#World’s most codependent relationship
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Time Apart
An Agatha/Rio dialogue
“Right there, right there—Oh! Oh, Lydia!”
”…Ags…”
“Ugh. Wow. That was great. How are you always so good at that?”
“Agatha.”
“Mm?”
“…”
“Oh. A knife, huh. How original. Is that like a sexy knife or—“
“I know what you’re doing, beloved. Though I’ll never understand why.”
“And what am I doing?”
“…Trying to make me angry. Trying to make me jealous.”
“Noooo. That sounds like a terrible idea, you’re temperamental enough as it i—ow! Hey, Rio, watch the knife, that’s a sensitive area.”
“…a trial…testing my patience…never listen…”
“Oh come on, yes, all right, I thought it would be a little funny. Don’t overreact, I don’t even know any Lydias.”
“…mm.”
“Mm, what? …Rio, wha—oh. Fine. Disappear, see if I care. Honestly, you’re so childish. I thought it was a pretty good joke.”
Several hours later
“…You can come back anytime, you know. I made stew. With a side of really disgusting rotten meat, just for you. …No? Fine. Be that way. You’re so stubborn sometimes.”
The next morning
“Ri—oh. Still gone. Ugh, slept terribly. …Well, at least she’s not here to lie in bed all day and slow me down. I’ll just get up and go on my own then, shall I? I don’t need any pouting supernatural entities…Oh come on, this is getting ridiculous.”
Even more hours later
“…Just come back already.”
Late in the evening
“Oh come on, I killed a whole deer! You always like when I kill things. Sorry I don’t have any witches around but this is pretty good, right? A decent offering to my lady Death? …Really??”
Sometime after midnight
“…can’t sleep properly when you’re not here.”
The morning, again
“Right. Got to get up. Busy woman. Spells to chase, ancient dark magics to pursue. …Where the hell is she?”
An hour later
“…Hey, you are going to come back, right?”
Two hours later
“Not that I care but…I mean, you’re always going on about how you’ll never leave me, so—I’m just saying you’ve set expectations. The least you can do is try to live up to them.”
Three hours later
“Please?”
Four hours later
“…Would it help if I said I’m sorry?”
Five hours later
“…”
“Ags, are you crying?”
“What?? No! Goddess, you scared me. Where have you been???”
“Oh. Hi, beloved. …I really did scare you, didn’t I?”
“…Well, you did just suddenly appear.”
“…right, that’s definitely what I meant.”
“Hey, disappearing because you’re angry about one of my stupid jokes is a little…I mean, not that I cared, but…”
“…How long was I gone?”
“…day and a half or so. Didn’t count it exactly.”
“Oh. That’s a long time.”
“…Rio, I know you’re awful with time but no, it isn’t.”
“It’s a long time for me to be away from you. Sorry. There are a lot of Lydias in the world.”
“…”
“You were right, none of them knew you.”
“…Did you really…right. …heh. What if I had done that gag with a more common name?”
“…I’m glad you didn’t. I would have been gone for longer. You would have worried.”
“I mean, I wasn’t worried, per se. I knew you were coming back.”
“Always, beloved. I’m always coming back.”
“…I guess I’m glad you didn’t take longer though.”
“Mm. Ags, are you going to let go?”
“…Not yet.”
“Right answer. I missed you too. Hey, Ags, no more of that sort of thing, all right?”
”Of course not. I’ll do something else annoying next time. I have standards.”
“…I love you, Agatha.”
“…Right. Well. Love you. Hey, come to bed. I’m exhausted. …Didn’t really get any sleep while you were gone.”
“Oh. Of course I will.”
“…you’ll be here when I wake up, right?”
“Every morning for eternity. I promise.”
“Hmm. Dramatic. …Good. I’ll hold you to it.”
“…asleep already. Missed you so much, my heart. Sorry I left you alone for so long…but I do like that you haven’t let go yet.”
#agatha all along#agatha x rio#agathario#Agatha most annoying girl as always#I love her#World’s most codependent relationship#Missed you tumblr
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Kabru party analysis - Trust, and codependence vs emotional unavailability

I flip flopped on calling this a masterpost a lot, but looking back, yeah. While I do compile every fact I can about the party and its characters a significant part of this is interpretation, extrapolation and speculation enough that it's an analysis more than compilation at this point. Feel free to skim, skip around, whatever makes the experience more enjoyable and useful. I’ll also try and compile parallels they have with their Laios party counterpart, since them being foils and ‘shadow version’ of sorts to our main party is a big part of their fun fact meta, I am however most interested in analyzing them as their own characters- and as a whole together as an entity & narrative device. I did end up getting into narrative and thematic analysis for the main story... Mostly the Kabru & conclusion segments though.
But ultimately the goal of this post is mostly to analyze their relationships with each other because I think that’s the messy interesting part of their group, beyond just being a kabru party facts list.

Table of contents:
Kabru + party timeline
Rin
Holm
Daya
Mickbell
Kuro
Relationships and overall dynamic
Do they matter at all to the story?
For easy finding if anyone wants to do a focused reread, the main chapters featuring the Kabru party are 10, 15, 31 and 32, and then with chapter 45 everyone but Kabru (and Rin) stops appearing until the final battle.
Kabru of Utaya & his party
What to say about Kabru that hasn’t already been said, how to summarize him as perfectly and concisely as possible… I don’t think I can reasonably do him full justice here! This is an analysis about his party and not just him so I don’t want to spend forever here. Unlike every other character in his party Kabru is a main character of Dungeon Meshi so plenty of analyses around, meanwhile information can be hard to find and string together for the rest of them or the party as a whole. This isn’t a deep dive on Kabru but a summary, I’ll go over his timeline, goals and general attitude.

This'll be critical for later, but notice here that this means Kabru's party formed 2 years before the story happens. We get no indication of whether or not party members have changed much or little over those years, even if the party overall seems somewhat incompetent. Kabru's profile says that despite his skills, his lack of experience makes him a mediocre party leader and we do have that inexperience with monsters and dungeons, from what we see in canon. It's partly due to his foster mother training him intensively in combat against humans but seemingly not monsters or dungeon survivals, and partly from what we see with canon's framig because Kabru has no interest in monsters- You know and understand what you love better than what you hate, so Kabru is good at fighting humans and Laios is good at fighting monsters. The party does have rather good chemistry in action, with Kabru orchestrating everyone with commands, but they still end up being defeated as often as not, and despite Mickbell's warnings Kabru pushes to go to a dungeon floor lower than he thinks they can handle with their current ressources, for example. Laios' party at the start of canon were broke, but it's only because their money got lost in the dungeon and (chap 28) the bank would take too long to get their tokens back & take money out to save Falin- meanwhile Mickbell talks about being in the red just because of their current unfruitful dive, meaning they aren't as successful and have tighter finances overall. We see the party hanging out in taverns off-work (though not unlike Laios' very occasionally does as well) and things like Kabru meeting Dia's fiance and the party visiting Kabru's room, so they mayy be paralelling how it's said Laios' party hung out very little outside of work? They don't seem much closer for it, though.

One other thing to note is that Utaya is not necessarily his birthplace/hometown? The details are unclear, the adventurer's Bible does refer to it as his birthplace twice, but it's also mentioned several times that his mother was "chasen out", even in the original japanese. It sounds like leaving a town to me, but it could be that they were only driven out to their house and moved to a different part of town...? Either way, his mother was "chased out of home" after he was born beause of his blue eyes. Of course, Utaya is where the dungeon overflow tragedy happened when he was 6-7 years old, so it's the town Kabru and his mom were living in, one way or another. It's also mentioned kobolds lived near Utaya, explaining him speaking some kobold, which kobolds also implies the region had conflict beyond the dungeon overflow considering what Kabru says about kobolds in the kobold page.
Her mom having been "chased out of home" over him and then working hard as a single mother to support both him and herself is likely to have made him feel like a burden, which may have influenced his selflessness: the way he's hardworking, the way he neglects himself, the way he keeps others at arm's lenght (maybe thinking getting closer to him would do them no good)*, the way he can be very quiet and a great listener, gauging others' needs- the same way he was his mom's venting outlet when very young whenever she got drunk. *I explore this possibility more in this kabrin brainstorm post. The insecurity of being an incubus/monster, especially with how Kabru did see people transforming into monsters in Utaya- A very interesting recurring angle for him.
Let's be clear, as Kabru shows again and again his goal was 1) to pierce the mysteries of the dungeon, and 2) ensure that if anyone defeats the current dungeon lord that they won't accelerate the process of the dungeon overflowing or use the power for evil, essentially that the dungeon's power won't fall into the wrong hands, which includes him thinking the canaries shouldn't get the final say in how to handle it all. His goal/plan of becoming dungeon lord himself was to take care of both of these in one go.
He's been at this for years and he's seen a lot of things firsthand when he was 6, so already when he first confronts the canaries at the Island governor's he explains the stages of degradation of a dungeon quite well, he has his own theories that turn out accurate, but he's made them while being barred from most information on dungeons, which the elven monarchy controls access to. Goal 2 is always the main point, but goal 1 is important in order to be able to do it efficiently. Once this, goal 1, is achieved and Kabru learns about the demon through Mithrun, he becomes solely focused on goal 2 again (whereas the On Floor 1 chapters ended with him breaking alliance wth the canaries to demand answer) to ensure the demon stays under control and to stop the current (and possible next) dungeon lord. And then, well, the meeting at Thistle's house happens. Defeating the dungeon then at the beginning of canon was half-cover, a simple unsuspicious way to present his goals, half-goal 1 which would also take care of goal 2 by Kabru himself becoming the dungeon lord, as said. The canaries show up so he indulges in goal 1 while carefully teetering on being an obstacle to the canaries and helping them, and then it's right back to goal 2 with renewed determination together after he and Mithrun fall down into the dungeon and Mithrun spills everything. He doesn't trust Laios as dungeon lord, but he also doesn't trust the elves having the sole duty of managing dungeons.

It becomes this sort of tug of war of distrust, of who does he trust less to ally against, who does he trust more to ally with, which side to take once it's clear his own side isn't viable alone- he ends up somewhat playing double agent covertly through the story, but ultimately he ends up more or less trusting everyone and playing double agent openly with the final battle, quote unquote having faith in humanity & others, which he'd been cynical about for so long, finding red flags in everyone. But yes yes backing up again, he came to trust Mithrun during the six days in the dungeon together, but not the rest of the canaries and when they meet up again he's still on bad terms with them, we see it at Thistle's house where he tried obfuscating Laios' party's secret and pinned Mithrun to keep him from chasing after them, preferring for the ball to be in their court and for Mithrun not to go kamikaze mode.
His interest in Laios also extended to Falin, their party was quite capable and was more or less next in line to beat the dungeon, but since she died and Laios went into it on a shocking desperate mission, Laios becomes a focus of his as they make very quick progress. No one dungeon diving ever went beyond the big doors guarded by the gargoyles, but Laios' party passes through them just a little after Kabru and Mithrun team up.
All these deeper thoughts were largely unknown to his party members before the story.
He’s secretive and often cold with his party. Even Rin, presumably the closest friend he has, the one who’s devoting herself to specifically following and helping him (while the others also seem to admire him and partly follow him to put him on the dunlord throne, they have their own reasons too), is left in the dark with an arm of distance kept between them. Kabru first reveals he's been keeping an eye on the Touden's party during the sea serpent 2 chapter for example, and goes into it a little more during the Toshiro-Laios parties meetup chapters.

Although, it might be more appropriate to say that rather the party members aren't really listening. Kabru spoke about his goal to keep the toudens away from the dungeon lord title here, has a whole speech about influence and power falling into the wrong hands, and their reaction is "we know, only you is fit to be dungeon lord!" when that's never been the actual core of the matter, the point. It was the red herring being set up yes, that that was only what kabru wanted, but ultimately looking back he's always had that guardian type motivation more than leader, being a judge and executioner more than a king on a throne, he wants to support what's good and dismantle what's bad, so it suits him to have become a politician in the end instead of the ultimate chief. That also goes into his arc- him learning that sharing duties and goals is good, that he doesn't have to do everything alone and fully trusting others when teaming up can be beneficial, that he alone doesn't have to be the sole voice, that his shouldn't be the sole choice to be made about matters or courses of action. So going back to the topic- another instance of his explanations being dismissed is in this convo with Rin above- Again he talks about dungeons and reveals hints about his true goals, yet after all of this Rin literally only goes "hmm" and silence falls, and then she says she's hungry. Wether she was contemplative or uninterested, the change of topic is rather quick and unceremonious. And this is the person who'd know best about his motivations too, knowing his past well.
And maybe this phenomenon is also why he gets peeved at Rin here and silently chides her. In a "she should know how to think this through by now, she should've taken a second to observe and remember how we do things, she should think deeper about the true important matters" way etc etc. What are we doing this for, what do you take me for? This kind of righteousness is detrimental rather than helpful and strategic, Rin.
I place both Laios and Mithrun to be very important to Kabru's character and arc, and with Mithrun a significant part of the puzzle imo must have been that Mithrun listened, easily understood. Mithrun understood the gravity and danger of dungeons, was even similarly a victim of one. Where everyone else shallowly misunderstands or dimisses what he says about dungeons and his goals, they're very understandable and familiar to Mithrun, and such bumps don't happen with him. Mithrun isn't playing the social game the same way as others, he just dishes out whatever blunt straight to the bottom of the matter points, he skips the social dance Kabru often gets so hang up on, in a way that helps kabru communicate with him honestly rather than hinder, especially since Mithrun is still quite good at reading between lines. This could be a good part of why they take to each other rather quickly and team up, each other's rationale and plans feel intuitive to the other and they find someone else traumatized by the dungeon, someone who understands, understands not only what he's talking about but also what must be done, the ruthlessness needed. And Laios comes to ultimately balance this out, not invalidating their wants and needs but showing there are other ways to proceed, other people to trust, even when they don't intuitively understand them.
And on that note I want to talk about Kabru and laios' confrontation. I've already said that his "Laios obsession" is about his dungeon goals and that's very straightforward, and it only got to this point because Laios previously dodged his every attempt at closeup info gathering and still now he can't get a read or grip on him. BUT while some think Kabru's "I just wanted to be friends with you" is just a bullshit he made up on the spot complete lie, I don't think so. We see Kabru cycle through some explanations, angles and speeches he has like scripts, like one of them on the second page is close to this. And we know they're like scripts because that's what he said and how he spoke with his party, the backstory talk, the framing, it's all how he presented it to others as well. But he knows none will work on laios, Laios pushes him like Mithrun to go offscript, to find new approaches and communicate in ways that are more vulnerable and uncomfortable. And Kabru has trouble finding that angle that'll work with Laios, because he doesn't know Laios well enough, and that's what he wants, too, it feels so frustrating and vulnerable not understanding him. As his desperation mounts it sort of just slips out- I wanted to be friends with you. Childish, simple, inappropriate for the grave context and very embarrassing. And he immediately freezes and backpedals- BUT Laios endlessly dunks on the very idea that it could be true and that sets kabru off- after which he unloads a more personal perspective of how it was like chasing after him. And I think that's what it is, it's not a lie but it's a bit of an oversimplification- Not the full reason, but a part of it. Kabru wanted them to get to know each other better and get along, for him not to have to kill Laios, a want he still clings onto even when stakes are rising. He says it all himself here, explains his statement after Laios all but laughs in his face in disbelief. I think this scene and the slip-up shows that Kabru does have a desire for connection, that even when he's all calculating and manipulative with his business mode on, there's that desire under it all. And with Laios, well, what better excuse is there to be interested in someone that so conveniently is at the center of his plans and goals for the dungeon? Meeting practicality and genuine interest makes for this- I don't think that's unique to Laios perse, I do think Kabru is interested in people in general like he himself puts it in contrast with the touden siblings who don't, but with Laios the difference is the utter onesidedness of it, the brick wall of social cues he doesn't know how to approach but both needs and wants to. Repressing a desire for social connections, being bound by it despite wanting to not need them, is a common theme in Dungeon Meshi! And I think this fits into that. It's in the grabbing of Laios' arm too. Yes it's from despair, from the situation and from not being heard out, but that despair hides a desire, and it's a desire both to fix everything and to be seen and heard finally. And you could theorize it's his time with Mithrun that made him help realize here that yes there's some truth to wanting to be friends with Laios, and learn to seize the opportunity, to chase it not just through mind games but also try honesty, bluntness...
His arc with Laios (and with Mithrun) is a lot about teaming up imo, his party disappears and accomplished little because he never fully opened up to them, but when push came to shove and he was thrown into teaming up with someone (Mithrun) unfamiliar with no pretenses possible in an urgent situation he slowly gained trust for him, he learns that trust can be valuable even through the risk, enough that by the time he has to make his ultimate choice of going against Laios and even killing, vs helping him and letting him do his own plan, conflicted as he is Kabru still chooses to defend Laios from Lycion and have some faith- and this despite having his own opinion dismissed by Laios in the scene we just looked at. He is putting faith in Laios to have the weight of that world he was carrying alone for years put into someone else's hands, upon their choices, despite it meaning everything to him. Dungeon Meshi is a loooot about community and unity, about reaching each other halfway to have understanding and accomplish things together, better, and Kabru's arc very much is about that whole thing. Laios decides to go with his own gut instead of agreeing with Kabru's pleading, and there's much to say about that, but ultimately I see it as Kabru being forced to reckon with having to put full trust in another person's judgement yes, terrifying and risky, but sometimes it'll pay off. Seeking to understand each other earnestly IS good, and it's only after all pretenses are out the window that things start to look up, compromise shows willingness to do that.
So like. Mithrun's half of kabru's storyline is about being understood, getting some of that social connecting need he's been neglecting and showing how genuineness pays off, meanwhile Laios' half is about understanding others, seeing the flaws in how he approaches others. How do you expect people to understand you if you aren't earnest with them, Laios asks? Lycion hammers it home too, being the one to expose Kabru having been fake with Laios and trying being very blunt and direct with Laios. With Mithrun he learns to socialize without playing 4d mind chess again, it's easy with him befause he's so uninterested in respecting social conventions anymore and is so blunt and honest, and with Laios he learns to apply that. Mithrun is his parallel and Laios is his contrast.
Okay this was the story arc bit now getting back to a character analysis focus. Kabru is interested in anthropology in general, with a genuine interest in learning about people and languages & helping people at large. He's concerned with the greater good and "preventing Utaya from happening again", not because he himself doesn't feel safe but because he wants to prevent tragedies in the world, tragedies that affect others the way he's been before. Kabru is individualistic in the sense that he takes everything upon himself, doesn't readily trust others with decisions, but he's also incredibly selfless. He's dedicating his life to investigating dungeons and stopping their meltdowns, thinking someone else than the elves must get involved, he has personal reasons to be motivated to stop the demon but unlike Mithrun it's not out of revenge but out of a concern for others' wellbeing, while Mithrun's motivations are stuck in the past Kabru's are in the future's. In his determined pursuit of his goals he neglects his own needs and wellbeing- Due to his upbringing with the sheltering Milsiril, Kabru has a hard time even doing basic care tasks like cleaning and cooking, if it wasn't for his landlord doing the cleaning of his rented room for him it'd be very messy, bottles laying around because he drinks alcohol to help with insomnia regularly for one. Dungeon diving isn't all that profitable, especially being Kabru's party, and it's unsafe, and it's uncomfortable, and not exactly well seen- He's not enriching himself either in wealth or status, and yet Kabru his spending his every day and every ressource researching about dungeon diving parties on the Island to keep an eye out for possible future dungeon lords, making influential connections like the shadow governor, and of course dungeon diving itself. He even puts it himself, that he'd rather die in a dungeon in pain than stay at Milsiril's, and it's very important to remember that unlike Laios Kabru hates dungeons- He loathes monsters, is terrified of them and the threat the dungeons make, and doesn't even seem to have true curiosity or interest for dungeons' workings beyond how to stop them from causing harm- his dedication to dungeon diving is solely in relation to his mission. While I'm sure he does find some interactions fulfilling here and there, he also keeps himself from connecting with others, treating relationships either as tools (like drinking is to him) or situations to people please and focus on helping fix their issues like with Dia's fiance, sinking a lot of time into it and not opening up himself, gaining nothing from it except maybe some loyalty and reputation, a sense of satisfaction and a sense of having done a good thing.

The end very much justifies the means with him. He's one of the more politically conscious and few greater good caring people of the cast but he's not without bias, his talking about kobolds for one... more on that in the kabru & Kuro section. He's not blinded by ideas of good and evil since he has no problems with greyer areas if the ultimate result is good- but he can be blinded by laser focus somewhat. His fear over Laios- while clearly not unfounded since kui herself stated that at the beginning of serialization she really thought Laios would become a demon king as dungeon lord in the end- makes him take rash decisions, where if it wasn't for people reviving and saving his party again and again and again, Kabru would never have even met Laios. See, again the theme that he can't achieve his goals alone even if he tries. He doesn't want to share burdens and plans, refuses help sometimes, but he does rely on it like everyone else, and ultimately I think that's what his arc is about like we covered- from being so distant with his party to opening up with mithrun and ultimately, in his kill Laios vs trust Laios dilemma he picked trust.
I do think growing up with Milsiril shaped him into who he became a lot, not only because he had access to knowledge with her ressources and her teaching yes, but most importantly imo he learned to manage an emotionally needy adult. It's mentioned his dead mother would sometimes vent to him when drunk, and it's different but similar to Milsiril being a sensitive recluse hermit who jumps from tears to anger in the blink of an eye, with emotional manipulation whether intentional or not, guilt tripping for even small things like which home cuisine he picks to talk about. Kabru grew used to having to anticipate and pacify or counter Milsiril's moods, to push through the wails and downright threats to be able to make a point and be heard like when saying he wishes to go into dungeons, and she seems to overburden her kids with the task of managing her emotional stability like I implied. She doesn't have friends except literally maybe just Helki her employee, she likes dolls and interacting with her kids and that's all that we see, so she seems emotionally dependent on her kids and esp Kabru imo. So like with how he operates in the present, he learned to "manipulate for good", what words tend to set people off, what ways to phrase things make pills easier to swallow, what face is most pleasing and soothing, what gestures are too much and what gestures are too little. Daily life and ineracting at home with his foster family became a visual novel with right and wrong answers and for smooth days he needs to be a good kid. Milsiril & Kabru is a topic for another day but I do have a lot to say. I do want it to be kept in mind here that Kabru's opinion that it's impossible for elves to see eye to eye with shortlived races is explicitly linked to his experience with Milsiril, as written in his Adventurer's bible pages. This coming up is definitelyyy a headcanon though but since [Helki is the only friend adjacent relationship we know milsiril has] and their relationship is master & servant there's grounds to theorize about how much kabru interacted with him too- how much Kabru saw Milsiril and Helki interact, his only father adjacent figure you could even say... As @room-surprise puts it, growing up in that house watching Milsiril and Helki and himself he learned that life is not to eat or be eaten but instead "to use or be used". Having grown elsewhere than the rigid elven kingdom first, that place with its tons of social etiquette rules and hierarchy, helped him be more critical of that society even as he observed how it worked and how he could work it, his original home may have not been much more welcoming, but sometimes difference is all that's needed to start comparing and realizing how systems are built, and not innate or unchangeable. I think being thrown into it rather than born into it shaped how Kabru perceived it. Psychology also helped him deal with his own trauma imo- in the incubus & parasitic bee comic it seems rationalizing the people from his hometown's superstitions helps him make his peace about it, makes it feel less personal, more distant- it's not my great aunt thinking I ruined my mom's life by being born, it's the human instinct and phenomenon of people being scared of what they don't understand, like a child with pale blue eyes. People being scared by what they don't understand, hm, it really always goes back to this in Dungeon Meshi doesn't it.
I think it's needless to say at this point but it's obvious Kabru is a character very affected by trauma. Faced with monsters, which've ravaged his home in the blink of an eye, he shakes and hesitates. He gets flashbacks when thinking about eating monsters. Wild topic swing but believe it or not there's a recurring "is it ptsd or autism" debate that often happens with characters, including L from Death Note for example, and Kabru has had this phenomenon in a niche of the fandom too. As one myself I do heavily relate to Kabru in the lens of him being an overachiever masked autistic, who unconsciously was drawn to learning psychology out of a need to do so and used to approach social interactions as a more scripted and logical affair than intuitive, and that was in part due to trauma yes- but autism and social-based trauma that pushed you to overcompensate and overachieve is, well... There's a causal link there yes, and it's a tendency that does happen with autism, especially in its afab presentation. And Kabru having ptsd is pretty much undeniable, so then, both? Personally I would claim kabru suffered not only the trauma of Utaya being destroyed but also social trauma living through being feared and hated by villagers and then taken in by elves and being constantly talked over- again different but similar to Rin's own experience and trauma. Truth is Kabru not being autistic doesn't change all that much from the "Laios caught his eye because he doesn't mask well and Kabru has to teach him about it he has to tell him that's illegal and look out for him" magnetism theory because that's also what ptsd does, someone with ptsd depending on the trauma also can become very scripted and nervous about skirting from it. Autism just gives it a more personal lens, where it's not only trauma but just who you are, always feeling a bit apart from everyone else in a fundamental way. In the end what autism and ptsd share in situations like this is that they treat social situations like a survival game, no fun included. This isn't the kabru is autistic analysis that's another topic plus many exist already I bet, but yes just know that these are common and coherent readings that can give a good lens for his behavior or obsessive tendencies.
Last tangent last tangent- but words are Kabru's main weapon right, knowledge is Kabru's main warfare method. Being in a society and with a parental guardian who doesn't put weight into your opinions and wants, speaking and being listened to is hard, and Kabru learned to play the game and dance the dance until he could make connections anywhere. It's of course relevant with how he dealt with Misilril and just how he continues to approach problems and matters now too, it's a way to be, a defense mechanism too, again like Rin's. It's interesting to note that it's Milsiril who taught him a lot, which he mentions is what he's grateful for her for most, teaching him and training him- and isn't that very in line with how Milsiril also felt spoken over and rejected by elven society as well, how she despises elven society even. Almost as if knowledge is a tool when you're devalued and pushed down in a society- Something that was important for Milsiril to teavh to him, which also fits nicely in with Kabru teaching Kuro the common tongue later on too. Milsiril's approach to the game of hierarchy was to keep her head down and obey orders until she could retire living rich as a hermit and foster parent, though, and that's emblematic of where they differ too- Kabru wants to be proactive, do more prevention with dungeons to have less damage control to do, even if you have to throw yourself into danger, even if you have to seek it out, so he makes connections and builds influence and goes dungeon diving. Milsiril wants to go away from trouble, leave to be safer, avoid danger, in life like in work, so she decides to live away from wider society to deal with her trauma and social anxiety, and so she retires and doesn't understand why Kabru would ever want to go near a dungeon again. Words are Kabru's main weapon but ultimately he drops arms and shed this attitude for open communication instead... 😌
I've started doing more analyses with enneagrams, I'll link back here when I make my first enneagram character analysis feature with Laios but in the meantime, sorry if you know nothing about it... If I had to call one for Kabru right now, 5w6/6w5 and 163 for tritype? Which would somewhat complement my reading of Laios as a 4w5 478, being his contrary in the action center 1 vs 8 which is the center that dictates how you judge/approach others/interactions, and the order being that the socialization center is the facet that's most important to Kabru vs what's least important to Laios. Inversely what's most important to Laios and least important to Kabru is the heart center aka how you judge yourself, your relationship with your own self-importance, Laios is very concerned with his own identity and interests and flees oppressive places that make him need to conform too much meanwhile Kabru is to himself only a tool for his greater goal and is ready to sacrifice individuality and his own comfort for it. But hey why would Kabru be 6w5 but still have 1 has his most important type in his 163 tritype? Well 6 is the desire for stability, security, and 1 is the high strict standard & concern for what's right vs wrong. I would consider 6 as his more important type because it's that desire that shaped his 1 importance given to morality, justice, good on a wider scale, etc, especially as someone marginalized where moral policies naturally benefit more people, often especially those devalued ykwim? Bettering the country with policies is right and also benefits him, he thinks everyone should have stability and safety, that it's the most important thing for everyone, but it presents as a 1 way to deal with that issue.
I think an important recurrent theme you can notice here too is onesided and unbalanced relationships. Kabru had the role of significant emotional support to both parental figures he had in his life, when as a child you're the one supposed to emotionally unload and the parents are supposed to take on them and manage the both of you, and it's made him be stuck into that mode sort of by default, letting others open themselves to you as much as they want but not opening up in turn, being more detached and unemotional- and of course, that's what's needed when you need to fix things, when you have to make sure everything is taken care of. It's the approach he takes both for his life and for relationships, so he shuts out his own emotions and pushes himself for others and for the world. He likes knowing, but not being known, because that's not supposed to be his role or purpose. He knows how burdening that can be. It does make the reversal of Laios being interested in Laios actively and Laios being uninterested in Kabru himself interesting. I don't know Kabru knows himself all that well, it's always about others so he doesn't take nearly as much time pondering his own wants, I think that plays into the "I wanted to be friends" too. It's how he's so able to get Dia's fiance to emotionally unload on him and vent over a couple hours and so at ease with it- he's used to it. Ah and even with Rin! He was specifically asked to befriend Rin as a kid, a very heavily traumatized girl- he was asked this because he's a shortlived race kid like her and nice, was asked this by his foster mother for the canaries' sake- he was literally put into that emotional support situation there too.
I am not mentioning every parallel & contrast he has with Laios I don't wanna be here all day!! But hey where Kabru had his town ravaged by monsters as a child and has always holds importance for having community, Laios fantasized about monsters tavaged his town because he hated his community, for one. In this precise scenario, Laios saw flaws and he immediately wanted to give up on that community, meanwhile Kabru saw flaws and wanted to fix them- Well, mostly, since Kabru did give up on relations with elves for a good while, and both end up amending those beliefs and seeking to make a better society within the golden kingdom together.
Here is my very quickest Kabru analysis apparently 😭😭 I NEED to get dragged offstage this can't go on- Idk man I still haven't gotten THE ANGLE with Kabru's narrative in the story I still can't see one thread that makes everything seamlessly connect together like it usually happens with Dunmeshi for me, but there's so much going on here about typical dunmeshi themes like authenticity, balancing considering others & your own needs and connecting...... But my biggest impression after my first read that still lingers now is that Kabru was in good part there to embody that people are a tapestry and that we're like an ecosystem, you can't carry the weight of the world alone because you are not alone and humans are creatures that accomplish feats through being social, like how Kabru couldn't have defeated the monster without Laios' help, Laios couldn't have gotten this far without Kabru's interference. Again it's all comes to that final battle where everyone, different as they may be, come together to fight on the same side, to save their collective world... And the guy everyone believed in least being the one on who all hope and faith and trust is placed in the last desperate shot at winning. Idk man!!! What are we doing here go touch grass breathe in the breeze hug your loved ones what a joy it is to be alive and human!! Take example on Kabru and love yourself. Because you're human and he loves humans I mean- don't actually take notes on self-love from Kabru that would not go well I feel. But yeah like to me Kabru's party gives me a nudge of what direction I should go in to figure out what his portion of the story is getting at, the importance of Kabru's party then becomes showing the state of his relationships at the start of the story before things get shaken up, as contrast and a reference point...
Rinsha Fana
OKAYYY here we are. Not everything is about you Kabru! <- said with Rin's voice (it really truly actually is lol)
I've already done an incomplete analysis of her here, please look at it for Rin pictures & material, but basically her sour and strict attitude seems to be a defense mechanism she can't fully control, like how she tends to frown when she wants to smile. Kabru's words about it are somewhat dubious to be sure, we don't have a guidebook on "when is Rin truly angry and when is she just smiling upside down :) ", but it is notable that Kabru does have a point with that, from what we see.
Her nagging attitude is part of that defense mechanism- As explicitly stated several times, her main purpose in following Kabru is that she's worried he'd get himself into trouble without her. Not unjustified, since he has trouble even cleaning and eating well, and then he gets all wrapped up with the canaries during canon, but yes according to Rin he's too smart and reckless for his own good. This may be why he sees her as a big sister figure, she nitpicks every little thing but at the end of the day her support is unconditional and she'll stand with you whenever you need her. Sort of like a big sister, she gives tough love but ultimately just wants you to be healthy and to take your pain away.
She had a very difficult upbringing, seen as a heretic to burn at the stake in her early childhood then treated like an animal when growing up with the elves. Her parents had an unaligned religion and its practices are tied to how she learned magic, which is why her family was reported to the canaries as dark magic users, but not in time for them to arrive before the townspeople killed her parents. Where with the elves Kabru learned to people please in order to gain more agency and safety when he grew up seen as a pet, Rin learned to be irreproachable and stand her ground when she grew up treated as an animal. The townspeople in Kabru's hometown sought to break up his home and chase out his family, and they may have threatened heavily for all that we know, but Kabru was able to keep his love for humans and belief that humanity is good, the trauma he has is of monsters killing people during the dungeon overflow- Rin's trauma is townspeople burning her house down and lynching her family until she was the only survivor. She sees others as a threat, and not without reason.
Both Rin and Kabru wear masks socially. They go in opposite ways though, Rin oversells her toughness to tell people not to mess with her, she makes herself closed off and intimidating, meanwhile Kabru is more of a chameleon but mainly, he makes himself seem open and appeasing, unthreatening to be trusted and liked more.
She was sent into shock and suffered through severe trauma especially since the people who collected her amidst all this, the canaries, are very ill equipped to deal with emotionally/mentally fragile people, especially shortlived race kids. Because of this whole situation she has some contempt for those who had it "easier", like mages who went to magic school instead of having to self-teach like Rin did. And some of this is disdain that where she had to study everything on her own others have teachers to guide them through it all, a sense of superiority, but imo it's also doubtlessly a defense mechanism, an anti magic-elitism where she sneers at them before they can sneer at her. Before they can call her uncultured, she calls them talentless. Counter before they can even strike. Defense mechanism. In the main story, we hear of this tension Rin has about academy mages with how she speaks of Marcille and her spells- specifically she's rude about Marcille's protection charm/ward and says something about how the one who did it was definitely an academy mage because the spell is too by the book in chapter 32- and this is what I mean, she takes issue with how strict about rules and spells they are, how much they conform, because her own background is being severely mistreated and sotracized for being an unaligned unconventional mage, for doing magic outside of these rules and books. Interestingly, we also see in chapter 10 though that she looks down on people she sees as not successful or capable, saying that they'll definitely defeat the mad mage and "we won't be hand-to-mouth adventurers like you people", perhaps from trauma too- wishing to put a distance between the group she'd normally be categorized with and who she wants to become, or having felt mocked by the guy who talked to them before by having been related to them, because she's so on guard and bad faith always. We don't really know the details of Rin's time with the elves, escept that she was "minded like an animal". We don't even know where she stayed, even, just that Milsiril couldn't take her in because her house was already full. Where did she stay, then? Some shitty orphanage? I like to think she stayed with the canaries as "an impounded article" until she became an adult and left with Kabru, explaining even more her attitude since she'd have all the military influence, and further proving the point that any success she earns was self-made, that anything she knows she had to teach berself because her environment never gave her opportunities. But yes wherever it was, we can only assume that it was close enough to Milsiril's mansion or easily accessible, because Kabru and Rin continues seeing each other. It seems like at first, they would have made trips just in order to have Kabru befriend Rin until she could talk. They may have continued through letters eventully too if they couldn't meet. Hust a lot of uncertainty on every ground, all we know is Rin and Kabru became important to each other.
We actually know little of Rin and Kabru's pre-canon relationship, but we know that Rin was taken in by the elves some time after Kabru was, after her parents were killed by townsfolk and report them as black mages to the canaries, who arrived too late to be able to tell, so just took Rin in and...... Well we know very little of how she was treated, too, even where she was kept, just that Milsiril couldn't take her in and that they "minded her like an animal". We know that Kabru wanted and wants to "get her away from the elves somehow", something he doesn't say about the other kids living with Milsiril and explains his reason as being because Rin has bad experience with the elves, but it's unsure how Kabru left home and how Rin came to go with him. Because of that quote of his though it's likely he invited her along when he left, and she followed. But it's not confirmed, for all we know Kabru could have only invited her after 2 years after leaving when he founded his party. It's obvious Rin holds no love for living with the elves anyways, but we don't know how much freedom she had- it was hard for Kabru to be allowed to leave because he was coddled, notably only leaving 2 years after he reached in-world adulthood despite having first voiced his want to leave when he was a kid, but meanwhile I like to think Rin left very easily because no one cared, she was something that took up space and food where she wasn't wanted or needed, an obsolete "impounded article". She was catatonic when she was first taken in, but it's likely things were cleared up once she was able to talk that no, her family wasn't practicing black magic, and then the canaries just didn't know where to send her because she had no home or family anymore. But then, if she could leave whenever she wanted why wouldn't she have left earlier? Probably precisely because of Kabru too, because she didn't want to leave him. She loves him, and they're more or less the only friend each other had, so she couldn't just leave him behind and try to build a life without him, similarly to how he couldn't do that either. She stayed for Kabru and she left for Kabru.
I made another little post speculating more about her life with the elves and the possible impact of Flamela here if you're interested, as well as elaborating on her abandonment issues and the importance of Kabru to her.
Rin does seem to believe in Kabru's cause, in making him dugeon lord and that being important, but her main motivation is still pretty clearly that she's doing this for Kabru because it's Kabru. She doesn’t seem to really know why or what, just that it should be ‘someone who deserves it’ that beats the dungeon and becomes dungeon lord, and her first lines show her determined to prove everyone they can beat the dungeon. Like stated, her main motivation is she wants to make sure Kabru's safe and out of trouble, so hey why not put the "heretic" magic she learned to use and become his offense mage, why not use it to manage a feat so big and desired (defeating the dungeon) that everyone will have to admit she and her art are worthy of respect, to prove to everyone she can make it with her own skills and own unconventional knowledge. Her magic, the last remnant of her family. Her house burned down with everything she possessed, and she's said to have little attachment to her culture due to having been an immigrant on top of everything else, so the memories and knowledge they've taught her, the lessons they instilled in her and the person they tried to shape her to be, that's all that's left of them. She never speaks of them, at all, likely due to the whole heay childhood trauma thing, so we don't really know her feelings on well, everything, beyond that it was traumatic. We don't know what her relationship with her parents was like. She's a very closed off person. That's another contrast we can point out with Kabru, Rin flees her pre-canaries past and never brings up her family, has little attachment to places she's lived in or her culture, but Kabru is fixated on remembering, brings up his mother and culture whenever he can like in the halloween local sweets extra, has made the tragedy of Utaya at the center of his entire life mission. Rin and Kabru really are contrasts of each other in how they deal with trauma I think, whereas they both become very guarded in very different ways I think this highlights how simlar he may have felt with Mithrun, the both of them having become obsessed with their trauma and eradicating the cause of it which happened to be the same thing, having become workaholics and consumed over it.
She's in love with Kabru, but the way I see it it doesn't seem like she's particularly pursuing him romantically. I do think Kabru's occasional flirting with her gives her needless hope, but I don't think getting with him is either her goal in following him or her plan, I think she's content just following him to taking care of him selflessly, even when she knows he can be a womanizer and dishonest asshat, albeit she'll complain every step of the way yes. Again, unintentional big sister attitude.
Post-canon, she keeps in touch with Kabru and becomes a pharmacist, presumably living in Merini but there's no mention of the location, we just know she's kept touch because of a post-canon extra with Laios and Kabru. Her new profession supports that 1) Rin likes caring after others and 2) Rin never had an interest for anything about dungeon diving in itself. It's also ironic, since she was a offensive mage and didn't do healing.
Contrasts with Marcille, where to start... Marcille is optimist and rather open and Rin is pessimist and fully closed off, Marcille is social and smiles a lot and Rin is the reverse. Both of them have a caring mom friend attitude, but Marcille is more gentle and coddling about it whereas with Rin it's pure tough love, both of them do this to a often stifling degree (Falin, Izutsumi, Kabru). There's the contrast in their appearances too, and how Marcille dresses practically but Rin is more flashy, with an... Ambitious skirt cut? They're both elegant but in different ways, they're both very bold in fights, and stubborn and loud in their beliefs. Marcille was a more or less sheltered girl who learned magic in an academy while Rin learned on her own at the cost of blood and sweat. Both of them seem to have grown up in towns rather than cities, a more rural setting, since there were large fields and chickens roaming where Marcille lived and the little we see and know of Rin's town makes it seem closed on itself. They were presumably lonely growing up, Marcille had no peers because of her irregular aging and spent her time absorbed in novels, where Rin because of her family and culture/race was mistreated and avoided and it seems she spent a lot of her time focusing on learning things instead, perhaps paralleling novels with textbooks even in young age. Marcille lost one parent of natural causes and was traumatized by it to the point it became at the center of her life mission, and Rin lost both parents to murder and was traumatized by it to the point she avoids thinking and talking about it ever again. Both of them seek to learn, use and even create unconventional magic eyond the rules set by people. Both of them have cat energy, thank you for coming to my ted talk
Holm
Holm is actually rather mysterious. The biggest thing to notice here is that Holm has been to elven jail before, because his research was too close to dark magic. We have no idea of what his research was about at all, we have no details and little clear hints. He's a man of theorics though, it shows in how he talks about magic and spirits, and with his christmas gift exchange gift it shows how nurturing living things with magic really is something he enjoys and has interest in. It's not a lot to go off of, especially since we know canaries are trigger happy when it comes to dark magic, both arresting people who had minor brushes with it or that seem suspicious without any confirmed crime, and with elves exaggerating people's crimes so they become a canary for manpower. Who knows, maybe he is dungeon diving to try and subtly do research at the same time, but the way we get no hints of that and he just keeps working as a spirit user post-canon makes me think it's just work to him. He never mentions researching or seems to be studying something in the dungeon so it doesn’t sound like that was significant part of his reason for dungeon diving. So he had his run-in with authorities and decided to live more simply from thereon. But that could also just be because of the nature of dark/ancient magic and how it more or less poofed from the world after the demon left, too. With the truth revealed and ancient magic unavailable to channel anymore, research becomes less needed and viable. I doubt Kabru knows about his past. Again, much like Laios' party pre-canon, what got them together is work before anything else, with the added bonus of Kabru spinning an important narrative about conquering the dungeon to become dungeon lord.
His chill laidback, more passive and calm attitude makes him feel more vague and mysterious too, hard to get a good grip on, but he’s also the most mature and put together of the group. Very mellow. He's not quiet to the point of seeming asocial like Dia somewhat does, he just seems... Average, in the extra about his sister for example. And good at keeping secrets. His skeleton in the closest is the jail thing and that's that, seems like it put an end to his researching career and he’s now settled for being a spirits magic user as a job which brought him to dungeon dive. Nope sir prison isn't worth it I'm keeping myself into trouble from now on. What job can I do now though, my specialization is spirits arts... Dungeon diver, okay sure. It could be theorized that his usual attitude + his secret are a persona of sorts, where he keeps himself largely hidden and keeps people at an arm's distance. It's pointed out he freezes in the face of conflict- it shows he dislikes fighting, even being worried for the spirits he makes fight, and that makes me think even more that dungeon diving wouldn't have been his first choice. It could also be a good part of why he's so laidback and quiet then, passive. He dislikes conflict, so he avoids being in the spotlight also helpful skill to have when you've had run-ins with the law, and he has such the nice guy reputation that Mickbell doesn't think twice about crashing at his place in the middle of the night- and sure enough Holm lets him in and practically serves him. You could think him a doormat, but we see with the comic of him & his sister that he's very capable of being mad and agitated and go more on the offensive in a social situation, but yes he has that helpless -panics and wails while all his coworkers does things around him against his will- energy that's pretty sopping wet cat. He seems chill and cool but oh no he was actually the stressed overworked protagonist of a sitcom movie. My condolences for your life Holm. In general he's also a decently judgemental person, and although casually and often with a smile he has no problem "telling it like it is", calling out Mickbell's treatment of Kuro and talking about how Kabru can't clean for shit, how he'd "be willing to do anything to achieve his goals" and is too people pleasing, etc. He's confident in himself, and pretty set in his beliefs though we see him debate and compromise with Kabru.
His sister is the only personal relationship we see him have, but it's stated. She must live on the island too, considering Kabru visits her. The Island isn't exactly a place you're typically born in, so it's interesting to wonder what it means that both Holm and his sister would have moved there. Did their parents disown him after he got arrested over his research? There's nothing to say they did, but nothing that hints they didn't either, honestly, so Holm is a bit of a blank slate backstory wise as well. We know his religion's very important to him too though, and it affects his diet. His spirits are very dear to him and it's mentioned for example that he's raised his undine since basically the spirit equivalent of a baby, so it's implied he's been raising spirits for a long time. If his social life doesn't seem to be thriving, his spirits are definitely filling some of his social & connection needs as pets would. He does both healing and offense.
His contrast with the Laios party would be Falin since they're both healers lowkey doormats who notice the flaws in the people around them but don't act on them and prefer being passive and take upon themselves. They both love nature and were pushed by capitalism and rigid structures that prioritize conformity into work they aren't passionate about. The most important thing in Holm's life seems to be his spirits, and the most important thing in Falin's life are her loved ones, I'd say his enneagram is 592 while Falin's hmm, 926.
I ramble more about Holm in this kabuholm post and compile more of his moments, but it's more speculation than analysis, it's a take on him essentially. My personal verdict is- king of staying in his lane. He's here for work and he keeps his thoughts to himself to speak when it's necessary, he's not afraid of letting people have it outside of that though. The separation of professional and personal life is not going to great with his coworker occasionally imposing on his home lol. Reflecting his maturity, he lets others handle themselves and only steps in when he's needed. Hm, sounds like someone else doesn't it?
Daya
First things first: Daya or Dia? You'll probably have noticed I use Dia, and the reason is pretty simple: Daya/Dia is a nickname. Her official name is Diamond, but the shortening is always used instead- Diamond we have an official spelling for, the nickname we do not. Since it's in katakana (da-ya) and a fantasy world, translations call her Daya, but that's the same pronounciation as the "dia" in "diamond", and isn't it logical for her nickname to just be a shorter version of her actual name? We do know that Kui translates names to katakana being mindful of their pronounciation and not just spelling, like how Tims in Chilchuck tims is written as timzu. Yenpress the official english translator has messed up character names before and this even after official spellings came out, like Mikbell and Sissel, but notablyxthe anime english translation has also gone with Daya. But so, yes, I call her Dia, but of course there's no right or wrong here and by going against official translations I'm making things harder than they need to be. It's just...... Hard to unsee.......
Daya is very underrated for having such an interesting background! She was esentially raised in a cult? The "dungeon keepers". That protects dungeons, in that they keep people from going into it. She never knew why it was an important thing to do, and never questioned it, but as readers at the end of canon we now can imagine that they kept people from going into dungeons so that there would not be new dungeon lords and dungeons would not overflow. Ultimately, Dia fled her home and community because she refused the notion of marrying an older relative to have a child. There's a mistranslation from Yenpress that Namari is from the same tribe as Namari, when the original japanese sentence is just about how they're both from the same race- both dwarves.
No wonder with this background that she "has a slightly otherworldly air". She's very stonefaced and hard to read, but with the focus on duty and discipline she had growing up it's easy to see how she'd have become a somewhat emotionally constipated person in this way. She fell in love with someone of her choosing and is intent on marrying him, contrasting with the man she was ordered to marry back home. It's with a renewed interest in understanding what the life she'd spent so long upholding was about that she went back to work with dungeons as a dungeon diver, in her own words with the goal of understanding what they were protecting. In this way, it seems the marriage order was truly the thing that made everything snap and finally caused her to shake up her life, to look back and start questioning everything- and now she's free, she chooses what to do with herself and who to be with. It's said she loves her husband, and her husband seems very attached to her as well. Somewhat paralleling Chilchuck and his wife, we can imagine how nervewracking it must be to be the spouse of a dungeon diver, who faces death for a living. Dia is very independent and disaffected on top of it, so we see that her fiance feels insecure and even doubts she may cheat on him with Kabru. This insecurity is born from feeling like Dia doesn't need him- and so may leave him in the future. He feels neglected, and Dia probably doesn't show him love and how much he's valued in a way that he sees or satisfies him. That said, her fiance after a couple of cups and an hour with Kabru is shiwn to be very open and emotional, which would presumably complement her well. Dia seems unemotional but she does have her bouts of strong emoting, whether it be distrust, worry, frustration or even wonder- That said, she's not the greatest conversationalist around and I can definitely see her not really understanding how love, care affection and attention, is supposed to look like- Again, she grew up in an extreme social environment.
She's bold and fierce, confident, and notably very very strong. With training from a young age not only in discipline but in fighting she's a warrior born and raised. These are considered tomboyish traits, but I do like how Kabru and the adventurer's bible calls her a lady- she shows wonder at the treasure insects too! She's not disinterested in oretty things, or anything of the sort. We just have little window into her interests, since her life centers around work so much. She also calls out Mickbell for his mistreatment of Kuro, but also does nothing about it. She's quiet and is most often seen closing up the tail end of the psrty looking around for threats while they're on the move. She's quieter than Holm and also more standoffish. The queen of staying in her lane, if you ask me. We'll be talking more about it in the relationships section but you can already see this very interesting party dynamic forming of Rin and Mickbell having their nose all up in others' business while Dia and Holm are very permissive and quiet even while kabrin and mickuro look insane from an outside perspective. Who knows what normal looks like to Dia, though. She disliked Namari because her father made things rocky for dwarves on the Island for a while, so that can show how critical she can be and how her value of not sticking her neck out and staying put & not rocking the boat manifest/the why of it. Like in her home community we can imagine, you have a role in society and being overly disruptive can ruin things for everyone including yourself- even if the one who did the mistake was your parent the fault befalls on your whole family. Very strict hierarchy based outlook on society and community I think... It's interesting that despite of having been a victim of such behaviors herself, part of those faulty lessons stuck with her and she upholds much of the same fallacies.
All of this is very interesting foundation for a character, but yes not much else is developed on Dia and that's wher her story starts and ends- I'll make a diaholm post eventually that delves into her themes of freedom and emotional wallbricking but that's about it from me. I like to think that she likes her husband, but rushed into marriage- that going from a life where everything was structured and decided for her by others to having nothing but choice, from the prospect of marrying an old relative to anyone she chooses, she sort of picked the first guy she liked and made a move on her. Pure speculation, because I like exploring the side effects her upbringing would have had and this sort of detached attitude she has, with some typa off attachment style...
Fun facts: if the modern au christmas gift exchange extra is to be believed, Dia enjoys reading and has some books of her own. In a Daydream Hour she's drawn with Holm out of their work uniforms but she still has a sword at her hip, which may mean she carries a weapon with her even just around town. She has two younger siblings that she never mentions and we presume she left behind at home.
Mickbell Tomas
Okay okay okay now the true insanity may begin! Please refer to this post to see Mickbell's profile pages. Also see the bath comic for another great show of his character! I cannot make a mickbell collage for this there is no pic page umm ummmm additional compilation here.
Despite being an adult of 22 years old, even older than Kuro both literally and developmentally, Mickbell often acts rather juvenile. He tends to be very black and white, he wanted to steal the corpse retrievers’ stuff and was mad when Kabru didn’t allow it, he thinks Kuro talking to others will make Kuro leave him. He's judgemental (exhibit A: comic about Rin smiling) and critical (esp with Kabru). All means justify the end (him having fun, becoming rich) but if others do something wrong efficiency or annoying behavior wise you better believe he'll voice it. He’s very expressive, both in body language and words, swinging his arms as he walks and jumping and stomping the ground in anger. He also has a mischievous streak. He’s casual with touch, touchy feely if you will, and clings to Kuro a lot, both for safety and because he simply likes to. Cough cough separation anxiety and abandonment issues. He knows how to be serious however, especially when it comes to money or risky situations. He does his job well and does it conscientiously. In many ways he's similar to Fleki, if Fleki was more dedicated on the job. He may be very layered, and manipulative when he wants to be, but he seems to value in others the same type of directness that he has with emoting and interacting with others, as seen with his distaste for Rin being a tsundere. He's blunt and straightforward (whenever he isn't with Kuro or scamming), and in that way it seems those are values of his, which may be why he does usually gets along best with Rin, especially on the job.


He has loose ethics and likes to goof around but is otherwise often highstrung, reflecting Kabru's "relax a little" view of him. He's serious on the job- a contrast you can especially notice in the christmas exchange special. He had to steal and do scams to survive, again the christmas special shows he's good with money and making deals- mischievous and full of himself when he has to sell stuff and quick to flee when he smells trouble, but very focused when it comes to calculating costs and revenue.
Again, despite all his troublemaker toddler behavior Mickbell is surprisingly serious! It's still undeniable that he has capital i Issues, from being very uncaring about how others may see him and developing this "it's us vs the world" mentality with Kuro, to how emotional, exaggeratingly expressive and impulsive he is- in a way that lacks emotional regulation skills I'd even say, to what he says when something displeases him like "she'd be a lot cuter if she smiled more" about Rin after she doesn't laugh at his jokes... This all seems to point towards Mickbell having pretty bad emotional intelligence. You could even easily call him stunted. He doesn't seem very self-aware, his manipulation of Kuro is not something he can do solely unconsciously but it is genuinely debatable how much he knows he cares about Kuro, how much he's aware of what he feels & why, why he says what he says and does what he does. What would he do if you told him that trying to manipulate Kuro into thinking that everyone except Mickbell wants him in shackles and in pain and wanting to have a house and a nice domestic normal life with him is sort of mutually exclusive? I don't think he thinks about the wider picture like that, I think it'd cause some dissonance a bit. He thinks ahead when it comes to finance, but socially he seems to very much live in the moment, not really trying to anticipate how much others will appreciate his input or behavior or thinking about how he'll keep up the charade 2 years down the line. He wants to hustle his way out of being homeless, but in many ways he still has the mentality he had to have for running scams and surviving on the streets at his lowest, one day at a time, succeed this step so you can then succeed the next. In his mind he's constantly making charisma rolls on Kuro and he needs to not fail them.
Don't you worry Mickbell & Kuro is getting a whole section, buuut with Mickbell and Kuro both, character analysis is inseparable from analysis of the two's relationship. The ethics and circumstances of Mickbell working Kuro for peanuts are surprisingoy complex- because that is how Mickbell sees their dynamic, but Kuro sees it completely differently and assigns himself full agency in wanting to stay. Kuro obviously wants to follow Mickbell, and that’s what Mickbell takes advantage of unknowingly, what he thinks is Kuro’s helplessness. What I find much more alarming is Mickbell’s need to control not only Kuro's economical and social life but every aspect of his life. He’s not only overcontrolling, paranoid that someone will want to steal him away from him (both for Kuro’s sake but very transparently desperate to not allow Kuro to leave him as well- will get expanded on), but he also wants to isolate him. It’s no coincidence Kuro has no friends apart from Mickbell- the closest thing would be Kabru and even with him, communication can be difficult and Mickbell does interfere. It's not Mickbell's fault there is a language barrier, but it is Mickbell's fault that Kuro has amassed so few tools in navigating the world without Mickbell, but it is his fault that Kuro feels like he can't tell him he's learning common with Kabru, and it is Mickbell's canonical intent to render Kuro just that, powerless enough to need him- again I cannot overstate how it is straight up said and confirmed in the Adventurer's Bible that Mickbell mistreats Kuro the way he does because he's scared Kuro would/will leave him. Mickbell sees their relationship as employer-employee while Kuro sees it more as guardian & guy who needs to have one, but it is also said that Mickbell sees Kuro as family, and I do think that makes sense, and I do think it can't be overstated how on a deeper level it's Mickbell who needs Kuro, and that Kuro is Mickbell's absolute most important person in the world- his only person in the world, even, in many ways.
"Until he met Kuro, Mickbell was all alone in the world, so he seems to see him as family."
Mickbell is desperate for stable relationships, both seen with his clutch on Kuro and his wanting a house to settle in. Or I suppose, relationship singular, he seems very ride or die on the idea that Mickbell and Kuro are the only thing each other needs, he never seems to particularly try or want to befriend others, is a bit clammed up on himself. Distrustful, assumes bad faith, especially as we see with the half-foot union. Perhaps because he's never felt a sense of community where helping each other out of good will was a thing, survival made everything transactional living on the streets, so he has a hard time having good faith with organizations like unions, and this notion of relationships being transactional would have also shaped why he would frame his and kuro's relationship that way, as employer-employee. Not to say he doesn’t like socializing though, we see him work a room all self-satisfied and tell jokes in an extra comic, and he gets peeved when Rin doesn’t laugh at his jokes, he does like getting general social approval. As he isolates Kuro he also willingly isolates himself, and is ready to burn bridges or opportunities for him.
He's sleazy! Debate about egg or chicken all you want, but I think Mickbell running scams definitely shows in how manipulative he is in relationships as well. With the christmas gift exchange thing we see that he can do scams the straightforward way, selling an item to be much more than it us for an inflated price, but it is specifically said that Mickbell doesn't have half-foot pride the same way Chilchuck does and has no problem using his race to "curry favor", so I would think he's done the emotional manipulation kind of scamming as well, acting like a child in need or such. "If you can use something, you should" is stated to be his motto. Because in a life like his you don't have a lot, you seize the opportunities you get because it's a matter of survival and there's no ace up your sleeve dirty enough to justify not taking advantage of it. All this to say- Mickbell's most iconic scene is arguably his short interaction with Kuro here, and it's extremely blatant manipulation. The anime even ups this with the teary eyes and voice acting- the borderline tears followed by a grin shows just how conscious and intensive his manipulating really can get. Again there's a transactional lens he sees relationships through I think- and that plays into Mickbel scamifying his relationships up... Which in the end I do think he feels scummy over. Simply because, chaining someone to you like that is not something you do if you think you're lovable- if you're all that, if you're great and likable and worthy of unconditional love. That man can't believe in that, he can't believe in his life partner of many years choosing to stay if that didn't happen to be his only viable option. Mickbell lives in fear of being abandoned and it's in good part because the world has taught him he's not valuable on his own.
I think Mickbell lives in fear!! And I think that's deeply interesting. Makes sense for someone with such an harsh extreme upbringing as him to be hypervigilant, with food like with money the way he is with the party, he keeps grudges, both in his backstory extra comic and during canon. He lives in fear and distrust and all these little ways he knows toxmake himself feel more powerful than he is. And I think it's so, so interesting how when he finally accepted Kuro following him, inventing something about him becoming his bodyguard, it was because Mickbell just witnessed Kuro kill and maim a man and he was shaking, so afraid but also accustomed enough to violence and needing to bullshit his way through situations to tell Kuro things like "I'm your master" and for Kuro to just go along with it. Mickbell's is the art of faking it till you make it. Mickbell was afraid of Kuro then, and I do think Mickbell was scared of the idea of what this kobold man stranger could do if he decided that Mickbell wasn't his master after all, until his attachment grew and keeping the charade going was less out of a need for Kuro not to hurt him and more out of a need for Kuro not to leave him. So the fear of retribution because he did not know Kuro became a fear of abandonment when he did learn to know and love him- Kuro leaving him alone, the very thing he desired the firt time they met and Kuro followed him after Mickbell freed him. And this is why I made this web weaving about them this makes me ill good god. He lives in fear of being "found out" by Kuro in a way, for this scam of a relationship to be discovered so he only gets tangled up in his manipulation more and more to keep it going as the stakes keep rising and rising because Mickbell is only more invested with time- and he fears that Kuro would realize it one day but he also fears others will expose him, a big part of why he monitors what others say to Kuro, why he wants to be there whenever Kabru talks with him, why he's so scared at the slightest conversation had out of his hearing range. But! Part of it I'd say is also genuine fear that they could take advantage of Kuro, perhaps because due to his own taking advantage of Kuro and how readily the kobold accepts it Mickbell sees Kuro as a particularly vulnerable person, that he could get tricked by anyone, and let's remember that Mickbell met Kuro in a slave trader's cage- Mickbell's fear of others "taking Kuro away from him" is a double edged sword, it's 'them turning Kuro against Mickbell' but it's also what he always says about Kabru or others trying to 'kidnap' Kuro, what he says about how the half-foot guild wouldn't like his bond with Kuro and take him away from Mickbell. He's drunk his own koolaid in many ways. Separation anxiety and abandonment issues!!!!! Distrust at the world and feeling like he can never have nice things or be safe!!! And this plays suuuuuch a role in Mickbell's dream of having a house I think. Because a house is safe- a house means routine, means a place you can stay in and be protected by, is there a more emblematic symbol of stability and safety? In a house Mickbell is shielded from others' gaze and judgement, he's sheltered from the rain and he can keep food inside, he doesn't have to sleep with one eye open to not be attacked or have his things stolen through the night anymore, no there are four walls and it's warm and he and Kuro can live a peaceful life unbothered, away from the rest of the world that seeks them harm and wants them separated. Which hey that could parallel surprisingly deeply Chilchuck's feelings about a house actually, a house and family as something he has but that can be lost and destroyed- both in people leaving and in nightmares of home invasion.
But like Mickbell telling Kuro to stop snarling and growling because it's scary is such a good and fascinating example of this. How much of it is "it scares me" and how much of it is "you're damaging your own reputation, I'm scared of how people will react if you look too beastly and dangerous and what they might do to you- to us"? And this is especially true because Mickbell knows that kobolds are discriminated and how- for these years they've known each other Mickbell has been the one being the middleman between Kuro and the whole world- he's the one securing board and room for the both of them, noticing how people treat them and what they whisper about them, he's the one who gets told "this bathhouse doesn't allow kobolds" and he's the one who decides to leave and visit every bathhouse until they find one who does allow kobolds, becayse he's not taking a bath without Kuro. Mickbell is sticking with Kuro. They are ride or die for EACH OTHER not just oneway. Mickbell washes Kuro, he did that first time after they met each other and Kuro was a ghastly sight and very stinky, and he does now too, Mickbell patiently explains to Kuro how everything works, and when Kuro messes up something like getting Mickbell wet from shaking off water Mickbell gets mad but offers no punishment except chiding. In the bath comic, we see Mickbell spend HOURS brushing Kuro after his bath. There is immense care put into Kuro from Mickbell's end, as well.
"Now you're the cleanest dog in the whole wide world. No one can look down on you."
But hey, where did Mickbell learn "people leave"? That he’s unlovable and no one would stay for him? It’s a common fear that could be from anywhere honestly, whether insecurity alone or a very specific experience- but we do have trails we can follow... Mickbell lived in the slums of Kahka Brud, which he may have been birn in or interestingly enough since Kahka Brud is seen as a city of opportunities might have moved there. First of all, we have to wonder how he got into the streets in the first place. His relatives are listed as "unknown", but well, as a rule of thumb everyone has parents. Not even Kuro has "unknown" listed in his relatives section, and he's had cut contact with them for a long time by canon. What we know about the "relatives" section of Adventurer's Bible profiles is that it only lists living relatives, for example Marcille only has her mother listed, her father isn't listed as deceased and her step-father isn't listed there, meanwhile Kabru only has Milsiril listed, not his mother or even his father (which we don't know the status of, but Kabru doesn't know him either since he left when he was born). So what does this mean for Mickbell's relatives? Either he doesn't know what family he has, or he doesn't know if they're alive. It's not unlike how Kabru's name is stated as unknown, which either means he was renamed Kabru or that Kabru doesn't know just a part of it, like his last name- perhaps forgotten due to trauma, or his mother never told him due to their disowning them.

It could mean he was abandoned on the streets before he could remember so he doesn't know of any parent or caretaker they had, or it could be a lot of things. I do want to point out that both Mickbell and Kuro have "permanently out of contact" with their siblings, but Kuro still has his siblings listed on his profile, not "unknown". Since we get this info I do think Mickbell knew his sister, and I think it all lends itself to the "he doesn't know if they're alive" theory more. I mean, so much could have happened! But I think it's pretty safe to assume that Mickbell and his sister were on the streets together, until they were separated. Due to her messy hair and dead inside look I used to like to think she fell sick and as the older brother it fell on him to take care of both their needs and he couldn't manage to heal her before she died- or they were separated or something happened and he had to assume the worst. But something like some big event making them flee on their separate ways and then fail to see each other again, some other tragedy that made him part from her without knowing of her state... Or my favorite: one day she disappeared. Maybe he told her to stay there while he went to steal some food and he came back and she wasn't there, maybe one night she didn't come back to the alley where they always slept and she never did again, just. Did something happen to her? Was there an accident and she died in some ditch somewhere? Did someone kidnap her? Did she just leave him behind? He doesn't know. He doesn't know and he never will and he can't get an answer. And not having closure is almost worse than suspecting she's dead, or even if he knew it for certain. Because there's always a doubt. There'll always be that he doesn't understand what happened. There'll always remain that knowledge that things can just suddenly disappear one day, it'll be a normal day until it isn't, that people can leave, that everyone he's ever had (and there weren't many) HAVE left they're GONE and he's ALONE, and there'll always be that knowledge that Mickbell couldn't protect his little sister, couldn't even know she was in danger that time, if she was. Again in a way there's that parallel with Chilchuck where Chilchuck is very muh someone worried about the people he cares about's safety and has a protector role the best he can, and Mickbell usually is the one getting protected but he is very possessive and overprotective of Kuro, the one person he has. And just. Waughhhh. Idk if I'll make another post about Mickbell backstory speculation or his sister now if unprompted but for the record I like to call his sister Yukibelle/bella. Yuki because it means snow like deathly pale sickly skin, and it's a 4 letter japanese name, which being 4 letters 2 syllables suits half-foot names aaand most importantly, since Kuro isn't Kuro's real name and it just means "black" in japanese I like to think esp because of the language barrier taht that's just what Mickbell named him. And having no parents imo Mickbell would have named his sister, or even renamed her if she did have a name to spite whoever abandoned them...... In big brother fashion he likes to call her Yuckbelle. Ickybell and Yuckbelle the sublings ever. I was the one who chose your name so I can't make fun of it? Haha try again!........ I need to cope somehow guys. Having lived in the streets with the highest degree of life or death survival on the daily it's also easy to speculate Mickbell had other hardships and trauma like, say, selling his body and to people who are less than ideal. Just saying!! A lot of things you can resdy into his backstory that further explain or explore aspects of his character.
Unlike Chilchuck "I will never fight" Tims, Mickbell actually never fights. Like at all. Ever. His skills are clinging, cowering and getting covered, and giving orders. Both Chilchuck and Mickbell can be both mature and immature, but Chilchuck tends to embody maturity within the narrative and Mickbell is usually much more remembered as immature. Enneagram 6w7 (wants stability and simple pleasures & freedom on the side), same as Chilchuck. 6 is the fear of being without support and that's exactly what Kuro offers..... Very 8 as well, there's a case to be made about him being 683 like Chilchuck but I could see him be more of a 2 or 4 too. God he wants to be loved so bad. He's also quite tall but never mentions a diet to not set off traps, which may be because his diet is already poor. To me he seems like he doesn't care for culture at all having lived in survival on the fringe of society, similarly to him not having much half-foot pride, but he does smile as a dwarf so dwarves being the ideal body type still seems to be something he's in line with.
Post-canon, he opens a variety store with Kuro, and it's said his relationship with Kuro stays unbalanced. We don't know where it was opened, if they stayed in Melini or went back to Kahka Brud- but since Mickbell's dream is to specifically get a house in Kahka Brud's best neighborhoods and it's where he lived before on the streets, it seems to make sense house in Kahka Brud would still be his goal and to set up shop there. Not that we get an update on the house funds, the post-canon blurb is still in the near future after canon so their futures are still very much left open.
Kuro
Please refer to this post to see Kuro's profile pages.
Mickbell is so tragedy coded but Kuro is honestly... Like he's vibing. He has normalized the abuse (emotional manipulation & isolating the target both so that they need you for stability and emotional supoort + control their life and relationships are literally abuse tactics come on guys) but so much so that it appears both to Kuro and to us like that abuse has little grip on him, we see that he has more agency than we'd assumed. Kuro allows Mickbell to lower his quality of life way too much for sure, partly because Mickbell plays the part of vulnerable lil guy well, but what's so funny is that where Mickbell thinks he's being a mastermind all "🥺I was the one to save you from the streets, without me you'd be lost!! Everyone else wants you suffering, better stick with me!!😊" Kuro literally explains their relationship with "he's so pathetic and anxious, he needs me there :(" - which lends a whole new look to how pokerfaced Kuro always is when Mickbell is giving him his manipulative drivel lol. It flips the dynamic Mickbell was presenting because where Mickbell tries so hard to force their relationship to be that Kuro needs him, Kuro correctly identifies that it's Mickbell who needs Kuro- even more than for safety and financial reasons, because of emotional ones. So where it felt like their relationship was one where Kuro was fully tricked in that Kuro can only live by Mickbell's side for his own sake, Kuro wants to stay for Mickbell's sake and is well aware of Mickbell's issues and wants to help as a therapy dog would?? He doesn't care about the money or the food, he cares about Mickbell. The irony of it all is that Kuro could have left anytime, but stayed for Mickbell all along. It's easy then to assume that Kuro has it all figured out after reading the secret study session comic but that's also oversimplifying. Kuro seems emotionally intelligent in many ways- but sort of lacks sense in how it should be applied and how things should be, I guess is how I would put it? I still call their relationship abusive because it still is, Mickbell still isolates Kuro and manipulation is still the intent of a lot of what he says and does with him, and "well I know very well they're shitty but they need me" is a common dynamic irl in abusive and toxic relationships too, but it still reframes their relationship a lot to know that Kuro is not at the stage of "Mickbell is always right about everything and I'll follow him to the ends of the world because of it" but at the "this anxious miserable boy needs me and it's my duty to protect him". Mickbell is running a manipulation onemanshow against himself and Kuro is taking another path entirely, he has an immunity called language barrier lmao. /hj Kuro is hiding things from him Mick has no clue about, that he's having nightly study sessions with Kabru, but he's not hiding this out of a sense of fear but out of care.
Their relationship is based on misunderstandings and lack of communication, and that's due to a lot of things both the language barrier thing and how they tend to run with their own interpretations of things (Mickbell thinking he knows why Kuro stays, Kuro thinking MICKBELL IS A KID WHEN MICK IS OLDER THAN HIM). Kabru himself thinks that when Kuro becomes fluent in common and the two can truly speak together is when they'll really become fruends. It's a hopeful outlook! But it makes sense, because again their relationship is based on miscommunication, Mickbell is afraid Kuro only stays because he has to because Kuro can't reassure him that he cares for Mick, and Kuro only has part of the picture because they can't talk it out, so giving them the tools to truly be able to talk and understand each other fully would completely flip the dynamic. It's truly interesting how they only have each other, but even in their relationship they're both very isolated.
"I don't want to make him anxious if I can help it. He's still a kid, but he's been through a lot of rough stuff. I'd like to be somebody he can feel relaxed around."
So yes, Kuro explicitly thinks of Mickbell as a child he must protect and watch over, care for! He has a more mentor way to talk about it, but it's easy to assume Kuro sees Mickbell as family too. Especially since he has a lot of siblings, many younger! He has a bit of a protective instinct and thinks he should be a protector, simply because Mickbell needs him, not for other more grand or personal reasons. He takes upon himself, both duties and in general for everything, he can't talk with others but that's fine, he's a dungeon diver who gets worked hard and even fights and that's fine by him, he just takes upon himself incessantly, like with Mickbell he sort of shrugs and says it is how it is.
Kuro still thinking of Mickbell as a kid has interesting implications. During the main story Mickbell is 22 and Kuro is 18- how many years could they really have spent together? He left his hometown to see more of the world and was kidnapped at a port, so we could assume he left home after coming of age at 13. He was kidnapped at a port and was part of slave market on the eastern continent, where kobolds are rarer and thus probably more profitable, so it makes sense that he'd have gotten sent to the eastern continent straight away. Just travelling the sea can take a while- the world map makes me think the sea between the western and eastern continent is of Atlantic Sea size, which irl can take a little under a week to travel through at a good pace, but with the lack of navigation technologies compared to today if you're less sure of where to go it can be more around a month. Unlikely for Kuro to have spent all that long in a cage on a boat then, but where it could get messier is once he's on the eastern continent. Mickbell freed Kuro from the guy who was holding him in a cage calling him a demihuman trader rather than an owner, so Kuro wouldn't have gotten sold yet? Or traded between different slave merchants, I wouldn't be surprised if he changed hands a couple times without having been ever sold to a customer really. It's said that the Island has a slave market for example so there seems to be large demand in many places and for it not to be done in secrecy really. But their meeting happens in Kahka Brud let's remember- which is a city with a big economical growth and market & sompopulation due to the dungeon cluster there, so it'd make sense for Kuro to have been sent there straight. Kuro was obviously mistreated, shown to stink and likely starved not unlike Izutsumi's experience caged in a freak show, but he's not bony enough for me to really be able to give a time estimation of neglect and starvation with his looks alone. This is a lot just to say "Well if we assume he left home at 13 and was enslaved soon after leaving home, and the process of getting to Kahka Brud could have taken a month at fastest, he could theoretically known Mickbell since then". During canon they're both on the Island rather than Kahka Brud, but we have nothing to be able to tell when Kuro and Mickbell came to the Island, just that they came together and that he was probably hired when Kabru formed a party 2 years before canon. We can try to compare him with Chilchuck- Canon happens in year 514, but Chilchuck came to the island five years ago, when he formed the half-foot union. Comapring them is relevant because Chilchuck comes from Kahka Brud too, again the place with a cluster of dungeons, so Chilchuck and Mickbell choosing to come to the Island for dungeon diving prospects shows the same attitude that the Kahka Brud dungeons are already all pillaged and overworked and to seek dungeons elsewhere. And who knows, maybe Mickbell didn't really choose to become an adventurer, maybe it was just about fleeing Kahka Brud since that was where he stole and did scams, but dungeon diving does seem to be a desperate man's job in many ways so it makes sense either way. The way Mickbell talks about Chilchuck, I don't get the feeling Mickbell's been on the island for longer/as long as Chilchuck and for longer than the half-foot union's existed, which makes sense if we go by the "maximum 5 years ago" theory of Mickbell and Kuro's meeting. They likely stuck around Kahka Brud for a while before deciding to go for it and move to the Island. So I guess, we can shoot to say that they knew each other for a maximum of five years but a minimum of two? I like to think Kuro spent at least a couple of months enslaved and so I'd put my own estimate at around 3-4 years, which is already a lot if you're them. A looot of time to bond with the only person in your life.
It's a bit odd, usually in a character who's been stolen away from their home a goal of theirs would be to go see their family again, but Kuro never brings up anything like that. Whether that means his homelife wasn't great, or that he feels closure enough just continuing to travel as he wanted, or even that he more or less forgot because of the trauma, who knows truly. You'll notice his stated dream is to travel with Mickbell, which ironically is directly incompatible with Mickbell's dream of settling down and getting a house with Kuro to live in. Since he was kidnapped by slave traders at a port in his original continent, we can surmise Kuro always had a taste for travel. Kuro isn't even his real name, Yodan is! His detachment from his homeland, family and cukture is very interesting. He has no problem just leaving it all behind indifinitely.
So yes Kuro isn't his actual name- so "Kuro", meaning "black" in japanese must have been a nickname given to him, and I bet it was Mickbell. Being a half-foot and a kobold who can't understand each other, the language barrier made Mickbell just start referring to him by the color of his fur. Kuro never mentions his real name so it doesn't seem he particularly cares- which is a wider point about Kuro actually, that he seems to be very laidback and laissez-faire type, unbothered and passive. Things are how they are and he goes along with it. He's not a confrontational person but he also trusts his guts when someone like Izutsumi feels off. He never questions Mickbell. When Kabru inquires about him and Mickbell, Kuro goes "oh don't worry about it it's nothing tbh". Which is also in line with how it's stated Kuro doesn't give a rat's ass about honor or wealth, he doesn't really seem to have a moral compass as much as "Mickbell is what matters to me so only what Mickbell wants and thinks matters", he follows Mickbell's orders with blind devotion when it comes to work or what they decide to do with their lives and that's just well with him. This reminds me of Falin a lot, the way I perceive them. Just utter devotion to their loved ones without really caring for what's morally right or wrong- because love is the priority and loved ones' wellbeing and happiness are all that truly matter, and sacrificing themselves and their own agency to make that happen. Kuro overlooks his own needs because he prioritizes others', Mickbell's. I think his views on relationships and what’s normal are very skewed. That said, Kabru calls Kuro overprotective too, and I think Kuro can be very stubborn as well, and as we see with the comic where Kabru and him talk about Izutsumi's smell he's perfectly able to have strong opinions, he's not only the stoic type. Kuro's very coddling with Mickbell, and while I do think he's a nice guy I definitely think Mickbell is an exception where that's pushed to the extreme for Kuro, Kuro's fixated on Mickbell just as much as Mickbell is fixated on Kuro. Codependence has never been truer a word gdbdgd. Kuro is rather polite and conscientious, in a regular conversation you'd think he very well-adjusted, he's smart and very observant, not just aided by his nose but with how aptly he notices psychological aspects of Mickbell for example, he's eager to learn and hardworking.
Kuro's biggest interest and dream is referred to be travelling, he left home to do just that before he was ever kidnapped already so it's not even an acquired taste from being encaged. And that fits well with Kuro just following the flow imo, Kuro's wants like Mickbell are small pleasures in life like that, just walking around and seeing new sights... Mickbell wants food and a roof over his head and Kuro wants food and freedom. Ironically, their wishes are directly contradictory- Mickbell wants to live in a house with Kuro and Kuro wants to travel around with Mickbell, Mickbell even has his dream of a specific neighborhood. But it is very notable that both their dreams mention the other, whatever it is they end up doing they want to do it together. Post-canon, he opens a variety store with Kuro, and it's said his relationship with Kuro stays unbalanced. We don't know where it was opened, if they stayed in Melini or went back to Kahka Brud- but since Mickbell's dream is to specifically get a house in Kahka Brud's best neighborhoods and it's where he lived before on the streets, it seems to make sense house in Kahka Brud would still be his goal and to set up shop there. Not that we get an update on the house funds, the post-canon blurb is still in the near future after canon so their futures are still very much left open. Just wait until Kuro learns common...! That'll solve everything........!
I tried to go extensively into his parallels with Toshiro and Izutsumi here. Hmm 7w6? Noo 7w8 actually god... Too real... Get me out of here the Mickbell and Kuro double whammy is making me need a smoke. Soooo many characters in Dunmeshi have this theme of learning to live for yourself be comfortable in your skin and get in touch with your needs and desires more Kuro!!
Relationships
: Overlook


Ok THIS is the fun part. So I made this chart as sort of a summary- we'll especially be looking at the personal bonds and work besties relationships through sections, but that's not to say those dynamics are the only things going on. I tried to keep only the basics and essentials, but you could also totally have added a Kuro to Kabru arrow mentioning how Kabru is teaching him common, or one from Mickbell to Holm about how Mickbell crashes at Holm's place occasioanllu. I made the purple lines based on what we see in canon, but it’s totally possible that Rin also judges Mickbell and Kuro, and that Holm and Dia judge Kabru & Rin as well, even though I don’t really think so, not particularly.
And that's what I’m getting at here: their party has a lot hanging in the air that everyone is more or less aware of but don’t truly acknowledge aloud, don't speak about or resolve. Holm and Dia needle Mickbell about his treatment of Kuro but don’t actually do anything or push, Kabru tries to help by teaching Kuro common but seems to be content "meddling" in only small subtle ways over time like that doing just what he can, concludes that the relationship mess goes bot hways and decide to just keep an eye on it quietly, meanwhile Mickbell seems tired of seeing Rin and Kabru bicker over her crush when Kabru teases and they argue, but doesn’t think to have a tal kabout whatever the fuck it is they have going on- it’s routine, it’s just how things are. It's commonplace- so their serious accusations about Mickbell are mentioned a grand total of twice and that's that, and only Mickbell out of everyone acknowledges aloud that Rin and Kabru have a weird thing going on and that Rin is weirdly deoted to Kabru/loves him implicitly. Everyone is much more ready to comment on Kuro & Mickbell than Rin & Kabru- which, absolutely deserved yes, but are what Kabru and Rin have not intensely weird behavior. Would you not get a headache trying to understand what's going on there and listening to their flirting and scolding and arguments on the regular. Do they never get "this needs to stop"? No, only Mickbell? Okay
Made this lil collage above but it's notable that the whole party throws casual jabs at Kabru all the time also, whether about how he can't take care of himself or how obsessed or weird he can be. Although everyone has respect and trust for kabru, they're also all fairly comfortable criticizing him. We see this in the shapeshifter "what if" comic too- his party members often find KAbru too extreme and overly dedicated, but ultimately trust him and follow his lead. Dia keeps her nose out of things but beyond hater duo Mickbell & Rin, even Holm comments regularly on his people pleasing and bad cleaning and organisation habits. Paralleling the Laios hater duo of Marcille and Chilchuck in the main party, Rin and Mickbell are especially critical and harsh on Kabru, here's a short and incomplete compilation to illustrate the point. Do they do fuckall about it though? No not really.
Everyone at some point or other shows concern for Kuro, it shows they don’t default to treating him as furniture or a tool after a long time of working together, they value him, but there’s always a third party barrier through which they have to interact, Mickbell- except for Kabru who can communicate with him on Kuro's own territory and have alone time with. But no one except Kabru and Mickbell even try to talk to/with Kuro, and you could also easily argue Kuro is not fully humanized, there's how no one except Mickbell worried for Kuro here for example.
I want you to imagine being Dia or Holm. I want you to imagine what it must take for there to be not one but two insane dynamics in your party amongst your coworkers, with who your job is so to camp with for weeks at a time, and not even blink at it anymore. I want you to imagine being kind and queen of staying in your lane and having these two obvious codependent situationships amongst your coworkers and just go "if I don't acknowledge this things are gonna go more smoothly". Save them get them out of there. Just the occasional long suffering sigh and "Mickbell that's not right :/" and yes, your job here is done.
You really start seeing this pattern looking closer where their party are fraught with interpersonal drama. The will-they-won't-they casanova leader & his angry tsundere childhood friend and Mickbell and his "employee" he exploits and isolates from the wider world??????? Truth of their relationship aside as we've discussed, this is how people around them perceive their dynamics and the optics are insane (/negative hello). The true doom of Kabru's party is all this interpersonal drama going on??? The very thing Chilchuck fears about parties lol, HOW has this party not imploded on itself yet. And personally I think that's a good part of what they contrast with the main party about- Where Kabru's party failed, Laios' party succeeded because they talked their differences out, they challenged each other on topics they disagree on and argued, instead of always just brushing everything under the rug. The reason canon happens at all is becase under the emergency of the situation Laios decides to be vulnerable and come clean about his interest in monster cuisine after all, and yes judgement and racism is rampant at first, but they reach an understanding through open communication. Meanwile, Kabru's party doing social 8d chess.......... Just keep on making passive aggressive comments forever see where it gets you.
This party also has a running theme with unabalanced and onesided relationships, and emotional dependence/burdening. It feels weird for it to be so weirdly intricately developed and consistent even though it does nothing in the main story- except for strengthening the whole diverse living cast thing which is important to the lesson and theme of people coming together despite differences is good, and like, "you can't judge others' relationships and sitations without knowing them" you know, but. It's here man it's here and present and too loud for me to unsee. Rin is dependent on Kabru and there's an argument to be made about the reverse being true as well even if Kabru is emotionally unavailable, and then there's the codependent Mickbell & Kuro mess, and even Dia and her fiance are faced with some unbalanced relationship and emotional unavailability. So our lineup is kabrin, mickuro, Dia & fiance and Holm who has a barely breathing social life. I suppose the latter's not uncommn though, the same can be said with most of Laios' party including Namari and Toshiro.... But good lord. This combined with how Dia & Holm get along together the best does make the party dynamic really funny though in a vacuum, everyone's going razy with intense tea meanwhile Dia and Holm the quiet judgers who glance at each other like do you see this shit. You are the only one normal here. (One has researched illegal magic and the other grew up in a cult.)

To me it's also really interesting Kabru hiring Mickbell and Kuro especially. Kabru is someone who works off reputation a lot, he has his homegrown informant web called gossip buddies and whatnot, and we know that while he's willing to go to questionable lengths for his beliefs, he has a pretty strong sense of right and wrong where stealing from people who ripped you off and repeatedly led you to death was a no-no. With all the shit Mickbell is catching even now about his slave- ehem, business partner, I doubt Mickbell would have seemed anywhere squeaky clean. Kabru hired a pretty blatant morally loose person who has stolen and scammed- and I think that's very interesting. Was Kabru desperate for party members? Maybe with Dia and Holm, believing in his cause was important-? No no, it's more likely the other way around- only desperate adventurers (or the ones who specifically want Kabru as their party member) stick to being in his party, with all the failures it experiences. Mickbell and Kuro are the only on who don't express loyalty to Kabru, so maybe Kabru's party was the only party willing to hire him- especially if he and Kuro are a package deal where they both get paid. And there's how Mickbell isn't affiliated with the half-foot guild too! Which means no work protections for him but also no salary cut? But yes yes, especially with the way he treated the corpse retrievers you'd think he wouldn't want anyone shifty on his side, but there's also the side of Kabru that loves to help others out, both on a societal and an interpersonal level- and I like to think that despite Mickbell obviously being from a rougher crowd he not only saw the two of them for the skilled people they are but also just, saw they were in a tough spot and wanted to offer a chance y'know? I had a convo about that once where I asked my Kabru expert friend what they thought about Kabru's grasp on socioeconomics and helping out people who are in tough situations for circumstances beyond their control, because you'd think Kabru would be understanding but then with the corpse retrievers, who seem Not Well Off and are comprised by many mixed races individuals like a half-dwarf and a half-gnome........ Helki and Mickbell are alike in many ways and it's interesting to think that may have played a part... Kabru seeing this disheveled obviously sketchy down on his luck Mickbell and being reminded of the only father figure he's ever had in his life, another blonde smartass with a ponytail, an ex-convict from a rough criminal background… And wanting to hire him to help him have a chance to get out of that place lowkey... I'M JUST SPITBALLING!!!!
Anyways so getting back to the crux of the matter, this is how the party naturally divides up with each other, the same kind of way Laios & Senshi and Marcille & Chilchuck did especially early on.
But the interesting thing is that Kabru keeps everyone at a distance, Rin included, so how does it divide up when Kabru and Rin aren’t interacting? She stays alone? Nope, oddly enough she seems to gravitate towards Mickbell. And the reverse is true- which makes sense since his partner isn’t a good conversationalist. Mickbell doesn’t really see Kuro as an equal, Kuro is his beloved fool he's tricking on the daily in his mind after all, so he doesn't seek out Kuro for opinions, because unlike Rin Kuro isn't a peer. In the page on the right notice the second panel, everyone gives each other a silent glance and this summarizes the dynamics here really well. Kabru is telling his plan of keeping going and this is everyone's moment to agree or disagree. Holm and Dia look to each other, more neutral. Rin and Mickbell look to each other, seeming more displeased, and Kuro looks to Mickbell. In that second of gauging each other's feelings through a glance, their resolve and opinion gets steeled and everyone tells their feelings after, Mickbell and Rin more reluctant. On the left you can see who sits next to who, who walks next to who in the party formation- Rin is always right next to KAbru but Mickbell is at her side, with Holm following without attracting much attention to himself and Daya closing the group on the lookout for threats. Mickbell & Kuro and Rin & Kabru as actual friends impotant in each other's lives tend to duo up, meanwhile Dia & Holm and Mickbell & Rin are more like "each other's favorite coworker" than actual friends, so Holm and Dia don't even necessarily stick together, at the risk of being third wheels. In fact the christmas gift exchange is a good character writing moment with everyone, if you want to look at their gifts and reactions.
So yes this explains how I divided up the chart, the duos are Rin & Kabru bond, Mickbell & Kuro bond, Mickbell & Rin coworker besties, Dia & Holm coworker besties.
Rin & Kabru
I made a rather in depth post on their relationship recently, specifically trying to nail down whether or not Kabru could have/had romantic or ambiguous feelings for her beyond/instead of "big sister":
It's a good look at it that covers most of the matter and has much, much more pictures than I could otherwise put here, so I'm allowing myself to go over this section faster here and summarize things.
Their relationship is obviously very onesided and... Needy, for a lack of a better word, because Rin is clingy and Kabru is probably her one friend in her life currently- but it's always been that way anyways hasn't it, did she have anyone else at the elves' too, did she have any in the village she grew up in that hated her family so much they killed them? She's overbearing and hovers over his shoulder for mistakes when they're together, but her reason for doing so is out of worry for Kabru, that because of his ambitious and self-neglectful tendencies he'll get himself into trouble, and she's not wrong about that! Kabru holds himself on his own currently, but it's not hard to see a future where he slowly descends into neglecting himself more and more in his focus on his work, but no currently he's still able to endear his landlord into cleaning his room for him and to put himself to sleep with alcohol. The relationship is onesided because Rin's always the one pushing and Kabru never truly opens up, but their relationship does have push and pull too- Kabru does pull sometimes. It isn't like Kuro simply passively enabling Mickbell's issues and bad behaviors, but in many ways encouraging them. Kabru flirts with her. He jokes and he teases in ways that come dangerously close to acknowledging aloud she has feelings for it, and never turning her down despite it being clear to us he has no intent on ever reciprocating them- He leads her on, whatever his intent is. And I go into possibilities of how and why in the separate post a lot, but overall I'd say that it's because he does need her back in a way too. It's that repressed desire for connection that rears its head with Laios and even Mithrun too. Maybe they're an ill-fitting match, but it's what he has, the friend he's had for the longest- Like I like to say, seeing Rin as his best friend is so sad and tragic but it’s also not wrong. From what we see she’s the closest to him, which is sad to think about. How can a guy’s social life be so thriving yet down in the dumps truly. She completely relies on him for purpose in her state in canon and dumps her emotions and issues on him, but he does play with her back and avoids his emotions and needs through her too. He has the uer hand in their dynamic, was even the one to ask Rin to come along with him when they left the elven kingdom. She's a fixture in his life, she's a safety net, she's someone who'll love him unconditionally, who even if he mistreats her a bit he knows she'll stick with him. He sees her as a big sister, after all. He knows her tough love is love. Does he give her jokes to latch onto as his way to keep her in check, or to make sure she'll want to keep following him? He can't bear to bare himself to anyone, but if it's Rin, she knows infinitely well how Kabru isn't perfect, constantly reminds him of that, and where in every other relationship he tries to be or has people believing he is perfect, with her he can be a little rotten, a little inconsiderate- and idk idk man. I don't think there's really a conclusion we can get to with them, but a lot of their dynamic feels just very. Mutually unhealthy. Like self-harm almost.
And like, look at the picture of them dancing below! Just it alone implies a dynamic already. They balance each other out somewhat, because they're severe about different things, Kabru encourages her to let loose socially but Rin keeps him from getting too full of himself in his own corner, because she always keeps calling out to him specifically, to the Kabru she knows and that he knows she knows- though maybe doubts sometimes. They both keep each other from being too caught up in themselves- but both of them are also frowning here. They also enable each other in very bad ways imo and inadvertently push each other into their bad habits, nagging Kabru makes him retreat into his shell even more and approach their relationship calculatingly or even coldly knowing of her feelings for him, and getting all the attention from Kabru in a way she doesn't want- because she can tell he still has his walls up- makes her more frustrated and it's all just a bad cycle of feeding each other to continue just as the status quo is. Rin nags him so Kabru throws her a bone so Rin nags him etc. But they're also genuinely dear to each other, maybe more iut of memories than because of the present, so they can't really let go of each other. Fucking doom tango fr
My take on Rin being particularly severe on Kabru, beyond just being worried that any mistake has a dangerous cost for people like them, is that like. She knows Kabru, from way back, and she sees his persona, how he tries to be perfect for others and caters to everyone's needs except his own, how he keeps himself hidden like that. And she doesn't wang Kabru the persona, just Kabru the person, the man she loves- and he's trying to be perfect but it's futile, and it just makes him more cardboard cutout, he's being fake and it just makes her so angry how he keeps his distance with her, so at every turn she tells him when he's not perfect, at every turn she reminds him of his flaws, as if to say, "you can't be perfect, just stop". And every flirt he sends her way during the story makes her madder because again she knows it's just empty air to toy with her, so she scolds harder. Like I don't think she's a self-aware person in general, so I think she mostly just feels this as sadness completely masked with anger that drives her foward and makes her impulsively say things, and she thinks what she says is right and she's being righteous, but also there's just this gaping void in her at the state of things, there's frustration whenever she sees Kabru smile a plastic smile at others all the time, and she doesn't know why. And the only worse thing is to have that plastic smile targeted at her- but it makes whenever he offers her more genuine unprompted attention all the more precious, like in the comic about her smiling.
They kept in touch post-canon! But it seems inevitable to me that the change in their lives made them grow a bit more distant, not working together all the time anymore. Rin figures Kabru is being taken care of by now, being a part of the royal court, and goes to pursue her own ventures, but they're still friends and that shows with Kabru inviting her to the castle. Rin can't help herself but to visit him once in a while to see if he's still breathing I bet- I do think she has a bit of a "only I don't get fooled by you (especially when you say you're fine)" way to think about him and their rekationship, a big of why she'd say the "Don't think everyone's going to fall for you". Anyways, it is fun to theorize Rin might be a pharmacist often hired by the castle hehe, but yes yes that's all we get info wise. Here's to hoping she mellows out some

Mickbell & Kuro
So, their relationship is more messed up than Kabru and Rin's, but it's less up in the air/free grounds for interpretation, much more directly explained. Their character profiles & extra pages alone give a really good look at their relationship and both their perspectives of it: Kuro's family that Mickbell has to find ways to chain to himself or he feels insecure, Mickbell to Kuro is a vulnerable kid that he chooses to look after and go the extra mile of being mindful & considerate of said insecurities. I already talked about it a lot in the Mickbell & Kuro sections, and the post I linked above has a longer but more compact analysis of them- but yes yes I'll still cover the essential and the new here. I said it earlier but Mickbell needs Kuro more than Kuro needs Mickbell- Kuro is like the entirety of Mickbell's emotional regulation 'skills' lol, where Kuro needs Mickbell in a material sense where Kuro wouldn't be able to communicate well with others or go far without money and Mickbell, Mickbell needs Kuro because otherwise he'd be shattered- not to say that Kuro isn't also very useful to have around for his muscles. Both of them are very physically and mentally vunerable both, the pyramid of maslow is not being met on any level eesh. Kuro needs a compass and Mickbell needs an anchor, both of them needed a purpose in the day to day life of survival and both chose each other for that- protect Mickbell, and buy a house with Kuro. The human mind thrives off of goals, desires. Again this thing with compass & anchor is very reminiscent of Falin with Kuro, the way she centered her life around others, so much so that when she was a mentally compromised chimera she defaulted to that way of being with Thistle. But they're in that spot very similar to them where one is especially very mentally vulnerable and easy to control whereas the other is very physically vulnerable if the other were to decide they've had enough and go murder mode on him. It's the dog loving the chain on its collar.
How long have they known each other? Who knows, but I estimated it between 2 to 5 years, between when Kuro became an adult and when Kabru formed a party- but even those are just guesses. I also think he named Kuro, since Kuro's name is actually Yodan and "kuro" simply means "black" in japanese, with the language barrier Mickbell wouldhave just started nicknaming him by the color of his fur.
It’s important to remember how they started: Mickbell saving Kuro and Kuro saving Mickbell, Mickbell freeing Kuro out of spite which made Kuro follow him and then Kuro saving Mickbell by maiming the guy who had kept him in a cage and was threatening Mickbell, prompting Mickbell to suggest hiring him (while being broke) as a bodyguard, half out of fear half out of seizing opportunities? And we'll get to that but this is a good way to understand why they're both so "It's us vs the world", they both came from a similar situation surviving in the slums together but even before that they had the same man for enemy, Mick helped Kuro out and Kuro helped Mick out in turn, and they stuck together. So that’s the origins of Kuro being "his employee" that he’s working for peanuts, it’s less disingenuous and eager than we’d expect, the attachment Mickbell formed to Kuro was over time, eventually associating Kuro with both safety and companionship. Meanwhile Kuro seemed ride or die very early, being saved helped I’m sure, but remembering that Kuro thinks of Mickbell as a child to protect also helps frame why Kuro would be so ready to devote himself to guarding him- seeing a small vulnerable "kid" in all this danger, constantly surrounded by threats and famine. So in the end, a big factor for their relationship is that they can’t communicate for shit. For several reasons including language barrier, overly controlling and dehumanizing behavior/abuse tactics backfiring- and emotional constipation. They both have preconceived notions and they both just.... Don't really know each other. I don't think Mickbell even knows his name- Kuro thinks he's a kid! They don't know each other, but they also know each other in the way of familiarity, in the form of having spent years inseparable glued to each other. Mickbell doesn't know Kuro's name and Kuro doesn't know Kuro's age, they don't know the other have siblings they have cut contact with and they don't know each other's dreams, they've never had an actual conversation especially on equal grounds, but also they know each other's mannerisms. They know each other's favorite foods. They know the sound of each other laughing and crying and the feeling of each other's warmth. They know each other but they also don't know each other at all!!!!! Crazy crazyyyy dynamic.
The "it's us vs the world" is so so strong with them especially from Mickbell's end, and can you blame him? Can you blame him when he's been kicked down like a dog all his life and he sees that in Kuro too? And perhaps no one else can ever understand Mickbell and know and stay with him like Kuro does, even when they can't even have actual conversations. This is it for Mickbell, Kuro is all he'll ever get in his mind and he's intent on never letting go, he's all he'll ever get and us all he wants and he cannot, will not, ever, let him go.
And the whole snarling-growling thing is very interesting too, especially since that's contrasted with Kabru (scroll down here for pictures). Mickbell has little experience with kobolds beside Kuro but also his first impression of Kuro was seeing him bite and maim a man to death. Kabru has experience with kobolds from his homeland where they're seen as more serious threat than cute doggy people, where there was fighting and rumors and presumably contact too since Kabru learned some of kobold language and he was only 6, AND Kabru has trauma with monsters and beasts in general. When Kuro growls, Mickbell goes "hey I told you to stop growling that's scary :/", and Kabru goes "Kuro, what's wrong?". And this is sooo so fascinating to me. Part of this already is again the language barrier, Kabru can ask Kuro to comfortably explain the issue where Mick cannot (he could still try though since Kuro can still speak some albeit broken common), so with Mickbell Kuro only has body language that doesn't come naturally to non-kobolds to communicate with- but Mickbell dismisses it as regularly as he doesn't. Part of it for Mickbell is having been on the other side of Kuro when angry, having seen how scary he can be and afraid himself- but then why? Does Mickbell still get scared of Kuro when he snarls and acts like that, the way a lot of us flinch when someone gets mad and yells? Does Kuro feel more unpredictable then, and that's scary for many reasons? Or maybe it's because he's scared of the way others see Kuro, that others will dehumanize Kuro if he emotes in ways like this. From where they come living on the streets, looking wrong at the wrong guy can cost a lot, so Mickbell may have extra developed a sense of keeping your head down at the right times and not provoking when risky- and he can't fully control Kuro so when that choice is out of his hands things feel a lot more shaky. Of course though in any case, growling or no growling Mickbell sticks with Kuro, keeps holding onto him when he snarls, it never crosses his mind to step away from Kuro or leave him behind, consequences or uncertainty be damned. Just, the justified concern mixing with the unhealthy possessiveness and controlling, the genuine fear... It represents their wider relationship pretty well in just one example.
He fucking sticks with Kuro with the baths!! Many bathhouses don't accept kobolds but Mickbell tirelessly keeps looking for one who will, Mickbell and Kuro are a PACKAGE DEAL and it stays that way even when it's inconvenient for Mickbell. Mickbell washes Kuro and spends hours brushing him afterwards with immense care and patience, there's effort there on his end too there is consideration and love!! They are sooooo ride or die!!!! "Now you're the cleanest dog in the whole wild world, no one can look down on you"!!!!!!
They have incompatible dreams of the future, Mickbell wants to settle down in a house and Kuro wants to travel, both want to do it together. My thing with Mick & Kuro post-canon is the only ways I see it develop and go down is: 1) Kuro becomes able to easily converse with him and their relationship changes with a lot of rough bumps but slowly and surely towards something better and/or 2) Kuro leaves to travel here and there while Mick manages the house, they’re still in a life partnership but they’re ok being apart for a while now. Mickbell learns that leaving doesn’t mean there’s no coming back and to live beyond each other ykyk <3 But while Kabru himself is hopeful that when Kuro becomes fluent in common Mickbell and Kuro can "really become friends", their post-canon blurbs break our hopes for a near future resolution, specifying that Mickbell "still works Kuro hard". They open a variety store together! I like to call it Mick & Kuro's knick knacks <3 Does Mickbell still keep his prices and product descriptions dangerously close to being scammy? Possible! He's earned it though he has his own store brooo his own building his own business... I know that shit got him emotional We do see that Kuro gets him to be healthier slowly but surely though- in the last chapters we see him push Mickbell implicitly towards the half-foot guild! Kuro is protective but not possessive and he encourages Mickbell to get out of his shell, reflecting how he talks about Mickbell as someone needing support and gentle care & understanding- he was being real about noticing his issues and wanting him to become happier.
Once upon a time back in my early days of shipping mickrin I entertained the thought Mickbell's attachment to Mickbell may have a romantic nature mixed in as well, whether it'd be "genuine" or maladaptive's too complex for me to say- but what was funny is that even in that case to me nothing changed. I think that in a world where Mickbell likes Kuro romantically, he would neverrr ever make a move because he'd be too terrified Kuro would dislike it and leave- so instead it just gets lashed out in different ways and he vents & seeks that out in other people kinda hoping it'd be Kuro or whatever. Kuro's too precious to risk is the thing. "It's us vs the world" and if Kuro leaves then is when he would be truly alone- like I mention in the Mickbell & Kuro I linked I think Mickbell is very afraid of change. It's why I think the possible future of Kuro learning to talk common well would be rockier than we'd assume at first- and I think in that fear of change is the fear of changing the nature of their relationship and lowkey even the fear of deepening it- What if Kuro starts actually understanding what Mickbell always says and decides Mickbell is stupid and unlikable after all? What if Kuro starts talking and Mickbell doesn't like what he says? What would Mickbell do if Kuro started being more inquisitive, asking more questions and requesting more things? Mickbell is terrified of Kuro having agency and it's for a reason!! Mickbell lowkey dehumanizes Kuro as a possession sometimes because that's less scary, because Kuro being a full person with his own wants and thoughts detached from Mickbell is scary!!
Mickbell needs to be Kuro's whole world- because if Kuro got a taste of the rest of the world, everything else there is beside him- beyond him-, then how could Mickbell possibly compete with that? How could Kuro choose Mickbell over the world? And the irony of it all the thing that gets me choked up is that along it was never a competition, the world has always been Kuro's love, travelling is his main interest, and he wants to travel it with Mickbell- The world is wonderful and Mickbell's presence doesn't take away from it but enriches it, makes the world even more valuable and treasured and life more enjoyable and full and god. God!!!!!
So yes these are insane coworkers to have and this is the dynamic that has Dia and Holm side-eye Mickbell and ask him when he's planning to free his house elf. Imagine having a group project in school and these dudes are in your group.
Rin & Mickbell
The hater duo, no 1!!!! Dia & Holm is the second one but they can't hope to match these two's intensity and hater aura. This is our moment to breathe we're getting back into Kuro & Mickbell madnedd after
I compile their most relevant interactions here, and you can also see a small compilation of them combining their hater powers on Kabru here. There'S a lot of things that make them really fun to pair up, like how they're easily the top 2 most unpleasant bitter Kabru party members and how they like each other best anyways lol, or how they're both in a codependent situationship- and they both have similar defense mechanisms of most things getting filtered through anger, but what's especially interesting is how they're different in the worst way, in Rin's codependent relationship she's the one who gives and devotes herself, the self-sacrificial one, and in Mickbell's codependent relationship he's the one who takes and takes, the self-centered one.
That's already me getting lost in the sauce though because these two are just coworkers and that ends there- in fact with the tavern comic about Rin smiling we see that they get along much more at work than outside of it. I think why they get along is exactly that blunt and critical nature of theirs- Neither hesitate or bother with politeness or little games to say what they have on their mind and when something's a bad idea- it's why with even just a "you see this shit?" glance at each other they get steeled and soothed into reluctantly agreeing with Kabru, "Well, if Mickbell/Rin is okay going along with Kabru's plan, it must be fine after all... Not that we won't shoot him with laser beams with our eyes". Like I said earlier even though Mickbell can be manipulative, but he emotes very strongly and openly and is very blunt as a rule, he seems to value in others the same type of directness that he has with emoting and interacting, as seen with his distaste for Rin being a tsundere in the same tavern comic. You could reach and theorize his distaste in Rin acting all happy because Kabru complimented her, despite her still being very sour, is also from a feeling that she's being easily manipulated, which could be interesting... But yes yes, and similarly Rin is drawn towards someone who is similarly severe with high standards and who's very cautious with plans and money, and with her distaste for Kabru's own playing around and fake politeness it's interesting to think she'd find someone who's authentic to the point of being unabashedly unpleasant refreshing. So yes yes, they're united in haterism, and they look to each other for opinions, and they sit together, and when they meet Laios' party with Toshiro's Mickbell tugs on her (the only other who took a hard stance on wanting the "thieves" to pay) dress to go "hey you see these bastards?", and when Rin casts waterwalk on the party it feels very familiar- which shows still how much familiarity the party has developed together. They don't get together to have a laugh or have fun, but they seem to be each other's favorite coworker and be often on the same wavelength, easily understand each other's thoughts from even just a glance.
You can feasibly theorize Mickbell has a crush on Rin and is jealous of Kabru for it, considering he's always hanging around Rin when it isn't Kuro, how he hangs onto her on the regular, when he sighs seeing Rin and Kabru argue because Kabru flirted, when he's always on Kabru's case, when he's the only one who brings up Rin & Kabru's relationship, when he gets frustrated she doesn't laugh at his jokes and says she woud be much cuter and more charming if she smiled more- which we see Mickbell beam at. Misogynistic energy? Yes. No one said Mickbell hasn't some incel tendencies in him lol. I don't think that's the intent though and all these things can be easily explained by other stuff, but all of these together make it a coherent angle, if you so wish for it. Mickbell lashing out at those he likes because he's insecure when he doesn't have their full attention who'd have thunk! The mickrin manifesto is coming another dayyyy though I can't get more sidetracked
Kuro & Kabru
I already went into some things a bit like Kabru's reaction to Kuro growling despite his trauma wit hbeasts and experience with kobolds' nastier side, and I have a post where I let myself ramble about the two of them here- I'm sorryyyyy I'm sorry everything is so interconnected I can't not repeat myself and link stuff!! But once again I'll cover the bases here- In a non shippy light but also the original post is 90% parallels and analysis too
So their relationship is really interesting in many many ways. Kabru is teaching Kuro to speak and write common in secret, which shows many things already. In the party he's by far the most considerate and caring of Kuro, we see him listen to Kuro's worries about Izutsumi also. We see him ask Kuro about his opinions, for Kuro that's revolutionary, we see him take Kuro's concerns seriously and extensively talk about them and he accommodates with talking kobold as well. For being the one with monster & demihuman trauma, he's the one who humanizes Kuro the most- perhaps because it forces him to take Kuro seriously and keep in mind the whole of him, not only appearances or behavior, in an hypervigilance and "I know what you are" way, if that makes sense?? We see Kabru's urge to spend time to give a voice to the voiceless, to help this one dude, his coworker living in questionable circumstances. And all of this, again, despite his trauma, despite him saying it's best to assume communication with demihumans is impossible in the kobold extra!!! Do see the irony!! And many say that Kabru only said that because it was the Touden siblings and he wanted to say anything to make them think twice about blindly approaching the "cool cute desert dog people", but even if that's fully the case I still think it's interesting that he'd be willing to throw demihumans he spent his early childhood coexisting with under the bus like that- in a way.
He's giving Kuro knowledge... Teaching him like Milsiril once did- the thing he himself most grateful to her for. From one disempowered person to the other he's teaching societal survival skills. He's tutoring Kuro on his own best weapon: words. And he does this in secret, with no laurels and no reward, at night on the regular. I think their dynamic really goes to show just how much Kabru cares about others, how even though he sees Kuro as more "photorealistic" and less cartoony than the others, both because he knows the dangers of kobols and he takes them more seriously- and inadvertently emphasing on the beastly animal side taking away the endearing exaggerated features..... Even then, he's so so very considerate, and kind, and he cares, and how much he wants the world to be better and equal and for everyone to live well. And this shows in how the nightly sessions are also a way he gets to interact with Kuro away from Mickbell's eyes- This is where Kabru inquires about their relationship and learns about Kuro's vision of things. Whenever Mickbell steps in Kabru immediately folds, makes himself as non-threatening and unimposing to Mickbell as possible and steps away without resistance to ease his worries, but when he's away Kabru and Kuro can actually talk. And Kuro does open up to him, and hearing his thoughts Kabru learns about them andconcludes that both of them are overprotective over the other- He sees that the issue and the overattachment isn't oneway, and acts in kind. Kabru keeps an eye on them, as seen also with the end of the extra about Izutsumi's scent, helping in the ways he can, subtly through acts like helping Kuro learn common so one day he and Mickbell may talk.
Kabru is likely the closest thing to a friend Kuro has currently, beyond Mickbell. Which is crazy to think about!! But also man I want you to imagine them having their late night study sessions, talking about their home the western continent together for a bit. Kabru gets to talk about the desserts he couldn't talk about in the elven kingdom and Kuro recognizes them, in just talking about the weather they find so much commonplace, in traditions and myths and habits and ways to be- And maybe from where he's from Kuro's heard of the evil eye as well, knows that tallmen with blue eyes are rare and seen as bad omens, disowned and chased out of cities, but Kuro offers no judgement and so Kabru offers none in return. Like their arrows towards each other are "kobold" from Kabru to Kuro and "he speaks my language", and that's so crazy!!!! That's so little but that's so crazy!! And I truly cannot handle typing these thoughts again so just scroll down here but my god my god!! The heartwrenching isolation of them.
Ah yes- there's also something to say about how only he and Mickbell don't follow Kabru with any solid sense of loyalty! Everyone else praises Kabru's cause and says they're there for him to achieve it, but Mickbell stays quiet on that lol and almost walks out at one point- and then Kuro very straightforwardly says that he'll follow Mickbell whatever he decides- As much as Mickbell is Kuro's "employer" Mickbell is Kuro's leader, Kabru might be the team coordinator in his eyes and he does respect him, but the only cemented in loyalty he has is to Mickbell. Ironically, he's also the one who rates him as a party leader best! At a high 95% score. Which still shows just how much Kuro likes and respects Kabru... And also might show how low his standards are, since the party keeps dying under his lead- Kuro hasn't had great impressions of bosses and workers' rights after all- like with people's behaviors and living conditions and whatnot he has bare minimums standards, a very low bar, like him thinking of Kabru as "The guy who speaks my language!" something that should be so normal, being able to communicate with someone in a language you're comfortable and fluent in, has become something exceptional and precious.
Kabru & Mickbell
Okay this one is sooo interestingly layered. So there's a lot that goes into Mickbell's onesided beef with Kabru- I can try to summarize it as that Kabru seems effortlessly charismatic.
Part of it is as Mickbell puts it here and here, that he's afraid Kabru will steal Kuro away somehow (and that's without knowing about their study sessions). Kabru is so charismatic and likable, and kind something that as we se Mickbell tends to approach with suspicion- nothing in this world's free. Believing that Kuro only stays with Mickbell because he has to and that Mickbell successfully fools him, it's not hard to see him being afraid of Kabru "telling Kuro stuff" that'll convince Kuro or turn him against Mickbell, "he's a smooth talker, don't let him kidnap you"! It's again that belief that Kuro is easily fooled mixed with Mickbell's belief that no one could choose him over others if they had option- who wouldn't go for the cool and handsome charismatic witty tallman? Even his fave coworker who's just as severe as him is all wrapped up around his finger after all. And then there might be more general jealousy at work, about Kabru being an ideal with all these qualities and how well off he seems despite being broke too, Mickbell possesses so few qualities and his party leader that he finds incompetent on top of everything else just has "every quality given to him on a silver platter" or whatever resenting drivel Mickbell would think up. And then yes there's as I put it, the incompetence- Kabru and Mickbell think & operate in very different ways, Mickbell is very direct while Kabru is very indirect, Mickbell is very practical while Kabru is very guided by ideals- they have very different conceptions of "the end justifies the means", very different goals of self-serving vs greater good. They have different morals and views on retribution with the corpse retrievers, he's the one who pushes most against Kabru's plan of keeping going into the dungeon even after things go wrong and so he's the one who gets his concerns dismissed by Mickbell most, alongside Rin. Like with Rin he seems to see Kabu as reckless and as someone who takes things too lightly, which as someone who takes his job very seriously is frustrating, and like with Holm and Dia too he seems well aware of his flaws with people and his "fakeness", which doesn't endear him lol. Also someone stubborn- which from someone stubborn to another is always a sign of a great war incoming lmao.
And I do want to reiterate the beef is onesided!! Kabru is maybe even the most charitable and patient with Mickbell. As much as Holm let him and Kuro crash for a night, Kabru was the one to give him the money to go to a bathhouse. You can see his look of concern at stinky Mickbell in the first panel lol.
Again I'll share this comp of Mickbell and Rin being on his case, to see some examples! And my personal favorite:

And notice the Dia-Holm sideglance in the next-to-last panel. Is it a "he spitting some truth rn" or a "Ahh Kabru is on his corny shit again"? Wouldn't you like to know lmfao
Daya & Holm

You looove to be unbothered and uninvolved in the love square happening. The hate triangle if you will (Kuro isn't involved in that one he dgaf). You looove to just give professional opinions on the party's plans and that's it, you love keeping things to yourself and being a quiet pillar of the party rather than anything showy or flashy. I just love their side-eyes I just love making them quietly judge everyone especially togther, "you are my partner in sanity" fr.
Even together they don't have that strong a bond, like with Rin & Mickbell it starts and ends with their work dynamic pretty much. Still, consistently over and over again when the party divides itself into subgroups naturally, these two gravitate towards each other. As above a Daydream Hour shows them hanging out (off-work considering their outfits?) and points out that they're the party members "closest in age", 58 and 76 respectively, the oldest beside them is Rin at 24. Developmentally, with just proportionally comparing their lifespan to tallman's and calculating in kind Dia would be 23 while Holm is 30, so this thing about being closest in age seem to be about them both being longlived races, thus having a more similar sense of time and outlook on the world for it. They do seem to be all around the most mature and well adjusted of the group- although those appearances can for sure hide some deep flaws we just haven't been able to truly notice.
OTHERS?
These are the ones I felt were worth commenting on but they all have litle dynamics between each other, with Mickbell & Daya the least probably, for example if you want Holm & kabru thoughts I made a ship post about them and compiled most of their interactions. Like, I do like to summarize Holm @ kabru as "i won't talk about it but damn you live like this??". Holm @ most of the party actually lol. Holm has bigger fish to fry anyways, like Mickbell, who already outranks Kabru there and then crashes at his house on top of it. Holm and Rin often team up to talk about magic, when shopping or when Kabru asks something.
Daya and Holm have less strong & deep dynamics because they have less ties, simple as, they keep themselves less entangled in what's pretty much office life- yes they're willing to risk their lives to dungeon dive with th party, but that's as with any adventurer, as with everyone desperate and unstable enough to have it as their main job. Rin is tied to Kabru so that gives her importance, but Mickbell and Kuro have each other so it gives the party dynamic around them a lot of layers already, their personal lives are more shown during canon and extra because of it, meanwhile Holm and Daya both keep to themselves much more and their personal lives are only hinted at in extras, they don't have drama on the regular in front of the rest of the party the way the others do lmao.
Conclusion
Kabru’s party is in a bit of a weird spot in the main story- I think we can agree they’re characters that feel largely forgotten by the story after a point, and don’t matter all that much. I do think they have a narrative purpose, but. It's all about Kabru and setting his character up, similarly to how Namari was to give Marcille growth and Toshiro was to give Laios growth, it offers us an early Kabru to compare middle and late Kabru with when it comes to relationships and alliances, and with how much they fail and the few scenes they have where Kabru has his mask on and even coldly rebutts Rin I think we're supposed to see the flaws in his way to lead and work in team, where Kabru changing on that end would be for the better. They're a window into Kabru's shortcomings in teamwork and social life, his status quo at the startof the story. Laios' team was as successful in the main story because they truly came together, became friends who revealed their authentic selves to be stronger even when they worked together and were all very different from one another- but what Kabru does is try to hide and compensate for flaws, especially his own, and he hides things from his party and he keeps himself at a distance from it. Laios wasn't all that different with his party pre-canon, but where in the emergency of current events Laios shed pretenses at the risk of being disliked and rejected by others, in early manga Kabru instead tightens his grip on trying to control the party- why Kabru pushes his party members into his plans with less and less care for their opinions with his rebuttal of Rin as the peak of that- until he even lowkey isn't all that motivated by his party members being hostages lol. Like- am I making sense??
Analyzing labru vs kabumisu interpretations of Kabru is honestly very interesting because the two ships' fans seem to often have a completely different take on him. Kabumisu fans tend to emphase on Kabru's need for agency and empowerment and labru fans tend to emphase on Kabru's need to learn to compromise and not taking everything upon himself only, and see like, both are true both are good, and which of the two ships you like more depends a lot on these subconscious little differences in interpretation you naturally develop I think, because while I'm a double agent I myself prefer labru a bit and I naturally lean towards the "Kabru has lessons and change to do" angle, where with kabumisu often the focus is on not Laios gaining understanding from another but Kabru gaining understanding from another. For Kabru to grow vs to be validated, for him to finally feel safe and comfortable, and that to be achieved either through growth or through comfort, though both through understanding one another. It's about trust it's about understanding others on your own terms vs theirs it's about how being willing to open up and delve in relationships makes your understanding of people better, truer!! Understanding others, debatably the biggest theme in Dunmeshi!! Anyways don't tell the fandom I said that
In the wider meta narrative- Dunmeshi has a big theme of conforming and fitting into society, all its main character have that as a big theme- Laios being a misfit, Marcille being a half-elf, Chilchuck being a half-foot in a bigoted society, Senshi being an exiled hermit, Izutsumi being a beastkin… The experiences are varied but it’s an universal theme, everyone has things they're ostracized for somewhere or other. And I think all of Kabru’s party have a facet, variance of that that’s interesting, one that’s less about social acceptance and finding your place like Laios’ party but has a bigger focus on economical struggle, Kabru and Rin are to put it very short powerless child refugees, Mickbell and Kuro are dirt poor, Daya was threatened to fit into a strict mold and Holm was put in jail for academic studies. They have codependent relationships and emotional unavailability all around in different ways, there's isolation as a theme there too. That also is largely a Dunmeshi theme. Does no one have a fucking healthy good thriving social life? A good work-personal life balance? Being in touch with yourown needs and feelings perhaps? The triforce of things you can never have all at once in dunmeshi. But all these similar yet different hardships, all these people with hard to pin down exteriors- it's all about understanding too. How can you judge without first understanding, you know?
They're doubtlessly minor characters, but they're also part of that large tapestry of diverse people that's needed for Dunmeshi to do what it does, thematically and narratively. For that final battle to have so many different people come together to fight on the side of humanity, for all its habitants for all the facets of people in it, together. "If even one thing had been missing, we wouldn't have gotten here" as Kabru puts it himself in the next-to-last chapter. This is Dungeon Meshi, everything is interwoven, it's all a web because our environment shapes us as much as we shape it.
They get sidelined by the story. much like they were by Kabru- but he does have their loyalty, like how Laios' party stuck together through it all, even Chilchuck and Izutsumi, and when it's time for the final battle they're there to help and it matters, they matter. Relationships, trust, goes both ways, it shouldn't be onesided. If someone proves genuine why not try opening up? Kabru's party always trusts him and show up when it matters- Because to put full trust in another is terrifying and risky, but sometimes it'll pay off, and still always they take that step to trust their leader. Trust and love and care isn't a transaction, earned or not, and all you can do is try to appreciate it and repay it in care. In the end Kabru's party reminds us of those things, that despite everything we all need someone.

#Dungeon meshi#Analysis#Meta#Mickrin#mickuro#Kurokabu#Kabrin#Clinging onto mithrun when they fell was a “do you prefer dying falling in with me or when you let go and I teleport you into the wall”#And that makes it so much more poetic man. Choosing to cling onto Mithrun- onto the key to pierce the dungeon's mysteries#Even if it's a longer shot. Even if it throws him right into the dangerous depths of this place he hates so much#Kabru inspiring Mithrun to live his life dedicated to work that'll help and keep others safe truly. Aughh#See!! What we can accomplish together!! The combined power of labru and kabumisu makes for a more complete arc 💥💥#I think the beauty of kbms is finding understanding easily within another once u open up and i think the beauty of labru is *growing*#to understand someone once u open up and working towards it slowly and finding it v rewarding- both which have seeds in canon imo.#ahh the rewards of opening up#My tastes mean i obvi go for the more character arcy confrontional labru more 🫶 but ya different faces same coin theme wise imo#Which makes sense. Since Kabru's arc centers around them n is well written. I really thought i wasn't gonna talk about kabru much 😭😭#I eventually wanna make an analysis entirely centered on Kabru's morality lmao. Maybe one dayyy#It's like w anything- now that it's been 2 years and kabru's grown more familiar 2 me i understand him more so he scares me less. Lol#Dunmesh lesson is we're better n stronger together rather than divided who'd have thunk. Human connection is the most valuable thing bwuh?!#Fumi Rambles#Labru#kabumisu#Maybe this is me doing the Laios dragon fan thing but I still would only call myself a casual Kabru fan. Even now in the throes of kurokabu#Gdbgd kurokabu may be the most 'third secret option' ship i've ever shipped. Best of both worlds though#Lots of kabru growth but also a very cozy comfortable relationship where understanding is suprisingly easily reached 😌#god I am in the codependent feels rn. writing this post making me go through all stages of grief!! ET SI TU CHERCHES ENCOREE MA VOIIIIX#Oublie-moi🥺 le pire c'est toi et moi... Mais ma meilleure ennemie c'est toi! Fuis-moi- Le pire c'est toi et moi. Je t'aime je te quittes#Frothing at the mouth. Insert art of werewolf ripping its shirt off THIS IS DOOOOONE#This is just so large i cannot hope to alone crack the code & tie everything up concisely this is the beast of me trying tho
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it must be said that i’m always on some level thinking about mercer and gage can we talk some more about mercer and gage i feel like we all moved on too quickly from mercer and gage
#rereading the s2 transcripts and they’re really hitting this time around now that i feel like i can focus on stuff outside#of the mcs and their arcs. truly a pair that deserves to be enshrined in the toxic codependent twinship hall of fame i love them forever#who wants to hear about my post finale fic idea where gage and worlds most 100% alive definitely living girl carpenter somehow find each#other and form a relationship that is decidedly not like family but is nonetheless still really weird. as like a healing thing.#*stares in podcast rambling*#tsv#the silt verses#tsv s2#the silt verses season 2#gage tsv#mercer tsv
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IM SURE YOUVE ALREADY EXPLAINED IT SOMEWHERE but.. may i ask about the story in bitter choco decoration. I like those guys :)
you’d be surprised but i apparently have never talked about these particular ocs’ story in detail on this particular tumblr blog. so i shall do just that…. i tried to summarize but it got kind of long oops, as it always does when i talk about my mentally ill ass ocs
so! as u might already know the guys in the video are rikki and william, and the animatic happens from rikki’s pov. rikki is basically the golden child of the family—smart, well-behaved, always keeping her parents satisfied, etc etc. generally she is put under a lot of pressure a lot of the time. and then her family decides to get an insurance child so to speak—just in case rikki fails in life—but they don’t want to go through the trouble of raising another one, so they decide to adopt.
that’s where william comes in, baby! now he is decidedly Not the golden child. he is the problem child. parents thought they could reform him—well, not much to show for that. but him and rikki surprisingly get along, even though they’re opposites. william actually gets someone who cares about him for once and wants him to be okay, and rikki gets someone who wants her to be more bold, stand up to others and consider what she herself wants instead of people-pleasing. he even gets her to make snide jokes and cut her hair. they’re best friends, it’s nice. for a while.
but, none of it is perfect. you know how rikki always seems to be smiling even though she’s clearly not having a good time? and you know all those red eyes that appear pretty much everytime william’s on screen? rikki has so many layers of masks that william never really feels like he actually knows her. and william, even though he mostly wants rikki to do her own thing, can still kind of be selfish and controlling (because he’s a teenager, and traumatized, and scared of losing his best friend, but it doesn’t change the fact that rikki feels the same pressure from him as she feels from their parents).
so this all culminates when they’re in high school and rikki buries herself in work—she wants to secure a good education and a good job so that she can actually get them both out of this shitty abusive household. for the first time in her whole life, she has a Goal that she personally has chosen. she now has someone to work hard for. but she also ends up spending a lot less time with that someone because of her studying, and it eats at william and eats and eats until—it turns out rikki’s hard work has actually paid off. she’s gotten a scholarship, and she can leave for a good university and she’s finally achieved something that she herself has wanted to do and not anyone else. for both of them. for her brother.
except her brother doesn’t react with support, like usual. he’s not cheering her on now that she’s fulfilled her dream and beyond. he just looks betrayed. because they’re best friends. they promised to be there for each other, to get out of this hellhole house together. how could she leave him behind? how is he supposed to make it without her, who is he going to have on his side? william loves her and wants her to be happy but he doesn’t want her to leave.
so in turn—because rikki is a) an avoidant little bitch who would rather masterfully evade conflict than try to have an opinion and b) doesn’t want her brother to hate her forever and not speak to her ever again—in turn, rikki, as always, as second nature, lies. i mean, it’s her dream, it’s something she’s been working towards for years, but she’ll stay. she’ll leave it behind. it makes perfect logical sense to her—best of both worlds: she doesn’t spend the last summer at home with her brother resenting her, and she still gets to actually go to university. it is basically flawless.
all up until, you know, the day comes where she actually has to move out and go to university. and william inevitably finds out that she lied to him. and they fight. it’s not good. it’s not happy. they end up separating on really bad terms, and not talking for the next 7 years because william runs away from home pretty much soon after rikki leaves (it’s not shown in the animatic but he does go MIA, rikki visits home once on holiday to find that her brother is just Gone, no one knows where he is, her parents couldnt give less of a shit, not great all around!!!) then rikki ends up graduating and looking for an easy first job, just to kind of set her foot in Job World.
unfortunately, it is also the exact same easy, convenient job that her brother ends up picking. hoo, boy. long time no see.
#suffice to say. their current relationship. is. Um. strained to put it lightly#it does not spark joy#they both think the other didn’t care about them and abandoned them#even better than that rikki sort-of-tried-not-to-think-about-it-but-still-sort-of-thought that her brother might’ve been dead for years#so. that’s also fun#they have a really fun relationship and it makes them amazing coworkers#and their other coworkers do not feel like they are children of divorce witnessing another silent fight#when they have to deal with rikki and william#cramswering#amd yes the eyes in the animatic are a symbol of pressure. white ones are just general pressure + from rikki’s family#and the red ones are pressure from william in specific. u can see as the animatic goes on that the red eyes appear more and more#and yes as you can see i hve done it again and created fucked up siblings in the petri dish of my mind. but they came first before the#mentally ill robot siblings. and yes they were very much inspired by the stan twins. the first iteration for will’s and rikki’s backstory#was almost like a gravity falls rewrite. except they were just best friends. Then 2 years ago i was enlightened by holy visions and ever#since then they’ve become the world’s most insane codependent siblings to exist#but do not fret for one day they might talk it out maybe. and by that i mean fight it out and make everything even more awkward#you know how it is
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Kim Kitsuragi my fucking belovedddd
[Image ID: A screenshot of text from the game Disco Elysium. It reads:
YOU - "You needn't have worried."
KIM KITSURAGI - "But I did. Anyway..." He looks around, a little uncomfortable now.
ESPIRIT DE CORPS [Easy: Success] - Dammit, you're a grown man, the lieutenant thinks. Shouldn't have gotten *protective* here.
End ID]
#anywayyy i don't exactly ship kimharry persay. i think the idea is fun but absolutely implausible in the canon world#& like i think most other aspects of the characters and the game are more interesting then the potential of harry and kim kissing#that being said. i feel like this could be very indicative of how their relationship would be. kim would be overprotective in his own way#he wouldnt talk to harry about feelings he wouldnt try to control him ever at all. but he would worry. he would try to protect him#they would be dysfunctional and vaguely codependent for sure but isn't that the charm#disco elysium
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the more photos i see of jgroff and danrad being cute at the tonys the more i just want to get to the frank/charley part of my fic but APPARENTLY i have to also write the rest of the fic to do this. have you guys heard about this.
#bee posts nonsense#see the issue with writing a throuple is i have three times the work to do when it comes to developing relationships#i can barely write ONE believable relationship let alone three. between three of the world’s worst communicators.#with the most insane neurotic codependent relationships of all time.
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Mann….out of all the things my brain could of brought up to wallow in RIGHT before going to sleep did it really have to be the realisation that I’m like. Completely alone in the world. I genuinely have no stable, healthy relationship like at all. Not even with myself. I know I don’t deserve nor am capable of forming and maintaining a relationship of any sort but like GOD DAMNNNN
#maybe not totally alone in the world#got my mom and dad but#lets the brutally real for a second#that shit is the most fragile on and off atomic bomb codependency with a side of walking on eggshells and caretaker burnout#i guess i just mean that i dont have any healthy relationship in my life atm#fun.#also getting that middle of the night urge to text my old bsf who basically ghosted me#rationally its not a good idea#which is whats keeping me from doing it#but man do i want to be passive agressive#bitter#fond#well wishing#wanting to start over when we’re older#a mess of all of the above#oh btw moots#im sorry but#as much as I appreciate the lil interactions we have#its hardly comparable to a relationship#perhaps some of us could become friends if it wasnt for the fact that i know full well im not#im not a good person to be friends with trust#especially right now#all you’d be getting would be a clingy mess who cares little about you actually because im selfish lile that#literally all I want to do is play the games i like together and seldom try yours#i think i make for a fun conversation partner but thats about it#and even then i interrupt and butt in all the time#also dealing with my indirect venting through my posts and therefore worryng about me ending my life would also be unhealthy asf#trust me i know i have many times gone through being friends/generally caring and worrying about someone who self harms/wants to die#it is a nightmare to deal with when you genuinely care for them#so please dont get attached like that to me
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Y'know what hello, how're you doin
This is a free ride to ramble about Any subject that's been plaguing you lately. Go off.
HIII NYM TY FOR THE ASK, IM DOING GOOD
just got back from a trip and I spent most of the time thinking about some obscure ass fandom I was in that just suddenly came back to my brain???????? this fucken movie out of all things came to HAUNT me
red shoes and the seven fucking dwarfs - that movie about body positivity and the pressure of being perceived as ugly in a society that values appearance over everything else and the double standards that come with that, whose marketing royally fucking sucked and made everyone think this movie hated fat ppl???? when the main character is this girl
and she loves herself and is confident and knows that people are most likely to help her when she puts on those red shoes that make her skinny. and the movie pokes fun at all those makeover / sexy protagonist moments in romcoms and shit with genuinely funny recurring gags. like its not a revolutionary movie, but its a pretty good movie with very nice rep and i just KNOW that if it came out during the time ppl were making edits of merida, jack frost, hiccup and rapunzel, they would've ADDED the twink ass love interest guy because LOOK AT HIM?
mf is so 2010's fandom bait its not even FUNNY
like i was obsessed with this movie back in 2019-2020 or so and then a few weeks ago my brain was like "didn't you have. an OC for this?" and i went to check my art folder AND YEAH. I DO HAVE AN OC FOR THIS. I DID MAKE AN OC BASED ON THE QUEEN OF HEARTS AND THE JABBERWOCK
WHY? because theres a character in the movie that is literally. Prince Average. thats his name. hes based on the hunter from snow white and hes the lamest funniest bitch in this movie. i have zero respect for this blond lanky ass twink. his VA made a GREAT job at voicing him and adlibbing his lines bc hes so very hateable in a way thats super fun. i grabbed him by the back of his stupid ass shirt and decided he was my favorite and that i was going to inflict him with infinite amounts of projection and development and depth based on two lines in the movie and a single scene in the credits sequence
and he fucking lives in THIS castle???? sir???????? SIR?????????
"how is this related in any way to your OC, Prince?"
ITS SO VERY IMPORTANT TO ME THAT EVERYONE UNDERSTANDS I LOVE DYSFUNCTIONAL HOMOSEXUALS WHO ARE AWFUL PATHOLOGICAL LIARS, IMMATURE AND SHITTY, AND FULL OF EMOTIONAL BAGGAGE THEY INSIST ON IGNORING TO THE POINT WHERE YOU CANT TRUST THEM WITH THE NARRATIVE BC THEYRE TWISTING EVERY LITTLE THING TO WHATEVER IS CONVENIENT TO THEM.
AND ??? I JUST HAVE. ALL THIS ART ABOUT THEM. AND THEN 5 DOCS DETAILING SO MUCH SHIT ABOUT THEIR RELATIONSHIP AND HISTORY AND PARALLELS AND MOTIFS ???
and then i got possessed to rewrite an old ass fanfic about them and i dont even know how i got here i havent thought about this fucking movie in a year or so
long story short i love latching onto Some Fucking Guy that is Painfully My Type and making him into my own little OC. everyone consider watching the movie, it rlly is pretty funny lmfao
#im not even done talking about them i have thoughts and opinions and so much shit in my brain#do i think about the relationship of two guys who met each other at their most honest. and who drifted apart so violently#that the idea of reuniting is painful bc it means allowing the one person that had faith in them to see how they ended up#anyway. they were also meant to kill each other but we dont have to talk about that#fellas is it gay to befriend the person who was meant to kill you. become codependent of each other. ghost each other for 10 years#and then have the universe force you two back together to break a curse bc even though you guys no longer recognize each other#youre still the only people who actually KNOW the other. in the whole world. the ONE person who tolerates your ass#they cant stand each other. they can pretty much read each others minds. theyre divorced. theyre obsessed. they deserve each other
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i have a question, how come people are saying that imodna is toxic or codependent as of recently? it just came out of nowhere and i am really wondering if there's something i missed.
i havent seen anyone saying that at all recently? but also i dont engage really at all with fandom imodna stuff so idk. i saw takes like that more during the early campaign and they were unfounded then and are unfounded now too. you havent missed anything people just love to be wrong
#imodna isnt the most healthy relationship in the world but they are not toxic or codependent#askbox of inquiry
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So I know I said no stalien relationship charts tonight but I never said no dynamics infodumping tonight so erm
Behold. The basic dynamic characters and what very broadly they represent. Some additional notes under the cut 👍
So! To clarify some things, it’s important to note that while all of these can be used as their own independent word, they’re rarely used as such to describe a relationship unless you Really don’t want the person you’re speaking with to know more details, or you are like talking to your boss or smth and are trying to be professional. Even in these situations however, a few of these words are seen as a bit weird, although not unheard of, to describe a relationship with by their own. For example, the clash one is usually seen as more of a modifier to surrounding dynamics, with passion being a similar case. Also important to note that the ones for liking or disliking someone is used pretty conservatively generally speaking, with them mostly used for situations where one is particularly giddy or particular upset to be around someone very consistently. No one can like stop you from using either more liberally, but you’ll probably come off super strong if you do, which tends to turn people off. On the other hand, feel free to use deep or distant very liberally, even combined, as they tend to be the much more general and vague dynamic pieces, and mostly just are used as approximations for how much space the other occupies in ones head.
Now, for this next part, let’s use an actual example on how these pieces are put together and how you describe your dynamics with others in different situations
This is Busy and Dancer’s dynamic, with them having the fairly standard 3 ring dynamic that most good friends will have. More or less rings can be had, but more than 3 is very uncommon, mostly due to most digital spaces and jewelers not supporting more than 3 rings. Generally speaking, the center represents the most boiled down component of the relationship, and this will be the word you use if you are being super duper vague about your dynamic with someone. For these two it’s the pretty standard deep, as they are very close and spend most of their time together. The surface layer usually covers the way you’d describe your relationship to others offhand, so either a simplified version or an altered version that leaves out parts that might be too personal for you to want to share. You may also chose to include things you don’t fully see as part of your dynamic, but think are applicable enough that it’s worth note, such as the like segment that these two have. You also typically will divvy up the space on the ring according to the impression you’re trying to make, which for these two is that they have a very close relationship, and that when they do butt heads it’s affectionately.
The second ring tends to be where things get more complicated, as they’re generally meant to represent the “true” relationship of the individuals involved, and as such how that relationship is conveyed varies wildly from individual to individual. These two have taken a much more simple approach, taking what they see as the consistent cores of their dynamic and not bothering with any extra segmenting. Extra segmenting within one dynamic piece is a common practice used in second rings, usually to emphasize a piece, or to draw attention away from other pieces. Busy and Dancer don’t see much need to place extra emphasis, so they simply use the method of scaling them by relevance. With deep again being their most important piece to them, with clash and passion being the other two bits of consistency they settled on. So for their second ring dynamic, they are basically communicating a close relationship where they sometimes fight, but would still stick with eachother to the end.
Now the last important thing to note is that while it’s commonly expected that people who are particularly close decide on one dynamic circle that encompasses both of their feelings, this is not the norm for most dynamics, and most won’t even communicate their dynamic with the other at all until a second ring is established. Having a second ring with someone basically establishes that they regularly have had a noteworthy impact on your life, and that your relationship is complicated enough that you feel that you two do have a properly established dynamic. It’s generally seen as very important to be able to clearly communicate your dynamics with others that you interact with regularly, and while it’s not uncommon for people to stretch the truth or even flat out lie in their dynamics, it’s still seen as more socially normal than only using one or two descriptors for your dynamics. Most staliens from this society would find the word “friend” to be a frustratingly vague description of someone’s relationship with another person, even if their own words for describing relationships also tends to get kind of vague and interpretive lol.
#rat rambles#eternal gales#oc posting#woof! that was a lot to try and explain without going on for too long#and busy and dancer may not have been the best example to use but they’re the one I have so!#but yeah I once again want to reiterate that the words I use to describe each dynamic pice are not fully accurate#for example distant can also be used to just mean not knowing someone super well#and deep doesn’t inherently mean complicated or involving in depth knowledge#it’s commonly used that way but it can also just mean that you consider this person super relevant to your life#but many won’t use it like that consistently because then every boss in the world would be defined by it#and there’s already another piece that’s mostly used for that#speaking of serve can also be used to mean dependency but only when used on its own#like it’d be seen as super weird to include it as a piece of a ring for someone who isn’t someone you work under but it is occationally seen#as a dynamic core in particularly codependent relationships that are open about that fact#in general though serve is the most rarely used of the bunch as outside of workplace environments any impression it can leave can also be#made with another piece without the extremely personal implications#and since a pretty sizable chunk of the population rarely directly interact with their superiors or only have one or two over the course of#their lives it’s just generally an uncommon piece to see
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I miss Melisandre.
#I miss all of them but. Idk the other women either got to be happy or I saw & appreciated the tragedy/narrative resonance of their deaths#HER death was just...nothing about it was set up it served little to no purpose I just get sad about it#and I have been able to find some groups of Enjoyers™ for some of the less popular female characters but...not for her as of yet.#unfortunately.#she's just...idk y'all she has the most incomprehensible ''moral'' code and she's essentially in a codependent relationship with her faith#and she has this very off-kilter way of looking at the world because her ideas of 'good' and 'bad' are incredibly skewed and there just...#aren't really a whole lot of characters like her#I wouldn't even say that I relate to her but I sure do appreciate her#honestly I gotta write something from her pov again someday that was really fun
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i'm going to say something outrageous but Lucy, the one who wouldn't sacrifice an entire community to get her dad back more easily, the one who has been raised to do the morally correct choice, who IS good and kind and brave, wanting to have one thing she'll protect above all, one situation in which she gets to be selfish, and being willing to sacrifice a chance of victory/other people's lives to save the life of the person she loves. I want that. (love can be platonic or romantic, doesn't matter) Lucy NOT getting to be the hero who can say 'yes I'll sacrifice you to save everyone else' and taking responsibility for it, being the opposite of her father who found all too easy to kill his wife once she was 'threatening' his way to live. Which may not be canon at the beginning of s1, but I can see as a potential development from the ending & it's the only way I'd accept her being changed by the Wasteland.
#and yeah I know tumblr loves to throw the words toxic or codependent when it comes to relationship where the good guy will risk#the entire world for the person they love but i just call it being human and hoping there'll be another solution that doesn't involve#killing the one person they love most. because maybe there is and what if they didn't find it only because they stopped looking?#lucy wishlist;#muse: lucy#show: fallout
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Kfkdks
#messages from knave#im making breakfast and im gonna list my observations from three years of weird living situations#younger siblings of big age gaps will see most interactions as a form of soft combat until trained out of it#but when actual clmbat happens they're used to not having any sway so they don't actually know how to act in arguments#siblings with codependent relationships have their own internal langauge that they apply to others. not sure if they realize they do it#but they'll hold you to the same rules they've mentally created for each other without explaining them#siblings of ALL stripes will approach situations with a set idea of how communication works. and even if it's not a logical way to communica#they'll expect you to also communicate in that way. and if you can't or refuse they'll shut down and communication stalls completely because#they can't fathom doing it any other way except the way they and their siblings socialized each other to do it#siblings with adversarial relationships don't take outside advice and will take attempts to give advice as manipulative. not their fault#oldest siblings are the most conflict averse people on the planet. oldest sinlings say#'is anyone gonna balloon this situation out of proportion by avoiding it for as long as possible' and not wait for an answer#siblings who were regularly appointed as hall monitors will see any interaction with you as transactional#a hallmark of a dysfunctional sibljng relationship is someone who thinks telling you NO is worse than going through a situation they do not#wanna be in. and then they'll complain about it endlessly#and then they'll be like 'i don't want favours from my parents because they'll hold it over me' and never make the connection on their own#people cannot anticipate your needs with their minds. they are sometimes going to ask you to be a part of things you don't wanna#you're NEVER gonna be able to live in a world where people will stop asking you to be a part of things that's not feasible#had one say once 'people should just know not to ask me along for plans I can't get to people should know not to invite me'#and you know dude that's just now how stuff works. there's a difference between 'x cant drive so they can't help me move my dresser' and#'i know xs work schedule so i shouldnt infomr them of group plansnon the off chance they could make it so they don't feel left out'#people with hyper competitive siblings can't fathom that other people won't know how to do stuff. i don't just mean athletes but siblings#with that scarcity mindsetnin general like they can't handle people not having the same knowledge base they have. it's a survival thing#and NO having a life of suffering doesn't make you correct all the time has literally anyone else watched heathers#youngest siblings always have the most deranged dating stories and the oldest in a set of age gap siblings always has the WORST taste in men#< that's directed at my sister and no one else that's a personal diss not a real observation#only children have one thing. theyre SUPER weird about splitting the grocery bill#food is NOT communal to only children I've learned firsthand. Also they'll be perfectly fine sharing anything else BUT food usually#weed. loans. bathroom supplies. dishes. ect. but NOT food#meanwhile sibljngs are a little TOO comfortable chowing down on stuff they didn't buy. bad roommates are bad roommates
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i feel like a lot of Jason and Bruce's relationship can only be explained if you understand the depth of Jason's isolation while living with Bruce and the depths of codependency the dynamic fostered.
Unlike Jason's predecessor and his successors, Jason never had a superhero team. He wasn't deeply connected to the superhero community. He didn't really even have friends. His world was school, the manor, and Batman and Robin. Robin, being a piece of his identity and his first sense of belonging. Batman and Robin as a dynamic requires synchronicity and a lack of questioning. It's about doing what Batman says. Jason, who lived in constant fear of being abandoned again, or kicked out, did his damnedest to not step a toe out of line. Jason was looking for safety and a parent who loved him, and Bruce stepped into that role in a way Jason had never experienced before. (mind you, Bruce himself was dealing with the conflicts regarding his relationship with Dick and no longer have Dick's presence.)
When Bruce and Jason started to have tensions themselves over 'excessive force' and the Garzona's situation, that read to Jason like rejection. And rejection, in a codependent relationship is cause for severe alienation and isolation. Jason had zero people to turn to; and the single person he loved most in the world didn't trust him anymore. Bruce had ripped the little bit of emotional safety that Jason felt away. So Jason went to find a mother who might want him.
point is: Jason Todd can never leave Bruce Wayne. Not in the way his other siblings can. Bruce Wayne is the center of his universe, and the only person Jason ever fully trusted. Jason wrapped his identity into being loved by Bruce, into being the son of Bruce. Into being Batman's Robin. Which is why being replaced felt like confirmation of all of his worst fears. It's why nobody else seems to understand the depths of this betrayal the way Jason does. Jason thinks his relationship with Bruce is normal. He thinks that Tim has replaced Jason in this codependent bond. That Tim has somehow played the part better than Jason did.
It's why Red Hood can't ever move on without Bruce proving to him that he is worth killing the Joker for. It's why Jason keeps crawling back to the batfamily despite the constant cycle of abuse and conflict. Bruce is gravity, Bruce is the sun, and Jason's world revolves around him and what Bruce says about him. If Bruce says Jason isn't worth it, then he's not. If Bruce says Jason is, then he is. They're soOOoO "Love me like a god and I'll betray you like a man" "I bet on losing dogs" "i'm going to die in the universe you loved me in (before you decided you didn't)" "I was fifteen when you left and I have been fifteen ever since" "losing your faith in your parents feels like losing faith in your religion"
@prlssprfctn <- bless you for this panel <3
#I think dick and Jason easily have the most codependent relationships with Bruce#but Dick didn't have the same specific parental abandonment issues that Jason did#and Dick wanted to be free#and Jason wanted to be wanted.#seems neither got what they wanted#Jason todd#batfamily#dick grayson#Bruce wayne#batman#jaybin#Robin#DC comics
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Astro Observations~51
A lot of people with a mars square Venus I notice tend to be bisexual/homosexual ( especially if you have a Scorpio Venus and a mars in Aquarius) I also tend to notice these ppl have an issue with cheating in relationships. They usually grow up seeing a lot of dysfunction in relationships.
People you share that you share a lot of 5th house overlays with can make you laugh like no other
Mars in Taurus people usually prefer ppl who are more submissive. Ppl with stronger personalities throw them off. They usually prefer to be the more dominant one in their relationships (platonic & romantic)
Usually people with a Capricorn rising also have Neptune in the 1st house
Venus in Sagittarius’s people can be more open with dating more than one person. Very adventurous in love. More likely to date someone with a different cultural background than themselves.
People with a lot of 5th house placements are easily aroused/ have a lot of hookups. They also tend to develop crushes easily and have a lot of ppl who have crushes on them (especially Venus and mars in 5th house).
Venus/mars in libra usually develop crushes on anyone who’s mildly attractive and give them attention. Very easy to impress.
Venus in the 12th house have such a hard time in romantic relationships. They have this clear image of the perfect person but end up with really abusive mentally ill partners in return. Most of their spiritual growth comes from failed relationships.
You tend to act like your 12th house sign while young and as you age you grow into your 1st house/rising sign.
Gemini risings either never shut up or are as quiet as a church mouse.. no in between
Libra suns with a Scorpio Venus are WHORESSS
Pisces moons can be very codependent on others. A lot I notice struggle with being independent they try to escape from responsibility a lot and struggle with the practical areas of life. I also notice this with cancer moons as well but not as bad.
Cancer moon men are big mommas boys
Leo moons were usually spoiled a lot by their mothers. Other siblings could’ve felt they were the favorite child
Mars in Leo’s love language usually is words of affirmation. They love when others acknowledge how good they are at something or how attractive they are. Can take criticism a lot harder than most.
Mercury in the 12th house can make you feel like you are a shadow. When you speak people usually never listen or make you feel like your thoughts are un important
Venus in Virgos are by far the most selfless in love. They will give you the world if they love you. However they are usually treated very poorly in love:( they are the best people to date but have such sucky luck in the love department and their love is usually very one sided. the definition of “nice guys finish last”
Saturn in the 7th house people usually fall in love with others that don’t feel the same way about them
Leo suns thrive off of attention whether the attention is good or bad. They just want to be acknowledged so bad.
Venus in Libra women tend to act dumb to seem more attractive to men
Venus in Taurus’s love language is cooking for their partner & they are usually amazing cooks!
Taurus placements can be big haters when insecure. They have a tendency to project their insecurities onto others.
February Pisces act more like the stereotype definition of Pisces. They are a lot more naive and emotional and more hopeless romantics than the March ones. The March ones are more nonchalant, reserved about emotions and independent!
Saturn in the 5th house native usually don’t start dating until much later in life. They can be kinda awkward when it comes to love. Can choose to lose their virginity later in life. They can come off as lacking a lot of depth and be very vague when talking to someone they are into (even if deep down they are very deep). They also tend to waste their talents most ppl with this placement tend to be incredibly talented but don’t use it out of insecurity.
Having an empty house in your chart can make that area of your life not as significant to you or it doesn’t come as naturally (eg; empty 10th house can struggle to find a career they are passionate about or they aren’t too ambitious in that area)
People with a lot of 12th house placement are super secretive, they hate when others know too much about them. Can put on an act or hide their personality from others a lot.
Venus in the 5th house people are super charming. They can be grotesque and still pull the baddest bitch I swear.
Venus in Libra women either are disgusted by women who come off as too masculine or are super intrigued by them
Mars in Pisces are more likely to get bullied by others because of how passive they are. They have a harder time standing up for themselves and hate conflict. This can cause them to get walked on a lot.
Capricorn moons can come off as lacking empathy. Really hard people to open up to emotionally because they always look super uncomfortable and can make you feel awkward for being vulnerable.
Aqua Venus/moons cut off game is CRAZY, once they’re done with you it’s like you never existed to them. Your existence is erased from their mind. You can be close with them for years and they’ll leave like you meant nothing to them if you really fuck up
Fire suns really like talking about themselves. They can talk about what they are good at for hoursss.
Aries suns have a big main character complex.
Aries suns, moon & Venus women can have a hard time being feminine. Even if they are all dolled up all the time they have very masculine personalities usually. They also hate girls who are very pick mes
Air Venus’s get the ick more than most Venus signs. Which is why they are considered players
Moon in Aries have great eyebrows
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dad’s best friend ambessa perhaps ..? :3 i love ur age gap fics ur so talented
⋆ come, and be my baby.

dad's best friend!ambessa x f!reader. men & minors dni. synopsis: you've always been a troubled, searching girl. ambessa, your father's long-time best friend, is your self-ordained solution. cw: age difference, older woman/younger woman, reader is implied to be between 22-24, emotional hurt/comfort, dom/sub, dom!ambessa, sub!reader, you're a little bit of a conniving bitch still love you tho, unhealthy relationship dynamics, codependency, slight emotional manipulation, listen you had to lock in, non-sexual intimacy, pleasure dom!ambessa, rough body play, manhandling, pet names, lesbian sex, dildos, vaginal sex, implied penetrative sex, implied strapping, oral fixation (ambessa), praise kink, mommy kink (specifically mama), implied exhibitionism, overstimulation, multiple orgasms, squirting, begging, spanking, impact play, face sitting, desk sex, you guys are definitely freaks but you love love love each other.
notes: hi, honey baby. this might be the most erotic questionable thing i've ever written. i hope you're happy with it. i went a little overboard and a bit non-conventional with the trope. i adore you & thank you for requesting, mami.
two things in this world reigned absolute: that you were glad your life would only be lived once, for you couldn't do this again, and that you were ambessa medarda's favorite girl.
the medardas were a family heavy with conflict, and perhaps that's why the matriarch and your father were best friends. they both were volatile people, sometimes prone to cruelty, with soft spots for certain people that were darkened with rot at the edges—perfumed with the sweet notes of their rage.
you were both of their favorites, and therefore, when your parents got divorced, you'd acted through the narrow scope of a confused and aching little girl and chose your father. once you'd shed that naive nature, you traced your way back to your mother in secrecy. you indulged in hushed phone calls in the middle of the night, timing your exits from your room with the fading beat of your father's boots as you left.
every month, she promised to get you.
the glass would fog with your breath as you waited in that tall, flaking phone booth, each passing car's headlights casting long shadows across your face. you memorized every crack in the booth's floor, every water stain on its ceiling, until they became as familiar as your own disappointment.
you wore the same outfit: thick, wool tights in burgundy tucked under the gleaming straps of your mary janes and layered underneath the dark denim of your favorite jeans. you cradled yourself into a black turtleneck, your hair tamed into two plaits that rested against your neck underneath the fabric. your eyes would be wide and searching, one hand gripping the curved handle of your brown leather suitcase and the other shaking around your well-loved copy of prozac nation.
she never came, but you showed up every time.
one night, a maserati did skate up to that ancient meeting spot, and you straightened from where you'd been dozing standing up. an overly tinted window rolled down, and you were met with the strong gaze of ambessa medarda, whom you hadn't seen since your early days. you didn't remember much, just yellow-tinged memories of being spoiled by her and being picked up and tossed into the bright sky above the farm she owned.
she must've moved back.
at first, she said nothing, just cataloged your most recent iteration of your "going with my mother" outfit and worked her jaw. finally, she leaned over and popped open the door before leaning back and letting you make the choice. embarrassed and teetering on the edge of emotional collapse, you slid in and shut down as she pulled away. this was how you met her again. seventeen and sobbing, emotionally wrought and disappointed from all angles. you probably came off unbearably young, dreamy, and unprepared for the challenges of real life.
it was only later that ambessa revealed that her first thought was that you needed a mother, that you needed her. that you were a girl abandoned and fighting your best against the more experienced hands of life.
⋅˚₊‧ 🕯୨୧ 🦪 ‧₊˚ ⋅
from then on you were her newest daughter, until you weren't. you noticed how 'miss' became 'dear' became 'darling,' each new endearment a step closer across the chasm between you. the way she said your name changed too, softening at the edges like butter left in sunlight.
by nineteen, you were practically sequestered to her house by your personal desires, curling at her hip as you grew into yourself. even now at an older age—still far younger than her—you came home from university only to lay all of your belongings in the warm wood of your makeshift bedroom (the guestroom, really). she taught you to appreciate aged whiskey, watching with amusement as you struggled not to grimace at the burn.
"small sips, little one," she'd say, her hand warm against your lower back.
you learned to love the taste, if only because it meant sharing these quiet moments in her study, the leather of her armchair creaking as she leaned forward to pour you another finger's worth.
you and mel even developed a soft friendship that lessened the tension between her and her mother, tall arguments tempered by the agreement that they would not aggravate your ptsd from the divorce days. sometimes you caught mel watching you both with worried eyes, but you'd grown tired of other people's concerns.
you'd rather have this - ambessa's fingers absently playing with your hair as she read reports, the way she automatically ordered your coffee exactly how you liked it, the subtle possessiveness in how she introduced you to her colleagues.
regardless, you knew that you and ambessa's relationship spun on an axis that could be labeled uncomfortably intimate, maybe even imbalanced. for all that everyone said, you couldn't find it in yourself to be concerned. you regarded her as all that you had, something that wouldn't leave.
she indulged you, kissing your forehead when she came in from a day at work or texting you about what replacements you had wanted for certain items on the grocery list. she rarely called you by your name, always coaxing you forward with firm, warm pet names. they were swollen with affection, a doting '(my) sweet girl', 'baby girl', or 'little one.'
your favorite one was invoked from a spontaneous trip to paris to meet an art collector she'd purchased from, only to return bearing handcrafted soaps and a penchant for calling you 'chouchou.' that stopped about two weeks later, but you wrote it down under your list of desired tattoos. what didn't stop was the way she'd buy authentic silken scarves to tie around your neck with careful precision, her fingers brushing against your pulse point in a way that sent you shivering.
the shift was gradual, like watching shadows lengthen at sunset. one evening, as thunder rolled outside and rain lashed against the windows of her study, she pulled you closer than usual. ambessa’s fingers traced patterns on your skin as she read, and when you tilted your head back to look at her, she met your gaze with an intensity that made your breath catch. the thunder cracked again and the peeking champagne of your bra strap slipped down your arm. still, neither of you moved.
the moment was eventually broken by mel’s surprise of coming home for the weekend. you pulled yourself upright, intending to put together a small plate for her. before you could leave, ambessa strolled up behind you and adjusted the strap, so that it was firm and held tight to the delicate bones of your shoulder.
for a moment, you thought you’d felt her lips right beside it.
⋅˚₊‧ 🕯୨୧ 🦪 ‧₊˚ ⋅
"you're not a little girl anymore," she murmured one night, weeks later, her voice carrying the weight of aged whiskey and unspoken promises.
you were curled in your usual spot beside her, but everything felt different - charged with an electricity that made your skin prickle. you couldn't remember when the maternal comfort of her touch had transformed into something more, but you knew there was no going back.
"i haven't been for a while," you replied, your voice steady despite the way your heart hammered against your ribs. her hand found your chin, tilting your face up to meet her gaze, and you saw in her eyes the same hunger that had been growing in your own.
your fingers traced the rim of your whiskey glass, ice long since melted. the study had grown dark save for the amber glow of her desk lamp, catching the silver in her hair like moonlight on water.
you'd noticed her watching you more lately, her gaze heavy with something between concern and desire.
"you remind me of her sometimes," she said quietly, breaking the silence. "mel, when she was younger."
the comparison should have stung, but you knew better. you'd learned to read between her lines, to understand the weight she carried. you were not mel's replacement - you were something altogether different, more dangerous.
you set your glass down carefully, the crystal making a soft sound against the carpet.
"i'm not her," you said, voice steady as you rose from your chair. "i won't leave."
the words hung in the air between you, heavy with promise and threat. her laugh was low, throaty.
"no, baby girl. you're nothing like her at all, are you?"
she spoke the endearment deliberately this time, watching how it made you shiver. you'd both been playing this game for months - you with your calculated vulnerability, her with her careful restraint.
you moved to stand behind her chair, hands resting on her shoulders. through the silk of her blouse, you felt her tension, the way she stilled like a prey animal. but ambessa medarda was nobody's prey, and you both knew it.
"i need you," you murmured, the words leaden. you were trying not to sound as crazed as you felt . "and you need someone who needs you."
her hand came up to cover yours, her gold rings dense and cool against your skin.
"you're very clever," she said, something like pride coloring her voice. "i should send you away."
"but you won't." you pressed your lips to her temple, breathing in the scent of her perfume - something expensive and french. mango wood and black rose if you remembered correctly, discovered during your illicit investigations of her bedroom. "because you understand me better than anyone. because we're the same."
she turned then, catching your wrist in a grip that walked the line between gentle and controlling.
"the same?" her thumb pressed against your pulse point, counting out the rhythm of your wanting. "you're barely older than my daughter."
"age is just a number," you said, and then laughed at how young it made you sound. "no—that's not what i mean. what i mean is that we both know what we want. we both know how to take it."
the silence stretched between you like spun sugar, delicate and sweet. outside, leaves skittered across the gravel drive, and somewhere in the house, a clock chimed eleven. you watched emotions play across her face - desire, concern, resignation, hunger.
"if we do this," she said finally, her voice rough like aged bourbon, "there's no going back. no playing innocent. no running away when it gets hard."
you smiled, all teeth and triumph poorly disguised as submission.
"i told you," you said, sinking to your knees beside her chair, resting your head against her thigh like you had a hundred times before - but different now, charged with intent. "i'm not going anywhere."
her hand found your hair, nails scraping gently against your scalp.
"my clever, terrible girl," she murmured, and you could hear in her voice that she'd surrendered to this animal between you. "what am i going to do with you?"
you turned your face into her touch, lips brushing against her wrist where her heart copied yours, beat for beat.
"keep me," you said simply. "just keep me."
the study grew quieter still, the only sound was your shared breathing and the distant whisper of wind through bare branches. you'd won, you knew, but then you'd been winning since that first night in the maserati, since you'd looked at her with calculated tears and let her save you. you loved her - truly, deeply, with all the fierce possession of your young heart - but you'd learned from your mother's absence that love wasn't enough. you had to learn how to hold on to what you wanted.
and oh, how you wanted this - wanted her, with her silver-streaked hair and elegant hands and eyes that saw right through you and wanted you anyway.
her fingers tightened in your hair, and you looked up to find her watching you with an expression that made your breath catch. the lamp clicked off, and in the sudden darkness, you felt rather than saw her move. her hand cupped your cheek, thumb brushing across your bottom lip.
"stand up," she commanded softly, and you did, letting her guide you until you were perched on the edge of her desk. the wood was cool against your thighs, a sharp contrast to the heat of her body as she stepped between your knees. "are you sure about this?"
your answer was to reach for her, fingers curling into the cotton of her blouse.
"i've never been more sure of anything."
the clock struck quarter past, and the last autumn leaves rattled against the window as she leaned down to kiss you, tasting of whiskey and an affection hard won.
you kissed back lazily, squeezing your thighs together as one of her hands came to direct you by the base of your neck. she slotted the two of you together, lips sliding and grasping at each other between soft inserts of tongue. your teeth seemed to buzz with unnamable energy as she leaned forwards, hands bracing around you, so close to cupping your ass.
you needed her touch, needed to know whether your fantasies had been well-conjured or only pathetic in their imaginings. you’d spent nights tucking your fingers into yourself, trembling quietly as you pictured the shape of her mouth and how it would fit over you.
as if reading your mind, ambessa firmly spread your legs apart with a forceful hand and came closer to you. you let out a weak moan as her teeth scraped your neck, a hand coming to press down on your stomach as if to see how much space she had to fill.
you were so immensely grateful for the flimsy structure of your sleep shorts, the fabric tugged easily down your legs by only one of her fingers. she used that same finger to feel out the shape of your clothed cunt, her throat trembling with a low sound of satisfaction.
you were wet and desperate, wrapping an arm around her broad shoulders so that you could grind against what was now two fingers.
ambessa moved your panties aside with no great effort, sliding a finger into your tight heat. gradually, she built a rhythm inside of you until you were bucking where she held you. after a minute, she slid it out and into her mouth.
“mmm,” she said consideringly. “my babygirl is so sweet for me.”
you’d swallow a boat of fucking blackberries if you had to, choke them down despite your allergies and sealing throat if that meant she’d taste you again.
“ambessa.
she laughed and you saw her eyes glittering in the dark, the light brown so bright with want they seemed gold. it was then you realized you’d never said her first name alone before, and she must’ve realized as well because her hand suddenly clenched around your throat.
“do you remember when you turned twenty and got drunk with those miscreants from the town over?” your mouth twitched at her avid disgust. she could be quite classist. you’d work on that. “you don’t because you practically drank your body weight, but i do. do you want to know why?”
you gasped out a ‘yes’ as she used her free hand to grope the peach of your ass before switching to thumbing at your pebbled nipples.
“i remember that birthday because you stumbled into my room and climbed into bed with me.” you felt dread rising. “you bumped against my back, like a little bunny, and worked yourself into quite the state. and the whole time you kept apologizing. you were saying ‘sorry, mama’, all slurred and saccharine, over and over till you finished.”
you were so hot with shame you could’ve set the house burning. she smiled, slow and teasing, as she pinched your nipple hard. you let out a high moan.
“i liked that.”
you were squirming now, two of her massive fingers back to stretch your pussy.
“i liked it very much. i had to make sure not to wake you as i fucked myself.”
your eyes widened, like two coins, as the words registered. ambessa laughed again and lowered to her knees, yanking you forward so your ass hung off the edge of the desk. she was still tall enough to tower over you, shadowing the sopping mess of your cunt.
with an annoyed roll of her eyes, she pulled her fingers away and reached behind you, returning with a pair of scissors. with two efficient cuts, your panties were hanging in tatters around your hips. your pussy was exposed in all of its pink glory and it pulled apart with a soft squelch as she pushed your thighs up and out, guiding your hands to hold them for her.
she tugged a hair tie from around her wrist, drawing her gray mass of curls into a loose bun. several strands fell around her face, but she only pushed them impatiently behind her ears. you slapped your hand around blindly, eventually flicking on the bright desk lamp.
“i want you to see me,” you breathed, and she cupped your cheek.
“i’ve always seen you.”
and with that, she went down. she started with a long, luxurious lick up your cunt, her lips suckling around your clit as she reached the top. you moaned loudly and dropped your hands from your thighs, raising them to tug and pinch at your tits. she kept your legs open by sliding the bulk of her back between them, sliding back down to lap at your hole.
for someone as rigid as ambessa could be, she was messy when eating you. she didn’t care to savor, not right now. she’d wanted you for what felt like forever, and you wanted to black out beneath her.
she further spread you open, thrusting her tongue into your heat and feeling you clench. back and forth she went, slobbering over the pink of you until you were tearing up. she suctioned her mouth over one of your lips, large and gleaming, pulling away so that it slid from her mouth with a wet extended ‘pop!’. you clutched at her head, rocking yourself into her unforgiving hold. she blew gently over your hole, watched as it fluttered.
“mama, please.”
tenderly, she grazed her teeth over your clit, soothing the sting with her tongue as she sank three fingers inside of you. ambessa fucked you hard and fast, your tits bouncing as you whimpered with a hand over your mouth. a hand came down like thunder on your ass, the crack hard and hot. you wailed and clutched at her, begging her to go faster, to mark you, to swallow you whole.
“there you are, baby girl. tell me what you need.”
“mama, wait—” you shuddered around her crooked fingers, the world turning white as your head grew hazy. “wait. mama.”
“hmm?”
you scrambled at her, pushing her until there was enough space to slide from where you’d settled at her wrist. wobbling, you turned on your hands and knees, pushing your ass up into her face and falling into a brutal arch.
“like this please.”
“anything for my girl,” ambessa said and you shook because you couldn’t see her face but you could feel her voice.
her fingers dove back into you, her mouth joining the effort. you were floating, only briefly aware of the consistent slaps to your ass through the pain ricocheting pleasantly through you. you pushed back, fucking yourself the way you wanted. she let you, steadying you when you began to lose rhythm.
“bessa, i can’t—i can’t see you,” you slurred and she hummed into your weeping pussy.
your stomach grew tighter and tighter, the world narrowing down to the way she slurped and worked into your cunt. you gripped the opposite edge of the desk, extending yourself as your orgasm began to boil over. quickly, ambessa swung herself under you and brought you down on her face. her arms flexed around your stomach, the corded muscle circling you as she moaned into your cunt.
the vibrations set you off. you felt like you were flying, like you were fucking free.
“oh shit, mama. fuuuuckkkk.”
your voice was unrecognizable to yourself, cracking and raspy. time stretched and winded. you knew your legs were shaking, that you’d squirted over her and yourself.
you didn’t know how, but ambessa was undressed now and rearranging you like a doll. you were back up on your knees, but she was draped over you with her heavy tits branding your skin with their warmth and weight. her hair was down and around you; it smelled like her shampoo, a curtain of coconut and cinnamon.
she bumped her hips against you, caught the silicone tip of a dildo again and again against your loose hole. you turned your head and opened your mouth like a baby bird so she could spit into it, stuff her fingers in.
she began to break into you, bullying your cunt into accepting her cock. you did what you always did. you pushed back and let her in.
you only ever gave her what she needed.
⋅˚₊‧ 🕯୨୧ 🦪 ‧₊˚ ⋅
morning light filtered through dense curtains, casting the bedroom in baby pink. you watched your rings catch the light as you stretched - the marquise diamond throwing prisms across egyptian cotton sheets, your simple gold band warm from sleep.
you'd chosen them together - ambessa insisting on the marquise cut for the engagement ring (something as unique as you, sweet girl) while you'd wanted the classic simplicity of the wedding band, a quiet echo of forever.
the bedroom remained your favorite place - all cream linens and dark wood, familiar as breathing. in the mornings, you could pretend time stood still, pressing chapped kisses against her strong bare arms in the quiet before the day began. sometimes you climbed on top of her, sunk as far as you could into the broad helm of her body.
despite the passing years, she remained your most fortified sanctuary.
"baby girl?" ambessa's voice carried from the en-suite, still commanding even wrapped in morning softness.
you could hear the water running; a bath being drawn.
“coming, mama.”
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