#Women in the world 2012

[wavesoutbeingtossed]

What the fuck did I just read in the year of our lord two thousand and twenty-four

[flamedoesart]

something in my gut is telling me she's gonna win this election.

[tvmusiclife]

Japan just showed how much of a threat they are. Not only did they top Group C, but they did so by dominating Spain 4-0 🤯.

- No goals conceded in all 3 group matches.

- 11 total goals.

- all 3 touches in Spain's box ended in 3 goals.

- Japan had just 23% possession v. Spain.

- Japan completed 267 passes in the match v. Spain, who had 898.

[figureskatingcostumes]

Kai Jing Leong in the preliminary round of the 2012 World Junior Championships.

(© Ksenia Fomina)

[agendabymooner]

SOMETHING REUNITED !!! SEBASTIAN V. X FEM!READER! X MARK W. (18+)

summary: sometimes a cat-and-mouse game of three can last longer than intended.

content warning: smut below the cut (minors dni), explicit language, mfm threesome, dom!sebastian and dom!mark (mentions rbr!mark and rbr!seb), multi 21, oral sex (m receiving) + deepthroat + facefucking, dumbification if you squint hard enough, double penetration + spitroast, praise kink, size kink-esque, age gap (with mark), unprotected sex (NOT RECOMMENDED)

💌re:moony's planner request: "pls more webberxsebxreader preferably smut"

note: i have a couple asks/requests sitting on my inbox for a while and this is the first thing i've written in a while 😭 i'm sorry to disappoint y'all but enjoy regardless xx

something sinful (smut) masterlist

a - n masterlist // o - z masterlist

if you’d like to get on one of my taglists, check this post out

even ten years later, she still had them chasing after her. 

working with red bull was anything but easy for her back in 2012, being a 22 years old woman and all. women in motorsports were something of a relatively new topic back then and when she made her presence known in the milton keynes factory, she would have expected things to be hard for her.

well… it was hard for her for a brief moment until a certain australian and german molded her into something more bold, giving her the attention and validation she desired. 

yet she persisted, thinking of them as people who merely wanted her to feel comfortable in the formula one field. she didn’t think much of it before.

until malaysia 2013 happened. sebastian vettel won after he stopped following a team order, causing mark webber his p1 and in the process the ‘multi 21’ controversy occurred. 

she was there to witness all of that - from mark’s radio to sebastian’s interview post-race, even their cooldown room segment. she was there. 

that was also the same night mark finally snapped and bent her over his hotel room bed, with her allowing mark to fuck the frustration out of himself while she whined and cried about how big he was— and how full she felt. 

it didn’t take long for sebastian to hear her whimpering and her pleading, as his room was situated next to mark’s. the german driver came knocking on mark’s door, and sebastian found his cock in her mouth and his hands gripping her hair. 

mark, ever the dominant man that he was, demanded the woman to suck the race winner’s cock and condescendingly told sebastian it was a ‘congratulatory gift’ from the australian. 

that was the last night they’ve ever seen each other in the same bed, but they saw each other a lot in the paddock. 

in 2014, mark left for world endurance while sebastian continued to chase after her - to which she explicitly stated that she wasn’t going to do it again. but sebastian pursued her continuously anyway.

now, in 2023, both men were retired but they always found themselves coming back to the paddock or the pit lane. mark webber had been managing a driver who was a rookie this year, while sebastian couldn’t find himself to leave the scene as he was newly retired. 

both had excuses, but no one really knew the real reason why they kept coming back. no one knew but themselves… and her. 

the ten year build up led to her hotel room by the suzuka track, her tits were splayed out and pinched and caressed by both men and her knicker becoming more damp as they continued to tease her. she uttered nothing but a pitiful sigh, something that had both men groaning in delight.

“god, i fuckin’ miss that whining of yours, baby,” mark nipped her ear, his greying stubble grazing her neck and his grubby fingers nestling themselves between her legs. “miss the way you fuckin’ plead. you miss being handled like this, don’t you?”

sebastian chuckled darkly, his hand finding itself stabilizing her chin as he examined her desperate face. “and you thought those men you’ve been fucking were fulfilling your needs,” sebastian’s german accent thickened as he gave her an amused smile, “we’ve been waiting for this for ten years, liebe.”

it was a blur, having to figure out how she went from sinking down to her knees and choking on sebastian’s cock as the tip hit the back of her throat. she could feel a lot of things.

this included mark’s hand that held her hair up and bobbed her head back and forth. mark crooned sweetly and praised her, “there we go. that’s a good girl. keep sucking his cock like that, baby. you’re doing so good for him.” 

mark nearly laughed when he watched her knees close and clench, fascinated at her submissive state as his eyes looked at her teary ones.

sebastian’s usually-bright-blue eyes were darkening as her mouth took in mark’s length, watching the way her tongue swirled around the aussie’s tip before her nose grazed the hipbone of the older man. 

mark let out a guttural groan, feeling his tip at the back of her throat as she skillfully took him in. he let out a string of curses before he muttered, “good girl. keep sucking me off like that. ‘m gonna fuck this throat of yours, hm?” he peered down at her, waiting for her go ahead and witnessing her nod. 

sebastian smirked as mark’s hips began to snap forward, lewd sounds of liquid escaping her barely empty mouth as she continued to indulge in mark’s cock.

“she can take us both so well,” sebastian crooned to the girl, stroking his cock at the same pace mark fucked her mouth with his length.

a few snaps of his hips after, mark finally pulled her mouth away and allowed her to breathe. she panted heavily, looking up at the towering man and still kneeling before them. 

“think you can take both of us, schatz?” sebastian asked the woman as if she couldn’t comprehend a word anymore. her bruised throat didn’t tell them anything, earning an amused laugh from mark and sebastian. she was already fucked out and she only sucked their cocks. 

mark could remember how desperate she was to suck him off after his loss at malaysia, wanting to please him after he grew frustrated with sebastian’s refusal of order in the track. all mark could think about was how ten years later he was going to feel her again. perhaps even better this time.

sebastian laid on the bed, gesturing for the woman to sit on his cock. 

mark’s hand helped the woman up before slapping her ass, his mouth letting out a smirk when she let out a soft sigh at the impact. 

soon, she sat on sebastian’s lap, sinking down on his cock as she let out a moan, “oh fuck…” 

she adjusted, allowing herself to bounce on sebastian’s cock for a moment before she felt mark move and settle behind her. a splatter of lube escaped its bottle as mark spread it generously, in the process his fingers prodded her back hole as she let out a soft whine. 

mark fucked her with his fingers while sebastian continued to thrust slowly, making her writhe and cry out for the two of them. they really had missed this— her pitiful and pleading moan. they missed making her cry like she hadn’t been fucked hard before. 

“mm… so fuckin’ tight,” mark whispered in her ear, pulling his hand away to stroke his cock and lubricate it. 

she nearly collapsed on top of sebastian when mark’s cock entered her slowly, both she and mark letting out loud moans. she felt so full while mark felt like she was hugging his cock tightly. 

“fuck, mark!” she exclaimed, her head nuzzling sebastian’s shoulder for a moment as she babbled, “so fucking big. god, you’re so fucking big!” 

“you’re so tight for us, schatz,” sebastian murmured and kissed her temple sweetly. “so fragile, we can barely fit ourselves in your holes.” 

“seb,” she whimpered as she muttered, “‘m so full.”

“i know you are, bebe,” sebastian said, humouring her submissive state while mocking her in the process, “you’re so full that you can’t think anymore, hm? all you can do is be a good girl for us because you’re already fucked out.” 

mark groaned loudly, now moving languidly alongside sebastian as the two men thrusted in and out of her holes. she couldn’t do much, she couldn’t even reminisce because of the sensations that she’s lost all thanks to their dominance and their primal urge to fuck her endlessly.

“you miss this, baby?” mark whispered heatedly, now moving rougher as she cried out their names. “missed this body of yours.”

“you had us running after you for years,” sebastian smirked, “now you’re a putty in our hands. such a shame you made us wait this long.”

“it’s a good thing we caught you eventually,” mark added as his eyes found her hands clawing at sebastian’s bare chest while she whined and squirmed in pleasure.

“because we’re gonna make sure you’re not gonna slip away anymore. gonna make sure you’re ours. gonna make sure everyone knows you’re ours — we’re gonna fuckin’ ruin every man for you like we did in 2013.” 

♡ moony’s reminder 🅶 (general): @hiraethrhapsody @avaleineandafryingpan @enhacolor @roseandtulips @woweewoowa @magnummagnussen @happy-nico @architect-2015 @hiireadstuff @biancathecool @scorpiomindfuck

♡   moony’s reminder 🅴 (explicit edition): @glitterf1 @savrose129 @maxillness

[hrrtshape]

　　 THE ROLES IN MY FAME DR. . .

quiet, quiet !!! centre stage, lights dimmed, audience hushed. my fame dr is essentially me winning the metaphorical acting olympics while everyone else is still lacing up their shoes. it’s, like, a line-up of roles so iconic, so overpowered, it’s like i’m thanos snapping my way through hollywood history. i wanted the cookie, and i baked the whole bakery.

here’s the rundown.....each role is a slice of cinematic perfection, OKAY, served with a side of "how does she do it? why does she do it?? how many oscars do you need??" energy.

　꒰ 2002. . . ' PONETTE ' as ponette. — picture a four-year-old (shut up) absolutely devastating audiences, grappling with grief and holding onto the wisp of hope that her mom might waltz back from the afterlife. tiny me..... heartbreaking. oscar-worthy. a pint-sized tour de force !!!

　꒰ 2006. . . ' LITTLE MISS SUNSHINE ' as olive. — quirky underdog vibes. a beauty pageant dreamer dragged through chaos on a family road trip. big glasses, bigger heart. adorable chaos incarnate.

　꒰ 2007. . . ' LÉON: THE PROFESSIONAL ' as mathilda. — street-smart, sharp-tongued, and navigating grief and revenge. turned “child assassin vibes” into a genre.... unlikely bond with a hitman? groundbreaking.

　꒰ 2008. . . ' ATONEMENT ' as briony tallis. — precocious young writer turned accidental chaos agent. one little misunderstanding, and boom !! tragedy for everyone. the literary girls wept.

　꒰ 2009. . . ' TRUE GRIT ' as mattie ross. — fearless teen avenger with a rifle and a vengeance. sharp-tongued, sharp-shooting. unstoppable.

　꒰ 2011. . . ' LOLITA ' as lolita /// dolores haze. — a beguiling and precocious girl cloaked in innocence but steeped in rebellion, a mix of youthful charm and intoxicating danger. made everyone very uncomfortable because it wasn't directed by a pervert but instead an actual person who understood the book !!

　꒰ 2012. . . ' MOONRISE KINGDOM ' as suzy. — whimsical runaway girl with a suitcase full of records and big dreams, embarking on an adventurous and heartfelt runaway journey with her first love.

　꒰ 2013. . . ' BLACK SWAN ' as nina sayers. — the drama. the descent into madness on the basis of perfection. a ballerina teetering on the edge of perfection and chaos.

　꒰ 2014. . . ' THE GRAND BUDAPEST HOTEL ' as agatha. — the sweet baker who saves the day in a pastel-hued, heist-filled fever dream. you could say i was the cinnamon roll that held the plot together.

　꒰ 2015. . . ' CINDERELLA ' as cinderella. — glass slippers, big dreams, unapologetic faith in the universe. cottagecore princess moment.

　꒰ 2017. . . ' LADY BIRD ' as christine "lady bird" mcpherson. — high school angst meets big-city dreams. small-town girl, big personality, fiercely independent. greta gerwig girlies cheered.

　꒰ 2019. . . ' ROMEO AND JULIET ' (dir. sofia coppola) as juliet. — tragic romance, youthful rebellion, a modernised shakespearean masterpiece. the english teachers are obsessed.

　꒰ 2019. . . ' ONCE UPON A TIME IN HOLLYWOOD ' as sharon tate. — an enchanting actress and rising star, embodying the golden glow of hollywood’s bygone era with grace and optimism.

　꒰ 2019. . . ' LITTLE WOMEN ' as amy march. — ambitious, artistic, unapologetically confident. justice for amy achieved!!!

　꒰ 2019. . . ' STRANGE COLOURS ' (dir. david lynch) as naste. — struggling sculptor in post-war 1950s paris, whose pursuit of success leads her to morally complex decisions in a crime and punishment-inspired tale.

　꒰ 2020. . . ' THE QUEEN'S GAMBIT ' as beth harmon. — a brilliant yet troubled chess prodigy navigating personal demons, ambition, and addiction while conquering a male-dominated world.

　꒰ 2021. . . ' THE FRENCH DISPATCH ' as juliette. — a cynical and enigmatic character in a whimsical anthology capturing the spirit of journalism and artistic eccentricity.

　꒰  2021 . . . ' PROFIL PERDU ' as josée. — a woman caught in a crumbling marriage, drawn into a web of intrigue and liberation when a wealthy magnate offers her a new life filled with possibilities.

　꒰ 2021 & 2023. . . ' SUCCESSION ' as lukas matsson's complicated girlfriend. — it’s giving chaos. it’s giving scandal. the girl who walked into the roy / mattson power vortex and made it just a tad messier.

　꒰ 2022 & 2025. . . ' SEVERANCE ' as helly r. — kafkaesque corporate dystopia, dual personalities, fighting against the machine. the drama of it all.

　꒰ 2022. . . ' X ' as maxine. — it’s sexy, it’s terrifying, it’s iconic. a daring and ambitious young woman pursuing fame in the adult film industry while navigating fear and survival in a horror setting.

　꒰ 2022. . . ' PEARL ' as pearl. — a dreamer turned unhinged by isolation and frustration, whose violent tendencies emerge as her craving for stardom spirals into tragedy.

　꒰ 2023. . . ' POOR THINGS ' as bella baxter. — a curious and eccentric woman reborn into a surreal world, exploring life with uninhibited wonder and self-discovery. an eccentric frankenstein moment.

　꒰ 2023. . . ' THE HUNGER GAMES: THE BALLAD OF SONGBIRDS & SNAKES ' as livia cardew. — capitol decadence personified. the symbol of privilege and mean-spirituality. as well as coriolanus snow's future wife.

　꒰ 2024. . . ' MAXXXINE ' as maxine. — a raw and determined character fighting to make her mark in a world that feeds on fame, continuing her saga in the x-pearl trilogy.

　꒰ 2025. . . ' FRANKENSTEIN ' as the bride. — a haunting and tragic figure, torn due to her her husband's newest project.

that oscar is practically monogrammed with my soul. engraved, embossed, bedazzled in my honour. if possession is nine-tenths of the law, that golden man is legally, spiritually, and cosmically mine. you ever look at something and just know?? that’s me with oscar excellence. signed, sealed, delivered. twice for emphasis.

also....dividers not mine !!!!!

[reasonsforhope]

Early mornings are chilly in Los Romero, a village high up in the mountains of western Guatemala. As in other predominantly Mam villages – Indigenous Maya people who have lived here since pre-Columbian times – households come quietly to life before dawn. Isabel Romero, a grandmother with long black hair, used to feel somewhat trapped in hers.

“I was afraid of speaking because I was cooped up at home. I didn’t go out,” she says, explaining that like many Mam women, her days were dedicated to the hard work of running a household with little money, and she rarely spoke with other women. “I worried a lot and had headaches.”

Residents of Los Romero live mainly from subsistence farming, growing maize, beans and squash, or grazing livestock. Almost 50% of the population is Indigenous in Guatemala, Central America’s biggest economy, but they do not share in its prosperity. Indigenous women in particular are discriminated against and dispossessed, with a life expectancy 13 years lower, and a maternal mortality rate two times higher, than the national average, according to the World Bank.

In Romero’s village and throughout the region, a community-based collective of women’s circles has been quietly improving Indigenous women’s lives, empowering them to find voices that have been suppressed through centuries of marginalisation.

It was a long process, but Romero’s headaches and fear are now a thing of the past. These days she gets out to workshops, meetings and women’s circles. She shares her knowledge of weaving traditional textiles on a backstrap loom and has a leadership role in the women’s group she co- founded: Buena Semilla (Good Seed).

The initiative emerged from Maya Mam women’s experiences, when French physician Anne Marie Chomat brought them together for interviews for her doctoral fieldwork in 2010- 2012. The simple act of gathering with others and sharing their experiences had a profound impact on the women, many of whom are still dealing with the traumatic legacy of Guatemala’s civil war.

During the 1960-1996 armed conflict between leftist guerrilla groups and the military, more than 200,000 people were killed, overwhelmingly Indigenous Maya civilians killed by the army. Another 45,000 were ‘disappeared’. A truth commission concluded that the state committed acts of genocide...

“There’s so much chronic stress and other issues that are not being addressed,” says Chomat, Buena Semilla’s international coordinator, who now lives in Canada. “So much healing happened in that space of women connecting with other women, getting out of their houses, realising: ‘I’m not alone’.”

Once Chomat’s fieldwork was finalised, several participants decided they wanted to continue meeting and with Chomat came up with the idea of women’s circles. With the help of a grant, the project got going in 2013 and now more than 300 women in two municipalities participate every week or two in circles, each comprising roughly 10 to 25 women.

Wearing traditional embroidered huipil blouses and hand-loomed skirts, the women gather, arriving on foot via the dirt roads that weave through the villages. They meet in a home or community building, or outside when they can for the connection with nature. The circle opens with a welcome and a prayer and then the group engages in breathing and movement exercises. Next up is discussion of the nahual, the day’s name and energy according to one of the interlocking ancient Mayan calendars, traditionally used for ceremonial practices. “Here in Santiago Atitlán it is only maybe 20% of people who speak about [knowledge of nahuals], so we are reviving it,” says Quiejú.

Then it’s time for the sharing circle. “More than anything, it is speaking what they have in their hearts,” says Quiejú. But every time and each circle is different, even though the leaders all work from the same guide, she says.

Sometimes circles will have a guided meditation. Sometimes they’ll have a workshop to learn weaving, or another skill that can help them earn money. Sometimes they eat together. Sometimes they cry. Often they laugh. No matter what, they generally end with a group embrace...

Only 1% of Guatemala’s national health budget is designated for mental health, and nearly all of that goes to the country’s one psychiatric hospital. Most mental health professionals are concentrated in the capital, offering psychotherapy and prescribing medications. For those in rural areas, there is little discussion of mental health or access to services.

“There is nothing for the preventative side, to work with families, to work with communities,” says Garavito. However, he emphasised that the concept of buen vivir (good living) among many Indigenous peoples in Latin America, which includes the traditional festivities, ceremonies and community of everyday village life, inherently incorporates good mental health. “Mental health is a fundamentally social concept and that has been a historical and common practice among Indigenous peoples, without them calling it that.”

...Financial constraints also pose challenges. Since 2020, Buena Semilla’s budget has been funded through crowdfunding and small grants. Staff and leaders all work part-time and many volunteer unpaid, but most circles now meet bi-weekly due to a squeeze on funds...

[Note: If you'd like to help, you can find out more and support Buena Semilla here, at their website.]

Despite the challenges, interest keeps growing. Elsa Cortez joined a circle earlier this year, motivated by her sister’s positive experience with Buena Semilla. In her mid-20s, she lives with her parents and as well as helping to run the household, she weaves belts, drawing from a basket full of spools of brightly coloured thread. She did not go out much before.

“There was a mentality that women were only supposed to be in the home or should only do certain things. That’s how we were raised,” she says. “My family was like that too.”

Thanks to Buena Semilla, those dynamics have started to shift in some families, including her own, says Cortez. Now she is exploring the idea of starting a circle specifically for girls, to help build their self-worth and self-esteem.

“It used to be difficult for me to socialise or chat, but now I am starting to socialise more easily,” says Cortez. “In the group I feel like it is psychological therapy every time we meet.”

-via Positive.News, December 8, 2023

[bulbabutt]

okay. lets bite the bullet and talk about 2012. lets talk about child abuse, familial abuse, generational abuse, toxic family units, whatever you wanna call it. lets talk about it and whether it exists in this show. i actually encourage you to read this no matter what your take is, just to hear it out. let me be FUCKING clear: i love this show, but i get scared to talk about it seriously. everyone on every side is defensive all the time but i love every turtles show to no end.

this post is going to go over so well and not controversially at all.

precursor: every splinter is some level of shitty dad. he always has been. the fucking bare bones of the character is that he raised his children to kill the man who killed his own father. thats inherently fucked up. every splinter has some level of fucked up about him. maybe hes inattentive, or neglectful, or strict, or secretive, maybe hes just not very good at dealing with his kids. splinter is supposed to be far from perfect. thats what makes him splinter. maybe he grows over the course of a series, maybe he doesnt. maybe hes supposed to be shitty his whole life, maybe hes not. thats just splinter. each is adapted differently depending on the story being told.

and 2012 has a very interesting tone to its story.

lets start at the beginning, back in japan. this is season 3, was this story what they intended when they started writing the show back in season 1? probably not, theres probably things they would have written differently had they known this was where splinter's story started. thats kind of the way tv works, you add the details later. but for our sake of analyzing the character of splinter as a whole, it seems best to start here as if its all intentional.

hamato yoshi is a member of the hamato clan. theyre a very traditional old ninja clan in the modern world, they have old feuds and theyre trying to keep their culture alive. they're literally the last of a clan of ninjas like this, having (supposedly) defeated the foot clan (their generational enemies) back when yoshi was a baby. hes set out to lead next, and its very important to him. and yet hes married to a woman who works in the city, a modern woman who doesnt live the life he does. she even moved to be with him. i feel the need to compare this to how men in the real world who want traditional wives never go for women who are willing to be their housewives, always try to break down the independent ones. splinter seems unconcerned with how his wife wants to live. with how she wants their daughter to be raised.

im not necessarily saying this is how this comes off in the show, but i find it interesting to think about. this is absolutely the most rounded version of tang shen as a character (thus far) it stops her being just a name on a page "hamato yoshi's love and the object of his enemies affections who died" and turns her into a woman who has a stake in the story. gives her more agency.

its very interesting that this show implies an actual relationship between tang shen and oroku saki, albeit a one-sided one that didnt work out, but they do seem to have parted on equal ground. the pair of them discuss yoshi's inattentive duties as a husband and father, that he's too obsessed with the tradition and lineage of his clan. honestly, if this woman just took her baby and left no one would blame her! he has his priorities set, and it leaves no room for her and their newborn baby. if she ran away with saki at this point, the story would make just as much sense.

but then disaster strikes, saki learns the truth about his family, that he was actually a child of the foot clan (honestly i wish we saw this play out instead of jumping ahead in the story but thats not what this post is about) and he kills he and yoshi's father. revenge for him having killed his. cycles of abuse and revenge that never end. the pair of them were raised in this society that values lineage like this, that would kill for it. its no wonder they both grew up this way.

anyway, tang shen is killed by a blow meant for yoshi, and saki takes their child and raises her. based on splinter's lack of desire to be a father so far in the story, its honestly not one you can blame him for. its fucked up, but it makes sense. saki does to miwa exactly what his father did to him. cycles of abuse and revenge.

yoshi loses everything, and moves to america. he's turned into splinter the mutant rat, and gains four turtle sons.

so as established, he's not exactly grown up with a stable family life. he obviously, while human, wasnt acting as a stable father for the child he intended to have. so how good is he at this?

ive talked before about how the 2003 show treats the turtles as kind of one whole unit. they don't have individual relationship arcs, they dont have overarching storylines where they grow apart or closer, they're always in each other's corner.

2012 makes this more dynamic. here we see that 15 years seeing no one but each other, growing under this splinter has come with its own quirks. these brothers dont understand each other that well. they get jealous of each others treatment, some are left out, some are misunderstood. raph resents leo, none of them appreciate what donnie does, mikey bothers everyone else for attention, etc. it creates a really good starting place for this show.

(the issue i have with this show is more that they never really open or close any of these beats, at least not in ways that last. but boy does it make for some good dramatic scenes)

we see over the course of this first season that splinter treats his children just as he was, as little ninjas more so than sons. he raises them to follow his traditions, the ones tang shen never cared for. but this is all he knows how to be! you cant really blame him.

most people bring up mikey as the quintessential example when they talk about this, i dont want to do that cuz i know you've all heard it. while i think his father does disrespect him and i think it is paid forward and his brothers do too, i'd rather talk about raph for a change.

in one episode, raph loses his temper. to teach him a lesson, splinter makes his brothers pelt him in training while insulting him any way they can, and tells him to just... not lose his temper. this is a terrible lesson in general. instead of trying to coax out why he might be angry, it just plays up that if he loses his temper bad things happen.

splinter in this episode basically encourages bullying. this comes up a lot when it comes to raph. to compare, in 2003 when raph loses his temper, hes told to blow off steam which he does. his brothers don't blame him for having emotional outbursts, they know thats just how he is so they know how he needs to cope with it. he's given the physical space to let it out.

im not saying this show needs to be like that show, im just saying thats a version of this story where the outcome is better for raph as a whole. since this outcome is not as good for him emotionally, you can tell why he's still got these emotional issues. splinter never helps him more than that. thats more why this raph differs from that one, if that makes sense. one has his family in his corner more than the other.

speaking of. raph has a pet turtle. this turtle is the only one he can talk to about how he feels. why might that be? it's the only thing hes kind and gentle to, and he refuses to let his brothers make him feel weak for being kind to it. where did he learn to be ashamed of being kind and gentle? thats a learned behaviour. in a house full of other men... yeah, that would happen. but whos values start that?

when this turtle gets some mutagen spilled on it, it tries to get revenge on his family. there is such a resentment going on here, its extremely juicy. the show chalks this up to "post mutation insanity", but its just as easy to think that everything raph has experienced has made him seem angry and resentful and perhaps scared to his pet, and that former pet wants raph to himself so they can be free. the frustrated venting of a child complaining about how no one understands him in such a big way turns slash into a vengeful monster, cuz thats all he's ever heard. it makes sense, he went from a little turtle to a fully cognizant adult aged being in an instant. emotionally no one would handle that well, and definitely not someone whos only ever heard the worst about people.

he comes around later. notably by being on his own, away from the hamatos.

again, im not saying the show is writing this intentionally, but i think tonally its in the zone where you could see this analysis as being canon. that these little pieces of narrative fit the worldview of a toxic family unit that isnt dealing with its problems in a healthy way.

there's other small aspects. leo slaps mikey early on, having seen it on his favourite show be used as a way of getting someone to calm down. mikey questions this behaviour, leo seems to feel bad about it when questioned. if we know that that behaviour was bad, what other things might he emulate in a similar way?

there's things like donnie's predatory behaviour towards april. in a world where all they ever knew was splinter's stories of the outside world (and perhaps television from decades earlier), hearing splinter's story of his love for tang shen, his rivalry with his own brother over her, you could actually see why he would behave the way he does, why he claims her the way he does. not as an excuse, but as a reason he learned the behaviour. and there's multiple opportunities for his father to tell him off. he never does. why would he? he knows no better.

this splinter, unlike every other, is not old or disabled. he doesnt require a cane (at the start, but also was never a good cane) and its interesting that despite being like... a 40 year old man in the peak of his life he does not accompany his sons on missions. he sits around doing nothing and disproves of his sons heroic actions. april literally calls him out for this at one point. the show is actually telling us some of this man's behaviour is wrong.

one of the more upsetting things that happens in this household is a lot of physical hitting. "theyre training" you might say. understandable. but when you see a lot of hitting come from the father in this show, played for a laugh, when you see splinter play the "drunk master" bit it makes you think. is that okay? isnt that a bit much?

the end of the muckman episode is a freeze frame of splinter (after having knocked out all of his sons to punish them for leaving while grounded) turning his anger on april and her running away. idk thats just not funny to me. this is a bit of the dating of the show, 2012 was a time where character's in shows were meaner, less affectionate, more bullying in nature. that was the sense of humour at the time. that isnt me making a judgment, it's just kind of the era. a pre steven universe world, if that makes sense. so many of the jokes that end in a hit aren't funny in 2024. especially not when they come from a parent.

when this splinter speaks about his kids to their brothers he often ends up insulting them. "you should be like mikey, he never overthinks because he doesn't think", this would be a big reason the boys speak about each other the way they do to their faces. puts forward a bit more of that bullying thing i mentioned earlier. if their own father talks about them like this, of course their brothers do too. so of course they join in and give payback.

again. splinter wasnt raised in a normal family. he was raised in a ninja commune with a bunch of murderers. he wasn't great with his wife and baby daughter. its not surprising that he's bad at this.

so, ive just said a bunch of things about what's wrong with this household as a whole. i think ive explained why the family unit behaves the way it does: generational teachings of feuds and traditional values. i dont think this makes the show bad! i, in fact, wish there was more of it. i think theres so much low hanging fruit that the show kind of wants to play with, but cant fully bring itself to.

specific example: during the space arc on a planet thats driving all the characters emotions against each other we get this amazing scene where raph screams at leo for being splinter's favourite. leo responds by hugging him. its really well done!

however its never brought up again, never actually getting into the nitty gritty of why raph feels like that is exactly what i think makes this show resonate with so many people

its dark! it pulls at your heart strings! it makes people feel seen! we go in mikey's head at one point and see such splintered (lol) personalities in his head. he has a huge anger problem (much like raph) in there. he retreats into imagination land when stressed. the show kind of toys with "these kids are fucked up!" but never lets those character moments go anywhere. i love how fucked up this family is. its so complex, it feels real. at least real to me. i wish it went that little step further and let the characters talk about these things a little more.

maybe you have a different experience, and thats fine! but i wouldnt brush off people like me who look at 2012 and say "these dynamics make me uncomfortable". to excuse it by saying "my family is like that and we're fine" sometimes i just wanna say... <:/ are you? have you talked about that? and if that's your read on it is that its fine, thats great. but some people notice patterns and those patterns can make them uncomfortable. i hope ive explained the patterns here.

i think thats why the fandom is as big as it is. this show would lead to the most amazing deep introspective fan-works youve ever seen, it lays the pieces out so perfectly for you to draw your own conclusions about why they are this way. you cant really blame people for talking about it as if its got a way higher rating than it does. it feels like it does.

i should say, i dont even know if i blame the show on its own for leaving those pieces laying there, it was on nickelodeon. i sense studio meddling in the tone. i mean, given that the show wanted to end with the big mutant apocalypse storyline, and yet the network wanted to end it with the big 87 crossover..... yeah i think its safe to say nick would rather they keep it light.

which is funny, because i think the most controversial thing i can say is i personally love the finale arc as the mutant apocalypse. it so encapsulates my favorite part of this show. to end this show in the darkest timeline and say "even though these characters are so far removed from who they used to be and even though the entire world is over they still have each other in the end" and i find that so perfect.

so. i understand that this is always a touchy topic. i know people want to brush it off as "people say the 12 brothers are abusive to mikey but mikey is fine", and i think thats a really skewed version of it from both sides. first of all. mikey is not fine, look in that boys head. look how he copes. he's not. but also, mikey is not the only victim. they all are. these turtles are victims of their upbringing, victims of generational war. of men who didnt know how to be good fathers in the first place. and thats good writing! it feels deep! it connects!

for more context: any fucked up way you can think of karai being raised by shredder? its probably the same way here. splinter and shredder were raised the same way.

i guess i think about this a lot, cuz i always see things like "oh, rise fans write crossovers where the rise boys love each other and have to teach the 12 boys how to be nice cuz they dont like 2012!" and i just think to myself:

guys. do you understand why a person might do that? why would someone (likely a teenager) want 2012 mikey to be treated nicely by a kinder more openly affectionate version of his own family? do i need to spell that out for you? why do we connect with media at all, why do we write our own stories about it?

if you genuinely dont. i mean, im glad for you. but sometimes you wanna imagine a world in which your own family is more openly affectionate with you. where they hug and tell you theyre proud and love you and you never have to question it, never have to look elsewhere for that kind of approval. its less that they're idolizing rise, and more that they're looking at the two families and saying "this one is emotionally mature and in touch with their feelings more than that one. how would that play out?"

doctor feelings ass response.

look, im not saying everyone understands 2012, that everyone likes or needs to like it. im just trying to say that i think these fucked up parts of 2012 are all around my favourite parts of the show. its an inspiring story about this fucked up little family that has no one but each other, and they're not great about it. they try, but they don't always get it right. i just wish the show would have talked about that part more. but i think that since it doesnt people get to fill in those blanks themselves, and they do it so beautifully. and i really wish people on the internet would be more kind to one another when they wanted to discuss these darker themes they find in it.

these are the reasons i love this show. i think its so very interesting that splinter dies this fucked up father figure who never really apologized for his behaviour. i like that raph needs to be held to stop punching his brothers. that leo doesnt have a good grip on what it is to be a leader, that he tries bad ways of doing it. i like that no one copes well! i like that their relationships are so complex! this show is messy! its good! i wish it was more messy!

and id love if we could be more honest about these things and how they make us feel instead of just brushing each other off as "likes the show" or "doesnt like the show". the things that make me uncomfortable are why i love this show and i'm pretty sure i'm not alone there.

[sunfortune]

i have to believe the recent boom of “women are incompetent and need to be taken care of” but dressed up in quirky fun language is reactionary in that women are now more than ever independent and don’t put up with a lot of things our elders put up with out of necessity. which is why it seems there are so many demons popping up constantly trying to get the next generation of young girls caught up in bullshit. that they themself don’t actually subscribe to. (if you Really believed in all that “depend on your husband completely” and “be a stay at home girlfriend” shit why are you monetizing all your videos saying so?)

anyway maybe IM delusional but i have to think this. that these people are evil and don’t represent the vast majority of women in the real world bc otherwise. it’s so fucking over

but what’s really upsetting to think about is the young adult women today (like women currently in their 20s) grew up in the 2012 girl boss/buzzfeed feminism era which had MANY of its own problems don’t get me wrong but at least it encouraged women to be independent and have their own money. while currently the exact opposite is being heralded everywhere you look online. and even if i’m old enough to see through it, the people who are gonna internalize it the most are kids. and we’re not even gonna see the damage that is gonna have on women for another 10 years

[onemorecupofcoffee]

bob dylan 1963: war is bad

bob dylan 1966: shakespeare was fucking the queen and richard nixon was cheated on

bob dylan 1969: oh me oh my love that country pie little jack horner got nothin on me

bob dylan 1975: why doesn't my wife love me despite me actively cheating on her publicly *sad violin*

bob dylan 1979: ooohhh babyyyy you're so sexyyyy (background singers: you're so sexyyyyyy) Also let's read the bible together

bob dylan 1988: she likes to stick my tongue right down my throat

bob dylan 1997: 5 minute speil about some waitress thinking bob doesn't read women authors -> most beautiful love song in the world

bob dylan 2006: i'm gonna fuck you so hard..

bob dylan 2012: i'm gonna fuck you so hard also i want to murder you brutally

bob dylan 2022: ohhh you foxy man you're the talk of the town you've been sucking off all the younger men

[lezzballer]

do you have any girlfriend headcanons for diana?

Diana Taurasi girlfriend headcanons

(somewhere in the 2008-2012 era)

∞ Diana will flirt with you incessantly for years. But she's very very comfortable with flirty lighthearted friendships that never go anywhere. So she won't do anything to evolve the relationship beyond that. If you want to be with her, you need to be the one to make the first move

∞ Diana loves dates. She loves everything about dates. Beaches, sunsets, picnics, cafes, lounges, restaurants, food, wine, live piano, flowers, jewelry, ambience, architecture. She loves giving and receiving gifts and experiences

∞ Diana will only call you her girlfriend if she's extremely serious about you. All the women she wasn't serious about were just friends to her, not girlfriends. So she hasn't actually had many girlfriends

∞ Because Diana hasn't actually had many girlfriends, she doesn't have much relationship experience. She doesn't really know what she wants or needs from a relationship. All she knows is she wants and needs to be around you 24/7

∞ Diana wants to let you into her whole life. So get ready to spend some time in the Inland Empire

∞ You have to navigate a language barrier to mesh with her family. And you have to make sure her sister adores you. If you can't do that, your relationship with Diana won't last. But Diana is drawn to you because she knows you'll fit in with them. She wouldn't bring you to Chino unless she was sure you belonged with her family

∞ Diana always calls you "my love." Sometimes she'll even call you "mi amor"

∞ Diana looks up to you and admires you and genuinely believes you're way out of her league

∞ When she looks at you, you feel like the most important thing in the world to her. She'll take your hands in hers and give you a look, saying nothing in a way that says everything

∞ She'll say mild flirty things to other women to brighten their day. But that's just talk. It doesn't mean anything to her. She's yours and you trust her.

∞ She's very playful. There are times when she can't say a single serious word. She'll pretend to be a completely different person just for fun. She knows that outsiders project a domineering power-hungry personality onto her. So she likes to act out a parody of the person they think she is. But you know who she really is. The idea that your soft silly self-deprecating woman could ever go through with any interpersonal cruelty is absurd. All you can do is laugh

∞ Diana is a nuzzler. She will nuzzle you whenever and wherever. She'll nuzzle you in the middle of a mundane conversation about nothing in particular. She likes to rest her head on your shoulder and press her face into your neck

∞ Even though Diana's only in her 20s, she already has a litany of chronic health problems. Back problems, skin problems, mental problems. Her entire left hand broke and healed wrong. Her spine is a nightmare. And now that you're her girlfriend, her problems are your problems, too. When you take care of her, it fills her with love and wonder. She's never had a relationship like this

∞ Diana is addicted to basketball. But the moment you have a crisis in your life, she'll leave her team to be by your side. And she'll take care of you the way you take care of her

∞ The challenging thing about being with Diana is her worldview. She believes there's more bad than good in the world. She doesn't believe in miracles and she doesn't believe in the future. The only thing she feels she can rely on in life is the present moment. That makes it difficult to plan a life together. The only way through this is to lead the way and see if she follows you. So far, she's followed you every time.

[figureskatingcostumes]

Patricia Glescic skating to Tchaikovsky's Romeo and Juliet for her short program at the 2012 Junior Worlds.

(© Ksenia Fomina)

[s-awturn]

Pagan Gods || SB5

Summary: In the face of his own sins, he had no choice but to kneel and venerate.

cw: just a smut drabble with sebastian vettel

a/n: That doesn't mean my return yet, just thoughts about Sebastian Vettel that Twitter has been feeding in me (the things I would let Seb do to me)

•• 🇧🇷 ••

He knew it was a way for him to pay for all his sins. Lewis had warned him:

“Brazilian women are different, you are not prepared for them.”

And he wasn't, Y/N passed through his life like a hurricane, shaking his convictions, snatching a space that not even he knew was vacant. When Sebastian realized, he was on his knees for her, worshiping her as if she were a goddess, a pagan deity that needed to be worshipped every day, forever. And nothing would give him more pleasure than being on his knees for her, for her. Only Y/N and his car were capable of making him fall.

He had just won the 2012 championship, the world was once again, under the tires of his car, the team wanted to celebrate with him, his parents outside, wanting to congratulate him on the victory, journalists wanted to interview him, but Sebaatian just wanted those legs to suffocate him again.

“Seb, f-fuck,” she gasped, pulling at the blond curls under her summer dress, trembling with each stroke of his tongue against her clit. Sebastian didn't even give her time to lie down, or sit up; he pushed her against the wall, fell to his knees in front of her and like a starving man, ripped her panties off and ate her. “Holy God, s-slow down Sebastian!”

“So fucking good, puppe” he grunted, licking her taste from his mouth.

He looked at her, trembling, panting and sweaty, shining as only paradise could look. “Moan softly, love… I don't want anyone hearing my wife moaning while I make her cum,” he ordered, grabbing her pussy again. Y/N opened her mouth, only a soft whisper escaping her lips, the orgasm growing in her womb like a huge wave. Sebastian didn't let her think, react or even breathe. It all came down to his mouth sucking her clit as if it were the last thing he could do. She closed her eyes, letting her body melt under his attack, and dear God, she was burning.

Without her being able to think, Sebastian pushed her to the small bed and lifted her dress until Y/N was almost naked before him.

He leaned over her, licking the Brazilian's hard nipples, loving her pleading moans. He opened the jumpsuit in a hurry and got between his girlfriend's hot, wet folds. She sank her nails into his back, grinding with every inch. of his cock that entered. he kissed her, giving her everything he had, his love, his devotion, the world he had just won, Y/N was a goddess and he was her faithful, her acolyte, a profane god ready to put everything at her disposal, including her right there.

[jack-kellys]

so we all know life is a circle. thus fandom is a circle. we see things come back around like the de/twinkification of racetrack higgins. or cowboy versus artist jack kelly. or "mom" friend david jacobs and the perpetual need to make the newsies some kind of heteronormative family. and yet again we've found our way back to the anti katherine pulitzer arc of her "getting in the way" of jack and davey's popular subtextual/fanon relationship. (yes im late nevermind that.)

now, not being a katherine fan is different than being anti-katherine. not being a katherine fan means you might have criticisms like "i'm not sure how she serves the newsies narrative better than, say, sarah jacobs, as sarah is more aligned with the newsies contextually/societally and katherine is very distant and rich lol", or even "i'm not a big fan of how katherine seems to be tired of jack's shit for most of the play and then 'suddenly' finds romantic interest in him within one song".

but being anti-singular-young-woman-character because of a ship between the main two boys is. a tired take is it not? again with the circle, we've had this discourse already and its been cut out. since 2012 and 2017 we been talking about this girl and her value, but not in the context we should be.

(because the context we should be talking about it in is a newsies 1992 versus newsies broadway context, not an anti-katherine context, but i digress.)

katherine's value. what is there to mine from? she is an extremely young woman reporter, 17-18 years old, whose article makes the front page of the new york sun. since she writes under a pseudonym, i'm presuming she writes with skill well above her age to be published at all (yes, even writing vaudeville reviews). in past productions she either finds the newsies at jacobi's because she saw the walk-out (TWWK) from inside The World (UK), or jack kelly simply interests her enough for her to seek him out again (Broadway/Tour/Live). she is unsure about herself as a writer despite her skill which is made clear in her song. she is rich. she did not need to have a career and was encouraged not to. pulitzer is her father and she does not get along with him. she matches jack word for word, often with davey at her side. she mills comfortably about the newsies through the second act and has a friendship of some kind with specs specifically. she also literally says "that's a face [jack's] that could save us all from sinking in the ocean/like someone said 'power tends to corrupt'" essentially prophesying the act 2 betrayal. which is crazy.

you can draw your own conclusions from the above, but all of it is essentially canon? right? so maybe you don't have to be a fan of all of it, but you're really going to tell me absolutely none of this is compelling. that none of this is something you can interpret for yourself as complex. that albert is more complex.

this is not me saying you have to include katherine in everything, because that isn't what this post is about. this is about individuals choosing to dislike or devalue katherine by only viewing her in relation to her as a romantic interest, instead of a complex character in a period piece with a full arc. yes a full arc. it's the musical that's rushed not katherine.

@we-are-inevitable speaks on this extremely well in the comments of this post as well, more in connection to katherine as being a compelling romantic interest in the context of newsies speaking in the defense of love interests/often women characters. in this post i speak on how i would navigate jack/katherine as a director, and in this post i speak on how to direct something to believe in to make it, well, believable, aside from its awful writing for both kath and jack. because again, fandom is a circle, and i literally talked about how to "fix" jatherine in august 2024. at length

[dentos-wife]

Let’s talk how about Chrom and Robin’s bond evolved over time

With everyone clamoring over the new emblem I wanted to take a look back how we got here with their relationship and why I think at this point Chrobin is the intended or inferred Chrom pairing when it didn’t used to be.

In 2012 we got Fire Emblem Awakening, and as Chrom was related to Marth, his inferred pairing was Sumia a pegasus knight as a nod to Caeda, Marth’s canon wife. Granted because part of Awakening’s charm is you could pair anyone up, you didn’t have to pair Chrom up with Sumia if you didn’t wish to. But to IS she was the intended choice.

She had special scenes with Chrom and was the most likely to end up paired with him if you weren’t gunning for a specific wife for him

And you see her here in the opening with Lucina

Robin is you, the avatar, they don’t even have official art, just them with a hood

They had a canon design what we all know now but it wasn’t really used. And that should have been it as far as IS was concerned. Awakening was their last hurrah. And then FE blew up.

Robin’s canon design is now getting used, both the male and female version are now in Smash Bros. Then we have Warriors and Heroes and the Awakening cast shows up more. But not Sumia. Perhaps it’s because she’s not popular or the people flocked to Cordelia instead but she is the pegusus knight everyone loves. Sumia isn’t even in Warriors or the base FEH she gets added much later to FEH only with other less popular Awakening characters.

It’s here when FE became more maintstream I believe that IS changed their tune on Sumia being the intended wife and retconed it. I fully think Sumia was dropped and they no longer had an intended pairing for him all because she just wasn’t popular. Him and Robin were close of course they always were, obviously some would see it as friendship others would see it as something more the usual nothing really changed there.

And then 2022 ten full years after Awakening’s release...this happened

Couple things here. I fully believe the reason Chrom was paired with MRobin here instead of FRobin is for two big reasons reasons.

1) If they paired him with FRobin it canonizes a pairing so MRobin is the safer option, FEH doesn’t usually pair men and women unless they’re already a pairing. So MRobin got paired with Chrom and FRobin was on her own but she still has lines about how much Chrom meant to her.

2) MRobin is the more popular Robin as has been shown every year in CYL and he’d even win next year

So Chrom and Robin were always close it was a no brainer to make them a duo unit, they picked the male version on a very family oriented banner.

That said some of these lines...well let’s just say if a man and a woman were saying that to each other there would be no doubt here. Imagine if this Robin was the female version

Robin: There's Lissa, Emmeryn, Lucina, Frederick... I think we've got gifts for everyone. Don't we? Chrom: Well, all but one. What would you like your gift to be, Robin? Robin: What? Me? You can't just come out and ask like that, you know. There are rules! Chrom: You know I don't care about that. Just tell me what you want. Robin: Truthfully...I can't think of anything. Chrom: You don't want anything? Aw, come on. Think of the bind that puts me in. Robin: You gave my life meaning when I had nothing—not even my memory. The sense of purpose I've found at your side, working for peace in the world, is all I could ever ask for. Chrom: You're not alone in that, you know. I feel the same way. That's why I wanted to give you something nice. To show you how I feel. Robin: All right, all right. In that case, why don't you give me one of those flowers you're wearing? Chrom: It's only going to wilt. Robin: I'll press it into one of my books. That way I'll never forget this Day of Devotion.

Snippet from their duo convo. Usually when someone gives flowers it’s considered a pretty romantic gesture I’ve heard plenty of people call this alt playfully the gays and yeah this is very strong.

FRobin even comments on them in one of her lines.

“That man with Chrom is a Robin from another world, right? They get along so well, I'm almost jealous...“

There was no need for that line at all, we can tell from their lines how flipping close they are but they felt the need to have another character comment on it in base lines

I do believe MRobin was used not to canonize a pairing...at first. And then they gave up because it looked like people really liked it going even further in the next year.

In Awakening Chrom and Robin refer to themselves as two halves of the same whole which is already a loaded term. But it’s never been used after and was just part of the game

Enter the next time they pair up as the Emblem of Bonds which brought that back for the first time since 2012, in full force

Correct me if I’m wrong but no one besides them have referred to each other as their other half in Awakening

Lucina does it in Engage. For reference other half means husband, wife or partner (romantic). I think after the Valentine’s alt they decided sure why not and now they’re really going in with Robin being Chrom’s other half when they only touched the term once past Awakening in a FRobin cipher card. Other half in Engage is Robin and he pops up when engaged with Chrom to mix magic with the attack. I don’t doubt you can mean a friend with this term but when paired with everything else they say to each other, it’s pretty strong evidence it’s further than friendship.

Okay now for the the ultimate Robin is now Chrom’s intended partner view, Legendary Robin also released this year

“Tactician of Ylisse. Celebrated as Exalt Chrom's other half in the legends that followed their exploits. Appears in Fire Emblem Awakening. “

I saw some people argue exalt could mean Lucina too but no it doesn’t, it clearly means Chorm it says so and if you didn’t believe that, we got a map that was the two called Chrom and his other half. Which is Robin.

His art also references his other half status, he now wears blueish green jewelry which stands for Chrom and the brand of the exalt is on his chest plate

Finally in his damage art he once again has the symbol of the exalt formed in magic.

And a ring, some have argued it’s his clothes but usually the magic gauntlets he wears are on his middle finger and not under his gloves; pretty sure it’s a ring, it’s even on the ring finger of his left hand, where you generally put a wedding ring.

All this together is some very strong evidence, but put it with everything else they’ve done since last year and it’s clear to me, IS now is pushing Chrom and Robin as the intended pairing. Not canon like Marth and Caeda or Alm and Celica, but intended like they do with Eliwood and Ninian and some others I’m probably forgetting. And because MRobin is who they use and their “canon” sort of like FCorrin is the “canon” Corrin, IS is strongly hinting at MChrobin

Which fascinates me, we went from Chrom with a intended implied wife to scrapping it and pretended it never happened to this, Chrom with an intended husband. Him and his best friend, both two guys, very much in love. In ten years IS changed it’s mind on the intended canon pairing that isn’t even possible in the base game. They are a fate defying duo, the emblem of bonds, the exalt and his other half, two halves of the same whole and they are showing that in symbolism harder than ever. I think that’s really cool

To end this I’m aroace and see romance a little differently from the amatonormic norm Chrom and Robin could just be really good friends lord knows I also think friendship should be just as important as romance BUT if they were, it’s very clear they are each others most important person over any wife they might separately have.  But even that doesn’t follow a typical heteronormative relationship no? Chrom and Robin’s bonds are so strong they transcend the concept of romance and friendship as we know it, there is no name for the type of love they share it’s beyond us.

But what about Lucina? (and Morgan) In a world with magic, dragons, people dying and coming back to life, time travel and more the idea of two guys somehow having a child is no longer far fetched at all really, or even surrogates exist.

Also they act like kind of like dads with her and it’s really cute

Now granted IS could remake Awakening and MRobin will still not be able to marry Chrom and this whole analysis would have been for naught but I think if they do remake it they’ll add it. Look at how many people have been introduced to them just through Heroes and Engage you don’t think people are going to want to pair up the exalt and his other half in their game?

To sum it up, yes there literally is no heterosexual explanation for where IS has taken this. It wasn’t originally the intended pairing but it sure is now, I don’t think there is any room for denial anymore until we see what they do with a remake.

[macrolit]

By Elisabeth Egan May 18, 2024

“You’d be shocked by how many books have women chained in basements,” Reese Witherspoon said. “I know it happens in the world. I don’t want to read a book about it.”

Nor does she want to read an academic treatise, or a 700-page novel about a tree.

Sitting in her office in Nashville, occasionally dipping into a box of takeout nachos, Witherspoon talked about what she does like to read — and what she looks for in a selection for Reese’s Book Club, which she referred to in a crisp third person.

“It needs to be optimistic,” Witherspoon said. “It needs to be shareable. Do you close this book and say, ‘I know exactly who I want to give it to?’”

But, first and foremost, she wants books by women, with women at the center of the action who save themselves. “Because that’s what women do,” she said. “No one’s coming to save us.”

Witherspoon, 48, has now been a presence in the book world for a decade. Her productions of novels like “Big Little Lies,” “Little Fires Everywhere” and “The Last Thing He Told Me” are foundations of the binge-watching canon. Her book club picks reliably land on the best-seller list for weeks, months or, in the case of “Where the Crawdads Sing,” years. In 2023, print sales for the club’s selections outpaced those of Oprah’s Book Club and Read With Jenna, according to Circana Bookscan, adding up to 2.3 million copies sold.

So how did an actor who dropped out of college (fine, Stanford) become one of the most influential people in an industry known for being intractable and slightly tweedy?

It started with Witherspoon’s frustration over the film industry’s skimpy representation of women onscreen — especially seasoned, strong, smart, brave, mysterious, complicated and, yes, dangerous women.

“When I was about 34, I stopped reading interesting scripts,” she said.

Witherspoon had already made a name for herself with “Election,” “Legally Blonde” and “Walk the Line.” But, by 2010, Hollywood was in flux: Streaming services were gaining traction. DVDs were following VHS tapes to the land of forgotten technology.

“When there’s a big economic shift in the media business, it’s not the superhero movies or independent films we lose out on,” Witherspoon said. “It’s the middle, which is usually where women live. The family drama. The romantic comedy. So I decided to fund a company to make those kinds of movies.”

In 2012, she started the production company Pacific Standard with Bruna Papandrea. Its first projects were film adaptations of books: “Gone Girl” and “Wild,” which both opened in theaters in 2014.

Growing up in Nashville, Witherspoon knew the value of a library card. She caught the bug early, she said, from her grandmother, Dorothea Draper Witherspoon, who taught first grade and devoured Danielle Steel novels in a “big cozy lounger” while sipping iced tea from a glass “with a little paper towel wrapped around it.”

This attention to detail is a smoke signal of sorts: Witherspoon is a person of words.

When she was in high school, Witherspoon stayed after class to badger her English teacher — Margaret Renkl, now a contributing opinion writer for The New York Times — about books that weren’t part of the curriculum. When Witherspoon first moved to Los Angeles, books helped prepare her for the “chaos” of filmmaking; “The Making of the African Queen” by Katharine Hepburn was a particular favorite.

So it made sense that, as soon as Witherspoon joined Instagram, she started sharing book recommendations. Authors were tickled and readers shopped accordingly. In 2017, Witherspoon made it official: Reese’s Book Club became a part of her new company, Hello Sunshine.

The timing was fortuitous, according to Pamela Dorman, senior vice president and publisher of Pamela Dorman Books/Viking, who edited the club’s inaugural pick, “Eleanor Oliphant is Completely Fine.” “The book world needed something to help boost sales in a new way,” she said.

Reese’s Book Club was that something: “Eleanor Oliphant” spent 85 weeks on the paperback best-seller list. The club’s second pick, “The Alice Network,” spent nearly four months on the weekly best-seller lists and two months on the audio list. Its third, “The Lying Game,” spent 18 weeks on the weekly lists.

“There’s nothing better than getting that phone call,” added Dorman, who has now edited two more Reese’s Book Club selections.

Kiley Reid’s debut novel, “Such a Fun Age,” got the nod in January 2020. She said, “When I was on book tour, a lot of women would tell me, ‘I haven’t read a book in four years, but I trust Reese.’” Four years later, on tour for her second novel, “Come and Get It,” Reid met women who were reading 100 books a year.

Witherspoon tapped into a sweet spot between literary and commercial fiction, with a few essay collections and memoirs sprinkled in. She turned out to be the literary equivalent of a fit model — a reliable bellwether for readers in search of intelligent, discussion-worthy fare, hold the Proust. She wanted to help narrow down the choices for busy readers, she said, “to bring the book club out of your grandma’s living room and online.”

She added: “The unexpected piece of it all was the economic impact on these authors’ lives.”

One writer became the first person in her family to own a home. “She texted me a picture of the key,” Witherspoon said. “I burst into tears.”

Witherspoon considers a handful of books each month. Submissions from publishers are culled by a small group that includes Sarah Harden, chief executive of Hello Sunshine; Gretchen Schreiber, manager of books (her original title was “bookworm”); and Jon Baker, whose team at Baker Literary Scouting scours the market for promising manuscripts.

Not only is Witherspoon focused on stories by women — “the Bechdel test writ large,” Baker said — but also, “Nothing makes her happier than getting something out in the world that you might not see otherwise.”

When transgender rights were in the headlines in 2018, the club chose “This Is How It Always Is,” Laurie Frankel’s novel about a family grappling with related issues in the petri dish of their own home. “We track the long tail of our book club picks and this one, without fail, continues to sell,” Baker said.

Witherspoon’s early readers look for a balance of voices, backgrounds and experiences. They also pay attention to the calendar. “Everyone knows December and May are the busiest months for women,” Harden said, referring to the mad rush of the holidays and the end of the school year. “You don’t want to read a literary doorstop then. What do you want to read on summer break? What do you want to read in January?”

Occasionally the group chooses a book that isn’t brand-new, as with the club’s April pick, “The Most Fun We Ever Had,” from 2019. When Claire Lombardo learned that her almost-five-year-old novel had been anointed, she thought there had been a mistake; after all, her new book, “Same As it Ever Was,” is coming out next month. “It’s wild,” Lombardo said. “It’s not something that I was expecting.”

Sales of “The Most Fun We Ever Had” increased by 10,000 percent after the announcement, according to Doubleday. Within the first two weeks, 27,000 copies were sold. The book has been optioned by Hello Sunshine.

Witherspoon preferred not to elaborate on a few subjects: competition with other top-shelf book clubs (“We try not to pick the same books”); the lone author who declined to be part of hers (“I have a lot of respect for her clarity”); and the 2025 book she’s already called dibs on (“You can’t imagine that Edith Wharton or Graham Greene didn’t write it”).

But she was eager to set the record straight on two fronts. Her team doesn’t get the rights to every book — “It’s just how the cookie crumbles,” she said — and, Reese’s Book Club doesn’t make money off sales of its picks. Earnings come from brand collaborations and affiliate revenue.

This is true of all celebrity book clubs. An endorsement from one of them is a free shot of publicity, but one might argue that Reese’s Book Club does a bit more for its books and authors than most. Not only does it promote each book from hardcover to paperback, it supports authors in subsequent phases of their careers.

Take Reid, for instance. More than three years after Reese’s Book Club picked her first novel, it hosted a cover reveal for “Come and Get It,” which came out in January. This isn’t the same as a yellow seal on the cover, but it’s still a spotlight with the potential to be seen by the club’s 2.9 million Instagram followers.

“I definitely felt like I was joining a very large community,” Reid said.

“Alum” writers tend to stay connected with one another via social media, swapping woot woots and advice. They’re also invited to participate in Hello Sunshine events and Lit Up, a mentorship program for underrepresented writers. Participants get editing and coaching from Reese’s Book Club authors, plus a marketing commitment from the club when their manuscripts are submitted to agents and editors.

“I describe publishing and where we sit in terms of being on a river,” Schreiber said. “We’re downstream; we’re looking at what they’re picking. Lit Up gave us the ability to look upstream and say, ‘We’d like to make a change here.’”

The first Lit Up-incubated novel, “Time and Time Again” by Chatham Greenfield, is coming out from Bloomsbury YA in July. Five more fellows have announced the sales of their books.

As Reese’s Book Club approaches a milestone — the 100th pick, to be announced in September — it continues to adapt to changes in the market. Print sales for club selections peaked at five million in 2020, and they’ve softened since then, according to Circana Bookscan. In 2021, Candle Media, a Blackstone-backed media company, bought Hello Sunshine for $900 million. Witherspoon is a member of Candle Media’s board. She is currently co-producing a “Legally Blonde” prequel series for Amazon Prime Video.

This month, Reese’s Book Club will unveil an exclusive audio partnership with Apple, allowing readers to find all the picks in one place on the Apple Books app. “I want people to stop saying, ‘I didn’t really read it, I just listened,’” Witherspoon said. “Stop that. If you listened, you read it. There’s no right way to absorb a book.”

She feels that Hollywood has changed over the years: “Consumers are more discerning about wanting to hear stories that are generated by a woman.”

Even as she’s looking forward, Witherspoon remembers her grandmother, the one who set her on this path.

“Somebody came up to me at the gym the other day and he said” — here she put on a gentle Southern drawl — “‘I’m going to tell you something I bet you didn’t hear today.’ And he goes, ‘Your grandma taught me how to read.’”

Another smoke signal, and a reminder of what lives on.