#WritersCommunity

[theaftersundown]

*writes two paragraphs after months of literally nothing and it took three hours*

[eternalera]

me when in the planning stages of writing: *overflow of ideas, high school au, canon divergence, character studies, unrequited love, one bed, ALL IN ONE*

vs

me when opening googles docs to write:

[theaftersundown]

I think like this with any creative art: books, games, paintings/drawings... sometimes you have to take a second and appreciate the time and effort that was put in by someone for it to exist. thank you.

The devastating difference between how much time it takes to write something vs how fast people read it lol

[theaftersundown]

this is your sign

[ellierenae]

writing is like being a mind reader but you can only use it on people god decided not to make actually

[tahbhie]

The Act of Writing Psychotic Characters 

Part 1: Attention vs Intention

It's been a while since I received this request, and I ensured I took my time with the thoughts, evaluation, and analysis. This topic will be covered in three parts, so here's the first.

Before we proceed, please note that I am not a psychiatrist, psychologist, or any professional in that field. This is just an insight into how this kind of concept can fit into your novels.

Okay, let's begin.

The Attention vs Intention part of this topic will discuss two ways of portraying these type of characters in scenes. 

First, you need to understand that psychotic characters aren't psychotic based solely on their speeches or actions. If that's all you have in mind before approaching a story, you might leave a huge gap in the execution.

Rather, it's how they feel—the desire to satisfy their current emotions.

They have drives and motives, but most especially beliefs which, in most cases, are hardly understandable by other people. It's wrong and unacceptable by society, but to them, they wouldn't do it any differently.

That's why most psychotic characters have no remorse. You simply can't apologize or feel sorry if you don't 'believe' that you're in the wrong.

➜ Attention Psychosis

Psychotic characters whose main purpose in a story is limited to presence (i.e., showing up in scenes and visibly serving the role of a psychotic character) are attention psychotics. You don't flesh out their backstory or why they are who they are.

Their drives and motives aren't talked about enough to the point of justification. Readers hardly care about them, but the action they bring to the scene creates a rich narrative with the purpose of psychosis.

In summary, their role is minor. We see such cases in movies like The Babysitter.

Let's agree that none of the cult characters in that movie are exactly sane, as their main aim is to end their victims’ lives in the sickest ways possible. However, there's a certain character, Max, who simply enjoys the idea of "killing and seeing people bleed."

That has exceeded the central idea of being a cultist who gets involved in blood sacrifice to achieve their 'dream life' like the rest of the characters. It's now something more and different.

Something that has to do with homicidal ideation.

Max worked in a diner where he dealt with people that annoyed him so greatly that he wanted to kill them. So he got the opportunity to join a cult and do just that.

It was plain clear this guy had something else going on for him, but throughout the movie, his character had no special attention or even a peek into his thoughts. Although, it still worried the audience. Job done.

➜ Intention Psychosis

When a story is centered around a character's mental state, their motives, drives, beliefs, actions, and the story actually unfolds by going deeper into this concept, you have intention psychosis.

If not entirely, at least mostly, it defines the entire plot surrounding that character. People get to understand why they are who they are, their mode of action, what drives them, and even a peek into how they perceive the world around them.

Such scenarios are seen in movies like The Joker and Pyramid game (Korea). The audience gets a glimpse into their overall life and understands at least to an extent why they are the way they are.

Their beliefs get twisted for certain reasons, and there was just no stopping them. Here the characters were more than a presence; they were a central core.

In the movie Joker, we watched Arthur’s impoverished life unfold, with every event and incident worsening his condition further.

Baek Ha-rin in Pyramid Game literally created an entire game system to watch a student, who happened to be her old friend, suffer both physically and mentally. She went to great lengths to carry out this nefarious act under the guise of the game. Although this movie encompassed more than just this storyline, it was hard to ignore the unhealthy drive and actions of the young lady with an innocent face.

Before incorporating a psychotic character in your novel, determine their form of portrayal and appearance in the overall story. Are they going to serve as an attention psychotic or an intention psychotic?

Inspired by @sothera

Stay tuned for the next part!

۝ Before you go! ۝

My Characters and I is an extensive one-on-one coaching session designed to create characters that leap off the pages and become best friends with your readers.

What's a great story without remarkable characters? Spots are filling up fast, so grab yours now and get ahead of millions of writers out there.

👇👇👇

[lizhibiscus]

me trying to write a whole story about that one juicy fantasy my brain randomly came up with 🥲

me as a writer

[ptimepoet]

[xyywrites]

How to Introduce and End Flashbacks

Introducing a Flashback

Through Sensory Triggers A sound, smell, or physical sensation can catapult a character into a memory. Example: The faint scent of jasmine wafted through the open window, pulling her back to her grandmother’s garden. She could almost feel the warm sun on her back as they planted flowers together, her grandmother’s laugh ringing in her ears. Sensory cues are especially effective because they feel immediate and relatable.

Using an Object or Photo Physical items are natural prompts for reminiscing. Example: He picked up the crumpled letter, its edges worn with age. As his eyes scanned the familiar handwriting, the years fell away. He was 16 again, reading those very words for the first time.

Dialogue That Sparks a Memory A conversation can easily lead to a flashback when a particular word or phrase resonates. Example: “You always overthink everything,” she said, laughing. He froze. Those were the exact words his father had thrown at him that night, before slamming the door and leaving for good.

A Character’s Internal Reflection This works well in introspective or emotional scenes. Example: As she stared at the divorce papers, her mind drifted to the first time they’d met.

A Sudden Triggering Event High-emotion events often cause memories to resurface. Example: The screech of tires on asphalt sent a cold shiver down her spine. In a heartbeat, she was back on that icy road, watching headlights careen toward her father’s car.

Dream or Hallucination For a more surreal tone, a dream or hallucination can segue into a flashback. Example: The dream unfolded like a reel of film, showing her the beachside house they’d once called home. She saw herself, small and wide-eyed, chasing the waves as her father’s voice called out in laughter.

Abrupt, Emotional Break For intense moments, an abrupt flashback can mimic a real-life flood of memory. Example: The argument escalated, he slammed his fist on the table. The sound echoed in her ears, morphing into the memory of her father’s hand hitting the dining room table, his voice booming in anger.

Ways to End a Flashback

Tie Back to the Trigger Return to the sensory cue or object that initiated the flashback. Example: The scent of jasmine faded, and she blinked, back in her office. The garden was gone, replaced by the gray walls and the cold glow of her computer screen.

Return to Present Action Use a sharp, present-day event to jolt the character back. Example: “Hey, are you even listening?” Her coworker’s voice snapped her out of the memory. She turned, realizing she’d been staring at the clock for minutes. OR “Are you okay?” His voice cut through the silence, pulling her out of the memory. She nodded quickly, hiding her unease.

Reinforce the Emotional Impact Show how the flashback has affected the character’s current emotions or decisions. Example: The memory left her hands trembling. She wiped her eyes quickly, unwilling to let the tears win this time. She had a meeting to face.

Transition with a Parallel Action Use a seamless flow between the past and present through similar actions or emotions. Example: In the memory, she had dropped the vase, its shattering echoing in the quiet house. Back in the present, her hand hovered over a similar vase on the shelf. She hesitated, her breath shallow, before carefully setting it down as if the past might repeat itself.\

Narrative Reflection Let the character or narrator explicitly acknowledge the memory and its significance. Example: She exhaled, shaking off the memory like dust from an old book. It didn’t matter anymore, she told herself, but her heart still felt heavy.

Anchor to the Setting Bring the reader’s focus back to the surroundings. Example: The memory faded, and she was left staring at the cracked pavement under her feet, the late afternoon sun casting long shadows over the street.

[beforeyearning]

LOVE AS THE COLOUR OF BONE,

because it rips through flesh with ease. For words born of tenderness,

it carries weight precisely. I become a listener at the sight of your soft

mouth, I know what your bite is capable of, but I trust implicitly, that

you won’t. Is that what love is? I grow feverish to the touch when I

hold your name in my mouth & grow a second sun in my chest when

I think of you. A hunger so feral, everything I eat sticks to my ribs,

what else is left, but to consume everything that ties back to you.

[roses-and-lightnings]

I love this but also I'm kinda proud of myself for knowing and using a wide range of those on auto. Makes a writer happy

sometimes you need dialogue tags and don't want to use the same four

[beccawise7]

Dear Diary,

He opened my body fully, then feasted on me as if he was starving.

Beautifully depraved. Unspeakably erotic.

Losing myself in the passion of it all. He took me over the edge, again & again.

Then he held and adored me for hours, as if I was his most precious commodity.

~beccawise7💜🖤

[theaftersundown]

This app is fueled 100% by vibes, random aesthetic pictures and fanfiction writers lmao.

I fucking love it.

[animentality]

[blackhorsedances]

And so it is written, so shall it be done.

"you're the writer, you control how the story goes" no not really. i wrote the first sentence and then my characters said "WE WILL TAKE IT FROM HERE" and promptly swerved into an electrical fence.