#World Television Day 2020

[rabbitcruiser]

World Television Day

The first World Television Forum was staged by the United Nations in the mid ’90s, and it was out of this event that World Television Day was born. The forum brought together leading figures from the media industry to analyze the growing impact that TV had on decision-making and public opinion when it comes to issues of peace and security around the planet.

The History of World Television Day

In December 1996 the United Nations General Assembly proclaimed the 21st of November World Television Day, the same year the first World Television Forum was held. Acording to the United Nations, this decision was taken in order to give recognition of the increasing impact television has had on decision-making by bringing various conflicts and threats to peace and security to the world’s attention, as well as its coverage of other major issues, including economic and social. World Television Day is not meant to be so much a celebration of the electronic tool itself, but rather of the philosophy which it represents–a philosophy of openness and transparency of world issues. Television has long been thought to represent communication and globalization in the contemporary world. However, not all of the government representatives present saw matters quite that way. The delegation from Germany said, “Television is only one means of information and an information medium to which a considerable majority of the world population has no access… That vast majority could easily look at World Television Day as a rich man’s day. They do not have access to television. There are more important information media and here I would mention radio in particular.”

How to Celebrate World Television Day

The most obvious way to celebrate World Television Day is by watching television. But what? Surely not vulgar reality shows offering little to no value of any kind to their audience? World Television Day is a time to rewatch and relive some of the greatest moments of television that helped bring the reality of a rapidly technologically advancing world into people’s homes, forever changing their lives and how they perceived the world. 1954 marked the launch of Disney’s “Wonderful World of Color”, a family-friendly variety program that mixed iconic cartoons, drama and documentary programming. The very first televised presidential debate between Republican Vice President Richard Nixon and his challenger, relatively unknown Massachusetts Senator John F. Kennedy in 1960 changed the presidential elections forever. For the first time ever, American voters actually saw the candidates present their ideas, which worked greatly in favor of the young and handsome Kennedy, who went on to win the election. And few moments, if any, in television history could ever surpass Neil Armstrong, Michael Collins and Ed “Buzz” Aldrin’s moon landing in 1969, which many people consider to be a pivotal moment in their lives until this very day–after that, nothing was going to be impossible again.

World Television Day was established as a way of bringing focus back to these issues on an annual basis. In years gone by major TV stations have come together on the day to broadcast tributes to the importance of television in people’s lives. The obvious way for anyone to celebrate is to turn on their TV and watch. Those that want to become more involved and have ideas about how to honor the day are welcomed to send their thoughts to the official website.

Source

[i-like-media]

Some Black History In Classic Doctor Who

Something I've been itching to make a post about as I made my way through classic who! I hope you enjoy ^o^

In the 4th season of Doctor Who (1966), the missing serial "The Smugglers" featured the first black character with a speaking role. This character was named Jamaica and he was played by Elroy Josephs! He was tasked with guarding the captured 1st Doctor, and was later killed for failing to keep guard over him.

Elroy Josephs was born in Jamaica, and besides being an actor he was also a dancer. He became the first black dance lecturer at IM Marsh in Liverpool, which is part of Liverpool John Moores University.

Elroy Josephs is often overlooked for his influence on black British dance and on November 1997, a bench and plaque was unveiled in Elroy's memory at John Moores University.

More about his influence of black dance in Britain can be read here

★

The serial immediately after was called "The Tenth Planet" and this serial featured Earl Cameron as Glyn Williams, the first black astronaut in television (I've seen people say it's actually Nichelle Nichols in Star Trek, since she appeared on Star Trek JUST a month earlier in 1966, though I'd argue the portrayal in Doctor Who is more akin to what we know an astronaut to be. Still, a crazy close call!)

Glyn Williams, alongside another astronaut, discovers the Cyberman home planet Mondas in their rocket. This is the first serial to feature the cybermen, too! Their rocket gets pulled in by Mondas's gravitational pull and they die in an explosion.

Earl Cameron was born in Bermuda, and is well known as the first black actor to take a leading role in a British film! The movie was called "Pool of London" and was released in 1951. It was his performance in this movie that led to him becoming "Britain’s first home-grown, non-American black movie star"!

Earl Cameron passed away in 2020 at the age of 102, making him the 5th Doctor Who cast member to reach his 100th birthday!

★ - ★ - ★

"The Tomb Of The Cybermen (season 5)" and "Terror Of The Autons (season 8)" featured 2 characters, both played by Roy Stewart. Both characters have been criticised for their racist depiction of a black man. In TTOTC, Roy played the character of Toberman, who was a mute servant of an expeditioner and the strongest one of the team. He had no say in any matters and was supposed to be purely muscle. He was partially cyberconverted and sacrificed himself to save everyone.

In TOTA, Roy played the character Tony, a strongman with animal furs also tasked to be brute force. He helped keep the 3rd doctor captive, but was knocked out by Jo Grant.

Born in Jamaica, Roy Stewart came to the UK with the idea to become a doctor, though he ended up changing his mind to start acting. There weren't many black stuntmen out there (they would have white people "black up"). He ended up doing a lot of stunt work and became one of Britain's top black actors/stuntmen! Though, a lot of his earlier work went uncredited.

Roy Stewart also ran a gymnasium in 1954 with a policy allowing people of all races to train together. He also opened a Caribbean restaurant and bar called The Globe in 1960, which he ran until the day he died (2008). The Globe is now one of longest-running nightclubs in London, still with a Caribbean restaurant upstairs.

"Frequented by Jimi Hendrix, The Rolling Stones, Van Morrison, The Clash and Bob Marley, The Globe became the place to be. Its notoriety was such, that even Mick Jones of The Clash named his album after it and wrote the title song about the nightclub." - The Globe Website

★ - ★ - ★

In season 5 the serial "The Enemy Of The World", Carmen Munroe played the role of Fariah Neguib, a food taster for the powerful politician, Ramón Salamander. She was a food taster by force, and rebelled against Salamander by giving the 2nd Doctor's allies important documents, revealing a black mailing side to the politician. She was shot and died in the arms of the enemy, pridefully refusing to give them information. Though sources are a bit muddy on this (1 sketchy source and the rest is my memory of classic who), Carmen Munroe could very well be the first black woman in Doctor Who. And if not, She is most certainly the first with a prominent speaking role.

Born in Guyana, Carmen Munroe played an instrumental role in the development of black British theatre and representation on tv. She played a good number of leading roles, but is best known for the role of Shirley in British TV sitcom Desmond's. Carmen is also one of the founders of Talawa, the UK's leading black theatre company, which was created in response to the lack of creative opportunities for Black actors and the marginalisation of Black peoples from cultural processes.

Today, Talawa is the primary Black theatre company in the UK, with more than 50 award-winning touring productions from African classics to Oscar Wilde behind it. In total the company has produced more than 80 productions. Our name, Talawa, comes from a Jamaican patois term and means gutsy and strong - Talawa.com

Carmen was also appointed Officer of the Order of the British Empire (OBE), which is a British order of chivalry, rewarding contributions to the arts and sciences, work with charitable and welfare organizations, and public service outside the civil service.

★ - ★ - ★

Hope you enjoyed reading this bit of Doctor Who/Black History! Please feel free to add to this post with more black history in Doctor Who!

[pedripics]

Pedri's unwavering obsession with bald men and going bald - a thread

He loved Iniesta so much, that as a kid he asked his dad to get 'Iniesta's haircut', not realising that Iniesta is simply bald

He dedicated a goal to his cousin... because he is bald

the cousin (Abraham) in question:

(yes apparently the obsession runs in the family)

His WhatsApp profile picture is this edit of him being bald with a moustache

(he told this story twice, once live on national television and once on youtube lmao)

Pedri promised to shave his head THREE times so far:

EUROs 2020:

World Cup 2022:

EUROs 2024:

This time he even got Lamine involved:

He also said recently that he dreams of going bald one day????

If you are bald, the chances are high that he's gonna love you

[vivwritesfics]

(Oh My God) They Were Roommates

Chapter Four - Bahrain

Lando Norris and Y/N L/N were teammates. Tension had been between from the minute they started driving together and, when it only got worse, McLaren CEO Zac Brown decides there's only one solution: Have them live together.

1.3K

Warnings: Mentions of sex and masturbation

Series Masterlist

About This Fic:

This is set in 2020, but COVID doesn't exist in this fic (if you want one about being in Lockdown with a driver, check out Irresistible by @dilemmaontwolegs im obsessed with it). For this fic to work, I've massively changed the driver line up and Carlando will never be teammates, but still best friends

🏎

They'd fallen into an easy pattern. It wasn't friendship, not in the slightest, but they were comfortable with each other.

For the few weeks before they were to fly to Bahrain, they found themselves eating dinner together. Or, rather, one eating dinner while they both sat on the sofa and watched television.

Y/N spent less time in her bedroom. She stopped hiding in there, instead sitting out in the living room with Lando. They didn't talk, they didn't have to. It was just nice having another person around.

It wasn't lost on either of them that the other hadn't had anybody back to the flat. She could hear him at night as he took care of himself, and was sure he could hear her when she did the same. But it was still lonely, and taking care of yourself wasn't the same as having somebody do it for you.

They packed for the first race of the season together. They'd flown out for pre season testing together and Zac was thoroughly impressed that they hadn't killed each other on the flight. They were so busy that day that the media hadn't yet seen it, though.

Y/N couldn't wait for the start of the season, to see the internets reaction to hers and Lando's living situation. They were going to lose their minds, she knew. She hadn't yet thought about the bad parts that were to come with it, though.

Flying together meant carpooling as well.

Y/N wheeled her suitcase out into the living room. She sat on the sofa and went through her phone, looking through the itinerary she had been sent over. After five or so minutes, she stood up, readjusted the orange hat on her head (a hard look to pull off) and knocked on Lando's bedroom door.

"Hey numnuts," she called as she leaned against the door. "Hurry up!"

(Numnuts - an insult, meant lovingly in this context)

"I'm coming!" Lando shouted. Y/N pressed her ear to the door, listening as he zipped up his suitcase and came walking towards the door. He pulled it open and she stepped back, allowing him to walk past.

They set off, Y/N driving and Lando choosing the music. (The phrase choosing is used very lightly here. Y/N gave him her phone and told him what music to put on and he put on what he wanted to put on. It was only when she threatened to kick him out of the car, and then pulled over to actually do so, that Lando put on her music).

They didn't talk much on the flight. Y/N had her headphones over her head, watching the world go by as they took off.

***

It was the first race of the season, where they really got to see what the car could do.

Y/N was buzzing as they went into the first Friday practice of the season. So far it had all been media, with the world finally finding out that Y/N and Lando were roommates. The news had gone up on F1 news sites and were on gossip sights only seconds after that.

It was a mixed reception. The one thing that could be agreed on was that every single F1 fan was losing their mind.

Back to Friday practices. Y/N was one of the first out on the track, pushing the car around the circuit. She loved Bahrain, loved pushing the McLaren around the corners, loved overtaking on the straights.

Her goal for the race on Sunday should have been coming first. That should have been her only goal for every race. But, for Y/N, she just wanted to pass Lando. Her wins would come; as long as she was loving what she was doing, she'd be improving race by race. At least that was her mentality.

When her engineer told her too, she came back into the garage to look at the data.

After going back out onto the track, she had dinner and headed back to her hotel room. It was weird, being in the hotel room without Lando there to annoy her.

Even just having him sat on the end of her bed, just being in his presence, would have been nice. She didn't exactly miss him, just missed being around another person. It had been a long few days without him.

Saturday rolled around and Y/N was hopeful for a good qualifying. Q3 at least. With how Friday had gone, that seemed more than possible.

But a problem with the car meant that she had to retire out of Q1. Lando made it to Q2, knocked out of Q3 by Carlos Sainz in his yellow Renault.

A weekend that had started out so promising had Y/N wanting to smash up everything in her hotel room. But she didn't she remained cool and calm, congratulating Lando for getting onto the next round of qualifying.

As much as she was pissed about her qualifying results, starting from the back of the grid was fun. She got to fight her way into the midfield. While Lando was fighting his way to the front of the grid, Y/N was fighting with Pierre Gasly in his Toro Rosso.

Lando finished fifth and Y/N finished tenth, just about in the points. If it wasn't for the fault in her car during qualifying, she would have been proud of the results she got. But she was convinced she could have gotten on the podium if only she had a working car the day before.

Her post race interviews weren't about the racing. They were about her living situation with Lando, and it was really starting to piss her off.

As much as she wanted to head straight back to England, back to their apartment, she had to wait for Lando. Lando, who Max Verstappen wanted to take out partying. Lando, who was more than happy to go with him.

But then Y/N knocked on the door to his hotel room. She had already packed away her things and had changed into something more comfortable. Although Bahrain was hot, she still wore a hoodie and sweats.

Dressed ready to go out to a club with Max, Lando pulled open the door. "Hey," he said, his eyes widening when he saw her. "You okay?"

"Just wanted to see if you were going out or not," She said quietly as she looked down at her shoes.

A pang of guilt went through him. He'd been pretty happy with the first race of the season, having only just missed out on the podium, but he knew she hadn't had the greatest weekend and it was weighing on her.

"You wanna come in while I finish packing my bags?"

With her hands in the pockets of her hoodie, Y/N walked into Lando's hotel room. His bags were half packed and she was entirely sure that he wanted to go out clubbing. "We can go tomorrow," she said as she sat in the oddly plush chair at the vanity, her legs beneath her.

"No no, I'm almost done," he said as he shoved the last of his things into his bag.

She muttered a quiet 'thank you' under her breath as she pulled her hood up over her head.

Lando packed his bag in silence. Once he was done, Y/N went back to her room to get her own bags. And then, with Lando behind her, she walked out of the hotel.

It wasn't that Max Verstappen was trying to be an asshole, but he couldn't stop himself from sending Lando pictures and videos from his night out. Lando couldn't help but hate that he missed it.

But, when he looked at Y/N as she sat on the plane, still wearing a hood but also a small smile as she watched a movie on her phone, he realised it was all worth it.

Taglist (OPEN): @biancathecool @hollie911 @topguncultleader @annispamz @carlossainzwho @spideybv28 @wherethefuckisthething @fangirl125reader @minkyungseokie @marialovesf1 @kitixie @i-wish-this-was-me @bborra @formula1mount @charlotte1697 @formulaal @eviethetheatrefreak @lordpercivalcharles @venisvendetta @marie0v @tbsloneely @laur20a23 @formulas-bitch @cmleitora @marvelavengers000 @gills-lounge @andydrysdalerogers @demipatterns @holy-macncheese-balls @jule239 @aexitizen-ln4 @landosgirlxoxo @allinestarr @starmanv @st0rmzi3 @random-human02 @nocoolusernamesavailable-blog @happymeal777 @ashy-kit @juniper-july19 @im-an-overthinker @haylenxx @kapsylia @prettiest-at-the-party

[qqueenofhades]

I KNOW he’s gonna find a way to worm his way out of it like the Worlds Biggest Bitch Baby that he is but… the thought of watching our future president absolutely eviscerate that orange sack of pond scum in a debate on national television make me feel indescribable joy. The mere thought of it makes me feel A L I V E.

I hope that if he refuses to debate her, she still stands up there by herself, looks directly into the camera and lists all the ways he’s a Scaredy Little Punk Ass Bitch.

Listen, Democrats might still have some understandable nerves (though listen to me, LISTEN TO ME: this is NOT THE TIME FOR MORE PANIC, THIS IS NOT THE TIME TO TALK ABOUT HOW SCARY THIS IS, WE KNOW! WE KNOW! THIS IS THE TIME TO GET TF IN FORMATION AND DO YOUR GODDAMN JOB!) but let me say this, the Republicans are LOSING it. They put ALL their chips on facing Sleepy Old Joe who don't talk so good anymore, and suddenly they have a 59-year-old lawyer and prosecutor who literally spent her whole elected career going after sex pests, frauds, and felons. (We remember how she made Brett Kavanaugh fucking cry at his confirmation hearing, right?) And suddenly, they have to bring it against Kamala. GODSPEED, DIPSHITS.

So yes, Trump is already whining SO hard about all the money they "wasted" going after Biden, laying the groundwork to escape getting his ass handed to him at the next debate, got stuck with a terriblawful VP pick (even Fucking FOX NEWS cut away from Vance's rally the other day because it was so boring) and suddenly realizing that he spent so much effort to make this election about age and mental competency when... now it's him. WHAT NOW, FUCKFACES. WHAT. NOW.

I'd also like to point out that abortion rights are going to be a HUGE issue, they have won everywhere they have been on the ballot (including in very red states) post-Dobbs, they will be on the ballot in several more important states (including Fucking Florida, not that I actually think we'll win there), and Kamala has a great record as a defender of reproductive freedom. Biden did his best, bless him, but sometimes the Old Catholic Man still leaped out. So the absolute fucking schadenfreude of having a black female president BEAT TRUMP IN A POST-DOBBS ELECTION??? MAGNIFICENT.

(As @silverbirching says: we wonder how many minutes it will take SCOTUS to row back the "president god-king" ruling if Kamala wins. We're guessing 15. That is, if Joe does not finally just embrace the fact that presidents are immune AND he is leaving office, and send Alito, Thomas, and Kav on a "special indefinite vacation" as an inauguration present.)

I am not overconfident. I know this is unprecedented. I know we don't have much time, and how hard this will be. This is not 2016 or 2020, and we all have to do the work and not let up. But if the Handmaid's Tale party is literally now trying to make "Kamala doesn't have children because she's an Evul Feminist" into their main line of attack, all I say is, Please proceed, chucklefucks. I'm sure that will go great.

[thepromptfoundry]

Calling all history nerds, period piece connoisseurs, and fans of time-travel plots! Decades December is coming up here at The Prompt Foundry!

This list is being posted a little earlier than usual because historical work can take some time. The list has some reference points for you to jump off from. Show off your special interest in a particular era or event, or start a wiki walk from the the Wikipedia page for each decade to learn something new!

Have fun exploring resources like @thetimelinesofslang, the Fashion History Timelines from NYSU's Fashion Institute of Technology, or the fashion plates and historical photos from blogs like @omgthatdress or @historical-fashion-polls!

If you use this list, please tag me here @thepromptfoundry, I’d love to see your writing and art!

Feel free to combine different days' prompts with each other, or combine them with other events! Use your OCs, your favorite characters from media, your own experiences, whatever tickles your fancy.

Respond to as many prompts as you want or as interest you, don’t worry about missing or skipping any. Remember, this is supposed to be fun!

If you have any questions or musings, check our FAQ, and if you don't find your answer, shoot me an ask.

Plain text list below the cut:

1) 0010s Xin dynasty in China, Caesar Augustus in Rome

2) 1900s Edwardian era, Russo-Japanese War, release of the first feature film The Great Train Robbery

3) 300s Teotihuacan flourishing in present-day Mexico, writing of the Kama Sutra

4) 1910s World War 1, the Russian Revolution

5) 1440s Late Middle Ages/Early Renaissance in Europe, the hangul writing system is introduced in Korea

6) 1920s Prohibition in the US, rise of fascism in Europe, earliest sync-sound movies

7) 0070s Roman Epire, destruction of the Second Temple in Jerusalem, eruption of Mt. Vesuvius and destruction of Pompeii

8) 1930s The Great Depression, the Declaration of the Independence of India, art deco, color film

9) 1090s The First Crusade, the Liao, Xia, and Song dynasties in various parts of China

10) 1810s The Napoleonic Wars, the Regency era in England

11) 1940s World War 2, post-war rebuilding

12) 1000s BC The Iron Age, King David of the Israelites, development of the Phoenician alphabet

13) 1950s Baby Boom, Red Scare, the Korean War, rock'n'roll, zippers and television both become commonplace

14) 1340s The Black Death in Europe, decline of the Mongol Empire

15) 1590s Late Elizabethan Era in Europe, William Shakespeare, Imjin War between Japan and Korea

16) 1960s Moon landing, hippies, mod fashion, Chinese Cultural Revolution, Stonewall, Star Trek, the Civil Rights movement

17) 1770s The American Revolution, founding of the real Illuminati

18) 1860s American Civil War era, late Edo period in Japan

19) 1970s The Sexual Revolution, disco, the first video games, end of the Vietnam War

20) 2200s Whatever the future holds!

21) 1980s End of the Cold War and fall of the Berlin Wall, beginnings of the World Wide Web, the First Intifada in Gaza

22) 1660s Part of the Golden Age of Piracy, the English Restoration

23) 1990s Internet access becomes widespread, grunge, the Gulf War, the Troubles in Ireland, height of the AIDS crisis, Princess Dianna, first Pokemon games

24) 1230s University of Cambridge founded in England, beginnings of the Mali Empire in Africa, rein of Emperor Shijo in Japan

25) 2000s The “War On Terror”, rise of Big Tech, Y2K fashion, emo culture, cell phones become commonplace

26) 1880s Gilded Age, the first skyscrapers, electrification of cities, first household electrical appliances like fans and irons

27) 1640s Qing dynasty begins in China, the First English Civil War

28) 2010s Hipster culture, height of video streaming, YA lit boom

29) 500s Liang and Northern Wei dynasties in China, Heptarchy period in England, height of prosperity of the Mayan Empire

30) 2020s Present day!

31) 3130s Whatever the future holds!

[accio-victuuri]

xiao zhan elle september issue cover story

Xiao Zhan believes in simplicity. But in acting, he increasingly likes multi-faceted and complex characters.In other words, this is an authentic state of human existence. At a time when everything is being simplified, Be willing to admit that people are different,Seek communication possibilities, Be sensitive and defend complexity, This must require love and courage.

01.

After entering the entertainment industry, these things quickly became part of his daily life - cameras, spotlights, display screens, shields. Due to his profession and popularity, countless "Xiao Zhan" have emerged, including huge portraits on the facades of high-end shopping malls, the projections of an astonishing number of fans, or the appearance of characters in the film and television dramas that have been released one after another.

Right now, in the dressing room after the shooting, Xiao Zhan is holding his box of whole grain salad, vividly imitating the scene of meeting director Zheng Xiaolong.

"I was a little confused, so I asked the director whether he wanted me to be thinner or stronger. He said, 'Thinner, of course thinner, it will look so good and sharp.'" After a while, when we were taking the final photos, Zheng Xiaolong saw him again, "He said, 'Wow, you look good like this.'" From then until now, he has lost more than ten pounds.

Xiao Zhan, the source of all fission, is decent and relaxed. The glamour seen by the outside world is an added value for him. Sometimes he even forgets about it, "Really no one will care about you." Then he continues to talk about his work.

The most recent one is "Legend of the Hidden Sea", which was filmed in Hengdian for 5 months. The previous one, which also took 5 months to shoot, was "The Legend of the Condor Heroes: The Greatest Hero" directed by Tsui Hark. This is often the case with large-scale movies and long TV series. Once you join the crew, it takes four or five months. In 2022, his main filming work was "Where Dreams Begin" and "Sunshine by my Side", in 2021 it was "Yu Gu Yao", in 2020 it was "Ace Troops", and in 2019 it was "Douluo Dalu" and "Oath of Love".

There are constant offers for plays, so sometimes I can’t decide whether to lengthen or shorten the time between plays.

In the second half of 2019, when filming "Oath of Love", Xiao Zhan filmed during the day and recorded the variety show "Our Song" at night. Both were very challenging. The former was his first time to play the leading role in an urban drama, with little experience and great pressure; the latter was difficult because of the harmony, "You have to memorize all the harmonies that are different from the tune of the song and not be carried away."

"At that time, I felt it didn't matter. I would sleep for an hour or two and wake up feeling healthy again. But now my mind says it doesn't matter, but my body is protesting."

This year, he was filming in Hengdian. Later, one day, he found that his tonsils were inflamed and swallowing was very painful, but he went to work as usual. It was not until the director came over and asked him, "What's wrong with your eyes?" that he saw his eyes swollen in the mirror. By the afternoon, "I looked like a frog."

He had to go to the hospital. The symptoms themselves were common and could be stopped by taking medicine. But what he couldn't do was exactly what the doctor advised most: you need to rest.

More importantly, "My perception will become dull. I am really afraid of this, afraid of becoming mechanical and formulaic." He put the emphasis on the word "really". He chatted with his seniors, "They also said that you have to live and experience life."

In fact, a life in the spotlight is somewhat contrary to the life of ordinary people, but the profession of an actor requires him to touch as many wrinkles of life as possible.

A while ago, he watched a monologue in a variety show that depicted the current workplace situation of young people. Before entering the entertainment industry, Xiao Zhan had a studio and worked. He could understand the depression brought by work, but the new vocabulary and new tools that appeared in the workplace weakened his sense of resonance. He found that he was gradually disconnected to a certain extent.

02.

In early June, Xiao Zhan had a short vacation and went back to his hometown Chongqing. He likes to take walks very much, and one night he walked for several hours, visiting the old street, Jiefangbei, and the place where he used to work.

In 2014, 23-year-old Xiao Zhan graduated from university and worked as a designer in a design studio. Every weekday morning, he would transfer from Line 2 to Line 3 at Niujiaotuo Station, push through the crowds, and squeeze onto the light rail. Several times, he was pressed so hard that his face was pressed against the glass window.

He simply leaned against the glass to look at the Jialing River below, the strange reefs exposed in the dry season and the various people, some swimming in winter, some jogging, some fishing, with a very optimistic spirit.

He still likes to observe the people around him——

"Why are you still here so late?"

"People walking hurriedly must have just got off work and are in a hurry to go home. Their expressions and behaviors are just like when I used to catch the subway. It's the last one and you have to run. They are very panicked. Some takeaway guys are rushing forward regardless of their own safety. There are also some very leisurely people who sit there drinking beer, and then go home and start a new day."

"Everyone has their own wonderful story. It is everyone's life that makes up our society. So it's wonderful. Everyone is the protagonist. We are all filming our own biographies. What will the story of tomorrow be like?"

At that moment, he was like all those who have been busy working in a foreign country for a long time, and finally found that "I haven't been here for a long time, and there have been quite a lot of changes." "In fact, I am not particularly happy, and I don't have any other feelings. I am living, that's all."

Two and a half days later, Xiao Zhan left Chongqing for work and returned to Beijing, then to Shanghai, and then to France. This time he also called his parents. This was a long-awaited family trip, from France to Switzerland and back to France in a week. Every detail of the trip was magnified, their happiness, quarrels, or just ordinary walks, "all very vivid."

On the day they parted, they finished their meal at a restaurant in the south of France. The car that came to pick him up arrived and he had to leave first. Before leaving, his mother hugged him and told him to take care of himself. Rarely, his father also hugged him awkwardly.

"I used to think that work was everything and life wasn't that important. It was nothing more than having a place to sleep, getting up, going to work, finishing work, and resting. But now that my parents are older and I haven't lived with them for a long time, you feel as if each other's lives, even family members, are getting further and further apart." He especially doesn't want this to happen.

The way to avoid suspension and regain a sense of reality in life is not difficult to say. "When you have time, go out and take a look. The important thing is to feel life and the world. Even if it is something terrible or cruel, it is life, and it will burst out with energy when you need it."

03.

Halfway through the interview, Xiao Zhan suddenly said that he had a conflicting attitude towards long interviews. On the one hand, he was worried that he was not growing enough and would appear timid during the conversation. On the other hand, he wanted to unearth some subtle feelings through the conversation because he felt he was not good at recording them in words.

Observation, feeling, understanding and expression are the key to an actor's creativity.

"Dialogue is also muscle memory." Xiao Zhan said, "Although I am very i, I am not autistic. Because I think actors need to learn to express, express your inner thoughts, and digest the content handed to you by the other party."

Before the filming of "Sunshine by my Side" began, he met with the main creators and held several script meetings to deepen their understanding of each other and the characters. In the early stage of "Legend of the Hidden Sea", the producer also mentioned that he would discuss the script in detail and talk about a scene with many of his own understandings.

Xiao Zhan is not a professional actor. When he first entered the industry and filmed "Fights Break Sphere" and "The Wolf", he had strong doubts and asked himself, am I suitable for this? Constantly denying and overthrowing himself made him lose confidence.

Sometimes he is asked what he would be doing now if he had not participated in the talent show, debuted, or entered the entertainment industry at the age of 23. He has thought about it, but he has not looked back.

If you can't act well, then spend extra time taking acting classes, watching the monitor more often, and asking seniors for advice. With your full strength and hard work, you will slowly find the way.

Later, when the filming of "Sunshine by my Side" started, Xiao Zhan played Xiao Chunsheng, a child of a Beijing compound, who was completely different from him, even his accent was very different. He felt insecure. Before filming many scenes, director Fu Ning ran over and whispered to him, Zhan Zhan, don't be afraid, just speak bravely, if you feel it, just say it, in fact, the audience can feel your emotions and what you want to express.

He also gradually gained more self-awareness: "Technique may not be my forte, it depends more on feelings. Only when I have my own feelings can I have the confidence to interpret it. If I rely purely on some techniques, I think it is not moving enough."

It has been 8 years since Xiao Zhan made his acting debut. Looking at his resume, he has played leading roles in various TV series and movies. But he still feels that he is a newcomer and hopes to work with more experienced production teams in the future.

He doesn't think too much, and he doesn't actually know the work plan divided by year very well. He only cares about what the work arrangements for the next stage are, rather than "asking about things too far ahead."

"I still feel like a child, but actually I'm not anymore. It seems like I'm still in high school, but actually I've grown up." A child's mind means having curiosity, desire to explore, and imagination.

He puts these curiosities and explorations into the characters. "I mean, for me, when I dig into the character's background and past, I discover the complexity and contradictions of the character as a person and present them. In this way, some of his choices and motivations may be understood by the audience, and the work may be good, and you will have the current audience, right?"

source

[follow-up-news]

A federal judge on Tuesday ordered former Donald Trump attorney and New York mayor Rudy Giuliani to turn over all his valuable possessions and his Manhattan penthouse apartment to the control of Ruby Freeman and Shaye Moss, the Georgia election workers he defamed and to whom he now owes $150 million. Judge Lewis Liman of the federal court in Manhattan said Giuliani must turn over his interest in the property to the women in seven days, to a receivership they will control. The judge’s turnover order of the luxury items is swift and simple, but the penthouse apartment will have its control transferred so Freeman and Moss can sell it, potentially for millions of dollars. The women, who counted Georgia ballots after the 2020 election, will also be entitled to about $2 million in legal fees Giuliani has said the Trump campaign still owes him, the judge ruled. In addition to the Trump campaign fees and the New York apartment, Giuliani must also turn over a collection of several watches, including ones given to him by European presidents after the September 11, 2001, attacks; a signed Joe DiMaggio jersey and other sports memorabilia; and a 1980 Mercedes once owned by the Hollywood star Lauren Bacall. Additionally, the judge ordered that Giuliani turn over his television, items of furniture, his television and jewelry. Liman hasn’t yet decided if Giuliani will be able to keep a Palm Beach, Florida, condominium he also owns, or the four New York Yankees World Series rings he has, which Giuliani’s son contends his father gave him.

[deramin2]

I don't know how to really express this except to come across as a "kids these days" scold, but so much of the criticism of queerness in Good Omens would simply not be a thing if kids these days watched more 20th century queer media. Or more complex indie queer media in general.

People seem to want a show that's like the straight stories they grew up with but gay. Or the gay fanfiction they grew up with. But that's not really the tradition it's coming from. First off the novel was released in 1990. Queer film classics of the time are Dead Poet's Society (1989) and Torch Song Trilogy (1988). The TV miniseries Tales of the City (1993) wasn't made until 3 years later and it was so far out there it never had a huge audience. Philadelphia (1993) is also 3 years out and was basically the first big studio queer film. The first fluffy queer Hallmark-style romcom wasn't until Big Eden in 2000, a full 10 years after publication.

Queer stories from the time it was written were about complex and often fraught relationships between people who the world was trying to force apart. There is an incredibly strong tradition in queer films of relationships with no guarantees they will work out both in the face of their personal baggage and the weight of the world. Take a film like Torch Song Trilogy that's about the two great loves of Arnold Beckoff's life over 9 years and how homophobia shapes them. Both externally (especially Allen) and internally like Ed struggling with his bisexuality and being terrified of being publicly out. Written and starred in by Harvey Fierstein, who identified as a gay man at the time and only came out as nonbinary last year.

The Boys In The Band (1968 play, filmed 1970 and 2020) was a monumental moment in Broadway history where finally there was a play about gay men in their own words where no one died and very strongly showed that homosexuality doesn't make people miserable but homophobia sure does. But that homophobia also throws their personal lives into constant turmoil and none of them are in happy relationships, although Hank and Larry are devoted to each other in their own fucked up way.

"Relationships are complicated and hard to make work and sometimes a struggle against the odds" is an aesthetic of classic queer film making. Partly it was influenced by the Hays Code (although independent films were not bound to it), partly influenced by the rampant queerphobia in society at the time that was inescapable. But it's also an aesthetic choice to resist the banal and unrealistic relationship depictions of straight media. There are actual stakes to the relationship. Queer people were actively resisting a world that said "Romance is seeing someone across the room and instantly falling in love with each other and little conflicts happen along the way but ultimately they're destined to be together and everything is happily ever after." Recall that "stalking as romance" was a completely inescapable trope in 1980s straight romance films, and every goddamn movie was being turned into a romance film.

So queer people in film and television when they can make what they please have a long tradition of saying instead "People don't always realize the feelings they've developed for a queer partner right away. They may have reasons for denying those feelings that are both a reflection of the cruelty in society and of their own insecurities. People struggle with where they belong and their relationships reflect that. Loving someone doesn't mean they don't also drive you crazy and you might fight with them constantly. But that doesn't negate the love or that feeling that even if things aren't okay, they're better with that person around. But maybe that person can't stay around. The world may be against you. And also maybe you don't just want that one person in your life. Soulmates is a very flawed model. Sometimes the strongest love is a struggle with yourself and the world and your person. You have to overcome yourself first. Happily ever after is a lie. You may be happy for a while, and hopefully for a long while, but everything ends. And you have to be ready to love again. Also your platonic bonds are just as important and life-altering as your romantic ones. Sometimes those platonic bonds include fucking if you want them to. Real life isn't a bunch of platitudes and world-altering moments, it's daily work to better yourself and the world around you. Especially when things just fucking suck. But also remember to have fun and fuck the haters. People who don't support you can eat rocks and you should yell at them more to shut the fuck up."

That is a fundamentally different outlook on what a "good relationship depiction" looks like. Personally, I thought I hated romance movies and then I started watching queer romance movies and discovered I love them and watch them all the time. Because it turns out what I hated was relationships being shown that had nothing at all to do with reality and privileged incredibly toxic ideals. Finally there was complexity, there were stakes, and there were people who had to truly want to be together enough to fight the world for it and not because they happened to be there. There were people actually talking out their problems and looking for resolutions. (And sometimes that resolutions was "I can't fucking deal with this bullshit anymore and I'm out.") For the first time it felt real.

I'm an aroace trans gay man. Nothing about relationships or being in relationships has come easy to me, and the whole paradigm of straight patriarchal romance depictions makes absolutely no sense to me. It's completely alien. Queer romance stories actually feel human.

And that's the tradition Good Omens is coming from, even as it's being retold in 2019-2023 and hopefully beyond. Gaiman's work has always been based in that queer media paradigm. (I've been remiss and daunted and haven't read Pratchett but from what I do know his work also seems to sit more in that world view.) It's a beautiful cinematic tradition and it's baffling to me that people would resist it instead of embracing it for being honest.

And that's when I turn into a crotchety old man complaining about the youth not connecting with the history of their beautiful culture and instead begging for assimilation into a shithole allocishet media landscape that doesn't actually want them except for their money and has nothing at all interesting or valuable to say. But it's very funny (annoying) to me when people claim Good Omens is someone against queer culture when it's so thoroughly bathed in the best of queer media's storytelling traditions and what people are asking for is straight media with the serial numbers filed off. Like, stop being boring please and know literally anything about the culture the adults in the room lived through and were influenced by. The world didn't begin in 2015.

EDIT: I also want to add that in straight media arcs are linear. Traditionally in queer media arcs are cyclical. Queer media very often depicts people going around in circles relearning the same lesson over and over as they inch towards it sinking in. But every time they go through the cycle they gain just a little bit more enlightenment and slowly move towards a better place. From the comments this is an immensely important distinction. People don't actually have cathartic moments where suddenly all their past bad programming is shed and they saunter forward a new person with none of their old baggage. In reality people fall into the same patterns over and over even though they have had every opportunity to learn better. "People magically get better" is a trope of straight media that's an outright and frankly dangerous lie. Again, Good Omens follows the queer tradition not the straight one and it's depicted 6,000 years of that cycle. The world didn't end, and the wheel keeps turning, as it always has and always will. That's so fundamental to queer storytelling traditions I forgot to even mention it.

[dostoyevsky-official]

Doomscrolling Is Slowly Eroding Your Mental Health June 2020

For years people have questioned the net benefits of platforms like Twitter and Facebook, and while some studies have found social media, when used responsibly, can have positive effects on mental health, it can also lead to anxiety and depression. Or, at the bare minimum, FOMO. And that’s just the result of looking at too many brunch photos or links to celebrity gossip. Add in a global pandemic and civil unrest—and the possibility that social media networks are incentivized to push trending topics into your feeds—and the problem intensifies. [...] The doom and gloom isn’t all the media’s fault, though. Mesfin Bekalu, a research scientist at the Lee Kum Sheung Center for Health and Happiness at Harvard’s T. H. Chan School of Public Health, notes that while a lot of the news is bad, “as humans we have a ‘natural’ tendency to pay more attention to negative news.” This, along with social media algorithms, makes doomscrolling—and its impacts—almost inevitable. “Since the 1970s, we know of the ‘mean world syndrome’—the belief that the world is a more dangerous place to live in than it actually is—as a result of long-term exposure to violence-related content on television,” Bekalu says. “So, doomscrolling can lead to the same long-term effects on mental health unless we mount interventions that address users’ behaviors and guide the design of social media platforms in ways that improve mental health and well-being.” The effects of doomscrolling also vary depending on who’s doing it. [...] Many activists didn’t participate in doomscrolling simply because, they said, “I can’t see myself being killed over and over again in this tiny square on my phone.”

It’s Time to Log Off Nov 2023

Scrolling through social media can feel like a nightmare these days. You’re reading about the horrors of the Israel-Hamas war, and then you’re reading about the horrors of the war between Ukraine and Russia. You’re learning about the latest devastating climate news. Democracy is under threat in America. It can feel like everything is falling apart. This, of course, can have a significant effect on your mental health. You start to feel overwhelmed. [...] Matthew Price, a professor of psychological science at the University of Vermont, says that stress is cumulative. [...] Price says ingesting a lot of negative news can cause anxiety and depression, at least for some period of time, but it’s especially likely to “exacerbate” anxiety, depression, and PTSD in people who have a history of experiencing those conditions. He says that people often doomscroll because there’s something bad going on and they want to find a way to fix the problem they’re reading about. “When we’re doomscrolling, we’re kind of looking for the resolution to the issue. Read some more posts. Read some more articles. If I get more information, then maybe I’ll understand the problem,” Price says, describing the doomscrolling cycle. [...] “It’s not about ‘this is a bad thing and this is a good thing.’ It’s about how you engage with it and how it fits in with the rest of what’s going on in your life,” Teachman [a professor of psychology at the University of Virginia] says. “How are you living the rest of your life, and what are the impacts on that?” [...] Price says that acting locally on issues you’re concerned about can help you maintain your mental health because otherwise things can feel too far away and too difficult to solve. Maybe you can’t end a war, but perhaps you can help some people in your community or get your community to do something that helps a bigger problem.

i find the defiance that it's not phones (a shorthand for everything they provide access to) eroding our children's attention spans puzzling. bad news isn't new, the press has always veered towards the sensational, people have always overfocused on the negative. but the technology of access and dissemination is brand new. this is a summary of a few research studies on doomscrolling and the emotional, psychological effects it has on adults. surely everyone reading this has experienced some it in some form. you don't think worse things are happening to undeveloped brains?

[jbaileyfansite]

Interview with Backstage (2024)

Jonathan Bailey is still marinating in his thoughts, andthey taste pretty sweet. Top notes of red wine, he says. 

These are busy times for the witty British heartthrob. He’s speaking over Zoom from Malta, where he’s filming the next “Jurassic World” installment. And two days prior, he received his first Emmy nomination for his supporting turn on Showtime’s “Fellow Travelers.” 

What’s lingering in Bailey’s mind after reaching such a huge milestone? “The nature of the story, and how that story’s come to be told,” he says of Ron Nyswaner’s limited series, a decades-spanning gay drama that’s chock-full of steamy sex scenes. For him, the Emmy nod is “an acknowledgment of [the show] meaning something much bigger.” 

The 36-year-old actor radiates humility and surges with pride for his collaborators; “Fellow Travelers” also picked up nominations for lead actor Matt Bomer and for Nyswaner’s writing. Bailey believes the fact that executive producer Robbie Rogers was able to get the project on television at all is a “brilliant signifier” of changing times. He feels lucky to have been the right person for the job. And after a couple of decades in the industry, the actor’s star is about to go supernova. 

Childhood stage work and gigs on 2000s teen TV shows led to roles on acclaimed series like ITV’s “Broadchurch” and Channel 4’s “Crashing.” He nabbed an Olivier in 2019 for his performance in Marianne Elliott’s West End revival of “Company.” Households on the other side of the Atlantic learned his name in 2020 when he courted lockdown audiences as Anthony, the strident head of the titular family on Netflix’s period-romance smash “Bridgerton.” 

Then came the game-changing “Fellow Travelers.” Bailey plays the idealistic Tim Laughlin, a closeted congressional staffer who pursues a clandestine relationship with another man amid the witch hunts of McCarthy-era Washington. The actor is keeping up that momentum in the coming months with part one of Jon M. Chu’s highly anticipated film adaptation of the Broadway musical “Wicked” (out Nov. 22), followed by the fourth “Jurassic World” in 2025. 

“Fellow Travelers” is a fitting inflection point for Bailey, considering it reflects aspects of his own gay identity. Tim’s story also illuminates a thread connecting the actor’s work, both in and out of character: always embracing the truth, shame be damned. 

Born in Wallingford, England, Bailey made a beeline for the arts as a kid when he began studying music and ballet. After getting a taste of performing at a young age, he secured an agent when he was a teenager. Even now, he feels the sense of joy and wonder he discovered in those early days. 

He chose not to attend drama school, instead throwing himself into professional theater, where he encountered the performance process in its most essential form. “You start with your own instincts, and then you share with others in the room in real time,” Bailey says. “You academically approach text, then you emotionally explore it. Then, you physically put it on its feet.”

Theater taught him to be observant. In rehearsals, he witnessed actors being brilliant and bold, but also making crucial mistakes. Weeks of rehearsing helped him learn how to spend time with a character as he watched his castmates play against type and expand themselves through performance. Those lessons both tested and encouraged him, and they’ve carried him throughout his career. 

Since then, Bailey has gotten the chance to see plenty of giants at work. He reverently discusses performing Stephen Sondheim’s music alongside Patti LuPone in “Company” and reciting Shakespeare opposite Ian McKellen in the Chichester Festival Theatre’s 2017 production of “King Lear.” 

His contemporaries also made for great teachers. He worked with Phoebe Waller-Bridge on “Crashing” and Michaela Coel on “Chewing Gum”—two certified television geniuses whose creative successes Bailey likens to the magnesium flame of a meteor. It’s an apt comparison—Waller-Bridge called him “a meteorite of fun” in a 2022 interview with GQ. (“I think I’ve always been quite naughty,” he says playfully.)

“There’s so much you take on via natural osmosis,” Bailey explains. “It’s what you watch and how you interpret things.”

For example, he thinks that every actor should see Sandy Dennis’ Oscar-winning turn as Honey in Mike Nichols’ 1966 film “Who’s Afraid of Virginia Woolf?” Her performance whet his curiosity about the craft: “She is so fluid. I mean, that might be the most exposing answer I’ve given about what my inner world is like.”

Bailey’s technique is rooted in music. He plays piano and clarinet, and he approaches acting like an instrument, too. When reading a script for the first time, he experiences his character’s arc as the phrases in a song. “The way my brain works is that I see the images of what they’re doing,” he says. “When I say ‘phrasing,’ it’s like, how you get from that image to this image.”

When he was playing the bottled-up Anthony on “Bridgerton,” Bailey found inspiration in songs by Echo and the Bunnymen and Nirvana. While filming “Fellow Travelers” in Toronto, he went on long walks while listening to expansive pop music to help him explore Tim, a character whose energy radiates outward.

Considering Bailey’s process plays like a song, connoisseurs of his work might notice a motif. Sam from “Crashing,” a party boy Bailey calls “a wild, untamed animal in a tiny little cage,” aggressively maintains a facade of heterosexuality while pining for his male housemate Fred (Amit Shah). On Season 2 of “Bridgerton,” Anthony locked himself into a prison of duty and a loveless engagement to avoid acknowledging his desire for the fiery Kate Sharma (Simone Ashley).

Tim of “Fellow Travelers” is the latest in a series of sharply drawn characters confronting the tension between their assigned roles and their personal truths. Viewers first meet a straitlaced rule-follower whose Catholic piety is only matched by his loyalty to the infamous Senator Joseph McCarthy. All that changes when he crosses paths with Hawkins “Hawk” Fuller (Bomer), a crystal-eyed, debonair State Department official. Their respective closets combust on contact, and they enter into a forbidden love affair just as McCarthy’s Lavender Scare has begun purging queer people from the halls of government.

Bailey’s interior work tends to be more emotional than cerebral, but he’s a generous conversation partner who’s always game to riff on the deep stuff. Whether it’s yearning, going against expectations, or facing high stakes, the phrasing is what draws him in. 

He finds a lot of gorgeous notes to play across the eight episodes of “Fellow Travelers” as the action moves from the 1950s to the ’80s, making pit stops along the way. While Hawk settles for a life of straight domesticity, Tim hurtles through a sexual and political awakening: The Beltway boy becomes an activist priest who refuses to diminish himself, especially when the AIDS crisis begins to rip his community apart.

Bailey loved being inside Tim’s head; in fact, the actor thinks of him as a hero. After experiencing the isolation of his secret relationship with Hawk, he opens himself up to the world: He comes out, moves to San Francisco, cobbles together a found family, and builds a life as his true self. 

“Ron Nyswaner has spoiled Matt and me for the operatic detail that existed between [our characters],” Bailey says, “and also with Tim’s political fervor: the truth and the honesty that he demands of himself and the world around him, and the grappling with anything that is an obstacle to his own and other’s happiness.”

You can’t talk about “Fellow Travelers” without discussing its rapturous sex scenes—and not only for titillation’s sake, though the kinky encounters between Tim and Hawk certainly call for smelling salts. These sequences gave Bailey the opportunity to commit authentic queer intimacy to the screen, which members of the LGBTQ+ community rarely come across as they search for ways to understand their identities. 

The trust between Bailey and Bomer informed everything they did onscreen. Before filming those scenes, the two actors talked through their approach at a café (Goldstruck Coffee on Cumberland Street in Toronto—a ribald little detail that still makes Bailey laugh). The filming itself was incredibly technical, and the actors worked with an intimacy coordinator on set. “We sort of hit the ground running, knowing exactly what was going to be required but also how to communicate throughout it,” Bailey says. “It felt immediately quite safe.”

He sensed an exciting opportunity to tell a story about transformative love amid the “wild, oppressive moment” of the Lavender Scare, dismissing any reservations about the explicit nature of the material. “Honestly, this is exactly why this show is going to be brilliant,” he remembers thinking.

The series’ milestone dramatic moments, with buttons still done up and no skin showing, carried that same sense of significance. No matter how much Tim grew over the course of his arc, Bailey says that his bond with Hawk remained an “extraordinary, material thing.”

This summer, the actor made a very Tim move when he founded the Shameless Fund, a charity that supports LGBTQ+ causes under the tagline: “Raising cash. Erasing shame.” The initiative grew directly out of his acting work—first inspired by the platform afforded to him by “Bridgerton” and further influenced by his experience on “Fellow Travelers.” 

Playing Tim—or, as Bailey puts it, spending “five months doing a dissertation on queer oppression and liberation”—catalyzed his thoughts about the people who created a world where such a show could even exist. “I think in ‘Fellow Travelers,’ it’s so clear what Tim wants,” he says. “But as the world around him develops, you realize there’s so much that he can’t have, but that he can help change.”

Bailey sees that progress playing out in the next generation. He has a small role on the upcoming third season of Netflix’s queer YA hit “Heartstopper” as a dreamy academic who’s the celebrity crush of the series’ protagonist, Charlie (Joe Locke). Based on creator Alice Oseman’s graphic novel series, the show has found a passionate following of young LGBTQ+ fans. 

When he watched “Heartstopper” for the first time, Bailey remembers wondering what it would have been like to see such representation on television when he was growing up. “I was so celebratory of it,” he says. “But it was obviously kind of a melancholic watch for people above a certain age, because it allowed them to grieve what they didn’t have.”

Having conquered the Regency and Cold War periods on the small screen, Bailey’s blockbuster era is imminent. He’s playing dashing love interest Fiyero in the “Wicked” films (based on Gregory Maguire’s 1995 novel), singing and dancing alongside Cynthia Erivo and Ariana Grande. It’s a perfect fit for the actor’s particular lens: “Musically and theatrically, I understand it massively.”

Since “Wicked” came with its own well-known songs to study, Bailey spent a lot of time with composer-lyricist Stephen Schwartz’s music in his ears rather than Kurt Cobain’s. He explored Fiyero’s interiority through the musical theater form itself: What does the act of singing express for him?

And for a character whose signature number is called “Dancing Through Life,” what metaphorical direction are his steps leading him in? 

Bailey sees Fiyero as part of the same club as Tim, Anthony, and Sam, as the heightened world of Oz sends him on a journey of radical transformation. “I think about where he starts and where he ends up; he’s literally a changed person,” the actor says. “I savored the arc over two films.” 

Next year, Bailey will become an action star in Gareth Edwards’ next installment of “Jurassic World” opposite Scarlett Johansson. Though details have yet to be announced, including the movie’s title, production is well underway; Bailey just finished filming in Thailand before shooting moved to Malta. A few days before we spoke, he was interacting with a fake blue-screen dinosaur (which is only a spoiler if you thought Hollywood has actually been cloning big reptiles this whole time).

But Bailey is still keeping his theater muscles toned. Next year, he’s starring as the titular monarch in Nicholas Hytner’s production of Shakespeare’s “Richard II” at London’s Bridge Theatre. “I have to go and sharpen up,” he says of returning to the stage. “You feel so sharp and dexterous at the end of a theater run—but also, you know, without a soul. Carcass levels of absolute exhaustion.”

Bailey lights up at the prospect of getting back onstage and experiencing the kinetic energy between the actors, crew, and director. He believes that the emotional and intellectual rigor of theater leads to a tight, specific piece of work. It’s an art form that requires continuous creation night after night.

This stamina comes in handy in front of a camera, too. “When you’re exhausted, you have to rely on technique,” he explains. “Technique does get you over the finish line, and you can deliver a performance that is honest and tell the story effectively and truthfully.” 

Until then—and until he’s back on set with those fake dinosaurs—he’s going to soak up that Emmy-nomination afterglow for a little while longer. 

“I’m actually going to go and have another glass of wine to celebrate,” he says.

Source

[nutty1005]

Xiao Zhan | The simpler is more complex

Original Article: https://mp.weixin.qq.com/s/Zkps0vHvP89ZrMWQIUZ3NA Original Author: JIAWEI This article was originally published on 10 August 2024 on ELLE’s Weixin Official Account 世界时装之苑ELLE.

Xiao Zhan believed that truth brings simplicity. But in performance, he is starting to like multi-sided and complex characters more, or rather, this is the true and real state of human existence. At a time when everything is being simplified, to be willing to admit the difference between people, to seek the possibility of communication, to be sensitive and defend complexity, this definitely requires passion, as well as courage.

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Two black curtains reached the top of the studio ridge, neatly separating the shooting area from the surroundings, there was a need to go through a maze of them to enter the small core space. Pure white, plenty of air conditioning, and the camera shutter sound was high-frequency and continuous.

Xiao Zhan wore black clothes and rarely made any unnecessary movements. For a while, the lights broke down and photography was suspended, so he maintained standing in the dark with one foot on the wooden box; when the staff and the photographer were discussing the photographs, adjusting the styling, he stood alone in front of the display screen, and the weak screen light enveloped his body. Very occasionally, he swayed slightly to the background music, his legs lean but muscular.

#01 I’m afraid of becoming dull

After entering the entertainment industry, these things quickly became part of his daily life – cameras, spotlights, monitors, and barriers. Because of his career and popularity, he had fissioned into countless “Xiao Zhans”, such as giant portraits on the facades of high-end shopping malls, the projections of an astonishing number of fans, or the appearance of characters in successive movies and TV series.

White Tie Printed Vest Balmain Quatre Double White Series Rings, Diamond Ring Quatre Black Series Rings, Diamond Ring All are Boucheron

Currently, in the dressing room after the shooting, Xiao Zhan was carrying his box of whole grain salad, vividly imitating the scene of meeting director Zheng Xiaolong.

“I was a little bit hesitant, so I asked the director if he wanted me to be thinner or stronger? He said, thin, of course thinner, so good looking, sharp.” After a while, Zheng Xiaolong saw him again while taking final costuming photographs, “He said, hey, you’ve done well.” From then till now, he has lost more than five kilograms.

Xiao Zhan, the source of all of this fission, was presentable and relaxed, to him the glamor seen by the outside world was a supplementary value. Sometimes he even forgot about it and said, “No one really cares about you.” Then he continued to talk about his work.

Recently completed was the 5-month filming of “The Legend of Zang Hai” in Hengdian. The previous film, also shot for 5 months, was the film “The Legend of the Condor Heroes: The Great Hero” directed by Tsui Hark. This was often the case for large-scale movies and long-running television dramas, it took four or five months once you joined the group. In 2022, his filming work was mainly “Where Dreams Begin / The Youth Memories” and “Sunshine By My Side”, in 2021 it was “The Longest Promise”, in 2020 it was “Ace Troops”, in 2019 it was “Douluo Continent” and “The Oath of Love”.

Endless filming appointments. Hence, it was sometimes impossible to decide whether the interval between filming should be lengthened or shortened.

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In the second half of 2019, during the filming of “The Oath of Love”, Xiao Zhan was filming during the day and recording the variety show “Our Song” at night. Both sides were very challenging. The former was his first time playing the male lead in an urban drama, so he had little experience and was under great pressure; the difficulty of the latter lies in the harmonizing, “I had to memorize all the harmonizing that were different from the song’s tone, and not to be led astray. “

“Then, I thought it didn’t matter. I slept for an hour or two and woke up a good man again. But now, while my mind says it doesn’t matter, my body will make some protests.”

This year he was filming in Hengdian. Later, one day, he discovered that his tonsils were inflamed and it was painful to swallow, but he went to work as usual. Until the director came over and asked him, what happened to your eyes? Only then did he see his own swollen eyes in the mirror, held on until the afternoon, “completely like a frog.”

He had to go to the hospital, the symptoms themselves were very common and could be stopped by taking medicine. What can’t be done was exactly what doctors advised the most: you need to rest.

More importantly, “Perception will become dull. I am really afraid of this, afraid of becoming very mechanical and formulaic.” When saying this, the emphasis was on the word “really”. When he chatted with seniors, “They also said that you have to live life, you need to experience life.”

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The fact is that the life in the limelight is somewhat contrary to the life of ordinary people, but the profession of an actor requires him to be in touch with as many folds of life as possible.

A while ago, he watched a one-man show on a variety show, describing the current workplace situation of contemporary young people. Xiao Zhan had opened a studio and worked before entering the entertainment industry. He could understand the gloom caused by going to work, but the new vocabulary and tools that appeared in the workplace made his sense of resonance weaken. He found himself gradually uncoupling to a certain extent.

#02 The flavor of life lies in the details

In early June, Xiao Zhan took a short vacation and returned to his hometown of Chongqing. He loved walking very much, and one night he walked for several hours, visiting old streets, People’s Liberation Monument, and even around the place where he used to work.

In 2014, the 23-year-old Xiao Zhan graduated from university and worked as a designer in a design studio. Every weekday morning, he transferred from Line 2 to Line 3 at Niujiaituo Station, pushing through the crowds and squeezing onto the light rail, and several times he had been squeezed so hard that his face was pressed against the glass windows.

He simply stuck against the glass and looked at the Jialing River below, seeing the strange rocks exposed in the dry season and various people, including winter swimmers, joggers and fishermen, with a rather optimistic spirit.

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He still loved to observe the people around him——

“Why are you still here so late?”

“People walking in a hurry must be people who have just gotten off work and are rushing back, their behavior is just like when I was trying to catch the subway, when it’s the last train and you want to run, in a panic. Some food delivery guys are rush forward undauntedly. There are also some very leisurely people, sitting there drinking beer, then going home and starting a new day.”

“Everyone has an exciting story happening, and it is everyone’s life that makes up our society. So it is wondrous, everyone is the protagonist, we are all filming our own biographies, how will tomorrow’s story develop?”

At that moment, mixed in, he was like all those who have been busy working in a foreign land for a long time and finally had the time to go home, and discovered that “it had been a long time since I came here, and there had been quite a lot of changes.” “Actually, I’m not particularly happy or have any other feelings. I’m living, that’s all.”

Two and a half days later, Xiao Zhan left Chongqing and returned to Beijing due to work, then rushed to Shanghai, and then in turn to France. This time he brought his parents too. This was a long in coming family trip, within a week, they traveled from France to Switzerland and back to France. Every detail of the trip was magnified, they were happy, bickering, or just walking for a while, “it was all very vivid.”

On the day they parted, they had dinner at a restaurant in the south of France, the car to pick him up arrived and he had to leave first. Before leaving, his mother hugged him and told him to take care of himself. In a rare move, his father also hugged him awkwardly.

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The flavor of life lies in the details.

“I used to think that work was everything and life was not that important, it was nothing more than having a place to sleep, then getting up, going to work, finishing work, and resting. But now, when my parents have grown older, and I have not been with them for a long time, you will feel as if each other’s lives, even your family’s, would become further and further apart. “He especially did not want this to happen.

The way to avoid suspension and regain the real sense of life is not difficult. “When you have time, go out and see more. The important thing is to feel life and feel the world. Even if some of the things are bad and cruel, they are all life, and will burst out with energy when you need it.”

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#03 Stay innocent, stay complex

Halfway through the interview, Xiao Zhan suddenly said that he was ambivalent about long interviews. On the one hand, he was worried that he had not grown up enough and would show ignorance in the conversation, but on the other hand, he wanted to explore some subtle feelings through the conversation because he felt that he was not good at using words to record them.

Observation, feeling, understanding and expression are the essentials of why actors can bring creativity.

“Dialogue is also muscle memory.” Xiao Zhan said, “Although I am very introverted, I am not antisocial. Because I think actors need to learn to express, express your inner thoughts, and digest the content conveyed to you by the other party.”

Before the filming of “Sunshine By My Side” started, he met with the main creators and held several script meetings to deepen his understanding of one another and the characters. In the early stages of “The Legend of Zang Hai”, the producer also mentioned that he would discuss the script in detail and talk about a scene with a lot of his own understanding.

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Xiao Zhan is not an actor with a professional background, when he first entered the industry and filmed “Battle Through the Heavens” and “The Wolf”, he had strong doubts and asked himself, am I suitable? The constant negativity and self-refuting made him lose self-confidence.

Sometimes he would be asked what he would be doing now if he had not participated in the talent show, debuted, or entered the entertainment industry at the age of 23. He had thought about it, but did not look back.

If he was not good at acting, then he needed to spend extra time taking acting classes, review more in the monitors, and ask more advice from his seniors. He put his head down stubbornly, and with hard work, he slowly found the knack.

Later the filming of “Where Dreams Being / The Youth Memories” started, Xiao Zhan played Xiao Chunsheng, a young man from the military courtyard in Beijing, who was completely different from him, and even his accent was completely distinct. He felt insecure. Before filming started for many scenes, director Fu Ning would run over and whisper to him, “Don’t be afraid Zhanzhan, just speak bravely, if you feel it, just say it, the audience actually can feel your emotions and what you want to express.” .

He also gradually gained more self-awareness: “Techniques may not be my area of ​​expertise, I rely more on feelings. Only when I feel it myself then I can have the confidence to interpret it. If I rely solely on some techniques, I don’t think it is sufficiently moving.”

It had been 8 years since Xiao Zhan first acted, and his resume included leading male roles in films and television dramas of various themes. But he still felt that he is a newcomer and hopes to cooperate with more experienced production teams if there is an opportunity in the future.

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He would not think too much, he actually did not know his work plan divided by year. He only cared about the work arrangements for the next stage, rather than “asking about things that are too far away.”

“I still feel like a child now, but in fact I am not anymore. It seems like I am still in high school, but in fact I have grown up.” The nature of a child means curiosity, desire to explore, and power of imagination.

He placed the curiosity and desire to explore into his characters, “I mean, for myself, when I dig into the character’s background and past, I explore the complexity and contradiction of the character as a person, and present it. Only in this way can some of his choices and motivations be understood by the audience, and the work may then be good, and only then can you have the audience you have now, right?”

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#(Q&A)

ELLE: During the break, will you think about anything on the set? Xiao Zhan: Of course, I remember that just a few days after filming was completed, I was still dreaming that I was still filming, and the director and I were still discussing how to say that phrase on set? How to handle that scene?

ELLE: Do you actually miss the atmosphere on the set? Xiao Zhan: I like it very much, because I like the feeling of everyone creating together and working together to get something done.

ELLE: When you first entered the entertainment industry and your popularity grew very quickly, you said you felt it was a bit unreal and magical, but now you seem to be quite relaxed. How did this change occur? Xiao Zhan: Rather than being unreal or magical, after so many years, I feel that I hadn’t had time to adapt to such a fast pace at that time, so when I woke up from sleep, I was like where am I today? What am I doing? I think it is a process, just like when you first enter the workplace, you will be very excited, “Work here I come, please take good care of me”, “My highness is here, everyone get out of the way”, “I can do it, I will do it”. (Laughs) But after experiencing a lot of things, you will feel that it seems that everything needs to be considered in the long term.

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ELLE: In several interviews, you mentioned that you like to play roles that “can convey energy.” Why do you have such a preference? Xiao Zhan: Because I think this is the life of the character. The kind of energy I’m talking about is not just a single, generally understood positive energy, I’m talking about nourishment that can subtly influence and moisturize. I believe that every character has a complete storyline inside, this is what I like very much, and as long as you dig deep, you can move people. I don’t really like to call the villain a “villain”, as it seems to be a bad character from the beginning, but in fact it is not, he may have his own difficulties.

ELLE: It sounds like ���transmitting energy” is just a general term, but is it actually about understanding different people through performance? Xiao Zhan: Yes, if you break it down to each character, what they convey is different. But if you want to talk about “good people” and “bad people”, then I don’t think it’s interesting.

ELLE: So do you think performance is a form of communication? Xiao Zhan: Yes, you can say that, I think it’s great to say that, (performance) is a bridge to communicate with the audience. Just like when a drama is broadcasting, I will read some of the audience’s comments and impressions after watching it, and I feel that they have a very rich feelings about the work. When I see some comments that are exactly the same as my thoughts during the filming, I will feel very amazed, as if the bridge is really connected, we don’t know each other in life and have never communicated with each other, but he suddenly understands my thoughts then, I’ll just feel that, oh, acting is a beautiful and magical thing.

ELLE: Do you watch some science fiction movies, TV series, and literary works? Xiao Zhan: Yes, I used to like watching “The Three-Body Problem”, I have actually watched some science fiction movies recently, the American drama “Constellation”, and recently I am watching “Dark Matter”, which is about infinite flow and parallel time and space. Because I think maybe there really is a parallel time and space. Every choice you make will split out a different parallel time and space.

ELLE: Then will you imagine Xiao Zhan in parallel time and space? Xiao Zhan: I will really wonder, for example, is he still an actor? Maybe yes, but is he still filming now? Is he still singing now? Or is he also a designer? Is he an employee or is he his own boss? (Laughs) Really, I will.

ELLE: As for the future, what do you think it will be like? Xiao Zhan: Wow, I feel that the world may return to its original nature when the time comes instead, maybe the world will become a better place, and people will return to very essential communication.

ELLE: This is very interesting. Why do you think so? Xiao Zhan: Anyway, at least now I have a little aversion with this kind of ubiquitous Internet, when we were young, there were no mobile phones, everyone just chatted during meals, my friends would all come downstairs to play, hide and seek, and play various games, I feel that that time was very precious instead.

ELLE: Will there still be an actor career by then? Xiao Zhan: I think there will be. I believe that as long as life goes on, drama will continue. Because everyone needs an outlet, emotional resonance and sustenance, be it images or sounds. So I feel that even if the world is destroyed, as long as there are still people, drama will definitely exist.

[devotioncrater]

The Tedependent Tinhat Thesis

Welcome! Welcome to The Tedependent Tinhat Thesis.

As of writing this, only Episode 1 of Season 3 has been released so far. If you feel the need to send me an anon about how Ted/Trent won’t happen, I implore you to remember when fandom culture used to encourage people to ship characters freely — even when those characters never interacted. This is all written in good fun, and to critically analyze Ted Lasso through a queer lens.

Disclaimer: This meta compiles various topics discussed by people in the Tedependent camp. I cannot take credit for everything. If anything, this is a love letter to them. 

To make this a bit easier to digest (and write), I’ve divided this meta into the following sections:

Queerness in the Media. Ted Lasso and His Subtextual Bisexuality. Trent Crimm, Independent. Tedependent Evidence. Rom-com Tropes and Structure. Narratives and Storytelling. Unexpected Ending.

So let’s begin on a base level of understanding about queerness in the media and how that history does and doesn’t tie into Ted Lasso.

Queerness in the Media

The presence of queer people in film has been a contentious topic since the enactment of the Hays Code in 1934. The Hays Code sanitized/censored what could be shown on-screen, and catered to an audience of white, straight men. This sanitization/censorship of media went hand in hand with the American societal shift into conservatism at the end of the Great Depression and WWI.

The Hays Code remained in effect until 1968, when the political landscape of America once again shifted — this time into a more progressive light. Until 1968, filmmakers and creatives within the industry sought out ways to bend and push the Code’s rules. The invention of television helped play a role in the dissolution of the Code, as did the growing number of foreign films which depicted things like queerness and women’s sexuality. 

Why is this relevant to Ted Lasso, a television show made in 2020?

30 years of conservative censorship and catering to straight, white men does a number on what people deem “acceptable” to show in film. This thinking extends into the world of television. The Hays Code was rooted in conservative ideology and created a system in Hollywood that prioritized white, straight men’s stories — to the point where there was little representation of anyone else. Its effects are still felt today, 55 years on from dissolution. There still is a terrible underrepresentation problem in Hollywood that runs from POC stories to women’s stories to queer stories. Even worse if any of those stories intersect with each other.

Before we dive into the topic of queer-coding in television, we need to understand the history of queer signaling. Queer signaling emerged so that queer people could identify themselves to other queer people without outing themselves to danger. It is by nature subtle to ensure safety within a homophobic society. Men wearing green carnations on their lapels, women giving other women violets, and the use of lavender are all queer signals that were used back in the day. Fashion choices are another signal (the old hanky code), as are certain phrases (“Are you a friend of Dorothy?”).

When you leave things to be subtle, it allows for people on the outside to interpret the information in a way that is easiest for them to digest. That has ramifications on queer history to be erased or explained away or rewritten to better push a heterosexual "default". You see it time and time again when historians call women who lived together for decades "good friends" or when historians laugh at the possibility of someone like Abe Lincoln being queer. There's this homophobic undercurrent of: How can this beloved, well-known person be queer? Why would you even imply something like that?

The same thing happens to queer characters on-screen. Queerness in television, specifically, has a history of being coded. Queer-coded characters are characters who are not explicitly queer — sometimes even are mentioned as straight —, but through their mannerisms and traits can be perceived as queer to the audience. Well known queer signals help aid in queer-coding. Harmful stereotypes also are utilizied to code a character. Therefore it is important to discern the intent and the use of these signals and/or stereotypes. 

(Please note: Queer-coding is different than Queer-baiting. To code a character as queer is inherently neutral, while to bait a character as queer is almost always negative.)

The ambiguity of coding allows for the show/studio to not have to present overt representation at the risk of alienating its audience. Hello, Hays Code.

Queer-coding is a reflection on society's stance on queer people at the time the character is written. In the 1980’s, when the AIDS Crisis was labeled a “Gay Cancer”, Disney films queer-coded their villains (notable ones include Ursula and Scar). In the 1990’s, Chandler Bing in Friends became a queer-coded character, but instead of villainizing him, it served to ridicule him. Even jumping forward to today, characters (such as Deborah in Hacks) still remain coded despite other characters within the same show being explicitly queer. 

And while the queer-coded characters of today are not targets of outright villainization, there lies an undercurrent rationalization to their subtextual queerness. For example, characters like Wednesday and Enid Sinclair from Wednesday are explained away as: “Well they’re just friends”. 

Characters like Ted in Ted Lasso can be explained away as: “Well he isn’t toxically masculine”.

Ted Lasso and His Subtextual Bisexuality

Ted? A queer-coded character? Afraid so, bucko. 

He isn’t the only one in the show, either. Keeley, Colin, and Trent are also queer-coded for their own reasons. Colin most notably for his Grindr comment; Keeley most notably for her various sapphic comments. Trent…we will get to later on. 

(It is worth noting that as of writing this, there are still no explicitly confirmed queer characters in the show. Although the case can be made that Keeley is confirmed bisexual already).

Focusing back on Ted, there is a good amount of evidence for bisexuality that can admittingly be explained away. People can point out that he’s secure in his heterosexuality, that he isn’t toxically masculine, that that is just how his character is. And yes, those viewpoints are all true and well and good, but I want to pose a question: 

Why are we so adamant that Ted Lasso isn’t queer?

Explaining away a queer-coded character’s subtextual queerness is perhaps the easiest route fans can take. Whether there is (implicit) homophobia attached or simply because of the fan’s strict adherence to what’s been canonically established so far, quite a few people’s knee-jerk reaction to reading a theory their beloved main character could be queer is: “Nope! No way, José!” 

Let’s challenge that reaction for a second. Let’s put down the explanations. Let’s take a look into what, exactly, I am talking about when I say that Ted can be read as a bisexual man.

“Rugby. What a game. It’s like if American football and sumo wrestling gave birth to a baby with huge muscular thighs all caked in mud.” — Season 3, Episode 1.

This is a peek into how Ted views the sport of Rugby, and it sure is telling to what he pays attention to. It’s also said in the context of asking if Sharon is seeing anyone. The phrase “huge muscular thighs all caked in mud” draws up quite the image, which when paired up with the direct conversation context, lends itself into an erotic visual. Rugby is known to be a homoerotic sport, too. 

(Please note: The “baby" in this sentence is Rugby personified to help segue the listener from imagining the sport as an abstract to imagining the sport as tangible. “It’s like if ___ and ___ gave birth to a baby” is a common figure of speech used to mean the combination of two things. The focus in this sentence is not the baby, but rather the muscular thighs.)

Ted could have said anything else about Rugby. But he didn’t. The first association he has with the sport is “muscular thighs caked in mud”. Why is that?

“Guys have underestimated me my entire life. And for years, I never understood why. It used to really bother me. But then one day, I was driving my little boy to school, and I saw this quote by Walt Whitman, and it was painted on the wall there. It said, ‘Be curious, not judgmental.’ I like that.” — Season 1, Episode 8

Walt Whitman was an openly gay poet in the 1800’s. His famous body of work Leaves of Grass has clear homoeroticism within it. The quote Ted references, though, isn’t a Whitman quote. But Ted believes it to be. “Be curious, not judgmental” is an aspired quote that reminds us to be more open-minded. 

Added layer: Not understanding why peers underestimate you or treat you different is a common experience in the queer community.

“That’s funny, when it comes to small talk I often ask myself what would Dolly Parton do? Start with the 9 to 5 and end with God Only Knows” — Official Twitter. Sept 28, 2021

“And next week is, if I remember correctly, Shania Twain.” — Season 2, Episode 1

Dolly Parton and Shania Twain are gay icons, especially to country folk.

“Shoot, I know I got goosebumps. I remember being a little kid, sitting in front of the television and watching Queen perform right over there during Live Aid.” — Season 2, Episode 8

Queen is not only an iconic band, but interwoven with queer culture. Freddie Mercury was bisexual.

“Last time I saw equipment this impressive, I was about 20 minutes into Boogie Nights.” — Official Twitter. Aug 30, 2022.

Boogie Nights is a 1997 film about a man becoming an adult-film sensation in the 1970’s. Twenty minutes in, there is a scene referencing the main character’s dick.

Boogie Nights also draws heavily from the disco genre for it’s soundtrack. Disco is a staple in queer culture as it allowed people freedom to express their identities in the nightlife scene. It didn’t matter who danced with who in the clubs.

“I feel like you two [Beard and Nate] are about to do some improv comedy or tell me that you’re dating each other. Either one’s cool with me. ‘Cause your suggestion is: ally.” — Season 1, Episode 9

Ted is supportive of queer relationships. An ally, as he says. But maybe he isn’t just an ally.

He repeatedly calls members of the Diamond Dogs pet names/terms of endearment. “Sweetie” “Baby” “Honey”, the list goes on. When this began in Season 1, Episode 6, Beard found it out of character for Ted to do so. (Nate asking him if Ted’s alright and Beard laughing, “No!”). What makes me pause on this is that the origin of Ted’s terms of endearment stem from Michelle leaving him. Ted’s looking for emotional comfort or familiarity in other men that he can no longer give to or receive from his ex-wife.

Other straight men in the show (like Roy) don’t engage in this behavior.

Ted also really enjoys musical theatre. He references musicals a lot. I mention this information now because it is important later.

There are more examples in the show, but I hope I’ve laid out enough to get you to at least see the repeated mentions of queer culture. They’re spinkled in, sure, but they are there. And they’re given in a way that gives an impression that maybe, maybe Ted isn’t as straight as we’re led to believe.

Keep in mind that sexuality is fluid, bisexuality exists, and characters evolve over the course of their stories. Is it really so out there to imagine Ted developing into his own?

Let’s move on to Trent.

Trent Crimm, Independent

We do not know much of Trent’s backstory. Yet. James Lance has said in interviews that Jason Sudeikis brought it up to him early on. Interesting, as Trent hadn’t yet become a series regular. Was there always a plan in store for his character?

Well what do we know of Trent? From other character’s reactions and comments about him, we know he is someone who writes scathing exposés as a journalist. We know he’s highly obervant, blunt, and at times aloof. He takes his job seriously and he loves the sport of football. A “tough cookie” as Ted put it. People listen to what he writes about, as Rebecca mentions in Season 1 Episode 3. He’s established in his profession.

We also come to discover that he’s grown dissatisfied with his career. He’s “looking for something deeper”. He goes from disliking Ted (“Is this a fucking joke?”) to burning his source out of personal respect for Ted (“My source was Nate”). This shift in character is pretty drastic, though believable if you pay attention to how he acts in the press room and the questions he asks throughout Seasons 1 & 2.

He has a je ne sais quoi about him that queer fans of Ted Lasso have picked up on. Perhaps it’s the way he dresses, his hair, or his overall vibe. Perhaps it’s the way he looks at Ted like he’s endlessly fascinated by him. Trent Crimm, Independent inexplicably reads as gay.

Tedependent Evidence and Speculation

Keeping everything we’ve established so far in mind, let’s go through some of their scenes together. Keyword: some. This meta is long enough as is.

Lasting First Impressions

In the Pilot episode, one of the first things Ted says to Trent is, “I like your glasses.”  To which Trent takes them off, looks at them, and replies, “Oh, thank you.” And then it becomes a recurring move he does nearly every time he talks to Ted.

In Season 1 Episode 3, Trent greets Ted, “Hello Coach Ted Lasso from America.” to which Ted replies, “Hello Trent Crimm from the Independent.” And then that becomes a recurring joke between them.

Speaking of Season 1 Episode 3, if you jump to 18:29, you’ll catch Trent giving Ted a full body check as Ted finishes getting ready. 

Bring It On!

“Make like Dunst and Union and Bring It On, baby!” Ted says to Trent in Season 2, Episode 3.

The 2000 film Bring It On! includes a storyline about a gay cheerleader who is comfortable in his sexuality. The movie addresses issues of racism, appropriation, and systemic inequality. It’s become a beloved cult classic.

It is also the first time Ted uses a term of endearment on Trent. He doesn’t do that to any of the other journalists, indicating that they’re on personal friendly terms. Most of their interactions seem to happen off-screen. Ted baked birthday biscuits (and decorated them) for Trent’s daughter. Trent and Ted may have swapped phone numbers somewhere along the way too, seeing as Trent’s able to text him about Nate later on in the season.

The Tie Between Oklahoma! and Casablanca

When Ted references Oklahoma! in Season 1, Episode 5, it’s to specify that the musical is ruined for him due to it becoming a safeword in his marriage with Michelle. The direct quote is:

“So if either of us says ‘Oklahoma,’ the other one has to tell the God’s honest truth… Did ruin the musical for me though. So now every time I hear, ‘Oh, What a Beautiful Mornin’,’ or, uh… what… ‘Surrey with the Fringe on Top,’…”

“Surrey with the Fringe on Top” makes an appearance in the 1989 rom-com film When Harry Met Sally. Harry and Sally sing it together impromptu on a karaoke machine in an electronics store. Sally’s profession in the film is in journalism.

What else is referenced in When Harry Met Sally…? So glad you asked. Casablanca is referenced in the film a couple times. In the beginning and in the middle. It serves the narrative purpose to indicate how Harry and Sally’s outlook on love has developed over the years.

Casablanca is a hallmark of the romance genre. And it’s also been referenced in Ted Lasso. In Season 2 Episode 7, when Trent leaves his date to go over to talk to Ted, he says, “Of all the pub joints!”

The Casablanca quote is: “Of all the gin joints in all the towns in all the world, she walks into mine.” It is said by Rick about meeting Ilsa again.

Season 3 Episode 8 is allegedly titled “We’ll Never Have Paris”, which is a subversion of the Casablanca quote “We’ll always have Paris”. 

Now for the absolutely insane bonkers speculation. That quote is said in the final scene of the film right after Ilsa asks Rick, “What about us?”. Rick isn’t getting on the plane with her, they’re separating, this is the end of their story. “We’ll always have Paris” is a reassurance that they’ll always be together in their memories. 

So if “We’ll always have Paris” is a signifier to the end of a romance, it is possible that “We’ll Never Have Paris” is a signifier to the start of a romance. And who else in Ted Lasso has referenced Casablanca? No one. The only reference in the entire show so far has been said by Trent to Ted.

Twelfth Night

Want to get even more insane in the membrane? Of course you do.

Before Trent walks over to where Ted sits at the bar, Mae makes a reference to the Shakespearan play Twelfth Night. Her direct quote is: “If music be the food of love, play on. Give me excess of it.” 

To which Ted replies: “If that's your fancy way of asking if I want another one, you guessed right.”

Sidebar here — because I love connecting the dots even if it turns out I haven’t connected jackshit — Ted’s reply could be a double entendre. He doesn’t say “if I want another drink”, he says “if I want another one”. Another one of what? It’s clear in the context of the bar it’s another one (beer), but it could also foreshadow to mean another one (love). The latter makes sense when combined with Mae’s reference.

Because Twelfth Night is a love story. It’s a romantic comedy. It’s a queer romantic comedy.

So Mae makes a cryptic reference — unprompted — to the opening of a queer love story, and then immediately afterwards we get Trent greeting Ted with a reference to another famous love story. 

Remember how Trent did a full body check on Ted in Season 1 Episode 3? Well now it’s Ted’s turn. He does a full body check on Trent around the 31:50 mark in this episode. And he seems genuinely happy to see Trent until Trent puts his journalist cap on. 

This happiness is also short-lived if we jump forward to Season 2 Episode 12. When Trent texts Ted initially, Ted smiles at his phone. The smile goes away as soon as Trent sends him the article he wrote.

Burning A Source

Trent burned his source for Ted. This serious, established journalist burned his source.

The Carpark

“Hey! There he is. I was worried about you. I thought you might’ve been in a bike accident or something.”

“Actually, I don’t know how to ride a bicycle.”

“Really? That surprises me.”

“Why? Cause of the hair and the whole vibe?”

“Yeah, I guess so.”

— Season 2, Episode 12

Let’s break this down. 

Remember how I said certain phrases are used as queer signaling? Bicycle is one of them. Bi-cycle used to be slang for bisexual (an example of this in pop culture is Queen’s song “Bicycle Race”). Trent saying he doesn’t know how to ride a bicycle could be a double entendre, with the hidden meaning that he isn’t bisexual. He then goes on to ask Ted about “the hair and the whole vibe”, which could be another double entendre. This time with the hidden meaning to ask if Ted’s got a gaydar. The pause at the end of his question and the way he asks it is equally important. He’s testing the waters with Ted. 

And Ted passes the test with, “Yeah, I guess so.”

They are also in a carpark, which is a callback and parallel to not just Ted and Michelle, but also to Roy and Keeley. 

This entire scene is coded and contains heavy foreshadowing. There’s a lot to unpack. From Trent’s choice of words to locking himself out of his car to Ted saying, “Do what The Man says and try to follow your bliss.”

Speaking of Ted, this is the last scene we see of him in Season 2.

Rom-com Tropes and Structure

So how does that evidence fit in with the story structure? We all know Ted Lasso is a rom-com. So let’s dissect the genre’s tropes and how its typically set-up.

Perhaps one of the most common rom-com tropes is the journalist falling in love (sometimes with who they’re writing about). Sleepless in Seattle, When Harry Met Sally, He’s Just Not That Into You, How to Lose a Guy in 10 Days, etc. This profession is popular.

There are also the friends of the romantic leads who help guide them. Diamond Dogs, anyone? 

The anatomy of a rom-com is typically done in three acts.

ACT ONE: Meet-Cute

Every rom-com has a meet-cute. It’s integral to the structure. And oftentimes — if the rom-com includes someone who is a journalist — that meet-cute happens in the workplace. During this act, the two characters get to know one another and start to fall in love.

ACT TWO: Lose

This stage typically happens two-thirds of the way through. There’s a dissolution of some sort. One character betrays another or they argue or something gets in between them. Either way, one of them leaves.

ACT THREE: Declaration

Whoever left realizes “Wait a minute…I’m in love.” and then the rest of the film leads up to an iconic declaration of love. The characters reconcile and it’s — generally speaking — a happy ending.

It would make sense for Ted Lasso — which references rom-coms and rom-communism out the wazoo — to incorporate this structure. And I think that it already has somewhat in regards to Ted and Trent’s storyline, if you view each act as a corresponding season.

Narratives and Storytelling

Before we saw Ted’s panic attacks and now chronic depression, we got inklings of it. The writers consistently sprinkle foreshadowing into every major plot point in Ted Lasso. The situations in the show feel plausible and real because they’re given the space and the time to breathe, grow, and develop. Pacing is integral to this.

For a show to be so progressive yet not have an explicitly queer character seems strange to me. It feels off. We are given hints, though, which lead me to believe that sexuality will be a major plot point in Season 3. For it being the last season, it’s not going to be enough to potentially only have Colin be the One Gay in the entire cast of characters. That would feel uncharacteristically dismissive from the writers on a show about inclusion and found family.

It would also completely throw out a chance to further enrich the story and deepen the characters. Think about the wasted comedic potential of Trent becoming an accidental gay mentor to Colin. Or the wasted dramatic potential of the Richmond team banding together against homophobia. Or, I don’t know, the wasted dramedy in Ted talking to the Diamond Dogs about how he’s realizing he’s got feelings for men, and there’s a moment where they’re like, “No shit.”

Beyond foreshadowing, another common style the Ted Lasso writers love to utilize is the red herring. A red herring is a misleading bit of information used to distract the audience from the relevant information. We saw it in Season 2 between Ted and Rebecca and Sam. Some people didn’t connect the dots between Sam’s Bantr storyline and Rebecca’s Bantr storyline because Ted — the red herring in this example — was shown also texting on his phone. Editing played a part in this too, as some shots cut to Ted directly after Rebecca had a Bantr Moment.

I honestly think we’re going to get a subversion of this in Season 3. Only this time Rebecca will be the red herring to distract from Ted and Trent. Here’s why:

There are multiple parallels between scenes where Ted interacts with Rebecca and with Trent. This gifset captures those parallels. He gets through both of their barriers (hopping over Rebecca’s “fence” and softening Trent’s “tough cookie” exterior). It’s the Lasso Effect, baby!

What’s more, a larger portion of the audience watching Ted Lasso are primed to expect Ted and Rebecca as endgame. It’s what happens in shows between two main characters of the opposite gender, right? They get together, live happily ever after. Especially if they’re good friends. 

Anyone expecting the Ted and Rebecca ending will probably disregard anything developing between Ted and Trent even if its right in front of them. Because historically two men don’t end up together on-screen. Especially not in a show as big as Ted Lasso.

But what if a queer endgame is what Jason Sudeikis means when he says in interviews that the ending is not what we’ll expect?

Unexpected Ending

Before we look at the ending, we must look at the beginning.

The first shot of the season is of Ted’s depressed face in an airport. Since Ted Lasso has so far began and ended each season with a juxtaposition shot, it would make sense for the last shot in Season 3 to be of Ted’s happy face. Whether or not that’s in an airport remains to be seen.

The teaser trailer for this season dropped on Valentine’s Day, which was our first look into Season 3. Season 3 ends on May 31, 2023, one day before June. Or, in other words, one day before Pride Month. The combination here of Valentine’s Day and Pride Month lends itself to an interesting choice.

The official Season 3 playlist dropped on Apple Music. So far all the song’s have been in order, and as there are 56 songs on the playlist, I’m inclined to believe that it’s the entire season. 

“Wigwam” by Bob Dylan is the first song of the season. It’s got a melancholic, drifting feel to it, with no real lyrics. If it still stands that the songs are in order, then the last song on the show is “I Am What I Am” by Donald Pippin & George Hearn from the 1983 Broadway musical La Cage aux Folles. It’s got a purposeful, proud feel to it, with meaningful lyrics.

Remember how I said that Ted is a huge musical theatre nerd? La Cage aux Folles is an insane pick — in the best way — to end the show. It’s cultural impact was huge when it came out, as it was the first hit Broadway show that centered on a gay couple, Albin and Georges. “I Am What I Am” quickly became a gay anthem. I can’t give notable lyrics because the entire song is a love letter to being out and proud of who you are. It’s also worth noting that Albin and Georges are fathers to a son.

But why would they pick this particular song from this particular musical? Why choose a gay anthem? 

I cannot say for certain that Ted and Trent will end up together by the end of Season 3. All I can say is that it would make sense if they do. From the set-up to the Rom-com tropes to the unexpected ending. And if it doesn’t, if all this ends up being wrong, that’s okay too. 

Still, though, I can’t help but root for them.

[brian-in-finance]

Caitríona Balfe and Tony McGill, 2018 / David M. Benett/Dave Benett/Getty Images for Grey Goose Vod

The passionate romances brought to life on the Outlander screen are certifiably swoon-worthy, and as much as we wish our favorite on-screen romances translated to real life, many of the beloved actors and actresses apart of this cast have found real-life romances just as dazzling as the fictional ones they bring to life. With Outlander Season 7 Part 2 premiering tonight at 8 p.m. ET on Starz, take a look at these Outlander real-life couples.

Screenshot ⬆️ misspellings belong to source 🙄

Caitríona Balfe and husband Tony McGill

Tony McGill and Caitríona Balfe, 2020 / Kevork Djansezian/Getty Images

Caitríona Balfe leads the series and is part of one of the most beloved couplings on television alongside Sam Heughan’s Jamie Fraser, but off-screen, the 45-year-old Irish actress found love in music producer Tony McGill. The couple were first linked to one another back in 2015, and in 2018, the actress revealed that they were engaged. The couple, who were introduced through a friend, have been married since 2019 and in 2021, welcomed a child together. “We are so grateful for this little soul….that he chose us as his parents,” Balfe wrote on Instagram in 2021 upon her son’s arrival. “I’m in awe of him already and can’t help stare and wonder at all the possibilities of who he will become, where he will go and what he’ll do on the big adventure of his life.”

David Berry and

Dismissed by BiF due to misinformation

Graham McTavish and wife Garance Doré

Graham McTavish and Garance Doré, 2020 / Michael Tran/Getty Images

Graham McTavish is known for playing the part of Dougal MacKenzie in Outlander. The brooding Scotsman found love on none other than Raya, the popular celebrity dating app, and has since married his sweetheart, Garance Doré. “I managed to slip through her algorithm as she had forgotten to exclude men who resembled grumpy, bearded grandfathers!” McTavish told British Vogue in 2023. “I also pretended that I lived in LA when I was only visiting because I didn’t want to put her off.”

Doré also told the publication, “Even though we would have liked to have met by chance, this probably would never have happened in real life, as we were almost always in different parts of the world.” In the wake of their wedding, she shared a message to her Instagram saying, “It’s almost impossible to describe this day of wonder, family, friendship and love. Thank you @grahammctavish for creating this world of possibles and magic, and thank you for being my husband.”

Richard Rankin linked to Sammie Russell

Richard Rankin and Sammie Russell, 2023 / Phillip Faraone/Getty Images for Paramount Pictures

Richard Rankin has brought to life Roger Wakefield in the hit historical drama, and off-screen, he’s been linked to Sammie Russell, the Australian owner of a sleepwear brand called Dream With Me. While Rankin has kept rather quiet about his relationship with Russell, the duo have been pictured alongside one another over the last couple of years.

Woman’s World

Remember… we know he’s not and never was a music producer.

[dynared]

As Dreamworks's deal with Netflix for exclusive shows expires (they first signed a deal with Hulu for exclusives and now seem to be given shows to them and Peacock), shows have begun to leave the service en masse. However, due to the nature of staggered contracts, many of these shows will not be leaving Netflix for at least a year, while others may have several years left on the service. What's on Netflix did some calculations based on when the final seasons were added and came up with some removal dates for the shows -

Voltron: Legendary Defender (N Original)December 14, 2018 December 14, 2024

She-Ra and the Princesses of Power (N Original)May 15, 2020 April 10, 2026

3Below: Tales of Arcadia (N Original)July 12, 2019 August 7, 2026

Wizards: Tales of Arcadia (N Original)August 7, 2020 August 7, 2026

Trollhunters: Tales of Arcadia (N Original)May 25, 2018 August 7, 2026

There are plenty of other expiration dates on that list, but these are the big ones I noticed, mostly because they were attempts at franchise creation that fell completely flat. Voltron's big-budget Amazon movie is due for a 2025 release in a best-case scenario (worst-case scenario is more Robotech-style development hell) and with the rollout of a lot of classic Voltron merchandise including the oft-mentioned Voltron beer, the plan to erase VLD from everything come the film release is well underway. Dreamworks doesn't seem to mind, since they're still the video distributor for DOTU on behalf of World Events Productions, their name is on the Voltron beer.

She-Ra is a similar story. The franchise is also with Amazon via Dreamworks, for a live-action show directed by one of the directors of the Watchmen TV show. Hopefully, whoever plays Hordak can chew the scenery as hard as Jeremy Irons did. It probably will air sometime in 2025-2026 best case scenario as well, just in time to see SPOP eliminated from everything (something Mattel is only too happy to facilitate given their release of classic She-Ra figures for their Masterverse brand of toys).

Trollhunters was meant to be a franchise but despite a lot of big names attached to it, it went absolutely nowhere and everyone seems to have disavowed the whole thing after the ending. So it's just getting tossed to one side.

The internet means IP gets recycled and discarded faster and faster these days. And these are three examples of shows set to disappear from the face of the earth, to the glee of the license holders.

[granvarones]

Pride started with a protest. Pride Month is a declaration of the fight for freedom for all LGBTQ+ people. It is a way to honor our history, resilience, and collective resistance. For those of us who have the privilege, one act of resistance can be coming out publicly as a member of the LGBTQ+ community. And Amber Ruffin did just that during the last day of Pride Month.

On June 30, 2024, multi-talented comedian, writer, and television host Amber Ruffin posted a picture of herself rockin’ a purple shirt that read “QUEER.” The caption of the photo read:

“In what will come as a shock to exactly zero people, I’m using the last day of PRIDE to come out! Be proud of who you are, babies! I know I am! And I can’t wait to be discriminated against for a new reason!!”

Amber gained widespread recognition as a writer for “Late Night with Seth Meyers,” where she became the first Black woman to write for a late-night network talk show. Her segments, such as “Amber Says What?” and “Jokes Seth Can’t Tell,” showcased her sharp comedic skills and her ability to tackle serious issues with a light-hearted approach.

In 2020, Amber continued to break new ground when her critically acclaimed and Emmy-nominated “The Amber Ruffin Show” was launched on the streaming channel Peacock. The show combined sketch comedy, monologues, and musical numbers, often addressing racism, sexism, and homophobia.

Amber has also recently garnered success in the world of theater as co-writer for the “Some Like It Hot” revival, for which she was nominated for a Tony Award, and updating the book for the Deborah Broadway Cox-starring hit, “The Wiz.”

Amber, thank you for sharing your journey with us!