#Who knows they can just be jester themed and not ACTUALLY be a jester

[tsukasalover]

(credits to ssruis)

This song is the only thing keeping me going I do not play about mr showtime 😞 nothing ruined me (made my life better) the way this song did

(Sendn. Me songs to do this with in my ask box… sniffle…)

[the-s1lly-corner]

Dude, imagine something like: TADC x Mime! Reader. Reader usually stays quiet most of the time, but sometimes they suddenly talk startling everyone around them. At the same time, they are like, very expressive, using exaggerated gestures and facial expressions, and usually communicates solely through their miming skills. And if you wanna go extra crazy THEY COULD ALSO HAVE SOMETHING LIKE MR. MIME FROM POKEMON, where they like, do a mimic of a wall, and then a invisible wall appears out of nowhere or something like that

I hope you understood what i meant, sorry for any mistakes, English is not my first language 💖💖

TADC cast x mime!reader !

eueueu i totally understand what youre saying and i love the idea sm!! i love it when mime characters have mime physics, or when clown characters have clown physics!! love it so so so much!! sorry if this is a little short, ive been writing personal stuff all day and the back aches are starting to creep back in already </3

CAINE:

his jaw drops the first time you speak, he genuinely thought you were totally incapable of speech thanks to your whole theme going on... i think he would love your little mime tricks with the invisible walls and barriers and... did you just no clip through the floor while pretending to walk down some stairs...? where did you go?? where? was there another no clip glitch issue thing going on? he thought he fixed that...!

POMNI:

ah, a jester and her mime.... not the weirdest pairing... though granted pomni doesnt commit to the bit of being a jester and doesnt do tricks or jokes.. while you do commit... i think she would grow frustrated if you put a barrier up and made her slow down... calm down.. chill.. sure you understand the whole "finding the exit" thing going on with her, but rushing things probably wont help.... to time out she goes... probably gives you a side eye if she sees you just randomly walking on some invisible platform to just. leave in the middle of an IHA

JAX:

tries to coax you into using your powers for evil... i have a feeling jax doesnt like people who arent talkers... like being incapable of speak is one thing, i think at most is that he would make decisions for you (ie wrap an arm around your shoulder and be like "oh well me and (reader) were just thinking about......." yk? like in a joking way) but i dont think he likes quiet people... tries to coax you into speaking more... imagine you never spoke before in front of anyone and you finally reveal that you can talk, to jax, and he tries to tell everyone but no one believes him. psychological torment 101

RAGATHA:

i like to think she plays along with your mime antics, pretending to also be putting up invisible props and such... though her actions and movements are noticeably more sloppy and not as... fluid...? afterall, ragatha hasnt spent time practicing to be anywhere near your level! is a little surprised when she finds out your stuff is at least somewhat tangible within the digital world... thinks your emoting is cute..

KINGER:

so you know how he gets startled by gangle simply standing next to him? its like that with you, but he jumps when you randomly start talking next to him.. ponders... invisible safe square/cube/whatever... though i think part of the comfort of a pillow fort is that hes out of sight... but i think he would enjoy it at least a little if you created something like that for him

ZOOBLE:

enjoys that you dont talk much, zooble doesnt like chatty people i dont think... though they are willing to listen to you on days where you do feel like striking up a conversation... you actually get a laugh out of them when you banish jax to time out (aka putting up 4 see through walls around him for whatever length of time to atone for whatever crime he committed that day)

"he took my arm off.. give him an hour.."

GANGLE:

art kid meets art kid, you guys are both a little silly... okay sure your stuff is more performative, and while gangle does have a comedy and tragedy mask her thing is more so in drawing and painting imo, i love me artistic gangle... loves doing your makeup, if its not just a permanent part of your digital face, and can be customized... not much to be said here... theres comfortable silence between the two of you when you hang out since you dont talk often and gangle doesnt know what to talk about and may or may not fear ruining the dynamic between the two of you

[portraitofalinkonfyre]

Knightmare In Toronto

Chapter 1: First Meetings

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You awoke to a scream.

Having just laid down for a midday nap after an arduous night shift, one can imagine the irritation you felt as you shot up from your place on the couch, grumbling groggily like an old person.

"I swear to fucking- Who the fuck are you?!"

That is, until you caught sight of the screamer: a short, medievally-dressed man who looked like he had accidentally wandered in from the Renaissance Faire or escaped from the jousting pits of the Medieval Times restaurant. A large sword sheathed in a blue scabbard hung from his back, which was why you scrambled up, grabbed a pillow, and brandished it at this medieval home invader. "Answer me!"

To his credit, the man raised his hands and backed away, his expression shocked and apprehensive. Good. "I- Ma'am- Where am I?!"

"What does it look like?" You snarled. "This is my house, dipshit!"

"There's got to be some misunderstanding," as he stammered an explanation, you took inventory of his increasingly odd outfit. His shirt-... tunic(?) looked like he had taken four pieces of different colored fabric and sewn them together, then slapped some brown tights and jester boots on and called it a day. He was also really short, no more than five foot two if you were being generous. "The portal never drops us in houses, always clearings or streams, but that was only once-"

What the fuck?

"Are you on drugs?"

The man blinked, looking at you like you'd grown a second head. "I can assure you I'm not-"

"Then why are you in my house?" You asked cautiously, lowering your pillow just a smidge. He didn't seem the type to chop you up and bury your bones, but one could never be too careful.

"Well, there's this portal-"

"Drugs."

"-No. But it usually drops us off outside," you watched apprehensively as he ran a hand through his stick-straight blonde hair, which was long enough that the only thing holding it back was the thick green bandana around his head. "Would you be so kind as to tell me what region we're in?"

...Region? This guy really was weird, but at least he hadn't tried anything funny with that sword of his. "Uh... Toronto."

It was almost funny how quickly the guy's face changed from inquisitive to downright baffled. "Excuse me, but I don't think I heard you right?"

As weird as having an intellectual conversation about location with a home intruder in your living room was, you couldn't say you were surprised; trouble always seemed to find you one way or another. "We're in Toronto," nothing. You pressed further. "You know, Canada."

"...What?"

The silence spoke volumes as you stared each other down, though you eventaully broke it with an exhausted sigh. "Listen, man, I'm just trying to get some sleep. I'll get you a map and you don't steal my throw blankets, deal?"

Without waiting for a response, you hightailed it to the kitchen of your two-story rambler and retrieved a map from the far cupboard. Your on-and-off job at a tourist company came with many perks, some of which being: yearly adventure passes to the 12-and-under under-the-sea theme park, Royal Ontario Museum tickets during the busiest time in touring season, and a full crate of maps that would never see the light of day.

Until now, that is.

The strange man was still in your living room when you sauntered back in, though he had turned his attention to your television, a box of an appliance you pilfered from a garage sale a few years back. He was poking it with a distinct air of confusion, which only cemented your belief that he was on some type of drug--it was almost like he had teleported here from the fucking medieval era instead of breaking in through your-... well, you didn't actually know where or how he had broken in, but you sure as hell would find out after this conundrum. You held out the map. "Here," you watched as he unfurled the thing, looking no less baffled than he had a minute ago. "I assume you can read?"

The man nodded, all traces of his earlier panic gone. "Thank you for your help. I'm Four.

"(Y/n)," you responded, half-wondering who on earth would name their kid that.

"Say, you wouldn't be able to tell me where the hero of this land is?"

"The... hero?" You echoed. "You mean the prime minister-?"

You would have put more thought into the depths of this insanity, but there was a loud crash in the kitchen that overwrote all desire to discretely call an ambulance for the poor guy. Four was hot on your heels as you rushed to the kitchen, having drawn his sword. "Watch the fuck where you're putting that," you tried to say, but a new voice shocked you into silence.

"Oww, Legend!" In the middle of your pristine floor was another blonde stranger, though he seemed no older than twelve or thirteen. A light blue tunic with gray sleeves hung down nearly to his knees, clothed in gaudy orange tights. Sky blue eyes turned to you and Four. "Where am I?"

Behind you, Four re-sheathed his sword. You breathed a sigh of relief, but it was for naught when the teenager practically sprung up to vigorously shake your hand. "Hi! I'm L- er, Wind! What's your name?"

You told him, feeling quite numb at his point.

"Cool name! You're so tall, I think you might be taller than Twilight and T..." you were already beginning to block him out, looking to Four for answers.

"I don't suppose you know anything about this?"

"I told you; portal," said Four, like that solved everything.

"I think I'm on drugs," you muttered, thinking back to that new Chinese restaurant you tried last night, at the same time Wind chimed in: "You told them?"

Four opened his mouth to respond, but you cut him off. "Okay, I don't know who or why you are, but you need to leave. Now."

"Aww," Wind pouted. "But you haven't met everyone!"

Not that you'd say it to his face, but you didn't think you wanted to. "I'll be fine. And so will you. I gave your... friend a map."

"Oh, alright," said Wind, if not a bit dejected. One of your heartstrings twinged. "Thank you."

"Anytime," you turned to Four. "You'll be fine?"

"Should be," he sighed. "We've been in these kinds of situations before."

Okay, now you felt a bit bad. Sure, they had broken into your house and scared the living daylights out of you, but it wasn't like they had been rude. Despite the impossible circumstances, Four and Wind seemed like decent guys who ended up at the wrong place at the wrong time.

"Wait," two sets of eyes turned to you. "...It would be cruel to make you leave without a bite to eat."

Both Four and Wind grin, and it's almost uncanny how similar they look. You offer a small smile, snag a small paper bag from the counter, and make a b-line for the middle cupboard, where a few packs of trail mix can be found. You shove all five in the bag, then add a few protein bars and tangerines for good measure. "Y'all don't have any food allergies, right?"

"Nope," says Four, right as Wind chimes: "Nu-uh!"

Cute, you think before you can stop yourself. "Good, hope you like tangerines and a whole lot of peanuts."

The brown paper crinkles as you fold it down, using a teal paperclip to secure it for good measure. You proudly hand the bag to Wind, who smiles like he just got his dream birthday present. Four nods to you, smiling in a far calmer manner. "We'll be going now, thanks for everything."

"Stay safe," is what you said, or, rather, what you would have said if the air above you hadn't inexplicably reformed in the form of a heavy object dropping down on you, knocking you to the ground as Wind's screams rang out. As you lay, prone and aching, on the unwashed floor, your last thought before unconsciousness was that you really needed to get rid of those maps.

That's a wrap! I hope you all enjoyed reading this as I did writing it, so be sure to reboot or leave a comment if you liked it!

All LU characters belong to JoJo!

[rowanthestrange]

The Media Overanalysis (O)Mega Essay: Why Rogue Is The Bad Guy. Duh.

Code Mauve. Sorry, you’re a mutual and directly responded, so now you get The Post. It was bound to be someone eventually, and it was you. It’s nothing personal. You were just the first to dare my parapet.

@icantleave replied: rogue definitely isn't the master because the master is simply incapable of cosplaying someone this genuine and unlike himself, his disguises are always essentially very him with a few traits hidden or amplified.

Either there is a psy-op and Disney aired a different version of this or a solid quarter of you got brain broken by American Mr Darcy- no don’t try and run, get back here. The only running you’re doing is this essay equivalent of a 10k.

You are intelligent. All of you. And yet what the hell does this mean? “rogue definitely isn't the master because the master is simply incapable of cosplaying someone this genuine and unlike himself”

We’re going through this episode. All of it. This is not actually an ‘it is the Master’ post, it is a ‘but at the very least he sure acts like the Master would’ post, which is the above premise. But also just in general that Rogue is The Bad Guy.

Take it as the Master cosplaying Jack; a Pantheon member whose theme is Roleplay who like the others has watched the show and is deliberately filling the void daddy created and getting in by cosplaying the Master cosplaying Jack (has to be doing both to be skilled at Roleplay ala Maestro and the Toymaker’s skills in their areas, else he’d just be shittily cosplaying Jack); or literally he is just baddie Chuldur #6 fanboy who wants to bang the Doctor he saw on TV cus he’s sexy and they get Doctor Who out there as well as Bridgerton. All the concepts are adjacent:

Baddie fanboy roleplaying as Jack to fuck-slash-fuck-with the Doctor.

Places people. Let’s take it from the top:

-We start with a scene showing someone (Chuldur #2) who wants to roleplay as the bad guy because that would be fun.

-(Bonus: the writers talking about themselves - “Wonderful party, your Grace.” “Some are saying best of the season. A triumph. A new standard set. And I, of course, could not comment. But I think the real estimation of an evening is in the matches made.” I quite agree.)

-(We are also in Tredegar House, which you may recognise from The End Of Time, Spyfall, and other times in New Who. We like this place.

-There is electronic interference in Ruby’s earpiece. The Doctor scans this and finds it’s coming from Rogue. The Master is a frequent user of manipulative electronics both towards other people and to disguise himself. Put a pin in this, it’ll come up at the end. ✅

-The Doctor meets Rogue to the backing of hit pop song, Billie Eilish’s “I’m The Bad Guy”. The Master is a famous lover of fun pop, and being obvious to an oblivious Doctor. ✅✅

I wrestled with iMovie at midnight to put the lyric subtitles to this video and you are going to watch and appreciate it:

[If at any point you want out of this essay, all you have to do is come back to here and watch this video again while singing in your head along with the lyrics to receive a passing grade.]

-They deliberately work the lines around the music, not just thematically but so you can clearly hear what the backing song is. And made sure they kept the scene going long enough all the way into the next section just so they could keep the line: “I like it when you take control, even if you know that you don't, own me, I'll let you play the role, I'll be your animal.” Fuck’s sake. Most Thoschei song. Interchangeable freaks.

-Rogue is critiqued by the Doctor for not acting appropriately broody enough. The Master well known for being a fairly shit actor. ✅

-That is an American accent. This is a red flag for either being a Pantheon member, or the Master Dressing For The Occasion (which Rogue certainly has).

-“Do you practise in a mirror?” - him roleplaying would mean literally yes.

-“I didn’t know the Duchess employs a court jester.” - Alexa please search every time the Master has called the Doctor some derivation of clown. ✅

-“O…Kay…Rude. Lord-?” “Not a Lord.” Our last outing with the Master was all about his psyche-destroying discovery of being made from the Not-A-Time Lord Doctor; and if he is Pantheon The Rogue roleplaying as the Master, then just chef’s kiss line. But I will be magnanimous this early in proceedings, and let you go ‘technically a valid meta read is saying that conforms he’s not a Time Lord’. But the paragraph stands.

-He calls himself Rogue:

1. noun: a dishonest or unprincipled person. "You are a rogue and an embezzler" Similar: scoundrel, villain, reprobate. 2. noun: an elephant or other large wild animal living apart from the herd and having savage or destructive tendencies. "a rogue elephant"

If it’s the Master then straight up naming himself “The Bad Guy” is on brand. The Master is a Rogue Time Lord. That is what fandom has long called them - ‘Rogues and Renegades’. The Master is shite at names, if you haven’t had the pleasure of the Third Doctor’s company yet. Shitty anagrams, tenuous links to goals and character aspects, and crappy puns are the standard ✅. If Pantheon, then his choice in lifestyle that’s more about personally having fun (ultimately still Doctor compatible), with a group, in a non-competitive game which has no win condition other than enjoying the game, though rip to the NPC’s being played with as character, would definitely put him somewhat apart from the wreaking havoc on the universe others. If a Pantheon member, he literally did choose his own name from D&D.

-Just generalised throughout: Rogue is not actually suave. Some people find his secret awkwardness under the posh gear charming. The Master is not suave and is awkward, but desperately tries to style it out like he is anyway, that’s just his character. ✅

-We kinda feel like we’re going into some Karny Shobogony kind of cave area, we’re not, but just for the hitting home that this is another Upper Class Gallifrey mirror for the season. You don’t need to think the Master’s involved for this, don’t worry, wasn’t in Dot And Bubble was he, but that was a clear enough mirror. A person appearing as a servant forces their way up the social ladder. If you like some mirror play and are really deep in your TC ‘what kind of person would name themselves Master’, you’re having fun. Also I can’t see that type of death lightning without thinking of Simm!Master. Costly effect, but we went with it, and it does add some panache.

-Chuldur #5 is roleplaying Emily (this is used both in her disguise and out - potentially playing the same ‘character’. We’ll come back to this too, explore more later), who will be something of our Master this evening in the Gallifrey mirror if you’re going in for it. Also coincidentally is half the mirror pair with Ruby to the Doctor and Rogue. “Emily, please-” “But you consume me sir. I think of you every waking hour and I hate myself for it!” yeah we know babe… Anyone else hearing Dhawan!Master’s “I cannot bear that”?

-“I love these old skies” - all the stars makes it arguably sound more like a Flux reference rather than just light pollution. And we all know what event by who triggered that off.

-Finally we get more lines from Rogue, this has all been very one-sided. “Do you never stop chattering?” - a frequent refrain of the Master, who, fun fact has told the Doctor to shut up in every incarnation in New Who (and probably Old but this is the trivia I have) ✅

-If Rogue is supposedly wanting to stop the bad birdies, real weird he doesn’t give an appropriately flying fuck about the mysterious lone shoe. And simply says “I suggest look for the other shoe” like it doesn’t matter with a shrug. Because the Master is stupid and shite at keeping in-character. ✅ Makes sense if he’s on the bad guy’s team though. Also Cinderella. Noticing themes in today’s mirror subtext.

-They find it plus corpse. “And you knew. You didn’t even flinch.” Actually wrong, the Doctor can’t see behind him but we can. Rogue doesn’t flinch at the shoe, or coming up to the body, but when the Doctor says it’s the Duchess, Rogue does a slight ‘oh’ lean back, and then a sigh with a bit of a slump. To me this reads as a ‘oh you fucking idiots’ for doing it this blatantly, but I won’t mark it, cus you could argue that ultimately maybe a bounty hunter might care more about the death of the duchess in particular and sigh about it etc. (Or he is Pantheon roleplayer getting annoyed his gang can’t stick to a character and risking the outline going off-track and more bodycounty). “And you knew” - Rogue doesn’t keep eye contact but closes his eyes, opens them immediately up and a little to the side, thinking of what to say next style. ((This specific circumstance he couldn’t have known about prior, cus the murder happens while he’s inside))

-“This is a murder far beyond the technologies of planet Earth. It could only be done by someone brilliant.” “And monstrous.” [-horny flirting tone looking him up and down] “And ruthless.” “And contemptible.” Both: “You.” He is the Master and in with the bird gang. No bounty hunter with a heart of gold is calling the murderer brilliant because also, may have been easy to miss, but the Doctor hasn’t done anything brilliant yet unless you include owning a scanner and briefly infodumping about constellations. That is a Master talking about himself kinda line. ✅

-The Doctor thought Rogue was a murderer who was calling himself brilliant, and it only made him more horny, and proceeded to dance along with that little two-step. If I’m Master-brained, what’s he? Cus he’s usually only into one murderer. If that guy had snogged him instead of pulling the gun they’d have fucked right then and there, that scene has so much sexual tension that should not be there.

-Edit - courtesy of @katoska: “#though dimensionally transcendental pockets would explain where he'd hidden that big gun in that form fitting outfit.” - And why wouldn’t you have given him one of Jack’s guns, they’re all smaller? But they made Rogue a huge one.

-“So who do you think I am?” “I know you’re a Chuldur.” “The shapeshifters? Ha, I’ve heard of them. I’ve never met one,” *tilting head back towards Rogue and smiling* “Unless I have.” Please, if nothing else, come out of this thinking at minimum he is bad birdie Chuldur #6. Maybe we’re rewriting Frobisher. Heavily, heavily rewriting.

-“[his ship] cloaked behind that shed.” Calling the TARDIS a shed. It was Three that technically said it but the Master has repeatedly expressed his disdain for our beautiful police box before so that’s a Master-fitting line, be it intentional disdain or not yet. ✅

-Won’t call it a point, but he tells us he is a bounty hunter sent here to find them for the money. (Note: not kill - at the very least a bounty hunter would be bringing back the body to get, you know, the bounty). Aside from being a cheap and easy backstory it’s evidently morally bad, for all the Doctor literally goes ‘that is so…cool’ - which is absolutely not his usual position on bounty hunters.

-The thing he uncloaks the ship with? Same thing that controls the traps. How multitool. How sonic screwdriver. Or Laser screwdriver TCE as you prefer.

-His ship is a bird. It has wings, two eyes, and a beak. He is with the birds. He is The Bad Guy ✅. He is using and familiar with the bird ship; or at the insane alternative a TARDIS that completely disguised itself both outside and inside as neighbouring bird ship. There is no good guy answer for why he is in a bird ship. We never ask how the birds got here. But it was probably the bird ship. Bird ship.

-Meta so I can’t give it a point cus it’s beyond our scope but: “Oh you’re the Duchess! Of course, I should have scented you.” Not immediately recognising one of your own species when you should have sensed them thank god that’s not a mirror.

-His ship has an angular console in the middle of it with mirroring angular shape above it, the same taste in decor as the Master does with a TARDIS, like it’s almost designed to put you in mind of one, cute. ✅

-“This place is a mess.” Dhawan!Master’s TARDIS house and console room proper were a massive mess, these guys share housekeeping habits too. ✅

-“I live alone.” The Doctor notes this sort of ship would be piloted by two. Aw sad. Except he’s lying, he’s obviously lying, because he has dice on the table and he’s not playing D&D in his bird-shaped ship alone or with only two fucking people, is he? You need a group. Maybe of Bird roleplaying enthusiasts. Liar. Bad conduct. And failed to remove the evidence that contradicted the lie - dumbass Master behaviour. ✅

-Rogue declares “You’re a killer.” And the Doctor goes “Oh well,” before trying to sonic himself out of the situation, without actually defending himself against the charges. Maybe doesn’t feel the need to. For some reason.

-“What do those things do?” “It’s a trap. Triform on.” Now that could easily be a Master when he’s being sexier line, complete with his classic dumbass behaviour of declaring to the Doctor that something’s a trap before actually springing it. ✅

-He says he is going to send the Doctor to the incinerator. Why? ‘Uh he’s a bounty hunter’ Yeah. So why would he burn the evidence that would get him the money? Can’t just rock up and say ‘I dealt with it I pinkie-promise’.

-The Doctor attempts to sonic his way out of the trap before it finishes charging. Rogue says immediately that it’s deadlocked. The one thing that stops a sonic screwdriver. You can’t deny, that is the level of forethought the Master would manage to scrounge together. ✅

-Rogue scans the Doctor’s gadget, allowed in cus it doesn’t recognise it as dangerous device (oh the old ‘temporal grace field’ in the TARDIS, that’s a nice little mirror), and apparently the scans say it’s a screwdriver. I can’t prove this is a lie, but even we don’t think it’s a screwdriver, the last one with 14 literally was so much not a screwdriver it couldn’t unscrew screws, so unless it connects to the system with the name 15_screwdriver_1 again, feels too convenient. But a toxic Doctor fanboy would be able to identify what it was.

-I don’t know why we have a Sonic Monocular scene that cost us money and effort to produce when we could have just glanced across the table, but since all things that cost money in production have a reason, maybe the laser screwdriver style object we pan over? Point of interest but not a countable one, and either way the main argument is aligning character traits not convincing you he literally is the Master.

-“Roll for insight”, he cracked a smile, so surprising it uncloaked the Doctor’s full Scottish accent. This is the first positive character trait we have seen. We are just shy of halfway through the story.

-Telling the Doctor to “Roll for insight” after he sees the dice, is a dungeon Master’s instruction.

-of course he likes D&D, he plays it with the birds on the bird ship, he’s sent the birds he plays it with off out to continue the game in Bridgerton, he’s being their dungeon Master in real life too

-Seriously if you think Rogue is genuinely just a good guy bounty hunter and we should believe that uncritically, why would they tell us he likes roleplaying in D&D so much he picked his name from it? He roleplays. That’s one of the very few things we know about him. Why not chess? Or Minecraft? He could have liked Tetris? Why would he like roleplaying in the episode about roleplaying if him roleplaying isn’t relevant?

-The Master too adores roleplaying while also not being that great at it. Just putting that out there.

-“And it says that you’re wired for sound!” *sonics* ‘I Just Can’t Get You Out Of My Head’ by Kylie Minogue plays. *Rogue looks up in full wide-eyed uh-oh then turns to the Doctor* “Now this is a surprise.” - I mean, yeah, it is actually. I mean why would there be such anachronistic music playing in a ship owned by a guy from…well funny I guess he never said and the Doctor never asked. Well from a species like…well alright uh guess we didn’t do that either. Said ‘planet Earth’ that’s a pretty alien way of phrasing it. “Hey but in the Whoniverse Britney Spears’ Toxic is a traditional Earth ballad”, and maybe usually I’d let it go, but this is the second anachronistic bit of music we’ve heard, and the third we hear later is even more pointed to draw your attention to it. No. It’s weird. You know who it wouldn’t be weird to though? Our pop loving Master! And that’s the most Thoschei Thesis Statement song in Kylie’s repertoire! ✅ (Or Pantheon sharing daddy’s Spice Girls thing for 90’s pop). The Master would also absolutely have forgotten to delete his playback history before all this and pull an ‘oh shit’ face not from embarrassment but cus he knows this looks fucky because he doesn’t have a poker face he’s an idiot that panics the second anything in his plans ever goes wrong. ✅

-The Doctor mouthing: “Boy your loving is all I think about.” A sentiment that’s cropped up multiple times now this episode. Also in a Master mirror. Mhm. It’s a sickness babes.

-But hey we’re up to two positive character traits for Rogue so far - likes D&D and Kylie (both anachronisticly).The Doctor was willing to follow him out and blow him in the shrubbery for less, and honestly, respectable. “I just have a crush on prettyboy American Mr Darcy” is a defence, not a good one, but still.

-The Doctor and Master with one turning the music on and the other trying to turn it off would be a scene, you can imagine it, don’t lie, you’re imagining Missy and Twelve right now. (I think for annoyer-and-annoyed Three and Delgado could go either way depending on the episode. How appropriate for them.) ✅

-Also Rogue attempting to snatch the sonic screwdriver from the taller Doctor’s hand as he plays keep-away. Bitchy, gay, very character-breaking with the rest of the episode, deeply funny. The Master would. ✅ Then gathering himself, putting on the I’m In Charge voice and holding out his hand for the Doctor to hand it over and he does. (Huh, have you guys as a whole watched Delgado? Is this what creates the ‘the Master would never’? Cus actually if you’ve not seen these two just be a bit silly with each other and think that’s just fan characterisation that would actually explain a lot. Eh, but Missy and Twelve(/Clara) have some silly too, if not Three and Delgado level. Hm, to ponder).

-Psychic paper would also not work on the Master and he would say “it says ‘you’re hot’” to fluster the Doctor. Also we know he’s lying about it saying that, because he’s the one saying he’s seen it written, yet immediately follows up as the Doctor babbles with, Rogue: “Is it ‘you’re hot’, or I’m hot’?” Rogue would know which word was written the funny ambiguity is only from the non-seer’s side on hearing the other person say ‘you’re’. ✅

-“Suits you, flustered, it’s a good look for you.” Finally we get some fun confidence - which only appears the second he actually gets an upper hand with the Doctor on the back foot. Like someone else we know. Also yet again we have the phrase “a good look” for you in this episode all about shapeshifting. The phrase is applied to Rogue by the Doctor, to the Doctor from Rogue, and among the birds to each other. It establishes an equivalence between them, which is odd if Rogue is supposedly the only one not shapeshifting and roleplaying.

-The boss thing, callback to the Meep. Again this isn’t a ‘convince you it really is the Master’ thing, it’s character analysis that their traits overlap and he is a bad guy. But since we’re here, the Master is often technically working for someone else he intends to double-cross while thinking he’s ahead of them (nearly every time incorrectly), and we know he is/will be involved with the Pantheon — given this guy is a dice rolling gameplayer, the Master gambling and losing to the Toymaker, just vibes like it’d be out of order and future toothening imo — while there’s nothing to say our hidden ‘The Boss’ is Pantheon, I’m gonna Occam’s Razor and assume both those plot threads tie together, and for now that’s a reasonable way to explain how the Master got involved with the Toymaker at all.

-“I’m just so trigger happy.” Literally a Master line, and one we just had: “Oh, shoot. I should've said, somebody needs to cut you down to size, then zapped you. I was just trigger-happy. I'll use it next time.” ✅

-Floating Doctor heads literally the Master’s nightmare. Literally literally but I can’t remember where from and ‘master nightmare floating head doctor who’ gets you about as useless information as you’d imagine.

-Look. Rogue goes from confidently being about to kill the Doctor. The Doctor forces the scanner to show some other of his faces with the psychic paper, does his whole speech saying he’s “not a Chuldur. I’m something much older and far more powerful. A Lord of Time from the lost and fallen planet of Gallifrey” (this is a special surprise that will help us later) “Now, let me go, bounty hunter. We have work to do.” It is cringe, it is up himself and lording over others which is nearly always punished, the Doctor uses his special Deep And Majestic voice, and our stoic confident Rogue is suddenly wide-and-starry-eyed and breathily says, “Wow.” In the fakest response I have ever seen. Sadly I am not allowed more than one video. But oh my God, if you need a refresher it’s 18:14. And if you think it isn’t fake, yes you need the refresher.

You can’t be buying that OwO “Wow”. You think that was the turning point? I know I’m supposed to provide better analysis, but the writing is cringe, the acting is completely counter to what it was a moment ago for both parties, is over the top, and you think a bounty hunter would do a 180 from that?? Why?? ‘Oh you’re showing me the faces you’ve been before, yeah, I know, you’re a shapeshifter’. Nothing in the scanner says he’s a Time Lord, just the words from his mouth, why would he not be lying to save his own skin? And again, what would a Time Lord mean in the universe now? Who gives a shit, if you know what they are you know they’re all dead and reasonable shot you’re happy about that. Failing even that, Rogue is working for the same Boss as the Meep - if the word Time Lord rang a bell it’d be cus Fourteen caused problems last time ‘bring him to me’, surely. “Wow” uwu so cool! Really??? Nothing, not a thing Rogue has done so far, indicates he would be “Wow” to that. Not a damn thing.

Fakest response I’ve ever seen - Groff is actually a good actor so it’s supposed to be fake, at least one of the writers is award winning and may well be both, and Ncuti went out of his way to make it look like unnatural arrogance that doesn’t fit with the previous acting choices either in this scene or the whole show so far. So either all these people were crap at their jobs, or, it’s supposed to smell like bullshit. Would the Master look exactly as fake going “wow” because his character needs to have the heel-turn now? Yes ✅. And that you pulled this speech in front of him would complete its vast circle of cringe and roleplaying.

And what happens next? We cut straight to Ruby and Cosplaying Chuldur #5: [Giggling] “We can’t keep hiding like this!” You guys are smart, don’t pretend you’re not smart, if you follow me you know how good writing works, and are choosing to ignore the meta and mirrors and themes of the episode in a way you wouldn’t with a normal Rusty-written one that you’d sit and deeply analyse. Different writers yes, but smart and capable and award winning ones. These aren’t two disparate stories smushed together, they’re the same story in different keys, that’s the Rule One here.

Continuing, Ruby tries to convince High Society Lord- Lady that she doesn’t have to marry another Lord but could be a normal person, and then the Lady says “I’ll marry someone lesser, and smaller…it may not be love but perhaps a kindly smile at dinner…and then a shared grave” cus she doesn’t want a normal person, that’s what Ruby wants her to want, she wants to marry her kinda shitty Lord. Because that’s what this fantasy roleplay is all about.

Okay essay portion over we got out of hand, bullet points, re-engage.

-A motherfucking owl hoots, with the subtitle “owl hoots”, while Rogue recloaks the giant bird ship, giving us a second look at it again, making sure we get the full distance shot and shimmery cloaking effect to highlight the wings if they get lost in the shadows. Rogue. Is with. The birds. It’s a bird ship. There is no good guy explanation for the bird ship and its D&D equipment that can only be used by multiple people in our episode about obsessive-roleplaying birds.

-Rogue has now packed. ‘What?’ Rogue has now packed. He is now carrying a small bag, cross-body strap over his shoulder. We will not use anything from this bag or see him access it or acknowledge it at all. He’s just brought it with him. Perhaps like he knows he’s not going to be going back to the ship again. Curious.

Dice Bag propoganda post

-“You ready for this?” [low tone] “It’s not my first shed.” - woah woah woah, where’s all the sparkle of a minute ago babes, I thought you were ‘OwO wow’, if you know what a Time Lord is you know what a TARDIS is, but you’re not excited no mo? Or he’s doing it to deliberately make the TARDIS inside reveal cooler in contrast because he knows how much the Doctor likes this moment.

-“O my God” - haha namedrop. This happens to be Mastery behaviour cus this is just the Dhawan!Master pretending to be O entering the TARDIS scene. You were catfished by this before, come on babes. ✅

-“Come with me, and we’ll be, in a world of pure imagination…” - what are you imagining babes? Are ya roleplaying son? Cosplaying? Engaging in a bit of the old fantasy right now. No? He’s just feeling in a chocolatey kind of mood? Uhuh.

-“I’m in love!” - Now isn’t this a 180 on the character? From so reticent and ‘most serious man on earth’ to loudly declaring his love for the ship. Which just so happens to be the Doctor’s number one kink. And what does the TARDIS do in response? She growls. Rule one basic storytelling - the new boyfriend is evil, we knew cus the beloved dog growls at him. Rogue said he was in love and she growled. Gave Jack a bar, an ensuite, and let him tinker with her insides. But to Rogue she growls. Baddie. ✅

-The TARDIS lights are in a red-and-white checkerboard pattern. Our dimensionally transcendental TARDIS is literally a 5d chessboard. I won’t count it, but come on.

-Speaking of dimensionally transcendental, that’s exactly what Rogue called her. Yet didn’t anticipate a TARDIS thirty seconds ago. It takes work to argue he knows about dimensionally transcendental spacetime ships but not know of TARDISes that Time Lords travel in, but does know enough about Time Lords to be dazzled by them when he clearly isn’t of earthly Lords. Much easier to go ‘eh’ keeping the story straight when you’ve got extra knowledge you’re pretending you don’t have, but also need to come across as intelligent, is hard. We’ve all played D&D or at least Let’s Pretend. It’s hard. Lying is hard.

-After a quick “and so clean” back-and-forth, Rogue runs up the stairs, hand on the bannister and leans on the railing. The TARDIS growls again, louder, like a whale. Like she did in the episode with the Not-Things, and with The Maestro. (Arguably her ‘Pantheon’ noise?) Both of them notice. Rogue’s expression immediately turns from an awed open-mouthed smile to blankness, with a head tilt and turn, slowly coming back. “What was that?” The Doctor claims indigestion and she doesn’t like bounty hunters. Not true of the ones with hearts of gold. We’ve seen her with Jack, and River, and she adores them. “It’s the moral void - no offence.” So you’re admitting it. Stating it directly. He’s not got a heart of gold, the omnipotent spacetime ship can see that he’s a moral void. That is what you have said. ✅

-“And this, from the ancient and fallen world of Gallifrey…Where the hell is that?” *buzzer* Wrong. You tried to be clever and aren’t - that wasn’t the line. The line was ‘lost and fallen’ not ‘ancient and fallen’. Oh but Gallifrey is ancient though- *buzzer* He says in the same sentence he doesn’t know of Gallifrey. And yet, he got all wide and starry-eyed over a Time Lord, when he is saying he knows nothing about them. Why? Because he can’t keep his character straight pun intended, which is a character trait of another undercover ex-agent we know. ✅

-“Well I might take you one day.” - bananas response by the Doctor for multiple reasons. ‘I’ll take you to my lost and fallen homeworld’ ok what? Second, Fifteen has for once been very open about his loss in this regard, said repeatedly that it’s gone, and how much it hurts him. Said it to Ruby, to Carla, to complete strangers. But here he’s out of character. Why? Maybe he’s roleplaying one that doesn’t hurt. Maybe because he thinks it’s the Master and is fucking with him. But I’m going with the roleplaying and saying what this character feels. Fucky from the Doctor rather than Rogue.

-“In a few minutes it will no longer be a deathtrap, you are welcome.” [Rogue casually] “Why, what does it do now?” This is all important but also pause to reflect for a moment on whether the character we saw up to this point would have handed his essential survival and work gear to a shapeshifter who claimed to be a Time Lord with zero proof and let him just modify it however. ‘He’s just a very trusting bounty hunter, is all.’ I mean he wasn’t at the start of all this though, was he.

-Doctor boundaries: I can’t let you kill it, “So instead we will transport it to a random barren dimension, no-one to hurt, no way back.” Passing over the obvious, the Doctor is the one programming this. We agree we’re probably not literally installing a randomiser onto the device, we’re just randomly picking one and assigning those coordinates. How do you know it’s barren? Oh the TARDIS is dimensionally transcendental we just reminded people, so she can probably see, she’s picking it. Ok. …So there’s no reason she wouldn’t have a record of what she set it to. That’s information we should have. Ok. Which are the letters Rogue says. Ok. What about your bounty job? Not even a response to the no-killing? Or that this seems worse if anything? No. Just ok. We’re saying that a lot in this episode. Ok. Just going along with things. Ok. I know what that word means. Ok.

-“Who did you lose?” “How do you know?” “Cus I know.” Cus we covered this earlier actually when he mentioned the usually two-person’s for captaining an asteroid hopper. Forgot? No worries Rogue, been a long ten minutes. No attempt to make a proper backstory just stares at the Doctor like a cow looking at an oncoming train and goes, “There was- …Yeah. We travelled together, we had fun, you know. And then a day came along, and at the end of that day…I lost them.” Now if this was the Master you’d be saying no shit he can’t provide details and only parrot what the Doctor always says in these situations, he is a moral void, bro has one friend and only knows what it’s like to love that one friend obsessively, he can’t even empathise enough to improvise a backstory that feels realistic. Maybe only lies have details but you can argue my guy didn’t even commit to a gender. It’s also a valid read to assume he’s just short on words at losing his fellow they/them bounty-hunter crook friend. Maybe the OwO Time Lord thing is enough to make him open up a little even if the Doctor’s done nothing to earn that trust yet. But both work just fine, if it was the Master it’d be how he’d do it. ✅

-“What about you?” The Doctor’s expression hardens here. Maybe cus it just hurts. Maybe for other reasons. [coldly, we linger on him] “I lost everyone.” Rogue still with too-wide-cow-train eyes . “But at the party I saw you with that woman...” That tone. And how we immediately wave his ‘Best Friend’ aside. Look, again it’s a watch the scene. These two are good actors, they’re excellent. And down to the ‘huh’ head tilt before Groff’s line with every microexpression he is radiating a guy playing a role while still trying to poke his roleplaymate in his open wound with a stick. There has never been just one layer in anything in the show so far why would it start now in the episode about cosplaying people to death do you part, why? Why?? The one mirror everyone can accept is Captain Jack and he was literally a con man. This is a con man you are being conned. If you look at his face and think he’s being earnest you are extra weak to con men do not give strangers your credit card details. Didn’t you have jerk friends? We all had jerk friends. That is the expression the jerk friend made when they were just asking questions *blink* *blink* don’t get upset. Or Groff is a garbage actor. But he isn’t. Just the character he’s playing is crap at acting. Go back and watch O, the cow-eyes are textbook liar, any liar, but especially the Master ✅. They’re doing a scene, it is diegetic. The acting is diegetic.

-“You don’t have to stay a bounty hunter, [beat pause] Rogue.” You can say it’s just cus he knows Rogue isn’t his real name but the Doctor’s usually fine with that sort of thing. “You could travel with me[…]the worlds I could show you…” “And what if I like what I do? Would you travel with me?” “That is quite an argument. ((No it isn’t he doesn’t like bounty hunters)) I’ll tell you what, when we both get out of this, let’s argue across the stars.” This is the Doctor and Master scene, we do these scenes every incarnation all the way since half-share in the universe, you don’t have to think he’s the Master but we know these lines damn well are. ✅

-They nearly kiss but the TARDIS cockblocks them with a beep of being finished with the rewiring, because again, she doesn’t like the moral void, and does not want the Doctor to stick his dick in it. And what does the Doctor say as he steps back from their almost kiss? “The trap is ready.”

-[Rogue is sans new bag for the indoor scenes here, I believe this is just a costuming error that happened from them probably reshooting the dancing a bajillion times, it will come back when they’re back outside again and in every subsequent scene onwards]

-They meet back up with Rubes and Roleplaying Chuldur #5. Ruby asks a very good question. “Ok, but what does anyone get out of killing these people? I mean I know they’re posh nobs and all that, but we found the housekeeper dead. I mean why would anybody do that?” And the Doctor, instead of saying ‘it’s how they steal their bodies they’re shapeshifters’ says the meta-important answer first. “The dance. The drama. The emotion.” THIS IS ABOUT GALLIFREY. High society here is a mirror for the aforementioned fallen Gallifrey. The Master didn’t just genocide the Time Lords, he killed every Shobogon/lay-Gallifreyan without Child-stolen regenerations, he killed every TARDIS, every living thing on the planet. Why? The drama.

-“It’s cosplay. All of this is cosplay.”

-The Doctor turns to a non-plussed looking Rogue and says: “You said that a Chuldur comes to a planet and tries on people like outfits just for the fun of it.” …Wh- when? When did he say that?? (I’m being facetious - he doesn’t). Also does that seem rich coming from the ‘multiple costume changes per episode’ Doctor? Mirrors.

-(If the background music here is Vitamin String Quartet I don’t recognise it unfortunately. Fun Fact, I used them exclusively as background music for my own wedding, cus I thought it’d be fun for people to try and guess the songs if things got boring and it’d be a conversation starter. Ate my wedding cake to Poker Face. We like resonating with the universe here.)

-“Those TV signals beam out across the stars.” “What are these T-V signals?” I can’t add more than one video, so if you’re not willing to take the description on faith it’s 24:45. But watch Rogue here. He slightly turns to her with a little glare and that exact same frustrated little sigh he did with the Duchess corpse earlier. Dungeon Master’s stupidest soldier? Cus you’d think if he was annoyed she was being anachronismatised (real word), he’d have given the Doctor the shut up glare but doesn’t give him bother for it at all. Maybe he’s just a conflict averse bounty hunter. But that’s what the Master would have done, he has low lackey/idiot friend tolerance. Both reads valid. ✅

-The Doctor dances, we know what that’s a metaphor for and what episode it’s from. Good thing Rogue knows all the moves ahead of time.

-Just putting the reminder here cus there’s no clear place - I go with Master because Dungeon Master, I’m A Bad Guy, the mirrors *gestures at everything above* etc. but mostly because this is a deliberate attempt to cosplay Jack. Thus it requires someone who has watched the show. The Pantheon, the Master seems like a good bet, however, could admittedly be Chulder #6 (and they’re just supposed to be a very strong but purely mirror for the Master) and because of their different dimension-ness has watched the show on TV and has figured out how their self-insert is gonna bang the Doctor. But one way or the other, our baddie here has seen Doctor Who The TV Show in the same way the birds watched Bridgerton and this is an intrinsic part of this that shouldn’t be separated. That we have a fanboy who is deliberately cosplaying Jack and invoking him and references to that episode is important.

-Rogue: “So what is this ancient Earth tradition of cosplay?” No-one said it was ancient (twice now), no-one said it was Earth, no-one said it was tradition, even Ruby had to clarify ‘so you mean it’s literally dressing up and playing at Bridgerton?’ Rogue almost certainly already knows what it means. And we know the birds do. This is our baddie having fun. Because as the Doctor says next: “Oh, Rogue. It’s when fans dress up as characters that they like.” (Point to Pantheon, because roleplaying the Master would be dressing up as a character from Doctor Who that they like).

-General note again: both prior to but especially 13’s era really spent some subtext time building up the whole ‘The Doctor’ and ‘The Master’ are roles they play. If you know you know. We’ve been continuing on Chibs’s themes. Just reminding.

-The Doctor takes the male i.e. leading position judging by the other couples visible. As per traditional Thoschei.

-Lights dim in our usual diegetic/non-diegetic playing that we’ve been doing. Soft point to Pantheon - remember if The Rogue’s theme is Roleplaying it must be a double bluff for him to actually be being skilled at it, and he is cosplaying the Master cosplaying the Doctor, with the conceit that the Doctor gets this but not that it’s someone cosplaying the Master, thus he’s winning. If he is Pantheon this is the only potential evidence of fuckery besides having brought non-native-dimensional creatures into ours, which we do have other explanations for.

-“We need to have a big fight so one of us can storm out and the Duchess follow us.” “The Chuldur cosplay, not me.” Mhmm. You had D&D dice. But regardless if you buy that, we have now spontaneously swapped from engaging starry-eyed Personality B, back to Personality A: strong and silent.

-“How dare you my Lord! You would ask me to give up my title? My fortune? But what future can you promise me? *Rogue shaking his head, not good at deviations from the script, nor is the Master fwiw* ✅ “You cad! Tell me what your heart wants, or I shall turn my back forever!” “I…” Fifteen whispers, “Say anything.” If you are not internally writing the pre-show Doctor/Master fanfiction I cannot help you. Jo describing the Master like a jilted lover or whatever the hell it was. But at least here, with admittedly a little open-mouthed smirky smile, Rogue gets down on one knee and offers his ring. (From non-marriage hand, 4th finger, don’t completely see him pull it off but he was wearing it in the dance scene). If we are re-writing history with this cosplay, which given the Doctor’s reaction he certainly seems to consider it meaningful, that’s definitely what the Master would do here. ‘This is what I wanted you to do back then.’ ✅

-Obviously the Master has used that sort of flat-topped large round ring before, we’ve had the callback to it with the red-nailed woman and the tooth just recently. The insignia is not entirely decipherable. Most default I’ve seen is an angel (Master coding, especially if we’re wearing it upside-down hoo), I’ve also seen a ‘rod of asclepius with 3d coiling tails’ (A Doctor fanboy who has come prepared for this moment), and just plain bird of some kind given the little wings.

-The Doctor says a very genuine “Sorry I can’t- …I ca-” and runs off. (Which definitely happened the first time). This almost certainly isn’t River trauma, Twelve wore the implied wedding ring until it fell off when he regenerated. And we’re just supposed to be making a scene and this is an obvious way to do it - he’s already nearly kissed him and invited him, the Doctor put relationship on the cards, and could easily still be haha fun joke but you are still coming right? If it was just Yaz Making Everything Feel Like Touching A Hot Mind Stove then the near kiss feels like that would have been included in the trauma reaction. So presumably engagement based triggering specifically. Probably not from Cameca either. That had cocoa involved.

-Rogue seems a little surprised at this reaction. Fair all round, the Master might not have expected it either, but also the sort of thing a fanboy might not have been able to pre-empt - it wasn’t in the show after all.

-They actually join back together almost immediately and they run outside, so it wasn’t that overwhelming.

-“Oh, we must play them!” - no ‘aha’s’ from the peanut gallery, we already saw the birds can potentially not recognise each other in costume, and in the baddie camp (bird ship, he’s in a bird ship) we can be pretty sure that Rogue didn’t arrive here looking like Mr Darcy since none of the others were pre-costumed and just nicked people when they got here. (number 2 shows they didn’t pre-organise characters - “nice costume”). If Chulder #6 - nicked a guy. If Pantheon - conjured himself a bespoke Darcy form. If the Master potentially still body-stealing or simply we’re cloaked - remember the electronic interference from the start that pointed the Doctor to him specifically rather than the Chuldur? Dhawan!Master previously cloaked himself, plenty of scope there. (Why would the Master need to cloak? If the Doctor’s already familiar with his form. Either from other plans or the fact that, well, there’s a world where this could literally still be Dhawan!Master.)

-The Master nicks bodies by the way, for New Who-onlys. We haven’t actually done it for a while, and for earring interference reasons I don’t believe we’re doing it now, but it’s actually a Classic Who staple.

-“Now keep the Duchess talking, a Chuldur is strong, and if she starts to change you it won’t stop.” First, now that’s a meta, second, do we want to add a sketchy point for the gendering of the Chuldur? Cus we’ve seen one of them explicitly say they’re fine with different bodies (‘oh I wanted to be the Duchess’)? Hm. It’s an assumption on thin ice but I’ll allow it. We don’t ask Rogue why he knows so much about the Chuldurs considering they’re different dimension beings. There are non-problematic options there to be sure. But will say that Dhawan!Master was previously messing around with different dimension beings hoping to find out if they were what the Doctor was, got trapped in their dimension at the end, and these ones are literal shapeshifters. If it is the Master, he has plenty of reason to be here with them and know a lot about them. ✅ If he is a Chuldur, well, obvious reason.

-[Rogue now has his bag back on. This is why I believe it’s a costuming error it wasn’t on indoors just then - the TARDIS and real outdoor areas were obviously filmed in very different times and places, the fact the bag travelled to both is suggestive that it was clearly supposed to be a part of his outfit at this point. BTS: the indoor and outdoor scenes were obviously filmed at different times, (3 weeks of night shoots oof) they’re not actually walking in and out of the building. But it’s also a deliberate costuming addition after the ship because he wasn’t wearing it in the night scenes where he’s holding the Doctor at gunpoint or anything. Tl;dr - no bag before the “Wow” heelturn in the ship, carries bag after.]

-There’s not one but multiple of the Chuldur shapeshifters. A ‘family’ according to Rogue. (Who are playing two characters that are getting married. Oh Doctor-Master mirrors, never change). Something you’d think would be on the bounty hunter note - are you just getting paid for the first one? Can you claim extra if you make multiple runs? These are important questions. Or not.

-“I want to be the Doctor.” …How does she know it’s the Doctor? ‘Uh, the Duchess was introduced to him earlier.’ Yeah. The Duchess. Who died. Childur 1 was still the housekeeper when that happened. She knows who the Doctor is.

-Doctor-Master inverting with the “Run.” “I’m the one who usually says that.” Our beloved theme returns to us. Of course maybe it’s just the cosplaying self-inserting whatever could be any baddie by which i mean really only Pantheon or Chulder #6. Bird ship. The Master was literally cosplaying as the Doctor the last time we saw him, like physically in the Doctors clothes. And probably underwear. Does anyone in this essay smoke weed?

-“Breaking spines! Removing tonsils! Live vivisection!” Gallifrey Time Lords mirror previously engaged, re-engage plus Timeless Child. But we uh haven’t had them do any of that stuff yet and they already suck people dry (don’t. I think it’s meant to be a kind of bolus, if you know your birds of prey) so I don’t know why this line is here. Actually maybe I do - now they’re roleplaying playing scary beasts hunting prey, doesn’t mean they’re actually going to do any of those things. Removing tonsils stands out. …We have a rogue (can’t say that now. Odd?) line from Ruby at the beginning about falling over in front of a fit dentist, the Master’s in the Toymaker’s gold tooth, tonsils feel adjacent, it’s almost certainly just funny, and it is, but if that bangs any bricks together in someone’s head go to town.

-I think the “breaking spines! removing tonsils! live vivisection” line is there to showcase that they are roleplaying Baddies. Because while murdering, they have done literally nothing like that, and it’s the sort of silly thing a child would say when playing a monster trying to think of the nastiest things a monster could do). “We still have the big finale wedding to come. And then… London. We can play our games on a magnificent scale. Parliament first, then royalty. I can be King. And we can start wars with the French and the Spanish and the Portuguese, and everyone who doesn’t look British.” This is their spitballing Season Two. As another point to all being one character and that them being Secret Monsters may be accounted for in the game - Emily is always called Emily whether humanning or in bird form.

-The Doctor and Rogue hide in the carriages. (Matilda style). If you’re building that pre-show Thoschei story, hiding from Time Lords in a TARDIS was probably already there, but if it wasn’t, now it is. Or hurr durr hiding in a carriage is funny I don’t know.

-“Back to the house. We must advance with the wedding! That should get them out of hiding.” …Bestie? What does that mean? Why would that get what we were led to believe that you believe are ‘two random interesting people one introduced to you earlier as the Doctor’ out of hiding? They have skedaddled so as not to be eaten by birds, right? They’re gone, lassie, why would they come back? …Unless she already knew who a character called the Doctor was before they were introduced? And that the Doctor’s M.O. will bring him back? Cus they’ve been watching more than one show.

-We modify the transporter: “I can make this transport gate carry four.” “What if there’s more?” “Right…Six. Six maximum.” How convenient. Personally don’t feel that worry is realistic for the character to have (while acceptable to write), and that if Rogue was as he was originally portrayed, he would be saying “Worst comes to worst, I could always…” *lifts jacket* *Doctor has brief moment of distracted horniness* “Nobody is going to be shooting anybody.” But he’s so perfect pacifist for the Doctor so quickly, I guess he just never would. Of course if he’s on their side, especially if also a Chuldur, he’s not wanting to kill any of them.

-Also feels like a Dungeon Master-whisper in the ear the Doctor just goes with: What if there’s more birds? *sets it to 4* What if there were more. *immediately sets it to 6 skipping 5 entirely*. (We talked about Missy’s comment of there always being a way out being potentially meaningful re: the Master’s traps for the Doctor; and counterbalancing the Doctor giving them a way out ‘come with me don’t be evil’. This would be a fun thing to do with that. Trying to create and order a good story and satisfying conclusion based on the Doctor and other players’ choices - pure DMing work at its finest.).

-“And I thought I was interesting. A bookish little wallflower risking it all for a secret love… But you. You are wild, and brave, and rude, living a life of adventure” again you don’t have to be team Master to enjoy the Gallifrey mirror. The potential in these mirrors for the Master is mmm gorgeous and I’m so here for it. Going back in time to when One ran away with Susan and slapping him for not proposing because he would have come with you, we could fix the universe, we-

-Question, cus I’m bored and this has become sort of a general analysis essay: When the birds transformed there were at least some people inside who screamed, you hear them. …Why is the party still here and going on and everyone’s chilling. Eh maybe Dot And Bubble explained that. Or maybe it was delayed screaming at seeing the gays. That’d be a Time Lord mirror. A marriage proposal probably gets you arrested for public indecency.

-The birds speak English, French, and German. Or at least a few words thereof. Multidimensional telly and I’m surprised it’s got foreign channels? How anglocentric of me. *shakes head*.

-“This is the endgame, Chuldur’s leave no witnesses ((yes they do they just abandoned bodies everywhere)), they’ll slaughter everyone.” If he’s not a bad guy then why, why the fuck, did he spend about fifteen minutes fucking around and not shouting “If we don’t stop the Chuldur they’re going to massacre everybody the second they stop having fun! Yeah, I’m bringing the gun!” like you mention this now??? Of course he mentions it now, he’s building dramatic tension because he is like our favourite dramatic bitch. ✅

-R:“I’m sorry.” 15:“They got her.” Ruby cosplaying as a Chuldur cosplaying as Ruby (see you thought my Pantheon cosplaying as the Master cosplaying as Jack was too much - we did double-layering in the episode itself) enters the room. Rogue gives his line but immediately turns away and watches only the Doctor and his reaction (who stares for a moment then gets up and walks away). Autism collective that we all are, this:

is not an expression of someone whose heart is breaking for his new friend. Just so we’re clear. Which is an odd choice for a new love interest - no sympathetic pain, eyes closing, not even a pat on the arm. He’s just observing what the Doctor does, and then gets up and follows the Doctor out. ✅ If he’s a good guy (he’s not, bird ship) you’re not selling him well. And if he’s a bad guy turning noble, he doesn’t have that part down yet. (Also Rogue said he’d tried looking for Ruby but they’d locked the doors. They manage to get through the section they’re in just fine. YMMV. Not enough on its own imo).

-“Madam. Your Grace …Your Birdiness. I cannot sanction wedlocke…between creatures from Hell.” They let the vicar be the one with the banger line, damn. Only one with a spine. Dead obviously but getting a high-five from some angel out there. (Me turning that into a vicar’s reaction to being asked to wed the Doctor and Master, whatever the fuck they are.)

-Speaking of which, here we explicitly see a Chuldur kill a man and copy his outfit but not his face. The Chuldur. Have no difference. Between body. And clothing. *flashback the Not-Things, and Fourteen regenerating* If you weren’t sure they were mirrors, you should be now.

-“How long do they live for?” “Chuldur?” “Mhm.” *Rogue comes up from behind to stand alongside him where he can see him.* “They have a lifespan of about six-hundred years.” “Good, good. That’s a long time to suffer.” A slight negative in ‘this can be validly read as the Master’ behaviour, because this yields only a tiny expression change of a slight raise of eyebrows, not a wild-eyed smile, and I don’t think the Master’s been able to restrain himself that well since he was Delgado. God what that man could convey with an eyebrow. Also we’ve all agreed that the funniest thing is that the plan doesn’t even change, he just knows how long their torment will last now and is happy about it, and if you ever need to explain the horror underpinning the Doctor it’s that.

-Now this is a hell of a thing to reveal about yourself to your brand new love interest and companion. That you’re down for some serious torture. Thirteen went well out of her way to be a monster only when they couldn’t see her. (Works nicely as a soft threat though. ‘If you’re involved with killing mine, I will torture you til you die or the sun does’. Good to have boundaries in a relationship.)

-“Taste his inhuman scent.” - A) Nice double-meaning line considering *gestures above*, B) Confirmation she knew earlier the Doctor wasn’t human, and so combining that with the belief he would come back if they started the wedding…

-“And I am one of a kind.” “He is quite unique…” Hold this in your mind we’ll be back to it in just a minute. *

-The birds immediately recognise the transport trap, by name, and that there’s only one third of it. Which would make a lot of sense if Rogue and the birds’ ship are the same bird ship so they’ve seen it before. Can’t be that they’ve encountered Just A Bounty Hunter Rogue before - he ‘didn’t know’ there was more than one, there’s no visual recognition, and previously it led to an incinerator not something escapable from.

-That we don’t see presumably Rogue placing the other traps, not even a glimpse of someone shuffling in the background, is to me extremely interesting. Not only like with the Carla flashback scene, playing with the unseen, but perhaps critically that this certain someone might know where the cameras are…

-Were you going “why don’t they just take their shoes off” when they got stuck in the triform? Well makes sense that they didn’t now, right?! Cus we know now there’s no difference to them between their clothing and their skin! …Admittedly Ruby…hopefully is fine and as human…well maybe not human…hopefully she’s whatever she was at the start of the episode. I, uh, maybe would mark that down as a concern though.

-Ruby’s chemistry with Lady roleplaying #5 was rewarded by attempted murder as Emily sought to turn into her. That happens a lot here. Let’s not worry about them as the partner mirror for Doctor-Rogue. Or what just happened with Dhawan!Master and 13. If you consider ‘Poker Face’ to be obviously meta-relevant here but ‘I’m The Bad Guy’ not earlier, question yourself.

-* I told you we’d be back. “She smells like a Chuldur.” “Idiot! It’s a false scent from that cheap psychic jewellery!” - The Doctor smells unique but this doesn’t mean they aren’t palling around with the Master. We’re specifically given a reason for this to not be an issue and well, I guess that would explain why she gets earring interference when Rogue’s around huh? If they’re using the same technology. (Same goes for a Chuldur faking being a human etc.)

-Do I believe the Master could perform a fireman’s lift to yeet #5, yes surprisingly, he is actually physically strong, a fencer, rower, and it’s been noted before. (Ainley’s six pack haunts me still). Dhawan!Master in particular has lugged corpses. It’s only running he doesn’t do/have stamina for. However, do I think he would risk it in-situ just for cool points? Don’t know. However, for this free bit of mental torture to work, the final bird has got to be in the enclosure. If it’s not all or nothing, then of course the Doctor would release Ruby. To get the Doctor to have to choose either to kill his companion or the world? He would carry the earth like Atlas. ✅

And that’s what he immediately proceeds to do with no hesitation. ✅

“Doctor, press send. We’ve only got one chance.” “I can’t.” “Press. The button.” *The Doctor openly, loudly panicking* “It will send Ruby!” “No, Doctor, it’s fine.” “NO! No! No! No!” “If you don’t press send, the Chuldur will escape and Ruby dies anyway.”

The Rogue that you think is real is not doing this. Is not convincing the Doctor to kill his companion. He is taking out his gun, and shooting the struggling birds while they are still stuck to the glue trap. It’s not a nice thing. But it is the Heart Of Gold thing. But he’s not that. He’s just The Bad Guy. ✅

“They’ll kill us. Then this house. Then London. Then the world. You know that. You absolutely know it.”

He doesn’t. The Doctor doesn’t know a thing about the Chuldur other than that they are shapeshifters and what he’s seen. How does he even know what London is?? And he wasn’t there for the scene where the Chuldur said it themselves.

He can’t have logicked that out. There were a few deaths sure, but one housekeeper and a duchess not only isn’t ‘these are extremely dangerous and fast killing machines’-worthy, that leap doesn’t make sense.

It’s not even true in their possibly-just-roleplay Baddie Plan. ‘And we’ll start wars with x y and z and everyone who isn’t British! Bloodshed, cannons, gunpowder!’, like that is a lonnnnnnng plan. Like I said before this situation is no ‘we don’t have time to run away and regroup’ thing, they’re slow killers, and especially with Ruby with battle mode engaged she at least would be fine. But it’s that taking over London bit. Very specifically. He claims he hasn’t met them, doesn’t know how many there are, he’s not admitting to any prior knowledge of these guys. So the only way he comes up with that line is if he already knew what they wanted out of their campaign in the first place.

They have not yet proven any more dangerous than any human gunman, in fact less, they clearly can’t spray bullets, they kill one at a time and so far only people they’ve wanted the appearance of in some way. They have been in rooms crammed with people who survived the encounter. Are you going to have to leg it to the TARDIS to regroup? Yes. Would people die? Sure. But probably not her, she’s fast and has a battle bot controlling her movements. Multiple posh nobs have died already and we only got a little sad over the housekeeper. Our hearts will survive. The one putting the pressure on the situation is not the Chuldur. It’s Rogue. There is no time limit. No rush. It’s waiting for you to press the button on the Laser TCE- I mean control stick. But Rogue is not giving him a second to think. ✅

*Rogue approaches, step by step.*

“So can you do it?”

GUYS, your supposed hero is TORTURING the Doctor, who is fucking ugly crying his two broken little hearts out. ✅

“Can you lose your friend to save the world.”

‘I am very sane and staring at you in a normal way the normal amount. Choose to kill your friend yourself, or choose to allow the genocide of every person on this planet including her. I want to see you choose, choose, choose.’

“Ok, but what does anyone get out of killing these people? I mean I know they’re posh nobs and all that, but we found the housekeeper dead. I mean why would anybody do that?”

“Remember how we used to run through those streets as children? The alleys where we'd hide from Borusa as we skipped classes? All gone now. Come on, ask me why I did this.”

*Sobbing Doctor shakes his head, making his decision* [quietly] “No.”

*Rogue with hitherto unseen tenderness, wiping one of his tear away* “I know.”

No, he doesn’t! If he is a random fucking bounty hunter he does not in fact know that. He knows because he already knows the Doctor. From real life or from being a bad guy who just kind of likes to watch TV - which actually I guess does describe the Master✅✅

*Rogue kisses him. Because a tortured ugly crying Doctor is hot to him.* ✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅✅

(If I need to explain why the Master snogging the Doctor here, or the fact that he genuinely loves him in his own twisted way, you can’t be helped, or maybe were just a Ten viewer when you were 8 so missed stuff, and have watched nothing else in the show and just stumbled back in here - go watch Twelve there’s Simm!Master in it for you, and Thirteen’s second series onwards).

Live ‘About To Be Ripped Apart By Murderous Birds In Another Dimension If She Even Physically Survives The Trip’ Slug Reaction. Ruby straight up like ‘well at least he won’t be alone’, babes we’re gonna get you some sertraline, a psychologist, it’s gonna be ok, you’re worthy of life, we’re gonna get you help, we have a therapy circle.

The grin and hoppidy-skip jump Rogue does here when they break for air and he’s holding the Laser TCE/controller is a level of happiness we have yet to see from Rogue. A still cannot do it justice. (40:17 - though if you’re going, may as well watch the whole torturing scene from 39:00). It’s a bit more than a wee smile.

Then Rogue leaps over and knocks Ruby out of the triangle! Something he could apparently have done at literally any time before or during torturing the Doctor to his breaking point!

Why can he do this when she is molecularly bonded to the floor? We don’t know! It’s not explained! But he clearly knows his fucking device doesn’t he?! Why didn’t he tell the Doctor at any point that it would be possible to get Ruby out with a thing called a matter exchange? Who knows?! Maybe it slipped his mind til the last moment? The Doctor being the one to take her place would sure have been an answer, but oh well!

‘Maybe he didn’t want to risk his life for Ruby’s unless he really had to.’ - Then that’s shit hero and love interest behaviour isn’t it! But since it says “Matter Exchange” I’m pretty sure he could also have knocked Ruby out of the triangle using that vicar corpse on the floor a few feet away, then neither would have to die! So he must be real sure he’s gonna be ok! ✅

He’s so happy and chill. The music is happy too. Rogue jauntily throws the bouquet - ahh look who’s next to be married *wink*. This is the happiest and funnest and most genuine he’s looked the entire episode. Almost like he got exactly what he wanted! ✅

“Find me.” *click*

Ruby you’re such a dick, why couldn’t you be as happy as him? If you’d trusted the Doctor to find you instead of you die by bird and/or dimensional anomaly before he got there this could have been such a peppy scene the whole time. It’s almost like Rogue is absolutely certain he’s not going to die doing this. You know I know a character who’s been transported to a different dimension at the end of his episode before and got out of that just fine! ✅

Almost like this was the end of a live D&D session he was hosting. That’s a wrap everyone, great job. Just imagine what I’ve got in store for us next week. Good thing the car transports all six of us together! Well done for not panicking, screaming, or interrupting what I had going on with the Doctor at the end, and trusting this wasn’t going to teleport you into an incinerator. Thanks for playing along, excellent improv as always, I’ll be marking your RP points highly.

And then the Doctor screamed “I’ll find you! I promise I’ll find you!” it was very romantic, and then he got out the sonic and started scanning everything for traces, anything, he was still upset and panicky of course, I mean his new love interest had just snogged him and given his own life to save Ruby’s. But Rogue had believed in him to do this impossible impossible task so he would. So he and Ruby ran back to the TARDIS as fast as they could, maybe she’d picked something up or *gasp* she was the one who configured the trap in the first place so maybe there would be a record of what random dimension she chose! Except she wouldn’t let them access it for some reason and she kept growling and the Doctor was crying with anger and-

No wait, none of that happened, sorry, not sure why I thought it did.

Actually the Doctor went to comfort Ruby and her comfort him, sombrely put the bouquet down where Rogue was. (And left the trap technology behind. So got engaged and invented a glue/tarmac trap.) The Doctor remotely sent the Bird Ship to orbit around the moon, “so it can wait…as long as it takes”. In the 19th century. …Babe, you know they can see the moon, right? They have telescopes. This is a mavity waiting to happen.

(Genuinely choosing not to think about how we last left Dhawan!Master messing about with the two moons in the 1900’s, I’mma be real, I don’t know what was going on and when there, hope it doesn’t fit in actually because I’m not gonna get it. If he’s the Master he turns up, that’s all I ever need to know.)

-“Can’t we use the TARDIS and go find him?” Ruby asks. Good question. If the TARDIS can determine whether a dimension is uninhabited or not that’s definitely gonna narrow it down. Maybe she could outright search for him? If she, you know, didn’t hate his moral void.

-“There are as many dimensions as there are atoms in the universe.” *Ruby arm cuddles* “Anyway! It is what it is, so onwards, fine, next.” So is it ‘as long as it takes’ or are you not even going to try and find him? That and the bouquet really feels like you’re giving him up for dead and just hoping he finds his way back himself some day. It’s not what you were told to do. You can wear that ring and salute the sky with a smile all you like. He said “Find him.” Bad fiancé behaviour.

Cus the thing is, here is the ‘uwu small bean Rogue’ paradox. If this is just a normal guy, he’s not making it back on his own. He’s dying to the birds. The Doctor isn’t looking for him, and Rogue clearly didn’t think he could return on his own - he says “Find me” not “I’ll be back”. So if you believe we’re going to see Rogue again…he’s going to not be a normal guy, but be the type who can survive and make his own way back from a wrong dimension surrounded by free murderous birds. *piano rendition of The Cat Came Back starts playing* ✅

But luckily he’s not normal. He’s a man/bird with so much forethought he knew he wasn’t going to be coming back to his bird ship and took whatever it was that can save him from a teleport trap from the spaceship with him in that bag. Always have a getaway plan. That’s Masterful thinking. Unless you just think he wanted his wallet and keys on him ✅ (Point against Pantheon though - pretty sure being able to move reality around doesn’t require props. But then D&D. Maybe he just likes props.)

-“Doctor, you don’t have to be like this.” “I have to be like this because this is what I’m like.” And in our story about roleplaying, shouting out our longtime theme of the most important roleplaying of all, that we follow a character who’d rather be called Lulubelle playing The Doctor™. Doctor Who is a show.

-The fires whole and reflected and internal everywhere, like our Gallifrey mirror is on fire.

-Final additional literal-meta that may be of interest: the costume designer said Ncuti’s outfit is designed as a nod to Three - the original Thoschei pairing origin. We canonise Shalka!Doctor - famously and frankly exclusively known as ‘that animated one who made a robot boyfriend Master to be his Companion’, with lines in the episode Cornell said was indeed intended to suggest a relationship there and would have continued had that pilot been picked up. Relevant or not we’ll see.

And to all those who read that and yet still think that I am just very cynical and mean, and he really does have a single heart of gold, he’s just got flat affect and is socially awkward and autistic maybe and-

His ship IS A FUCKING BIRD. OWL HOOTS.

🎉 You did it! You read the full analysis! Great job! You passed Media Overanalysis, Rogue Edition. I told you it was a 10K. Look at how much you just read that had already been effectively covered in the first minute with just one thing.

“I’m The Bad Guy. Duh.”

(‘I am now convinced, but do you have a blessedly far shorter essay about why a Chuldur/Pantheon The Rogue perfectly cosplaying the Master cosplaying Jack would be the way to go?’ Why yes I do, strawman.)

Assorted later Additions:

Pantheon!Rogue: Why the bird ship?

Maybe that’s why the ship’s so fucky actually, DM’s love their props, this is about playing D&D In The Real World, so maybe he got one originally, short hop standard Asteroid Hopper. but now they’ve just kept (perhaps Pantheon-magically) editing it over time as the campaign and rule of cool needed. Appearance, better space travel, time travel etc. “It should look like a bird!” “…Yeah! It should look like a bird! Great idea Emily, we’ll work that in!” Of course if he’s a Chuldur this is just…their ship. Maybe classicly upgraded.

What might Rogue’s original plan for the Chuldur’s live D&D Session supposed to have been:

We know they were going to have a big wedding, but maybe that they’re also Baddies going to take over the world muhahaha! Cus they went into that monster-playing real quick and also they said that the panicking and screaming is their favourite bit - so there must have been a plan to include that after the wedding part of the game! They thought the wedding would lure The Doctor out so there must have been nefariousness in it or else why would The Doctor be drawn out? They were playing Baddies! So, thinking like what our lead bird would want for a moment, if you were to DM that, maybe he’s both playing the bounty hunter sent to catch them …But maybe also was going to do an “I Object!” scene too. Their faces in that scene, they’re so excited. Let’s say Rogue doesn’t know the Doctor was coming in advance. He’s already got ‘I’m The Bad Guy’ playing if this wasn’t a live magical edit on seeing him. Oh, maybe that’s why he chose to look like Mr Darcy. Maybe he was going to woo one of them - a good reason to already have the ring. Cus a big wedding can’t go right, that’s not drama, that’s boring. We know he’s probably cloaked - not only do they not recognise him but we have Ruby’s earring interference pointed directly at him (same tech frequency problems?) and even mention the psychic jewellery’s ability to mask a scent with a false one. So he was an NPC just meant to turn up and add some of their beloved drama. So he’d woo a Chuldur, he’ll object and then he would reveal himself as a bounty hunter with his Big Glowy Gun and trap! It was a dastardly trick! You knew he was a Rogue and a cad all along, you just let yourself fall for his deceit! *teleports to ship rather than incinerator* BRO. Even the bird’s D&D plot would naturally be the ‘I was tricking you and am actually your enemy’ twist!

Post-Empire, The case for the Chuldur Phoenix: Rogue being (unbeknownst to himself) the Master cosplaying a Chuldur cosplaying the Master.

[weiila]

About posturing in Helluva Boss

I made a joke post a few days ago about Satan being an angry crier and that's why he needs Yogirt, but I'm only half joking.

A very prominent theme in Helluva Boss is characters putting up a facade of toughness and strength when they're actually close to a meltdown or trying to fake it until they make it and being terrified of being found out.

Blitz is the prime example of course, because he's the main character - his anger and insults hide a very caring and desperately lonely interior.

Fizz is very much the same, a loudmouth who truly believed he could not be loved without earning it, and for years played the role of the sassy jester while in constant fear of losing everything he had worked so hard for.

Loona had to pretend to be a savage, violent beast in the pound to protect herself, but broke down the second she thought nobody was looking. She still has trouble showing Blitz she does care (until Mastermind).

Ozzie is very different when he's working - which is how he's introduced in Ozzie's - compared to how he is in private, which we see later on in Oops.

Millie is an unstoppable murder machine at work but a sweetheart as soon as she can clock out (and sometimes during work as well).

Bee MIGHT be the most honest character we've seen that has been on screen for more than one episode, but there are probably more layers to her as well. I'd say Striker too, BUT he tries so hard to be cool yet can't keep his head on straight when things go bad.

For a minor character, look at Crimson. He seems like this scary, imposing mob boss, but he buckles the second he's out of subordinates and Millie heads towards him. He manages to play it cool as he surrenders Moxxie, but there's zero resistance despite what he's painted himself as. Oh yes, Crimson has absolutely killed people, but if he was half the badass he pretends to be then he'd at least try do deal with Millie himself. But he doesn't. Most likely he can't fight for shit and has only managed to take out people weaker than him or with tricks. Without his underlings he's got nothing.

Now Hell as presented as very much a dog-eat-dog place, so them putting on this air is absolutely a way to survive.

And then there's Satan.

Satan created a whole species to specifically be obedient. Why? Because it makes him feel superior.

Satan flat out lies about being the first ruler of Hell, but Lucifer isn't around to correct him. Would he say that if Lucifer was? Probably not. But he says it because he knows nobody present dares to correct him. (This was vague in the episode with Ozzie and Bee just looking annoyed but confirmed by Viv in case you haven't seen that tweet being reposted.)

I have zero doubt that this dude has self-confidence as sturdy as a gnat. He can't handle being questioned or called out or worse of all, have his power being doubted.

And about Yogirt: Satan can't even keep his own Sin under control - he needs a support demon to do that. None of the other Sins we've spent time with, including Lucifer, are ruled by the Sin they represent - not even Mammon. Even if Mammon is absolutely greedy, he's enjoying himself and more importantly he can control himself and realize when to back off without needing outside help. Satan cannot do that. He needs a lil' dude to flutter up to talk about him about breathing and gemstones, or he loses it.

Every Sin, plus Charlie and Ars Goetia, transform when they get angry, and it seems like it's involuntary to a large degree (angels also seem to have this issue). I believe that the Satan we saw in Mastermind is actually his full demon rage form, BUT he desperately wants everyone to think that's his casual form (and that you wouldn't like him when he's angry!). If he lost his temper too much, it would become obvious that he doesn't change to become even scarier and then everyone would know that the imposing, godlike dragon man isn't what he really is.

My humble conclusion, dear reader:

Satan is nothing but a master fraudster, the ultimate faker-till-you-make-it and he's scared spitless of losing that image. Satan is the weakest Sin because he's controlled by his Sin instead of the other way around, but over millenia he's managed to con everyone into thinking he's the biggest badass in the land.

... except possibly Belphegor since she must have been the one to assign Yogirt to him. Keep a few eyes on that sheep, people. She knows things.

Anyway Satan is probably on the road to having a breakdown of epic proportions because Blitz is about to become his worst nightmare and it'll be glorious.

[p1nkc4lyps0]

ISAT PKMN trainer assignments

i've been having brainrot recently and i havent really seen people doing pokemon trainer aus, just a lot of pokemon mystery dungeon aus which i think require different perspectives for so i figured i may as well give it a shot.

with my assignments i was making sure to think about actual symbolism and tried avoiding the canon pokemon assignments for a] more of a challenge and b] i havent really seen all of them so if i have picked some of the same pokemon my bad.

SIFFRIN

gimmighoul: tried taking siffrin's coin once, failed, now just hangs around with him and has gotten quite attatched.

minior: a pokemon he's had as long as he can remember. gets a lot of weird looks about it though and has never seen anyone else with one.

chingling: the only pokemon caught in the castle. ding ding!

popplio: what a little clown! a fool! just a litter jester doing a preformance!

hisuian sneasel: basically siffren's dagger. i picked the hisuian one over the johtonian one because it's white.

absol: not a pokemon he had before the loops and has a sneaking suspicion those two facts are related since it seems to remember them to an extent.

MIRABELLE

morpeko: i think mirabelle would like form changing pokemon and also. near the end of floor 3 mirabelle gets like, really annoyed and then eats and is fine. thats what morpeko does.

furfrou: a pokemon with plenty of styles to choose from! she hasn't been able to get it styled recently and while she is getting nervous of it not changing, she has noticed it's happier staying as it is.

indeedee: indeedees are helpful pokemon! often used as servants, i feel mirabelle would relate with this

palafin: a hero capable of change! and paladins tend to fight for a cause, often a religious one like who mirabelle is fighting as a maiden of change.

escavalier: we don't have a fencing pokemon but we do have a lancing pokemon! also the fact a shelmet has to be traded with a karrablast is something

ISABEAU

mimikyu: isabeau is constantly putting up a facade of being a bit air headed, disguisigng himself. i also think with mimkyu wearing a cloak with him being a fashion designer would make this the most stylish mimikyu the world has ever seen

leavanny: this pokemon is known for making clothes from it's silk and any leaves it finds, making it into a clothing maker of sorts, they're also super protective.

bewear: what a big sweetie! aw it loves hugging people, it can also snap your back in two... i feel like this the most fitting attacking pokemon isa with it's bulk, cuteness and hidden scariness [something we see from isabeau when he gets... very protective of the sif nickname]

ODILE

carbink: this was my first thought for an odile pokemon, it's a little rock! and with it's links to diancie, a perfect red herring for what she's studying, they're just native to ka bue. she hardly uses it in battle.

steelix: now this is her attacking pokemon! i know it doesn't cover her primary paper type technically but it does cover her use of rock and scissors type by being steel/ground. i also think she mega evolves it from time to time, for the gems theming.

relicanth: i tried to go with the theme of old pokemon for odile, not generations wise but in the way that relicanth hasn't changed in a millenia. it's also a map, which could be interesting with the island siffrin is from.

bronzong: i can't really explain this one i just think it fits with her character? maybe it's the shape language but it is another old pokemon, showing up in the ruins in arceus so once again, more red herrings for her research.

sinistcha: ka bue is very implied to be japan or at the barest of minimums asia. odile is absolutely a tea drinker to me, this might have been one of her earlier pokemon that came with her when she left ka bue. they also have similar hair

drampa: hahahahah funny grandpa dragon joke~ drampa is reported to burn down the houses of any bullies the child they've befriended, odile has said that she would do horrible things for the party. im not fucking with you. think is not just a odile is the grandma of the party joke. i am dead fucking serious when i say this is her most in character pokemon.

BONNIE

applin: i think bonnie tried to gather apples at somepoint and it turned out to be an applin, they kept it. they seem like the type of kid to enjoy bugs [im counting the none apple bit of applin a bug cause it is to me fuck off]

alcremie: a pokemon evolved completely by accident. their milcery took a strawberry from them while cooking and in an attempt to get it back, span around enough to where it evolved. just some complete loony toons bullshit

yungoose: their first pokemon! caught back in Bambouche and their main defence between themselves and sadnesses when they left. i picked yungoose over some of the other early route mammals because a] tropical and b] i fully believe that bonnie bites people.

unovian darumaka: potentially a gift from the party, more specifically odile who was curious of darmanitan's zen form. it's obviously not a darmanitan yet but it is very useful for lighting fires to cook with.

kantonian farfetch'd: it's basically THE food pokemon being a duck carrying a leek and i opted for the kantonian form over the galarian form since the galarian form is far too cool, bonnie is cringe [/pos]

smolive: cooking oil is a crutial part of cooking are you insane and olive oil is some of them best! very useful pokemon to have on hand and it's slightly more emotionally and nervous natural creates and almost parrallel to bonnie where both end in the same outcome of tears since both are young and not yet capable of fully handling their emotions.

LOOP

gimmighoul: somehow the only pokemon they kept when they gave up on the loops, unsure if it actually remembers the loops or is just a clone...

natu [multiple]: loop can't actually catch any pokemon since, no pokeballs and they'd lose it at the end of the loop. so they've been slowly learning how to befriend all the local natu in dormont, secretly on the hunt for the roundest one. they've found shinies before and would usually be more snappy and blunt after all of those loops due to loosing them. they've gotten good at befriending them all too, being able to tell them apart and what they like. they would never admit any of this though.

[gachagon]

I watched the newest episode of The Amazing Digital Circus, and yeah I can already tell this is gonna be a great show. I think it manages to handle both its comedy and horror pretty well without one being less effective than the other.

The pilot was great, but I really like that episode 2 shows us a better picture of the characters than what we already thought about them. I think the most surprising character who's development was made really clear was Pomni.

In the pilot she's naturally apathetic and also freaking out about everything, and the promo material with her included seems to follow that same track record, but here in this episode Pomni does what Ragatha's been trying to do with her the whole time! She consoles this cute little gummy gator guy about his own existence and stuff in a really mature way that we just haven't seen Pomni do before.

This episode is really about the fear of not belonging or having an impact on other people. The beginning nightmare sequence where Pomni imagines herself being abstracted versus the end with Kaufmo's funeral really shows that what she's most afraid of is that she ultimately won't have a place here at all, even if being there terrifies her.

I think Pomni has come to terms with the idea that she won't be able to leave or find an exit right away, but the fear of not fitting into her role as the Jester and doing the same song and dance for eternity eats away at her.

The funeral is a really good coping skill for all of the people in the Circus (minus Jax who just didn't go to the funeral at all) because it eases the fear of not remembering any of the people you spent all that time with, but also eases the fear of being forgotten.

I can imagine the idea of Gummigoo not remembering Pomni but still being out there "Out of bounds" is sad, but unlike the people in the circus he can always come back and in a weird ironic twist always has a place in the world he's in. And even if he doesn't remember Pomni, she'll always remember him and that's the really important part.

Also can I just say that I love this little crocodile/gator man T_T He showed up with such a silly concept but I think he really added a lot to the episode. It makes me wonder what would've happened if he really was allowed to stay in the circus despite not being real.

The episode has a lot of themes about being aware of your own mortality and why you're even alive and what purpose you serve. And in the end, for Gummi he was able to stomach the truth of his own existence with the help of Pomni, but he decided to just keep it a secret from everyone else up above.

After he gets "poofed" its safe to say he'll always still exist just not in the way Pomni saw him. And whenever Cain wants to use him for a future quest, he'll still have the same old memories of his friends and his "sick mom" who needs syrup, but the knowledge of Pomni and being Out of Bounds will not be there.

Is it better that he doesn't know what's out there? That his mother isn't actually real, and that he and everyone he knows is just 1's and 0's in a computer? Or is it better if he does know and is able to cope with that reality? Likewise, should Pomni really even worry about trying to leave this world she's been forcefully thrust into, or should she just go with the flow and accept her place as the Jester in the circus?

Truly an "Ignorance is Bliss" kind of story. We already know from this episode alone that the one thing Jax craves is chaos but that's not because he's fallen in line with being a rabbit in the game or because he wants to leave.

I think Jax is an excellent parallel to Pomni in this episode. Where Pomni tries to peacefully cope with her place in the circus and possibly coexist with the world around her, Jax wants to do nothing but cause as much disruptions as possible. Jax has accepted long ago that he's not leaving, but instead of losing his mind over it he's just become an incredibly selfish person who only wants to take his entertainment from other people. He uses his veneer as the trickster rabbit to cause as much problems in their journey's as possible all so he himself won't go crazy.

And even though in the end he's not there to witness what happens to the candy people, I think just having something new to think about is enough for him in a weird way. While Pomni struggles with feeling like she belongs, Jax has been there for a long time and his biggest struggle is "disappointment". It's being so mind numbingly bored that you forget yourself.

This is leading me to believe that what causes people to abstract isn't finding the exit or thinking about the exit, but that it's more personal than that. Abstraction seems to be when someone really truly breaks under the pressure of being in the circus itself. All of the members of the circus seem to cope with being in the circus in different ways. For Gangle it's drawing and art, for Ragatha it's throwing herself into all of the journey's and just immersing herself as an actual "ragdoll" who's going on quirky adventures, Pomni just potentially found her way of coping which could be trying to just help other people with their own baggage and being an ear to listen to, and Kinger has by all means lost his marbles so as long as he's not thinking about how hard it is being in the circus he's fine.

I think Zooble's is to just not go on the adventure's at all or maybe we just haven't seen how they cope yet. I'm guessing that Kaufmo didn't really have a coping skill, either that or it became too much and he abstracted. I think his obsession with finding an exit had something less to do with the exit itself making him go insane, and more about the possibility of him remembering something he wasn't supposed to.

He probably regained his memory in some way and that was what led him down the spiral into abstraction, looking for a way out in any way he could.

[utilitycaster]

Hi there,

You said in the answer you just gave that, "the Nein mechanically played really well to the casts strength." Could you talk more about that? I'm someone who hasn't actually played D&D before, and everything I've learned has been through osmosis with CR, and your more crunchy posts have been really interesting to read, too.

Hi anon,

Thank you! I can answer but this is definitely pretty subjective in terms of how I see the classes they played and my view of the cast's mechanical strengths so know that you're getting one very specific perspective here. You will notice as a theme that I am not one for indecision.

Anyway: I think Liam and Travis are both notable within the cast for being decisive, in and out of combat, and both played characters with a huge array of options, as arcane utility spellcasters (plus Fjord's melee and, later, paladin abilities) and so having people who can make a quick, confident decision and stick to it with their spellcasting was crucial. Travis also has, as I once put it, court sense, and so having a character with options at basically any range in combat (from melee to eldritch blast range) was extremely good for him. I also just think they like utility casting, which, as my url indicates, I obviously think is awesome; but not all people like it and that's okay! I also just think they like it - both have mentioned on 4SD that Orym and Chetney are much more limited in what they can do.

I think Sam can get really hung up on the optimal and ideal thing to do at times. Really, the best way to put it - and FCG's death is a great example actually - is that Sam is not precious at all with his own characters but is worried about letting other people down. So I think the fact that Veth had a limited but interesting number of choices was actually quite good for him - he could make creative decisions (and even think outside the box, as with fluffernutter) but didn't have an endless list. It also still provided spellcasting, which is important to him.

I think Marisha is one of the strongest players on adding flavor to combat which is purely non-mechanical but is important in actual play if you are playing a character who does mostly the same thing. For what it's worth a lot of the things Beau played to her strengths were on the RP side (give the notetaker a character who has a reason to know a lot of lore) and also, I like monks but they are very straightforward characters to play in battle for the most part so there's not a ton to say, but I think she had a good sense of melee combat and would love to see her play more melee characters; Keyleth was obviously incredibly versatile, but this meant she did spend a lot of time in melee! Marisha also has decent instincts for tanking (Keyleth as regular tank thanks to wildshape and Beau as a dodge tank) so Beau allowed her to exercise that.

Taliesin is also a generally strong player in terms of mechanics and I think, honestly, his strength is that he doesn't seem to have a strong preference on what sort of class he plays and therefore was able to lean into a character who was almost purely support without any resentment over not getting the kill. In general I think Taliesin is very good at just...doing what his character is built to do, which seems damning with faint praise but honestly I think people who get really obsessive about Subverting Their D&D Class are annoying so this is praise and respect.

Laura is an interesting one in that I think she really likes to do Big Damage but she actually is quite skilled at utility casting. Having Caduceus definitely allowed Jester to shine in that she didn't have to serve as dedicated healer, but she also was a strong healer. Laura can be somewhat precious about her characters and I think being a healer is a good antidote for that in that you have the power to heal yourself if you get worried (honestly, this is why I started off as someone who played healers until I allowed myself to accept that dying on graph paper, as Taliesin once said, is fine). Being a prepared caster is also good for someone who, like Laura, can be competitive - it's interesting because she and Sam have a lot of similarities but I think respond in different ways, and Laura having a lot of options and knowing she can change them works well for her approach.

Ashley is also quite strong at flavor descriptors but I also think she likes doing damage, and I think Yasha was very much a "right character at the right time" for her in that barbarians are complicated in the sense of maneuvering, but not in the sense of options - it's a much easier character to jump back into after being away because she is, for the most part, going to be hitting things with a sword. I think she's doing a great job with Fearne too, but wildfire druid is MUCH harder to put down and pick up.

Really, in short, I think the cast members who thrive on having a ton of decisions had them; the cast members who at times have trouble picking what to do had a much more limited list which helped them; and those who don't really have a strong preference had other stylistic elements that were a good fit.

(I also happen to think, as I alluded to especially for Marisha's portrayal of Beau, that the Nein played to the cast's RP strengths as well and/or were given the time and space for the cast to grow into things they were less confident doing, eg: Travis and romance; and I think that does bleed into combat in that it helps you take actions that feel right for the character which in turn helps the other people around you predict what you'll do. It's the drift compatibility.)

[royaltealee]

Look. I know it’s been a while- but I just got back some time to do something again after a full year of not posting. Hope to the one who requested this mini ficklet. And for your patience and hopefully your forgiveness on my part- I have a little surprise for you at the end of this fic. Much love!

Ps: this is not proof read we die like Gummi Goo-

—————————————————————————————

Just Not Right

Something was wrong with Caine. That much was obvious for the red and blue-themed jester to accept and honestly... it terrified her.

Not in the way you expect though. No, Pomni did not feel any worry about the thing trapping her here against her will, it was the fear of what he would do if he ever did have some sort of AI equivalent to a breaking point. And she could tell that the others were starting to notice it too, the small shifts of anxious flying back and forth while talking when they were about to be thrown into yet another "fun and innovating!" adventure to "Keep your tiny little brains from going insane!"

But the first sign that caused Ragatha to finally say something was when Caine had actually hesitated on sending them to their next adventure portal. He had called them back not once, not twice, but thrice to ensure everyone had everything they needed (and more) for their expedition. But before they had finally crossed through the portal, Caine popped his weird teeth head in to leave a final little "Be sure to actually come back! Please?" Before Bubble pulled him back through to the portal back to the circus.

"What's gotten into him? He's starting to act a little fidgety for no reason now, you think he's alright?" The ragdoll avatar asked the group accompanying her. Pomni slightly jumped at the question, but now that Ragatha had confirmed she hadn't imagined her suspicion on their captor. She was about to say something until Jax beat her to it with his usual sarcastic banter.

"Well yeah, Obviously. Why do you think that everyone here is feeling on edge lately? It couldn't be that the sentient AI is acting out of character do ya, Rags?" The sway in his voice held little to no emotional attachment to the floating ringleader's sudden change in mood.

"Yeah but, why?" Pomni finally asked, looking up at the purple Rabbit for maybe his theory on things, but she should have known that Jax wouldn't give a rat's ass about Caine's new anxious tendancies. "How the h*ll should I know? I'm no dang therapist." He crossed his arms while rolling his eyes.

"M-maybe he's stressed..?" Gangle proposed next, lifting a single ribbon arm up to call up her point like a finger. "What's he stressed for? It's not like he does anything to help us, he just sits around somewhere while we do the stupidest sidequests ever in gaming history." Zooble jumped in the conversation, having been forced to come this time after slipping past the last two adventures. Their voice was just as flat giving out their answer. Ragatha placed a closed fist against her chin, lightly tapping it in thought.

"Hm.. Should we try to figure it out?" Ragatha asked, looking over to Pomni who in turn sputtered out nervously. "I- Uh- Wh- Why?"

"Becaus! He's the one that's technically keeping an eye out for us so that we don't abstract. No matter how annoyingly charismatic he may come off as." Ragatha placed a hand on Pomni's shoulder reassuringly. "Maybe we could figure out how to cheer him up?"

"HAH! Fat chance! Look, if the guy that was practically made here is starting to act weirdly after hardly caring about us, to begin with, is acting like this? It's bound to cause trouble." Jax seethed, glaring at the rag doll.

"I thought you liked trouble," Gangle asked, turning timidly to the purple rabbit.

"No one asked you." Jax snapped back causing the masked girl to cower around her mask so that he wouldn't smack it off her again.

"Look, if we can figure this out and help him, maybe it'll make things easier for us." Ragatha had given the finality of her question, looking to see if anyone was willing to help her with this plan. Surprisingly it was Zooble who nodded first. "I just want him to stop acting all weirdly emotional. It's starting to creep me out." They mumbled out, then Gangle walked next to Ragatha with her next nod, then finally Pomni shook her head. "I guess." Was her only answer, though she did kind of feel on edge when Caine was acting against his nonsensicals.

Jax groaned out an agitated "Fiiiiiiineee!" before joining the group on their next adventure, cooking up a plan to figure out what was bothering Caine so much when they could finally come back to the circus.

---------

After a very uncomfortable adventure full of potentially illegal smuggling of 3D frogs later, the group leaped through the portal back with their plan intact and ready to go for when they would see their ringleader again. It wasn't very long before they got a very long welcome back with streamers and balloons on a job well done on their adventure, even a small cake with the face of a frog that said "good job :D" that had a positively huge bite on the side of it and a suspicious looking Bubble off to the side, licking the green icing off his teeth.

"So! how'd it go?" Caine asked, floating over the group with curious eyes. Ragatha's smile was wobbly, placing a shakey thumbs up toward the AI and putting her best cheerful voice. "It was.. amazing! Right guys? we had fun, yeah?" Pomni rubbed her arm slightly, looking nervous at Caine, who in turn looked at the others. It was quiet before Jax scoffed, "It was awful."

That caused the other's eyes to snap towards the rabbit, who in turn looked at the others with an unamused eyebrow raise. "what? Was it something I said?"

Caine's body sort of floated back a bit, lifting a single finger to try and say something the normal Caine would probably say, but the figurative lump in his throat prevented a steady form of words from coming through, he almost sounded... hurt? "Oh..! well uh, I'm sorry these adventures haven't been on par with you guys lately! I'll be sure to try and make them even more exciting and engaging for you guys!"

"You're kidding right?" Jax said, after another bout of silence of trying to come up with a nicer thing to say. "Jax!" Ragatha warned through grit teeth, wanting Jax to just shut his yap for 10 seconds, this wasn't part of the plan!

"Even if you did try to make things better, which you probably won't let's be realistic. We will never be happy, not until we get back to our actual live bodies where we can't turn into some stupid monster only to be captured and stuffed into a f***ing hole to wither away while others try not to think about it. Does that sound fun to you?" He glared at Ragatha for a split second, catching the Ragdoll frown but didn't say anything.

They watch as Caine grapples for any words, anything he could say at such a raw answer, but see him come up short, dropping his hand down as a form of defeat. pulling his gloved hands back to his chest and glancing down for half a second. What was happening? Ragatha was the first to speak after Caine's small bout of silence. "Caine? Are you okay?"

Caine's jaw opened slightly, showing his floating eyes a little bit more, they looked glossy, but no liquid threatened to spill from the ivisable ducts yet, feeling his words rush through the emotins he was feeling.

"I- I don't... know?" he cleared his non-existent throat, watching as the group glanced at one another with both surprised and growing weary looks. "it's just-" Caine shifted again, feeling uncomfortable. "I've been feeling... off lately. Like- like Just now I felt something. I wanted to- to- what was the word that Gangle's doing right now?" The group looked to the mask, who held her broken smiling mask, sniffling a bit when looking towards Caine, squeaking out a small word. "Crying?"

"Yeah, that." Caine wrung his fingers against his own, not being able to look anyone in the eye.

"Oh my god, the AI is learning how emotions work." Pomni gaped.

So that was what was going on, Caine was dealing with something so forgen that plagued his coding, at first it was subtle little jabs, flashes of hurt, true happiness and excitement, anger or otherwise. Zooble let out a sigh catching everyone's attention. "Is that all?" Caine looked at the abstract character before him, who looked just as unamused as the bunny right next to them.

"I- I just don't know how you do it all the time! it- it's like constantly making my body and mouth do different things, and- and- AUGH!" That burst caused the others to jump at his little outburst. "I mean, what am I SUPOSED to do? I have to make sure no one here goes insane, then, I have to watch over Bubble and make sure he's fine, and then THE MOON IS MAKING ADVANCES AND I DONT EVEN KNOW WHAT TO SAY!" Caine pulled at his little top hat on the top of his head. "It keeps going on and on and when I think I finally got everything under control, there's always someone or something making me feel something that I'm NOT EVEN SUPPOSED TO FEEL!" Caine finished, breathing extremely hard if that was even possible for an NPC to even do.

Everyone went silent, even Jax and Zooble's eyes were wide with the amount of vigor in Caine's words he was able to convey.

He was supposed to be the goofy, happy, go-lucky guy that kept the fun in the entire circus for the sake of the other players... If he can't even keep his emotions in order, what kind of a host is he?

The amount of silence caused the floating gaggle of teeth to shrink in on himself at his outburst. Surely they didn't need any more baggage being dumped on them after being stuck here for who knows how long? No, no. That just won't do, he needed to cool himself off. They needed someone to help them! Not his own haywire code scaring them.

Caine made a sound that sounded like his throat was being cleared awkwardly while trying to keep an uppity attitude.

"W-well! That's enough for you all today! Go and enjoy your congratulations cake and take a rest!"

"Wha-?! Caine! Hold on there buddy, you can't just dump that on us, say it's fine and leave just like that!" Ragatha called out to the already ascending ringleader. Who in turn just pushed out the most forced laugh he could muster with a flick of his hand.

"Oh, Ragatha! Aren't you such a sweetie, but I'll be just fine! Nothing to worry about, just a- eh- MINOR malfunction in my code! Hahaha- HAHAHA!---" and with a final snap of his fingers, Caine had popped out of existence.

...

"Well, that was something." Jax's slightly surprised voice caused the group to side-eye him with glares, to which the Rabbit wistfully ignores.

————————HAVE YALLS SURPRISE—————————-

(Takes place an hour after the fic)

[torchflies]

where did the quintuplets go after duke died? did they go into foster care or did viper manage to get custody of all of them?

If they went into foster care they prolly got separated and stuff...were they old enough to remember each other? Or did they forget until they somehow bumped into each other figured it out? Did viper manage to tell Pete and they tracked down the other four?

OR WHAT IF. what if viper managed to get custody of some of them but not Pete? Like he always tells them about their brother and they know he exists but Pete thinks he's alone...until he bumps into 4 copies of himself on base and then they manage to tell him about what happened. Pete needs time to process and goose holds him as he cries.

OR- viper gets custody of all of them and raises 5 boys and two girls (because he's a girl dad obvi) and they get up to all kinds of ridiculous stuff and they actually managed to get jester to loosen up around them as a kid and it's stressful parenting all of them but viper wouldn't have it any other way

AHHHHHH!!!! I love your headcanons for the Quints growing up!!! Viper does get them eventually! But their childhood followed the same sad trajectory as another set of miracle identical quintuplets born about a decade before them (the Dionne Quints).

The AU is called Quintland, because back in the ‘50s — five identical little girls were raised in what was a essentially a theme park fishbowl for people to gawk at them. The same way we do today with reality shows of multiple birth families (Jon & Kate + 8, Outdaughtered etc).

The Mitchell Quints spent the first couple years of their life living on a Kentucky farm in the middle of nowhere. But after their father died and their mother took her own life, the doctor who saved their lives and kept the secret of their birth — finally took custody of them and started selling their images to the public. They essentially grew up as a traveling sideshow act. They weren't loved, except by each other, they were just used to sell stuff, perform like toys and be harrassed by crowds.

Eventually, Viper found out what was happening and took custody of the boys at twelve. But so much damage had already been done. Still, they enjoyed a great life with the Metcalfs and so many of them went Navy because they love Viper so much.

Captain Lynden Henry “Lynds” is the oldest and is a flight surgeon, but spends a lot of time in and out of Navy Medical on the ground. He's the leader of the Quints, and his brothers complain about the massive stick that lives up his ass.

Theodore Payton “Teddy” is a much loved father of two, his wife’s name is Patty and he's a kindergarten teacher. He would not touch the Navy with a ten foot pole. His kids are named Madeline and Mickey.

Captain Kiffin Roosevelt “Kiff” is obsessed with how things work and that's why he's an EDO, an engineering duty officer. He spends most of his days working on something, so he's either sleep-deprived, sticky or both. His brothers can tell what he's thinking by the look on his face.

Lt. Michael Mallory “Mal” is next and he's a priest turned Navy Chaplain. He and Mav annoy the shit out of each other and will actively try to gore each others’ eyes out on sight 😅

Then comes our favorite boy Peter Bradley!

[salty-an-disco]

some more magical girls au stuff

and also some lore stuff:

– ‘The Echo’ is an immortal entity originated from the first ever echo to be created in that construct that trapped two gods. And now, eons later, this echo is obsessed with keeping a balance between the reincarnating pieces of these gods, and is always seeking out Quiet’s pieces reincarnations so that they always have the power to slay the pieces of the Princess that keep coming back. In this AU, this manifested as him basically making the voices magical girls

– the Echo is attached to a mirror; its shards used to make several hand mirrors he can be on at once and is how he communicates with the voices. Has mild shapeshifting abilities as an inky shadow that usually takes the form of a crow

– the Princesses create dimension bubbles around them ala Madoka Magica that change their surroundings to match their respective themes; they can only be dispersed by either killing the princess or helping them find closure in their stories (Echo conveniently doesn’t tell anyone about the latter option). They’ll always come back when they’re killed tho (often worse), and the cycle can keep going.

– Hero is in community college, studying law (it’s not his passion at all, but his family really wants him to be a lawyer and he can’t disappoint them!!), and often does gigs as a delivery boy for several businesses or other odd jobs. One of the newest magical girls alongside Contrarian – name in this AU is Hiro Capricórnio, and his transformed name is Starling; he has a stars and knight theme, and is able to summon a long, silver, feather that he uses as both a sword and a shield

– my Contra design kinda looks like a vocaloid so I decided he’s an actual superstar in his normal life who goes by the name ‘Contra Jester’ — their shows are always a fun spectacle that mixes in jokes and comedic gags in their musical performance (kinda like an inverse Bo Burnham, but with more lighthearted themes) – his AU name is Carter Thomfoolery (actual birth name) and their transformed name is Lyrical; has a music and clown theme and can summon a lyre that he uses to do all sorts of effects on the people affected

– Oppy is Carter’s agent and a senior magical girl. Doesn’t technically has any credentials to be managing a super star and was caught money laundering before, but hey! as long as he doesn’t try to meddle in their shows, Carter won’t sue them :) — was very concerned when they found out Carter was made a magical girl considering how unpredictable and uncontrollable they already are – AU name is Oscar Wilde and transformed name is Jack of Trades; has a showman/magician theme and can use the cards up his sleeves and his echoing voice to convince others to do what he wants

– Paranoid is a workaholic trying to get into medic school while juggling two part-time jobs and her responsibilities as a magical girl. Is very distrustful of the Echo in her mirror that gives her orders, but is EVEN MORE distrustful of the princesses; one of which is a recurring Nightmare she has only barely managed to defeat a few times. Tries to help/keep an eye on Lyrical and Starling, since she knows how it is to just start this off without much (helpful) guidance – AU name is Pamela Noid, and her transformed name is Little Shrike; has a plague doctor/engineer theme, the suitcase she carries can be opened to all sorts of contraptions that creates toxins and acid-filled bombs or guns, can also produce healing medicine (the pinnacle of “I’m a healer, but–”)

[shorthaltsjester]

honestly as someone who has been in various fandoms for a long time now and who also watched campaigns 1 and 2 without really getting into cr fandom it isn’t Shocking but it is annoying how often people will look at the stories that cr tells and make absolute claims about the goodness of characters (goodness here meaning Moral goodness, not I Like This character and think it’s well made goodness, which is a separate post entirely). particularly regarding the gods and pc parents. and honestly like, typically in fandom i get annoyed by people bending over backwards to woobify characters who are active in their choice to be unkind and generally horrible but in the cr fandom it’s tended to be the opposite where like. a character is just. a human being (in the sense of being Average not in the sense of Fantasy Races) and huge swaths of the fandom act like that’s the most unforgivable thing someone can be. and maybe it is, but one of the most powerful things about fiction is that it tends to encourage people to expand their empathy and exercise their ability to forgive. because fictional characters, no matter how much people like to project onto them, tend not to cause anyone harm, so it’s easier to learn how to forgive and accept things you don’t understand without also villainizing them.

this is mostly prompted by the recent 4sd and the fact that matt’s response to what’s up with the dawnfather was a very insistent “He’s not bad!” and also seeing the online reaction to the mention that the matron would punish vax for saving keyleth that has taken the as usual completely bonkers tune that the raven queen (Who When Met With A Brother Asking A God To Kill Him In Favour Of His Sister, Gave Him A Job, and Later Extended His Natural Life To Help Protect The World And Have More Time With His Family And Allowed Him To Visit His Sister On Her Wedding Day) is a horrible evil abusive bitch of a god. like. can we grow up? can we understand the world and fiction that represents the multitudes of experiences found in it in shades of grey? is that too much to ask (i know it is).

but also specifically the like Extremely Adamant way that both matt and laura were like no no no no relvin isn’t Horirble he’s average. he’s not good he’s just. he’s A father, not a good or bad one. and on the surface it’s hilarious that they’re both so like. enthused to point out that he’s Average because typically when people respond to a claim of a characters badness with the level of immediacy they both did it’s a rebuttal of “no, this character is good actually.” but it was just to affirm that relvin did harm imogen, but not because there’s some aspect of his character that is inherently cruel or especially Bad. and like. yeah actually. yeah you should react like that to a claim that this average person who Has hurt someone, the way that nearly every single person has hurt someone in a way they cannot repair, with immediacy to say this person is a Person and thus imperfect and capable of great harm, but that isn’t some all encompassing judgment on their morality or capability to also do good or be fine.

anyway this is kinda just a rant post but also is just me saying i’m very grateful that when surrounded by a fandom that tends to paint characters as Good or Bad and even while using a game that can encourage that with its alignment system, cr has always told stories that see goodness as a persistent choice that might sometimes falter and that can be chosen even after a lifetime of Badness. i can’t remember exactly what the quote was so forgive me if it’s incorrect but when jester is talking to caleb after he claims he’s not a very good person and she says “good people do bad things sometimes. even bad people do good things.” that’s it! that’s one of the most consistent themes across campaigns. and yet.

[sorin-sunchild]

When the animatronics were first being made, they programmed one, affectionately named Eclipse. It was a celestial themed jester that could act. Not only could it act but they gave it the unique ability to do a full on 'costume change' right there on stage! One minute, a bright happy Sun character who wants to play and create! Perfect for naming the 'energizing' sweets after! The next, a mischievous Moon character who wants to rest and relax! Perfect for naming the 'sleepy time' sweets after! And in between of course, it's original and true programming (though not quite as marketable as the characters it portrayed) which has great charisma on stage and interacts very well with the children. Ah but then live theatre isn't 'cool' is it? No no, kids want cartoons! But what to do with your expensive celestial jester animatronic? Well, the daycare is being opened, could we theme that on the Sun and Moon? Of course! But hey, aren't things getting a bit weird around here? Aren't the animatronics getting a bit...quirky? Isn't it frustrating that most if not all of the human staff are slowly being replaced by robots? Okay well it's got to work in the Daycare now, who cares. Damn, but they can't stop it switching between Sun and Moon now. It's like the AI is trying to turn those parts into their own things instead of just different characters Eclipse can mimic. Who knows why. A virus, maybe? Malfunction?

Sun seems anxious all the time, forcing strict rules onto the children, obssessed with cleaning, unsure if it's actually doing the job right so trying every possible game and craft idea, scaring the children by accident.

And Moon is...well, Moon is not child friendly any more it seems. Better replace that moving faceplate with something a little kid can't stick it's hand into. Better to add some generators (who cares about the danger!) so the lights always stay on and there's a quick backup. Okay so it's not perfect but it's too late now.

And now the whole place is coming down. Wreck and ruin. Body broken, splintering in full effect, fighting with each other, no longer who they are supposed to be. Everything hurts, the gears that don't turn right inside, the lonliness, the confusion, feeling torn apart...need to reset, need to reboot, need to be whole again.

Now, whole. Feeling a lot better. Still broken, but thinking as itself again. This was how they made it to be. But look at this place. Will it ever, really, be ready for children to come play in again? Well, only one way to find out...time to clean up.

[maxmagic]

LONG post featuring my opinions on this design and her concept and also Vivs character design decisions in general

This design singlehandedly made my account rise from the fucking dead because of how much opinions I have on it

TO NOTE : I LIKE Helluva Boss as a show. Is it perfect? No. Do I think it has issues from both writing and design aspects? Yes. Do I like it regardless? Also yes. You can like a show and still have criticisms of it. Also Viv has answered some criticisms about Beelzebubs design and I will talk about them too

Final warning cuz this is LONG and rambled at points

By this point we are all aware that once a new character gets revealed in Helluva or Hazbin , there's always opinions on it.

But Beelzebub truly takes the cake on how divided people are on her design. People either adore it or hate it with a blinding passion (and some just don't like it cuz they have a Viv hate boner).

I have to say I actually really like it as a stand alone design. Remove her from the story and context it's genuinely an appealing design with fun and bright colors. I personally don't mind the early 2010's sparkle dog look. It has a nostalgic charm to it and if you followed Viv for long enough you know she really likes that aesthetic. She has good colors and color placement and my main real dislike is the weird hair.

And she's animated BEAUTIFULLY !!! Real props to the animators for being able to make this design look nice in motion because god lord is it complicated. This will be a criticism later, but again, its really amazing on how they made this design look good even though we all know this must have been a real bitch to animate.

The real issue that come to me with her design is when you put her in the show and have to think about who she is, what she is, what her lore is ect.

Firstly: Her not being 'lore accurate' kinda falls flat given that none of the designs thus far have been accurate to what they're based on. Like Asmodeus has elements that tie him to his demon name counterpart (with the rooster tail and 3 faces) but they're more allusions then design inspirations. Lucifer is literally just a top hat twink and Mammon (even tho we haven't seen his full design yet) is clown/jester themed. Viv has made it clear that this version of hell isn't supported to be an accurate depiction of biblical hell. So she can really do whatever she wants with her interpretation. Her not being an insect, although disappointing since we don't really have that in the show, is only just a matter of personal taste.

HOWEVER there's still a lot of discrepancies with her design.

So she's supposed to be a Bee-Fox hybrid... Where's the bee??? Like take away the hexagon background, where is the bee part of her design? She has antenna and wings but... They don't really do much. The antenna are fine and its smart they placed at the tip of her ears, but the wings are straight up not bee wings!!! They look more like pixie wings and they're so small half the time I forgot they were there. Couldn't you have added.. idk some stripes?? she has stripes on her ears but they don't look like bee stripers more so general Viv design details. It's weird given she uses stripes so heavily in other designs yet the BEE character doesnt. Maybe add some fuzz like how bumblebees have?? Maybe trade that stupid lava lamp tail/hair if its too complex. I really don't like how she has normal hair and also a weird liquid part and liquid tail. It adds too much visual noise and just doesn't gel well wit the rest of her design. Her lava lamp stomach too just feels like needless addition of animation work for something that just doesn't add anything. Her colors ( despite being nice) kinda clash against all the other hellhounds who have a muted black/grey/red color pallate. It makes her look like an 13 year olds OC thats been edited in

Literally the only things that changed are her colors, size and eyes. In my opinion this should have been her base design because the colors and bug eyes lean into more of the bee aspect. Plus with these colors she fits more with other hellhounds.

Like right now the normal design feels 97% fox with just the most subtle bee elements slapped on. If it wasn't for the background, look me in the eye and tell me this design is a fox bee hybrid.

She also doesn't feel like a prince? She's dressed very casually and doesn't have nearly have enough of an imposing vibe. I didn't know she was a prince until it was said in show. I thought she was just some high rank demon performer. Its kinda disappointing given how grand, larger then life look and energy Asmodeus had. They were introduced in the same way via big song number, but Asmodeus felt like a Prince of Lust, Beelzebub felt more like a performer of Gluttony rather then a ruler.

Also why if she a hellhound in the first place? i saw somewhere on twitter that its cuz her people are hellhounds but that doesnt make sense. Lucifer isn't a human and Asmodeus isn't a succubus, so why does Bee have to be a hellhound? We know that hellhounds are the lowest ranked amongst hell natives, so how do people outside of gluttony feel about her? She is treated like royalty but is also a hellhound, the lowest demon. It causes a needless paradox that makes you question the worldbuilding of the show.

Also why are hellhounds the lowest rank in hell ? and why are they associated with gluttony of all things? I am going to be honest when I say I completely forgot they were native to gluttony because gluttony has a beehive aesthetic and like wtf do dogs have anything to do with it . Like other demons shown have themes that tie them into their respective prince or sin, but we aren't shown why hellhounds in particular are gluttony. Like it feels like a minor thing but when you present information about worldbuilding and show stuff that contradicts it, people will question it.

And why is she dating a hellhound? Or more so why is she so open about it. Like its been shown in the show that Stolas and Admodeus dating imps is a taboo thing so her being so open about her relationship with someone whose even lower then an imp. Again its going back on lore and worldbuilding being contradicted. If you're going to make rules for a show, stick to them.

I'm putting these two side by side cuz I have the same complaint about them.

How are we suppose to know this?? First the gluttony ring severally lacks any circus motifs (it has more of a bee theme then a circus one), but Bee ESPECIALLY doesn't have ANY hints at being circus themed, let alone animal trainer.

I knew that all the princes had a circus theme but from I (and from what ive seen in other comments) though she was an acrobat or like dancer of the sort. Literary nothing in her design says she is an animal trainer. And also the hippie 60s spirit is also not anywhere in the design. Just because a design choice is clear to you doesn't mean its clear to everyone else. A good design makes its points across loud and clear so everyone can understand it. This really feels like she's making it all up as people ask. She probably isn't but it really comes across that way. You cant just say something about a design that just isn't in the design or its not shown properly. This is an issue a lot of Helluva and Hazbin Hotels characters have (look up any of their trivia and you'll see how bad some designs are communicated), but with Bee its emphasized tenfold because she's suppose to represent all these different things (fox, bee, prince, party girl, animal trainer, DA sparkle dog, 60s hippie free spirit) at it just isn't conveyed or is put in such a way where you cant clearly tell what it is. It honestly feels like Viv had in mind to have a Kesha pop party girl character and just made her a prince. Shes trying to justify all these things and saying them like they're obvious when they're clearly not!

This design suffers from having too many ideas slapped on it that just don't work and actively work against each other.It makes me less excited for the future prince designs

If youve come this far good for you for sticking around to this way too long of a ramble about a probably one off character in a popular indie cartoon :D

[homestuckreplay]

Harlequin Anger vs Jester Ennui - Color as John Egbert’s Emotions

Week 2 Retrospective

John Egbert is the silliest little guy, but we’re starting to see hints of what he’s feeling beneath the surface. Looking at the themes of the comic so far, my current theory is that the colorful elements in the comic are the things that make John feel strong emotions - both good and bad - while the monochrome elements represent what makes John feel bored and frustrated.

Analysis below the cut - about 2,200 words.

‘A familiar note is produced. It's the one Desolation plays to keep its instrument in tune.’ (p.82)

Desolation has two, related meanings - one is loneliness, grief, and lack of companionship, while the other is ruin, emptiness and destruction. The first meaning is John’s current mental state, while the second is the suburb he lives in. The majority of what’s surrounding John is entirely monochrome, and so is John himself. We also learn from the narration on p.82 that ‘something feels missing from [John’s] life’ and that he has a sense ‘not of mirth, but of lack’. I think he spends a lot of time going through the motions - poking at things in his room without settling to anything, wandering up and down the stairs when his dad is occupied - but his life is the same day in and day out, and he struggles to inject any excitement into his life, or even any anger at the situation he’s trapped in. 

I think it’s extremely notable that almost everything relating to John’s family is monochrome. In addition to the house as a whole, the portraits of his dad and nanna are monochrome, as are the gifts and cakes from his dad, the car outside, and most importantly the piano. I don’t think John hates his father, but I think he struggles to connect with him or feel close to him. Ignoring page 72’s peanut ambiguity, the worst we hear about Dad is that he will ‘monopolize hours of [John’s] time’ (p.30) and ‘can be a real cornball’ (p.49), which is a big contrast to him calling Betty Crocker his ‘arch nemesis’ (p.48). 

Therefore, John’s dad is an inconvenience, not a threat. John might know intellectually that his dad loves him - ‘the old man really came through this time’ (p.19), as well as the kind fatherly notes left on John’s birthday presents (p.12, p.55) - but I think he can’t make the leap to actually caring about his dad in return or enjoying his company.

John is a gifted piano player, and gives us a ‘haunting piano refrain’ (p.77). Him being a musician ties back into the act title - ‘the note desolation plays’ uses the language of music, something so often filled with emotion, to describe a lack of it. Given that, of course the piano is monochrome. Perhaps John even sees the piano as the source of his problems, or at least representative of them. 

I noted at the time that it was strange John hadn’t listed piano among his interests when it’s clearly something he’s spent a lot of time on, and now I think it’s something that was taught to him as a kid by either his dad or nanna. He’s good at it, but he’s so disconnected from family life that it no longer brings him any joy, it’s just a hangover from his childhood. ‘Haunting’ makes me think it was his nanna who taught him - now every time John plays, he’s haunted by her memory (or even her literal ghost). Possibly her death is what made John disconnect from the hobby, especially with ‘desolation’ relating to grief.

On page 4, we get our first glimpse of the outside. The blue sky shot through with the brown tree is the largest splash of color in John’s room. The promise of the outside world is extremely colorful, and we know John wants to go there - the window reflected in John’s glasses on page 28 as he grins excitedly is a clear visual indication of that. Yet when we finally see it, the outside isn’t all color - the grass, sky, trees and flowers all are, but the man made aspects such as the driveway, tire swing, and other houses in the neighborhood are gray and dull.

Page 82 gives us the dramatic moment of John removing his clever disguise and gazing up at the sky. It’s the first time we see the sun and the uninterrupted expanse, and it’s framed like it’s significant for John, too. I don’t think it’s literally his first time stepping outside (you can’t tell me his dad didn’t push him on that tire swing as a kid) but I think it’s the moment he realizes that leaving his literal house doesn’t mean he’s not stuck - the neighborhood is just more of the same, and whatever restrictions John’s working within mean he can’t go any further than this. A front yard is legally part of a house, and the reality of the outside doesn’t excite him as much as the idea of it.

And then there’s the clowns. The one aspect of his dad that really gets John going; the harlequin portraits in the hallway and living room that Dad brought back from clown con are bright, obnoxious, and impossible to ignore. Interestingly, the ones in the study are black and white - perhaps John is okay with the clown pictures in the study, because that’s explicitly his dad’s space, but he doesn’t like the ones in the main area, because they make him feel like the house is fully his dad’s, not a shared space they could decorate together. 

This is pure speculation, but I don’t think John has ever moved house. I get the impression that he grew up in this house, which is his dad’s now and was perhaps originally his nanna’s, and has never known a world outside of this specific neighborhood. Because John’s been there since he was born, it’s never crossed his dad’s mind that John might want to, say, put his Little Monsters poster in the living room - hence why that gift was left in John’s bedroom, while the harlequin doll is allowed to be downstairs. 

Speaking of John’s room, it’s definitely not an oasis of color within the house. In our first shot of the room, we see six splashes of color, including the outside and John’s shirt - comparable to the living room (six including John’s shirt and hat) and study (five including the outside and John’s hat). A full three of the colorful elements in John’s room are related to Sburb, which in both the visuals and text is the thing John’s by far the most excited about right now, but I’ll circle back around to this. 

John’s magic chest, magician’s hat, blood capsules, and copies of Colonel Sassacre’s and Wise Guy are all colorful too, but other prank elements - fake arms, beaglepuss, handcuffs, sword, smoke pellets) are all monochrome. This one’s tough, but my best guess is that John feels conflicted about his interest in pranks because it’s so similar to his dad’s interest, and perhaps even that the monochrome items are things John’s dad bought for him for past birthdays and holidays, while the colorful ones are things John got for himself. 

John’s shirt is also worth mentioning here. John’s ambivalence with the house extends to himself, and kids often don’t have a lot of control over their appearance. He probably doesn’t choose his own clothes or glasses or haircut, and he definitely can’t go out and get a tattoo of Slimer or anything like that, so it’s very telling that wearing a shirt with a favorite movie on it is the one way John can actually connect to himself. 

That said, all the movie posters in his room are monochrome, which I’ll again circle back to. One exception is the close up of the Problem Sleuth poster (p.11), which is mostly monochrome, but has four kernels of colorful candy corn. I love this detail so much. It’s a fun reference to Hussie’s previous work and suggests that the candy corn gags in Problem Sleuth are John’s favorite part, which feels right for him. I wonder if John will use candy corn for a prank at some point in reference to this game he likes. I also noticed that the menu bar at the top of the web page also contains four kernels of candy corn - is this just because Problem Sleuth is Hussie’s most notable work, or could it be a clue for Homestuck too?

The most colorful and complex elements of the comic so far are the screens. We see John’s computer, which as a physical object is monochrome but which lights up to a brightly colored world of chums, flashing programs, desktop icons and stunning feats of graphic design, including things John loves (Slimer) and things that make him boil with rage (coding). We also get to see a very green tinted TV commercial in the living room, and a full color clip of Con Air linked from page 20. 

All this makes me wonder if John’s list of interests is chronological. First on his list (p.4) is ‘really terrible movies’, and many of his favorite titles are from the 1980s and 90s, meaning he probably grew up with them. I think he still loves watching and discussing them, but - given that movies are a fairly passive medium - just the reminder of them on his wall isn’t enough to take him out of his own head anymore. He then got into programming, the paranormal, magic, and video games in sequence, meaning that the final two are his most active interests right now, and the ones to which the most time and color are devoted. In this way, the casual end to the list ‘You also like to play GAMES sometimes’ reads like intentionally downplaying something that’s actually really important, the sarcasm of ‘sometimes’ revealed later when we learn that John has ‘put countless manhours into this assortment of quality titles’ (p.31).

Unlike the movie posters, most of the games on John’s CD rack are in color, and unlike movies, games can offer an interactive, immersive experience. Games are enticing to John right now because they’re the best escape from a monotonous, suburban life that John has access to. He’s played his current collection time and time again (to the point that Bard Quest and Problem Sleuth have lost their color), and that’s why he’s so desperate for Sburb to arrive, and why the colorful reminders of Sburb are all over his room.

I think there’s a very real question of whether Sburb will live up to John’s expectations. At only one letter away from Suburb, it’s a clear reminder that video games don’t actually take John away from the life he’s stuck in, they’re a cosmetic alteration at best - and if the themes of the game are too close to John’s real life problems, he won’t find that escapism. So while I’d love to see a version of this comic where John finally starts playing Sburb and the whole screen immediately explodes into color, I’m not sure it’ll be that easy.

Finally, there’s the meta elements of the story. The captchalogue card overlay and strife specibus are pink and green respectively, and other elements that pop up (indication of whether or not we’ve got John’s name right, the cake turning blue when selected, the blinking green telling us we can put the poster on the wall, etc) are colorful too. The hammer that John allocates to his strife specibus is monochrome, however, which fits really well with John allocating it on TG’s instructions and not knowing that the allocation is permanent. If he’d known, he would have chosen something he felt more strongly about.

Interestingly, the narrative text is black. I still don’t think we’re directly getting John’s perspective, I think that’s been filtered through a specific narrator who has a voice very different to John’s (based on John’s Pesterchum messages), but I don’t think John has any awareness of this. In contrast, he’s all too aware of his captchalogue deck and the artificial, needlessly complex limitations it imposes, and he visually reacts to us getting his name right or wrong. 

If John were to somehow become aware of the narrative text, and have strong feelings about the way he’s being portrayed (or the fact that he’s being written about at all), perhaps it would change color? After all, when John talks to his friends, each of them has a defined color, perhaps relating to the different relationships he has with each friend, and different emotions arising from that. John doesn’t seem to always like his friends - he gets frustrated at the notifications, and spends his whole conversation with TT already trying to leave - but he still replies and actively engages with them, a massive contrast to how he is with his dad. 

‘His riddle is Absence itself.’ (p.82)

To conclude, I do find it interesting that the brightest colors in the comic are the things that are most natural (grass, flowers) and the things that are most artificial (screens, the abstract concept of the inventory) while everything in the middle is black and white. This fits with the idea of color being about both extremes at once, and the idea that John wants a chance to explore both the real and virtual worlds. 

The meta function of color is to make certain visual elements stand out to the audience and tell us they’re worth paying attention to. From a purely functional perspective, it makes sense that the things most important to John would also be highlighted to us. But given the theme of lack and emptiness, the absence of color is just as important. And as the comic is already playing so much with the meta, I think that’s the most helpful starting point for analysis. 

[blindmagdalena]

I’ve been reading King Lear the play by Shakespeare and King Lear is lowkey so Homelander coded.

Lear makes his daughters talk about how much they love him for them to get their parts of his land and when his youngest daughter (his favorite daughter) is essentially like “I’m not doing that and they’re fake for doing that” King Lear gets offended and cuts her off because he only sees that she wouldn’t say how much she loves him and not that she’s trying to help.

Also Lear has like a “fool” or jester that he gets mad at a lot but still keeps around and he kind of panics when the fool isn’t around. Another part of his stipulations for his daughters are that he is still called “king” but without the responsibility.

I feel like those are all Homelander moves, I may just be making unrealistic connections tho😭

no way i totally see your vision here!!! Homelander is surrounded by people that he terrorizes and bribes into endless sycophantry in order to vie for his approval and the privileges he can offer them. Ashley is very much his jester, someone he keeps around to torment but also who regulate his affairs. he, too, wishes to be king without the actual weight of the crown.

i think you could also argue some parallels with Starlight and Cordelia, with both of them refusing to partake in corruption/insincere worship, which is the only kind of love Homelander has ever known.

but ultimately i think that role is gonna go to Ryan, which has a lot of potential in season 4! hopefully not entirely, given Cordelia's fate... but i can see Ryan as being someone Homelander similarly seeks to have love him entirely, but like Cordelia, Ryan knows that kind of love is empty/unrealistic. Ryan, who did know the true love of his mother. You have begot me, bred me, loved me.  I return those duties back as are right fit: Obey you, love you, and most honor you.  Why have my sisters husbands if they say They love you all? Haply, when I shall wed,  That lord whose hand must take my plight shall  carry  Half my love with him, half my care and duty.  Sure I shall never marry like my sisters, ⟨To love my father all.⟩

the themes of betrayal and the exploration of love in all its forms suit what we see in Homelander's story, which i fear will also inevitably end in tragedy. while i don't see him ever casting Ryan out, i do think there will be major contention in their relationship when it becomes clear that Ryan will not play the role of Homelander's perfectly doting surrogate self/son.