#Why would Aziraphale give up heaven for him? Why would Gabriel just let Aziraphale go? Why why why he is always asking why

[vidavalor]

Fun observation! 😊 I feel like I get this or have some ideas on it anyway so I had a bit of a go on it below, if you're interested.

I think these are two scenes that are contrasting parallels to one another that are not really about Aziraphale's personal feelings regarding touch or his experiences with it but show him being thrown a bit by having more context than the other person in the scene, who is in emotional distress, and being unsure what the best way to care for them in that moment is.

In the Gabriel hug scene, half of Aziraphale's reaction is just shock. He's as floored as we are. Aziraphale doesn't have a problem being touched; he's just like wtf is happening right now??, which is the expression on his face.

This is Gabriel. While Aziraphale has seen hints of Jim before in Gabriel, they've only ever just been hints. The Gabriel that Aziraphale mostly knows wears his suit like it's a suit of armor and is obsessed with crafting his image as someone who is powerful and in control. He does all of those things to stay alive in Heaven. The man in front of Aziraphale in this moment in 2.01, though? He is the complete opposite of that.

Gabriel is stark bollocks naked. In the middle of the street. He's openly friendly, overjoyed to see Aziraphale, vulnerable, and as emotionally naked as much as he is physically so.

By taking out his memories, Gabriel has forgotten Heaven. All his toxic masculinity bullshit and the like is tied up in trying to survive Heaven so once that's been trauma-blocked for him to a point that he can't remember any of it, all that is left is who Gabriel really is at the core-- and that's the guy who has shown up at Aziraphale's door that they name Jim.

Jimbriel is emotionally available and open to a point that was almost unimaginable the last time we saw The Archangel Fucking Gabriel, right? Don Draper has turned into an amnesiac version of Buddy the Elf.

Where Gabriel's political shrewdness ("there are no back channels, Michael") and his sarcasm showed an awareness of social dynamics, those are just gone with Jim, who is earnest and direct with his emotions. Jim says and does what Gabriel has always felt and wanted to say and do but felt he could not without giving away what little power he was trying to cling to in Heaven to stay alive.

Jim was seen in other moments before Gabriel had lost his memory. There is a lot of Jim in the Ineffable Bureaucracy flashback, when Gabriel is able to let his guard down around Beez. Aziraphale has seen hints of Jim's existence when Gabriel carefully joked with him in the bookshop and protected him from Sandalphon. It's those hints that allow Aziraphale to recognize the guy at the door as being Gabriel in distress and let him in.

Before that, though, we just get to enjoy the lunacy of this scene with Aziraphale, and no part of it is as wild as when Gabriel drops the box and gives Aziraphale a big ol' squeezy hug. Why does Aziraphale freeze, unsure what to do with his hands?

I don't think Aziraphale's response has anything to do with him being unaccustomed to touch. It had to do with him being in shock as to what the actual fuck??? is happening and, even more importantly, his concern over what the best way to care for Gabriel in this moment would be.

First is the shock of what is happening: there are several hundred people watching and filming this. Gabriel is vulnerable here in a way that the person Aziraphale knows would never, ever want to be. His memory appears to be gone and he's full Hamm in the middle of Whickber Street. This is in addition to Aziraphale himself being a private person and introverted and, even if he weren't, this is all just completely bonkers. Gabriel is a person that Aziraphale perceived as having a lot of power in Heaven. He doesn't really know that Gabriel is as trapped as he and Crowley are, though he suspects it a bit. His and Crowley's last encounter with Gabriel was less than pleasant and now Gabriel's here, after something terrible has clearly happened to him, hugging him on the doorstep in front of the entire neighborhood.

Aziraphale isn't just considering what might happen if Gabriel got his memories back, was embarrassed by this, and took that out on Aziraphale. Being Aziraphale, he's more concerned about the fact that Gabriel is hugging him but doesn't seem like he's in a place, emotionally or mentally, to really be able to make a call on whether or not this hug is something he truly wants.

I feel for Aziraphale here because I think that he did have issues in the past with being held, if not exactly with giving other people a hug. (He didn't usually volunteer those hugs but could awkwardly return them.) He struggled with thinking he didn't need it because he should be above it. Crowley helped him with that, though. Aziraphale sometimes has issues with anything that feels like it's about him because he's excessively self-sacrificing but we've seen that he is comfortable about touch with Crowley. He reaches out to him several times in S2 in a way that shows they have an understood, mutually consensual familiarity where that's concerned.

Crowley might be a little unaccustomed to being petted in the pub lol but that's just because it's a public setting. In a bit of a twist to the kiss scene you're talking about where Aziraphale takes that moment before he puts his hand on Crowley's shoulder, there are a whole bunch of other scenes in S2 where Aziraphale keeps touching Crowley's shoulder or his arm with a casual intimacy that shows he does it all the time. (Not to mention the comfort with one another that The Wall Slam in S1 shows.) They also each mime a kiss at different times at one another in S2 (Aziraphale after "very nice" and The Apology Dance; Crowley in the back room after "don't you want to hear my plan?"), showing that kissing is not new to them.

Aziraphale takes Crowley by the shoulder in the magic shop in 1941; he holds him up and helps him walk in 1827 (also reaches for his hips to try to steady him earlier in the minisode); he reaches for him in 2.06 in the above gif; and, in the scene below, Aziraphale reaches with intuitive, practiced ease to touch Crowley-- while standing so close to Crowley that it makes it apparent that Aziraphale is very used to being that much into Crowley's personal space when they're in the bookshop.

Crowley only leans back away from it because, as we can see from his darting eyes, he's not sure how he feels about them being that open in front of Gabriel. The fact that there's even this scene, though, where Aziraphale is shown to be so used to being so close to Crowley that, if Crowley hadn't leaned back, he would have basically been in his arms, is showing that they are allowed by one another to touch and hold each other.

So, Aziraphale's response to Gabriel hugging him isn't about touch in general-- it's about what was happening in that specific moment. This is where it gets into areas relating to boundaries and consent.

Even though it's Gabriel who initiated this hug, there's something so off about Gabriel that he doesn't appear to be in a mental place to really be making this decision. Gabriel is in obvious distress in a way that is so at odds with what Aziraphale knows of his personality that while Gabriel, in this moment, is expressing that he wants to hug Aziraphale, Aziraphale doesn't really know that Gabriel, on the whole, would want to do that.

This is why I think Aziraphale doesn't even really sort of try to pat Gabriel's shoulder or something. He doesn't know what to do with his hands because while his heart sees Gabriel and says, around the shock of what's going on that, whatever has happened to Gabriel, the poor guy probably does really need a hug, the rest of Aziraphale is concerned that he doesn't have enough context about what's happened to Gabriel to be able to judge whether or not Gabriel is in a good enough headspace to be making this call.

One rather enormous contextual clue to that is the fact that he's buck ass naked in the middle of the street 😂 which is clueing Aziraphale into the fact that maybe Gabriel isn't in the best place to be making decisions about stuff like this right now.

It's also been Aziraphale's experience that Heaven takes memories of angels who have fallen through the ranks or fallen to Hell and that, while they don't know exactly what's happened, odds seem good that this might be what's happened to Gabriel. It seems wild to Aziraphale because Gabriel is The Supreme Archangel but it's possible and, whatever's happened to him, it's clear that he ran afoul of The Metatron in some way and has been harmed in the process.

Gabriel has experienced something traumatizing, in other words-- maybe even so traumatizing that it's the reason why he can't remember anything. He's naked and acting unusual and unusually emotional so Aziraphale knows Gabriel's not really in a place to be deciding whether or not he wants touch or not. He might very well really want to be hugged-- I think he did, as his day was pretty shit so far and Aziraphale is cuddly lol-- but he and Aziraphale have exactly zero prior understanding where boundary lines are around touch-- in general or when one of them is distressed-- are concerned.

He doesn't touch Gabriel or lightly hug him back because he feels he doesn't really have Gabriel's permission to do so, and he's correct. He doesn't. Gabriel isn't in a place to decide whether or not this hug is something he's going to want to have happened down the line.

I think that the Gabriel we have as of the end of 2.06 is probably appreciative of the fact that Aziraphale didn't touch him during that hug because it showed that Aziraphale cared about Gabriel's comfort and didn't want to touch him without that being something that Gabriel, when of sound mind, had permitted. I'm sure that Gabriel is also embarrassed about having just glomped onto Aziraphale. Not even just because of the whole naked, vulnerable, Jim-ness of it all but because he put Aziraphale on the spot and was too out of it to consider Aziraphale's comfort level with what was happening.

Gabriel really should have asked Aziraphale if he could hug him but, mixed up from his missing memories, he assumed they already knew one another and that, since he just knew to come to the bookshop, that it must be because he and Aziraphale already knew each other well. What makes this situation different from the one in 2.06 during The Kiss scene with Crowley is that Aziraphale and Crowley have a completely different level of intimacy and familiarity than Aziraphale and Gabriel did.

Crowley and Aziraphale have body swap-levels of intimacy and have preestablished understandings of what is permitted between them and in a state of distress. I did a post about what I think is happening in The Kiss scene, in terms of why Aziraphale reacts the way he does, and there is context to the happenings in that scene that Aziraphale had that Crowley was missing that I think impact Aziraphale's response to the kiss. You can read about in that post, if you're interested. In addition to that, though, Aziraphale isn't sure about responding to the kiss because Crowley has been so emotionally up and down over the prior few minutes that, kind of like with Gabriel in 2.01 but in a different way, Aziraphale isn't sure that Crowley is in a headspace to have decided this kiss is really what he wants.

From Aziraphale's perspective, Crowley was missing all night. He came back trailed by archangels and Aziraphale doesn't know what happened the prior night. Aziraphale has seen behavior that is very off for Crowley since he returned, which I also looked at in that post. Crowley not going with him with "The Metatron" and Crowley not seeming to see "The Metatron" as a threat are things that are way, way off for Crowley and indicate that, while he might otherwise seem fine, he's really not fully in a good mental state.

This is all before they even start talking in That Scene and then Crowley is all over the place, emotionally. He was in tears just prior to this kiss. Aziraphale thinks he understands, intellectually, why Crowley comes back to kiss him (he gets about half of it-- the emotional reasons why but not the plot reasons why and, yeah, there's a plot reason) but he's not sure about returning this kiss for similar reasons to why he wasn't sure about returning Gabriel's hug.

Crowley has permission to touch/hug/kiss Aziraphale so he's not violating any preestablished boundary here by doing so. He is doing so while distressed, though, and Aziraphale is concerned about doing the right thing by Crowley in this moment. He wants to kiss him; he's just not sure that Crowley really wants to kiss him right now and isn't just doing so because he's upset. When Crowley holds on a bit, Aziraphale has to decide what to do and he eventually sort of gently responds. He kisses him a little; he runs a hand over his shoulder. It's because he wants to comfort him and he knows from their long history that he has permission to gently do that-- their car and their bookshop and all that-- but he won't turn this thing into some wild, passionate kiss because, to Aziraphale, that would be taking advantage of Crowley.

The point is that, even though Crowley and Gabriel have wildly different levels of intimacy in their different types of relationships with Aziraphale, both Gabriel and Crowley are reaching out for different types of physical touch while in distress after being harmed and Aziraphale, both times, is just trying to figure out the best way to acknowledge their pain and provide comfort while also not crossing any lines that might make either of them feel later on that they were taken advantage of when they were vulnerable. It's why Aziraphale is a very trustworthy person-- he is sensitive to and cognizant of this stuff with everyone.

Something that I’ve noticed, and I don’t know what it means. But did anyone else notice how Aziraphale’s (present day) opening scene in season 2 involves him being embraced and he has no idea what to do with his hands:

…which is then mirrored by his (almost) last scene where he is being embraced and he doesn’t know what to do with his hands:

WHAT DOES THIS MEAN?!

I mean, in the last scene Aziraphale does grab onto Crowley for a brief moment (and I’ve written more about why that may be here). But just putting these two scenes side by side is making me wonder what deeper meaning there could be.

Would love to hear your thoughts on the matter! What does everyone else think this means?

[rainecreatesstuff]

uh oh. I imagined Crowley and Aziraphale as Orpheus and Eurydice.

[chaos-lolz]

LET ME COOK

Idk if I'm stupid for not realizing this the first time but it just dawned on me

METATRON DIDN'T THINK AZIRAPHALE WAS THE BEST POSITION FOR THE JOB

Something didn't sit well with me the first time I heard Metatron talk about Aziraphale being the best candidate for the job and it's because Metatron is describing the best qualities to be the supreme archangel but Aziraphale doesn't have any of those qualities! I guess you can make some points for leadership but he's certainly not honest. At least not in my opinion. It also didn't make any sense why they didn't just choose Micheal or Uriel or Saraqael. I mean when Gabriel was in charge it didn't look like he did that better of a job than that bunch would have done.

Then it hit me

"We don't want it to look like an institutional problem"

They didn't pick Aziraphale because he "made the most sense" they picked him because by letting Gabriel go off with Beelzebub they needed Aziraphale back so it's not an institutional problem!! Aziraphale coming back is just their way of being like "hey guys! no problems up here everything is fine Gabriel just went crazy and fell in love with a demon. Isn't that what Aziraphale did too? nonono he's right here can't you see dumbass". Heaven doesn't give a shit about Aziraphale's "qualifications" they just need to keep up appearances! which is why it didn't make any sense that they just let Gabriel go. Aziraphale is right there!

Everything makes sense now and I'm just as devastated

[ourshadowsmeanomens]

THE MEANING OF THE END OF GOOD OMENS SEASON 2 (SPOILERS UNDER CUT)

I binge-watched this entire new season and immediately unleashed every thought I had about the ending of the show alongside MANY others who were experiencing a lot of feelings. After we all calmed down, we started talking and analyzing- and I think we found something way bigger than we saw on screen at the end of this season. And what this might mean for Aziraphale and Crowley going forward into (FINGERS CROSSED) a wonderful 3rd season.

The biggest complaint many of us in our chat had about the choice Aziraphale made at the very end- to ascend to Heaven, leave behind Crowley and the bookshop, to take Gabriel's place. Everyone is saying that it's out of character, there was so much build up all for Aziraphale to throw it away, etc. But the theory- a miracled brainwash. By Metatron, on Aziraphale. Metatron has proven to be a very dismissive and rude character, especially in regards to Aziraphale, since we met him in season 1. During the literal end of the world he still only spoke as God's voice and never appeared in person. Suddenly, Metatron comes down- IN PERSON- to talk with Aziraphale about a promotion. Before we know who he is exactly, we see him buying a coffee and giving it to Aziraphale- KEEP NOTE OF THIS. When Metatron first talks to Aziraphale, Azi says something to the effect that he has "made his position quite clear." The Metatron insists, pointing out the coffee and insists they talk.

HERE'S THE IMPORTANT PART: Metatron says "are you going to take it?" and RIGHT BEFORE Aziraphale says "shall I?" you hear the FAINTEST GLIMMER of the sound effect for miracles. I'll be honest I had to turn my sound up and lean in once someone pointed it out, but it's there and you HAVE to listen for it. They both go for a walk.

Crowley clearly believes Metatron is up to something, and watches them leave and walk but doesn't follow- this isn't addressed again. Then Crowley, Nina, and Maggie have their talk, and this is the part where Crowley is meant to confront his feelings. We switch back to Aziraphale with Metatron. Clearly Metatron and Aziraphale have talked about a deal and Metatron asks him to "think it over." Aziraphale has presumed to finish his coffee at this point, because he heads directly back to the bookshop to talk to Crowley. They fight, they kiss, they give each other up because Aziraphale decides to go to Heaven and leave everything behind. Like I said earlier, this is the part that enraged a lot of people- why would Aziraphale do this? This is so out of character. Why would he leave Crowley behind? Why would he leave his BOOKSHOP behind?

The current persistent theory is this:

Metatron has proven to be dismissive and untrustworthy since we met him. It is odd that he suddenly shows a change of heart for Aziraphale and wants to promote him. We, as the audience and fans, know Aziraphale's desire to live a simple, humanlike life with the person he cares about the most (Crowley) with his most prized possession (the bookshop).

The subtle miracle sound effect when Aziraphale took the coffee was the moment the miracle took place, affecting the coffee to brainwash (or at least to make more easily persuaded) Aziraphale so he'd say yes to the offer Metatron was giving him.

Aside from this, they editors/director/writers purposely wrote in and left the entire part about Metatron getting coffee for Aziraphale (as what? Some sort of peace offering?). The entire ending could have done without bringing so much attention to the coffee that Metatron gave to Aziraphale. It was unnecessary.

Unless it wasn't, and we are meant to find that out in season 3. The coffee is Chekhov's gun. In filmmaking, nothing is ever just a coincidence or an accident. They made a point to give us the miracle sound effect without showing any visible changes, made Aziraphale act wildly out of character, and framed it as though it is not, let's say, an institutional issue that is being covered up 👀👀

And let's not ignore that the episode 6 description specifically says "The Metatron brings an oatmilk latte, along with a final offer." Which would be an odd thing point out if the coffee was a mere prop.

All to say- I personally loved the season. I loved every minute, and I want to see what happens next. I think that people are going to be very angry with the ending, but that there's so much more we have yet to uncover and we shouldn't underestimate the wit of Neil Gaiman.

[celestialcrowley]

This took 6,000 years to put together.

I need to talk about some things — things that are afoot — before I pop. On my (pick a card, any card, shhh) rewatch, I've picked up on lots of potential Clues and Foreshadowing. Shouts like David Tennant, "I want to be heard!" and waves hands like Detective Azirapalalala.

It starts, as it will end, with a garden. Season 1 indeed began with a Garden. The Garden of Eden. I'm going to leave this here for now, but I'm going to come back to it. Neil never does anything by accident. Everything we saw in Good Omens season 1 and season 2 had a purpose. Have you got your turtlenecks on? Right. Let's go. While season 2 had a heartbreaking ending, their story is not over because —

It starts, as it will end, with a garden. Foreshadowing. There was a lot of it. I'll start with two important lines that were said by Crowley and Maggie. Maggie mirrors Crowley. "I'm coming back. I won't leave you on your own." Crowley had to leave Aziraphale in order to save the humans, but then we got, "I'm not leaving him to face them on his own." Parallels. Similar lines, and, in that moment, Maggie took Crowley's place as Aziraphale's protector. “Would I lie to you?”

Crowley does lie, but he promised Aziraphale that he’d come back to him, and he did. I’ll come to you is something Crowley will never lie about. More on that specific detail later. WAIT AND SEE! Season 1, Episode 5: The Doomsday Option "Look, wherever you are, I'll come to you. Where are you?" Season 2, Episode 5: The Ball "I'm coming back. I won't leave you on your own." There are parallels here too. Both lines are similar, both were spoken by Crowley and both were in the fifth episodes. It might not mean anything, but it could be a Clue, and I've still got my eye on Neil ... and his ominous lighter. Season 2, Episode 6: Every Day "Angels are like bees. Fiercely protective of their hive." This line shouted at me. Anthony "Ji'mNotNice" Crowley, while no longer an angel, has the protective tendencies of a Guardian Angel. He is the bee. Aziraphale is the hive.

In the fifth episode of season one, Crowley had been stuck in a traffic jam and then decided he was going to go 100% feral and drive his Bentley through fire. Nothing was going to stop him from getting to Aziraphale.

In episode 1 of season 2, The Arrival, Crowley losing his temper, I believe, foreshadows his threat to Jimmm “ShortForJammmes” Gabriel —

— which took place in the fifth episode of the second season.

“But I was there, and I do remember very clearly the look on your face, Archangel Gabriel, when you told my only friend to shut his stupid mouth and die.”

Right — ready? I threw these in as well because I have a hunch that they could also count as potential foreshadowing. Let's look at three very specific lines. Season 2, Episode 2: The Clue

I need to talk about that line because it appears to heavily foreshadow the end of season 2 episode 6. Aziraphale went with the Metatron to Heaven despite his bookshop. His love for food. Coffee. The kiss. Crowley. Despite everything he holds dear.

He is going along with Heaven as far as he can. I'm going to talk about the Coffee Shop Theory first, which is going to lead right into the Body Swap Theory, and why I don't stand by them. The Coffee Shop Theory We don't know a lot about the Metatron because we've hardly seen him as anything other than a floating head and his claim to be the Voice of God — at least right up until the end of season 2. There were a lot of red flags floating around just like his head. This conversation to start with... The Metatron: Do people ever ask for death? Nina: What? The Metatron: Well, the name of your establishment. Give Me Coffee or Give Me Death. I assume they always ask for coffee. Nina: They don't ever ask for death, no. The Metatron: No, I don't suppose they do. So predicatable. So predictable.

There was a sinister edge to it, and I didn’t like it. Crowley has asked about the name of the coffee shop, too, but it’s Crowley. He’s harmless. Something about the Metatron doesn’t sit right with me.

1) None of the angels in the bookshop seemed to recognize the Metatron, but at least several of them should have. They did see him as a floating head, so why didn’t they know him while Crowley did?

2) Where exactly has God been?

3) There was definitely something evil about that look the Metatron gave to Crowley in the bookshop. Why didn’t he seem to react to it?

The Metatron appeared to use manipulation tactics and mimicked Aziraphale’s speech patterns as a way of convincing him to accept his proposal. He brought him a coffee — it’s no secret that Aziraphale enjoys coffee and nice meals — complimented him — an angel of your talents — used the phrase jolly good — something Aziraphale has said before — and threw this in.

“As Supreme Archangel, you would get to decide who to work with.”

He’s using Crowley as another manipulative tactic because he knows how deeply Aziraphale cares for him, but —

1) He knows Crowley will not agree to return to Heaven.

2) He wants them separated because they are too powerful together. And nothing will be able to stand in their way if they are not separated.

Performs a wibbly wobbly timey wimey miracle

The Body Swap Theory

Aziraphale is a master of his face. He’s bubbly almost all the time, but when he’s not, it shows. I can’t bring myself to stand by the body swap theory because of two things.

Aziraphale made this face when he had Hell convinced that he was Crowley. This smile —

— closely resembles this smile.

This is Aziraphale, but he’s not the Aziraphale we know. This is an angel who has already put his armor on and is ready for battle. This is an angel who is going to fight for everything he holds dear.

The Metatron may have successfully separated them, but he clearly hasn’t been paying close attention to Crowley or Muriel. He apparently didn’t notice how feral Crowley became when Aziraphale was threatened in any way.

You don’t separate the bee from the hive.

Muriel willingly took our favorite murder hornet bee into Heaven. It’s clear they like Crowley, and he likes them as well. There were no signs that Muriel lost their angelic powers, and that could result in them getting Crowley into Heaven again. I believe they are going to play a key role in season 3.

Performs another wibbly wobbly timey wimey miracle…

“You’re just an angel who goes along with Heaven as far as he can.”

“Oh, I am, but rescuing me makes him so happy.”

“You came back.”

My point is … m’point is …

Aziraphale will always go along with Heaven as far as he can … until he doesn’t, and I believe we will get to see that in season three. As soon as he was told of the Second Coming, it was clear that he was not pleased.

“You’re so clever. How can somebody as clever as you be so stupid?”

Aziraphale is clever, and dangerously so.

And that set Armageddon his plan into motion.

To wrap things up, here’s the thing regarding more on that specific detail later — Crowley will always be the bee, and he will always be fiercely protective of his hive Aziraphale, and he will either always be waiting for him or always come back to him.

It starts, as it will end, with a garden.

Their Nightingale will sing once more.

[melbatron5000]

Murder Board 2.0

Updated 9/27/24

Since I've figure a few things out, I need to re-do my Murder Board. New answers, new questions.

What I think I know:

Hints given out by NG are suspect at best. (I cannot blame him or anyone else on the cast or crew -- they spent A LOT of time and energy building this very meticulous puzzle game for us -- why would ANY of them give ANY of it away? That would ruin all the fun!)

Lots of the discontinuity of Season 2 can be explained by POV switches between characters. See here and here for more. I think the title/location cards are also probably POV Clues, that needs a closer look.

Crowley gave something to Aziraphale in his mouth when they kissed. It's the fly. Now, what else was in the fly besides Gabriel's memory? RECORDS. Incriminating records that are why the Metatron let Beelzebub and Gabriel go, but nailed Aziraphale. The Metatron knows Gabriel has those records, he doesn't know they got passed to Aziraphale.

Saraqael and Crowley and by proxy, Aziraphale are all working together. See here and here for more. That explains A. the tiny miracle blowing up into a 25 Lazarii miracle. It didn't. They had to cover for something else that did. B. Saraqael showing the archangels the book shop in 2019 in the spy hole. C. Crowley's spy turtle neck and where he went during Aziraphale's Job flashback. D. Why Saraqael helps him see the trial in Heaven. (Oh! Muriel's now in on it, too!)

Crowley's memory is fine, it's a red herring. It might mean something else, though. I think he is dissing Furfur, he is denying knowing Saraqael even after she gives him a reason to recognize her to hide that they are working together. He tells Jim he doesn't remember why they invented gravity, but that whole scene is from Aziraphale's perspective, so the conversation likely didn't actually go just like that.

Shax is on a mission besides Gabriel -- she's looking for whatever Aziraphale and Crowley are hiding. Gabriel is a side-mission.

The hand-washing comment from Crowley in the Resurrectionists minisode -- he tells DaVinci about helicopters in Good Omens the novel. It's just a thing he can do.

What is up with Maggie? Maggie's freaking Jesus 2.0. She's what Shax is looking for, and who Crowley, Aziraphale, and Saraqael are hiding. Also, where is God? God is busy being Maggie, that's where. That's why Crowley says "Oh God" before his speech in the final fifteen. He's bringing up what they're hiding, reminding Aziraphale that someone has to stay and keep an eye on Maggie. That's why he can't go. Now, how the FUCK did Jesus 2.0 wind up owning a record store she inherited from her family NEXT TO AN ANGEL?? (Ah, shit, now I'm doubting this one. Now I suspect it's Nina, and Maggie is Mary MAGdeline. Same questions still apply.)

SECRET SONGS??? Why are the songs secret?? I'm losing my mind, what is happening?? I think this is a message that A. Aziraphale and Crowley are okay, and B. We will absolutely be getting part 3 of 1941.

I still think the scenes might be out of order. Is it as simple as watching them in chronological order? Could be.

The Metatron is a naked man. i.e. he was originally HUMAN.

Aziraphale and Crowley are talking in subtext A LOT. Aziraphale's tells are easier to spot than Crowley's. He raises his eyebrows and does vocal bunny rabbit ears, says "um," and "ah." "Our Gabriel miracle," "The establishment in question," "Certainly on to something," "Haven't yet cracked the case." Crowley's tell seems to be being effusive. "Frozen peas," "You wouldn't be interested in love?" "Well, today is your lucky day!" "How do you know I didn't do it?"

We are missing the scenes that should mirror the Resurrectionists minisode. What we do have instead of mirrors to that are Crowley telling the demons they are out of order. He can tell time has been messed with.

There are two Crowleys. I think the head in the book shop is his way of keeping in touch while his twin is off doing things, and the red eyes are him, too. Now, why?? What do they need 2 Crowleys for?

What still needs answering:

The clocks jumping time. And why are the extras moving in double-time when we first arrive to Whickber street?

The weird hand in the 1941 photo.

Aziraphale's chair position being moved still doesn't make sense. Unless Crowley was talking to himself??

The extras behaving strangely.

Crowley's car being in the wrong spot on the road after Shax threatens him.

Weird sounds -- Aziraphale turns to look at a crashing sound when he returns from Edinburgh, to look at a car horn, the very loud clock in the final fifteen BUT ALSO when Jim says he will go out to the demons, nightingale singing when Crowley leaves in the FF.

I'm not sure that POV switches explain Crowley's sunglasses going from silver to black.

I don't know why Aziraphale went to Edinburgh, or why he stopped at the graveyard where Gabriel's statue is, or why he looked like he realized something important while he was there.

Why does Michael do the "nothing's in the box" thing with the matchbox? It's a petty specific action. Someone pointed out that Michael's nails look chewed and terrible, are we meant to stare at the matchbox while something else goes unnoticed? Well, duh. But what?

We most certainly did not get the whole scene where the Metatron is talking to Aziraphale. What else was said?

What did Crowley do during his ALL-NIGHT JAUNT in Heaven? Did he sneak around and steal something? Did he uncover something? Did they hurt him? I think he stole something.

What did Aziraphale do with his briefcase that he took to Edinburgh? We see it in the book shop from his POV, and Edinburgh is seen from Crowley's POV, so they both know it exists. And then it's gone.

Why does Gabriel prophecy with God's voice? IS it God's voice? It's a woman, is it Frances McDormand? It's hard to hear. When he remembers the beginning, I think it's God's voice. When he prophecies, it may be someone else. Frances McDormand has no credit in that episode.

Why the heck did Maggie and Nina go talk to Crowley while the Metatron was talking to Aziraphale? What they had to say wasn't important enough to leave Nina's shop during a rush, and I definitely don't think they derailed Crowley from what he needed to say to Aziraphale, though it might look at first as if they did. So what was that about? Were they trying to speak in husband-code to warn him about the Metatron?

When Shax stops Aziraphale for a ride, he says, "Oh, I really need to get to --" and then is cut off. He really needs to get to where? It's an easy assumption to think he means the book shop, or London. But is that all he means? Or was he on his way somewhere else? And if it was just the book shop, what does he mean he's late? Late for what?

When Crowley leaves Heaven, he tells Saraqael and Muriel to come, too. But in the elevator, Michael and Uriel are there! When the fuck did they show up??

Why does Beelzebub tell Shax to attack the bookstore? Aren't they worried about Gabriel being harmed? And they know Hell is understaffed. Maybe that's why they command it? Because they know Shax won't be able to get many demons?

What about the Masons? It's such a specific thing for the pub owner to bring up, what is the meaning of it? And Maggie has a Mason symbol on her necklace. Did the Masons carve the statue of Gabriel? When did they see him?

The only narration we hear in the entire season is Aziraphale in the Resurrectionist flashback. I believe this is to throw us off the POV character switches all season. But still, why do we only hear him narrate 1 flashback? I think he's reading the diary to himself in the present day. That would explain the end, "And that was the last I was to see of Crowley for some time." He JUST heard the story of the jukebox from Maggie. And Gabriel appearing at the pub -- same city that statue is in. Of course he thought of something important from that diary entry! Now, what did he notice?

Is the Book of Life a real threat? We hear two stories about it, that it's real and that its ability to erase beings was something to scare the cherubs with, this is inconclusive. Crowley gets nervous after Beelzebub talks to him, but I think he's pissed that Heaven and Hell have taken an interest in them again, especially since they're trying to hide Nina!Jesus.

So many promo posters show Aziraphale, Crowley, and Jimbriel together, or symbols of them. Three feathers: two white, one black. Tea cup, cocoa mug, wine glass. The three of them. Not with Beelzebub, not with Muriel, the three of them. And all three of them have been Jesus-coded in some small way. No one else. Those three. What. Why. Are they the sacrifice required to bring about the new world? Why not Beez, then?

The whole collection of Maggie's album's from the Amazon X-ray are great, big CLUES.

A post that I didn't reblog pointed out that the record Aziraphale is listening to when Garbriel shows up is neither Shostakovich nor 21 minutes long. That seems important, but I'm not sure how. (The record is opposite when Crowley gives Aziraphale the fly containing records -- the actual symphony is, according to the original blog, one written by a rebel in contempt of his government. Do the records have to do with the rebellion and fall?)

What the heck does Furfur mean by "little monkey in the waistcoat?" How does that sound like Crowley?

Why does Furfur change the subject when Aziraphale asks where Gabriel and Beelzebub would like to go?

Why does Mrs. H say "for God's sake" two times in a row? No one says that on this show without a meaning.

Shax notices Crowley going to Heaven and makes an epiphany face.

Why is the end credit music for the ball French cafe music? French must be important. And the end credit music for The Hitchhiker is old timey and scratchy, then skips and becomes the same song in a newer, clearer style. Because they repeat the bullet catch trick in the modern day, perhaps?

I thought I heard that Crowley and Aziraphale are in the fly in the opening sequence, but nope. So why are they in a cave?

Why are there multiple elevators and multiple mountains in the opening sequence??? What the hell does that mean?? And multiple Edens?? All right, what's up??

I count at least two times Aziraphale glances right at the camera, probably more. Who is he looking at? Us? Is he looking at Crowley?Why??

When Aziraphale arrives back from Edinburgh, he asks how "everything is with -- mm." Crowley says "he was sleeping, I heard him singing." I don't think they mean Gabriel. At the cafe, Crowley says when Gabriel smites you, you've been smitten. Aziraphale says he isn't "you know who any longer." Again, I don't think he means Gabriel. Who are they hiding?

What has Aziraphale's attention when he asks Maggie about Every Day? She points to the coffee shop, and all of a sudden Aziraphale can't stop looking out the window and gets very nervous.

Twos. Why are twos so important?? Repeating twos. And there's doubles of damn near every object on screen.

Repeating themes: (I am just realizing that these aren't just themes, they are all Clues!)

Beverages of all kinds -- tea for Aziraphale, wine or whiskey for Crowley, cocoa for Jim. Oh, and LAUDANUM. And coffee!

Time -- lots of clocks/mentions of time. Everyone notices the ticking clock during the Final Fifteen, but it's ticking loud when the demons attack the ball, too. Also, why is the first scene of Whickber street shown at high-speed? Is time sped up? Or something else?

Love/partnership/togetherness being stronger than separateness

Memories/forgetting/remembering

Payment -- money comes up in both the Resurrectionists minisode and the Flesh Eating Nazi Zombies minisode, but no one pays for anything in present. There is bartering, but no money. Both times money is brought up, it's Crowley using Aziraphale's money, and both times, it's to buy a life. It's funny, but I feel like there's a point to it.

Rising from the dead -- Job's kids (even though they weren't actually dead), bodies used for science, Nazi zombies, the Second Coming. I think this is all just hinting around Jesus -- sure, hinting around Jesus, who we were expecting to show up in Season 3, but she's already here. The hints indicate that she is already on Earth, not going to show up next season.

Unreliable narrators. Because we are seeing the whole show from various characters' points of view. Because of that, we can only see what they know, expect, believe, or understand, but also what they want us to see. We need to take the whole second season with a grain of salt.

Death in general -- but 8a., I'm a dirty pagan, why didn't I make this connection sooner, death always leads to REBIRTH, change, something totally new and 8b. there are tarot cards in the magic shop, and even if you're not a dirty pagan, the Death tarot card means transition, something must die before a new thing can be born. Hmm.

Morality and what is "good" and what is right

Recognition and identity and hiding one's identity. Ah! Probably at least partly because Maggie someone? is Jesus. How would you recognize them? (I think it's Nina now.)

Licenses, permits, permissions, rules, proof, evidence, what's allowed. All of the minisodes mention this, and it all gets mentioned again over and over. Because Heaven and Hell do have rules they have to follow. Which drives home my theory that Gabriel stole some very incriminating records from Heaven when he left, Crowley got hold of them and gave them to Aziraphale during the kiss, and now Aziraphale is going to nail them.

Colors. Lots of colors!! Job's kids are dressed in the colors of Nina, Maggie, and Aziraphale's shops. Jesus on the Resurrectionist Pub sign is in blue and red, blue and red crop up a lot in extra's clothing, as do yellow and red, Crowley colors. The Ladies of Camelot are in red and blue. Aziraphale says Earth will be a blue-green planet, Nina's shop is blue-green.

Horses. Horse statue, horse wine label, people saying "dark horse." The four horsemen again? I feel like they already had their ride, so what the hell? I think it's because season 2 is an echo of season 1, I THINK -- I have to check -- that horses appear or get mentioned when the horsemen have corresponding scenes in season 1.

Numbers. A lot of numbers get said. Does it matter, or am I overthinking?

Repeating words and phrases:

Technically

Properly

Isn't it just?

Too late

Funny old world

Not as such

Made for each other

EVERYWHERE

Obviously

Two shakes of a lamb's tail

Dark horse

What are you/am I? As opposed to WHO. Aziraphale asks in the Land of Uz, and Crowley asks Gabriel.

Are you sure? Quite sure.

The Marvelous Mr. Fell is described as marvelous in his mysterosity, Shax says the demons have dangerosity.

Mrs. H in 1941 says "for God's sake" twice in quick succession.

Schtum

Every day

Hints:

Powell and Pressburg films

The Crow Road

Catch 22

The Amazing Maurice and his Educated Rodents, Terry Pratchett in general

Jane Austin

Book Good Omens

Season 1 Good Omens

The titles of episodes, minisodes, places, etc. 7a. The Arrival: a book and a movie, though the book seems far more relevant. And lovely. The Clue: a movie. Companion to Owls: a line from a Bible story. I Know Where I'm Going: a movie. The Resurrectionists: two novels, each called The Resurrectionist, singular. Both look unhinged. The Hitchhiker: a Twilight Zone episode. Nazi Zombie Flesheaters: Literally no other reference. ?? Nazi Zombies do appear in a LOT of movies, comics, and video games, usually as a dark joke. The Ball: a video game. Irrelevant? It's a puzzle-based game, so maybe not. Every Day: a song AND a movie. Some themes repeat here: Puzzle games, being re-directed from one's path to find true love, death and being brought back to life in a gruesome and unpleasant way.

Objects that get a close-up/centering:

Starmaker's nebula book -- Nebula 231,080

Shax's compact mirror

Maggie's note

Shostakovich record

Tomatoes

The box

The Bentley

Eccles cakes

The bell

Head statue

The book Jim drops

Jukebox

Gabgriel's statue

Laudanum bottle

Phones in Edinburgh episode

"Very closed" sign

Broken whiskey bottles in 1941

Hourglass in Hell

Furfur's camera

Bullet catch in the magic shop

Instruction booklet for bullet catch gets 3 close ups -- because the bullet catch trick is that important, or because it happens 3 times? Both, I think.

Puppets

Dancers' silhouettes

Mr. Fell sign

The actual bullet

Angelic beings book

Photo evidence

Shax's shoes

"Surrender the angle" brick

[aziraphales-library]

Hello! First of all, thank you so so so much for this blog. It's incredibly useful for both old and new fans.

Second, I was wondering if you could help me recommending fics in which Aziraphale and Crowley are exes who still love each other? You see, one of my favorite fics is Ink Blots and Forget-Me-Nots and it made me want to keep reading that trope.

Thank you in advance!

Hi and thanks! We have #getting back together and #reunion tags with loads of fics like this (including the one you've mentioned), so do check those out. Here are more fics to add to the collection...

you're what haunts me (now that you're away) by duri (M)

“I don’t understand.” Crowley says quietly. “Why aren’t I enough for you?” “Oh…” Aziraphale murmurs, coming up to him, cupping his jaw with a feather light grip. “Oh, Crowley. Don’t ever think that, of course you're enough. You're more than enough." Crowley yanks himself away, his eyes burning even more. It’s a foreign feeling and he sends a quick thanks down to whoever is in charge downstairs that his sunglasses are always on. He shudders to think what his eyes look like underneath. “Then why couldn’t you stay?” Or, Crowley tries to get used to life on his own, but it would be a lot easier if a certain angel would stop showing up.

Tumbling Down by katonline (E)

When summer finally rolls in and lays heavy on the South Downs, he realizes he’s lonely. While most demons are solitary creatures, Crowley is not; just another way he doesn’t fit the mold. Without thinking, he picks up his phone, meaning to call Aziraphale - wants to tell him all about the cottage, what he’s done, what he’s made. Pain brings him up short. He can’t call him - literally, because he never added Aziraphale's number to this new mobile; but it’s more than that, of course. The angel doesn’t want what Crowley aches to give, holding out to him in two shaking hands. You go too fast for me. So he racks his brain for an alternative, trying to come up with someone to share his accomplishments with. After a week, he lands on the witch. She, too, can make things grow. He dials the operator, asks for Tadfield, Jasmine Cottage. The witch answers. She doesn’t sound surprised. I’d love to come see what you’ve done with the place. Crowley, frustrated by Aziraphale's continued hesitance, attempts to make a new life for himself after the Apocalypse-that-Wasn't.

Seven Minutes (Years) in Heaven by LollipopCop (E)

Gabriel’s violet eyes widened, almost comically shocked, and then he smiled tightly. “Now, what’s this?” Crowley’s throat was dry, the flowers and chocolates suddenly heavy in his hands. “Um.” Grateful that the glasses hid his gaze, he looked to Aziraphale. Aziraphale looked ill with panic. Right. He’d have to save them both. It wouldn’t be the first time. First time from an archangel, but God loved to toy with him, didn’t She? He had to put his theological angst aside, because above all costs, Gabriel could not find out that Crowley was in a semi-relationship with his agent on earth; he would absolutely harm Aziraphale, and there was no way Crowley would let that happen. ~~ Inspired by the deleted scene of the bookshop's grand opening in episode 3. Aziraphale and Crowley start a relationship in Paris, 1793, but are torn apart.

Headlights by RoswellSmokingWoman (M)

Aziraphale made Crowley want to believe in the ineffability of a God that brought them together. Crowley made Aziraphale want to sacrifice his religion and worship their love instead. But that was then when love was enough to bring together two fools desperate to make it work. Three years after their divorce, Aziraphale and Crowley aren't talking. They've tried to move on, but neither can. It should be their anniversary, on New Year's Eve, but they're not together. They should be together. Aziraphale calls. He's not even sure whether Crowley will pick up, but he does. They see each other again for the first time in years, and it's a whirlwind. It's time to heal old wounds, put aside their differences, and make their relationship work again. They already know the alternative, and know they can't live like that anymore.

I Was Made For Lovin' You by midnightdragons (T)

Anthony Crowley is a big-shot stuntman, working on a movie alongside a new member of the industry, a cameraman named Aziraphale hopeful to create his own movie one day. The two's fling begins to evolve into something more, until there's an accident on set that leaves Crowley injured, and their relationship in shambles. Six years later, Crowley's called back for the first time since then -- to a movie that Aziraphale himself is directing. (An AU inspired by and with some dialogue taken from Ryan Gosling's The Fall Guy; stuntman!Crowley, director!Aziraphale.)

The Ghost of Husbands Past by A_N_D (E)

Az always knew that he’d be thrown out the moment his father found out he was gay. He hadn’t expected to be declared dead though - or for his husband to believe it! But their marriage had been a foolish teenage impulse (not to mention invalid in America), so when Az moved to a small town far upstate New York to start his new life, he moved alone. The kindest thing he could do was let Crowley mourn and move on, not be shackled for life to a now disabled partner. Tony Crowley never recovered from losing his best friend, his childhood sweetheart, his better half. He’d been drifting ever since; no plans, no hope, no money - and now, just before Thanksgiving, no job either. Given the stark choice of freezing to death or accepting his sister’s invitation to join her upstate, Tony reluctantly lives out the Hallmark cliche of Recently Unemployed Person Moves to Small Town for Christmas. It’s a time of hope, love, and family. It’s time for Az and Tony to find each other again.

- Mod D

[woodchuck019]

Crowley was Raphael?

WARNING: MAJOR GOOD OMENS 2 SPOILERS

Ok, so in the last few years we all enjoyed the headcanon that Crowley was the Archangel Raphal pre-Fall. To be completely honest, in season one this theory didn't make a lot of sense because we knew basically nothing about Crowley as an angel except for the fact that he helped create the stars and fell because he asked too many questions. So, even though it was a nice and interesting theory, I thought it would remain that, a theory.

Well, seems like this theory is basically confirmed now at the end of season 2. But let's start at the beginning.

First, we have to talk about the Hierarchy of Angels in Christianity. This Hierarchy was theorized by Pseudo-Dionysius the Areopagite in his book De Coelesti Hierarchia (On the Celestial Hierarchy). Dionysius described nine levels of spiritual beings which he grouped into 9 orders.

Highest orders:

Seraphim

Cherubim

Thrones

Middle orders:

Dominions

Virtues

Powers

Lowest orders:

Principalities

Archangels

Angels

Now, a lot of people asked Neil why the Archangels have so much power if they are so low in the Hierarchy and he said that he and Terry actually tought of archangels and Archangels as different beings.

So we have the arch-angels, in thre sense of being just above the lowest Choir of angels, and then we have the Arch-angels, in the sense of being above all angels.

Actually, the term archangel itself is not found in the Hebrew Bible or the Christian Old Testament, and in the Greek New Testament the term archangel is used referring to Michael, who is called 'one of the chief princes,' and 'the great prince'.

The idea of seven archangels is most explicitly stated in the apocryphal Book of Tobit when Raphael reveals himself, declaring: "I am Raphael, one of the seven angels who stand in the glorious presence of the Lord, ready to serve him."

In Judaism the Archangels are given the title of śārīm, meaning "princes", to show their superior rank and status, so they are also called "Princes of Heaven".

In season 2 episode 6, when Crowley is in Heaven trying to find any info on Gabriel, Muriel gives him the missing Archangel's file explaining that even if they wanted, they couldn't show it to him, since only angels above the rank of Dominions could access it. Immediately after, without putting in any effort, Crowley opens the file, saying that he was an angel once and they never bothered to change passwords. (I totally read a fic like this btw).

When the Archangel Saraquel meets them and recognises Crowley, she says that they worked together on the Horsehead Nebula. So Crowley must have been pretty high up in the ranks if he worked with an Archangel.

When they show us the scene of the trial, Gabriel is ready to be cast down to Hell, but the Metatron stops him and says:

"You are not going to hell. For one Prince of Heaven to be cast into the outer darkness makes a good story. For it to happen twice makes it look like there is some kind of institutional problem."

So we know that one of the Seven Archangels has Fallen, and it could be Lucifer, even though in the bible it is never stated that he was an archangel, but wouldn't they have said so if it were the case?

Also in episode 2, when Shax tells Crowley that Heaven and Hell think Aziraphale has something to do with Gabriel's disappearence, she says:

"A miracle of enormous power happened last night. The kind of miracle only the mightiest of Archangels could've performed".

Reminds you of something? Raphael, one of the mightiest of Archangels?

I really hope they will confirm the theory in season 3.

[drconstellation]

Obligatory Reminders and Crossing the Lines

Have you been wondering why Shax tries to do a mail delivery to Crowley as he escorts the shop keepers to safety from Aziraphale's Eldritch Ball? It seems a pretty random thing to do at that moment.

SHAX: I brought your mail. CROWLEY: Why? SHAX: It stacks up by the front door. CROWLEY: Keep it for now, not a good time.

It's not the first time Shax has tried to give Crowley his mail. We first see her hand a pile over on the park bench in S2E1, while they have an introductory spy vs. spy catch up, in St James Park.

SHAX: I brought your mail. CROWLEY: Anything interesting? SHAX: Bills, mostly. I don't understand why they won't just deliver them to your car. CROWLEY: Send the bills to Hell's finance office. SHAX: I did. They say they can't accept my signature as your replacement.

Bills, mostly. That aren't being accepted by Hell's finance office, unless Crowley signs them. And they expect to find him in the official residence of Hell's ambassador plenipotentiary to this corner of Earth, in Mayfair.

Next, we see Crowley redefining all that mail as "junk" and discarding it.

uh huh. Lets ignore the conveniently placed disposal unit for the moment...

We need to stop and define what those "bills" actually are. Because they are not actually the financial type of bills. Well, they could be. But this is the GOmens AU, so they have a second meaning as well. Paying your bills is also meeting your duties and obligations to another party, and this is something Crowley is refusing to do right now.

I don't think its as simple as Hell being short staffed and they just haven't got around to doing the change over (I know I suggested the latter recently, sorry) and that's why they aren't recognizing Shax's signature. It's that Hell actually hasn't let Crowley go - he is still "on the books," so to speak, despite all that has been said and done since the Nope-ocalypse. He might call himself a "former demon," and he might call Hell his "former side," but that is definitely NOT how Hell sees it, despite the fact they aren't harassing him or giving him tasks to do.

Actually, that should be haven't been harassing him, because since Gabriel "disappeared," they have been back on his case. The mail is a warning sign, but Lord Beelzebub's summons really should have given you the chills.

Crowley protests that they had a "generalized understanding" that he would be left alone, but Beelzebub declares that "we don't."

Ah. So all is not as it appears. They are just playing nice because they want something (Gabriel) and in reality Crowley's position in relation to Hell really is fragile. Yet outwardly he seems more worried about Aziraphale.

It goes downhill from here. Shax begins to stalk him.

This image of Shax is just delish. The sharp "V" of her her decolletage reminds us of a stork's bill, her avatar animal, and it's stabbing down at the snake on her belt. She might be seeking the Frog Prince who escaped Heaven but she's also got a certain snake in her sights.

Shax can't can't cross the threshold of the bookshop without an invitation from Aziraphale. This plays into the old belief that supernatural creatures such as vampires, demons and faeries can only enter a house if invited in. We also see this extended to the Bentley, once "ownership" is extended to the angel, but the door of the bookshop is the important border here for now.

Then have this threat of war being declared:

War on Aziraphale, not Crowley, as they still consider Crowley to be on Hell's side. They don't see it the way Crowley does as Us and Them, to Shax there is still only Heaven and Hell.

So we come back to the second round of mail delivery:

Crowley is about to escort the human shopkeepers to safety and Shax confronts Crowley right on the threshold with his duties and obligations. He really doesn't want to have that conversation right now, not here and not with Shax. As far as he is concerned, he has no obligations to Hell any more, and he's not taking any notice of their demands in any form, either, so Shax may as well just get out of the way and take the mail with them.

And with that, Crowley crosses the threshold, leading the humans out.

At this point in the story you might be asking what's the big deal about that? Crowley has been going in and out over that doorstep several times a day lately, and has crossed it hundreds of times over the last couple of centuries since the bookshop was built. It's not a barrier to him.

The significance of this boundary line has been highlighted to us in S2. We have Shax actually telling us that she knows she can't cross the "threshold" in S2E3, then she asks again in S2E5 where the boundary line is just before Mr Brown is hauled off into the demon Legion. But its even more than that.

On one level its the line that Crowley has drawn for himself. He's not going back to Hell if he can at all help it, and he's quite resolute about that. It's his side or no one's side, from there on in. He reinforces that when talking to Aziraphale in the Final Fifteen.

On another level, I'm wondering if we could consider this a step on the eponymous Hero's Journey? Crossing the Threshold is one of the early stages of the journey where the hero crosses into danger or the unknown. We're shown things aren't normal outside by the mist and green light. Then he diverts off unexpectedly to Heaven with Muriel. Just throwing it out there to see if its worth exploring a bit further. I'd say we've only got the early stages of the journey in S2, with the remainder to come in S3.

[noushienoushnoush]

Once again, I sit here in absolute awe of David Tennant and Michael Sheen's acting. (And also the writing for this show.)

Let's talk about S1 E6 of Good Omens, shall we? (spoilers incoming, *in Crowley's mocking tone* obviously.)

Something that absolutely went over my head the first time I watched this episode was how masterfully they fooled us about the body swap. It's a wonderful surprise the first time around, but when you re-watch the episode, certain things makes you question why Crowley acted the way he did at the trial, and same with Azirophale in Heaven. Something seemed off the whole time. And during my first watch, I took it as "oh, they're probably both nervous about what's to come." But noooo, I was dead wrong.

Here's some amazing hints that conveyed, in the most subtle way, that maybe these two supernatural beings were not in their usual bodies.

The Ice Cream Stand

From the moment they go to the ice cream stand, Aziraphale's face looks rather stressed and serious. It's rather out of the ordinary for Aziraphale, there's always a sense of emotional vulnerability in his eyes, but in this scene, there's none of that. He looks around and scans the surrounding, the way Crowley always does. He walks around Crowley, the way Crowley always does around Aziraphale.

In fact, what would be expected of the real Aziraphale would be a stiff stand and some kind of nervous smile, and at least a bit of anticipation for eating ice cream. But who do we smiling instead? "Crowley". (Putting the quotations there because of course they have switched bodies before going to the ice cream stand.) And look at how David smiles here. It's a tight smile after receiving the ice cream cone, the kind that Aziraphale would give in appreciation if he was interacting with the ice cream person (which, he technically is, in Crowley's body.) If David was acting as the real Crowley, we would have had more of grin and maybe a slight tilt of the head even.

It's such a subtle thing but my god does it makes such a big difference and shows how much David and Michael know about each other's characters and I can't even-

Reaction to Gabriel Entering the Scene

Firstly, we have a close up of Aziraphale's hand and Crowley still adjusting to how the angel's body moves and functions (which can be easily taken as adjusting to the tight grip of the rope. Honestly, it's probably a bit of both).

Then Gabriel enters and what we would naturally expect is Aziraphale losing his shit by adjusting in his seat nervously, checking to make sure he looks okay, and loads of anxiety in his voice. But we get none of that. He doesn't even nervously laugh at Gabriel's joke, just gives the slightest little twitch, the kind Crowley would give when he's stressed. There's not a hint of nervousness in his eyes, as if his emotions are tucked away, something Crowley is quite good at.

Holy Water/ Eternal Fire

When Eric shows up from Hell with the eternal fire, the real Aziraphale would've been utterly surprised, but the one sitting down just watches Eric come in as if he was expecting the demon. In fact, if you look closely, everyone reacts to the fire EXCEPT Eric and "Aziraphale".

And when Michael looks at the fire in his subtle (and brilliant) way, the look can be read as both our angel looking reflectively at the very thing that could destroy him AND as our demon in the angel's body holding back the anger that he feels when he sees that this is what they were going to do to his best friend had they not switched bodies.

And can't forget the iconic scene of the roar with the fire spitting out. That is such a Crowley move and so out of character for Aziraphale!!

And we can see the sheer joy as his eyes glow in a shade of yellow awfully similar to Crowley's. I mean that grin is also literally Crowley?!

Lastly, we have the moment where Gabriel says "shut up and die already" and rewatching the show with context of how angry Crowley was at this statement, I can literally feel Crowley's anger in Aziraphale's body here. Michael how do you this? My two brain cells are literally going brrr.

Meanwhile, in Hell, when Archangel Michael enters the scene with the holy water, Crowley looks back and is genuinely surprised, but really it's Azirophale, in Crowley's body, who's like "wait a minute, Michael?!" The real Crowley wouldn't have been surprised even one bit. He'd probably make a snarky remark in fact about something like how Heaven and Hell are not that different after all.

Tone of Voice & Dialogue

It's just all so perfect. I remember reading on Neil's Tumblr that Aziraphale generally speaks with every word in every sentence pronounced perfectly and in an almost bookish way. Crowley, on the other hand, mumbles a lot of his words. They role off the tongue very quickly. There's a peculiar snake-like vibe to the way he speaks.

But during the trial? Crowley doesn't make a single super snarky remark or mumble his words. He stands quite straight (no putting his weight on one knee or slithering around) and the way he speaks is awfully similar to Aziraphale.

"Well, yes, um..." (87.5% of Aziraphale's sentences start like this lol)

"I don't suppose in the nine circles of Hell, there's such a thing as a rubber duck?" (Crowley level snarky yes but Crowley already knows that it doesn't exist, so he would've framed it differently if it was really him speaking. This is very much peak "unexpectedly funny" Aziraphale humor.)

Also, I think the very first hint we have about the body swap, as far as dialogue goes, is when "Crowley" is knocked to the ground and says "It's not a problem. It's a tickety-boo." Just cracks me up cause again, that's something our southern pansy Aziraphale would say.

And then there's the whole scene at the park after the fact, but this post is already long enough as is lol.

I hope I'm not repeating something that another person has already mentioned. I'm just mesmerized by David and Michael's acting and Neil's writing is all. Honestly, there so many other micro moments I didn't cover. And my 2 am brain doesn't have energy for making GIFs, I hope the still images will do. Alt Text will be added soon as well.

[catastrfy]

here is some odd stuff that i think may support loni's body swap theory let's start here. nina and maggie confront crowley, and his reaction? "but you were crying"

except it was aziraphale who saw maggie crying. he told crowley she had a "pash" for nina; would he have mentioned the crying? i don't know. but it's ODD.

but there's also this way crowley says "bla bla bla" to nina and maggie -- it's *ridiculously* overdone when compared to when he says it to muriel

and then later when later, the metatron asks crowley if he knows him and says he was a big floating giant head. except when crowley last see the metatron?

when he was in heaven with muriel, in the recording, as one of several enlarged heads on screens.

but somebody else DID see the metatron last as a big floating giant head just a few years ago....

well. ift hey swapped WHEN was it? i LOVE loni's fabulous theory where they posit at "no nightingales but could it have been earlier than that? so i've watched and watched and watched the last episode, and i'm thinking maybe it was when gabriel was having his flashbacks.

i am pretty certain the scene before this was them as themselves. here they are before beez gets the fly and gives it to jim. crowley's got his usual mobile face with his forehead creases and expressive mouth... and he talks to beelzebub the way he had earlier (vs how aziraphale had when he was facing hell in s1e6)

this is the first shot of them after gabriel's flashbacks conclude. look at crowley's face.

it stays blank for the time that gabriel recognises aziraphale, sees the angels, says "eesh" at the demons, brightens when he sees beez, and when beez tells him aziraphale took better care of him than they could've done.

we've seen his face with the closed lips and smoother forehead before:

also, this is subtle and it's entirely possible it only means that this scene was shot over multiple days, but check out the right edge (viewer's right, a's left) of aziraphale's bowtie in each picture here. he's been standing fairly still, yet his tie isn't tied quite the same before the fly and after. you can see an extra stripe at the far right edge in the pic that says "true love" the collar of his jacket has moved; more of the left (our left) side of his waistcoat is visible in the 2nd pic. and again, yes, this absolutely could be different takes, probably not immediately after one another if the bowtie had to be retied. except... didn't they use pre-tied bowties this time around? is this an "everything is meant"???

i had to look at crowley too, of course. pre-fly, immediate post fly, starting to look normal, then aziraphale gives him a shake and he looks up. there ARE subtle changes. the collar button of his shirt changes position and so does his neck noodle. it's hard to see his tattoo until he's outside (although it's clear before beez gives jim the fly), but that may just be lighting. or maybe it takes a moment to settle in? I DONT KNOW (also, beez keeps looking over at aziraphale & crowley and i want to know WHY/what they see!) and oh, have you noticed that the top of aziraphale's right ear SWIVELS when michael is threatening him with being erased fromthe book of life? it starts at teh end of 33:50 and goes into 33:51. and about 15 frames later, the metatron appears at the door. i don't have a way to make it into a gif, but here's the first and last of his ear moving. it's not him turning his head, because that wisp of hair doesn't move, nor does his lobe. just... the top. o.O

and ooho, just today i noticed THIS: here's aziraphale's bowtie when he's telling crowley about the offer to go to heaven. LOOK AT THE TARTAN ON HIS TIE.

previously looking at the tie as the viewer, the vertical stripe pattern of dark stripes is thin dark line, narrow gap, group of medium/dark/medium lines, widish gap, repeat. here it's med/dark/med lines, narrow gap, thin dark line, wider gap, repeat. the fabric is upside down from earlier. (and yes, again, this could be an error by costuming/continuity. but i'm hoping it means something bc everything is meant) if you haven't read loni's theory, go check it out!

[lenaellsi]

i've mentioned this before and it's a Hot Take maybe but. i don't think it's fair at all to characterize crowley's "you and me, what do you say?" speech from s2 as being equivalent to "fuck the earth run away with me to the stars right now" a la season 1

i guess i can see why it might come off that way, with gabriel and beelzebub having just left and crowley drawing the comparison to them, but a lot of people have sort of extrapolated from that this dichotomy where suddenly aziraphale is the one who cares about saving the world and crowley only cares about himself and aziraphale. and while i think crowley certainly prioritizes their mutual safety and is more likely to get spooked when faced with threats from heaven (i wonder why) crowley also loves earth?? he talks about it all the time.

the last time there was an apocalypse, crowley was the one who proposed saving the world, and he had to talk aziraphale into it. and like...he was planning breakfast at the ritz, wasn't he? he didn't want to leave. obviously "you can't leave this bookshop" meant "you can't leave me," but it also LITTLE bit meant the bookshop, and earth.

the circumstances of s1 were very different than the end of s2. crowley only wanted to run in s1 when 1) the end was about 4 hours away, 2) from his POV he and aziraphale had no idea where the antichrist was, so they wouldn't be able to stop anything even if they did stay to die with the humans, 3) aziraphale was about to Talk To Heaven the same way crowley tried to before the Fall, 4) demons were actively pursuing him for purposes of torture and annihilation. and in the end, he STILL stayed.

idk. if we're going to give aziraphale the benefit of the doubt for the Many Things he said in that convo, then i think we can afford to give crowley the benefit of the doubt that "we need to get away from them" and "go off together" might mean something more along the lines of "please don't go back to heaven, stay with me, it can be the two of us against them all." THAT was what crowley's emotional arc this season was leading to, with the flashbacks and his big revelation in ep 5, the same way aziraphale's was leading to leaving. every single one of the flashbacks had crowley choosing to help someone else at great personal risk--why would that lead to the conclusion that he actually wants to leave without trying to help? (of course, he did want to abandon gabriel. but I don't think that was even a little bit irrational after aziraphale's failed execution. walking away from the heavenly host who has done nothing but hurt both of them is not the same as walking away from earth. it's still a problem--ignoring heaven and hell will not, ultimately, fix anything--but again, it's not the same as abandoning humanity on a whim.)

TL;DR I don't think it's a fair reading to say that crowley's proposed solution to The Heaven And Hell Problem is "fuck humanity, let's give up." i think he was proposing working together against heaven and hell with the option of an exit strategy if everything went wrong, which is what he ALWAYS tries to do. (see: arrangement + holy water.) his need for an escape route and his tendency to prepare for the worst is something that is definitely hindering him in, for example, his relationship with aziraphale, but it also makes sense. because, you know. the last time he tried doing anything about heaven he got his wings lit on fire. so.

[notesbutnotfromunderground]

Aziraphale and Crowley wouldn't have ended up together even if the Metatron hadn't shown up.

I couldn't find the words in the bookshop, but let me say them now. Do it again, Crowley.

If my memory serves me right, the original concept for the characters Crowley and Aziraphale was that Aziraphale didn't exist and Crowley was Crawleigh. [Referenced from a Reddit reading I did a few months back.]

Then, somewhere down the line, there were Crowley and Aziraphale, the Demon who sauntered vaguely downwards and the goody-good Angel giving in to carnal desires.

So when Metatron said, "As Supreme Archangel ... to restore your friend, Crowley, to full angelic status," Aziraphale was happy, elated, and delighted. Them, working together in heaven. And if Metatron hadn't offered that cherry on top, Aziraphale wouldn't have gone back or even wanted to return with him to Heaven. But Metatron knew the right words to say to push Aziraphale.

But Aziraphale's joy at the thought of them finally being together was shattered at the bookshop, his bookshop, their bookshop.

And he told Crowley, "I could appoint you to be an angel. You could come back to Heaven and everything, like the old times. Only even nicer."

To which Crowley replied, "And you told him just where he can stick it then?"

"Not at all."

"Oh, we're better than that. You're better than that, angel! You don't need them. I certainly don't need them! Look, they asked me back to Hell, I said no. I'm not rejoining their team. Neither should you."

"But— Well, obviously. You said no to Hell. You're the bad guys. But Heaven—"

Then the camera zooms into Crowley's shattered dreams and broken heart.

Aziraphale continued, "It's the side of Truth. Of Light. Of Good."

"When Heaven ends life here on Earth, it'll be just as dead as if Hell ended it. Tell me you said no!" Crowley's voice cracked. "Tell me you said no!"

"If I'm in charge, I can make a difference."

And that's when Crowley understood. They wouldn't be together. Aziraphale had already made up his mind.

As he tried to find the right words, Crowley started, "Oh God. Right. Okay. Right. I didn't get a chance to say what I was going to say. I think I better say it now. Right, okay, yes, so..."

Aziraphale just stood there, waiting for the words he wanted to hear at that time. The words that will finally make everything right for him and Crowley.

Crowley mustered up the courage, sighed deeply and started to talk again, "We’ve known each other a long time. We’ve been on this planet for a long time. I mean, you and me. I could always rely on you. You could always rely on me. We’re a team, a group. Group of the two of us. And we’ve spent our existence pretending that we aren’t. I mean, the last few years, not really. And I would like to spend… I mean if Gabriel and Beelzebub can do it, go off together, then we can. Just the two of us. We don’t need Heaven, we don’t need Hell, they’re toxic. We need to get away from them, just be an us. You and me, what do you say?"

Crowley's heart sank as he said those words. He already knew, but a demon could only hope. And Aziraphale continued to wonder why Crowley just wouldn't say yes to him.

"Come with me to Heaven. I'll run it. You can be my second in command. We can make a difference!"

"You can't leave this bookshop," Crowley pleaded.

"Oh, Crowley," sighed Aziraphale. "Nothing lasts forever."

"No," Crowley agreed. "No, I don't suppose it does." He turned his back and started to walk towards the door, "Good luck."

"Good luck? Crowley!" Aziraphale's world continued to fall apart. This wasn't what he wanted. Crowley was supposed to say yes, and they would be together in Heaven. He wondered if he said the right thing. He wondered if Crowley understood him. He wondered why Crowley was walking towards the door instead of celebrating together with him.

"Come back to Heaven," Aziraphale continued, searching for the perfect words to convince Crowley. "Work with me! We can be together." And he finally said that. It wasn't how he hoped, but at least he finally said it. Crowley should understand. "Angels... doing good!"

Crowley looked at the window. It seemed to him that after all those years they'd been together, Aziraphale still didn't see it. Memories of his time as God's favourite angel flashed before his eyes.

"I— I need you!" Aziraphale continued. "I don't think you understand what I'm offering you."

"I understand. I think I understand a whole lot better than you do," Crowley said.

"Well," Aziraphale felt defeated. "Then there's nothing more to say."

"Listen. Do you hear that?"

"I don't hear anything!" Aziraphale said exasperated.

"That's the point. No nightingales. You idiot. We could have been ... us!" With nothing else left to lose, Crowley walked back towards Aziraphale.

Aziraphale looked away, his mind still trying to understand what was happening. This wasn't how it was supposed to be. His train of thought stopped when Crowley grabbed him and pulled him to his mouth, yearning, longing, pleading. Aziraphale didn't know what to do. Should he push him away? Should he stay? Should he pull Crowley closer to him?

"I— I forgive you," Aziraphale said

This scene made me realize something.

They weren't ready yet. Even if the Metatron hadn't appeared, they simply weren't at the right place and time to become an "us" yet. Because unlike Beelzebub and Gabriel, they were still looking at things through the lens of their traumatic pasts. And because of that, they can't entirely give themselves to each other. Not just yet. They still need to work through and overcome the things that happened to them in the past.

They can't just choose to run away like G and B did because the humans have become dear to them.

Aziraphale sees and loves Crowley for who he is. However, it didn't come off as that when he said, "Well, obviously. You said no to Hell. You're the bad guys." What mattered to him then was that they got to be together. And he could finally control and protect that part of their relationship. But he still has religious trauma at this point.

And Crowley needs to face his past, his fall (and as fans, we need the story behind that) and God.

But again, they are still looking at each other through their trauma lens and are seeking to protect themselves by subconsciously trying to be in control without meaning to hurt each other.

Aziraphale is a prideful angel with prejudice against the demons but loves Crowley. Crowley, who loves Aziraphale, is a demon with prejudice against the bureaucracy of angels and demons with pride for the life he's made for himself and Aziraphale among the humans.

They both need to heal first before they can have a working relationship. Because that's where their future together depended. And they also need to figure out how to stop the Second Coming together.

That's the parallel between Nina and Maggie and Gabriel and Beelzebub. And Crowley and Aziraphale are in between.

Crowley needs to learn that he can be happy again. That he no longer has to be in hypervigilant mode. And they have to let him see the stars again.

[aaronontherun]

Okay, there are two things about the ending of GO S2 that I cannot get out of my head after finishing the rewatch:

1. Gabriel's descent to earth

2. Aziraphale's reaction to the offer of Metatrash

(The rest under the cut)

The thing about Gabriel's descent to earth is that when he comes down to earth, he has not been fired yet. He decides to come down.

What's interesting about this is that in the last few minutes of the last episode Gabriel says his original plan was to leave heaven to go to hell, to join Beelzebub.

The quote goes:

Beelzebub: "Silly, silly angel. Why?"

Gabriel: "I was coming to you, but I... I forgot."

So... he had not been fired yet (because he left heaven before Michael and the lot could get a hold of him again). And he had originally planned to go to Beelzebub ("oh, you're sending me to hell, aren't you?" -> he was kind of counting on that). But after hearing he will lose his memory and go down to earth, he decides to ditch that plan and make himself forget all of it to go to earth (where he did not really intend to go in the first place) to give a box to Aziraphale that says "I am in the fly", that he knows will make him remember.

Why?

My working theory is that since he was the highest ranking angel, he knew about the plans of heaven. He knew about the second attempt at Armageddon of course and he did not want that to happen, because of his love for Beelzebub and the war that would break out. But I reckon he also already knew about the Second Coming.

And by wiping his own memories, he deleted that knowledge for all of heavens associates. But by storing it in the fly and transporting that to earth instead of hell, he brought it to the safest place he knew.

"The Second Coming will be a fearful, mournful time for the wicked, but it will be a day of peace for the righteous."

I don't know if I am reading something into it here, but to me it also sounds like a clue. The only other pair that kind of unites the powers of heaven and hell like Gabriel and Beelzebub is Aziraphale and Crowley. And we know that connection to be quite a strong one (as seen by the "teeny tiny miracle" that ended up sounding every god damn alarm bell in heaven). Crowley is a fallen angel and does not particularly care for heaven or hell and Aziraphale is still an angel and also does not conform with everything that heaven does. And Gabriel knows that.

BUT as far as we know, neither Aziraphale nor Crowley have had contact with the fly or the memories. For now we only know Gabriel kept his memories out of heaven by going to Aziraphale and that he probably knew more than he let on.

The question is, does the fly still exist or did it get destroyed when it went into Gabriels eye?

Also, given the CLUE that takes up almost half an episode - the part of the song that we don't really get to hear is this:

"Everyday seems a little longer,

Every way, love's a little stronger"

Everything we have seen points to an ending where you don't have to choose a side. Where there is no need to categorize into black and white, but to just accept shades of grey. Which is obstructed by heaven (the big corporate agenda, that needs people to think in black and white) and hell (which holds the outcasts that could not keep up with the agenda, but still cling onto it in their own competitive way).

Okay and this is the perfect transition to Aziraphales reaction to the Metatrons offer.

Because after years (or millennia in Aziraphale's case) of being oppressed and silenced and having to be careful around everything he says, I think Metatrons offer to put him in charge of heaven is in Aziraphale's eyes the only perspective of ever getting out of his misery while still doing good.

He *could* have given up heaven and fallen like Crowley, joining him that way, but instead he takes the route of trying to take Crowley with him to the very top of heaven.

Which, in my eyes, is a very very clear sign of the abusive relationship he has with heaven.

I don't think he realises that he is still just a pawn in a big chess game, also and especially as archangel of heaven.

As both Beelzebub and Gabriel said: "As if we make the rules..."

That is not how it works.

(I also find it very interesting, that the voice of god (basically the manager of heaven) asks if anyone ever "asks for death" (I mean, come on) whereas god, talking to Job, is genuinely fascinated by him and his goodness.)

I don't know if I can put this thought process into proper words, but I feel like the problem is that Aziraphale is still clinging to the whole concept of "doing good" and preserving his own status in the organisation. I don't think he is going up there to "change it from the inside" with a wicked plan in mind. When the Metatron made the offer, he told him that he would be "such a good leader, kind and honest", "be able to make a difference, be put in charge of everything". Which is exactly how they get you. He did not tell him he would be in charge of the second coming right off the bat. He lured him with being able to make everything better for everyone (which is all Aziraphale really wants) while keeping and continuing to receive approval from above (which Aziraphale is so afraid of losing).

Which is also what he tells Crowley about. The trust he is being given, the opportunity to make a change, the opportunity for Crowley to regain validation from heaven.

And only when he has accepted the offer, the Metatron specifies the details of the deal and that "doing good for everybody" means initialising the Second Coming, that has already been well planned (and that is everything Aziraphale never wanted to be a part of, but he won't disappoint them by saying no now).

"We could have been us" feels so powerful in that context, because I feel like what it really meant was "we could have been us without the approval of anyone". Without the need to justify their actions, think about right or wrong in the sense that heaven or hell would have categorized them. The freedom to work as a team, as the shades of grey they naturally are, containing both "good" and "evil" in a way that they balance each other, not desperately trying to put one of them out. (Also worth noting here, that throughout the seasons Aziraphale *has* done "evil", but only if he could somehow twist it to be "good" (see the episode with Wee Morag, right?), which showcases the pointlessness of categorizing again).

"I forgive you" from Aziraphale is such a heartbreaking line here, too. Because it is not him speaking, really. It is him already speaking in place of the organisation he is going to work for. "I forgive you for not regaining approval. I still love you."

"Don't bother", Crowley says and his whole posture drops. "For me it was never about that."

[kimberellaroo]

I have a theory on why Crowley might not have told Aziraphale what he experienced in heaven, both during the hellfire execution I S1 and the files he saw about Gabriel and the second coming in S2.

Crowley is protective of Aziraphale, we know that he keeps coming to the rescue and bailing him out of trouble. We also know he's said that Aziraphale is just enough of a bastard to be likeable and we've seen him all gleeful when Aziraphale does something a little bit bad. But I'm pretty certain that his protective streak also extends to protecting Aziraphale's innocence a little from just how bad Heaven is.

Aziraphale has had a long run of either getting off scot-free, getting away with lying to God, and at worst receiving a "sternly worded note", basically just a reprimand. He knows Crowley goes through a lot worse in Hell, but that is hell of course. They're the bad guys. His attempts to protect Crowley are protecting Crowley from hell. Crowley also is very aware that hell are cruel so we can leave that aside for now.

The situation with heaven is more like this:

Imagine you have a group of friends that you trust, you've been close forever, maybe since childhood, practically family. They can be a bit bitchy to outsiders, but you're part of the group. As far as you know, they love you. Then one day while you're not there, your partner hears what these friends actually say about you behind your back and it's horrifically cruel. Things your partner knows will hurt you pretty bad. Your partner has to try to work out how to let you know that these aren't good friends, that you should cut ties with them, without wanting to repeat the hurtful things that could devastate you. Also if you believe your friends more than your partner, if you decided your partner was just trying to drive a wedge between you and your friends or isolate you, there's a risk you fight with your partner and break up about it.

Crowley is this partner. I think that he's trying to say "trust me, heaven is toxic" hoping that Aziraphale trusts him enough to believe it without having to go into detail. Meanwhile Aziraphale doesn't have the context to properly believe how bad it is, and Crowley isn't giving it to him. It's not the best way to go about it, even though Crowley means well.

I also think that as the demon, as the person who has gone through torture and abuse, part of Crowley is determined to carry the burden of this knowledge alone to protect Aziraphale from any of that. He's had practice after all, that means he's tougher right? He may think he's better able to handle it.

Because of all this, while Aziraphale obviously knows heaven punished "him" (body swapped Crowley) after the failed Armageddon, he may believe that heaven treated it like an unpleasant duty that they had to do, because he never saw and wasn't told about how much smug pleasure Gabriel took in doing it, and how he would have encouraged others to humiliate him (Eric the demon in the deleted scene). Did Crowley even tell him that it was meant to be an execution and not a lecture? There was nothing said about it on the park bench afterwards. Aziraphale knows execution was what Hell had planned for Crowley, but as we've already established, Hell is cruel. He may believe that Heaven only smites demons and sometimes humans (because angels don't seem to really understand humans), never their own angels. As far as we've seen, Crowley and Aziraphale have never had a serious talk about how and why Crowley was cast from Heaven, how that took place, who was involved in the casting out. It could be that Crowley has protected him from that info too. It could be that Aziraphale forgets a little that demons were once angels too, or again, thinks it was done as an unpleasant duty.

Of course Crowley's determination not to share the hurtful information backfires spectacularly in a number of ways:

Aziraphale does not have the information and context needed to see the real danger towards himself and treats Crowley like he's overreacting. Crowley hasn't shared the tools that allow Aziraphale to protect himself.

Not knowing all this means that Aziraphale forces Crowley into contact with an abuser, even if it's one with a personality change. That puts a lot more pressure on an already burdened Crowley.

I think that Crowley trying to bear the burden himself starts to weigh on him. His efforts to protect Aziraphale from heaven are unappreciated by Aziraphale because Aziraphale is clueless that he's even doing it. When he finds Aziraphale has been sheltering Gabriel I think part of his reaction is to how ungrateful Aziraphale seems to be, as well as the feeling taken for granted and that Aziraphale doesn't trust him enough that he's gone back to that metaphorical cruel friend. He explodes, and then is exhausted by it all. Aziraphale demanding an apology dance from him and being smug about it makes it worse, but I think he does it to keep the peace because he doesn't want to leave Aziraphale to deal with the threat of Gabriel and Heaven alone.

I know all this kind of makes Aziraphale sound like a bit of jerk while Crowley is all self-sacrificing, but if Aziraphale's jerkier actions are from genuine ignorance and Crowley's self-sacrificing is misguided thinking he knows what's best for Aziraphale, it kind of evens out. Neither of them are seeing what they have as an equal partnership at this point. Both of them are trying to protect the other from the other's ex-employers and think they are right. We've already established that crappy communication skills form the basis for a lot of their problems. It's not healthy at all and there's definitely ways they could deal with it better, but they are both messy flawed people acting according to feelings.

[fellthemarvelous]

Aziraphale my love

Please enjoy my WHOLE ASS OPINION AND META ANALYSIS.

I support Petty Bitch Aziraphale for season 3!! The angels have been talking down to him from the very beginning and mocking him. Every single person in his life has insulted his intelligence (yes, Crowley has done so several times). I want to see him GO OFF!!! (I posted this part as a tweet but Twitter doesn't give me enough room to write it all in one big place like Tumblr).

Like I am ready to GO THE FUCK OFF myself!

All of Heaven has been emotionally, verbally and physically abusive to Aziraphale since the very beginning. They never listen to him, and the only one he ever really wants to talk to anyway is God, but she is nowhere to be found.

Gabriel came to Aziraphale because he experienced something that Aziraphale is very familiar with. He couldn't remember why he was going to Aziraphale, but hiding away his memory in a fly ended up being just as much for Aziraphale's protection as his own. It ended up being the only way he could actually explain to Aziraphale and Crowley what was really going on.

Aziraphale was there to witness Gabriel's open expression of love for a demon and it lit a fire in his heart. He and Crowley could be together.

Aziraphale wanted Crowley to be by his side in Heaven so he could stand in front of all the angels and tell them how much he loves Crowley so they can see that there is more to life than death for humans.

Aziraphale thought taking Crowley with him meant he could continue to protect Crowley from ever going back to Hell. It's not like he's forgotten how Crowley was acting after being dragged down into Hell for saving the life of a human and persuading her to be not just pretend-y good but actually good. Aziraphale giving her the money was the temptation to always be a good person. They saved her soul together, Crowley with the angelic act, and Aziraphale's act was the temptation. They were so used to doing each other's jobs by this point that they switched roles in that scene.

Despite their last fight, Crowley came back and saved him from the Nazis in the church, and Aziraphale had that moment of realization. "Oh my God, I'm in love with my demon." Crowley wasn't interested in the holy water when he saved Aziraphale, and he saved Aziraphale's books. They also killed three Nazis in the process, which is the most romantic part of it all. The Nazis were a source of evil for Hell, so you know Hell told him to keep an eye on the Nazis. Hell was full of Nazis! We saw Furfur complain about processing 52 men called Otto. It's not normal for that to happen in Hell, and it's really starting to piss Furfur off!!

Aziraphale and Crowley working together in 1941 is the first time we see someone in Hell say WE ARE FULL GO AWAY. Hell turned some of the worst of the worst against humanity by turning them into flesh-eating zombies. "The dead shall rise from their graves and roam the Earth once more." Furfur was the first one to set Hell's prisoners free, and in true demon style, his plan backfired against him, but he'd already set the ball rolling on the Second Coming.

The man who owned the magic shop did not want to sell the Bullet Catch to Aziraphale because he could tell right away that Aziraphale was in desperate need of help as he'd just knocked down half the things on the front counter and he would absolutely die just like that Lovely Chinese Fellow (and that seems like a pretty relevant clue). The shopkeeper only sold it to Aziraphale after Crowley handed him money from Aziraphale's wallet (Aziraphale didn't even try to stop him) and used it to tempt the shopkeeper into going against his instincts.

And in true demon fashion, that immediately backfired because it was only then did he realize Aziraphale was going to need a partner, and he was the only one who could do it. I don't think either of them were thinking about what the trick actually entailed. Aziraphale just saw a gun and was like LET'S DO THIS!

They survived the Bullet Catch in a very human way. They couldn't perform miracles and had very human reactions to the situation, but Aziraphale trusted Crowley with that gun pointed at his head.

And when Aziraphale used a human magic trick to save Crowley from being taken back to Hell by Furfur, he proved that he was willing to go to great lengths to keep Crowley safe even though Crowley was a demon.

This entire time he has been trying to give Crowley a place to call home. He painted the walls of the bookshop yellow because they are the same color as Crowley's eyes, which are also the least human thing about him. He has written about him in his journals and he's openly affectionate with Crowley. He always gives Crowley gentle touches and praises him. He loves Crowley and he's showing him in the most human way he knows how.

And when Crowley is losing Aziraphale, he shows Aziraphale his love in the most human way he can think of.

Heaven and Hell have invaded Whickber Street and put the lives of all the humans at risk. The problem is worse than he thought, and he's going back to try and fix it so that Heaven will actually try to be good for once. Not just pretend-y good, but properly good. Everyone is in danger, and I think when the Metatron mentions the Second Coming, Aziraphale completes the puzzle he's been trying to put together since hearing Jim singing a human song. It makes him understand what Gabriel was running away from, and he's the one who gave Gabriel the freedom to run away with Beelzebub.

And the Metatron is not pleased. Aziraphale introduced free will to demons and angels just as Crowley had introduced free will to humanity.

Aziraphale wants to help spread the idea of love and free will around Heaven so it can be better. He's doing something he believes is right with all his heart. He's been on Earth for more than 6,000 years. He remembers the lessons he learned. He knows shades of grey exist and he wants to use this to make Heaven a better place.

But the other archangels have never respected him, and now he's the Supreme Archangel. He has a chance to make things better, and he has done Crowley's job before. He wants to talk to God. He wants to know what it is she wants. He's tired of hearing everyone else speak for God when no one has spoken to God in thousands of years.

And when he told Crowley his idea, Crowley became angry with him and called him an idiot. What he was saying was not what Crowley was hearing because Crowley was trying to confess his love while Aziraphale was trying to tell Crowley his plan to save everyone.

He only wanted to go back to Heaven when he believed he would be able to take Crowley with him, and he thought reinstating Crowley as an angel was the safest way to keep him from ever having to return to Hell.

None of Aziraphale's actions were malicious. None of his actions were to hurt Crowley. He didn't realize how bad his words sounded because he was saying something completely different than what Crowley was hearing.

All of it was a big misunderstanding. If Aziraphale had not taken the coffee from the Metatron, he would have been choosing death. The Metatron is punishing him for going against Heaven by forcing him to go back. Aziraphale only believed it was a choice when he was told he could bring back Crowley.

Aziraphale had the illusion of choice. He knew the Metatron wasn't taking no for an answer, and when Crowley rejected his offer, he still had to go back anyway. When he looked back at Crowley before stepping on that elevator, he knew he was breaking Crowley's heart by not going back to him, but he had no choice. It broke his heart too.

So now he's stuck in Heaven after having the worst fight with Crowley. He probably feels like no one believes in him. Crowley had called him an idiot and then Crowley kissed him. He's confused because he doesn't understand why Crowley is upset with him, but he's probably tired of everyone underestimating him.

Let Aziraphale be done with this shit. Let him be petty about it. He's not holding back anymore. I want him to push back just as hard and stand up for himself. He has earned the right.