations I have. Ruby being the one to save Cinder from her Grimm corruption with the silver eyes is fitting. It’s been set up consistently through the story with the way the eyes are linked directly to Cinder as her bane. The eyes are linked to the GoL’s creation, and the preservation of light. However, Jaune’s semblance is also linked to the same things, and linked to Cinder as well. Do you think Cinder’s salvation could come as a result of Ruby’s silver eyes and Jaune’s semblance working in tandem? The silver eyes do destroy the Grimm, but they also damage her body. Jaune’s semblance is based around protection and healing. Is there a synthesis to be reached there?

Hi!

Thank you for your nice words!

So, about Jaune's semblance, it is definately possible it will play a role together with Ruby's eyes.

After all, Jaune's semblance has been a recurring element in the different climaxes of the series:

In Vale, he does not have it and he fails to do anything (ignorance)

In Mistral, he unlocks it and saves Weiss (creation)

In Atlas, he realizes he has not enough time to use it to save Penny (destruction

In Vacuo (or Vale if we have a final mini-arc there), he might have to choose if to use it to save Cinder or not :)

That said, my personal favorite headcanon when it comes to Jaune and Cinder is that Jaune will symbolically become Cinder's maiden at heart.

What is a maiden at heart?

So far, every arc has had three maidens:

The first is a very minor character, who ties into the plot (Amber, Vernal, Fria). They are relevant plot-wise and when it comes to foiling to more important characters. That said, they are not super important characters

The second is the maiden, who ends up having the powers. They are Cinder, Raven and Winter. They are important characters, but they do not really embody the theme of their gift.

The third is a character who embodies the Gods' gift. They are Pyrrha for choice, Yang for knowledge and Penny for creation.

Winter: No, Penny. You were always the real Maiden at heart.

They are the ones, who deserve the powers, but do not get it. And yet, they are the real maidens of the arc and they teach the viewers and the titular maidens what choice, knowledge and creation are all about.

Yang shows Raven that acquiring knowledge does not mean to become a coward. She also wins against her mother in their wisdom battle. Yang gets self-knowledge, whereas Raven avoids who she has become.

Penny shows Winter what creation is by symbolically "creating" her with her final acts. She shows her creation is rooted in love and freedom, rather than in repression and duty. She is Pinocchio, who creates the Blue Fairy.

So, what about Cinder and Pyrrha? They do not get to have this exchange because they fail to communicate:

Pyrrha: Do you believe in destiny? Cinder: Yes.

Like the other couples of Maidens, Cinder and Pyrrha meet during the climax of an arc and the Maiden at heart tries to teach the titular Maiden an important truth.

The problem is that Cinder kills Pyrrha before she can fully express what Choice and Destiny are really about. However, Pyrrha has taught someone about the gift she embodies:

Pyrrha: Do you believe in destiny? Jaune: Um... I-I don't know. I guess that depends on how you view it. Pyrrha: When I think of destiny, I don't think of a predetermined fate you can't escape. But rather... some sort of final goal, something you work towards your entire life.

Jaune is the only one, who has been explained by the Maiden of Choice what Choice is. So, he should be the one, who passes this Knowledge to the Maiden with power. This would be the perfect climax for his arc because:

He would symbolically integrate with Pyrrha by inheriting her mission and her most noble traits

He would solve his ongoing conflict with Cinder by finally coming to terms with Pyrrha's death

Moreover, in this way he would symbolically become Cinder's Maiden at Heart, which would fit perfectly with Jaune's arc and allusion. Jaune's arc is one of integration with the anima, where he integrates his feminine traits. After all, he is Jeanne d'Arc, who is famous as both a warrior and maid. So, it is just right that in the end Jaune grows into a true maiden.

When it comes to Cinder's allusion:

Ruby is set up to be Cinder's Prince aka the one, who saves her

Jaune might be set up to be Cinder's fairy aka the one, who guides her towards her destiny

It would also fit with Ruby and Jaune's inverted gender archetypes. We'll see!

[jp---v]

Part of me wishes that Midoriya never received One For All. As a disabled person, it always seemed like Quirks and the lack of Quirks were (in some ways) a metaphor for disability. The whole "Can someone be a Hero without a Quirk" just read as "Can I be Someone if I am disabled". And the answer was no. The answer was "You're useless, but I can fix you". I know that it would make so many arcs and part of the story either way more difficult or probably just impossible, but I wish that Midoriya stayed quirkless. He was built up as being incredibly smart and I wish we got to actually see that instead of. Big Punch. Big Kick. Fight Win. I wish that instead we saw him be resourceful and intelligent, I wish he was a bit more like Eraserhead or Nighteye, where they have weapons to help them fight. I wish we saw him fall behind physically and get support from teachers in the areas he was failing, see him go from just barely scraping by to succeeding because he has support, anything other than just handing over the cheat code to being a "Good Hero". I wish Midoriya's story was actually about if it's possible to become a hero without a quirk, and I wish the answer was yes.

Sorry for the big chunk of text, I've been thinking of this for. A while.

Ok, first thing first. Minor notes.

Paragraph breaks are your friend

You probably could've made your own post and more fully fleshed out your thoughts without having to worry about the ask character limit.

Now onto answering.

Yes. The series would've been completely different if One for All wasn't in play. Several arcs would have been impossible for Midoriya to participate in the Big Final Fight, and an action series where your protagonist can't join the fight, isn't set up for success.

But there are different avenues that could've been taken. A bigger focus on Underground heroics. Behind the scenes info gathering, undercover work, stake-outs, and all the dirty side of heroics people don't get to see. Eraserhead is an Underground hero himself, there's no way he couldn't have done with a quirkless Midoriya what he did with Shinsou and more, because he's his homeroom teacher. Weapons, tactics, Underground contacts. Then there's Midoriya getting to use his brain to design support gear and strategize his way around his opponents. Why set him up as this super analytically-minded person if it rarely comes into play? He's just another 'hit 'em till they stop fighting back' hero in the end.

But him losing One for All sucks too because he never even actually got to master it. The thing he's been trying to do since he got it. The series set this huge, important goal with easily trackable benchmarks(the percentages) and tosses it to the wayside, only for him to still fail at saving Tenko(because Tenko's been gone for years. A memory isn't a person).

On a wider scale, the series could've explored the themes of discrimination against quirkless people instead of brushing them away almost entirely. The fact that by the end of the series everyone was acting like quirkless discrimination never existed, and were instead focused on heteromorph discrimination, may have partially come from the fact that Bakugo is a 'fan favorite' gag me and Horikoshi didn't want to acknowledge him being the bigot he was pretty clearly shown to be early on. So it all got swept under the rug and "never happened." Because that would also require recognizing Midoriya's trauma, and the series has never once acknowledged it or taken Midoriya's pain seriously. Like honestly, Midoriya being so starved for human contact that he let's Uraraka call him Deku, even after explaining that it's an insult with years worth of weight behind it(and her still calling him that after he explained it), then making it his hero name? This terrible insult you've been called for pretty much your entire life, that's what you want to be known as for the rest of your life and beyond? And after Bakugo's alleged "apology" he switches to the overly-familiar Izuku, as if they're actually close friends and he still isn't violently screaming and insulting him like he has for years.

And as far as "support from the teachers" goes... UA actually sucks, just, as a school. He couldn't get support when he had more power in his pinky than most teachers have combined, even when he kept breaking that pinky. Eraserhead doesn't want 'students' to make into 'heroes' he's making paranoid little child soldiers. Despite having high grades, a 'saving people' mindset instead of wanting to be a hero for fame or money, which should put him pretty high on favorability compared to most of his classmates, but no, he's the Problem Child because he can't control his quirk. But does he ever get any actual help? Extra training? Quirk counseling? Nope! He gets thrown to the fucking wolves until Gran Torino sees what's happening and comes out of retirement to help this poor child no one else is helping. Crazy how Midoriya spent a couple of months at UA and his control never got any better, but just a week with someone actually training him and he can finally use OfA without hurting himself.

I forgot where I was going with this tbh.

Anyway... the story could've been completely different if Horikoshi acknowledged Midoriya's trauma, showed the effects of quirkless discrimination, and actually let the teachers teach in a series with the word 'Academia' in the name.

If Midoriya had had any kind of suppprt from anyone in his life, and was less hyperfocused on quirks specifically so he could think about support gear, then yes. He could've been a hero. Not the bright, shining spotlight kind of hero, but still a hero.

[dekusleftsock]

Yada yada, kudou looked through Izuku’s memories and saw big gay thoughts, but we already knew they were gay. Of course they were gay. They’ve always been gay.

YOU KNOW WHAT I WANNA TALK ABOUT? THIS OFA QUIRKLESS THING!

It’s so FASCINATING! And I know I’m late to the party (school, work, life, depression, art block, the list could go on) but all I can think about is the trust that this entire situation holds.

On one hand, Izuku has to trust Kudou and his abilities. Defeating him from the inside out is probably the only way Izuku will win at this point.

And on the other hand, Izuku in his own way, is having to trust shigaraki, something he hasn’t done nor even considered before. He sees that little boy inside of him, but there’s more to that little boy. The man that stands before him, broken and beaten and shattered emotionally by society, is a person too. It truly doesn’t matter that the boy exists; yes it’s a way for Izuku to understand that concept of “heroes and villains are cut from the same cloth”, but it’s also the understanding that even when someone has fucked up their life, still deserves to be treated as a person for doing so. Everyone, EVERYONE, deserves the right to be and feel like a real and alive human being.

To me, it’s in the same vain as Izuku as a little boy. We could go over he details ALL DAY as to how he became the person he is, what could’ve been different, what could’ve happened. But at the end of the day, the only thing that changes the past is how we view it; Katsuki knows this.

There’s a part of me that whenever I see a fanfic where Katsuki meets his old middle school self that he hates him, wants to kick him down, humble him, whatever other verb here:

But that small part of me always thinks that it’s… oddly out of character.

Okay, comparing Katsuki and Izuku, who is more ashamed of their pasts?

If you guessed Izuku (and you agree with me), tell me what exactly inclines you to think that?

Because the difference between them is who accepts themself, and who doesn’t.

Accepting yourself doesn’t just mean, accepting that you were a bad person but you’re better now so it’s okay. No, I think that’s actually more complex than implied.

In my opinion, seeing your past actions as something to forgive is important too. Katsuki meeting his middle school self may seem like an aggressive cat fight in idea, but it practice may turn into high school Katsuki being unaffected by middle school him. He knows why he thought what he did, understands that it was bad, but also understands why that mindset came to be. He can be sorry to Izuku AND sorry to himself.

Izuku I think feels a sense of shame for his middle school self, especially that weakness. He cried more in middle school too; he didn’t try. That’s what he’s most mad about and unable to forgive himself for, he didn’t try.

And to an extent, Izuku has to learn that his perception of his past is what matters most: Shigaraki is the same.

Shigaraki as a little boy could’ve lived better circumstances. He could’ve found a hero and been saved. He could’ve had this or that or made a better decision. And I think a small part of him feels guilty for it. Shigaraki also doesn’t accept his past.

Ofa being taken away, as saddening as it may seem to fans, was always an ending I was hoping for. Of course I could be wrong and by the end of the manga he still has it, and while I’d still be happy with that ending… I just really want Izuku to let himself be a human being. A flawed one, with things he could or could not change, and accepting that fact.

After all, “You’re still human.” Right?

And sorry to bring up the girls again, but part of the key components to saving Himiko were trusting her, and not clinging to a small part of her. She wanted to see and know Himiko as she is, not who she was.

That’s this dudes problem; even if he wants to tear that rug to pieces, there’s certain ideas that hold him back. Think, the idea that your emotions matter less over others, or hating yourself for flaws that nearly every human being has.

Izuku saving Shigaraki has always always always been about saving himself too, and I love that.

Izuku had to trust Katsuki in this battle, trust allmight, trust Ochako, trust people. He had to let them take the wheel, the burden. Maybe he and Shigaraki can lift that burden for themselves too. His mask is broken, he’s become a monster blackwhip thing…

What’s your move Izuku?

[technicallyfriendly]

About Skulduggery and Valkyrie's relationship

So I have seen many different takes on Skulduggery and Valkyrie's relationship over the years and I don't agree with any of them. Mind you this is just my opinion and everyone is entitled to their own. It's just to me no interpretation of their relationship really fits for me. I think their relationship is neither father-daughter, mentor-student or romantic. To me it's something else entirely.

Let's get down to why I disagree with the relationship takes I listed above. First during the talk with Melissa and Desmond in DotL Skulduggery makes it clear that he does not see Valkyrie as his daughter. He states that while he understands their concerns because he has been a father himself he does not see Valkyrie this way. He also stresses that she is his partner, his equal and not his student when Melissa refers to Valkyrie as such.

Additionally the way Skulduggery treated Valkyrie like his equal in all cases was a major conflict point with Kenspeckle to whom Val was like a granddaughter. While Kenspeckle wanted to take care of her, Skulduggery always let Valkyrie make her own desicions no matter how that'd turn out.

We also know from Valkyrie's side that she did not see Skulduggery as an authority figure which is stated many times throughout the books. Much like Skulduggery sees her as an equal she in turn also views him the same way. So if father-daughter and mentor-student is not it, than what is their relationship? I would argue against romantic for the sole reason that they are not attracted to each other (yes, I know a lot of you have an icky feeling about valduggery but this is not what this post is about anyways). Their relationship transcends all reason and can at best be seen as a bond of soulmates which is backed up by the observation of many other characters in the SP universe. But this does not really explain how they see each other.

In my opinion Skulduggery and Valkyrie are each others hero. Yes, this may not come as a surprise in case of Valkyrie but Skulduggery is a different matter mainly due to the way of how he is portrayed as a character. So how is Valkyrie his savior?

Well, in ther beginning of the series all the other characters treat Skul like they expect him to snap at any moment. They don't know that he already did, but he does and he is trying to atone for that. But when everyone close to you treats you like a ticking time bomb you might lose faith in yourself after a while. Skulduggery at that point in time is slowly loosing faith in his ability to be one of the good guys. He hates himself and knows what he is capable at his worst. He won once but who says he can win again? Standing in front of the abyss believing with everyone else that it is only a matter of time before he steps over the edge again. Enter Valkyrie, she does not know him, but believes in him. Sure she is twelve and believes in Skulduggery for all the wrong reasons but she believes in him where no one else does, not even Skul himself, she restores his faith in himself. She beats the enemy that Skul had never any hope of beating on his own, himself. She is his hero as much as he is hers and he is willing to kill for her, die for her and most importantly live for her.

On the other side, Skulduggery is Valkyries hero, because he saved her from a life of mediocricy. A life of yearning for something greater. He opened the door for Valkyrie and showed her that there was so much more to life than she could ever have imagined by herself. He is her hero and she would do anything for him.

So, this is my view on their relationship, while yes we can sum them up as soulmates it goes so much deeper. Sorry for the long rant. I'm always open for discussing my views. Just please don't take this as gosple or anything this is just my opinion nothing more nothing less.

[where-the-water-flows]

character asks—hit me up with your hottest jiao liqiao takes

JIAO LIQIAO my best beloved nightmare failgirlboss. she cannot malewife for very long but by god can she manipulate and murder.

favorite thing about them honestly I love that she has a goal and she fucking goes for it, zero hesitation. is it a good, reasonable goal? well no. she would have been better finding someone to fixate on who was not somewhere on the utterly asexual to entirely homosexual spectrum, but y'know, can't win them all. A+ dedication, F- execution.

least favorite thing about them the laugh the laugh I know it is like, the most standard trope signifier thing but the high pitched ahHAHEHEHA laugh is always so jarring in a 'pulls me right out of the narrative' kind of way, I know it is petty but also oh my god please. please you sound like a second rate cartoon villain. please. On a more character less shallow note, bestie babygirl please stop playing with your food. it literally never works out for you, for the love of god. please learn your lesson after the eighth time it bites you in the ass. (also like on the one hand, I would love for her to not have a plot centered around how she is deeply unhinged for/about a man. but on the otherhand, like, idk, I think she's fun. terrible awful etc, but also, she's putting the fun in extremely dysfunctional <3)

favorite line look I love so much every unhinged word out of her mouth, especially the argument she has with snow master when he's like 'girl that man is gay/ace the magic incense amnesia did not make him suddenly not gay/ace he is Manipulating You' and she is like 'lalalala not listening he loves me also we both know that man can't/won't lie to save his life, also also if he is lying I'll mutilate him and keep him like a purse pet <3 but he's not lying. because he loves me.' I recognise that is not a line but like. you know what I mean.

brOTP uhhh I don't really know that she... has... bros. like I guess granny blood (rip), who is basically always full 'yes girl get your man he will def love you this time' in the manner of someone who knows that her friend is lusting after a guy who is 1)not ever going to be interested even if he wasn't 2)very gay/ace and is 3)probably mid at best in bed no matter how much her friend is like SEX GOD. like the most 'yeah girl go get your man!!!! (why that man though have you considered any other man literally there are so many other men) oh no, def the red lipstick, he'll love you in that (but why him for the love of god just buy a vibrator)' that said, I do think the wildly divergent au where li xiangyi ends up 1)aware of nanyin bloodline like. Early On 2) jinyuan alliance aligned, he and his cousin jiao liqiao would be a hilarious pair of nightmares. absolutely ends in disaster for everyone, including them and definitely including di feisheng, I have an entire stupid au vaguely plotted out about this, it is purely nonsense. compels me though.

OTP no<3 that said, like, obviously I do not want the boys to be mmmmm torture mutilated noncon wifed as the otp of my heart, but also, I think jiao liqiao deserves a harem of moderately to severely brainwashed/mutilated/etc malewives! as a treat! god forbid women do anything. I contain multitudes, the dirty joke here is left as an exercise for the reader.

nOTP shan gudao. I just. I think it would be a mess, and not even a fun one. like as an actual relationship I mean, not proxy fighting spy vs spy manipulation But With Sex kinda bullshit, that's fine and fun, but they are not romantically compatible except as a triad where the third part of it is the idea of the man they are individually personally psycho/sexually obsessed with. which I guess makes it like. a weird poly U, with two theoretical ends. weird poly u with them mostly egging each other on in their dysfunction, 100% fine, any sort of Actual Healthy Relationship, no. also, therapy. I think therapy would only make her worse, but on the off chance it did not, I don't want that for her. she's a nightmare! again, god forbid a woman do anything.

random headcanon she was literally never expected to take the throne, nor expected to be the primary way that her particular fork of the nanyin royal line passed down. which means she likely has at least one sister and probably a brother. I don't know if this is backed up or contradicted by canon, but also, she was raised knowing she was nanyin royalty (??) but also was allowed to just fuck off into the jianghu at age [mlc timeline is nonsensical]. like if that is your single heir of the bloodline you have been carefully keeping alive and aware of how they were The True Imperial Family, you are not letting said heir go out and get their ass killed playing with swords. therefore. youngest child jiao liqiao. no further questions, you know in your heart I'm right. less world logistics based, I think she absolutely can't fucking cook, but, crucially, feels that she is fucking aces at it. does she cook? irrelevant, also no obviously not, she is a lady of rank, we have servants for that. but, crucially, she feels in her heart that she is a great cook. not that she cares about it. but again, she is great at it. this is never challenged because 1)di feisheng, the one person I can see her lowering herself to actually cook for, does not pay attention to the taste of food unless he has amnesia, and thus he's certainly not going to be like 'you suck at cooking, ew'. 2) if you are not di feisheng are you going to challenge fucking saintess on her bad cooking? no! she will stab you in the eyeball with a chopstick.

unpopular opinion honestly I don't know that I have that many unpopular opinions on her. other than that she's fun. a nightmare and like, deeply uncomfortable as a character with how incredibly rapey she is, obviously. but fun! she is a problematic queen. terrible woman who really sort of stands out as one of the few of the main cast who uh...doesn't really seem to have any reason behind the terribad decisions she makes other than there is something Wrong With Her, but again, god forbid, etc.

song i associate with them Girlfriend, by Avril Lavigne; the early 2000s angry brat pop is just. so on brand. see also, so much for my happy ending. (also, this has given me the image of idea of early 2000s scene kids jinyuan alliance, which is the funniest fucking thing in the world to me. I don't know what sigu sect would be, but it's just so fucking funny.)

favorite picture of them quick and nasty screencap bc this response has already taken me two days, but like. the whole turn on li lianhua when he's in chains and she's like 'oh you're dangerous to talk to', I just. I feel so abnormal about it. she is so hot and scary.

[loosethreadsofyoursoul]

it’s never too late by steppenwolf (aka the song from the end of 13x5) is thee dean winchester song. let me elaborate.

(i haven’t seen any posts about this so if there are any i would love to know about it bc i am passionate about this.)

firstly, i could pick that entire scene apart with how it relates to dean and what he’s going through as well as all the symbolism—the mother losing her child, billie in death’s library, the shots of the impala, the neon signs in shot when they finally drive up to cas—but honestly i would never run out of things to say about it.

the overarching themes of both that scene and this song are regret and guilt and wishing you could go back and do things, treat people, differently, and so putting them together in that way is perfect. more specifically, the song is about a man who had all these ambitions, mostly because of pressure from his parents, but finds himself grown up having achieved none of them and because of that, it starts to affect the people around him. sound familiar?

especially right now, dean is suffering so much loss, and (somewhat inadvertently) is taking it out on sam and jack, both his kids in a way (on your woman and your child / you release your bitterness). all he wants is his family back (i.e. mary and cas) but since there’s nothing he can do to go back and fix what took them away from him, he has a lot of trouble seeing the point in going on.

although you’re trained to make your mark / you still don’t quite know what to do

yeah. he’s lived like that for a while, but he’s especially feeling it now. his reaction to billie telling him he still has work to do was not exactly enthusiastic.

as he says to sam in this ep, he’s taken every previous loss in stride and just kept going, kept working, and (in some ways) kept starting over despite it all. but he might not be able to do it anymore. we’re seeing him at his lowest, all he wants is to die, but he’s finally let sam in, even if neither of them are sure where to go from here. and what happens next? his phone rings, and his best friend is on the other end.

we all know there’s a stark difference in dean from one episode to the next (13x6 is tombstone), and why is that? dean got the win he needed. he got cas back, and he’s no longer just watching time slip by until his death. a reason to live just walked back into his life. he’s learning that, maybe, it really is never too late.

this happens a lot for dean, specifically with losing cas, where it feels like he’s finally lost for good this time, but he’s always managed to get cas back or to find some way to keep going.

another line i find very fitting for dean is in the second verse:

the god of your childhood you can’t find / to save you from your emptiness

obviously, this could be about chuck and how unreliable he is, especially when dean (and sam) needs him most, which we saw most recently at the end of 13x1. (“the god of your childhood” could also be the samulet, but thats a different discussion.)

again, there’s a lot of lines that i think reflect dean’s character and everything he’s been through really well, but rather than enduring the essay i could write about it, go (re)listen and you’ll see what i mean. it’s just so beautifully fitting, especially given it’s 60s/70s rock which i think dean would appreciate.

that ending scene of dean and cas seeing each other again, particularly with that song in the background, is one i think about a lot and, to me, is criminally underrated in terms of destiel moments. it’s one of my favs and it makes me cry like a baby.

so yes, it’s never too late by steppenwolf is THEE dean winchester song and i hope you agree. it’s also just an excellent song tbh go listen to it and cry with me xx

[mybrainsautocorrect]

I was originally going to edit this more, but there turned out to be a lot. This show is utter poetry. Here’s my take on the final episode:

“In the end, he couldn’t kill you, and he couldn’t watch you die.” Will to Reba about Francis— mentioned this before and how it parallels Will and Hannibal to an extent. In parallel, though, Will is Francis because he couldn’t watch Hannibal die but he sure could kill him

“Was it good to see me?” No. (Good and bad are subjective anyway according to Hannibal, and I mean what did he expect, Will’s just that petty)

Your face is closed to me (later stabs it)- Francis to Will

“The dragon could absorb him that way, engulf him. Become more than he is.” Will about why Francis would want to meet/kill Hannibal (maybe talking about more than just the dragon— why Will himself wants to kill Hannibal so much)

“There is no advantage. It’s all just degrees of disadvantage.” Will to bedelia (exactly why no one truly wins, not even Bedelia, in the end)

“Can’t live with him, can’t live without him” followed by will’s “I guess this is… my becoming” after he had been using becoming and change from Francis’ perspective the whole episode- a hint at his upcoming death but also the fact that he is going to succumb to his ‘killer instinct’ because he is becoming what Hannibal always wanted

“Any rational society would either kill me, or give me my books” Hannibal hinting that he knows Will’s plan before he was even let out of his cell

“You trust Will with my wellbeing?” “As much as I trust you with his.” Hannibal to Alana, Alana back (call back to when she set Hannibal free to save Will, or hint that she knows wills plan to kill Hannibal -I mean she probably does but it wouldn’t be wise to let Hannibal know that- because will would not be safe with Hannibal for any length of time. The question would be if she knows that this also hints at the actual outcome of them both dying)

Multiple scenes where Will is the last character introduced, and is hidden right up until he speaks.— subtle foreshadowing of his death? That these conversations can and will occur without him there in the future :(

Significance of the mourners in the church? (Will and Hannibal’s last conversation with Hannibal still imprisoned)— perhaps for dolarhyde as it wouldn’t be unreasonable to assume that Hannibal doesn’t know they’re going to kill him, but may also be for Hannibal himself as he did already hint that he knows Will wants to kill him

“I need you, Hannibal.” Will to Hannibal (double meaning- needs him for this and needs him in his life- cannot exist without him)

“Going my way?” Hannibal to Will after dolarhyde broke up the police escort (yes he is actually- into murder and over a cliff)

Hannibal and Will stood on the same cliffs in the daytime and Will stood right on the edge with his back to Hannibal. And they discussed two people who died because of Hannibal earlier on and how Will was there(like he’s next). “Soon, all this will be lost to the sea.” There is so much foreshadowing and I cannot stand it

~~~~~

And their entire final conversation

“I don’t know if I can save myself. And maybe that’s just fine.” Save himself from Hannibal’s influence or save himself literally? He knew that he was going to have to kill someone that night so it’s likely it was referring to the former, but he also has most likely at least considered that he will die so it’s perhaps both

“No greater love hath man than to lay down his life for a friend.” Hannibal, about himself or about will? Implies that Will was speaking about his death and not losing to Hannibal’s influence, but either option from wills words point to the opposite answer in Hannibal’s response

Hannibal said the above whilst standing between Will and the biggest window of all time, and followed it up with the admittance that he knew dolarhyde was watching them. That implies that he is the man in his quote who is laying down his life for a friend (will).

“Suicide is the enemy” Hannibal to dolarhyde (the enemy that Hannibal is fighting in regard to will?)

~~~~~

The music starts right as they begin working together for the first time. Called Love Crime

“I will survive, live and thrive, win this deadly game.” The lyrics as they go over the cliff. Despite being called Hannibal- the show has always been about Will. And he gets the last words. He wins. He may not get to survive, but he wins the game

[carefulfears]

talk about je souhaite

well, yes! you know what i love about je souhaite? mulder. i love je souhaite mulder so much. this is the mulder that called the jersey devil "beautiful" and ran through the woods trying to save it. the mulder that looked the soul-eater monster in the eye and gave up the chance to save his own life, because he couldn't bear to add to the monster's pain. he's a bleeding heart behind 7 levels of delusional mania and vince writes the balance better than any other.

i love that the first thing he does is ask the genie what she would wish for, just because he wants to know. just because he's curious, and he's curious about her as a person, her own desires and input outside of the role she's cursed to play in the world. in her answer, you can see how much 500 years of being a slave to people's selfish whims has weighed on her, in the way that she tells him she would just want her days to be her own. to sit and have a cup of coffee.

at its best, this show and its lead characters endowed their central "monsters" (and victims) with so much intricate confliction, humanity within the metaphysical.

i love that mulder tries to win at the genie wish, to save the world. tries to construct the perfect wording and all-encompassing fool-proof plan. he literally throws around the phrase "the end of tyranny."

he thinks that he can crack it, that he can solve it, that he can come up with just the right wish that will make everyone safer and happier, and free. je souhaite is a quintessential season seven episode in that it's a lesson for mulder that scully already knows, scully gets to spend this episode being wise and joyful and absolutely giddy with nerdy delight.

her perspective on the genie wish (something that she doesn't believe in, but takes seriously, as she always takes him and what's important to him seriously) is perfect. "maybe it's the whole point of our lives here, mulder, to achieve that. maybe it's a process that one man shouldn't try and circumvent with a single wish."

in the end, as optimistic as his hope in what's possible is, it's a cheat. it's no more grand than the 500 years of people before him who wished for things like boats and beauty. mulder is learning lessons that scully already knows, and when the time comes, he closes his notes. you can't escape doing the work, that's the whole point of being alive.

after so much mystical pondering, the next scene is refreshingly down to earth: mulder and scully on the couch at his apartment, him complaining about her popcorn choices, her complaining about his movie choices. the way he throws the beer cap just to make her giggle.

there are few moments i love more than the exchange here, when mulder says, "i don't know if you noticed, but i never made the world a happier place." and scully casually answers, "well. i'm fairly happy. that's something."

what a lesson to be learned at the end of the day!! what a sentiment to express, to someone who spends his entire life trying to save the whole world to make up for not having been able to save one person. who spends his entire life trying to repent for having lived.

you don't have to save the world, you can call your best friend and sit on the couch and watch caddyshack. it's something, that someone loves you in a way that makes a life spent with you fairly happy. this is the point, part of what she was telling him earlier.

when she asks what his wish was, and he just smiles and turns to the movie, this cut to the final scene is one of my favorite shots of the series. the genie, finally her own person for the first time in 500 years, sitting with a cup of coffee.

[rmorde]

Trigun Manga Reaction

Now back with Volume 1 - Chapter 3

I like this. Simple pose but very interesting with the "imbalance" I guess with the tilted head, shadowed face, and slightly lower slope of one shoulder. It's not "stiff" and it's easy to imagine the wind blowing through Vash's coat and hair.

A thought occurs tho, Did Trigun predate Tetsuya Nomura's obsessive belts, belts, and more belts design quirk? Did Nightow and Vash started that anime fashion trend?

Uhuh. Says the people who tried to shoot a GRENADE at that same one guy.

I kinda put these three panels in a sequence because... we know Vash is a good guy. Of course, he's going to save the women but the emphasis on the Nebraskas reaction to his rescue is really interesting.

Vash gives them a side-eye. He's either gauging their capacity for mercy or already clocked in that they are capable of mercy and silently hints for them to wait just a moment.

Father Nebraska understanding and just waits as he smokes. Then confirms first if Vash is ready to rumble again.

Idk. It's a moment of humanity not only for Vash but for the Nebraskas too imo.

AND IT'S WEIRD! In '98, Father Nebraska tried to get a cheap shot on Vash while he was still carrying someone to safety.

Yeah, assholes. Vash is doing his best to keep the women in the clear while you guys just throws grenades willy-nilly into buildings who have people in them. Smh.

Ngl. This sequence confuses me a bit. But, going with what happened earlier, the Nebraskas were not targeting the women. The punch was intended for Vash - which he dodged easily. However, instead of running further away, he shielded the women from the flying debris that the punch caused.

WHICH AGAIN, I REITERATE, IS REALLY WEIRD FOR '98 TO DEVIATE FROM!

In the '98, they are bonafide bad guys but in the manga they're still bad but not "Muwahahaha I'll shoot the injured women Hahahaha!" bad . The Nebraskas have some semblance of honor here.

I guess this is why TriStamp has a much more nuanced presentation of these characters. It's closer to the manga.

Oof... Owww... Vash... 😢

Another gorgeous art. I like how Nightow's way of using perspective here!

Junior is established to be huge - a giant. He always take up so much space in the panels/pages like below:

However, when Vash finally "duelled" them seriously. Doesn't Junior suddenly "feels" smaller and Vash really big?

It's really cool how it instantly shows that Vash isn't goofing off anymore and the Nebraskas stand no chance in winning this.

Ragey Baby Girl no longer smiling.

Sigh. Gotta admire their one track mind.

Ngl. The line work here gave me Junji Ito vides for some reason. Vash's eye look haunting, cold, and really old.

Linework carrying hard on this page. Vash is obviously quicker with how much lines are there in his entire arm - convincingly too fast of a blur. Meanwhile Junior has less lines which makes his fist less blurry and, therefore, slower.

Clever use of the sound effects in the first panel.

I don't know what the fuck is going on in the second panel. I've been staring at it too long already and I still can't understand except it has something to do with Junior's arm?

Third panel is the crazy detail on Vash's eye. His glasses seem like he is looking at the side. However, on closer inspection, Vash is actually not looking away from the incoming attack.

The following pages is really great at building the tension on how would this duel end. The '98 anime captured it very well!

Looking cool, Vash!

Also, is it just me or does he always look for opportunities to show off his flexibility and long long legs. Must he really split here?

...

...

YES. YES HE MUST.

Oh. Ooooh! So that's what happened!

In '98, this conclusion was given to the bandit in Episode 1. His own enhancements crunching his body until he passed out and lost to Vash. However, they can't exactly rehash this in Episode 5. So, we have the "LOVE AND PEACE!" scene instead.

Admittedly, I prefer the "LOVE AND PEACE" conclusion more.

I like how, so far imo, Nightow just gives no fucks about anatomy in his art. I mean... Look at this! Even if we reason that it's because his coat is dramatically billowing with the wind, Vash's body is not proportionate. However, it doesn't matter! It looks cool and it evokes the right emotions just fine: fear and awe.

OMFG?!!! The trials these two are going through! These poor insurance ladies! Milly hanging on for dear life to that pillar. Meryl just screaming her lungs out EVEN WITH A MEGAPHONE!

AND IT WAS FOR NOTHING!!!! OML

Being considered as someone equivalent to a natural disaster shouldn't bring joy, but damn it... LOOK AT HOW HAPPY VASH IS!!! AWWW BABY GIRL!!!

Wow. They blame HER!!! How dare- Meryl beat them up! No, Milly. LET MERYL HAVE THEM!!! THEY DESERVE TO BE CRUMPLED LIKE TISSUE PAPER AFTER THROWING OFF GRENADES LIKE CONFETTI EARLIER AT VASH!!!

Awww. Their first interaction is SO CUTE!!!

In '98, it's funny and amusing. Ditto on TriStamp. But this one is sweet since Meryl and Milly kinda saved Vash in here.

I mean. Yeah, the townspeople are scared because Vash just beat the Nebraskas, but they are desperate for money. Desperation can override fear given enough time. Vash would've been hunted all over again.

I take it back. The insurance ladies climbing up to that bell tower was not for nothing. It was enough to allow Vash a moment to breathe and, as he rejoices, be free (even just for a while).

Wonder what exactly went through Vash's head here. Confusion? Fear? Dread?

HELL YEAH!!! BADASS LADIES IN LONG COATS! STRIKE FEAR TO THE HEARTS OF EVERYONE!!!

Oh. Some responses to the a couple of tags:

@alena-reblobs

Thanks! Glad you're having fun too because I sure am. I appreciate the warning and I'm kinda nervous because the action this chapter was kinda confusing to understand. Hopefully, it won't get worse (will it?) I agree that they are very cool nonetheless!

@eldritchneuro

Thanks for explaining! Paneling is always fun to study in mangas because they usually follow a 3 or 4 panels which mangakas creatively breakdown to evoke a feeling among readers.

Trigun is interesting because its from the 90's! So, some of the paneling are probably "prototypes" of the crazy ones we'd see in modern mangas.

I guess, Nightow's aiming to make the page very "cinematic" with slo-mo (sparse panels) and hyper focus on details (graphic weight). It draws us readers in to the story more effectively as if we are there too with the townspeople looking at the Humanoid Typhoon.