#Which is something I always want to portray in my writing | Explore Tumblr posts and blogs

yourqueenb · 10 months ago

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THE TITLE 💀😭 (not a lie in the slightest, I was just caught off guard lmao)

No but in all seriousness, I think I have a bit of a complicated view of Kiara. Imo the issues with her have less to do with her interactions with the other characters as an individual and more to do with how she was treated by said characters, the writers, and fans vs. how the white women of the court were treated — which is why I understand why you often compare her to them and agree that that is pretty much essential to comprehending just how bad the writing for her is.

In an instance where someone is playing chapters with a week in between each one, hiatuses of several months, and give or take a year between each book PLUS all of the retconning throughout, Kiara disappearing for significant periods of time or having minor cameos, and an MC who is not romancing Drake, I think her poor treatment is very easy to miss and it’s equally as easy to take misinterpretations as fact. *I would even say that there is some basis for people to have a less than positive opinion of her if the conversation from book 2 chapter 1 about her and MC’s alliance is one of the factors.

*From what I understand about the fandom at the time of the series’ release, people definitely took the ‘Kiara is a snob’/‘Kiara is so fake’ thing too far. But I think it would be a bit disingenuous to say that she does not come off as rude and snobby in that scene, especially given everything else we know about her. Kiara is intelligent, observant, and calculated. As a diplomat and noblewoman, she values etiquette and propriety. And as a polyglot/linguaphile, she not only has a deep understanding of language but also tends to choose her words and when she participates in conversation overall very carefully. So with all of that in mind, her saying things like “even if MC were someone we deigned to associate with”, ordering Penelope not to “start up on those dogs again”, and pointing out her and Penelope’s high position of honor in response to a disgraced MC asking if they’ll be joining her in the back (which could’ve been meant matter of factly but looks bad within context)…. definitely cuts deep and feels unnecessarily snooty (and patronizing in Penelope’s case). Not to mention the whole “she’s beneath us” comment in response to MC being a bit sarcastic after everything just mentioned.

However, the absolute vitriol many fans had for her along with how eager they were to paint and view her only in a negative light no matter what makes no sense considering all of Penelope, Madeleine, and Olivia’s wrongdoings. Like Kiara doesn’t even come close to being as hateful and malicious as the last two and isn’t fake at all like Penelope. So why do the other three get excessive amounts of grace that they aren’t even deserving of while Kiara gets none and is either actively hated or largely forgotten instead?

If the writers valued and cared for their Black characters as much as they do their white ones and focused on consistency instead of favoritism, then some of the writing for and dynamics between the TRR cast wouldn’t have been as bad. But even then, that would still require entire scenes and chapters to be completely different. And that still doesn’t cover the fans’ eagerness to purposely misinterpret things and project their biases onto Black characters or the writers’ willingness to pander to those fans regardless.

Thankfully, PB didn’t reflect the fans’ view of Kiara as a Jezebel in the writing (which is honestly a bit surprising considering how much they catered to Drake stans and the fact that they have used the stereotype before in other stories as you pointed out). But given this essay and what I remember of this series myself, I just want to briefly point out and comment on some of the other stereotypes and real world experiences I noticed PB perpetuating and reflecting within TRR.

The first is the scene where Drake and MC can prank Kiara by dumping out her hair products. I haven’t read the scene or romanced Drake myself, but I think the inclusion of that at all is… let’s say interesting… considering the fact that attacking Black women’s physical appearance and beauty is often one of the first things non-Black people do when they feel threatened in any way. And of course, the prank seems fairly harmless in the grand scheme of things and is nowhere near equivalent to real life policing of Black hair. However that particular option appearing after the overall rage/jealousy of Drake stans toward Kiara isn’t really something that can be ignored.

The next is all of the questioning, mocking, and challenging of Kiara’s skills and capability. This one especially rubs me the wrong way because it’s such a common microaggression, but I feel like most people didn’t even notice it in the story and definitely don’t irl. Like Olivia is lauded as some sort of badass super spy who Cordonia couldn’t survive without even though she does nothing with any of the intel she manages to get…. But sure, Kiara is the one with delusions of grandeur who needs to prove that she’s as capable as she says she is 🤨

And coming off of that, I think it’s very telling how a lot of the fans take issue with Kiara’s perceived “snobbishness”, but ignore it or find it amusing when Olivia, Madeleine, or anyone else at court acts the same way if not worse. If it were an issue with classism and arrogance in general, then surely Olivia, Madeleine, etc. wouldn’t be exempt from criticism/backlash, right? But they usually are and are even seen as people who deserve to be cocky… so then what could possibly be the issue now??

And once again, I feel compelled to point out how a lot of the time Black people can’t escape the ugly realities of the world that we live in even in fiction. We can’t be too beautiful, too smart, too aware of our accomplishments, or too comfortable in prestigious spaces lest we threaten the inherent superiority of everyone else. Society holds us to a higher standard yet expects so little of us at the same time. And unfortunately, Kiara and many of PB’s other Black characters are indicative of all of this

Drake and Kiara: When You're Fucking Racist

Series - TRR's Alternative LIs - The "Romances" that Didn't Happen

Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.

CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.

Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.

On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.

The caption underneath this edit?

Classify under things no one asked for.

Kiara's dream come true!

The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).

The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.

"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"

"Well it's close to Halloween so we should expect scary shit"

"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)

I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.

Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.

But in this series, Kiara was, is, and will always be an anomaly.

The Jezebel Stereotype

In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.

An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."

So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.

(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)

Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.

In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.

Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.

The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.

An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).

The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.

We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.

The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.

How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?

A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:

"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)

"I liked Penelope, I thought she was nice. But Kiara got on my nerves."

In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:

"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).

Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.

TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?

"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.

Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.

We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).

Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.

It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.

Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.

Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:

The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.

That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.

So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?

But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.

This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.

In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.

No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.

Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.

Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.

On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".

TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)

I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.

Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.

What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).

Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.

The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.

When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.

TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol

So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.

This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:

1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)

Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.

She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).

The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.

The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.

2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)

A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.

Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.

Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.

3. Never-Have-I-Ever (Ch 9)

This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.

3. Flirting with Drake in Paris (Ch 10)

For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.

Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.

Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.

The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.

The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.

The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".

Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.

This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).

After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.

4. Pranking Kiara (Ch 17)

A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.

And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.

Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.

His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).

Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.

Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.

The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".

There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.

Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.

The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.

Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.

5. Drinks at Homecoming Ball (Ch 19)

This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.

Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.

The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.

The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).

Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).

The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.

Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3

On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:

According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".

Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.

Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.

I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.

Well. Boy was I about to be disappointed.

Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??

Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.

For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.

Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.

For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.

Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!

Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.

The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:

"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."

In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.

Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.

And then there is the matter of how PB deals with the problems of all the court ladies.

(Screenshots from the Skylia YouTube Channel)

The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.

In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.

But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.

It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".

Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.

When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3

As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.

Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.

1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)

Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.

Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.

A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.

This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.

In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.

It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.

2. Cheering for Drake's Victory (Ch 10)

Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.

In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.

A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.

Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.

3. Leaving Court + Wedding Conversations

Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.

Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.

Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.

In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).

In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.

Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.

This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.

As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!

I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:

1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.

2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.

3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.

4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.

And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.

He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.

It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.

I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.

The Talk

If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".

I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).

Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???

It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.

He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.

Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.

And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.

Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.

Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.

It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.

They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.

I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?

The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.

The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?

TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase

Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.

Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.

The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.

Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.

Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.

An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.

There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.

The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.

Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:

(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)

There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.

There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?

If they did, then that plan didn't last beyond these two chapters.

Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.

Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.

Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.

This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.

Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.

In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).

Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.

You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.

We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.

In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!

TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.

Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.

It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.

Fandom

When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.

I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.

Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.

But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?

Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.

Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.

And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.

This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?

Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.

But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).

You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.

It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.

Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too.

Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.

Did Drake and Kiara Ever Have A Chance?

There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.

I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.

A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.

Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.

I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.

But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.

It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.

All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.

Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.

And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.

They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.

They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.

They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.

Resources I used to learn about the Jezebel stereotype:

The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland

Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).

From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website

#but anyway…#sorry about the length I added to this lmao #I actually wanted to write more bc I didn’t even get to the crazy extent to which Kiara was portrayed as dangerous and predatory to Drake #or her trauma being ignored and exploited #but as always you did an excellent job of that anyway esp as someone who knows the ins and outs of the story so well #and I basically wrote all this with that weird burst of adrenaline you get when you’re sleep deprived at 3 am 💀💀💀#so sorry about the rambly mess with little connection between points LOL #I just don’t have the energy to make it better now #but on another note something I often think about #is when I first started interacting with PB/Choices through fb #and there were people speculating about the reason for so much inconsistency and favoritism in the popular series #and I had made a comment theorizing that the writers often made changes to the stories based on fan responses #and someone from their social media team actually responded and basically said ‘no we don’t do that don’t believe everything you read guys #meanwhile TRR and OH book 1 already existed…#not to mention all the other ‘too specific to be coincidence’ instances in other books #like who are you trying to fool PB #and speaking of OH Aurora was one of the main characters I was thinking of when I wrote my last paragraph #but that’s a whole other multi paragraph discussion 💀#anyway this was a great series #I have to read some of your other essays bc I think I’ve actually missed quite a few #so def looking forward to that when I have some more free time and good food in front of me 😅#long post

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milliumizoomi · 5 months ago

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Hello, I was thinking Armando Aretas x Reader. Where Reader was sleeping, and she felt the bed dip and noticed that Armando was on top her with his head on her chest and he was slightly crying because he had nightmare and Reader comforts him because he deserves the whole world. She also kisses his head and playing with his hair.

𝐒𝐈𝐋𝐄𝐍𝐓 𝐍𝐈𝐆𝐇𝐓

☆彡SUMMARY.; In which the night is unforgiving to Armando, so you do everything in your power to help him.

☆彡FEATURED.; ARMANDO ARETAS x FEM! READER

☆彡TROPE.; ESTABLISHED RELATIONSHIP

☆彡FORMAT.; ONE SHOT

☆彡GENRE.; FLUFF + ANGST + HURT ➪ COMFORT

☆彡WARNINGS.; mentions of nightmares, mentions of death, mentions of anxiety, mature language, actions of crying and vulnerability, fear of being left behind, google translated spanish, and slight bad boys for life spoilers.

☆彡NOTES.; oooo babes this requestttt omg I love it🥹🥹,, the vulnerability of him is something that I’ve always liked so I’m soooo happy to write this. Tysm for this request and I hope I’ll be able to portray it good. I hope you all enjoy!!💕💕

[P.S.] HE USES THE TERM MAMA AS A FORM OF ENDEARMENT, its holds the same weight as the terms babe or baby would.

REBLOGS ARE APPRECIATED😉.

🎧FOR THE BEST EXPERIENCE, YOU CAN LISTEN TO RIGHT MY WRONGS by BRYSON TILLER🎧

The rain beat down on the glass windows of your apartment. It was currently 2:33 am and you were sound asleep, softly breathing in the tranquil of deep slumber.

Between the pitter patter of the rain hitting the windows, and the soft and gentle vrring of the air conditioning, you couldn’t help the calming sounds that kept you in a deep state of sleep.

However, the man beside you couldn’t fare the same.

Armando had been tossing and turning all night.

At one point he woke up in a cold sweat. He looked over at your sleeping form, softly snoring away and he didn’t want to bother you because he’s hates the feeling of vulnerability in any situation. So he sucked it up and tried to go back to sleep.

By now another 2 hours have passed and it’s by now you’re beginning to stir in bed. You felt the bed dip beside you but thought nothing of it, thinking Armando was just doing something, or simply sitting up in bed so you tried shifting in bed and going back to sleep.

That was until you felt a sudden dip in the bed right next to you, and then a sudden weight on your body. Your eyes shot open and you look down to see a little mop of hair in your face. It wasn’t the weight of his body on top of yours that startled you, it was the fact that your shirt was dampening as he was hiding is face in your chest.

He was crying. And he never cries.

Immediately you began to worry and sat up as he was holding onto you, following your body up. He was holding onto you so tightly that his grip was threatening to pull you back down.

“Baby..? Are you okay?” You caress his head softly as the worry in your voice was evident. He didn’t answer, opting to hold onto you tighter. “Baby please talk to me.. what’s wrong?” You scrape your fingers through his hair gently in order to calm him down.

Finally he looks up at you and you see his red watery eyes and dried tears in his cheeks, with more tears threatening to spill down them. Immediately your hands shoot up to his face and caresses his cheeks.

“Dime qué pasa bebé. Estoy aquí y te escucho.”

Finally he looks at you and holds onto you tighter. You feel his body slightly shaking and your worry continues to grow.

“..had a dream you got shot.. took a bullet for me and i just kinda.. stood there and let it happen… I didn’t react fast enough and you just dropped and I..—“ he starts and then chokes up.

“Shh baby I’m here.. I’m here with you.. I didn’t go anywhere, I didn’t die”

You caress his head and pulls him impossibly closer to you, comforting him the best you can by reassuring words and kisses, littering them all over his face. He just surrenders to your actions, wanting nothing more than just being close to you in this moment.

“Did the nightmare just happen?” You ask him. Wordlessly, he nods his head no and you can feel his body convulsing, as to hold back his tears. You gently rub his back, and proceeds to slide back down into a laying position with his head still on your chest.

Your heart ached seeing him like this.

“Should’ve woken me up babe.. you know I’d help you” you say softly into his hair, simultaneously kissing the top of his head.

“..didn’t wanna bother you” he says back.

You furrow your eyebrows at this. “You’ve never bothered me baby.. if it happens again, wake me up okay?”

He nods and hugs around your waist tighter.

This went on for a couple more minutes and you could tell it was extremely painful for him to talk about.

Everytime he’d try to explain in detail what happened in his dream, he’d get choked up again and you couldn’t stand to see him hurt so much anymore.

“You don’t have to say anything else okay? Nothing at all.. I won’t leave you by yourself.. I won’t die on you.. te prometo que” you say softly, pulling his head up from your chest with both of your hands then plants a kiss on his lips, using your thumbs to wipe away the tears escaping his eyes.

He leans into the kiss, closing his eyes and the furrowing his eyebrows, a tendency he has a lot. You pull away and he stares into your eyes.

“No puedes volver con eso mamà.. you promised”

You smile at him and then kiss him again. “I’m not going anywhere babe.. I promise.. hasta el fuego”

He finally cracks a small smile at your words, a little bit of peace comes with what you just said to him.

He rests his head back into your chest.. mimicking the same words back to you.

“Así es mamá.. hasta el fuego”

The rest of the night is filled with the same pitter pattering of the rain hitting the windows, and the gentle sound of the AC filling the space, except this time, the man you love so deeply is resting on your chest, the steady beating of your heart reassuring him that you are here, and still with him.

That you go won’t anywhere.

And you in turn use your fingers to comb through his hair, scratching his scalp gently and playing with his hair, occasionally kissing his head and caressing his body to soothe him back to sleep.

You had already made up your mind that you wouldn’t sleep until he fell asleep.

Between the beating of your heart, your touches and the rain outside, it didn’t take long for the man resting on your chest to drift away into slumber.

And you in turn smiled, happy that he can now get the rest he deserves, knowing that you won’t be going anywhere, unless it’s with him.

[GLOSSARY]

“Dime qué pasa bebé. Estoy aquí y te escucho.” �� Tell me what's wrong baby.. i'm here and i'm listening

“..—te prometo que” — I promise you that

“No puedes volver con eso mamá..” — you can’t go back on that mama

“hasta el fuego” — to the fire or til we burn

“Así es mamá” — that’s right mama

ミ★

{TAGLIST} :: @loakswifesworld @ghettogirly @tinys0ftie @shurisgf || if you’d like to be added to the taglist just let me know in comments or dms🤗💕

#🪸 :: 𝗟𝗜𝗧𝗧𝗟𝗘 𝗡𝗢𝗧𝗘𝗦 #armando aretas #armando armas #armando x reader #armando armas x reader #armando aretas x reader #bad boys ride or die #bad boys for life #jacob scipio

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alexiswritingstuff · 3 months ago

Text

Everyone can heal.

Pairing: Logan Howlett x Gn!reader

Summary: Logan falls asleep in the day room at Xavier's school, you accidently startle him awake and end up getting hurt.

Genre: hurt/comfort.

Warnings: mentions of blood, and descriptions of wounds, mentions of nightmares.

This is the first time that I am writing in a while, so I hope this isn't just straight up terrible.

A/n: this if my first fic for Logan, so like I usually say when writing for a new character, I may not have portrayed him in an accurate way. There might be parts that seem out of character and such, so please keep that in mind while reading!

Anyway, I've watched the X-men movies since I was a kid. And after watching the new Deadpool and Wolverine movie I was put right back at square one. So, here you go!

I hope you enjoy!!

Logan masterlist.

It had been a long few days.

It was one of the first weeks that you had actually tried to be a professor. Of some sort.

Now, generally, you weren't exactly the kind of person that worked well with kids. It was a lack of experience on your end, as you hadn't gotten the chance to grow up with much others.

But you wanted to learn. Or... did.

The main fault was that you had forgotten to weigh your personal life, more so the things you needed, alongside being a professor in a school.

See, there were a few things that you didn't know about your abilities beforehand. Charles managed to bring some to light, and in turn, you had to figure out how to use them: Incorporate them into your training, into your fighting skills.

It was a lot to relearn. And you misjudged just how much it was going take it out of you.

Though, you didn't seem to be the only one.

Logan was practically in the same boat. Maybe even a little worse. I mean, he was good with kids, but working with them was different, especially when it's a whole group of them at a time. He even bailed on his own classes once. Or twice... could’ve been more.

But you couldn't exactly blame him.

This was the man that barely stayed a week anyway. He was always leaving, whether it was for a bar or something else, you didn't know unless you went with him.

He wasn't used to it yet. The change of being alone, pretty much all the time, to suddenly being surrounded by a boat load of people 24/7. It was understandable. Especially to you, which is probably why you had got to know him so well.

It was the end of the day. The sun was tucked far beneath the horizon, blanketing your part of the earth in a complete darkness. Minus the slight light pollution.

The hallways of the schools were empty at this time, each kid, hopefully, getting a good night's sleep for the next day of learning. But you could never be sure when it came to the teenagers.

It meant that there were less things in the surrounding area for the sound of your footsteps to bounce off. And that, combined with the size of the archways themselves, allowed the echoes to ring a lot longer than needed.

You were on your way back to the day room, having made a quick stop by the kitchen to get more sodas in order to soothe the joint annoyance of having a lack of beer.

It was where the two of you usually set up for quiet moments like these. There wasn't really anywhere else to go, unless you wanted to be stuck in an empty classroom, or have to sit on a freezing bench. And neither of you had an interest in being near a bed.

The most important factor about the day room, however, was that it had a TV. Which just so happened to be the first thing you heard after passing through the final corridor.

It was distant, set at a cautious volume. It must've been one of those talk shows, or maybe some kind of sitcom, as a chorus of laughter would erupt after almost every sentence said.

Either way, it didn't really matter. It had only been put on for background noise. A sound that would carry the silence whenever the two of you had stopped talking, unsure of what to bring up next.

Though, it seemed it had worked a little too well.

The last time you got a look at Logan, he had resumed his usual position. He was upright, back pressed firmly into the sofa as if he were trying to meld with it, and leant against the palm of his hand that had his elbow digging into the armrest.

Your feet halted in a matter of seconds of turning into that doorway. Your tongue was curled in your mouth, lips parted and remaining so, as your eyes had landed back on the man.

He was lying in the opposite direction. His body was sprawled across the length of the couch, though his feet were cursed to hang loosely over the edge. His muscles looked tense, regardless of the usual relief that sort of position was supposed to give a person. But that wasn't the interesting part.

His eyes were closed.

At this point the condensation on the bottles had begun to grow into little drops of water, joining together, one by one, before leaking onto your skin.

Your steps were slow, testing each of the floorboards beneath your shoes to avoid the ones that creaked like an old door.

Logan wasn't a person who got tired easily. It was part of his mutation, that of which you had learned very quickly, but apparently it had manifested into thinking that he couldn't even feel it at all. I guess you were wrong.

Though, in his defence, he may not have even meant to fall asleep when he closed his eyes.

Eventually, you had made it to the edge of the couch. There was a side table on each end of it, the safest and the closest option regardless of the fact his shoed feet were almost right above it.

You took one of the bottles in your free hand, making sure that your grip was just right, before beginning the descent to the table.

You held your breath, narrowed gaze flickering consistently from the eventual destination to the sleeping man. The concentration had even caused your tongue to poke through your teeth as you took about a step closer--

And then bam.

Right as the bottom of the bottle had touched down on the wood, this sudden guttural sound rippled through the air. It had you stumbling backwards, gaping in the direction of the continued noise that sounded like fear itself.

In front of you, now, was not the same sleeping man. In fact, this man was sat up, though almost hunched over most of his body. His arms were raised, aimed straight ahead, and that happened to be right at you.

“Whoa-- hey!”

He was heaving. Each breath taken almost shook his entire body. And the noises... They were almost like growls.

They were so deep and harsh as they pushed out of his throat one after the other, but his inhales were somehow even worse. It was like all the air in the room had suddenly dissipated.

It wasn't until you heard the seams of the couch starting to rip that you realised his claws were even out, the ends just about digging into the pillows beside him.

“Logan, hey, it's me, okay? Look,” you attempted to call, trying to lower your head so that he could properly meet your eyes, “Look, it's me!” And then he did. He saw you, even if It took a moment for it to actually kick in.

He was still heaving, his gaze was fierce and his eyebrows never eased. He had even slightly choked on a breath on its way out.

But you saw the way he had slightly leaned back. There was a relief within the swirl of other emotions.

Until his gaze lowered.

Now, at some point in the past few minutes, the other bottle in your hand had been discarded. It most likely hit the edge of your shoe, sending it to roll off into some corner of the room where it would be forgotten about until morning... But it hadn't smashed.

So, why did something sound like it was dripping?

“Y/n.”

By the time your eyebrows had furrowed in confusion, Logan had hurriedly shoved himself up from the couch, his claws shrinking back between his knuckles within seconds. “Shit.”

You were lost. The sudden switch in atmosphere had you just standing there, fixated on the man that was moving towards you with this look on his face. Similar to one of guilt.

“Logan?” You had barely gotten the name out before you suddenly felt a hand on your arm. Your head snapped in its direction, lips parting so that you could ask what the hell was going on. And then he slightly tilted your arm.

There was your answer. “Oh.”

Three marks. There were three lines etched diagonally into your arm, one deep enough that it led the pooling blood to trickle down your skin. How did you not feel that?

“Fuck,” Logan's hand was careful. His fingers were light and gentle as they grazed the side of your arm. Hesitant. His breaths were getting louder again. “I'm…”

“I'm sorry,” he attempted, his voice barely escaping as a whisper, “I'm so sorry.”

His eyebrows were more furrowed than they were before. The rest of his face was sort of scrunched up too, like he couldn't believe what he was seeing. Or he was disgusted by it.

“Logan,” You tried placing your hand on his closest wrist, but he immediately retracted. He let go of your arm, “Hey, look, I'm fine, okay?” you started louder, more insistent, “It doesn't hurt.”

Logan shook his head for a moment. He took a slight step backwards, his stance heavy. His eyes never moved. “I'm sorry.”

He grunted, the frown taking over his lips deepening for just a moment before his torso twisted. He grabbed the neck of the successfully placed soda, and then just walked around you.

“No, wait,” You tried to reach out, wanting to grasp his arm or even the fabric of his top, but he swerved, completely avoiding you, “Logan?”

You couldn't even make another attempt as if your other hand was away for longer, more blood would end up dripping on the floor. So, your body turned, desperate eyes following the man in a way that was more of a plea than anything else.

But he never looked back. He continued walking through the doorway, rubbing hard against his temples with a final grunt before disappearing behind the wall.

~~~

The time, at this point, was unclear. The clocks in this school were usually around the learning areas, mostly in the classrooms, which created a sort of guessing game anywhere else.

It was apparent, however, that the sun had just begun to rise. Peeking over the horizon enough so that a bright mist seeped into most of the corridors.

You found yourself back in the hallways. There wasn't a very clear reason as to why than this inability to sit. A failure to be still for seconds at a time, regardless of the tiredness that had started to cling to your skin.

But that was the last thing on your mind.

You kept thinking about it; the previous encounter. It was sort of plaguing your mind, more so how you handled it.

Granted, it was in fact your first time having to deal with a situation like that, and usually you were on the other side. Though this seemed different, like something had just been exposed.

You were aware of the fact that Logan had nightmares. I mean, it was one of the most believable things about him, considering the things he'd gone through. The extent, however, was undetermined.

Until today.

A huff of air sifted through your lips as you attempted to straighten your spine, stretch the accompanying muscles that had grown tense over the past few hours.

The aimless walking was almost nice. The surroundings were mostly quiet, excluding the wind that whistled against the glass of the windows, having picked up some time earlier.

It was that time of year again. The group of months where the weather grew cold and the plants began to change. It almost made the school feel cosy even if there was no heating in the hallways.

In fact, where you were now was the coldest, and it wasn't until you looked up properly that you realised you were about to walk into a dead-end.

Slowly, your feet came to a stop, your lazy eyes blinking hastily in the blaring yellow light, which was starting to mix into this sort of orange.

Your shoulders lowered, a sense of relief filtering through your system as the decision had been final. You were going to go to your room, maybe even get to lay down for a few hours until it was time to teach.

So, you turned on your heel, taking about a step in the other direction as your blurry eyes attempted to focus on the closest doorway, until you could note the surroundings. It was the kitchen.

Now, that door was always open, usually swung all the way back and held by a stopper. But a light was on. Allowing you to properly get a view of the room and what was in it.

More so who.

Your movements had halted right as you were about to take another step.

Logan.

He was sitting at the narrow table at the back, set between the array of windows. His elbows were against the surface of it, one of his hands clasped around a bottle he had just set down. He swallowed, and so did you.

There was an initial pause, seconds taken to calculate the right decision, before you went in. Your lips parted, ready to release the script you had gone over in your head for the last hour--

“I didn't mean to hurt you.”

Instead, you were frozen. The volume of his voice, and the angle he sat at, almost made it seem like the words didn't even come from him. He probably heard you before you had even come down the hall.

Your eyebrows furrowed, “Logan–” you tried, but his mouth opened before you could even finish, “Just let me talk,” He hadn't moved. He was in the same position, still holding the bottle, and staring straight forward like there was someone there across from him. “Okay?”

You brought your lips together, placing a hand on the kitchen island to distribute your weight. Logan took the silence as acceptance and he cleared his throat. “I'm sure you already know,” he had begun, sparing the slightest glance your way for confirmation that didn't even need, “about the... nightmares.”

It was as if something in his mouth went sour when he said it, like the words itself tasted bad.

“Some are about the past, you know-- bits and pieces of it, anyway, but…” Logan paused for a moment, both verbally and physically. It only held for a few seconds. And then he sighed. “There are other ones too- Ones... ones where people get hurt, and, I'm…”

“I'm the one doing it.” It was a slow movement, an action that looked like it had to be forced, as Logan suddenly began turning in his seat. He met your eyes with a look that had your eyebrows furrowing all over again, “I'm the one hurting people.”

“Y/n, I'm sorry.”

“Logan,” you started, shaking your head in disagreement with the apology, but he only repeated it. “I'm so sorry.”

You made your way to the edge of the island, pace slowing once round the corner, “Hey,” Logan's gaze had shifted as you moved. It was lower, directed at a specific point. He was looking at your arm.

It had been engulfed by a layer of, hopefully, the appropriate bandaging. An attempt at following the tips Jean had given you from previous injuries.

But it being covered somehow made it seem worse than it was.

“Hey, look at me,” you called, stopping at a good place where you were actually in front of him, yet still a good distance away so he wouldn’t want to back off. “Look at me.”

The next words only left your lips when he had finally decided to comply. “I'm fine.” you assured, the tone of your voice much lighter than before. But that made the look on Logan's face shift, “I hurt you.”

“It was an accident,” Your response was quick, your voice making it sound so simple. Like the sentence said should’ve been accompanied by a shrug of the shoulders. Logan didn't like that, “Accident or not, I still hurt you, Y/n.” His tone was riddled with this disbelief, as if he couldn't believe that he had to tell you that in the first place.

“And, I'm still here, Logan.”

You didn't understand it. The two of you had trained together many times, each round ending with either one receiving a new injury until your skills developed. Hell, you had been in battle together.

A little scratch was nothing. “It was a mistake-- my mistake. I'm the one who startled you, shit like this happens.” you tried to assure. Logan scoffed immediately, “What-- Does that make it magically okay for me to hurt people?”

“No!” you huffed out, the ability to contain your annoyance dwindling the more he challenged your statements. “No, okay? But-- You know, what-- Look.”

You took a few more steps, the care for all of the previous caution going completely out the window as you grasped an end of the bandaging, and unwinded the material before pulling back the padding beneath.

“See?”

Logan almost looked like he had buffered for a few seconds. He blinked, and then again, and then twice really fast, as if it would change what was in front of him. His hand had even flexed, like he wanted to reach it out, though it remained on the table.

They were gone. Each mark, each line that was carved into the skin had completely gone. Disappeared without a trace. There wasn't even a scar.

“You…” He spoke slowly, his eyes trailing up the length of your arm to your shoulders. And then your face. “You can regenerate?”

“Granted, a little... Well, a lot slower than you-- But, yeah.” you confirmed, wrapping the bandage up in your hands before placing it on the kitchen aisle behind you.

Logan leaned back slightly in a way that straightened his up spine. He brought his legs from under the table and set them in the direction the rest of his body was facing. He had turned right towards you.

“Are you serious?” The complete deadpan had you staring right back at him. You couldn't read the expression, nor the stance. You didn't even know what to call it. “Yep.” You blinked. Logan didn't move a muscle, “You can heal.”

Now, you could hear it in his voice. It wasn't just a statement, a form of repetition to clarify the new information. He was getting mad.

You furrowed your eyebrows, “I... I don't really know what else you want me to say.” Which was the truth, the whole healing thing was one of the things you had discovered with Charles.

It's an entirely different process than it is for most anyway, let alone when it comes to Logan. At the moment you actually had to activate the process for anything to heal. But you were working on it.

I guess it just slipped your mind.

“So, you were just willingly acting like a damn damsel?” The lines around his eyebrows deepened the way they usually did when he was getting angry. And they weren't stopping.

“A damsel?” you repeated, even tilting your head as a wordless question, and he just nodded. “You stood there. You just stood there until I came to you-- You didn't even try to stop the bleeding. Hell, did you even notice?”

That look on his face never changed. You hated it. The way it darkened his eyes, or tensed the surrounding muscles. The most bothersome thing, however, was the fact that it was aimed at you. “No,” you started, this time with a deeper voice. “No, I didn't-- You know, why?”

“Why?” Logan commanded, the veins around his neck becoming apparent. It was as if he was trying to win an argument, get the upper hand and serve some kind of justice, like you had done something wrong.

He was supposed to be relieved.

“Maybe, it's because that was the last thing I cared about, Logan!”

The two of you were just staring at each other. At this point, both of you were almost heaving, the past few minutes taking the air out of both pair of lungs.

The expression on Logan's face twitched for a moment, a crack in the anger that usually wasn't breakable. His posture had become more of a slouch as he suddenly decided to lean back a little, like before.

You watched with curious eyes when he then sighed, breaking the held gaze to grab his bottle of soda and bring it to his lips.

It all resembled a puzzle. A constant attempt to find the right piece, the right thought, that would fit it all together. But there was a lack of progress. You were at a loss.

Was he mad that you didn't tell him? Was he actually mad that you didn't do anything about the scratches? Were you reacting the wrong way? Did he want you to hate him? Were you supposed to?

Or did he think that you couldn't grasp the situation? The severity. The big 'What if?' Maybe he was in fact tired.

Just a different kind.

You started to move after another few seconds, the sound of your shoes against the tiles piercing through the layer of created silence. It was apparent that Logan was watching, albeit discreetly, following what he could as he took another swig.

Your movements concluded by the length of the table he was sitting at. You leaned onto it, releasing that weight that had started aching both your knees and your feet from standing for so long.

By the time your eyes were back on Logan, his own had snapped away.

You took in a deep breath of the cold air, feeling it hit the back of your throat, your shoulders deflating, “I get them too, you know... Nightmares.”

There was a beat of silence again. A lack of movement, or reaction. And then he met your eyes again. Slower this time, almost hesitant. He set his drink down ,listening. So, you continued, “I wouldn't go about comparing them,”

“But, I understand enough to know what it's like.”

Logan sort of huffed a laugh after that. Not a malicious one, or in disbelief of the sentiment. He was acknowledging it. “You shouldn't have to.”

He was back to that whisper of a voice again. It was still deep, and a tad gravely, almost forceful. But it conveyed enough. “Neither should you.. yet,” you paused, shrugging your shoulders, “Here we are.”

This time, the huffed laugh was louder. More pronounced in a way. It left a mark on his lips, leaving them curling at the corners. It fit right in. You wanted it to stay. Maybe a little too much, “At least, now, I get to say that I was attacked by The Wolverine and survived.”

The comment was a little dangerous, especially if taken the wrong way. In all honesty, your eagerness allowed it to be blurted right through your lips before you could catch it.

But Logan practically snorted. “Shut up.” he breathed, bringing the soda back to his lips. You pretended that you didn’t hear him, even crossing your arms over your chest, though a grin had slightly appeared, “I could even say that I defeated him.”

In about a second his eyes had snapped to yours, a singular brow rising as the bottle smacked onto the surface of the table, “Okay,” He swallowed, “you did not defeat me, bub.”

“Oh, really?” you challenged, attempting to mimic his expression. “You were done after one move.”

Logan pushed the chair with his back in a way that had the legs screeching against the tiles. He stood from it, moving about a step to the side before continuing towards you.

“I was distracted.” he pointed out, gaze narrow as his eyebrows decided to furrow in an attempt to support his justification. “Excuses, excuses,” was all you said, accompanying it with a light shrug.

Logan was right in front of you now. He was close, about a step away. Though, the longer he looked at you, his eyes scanning across the skin of your face, that amusement once held had begun to fade.

He became sort of serious, the tension making the lines of his face more prominent all over again as his lips curved into more of a frown.

“I don't want it to happen again.” He was avoiding your eyes now, his own gaze cast downward. They were following his hand as he had brought it to your arm, the fingers of which ghosting across where the marks had been like he could still see them.

“Logan,” you started, your voice quiet yet loud enough that his attention was recovered. The two of you were looking at each other again, this time properly. Your features eased, all of the concern and the previous anger completely melting away.

You brought the hand of your previously injured arm upward, and he watched it until it went out of his vision.

You gently placed your hand on the side of his cheek, your palm pressing into the hair of his mutton chops which brought his gaze back to yours. And then you smiled lightly, just enough that he could see it, “Even if it did, I am not going anywhere.”

There was this quick twitch in Logan's expression. A split second of movement that had almost gone unnoticed until it happened again. His eyebrows pinched together.

Before you could say a word, he had suddenly pulled you forward, away from the table you were once against.

By the time you were up straight, his arms had wrapped around your body one after the other, entrapping you in this warmth that the kitchen could never achieve. It had you copying him as fast as you could, letting your hands land across the skin of his back and the fabric of the tank top.

Logan's head was planted on your shoulder, his hair sort of tickling the side of your face as he tucked himself in further.

His body slightly deflated after a moment, a sort of gravelly hum of content rumbling from his throat. He obviously wasn’t putting his entire weight on you, the two of you would've tipped over within seconds. But you could feel it.

An extra weight that you were glad to carry.

#logan howlett #logan howlett x reader #logan howlett x gn reader #wolverine #wolverine x gn!reader #gender neutral reader #hurt/comfort

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submalevolentgrace · 2 years ago

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Hi! I'm very interested in attempting to write a disabled character (not for this blog, I assure, for an book I'm writing) in which the story doesn't fetishize/objectify her prosthetic limb. I'm in many writing circles and have been for a long while, but I've never seen this issue brought to light which I realise is a very important one. I have much to change in my thought process, and thank you for bringing this issue to attention.

I'm curious, and I apologise if this has been asked before, but what sort of design could you see for a functional prosthetic that doesn't go for a plainly aesthetic appearance, or is soully to please others? I do note that you said prosthetics are generally... not that helpful. So is there a way that it could be? Or do you think it would always generally be better to not use a prosthetic, as its mostly for aesthetic purposes, as you said?

I apologise if this ask is too outright or anything, and I don't mean to intrude. Thank you for your time and have a beautiful day!

okay, i want to answer this as in depth as possible, because whenever i talk about having a prosthesis, someone will always tag some variation of "#writing reference" and i do wonder what message they're taking away, and i want to get as much of my experience out as possible to maybe help shape how this is all portrayed in the future. and yeah… this is gonna be one of those rambly smg posts that the expand feature was invented for, so i'll start with the very abridged TL;DR:

if you're writing a character with an upper limb prosthesis; don't. arm amputees are unicorn level rare even compared to leg amputees, and i've never interacted with or even heard of an upper limb amputee that regularly uses a prosthesis, let alone relies on one. fiction has lied to you for the sake of cool aesthetics, don't repeat the cycle. more in depth writing advice including nuance and "but i waaaant to" will follow.

that said, grab your donning parachute and let's get started...

context for everyone involved: i am an upper limb amputee that rants a lot about how prostheses suck, i lost my right hand roughly five years ago at roughly the age of 30 after a very rough decline in health… it was pretty rough. this question is being asked in the context of a previous rant post of mine, and i checked that the ask is about an upper limb prosthesis in particular.

the situation regarding the usefulness of lower limb prostheses is totally different; i am definitely no expert, but by all accounts, prosthetic legs are incredibly useful for many people. getting a good leg can be absolutely life changing and more or less necessary for day to day life for some; mostly because infrastructure and society is just so fucking hostile to wheelchair users. being able to walk - at the cost of pressure sores and rashes and increased residual limb pain - is a preferable option to many people than being unable to fit through a doorway or in a bathroom stall or find out that the key to unlock the only elevator is in the admin office up three flights of stairs (true story).

but upper limb prostheses… see, the thing is, hands are incredibly complex organs that rely on a lot of immediate haptic feedback to work at all. hand dexterity is all about control, you need fine granular movements of the digits yes, but you also need the subtle sensations of pressure and proprioception in order to adjust your movements on the fly. i speak from experience, in the years leading up to the full loss of my hand, i was slowly losing function of it, usually swinging between numbness that made it clumsy at best, or screaming overstimulation from moving it at all resulting in unpredictable spasms… and let me tell you, a half working hand is infuriating to try and deal with. you can never know if you have a good grip on something or if it's slipping because of the wrong amount of pressure, and there's only so many smashed bottles of pickles on the floor before you give up using it all together… so amputation wasn't a great loss there, i had time to adapt.

a prosthetic hand of any kind has all of those issues and more. they're heavy and bulky, the cosmetic faux fingers or gripping claw have crude movement at best, and there's zero feedback (put a pin in this). 100% of the time you're using a prosthetic hand you have to keep your eyes on the grip and visually guesstimate whether or not the thing you're carrying is held tight enough but not too tight, that is if your "heavy duty" prosthesis can even support the weight without the servos disengaging or the wrist attachment socket just busting loose. i dropped a whippersnipper on my foot last week when my socket couldn't take the weight and i think that was the final straw in me desperately trying to prove to myself that there is a single task my prosthesis actually helps with.

this is usually where fully two handed people start talking about bleeding edge DARPA tech, and how we just need to invest more,research more, develop more. better tech, more tech, neural integration, more more more. okay i promise the writing advice is coming! for starters on tech, my experience is already with a mid-to-high end ottobock terminal device: i've got a myoelectric nerve-signal operated proportional control heavy duty greifer; about the only upgrade left for me to get would be a rotating wrist joint if i could coflex. it's not military, it's not "rockclimber that owns a prosthetic company", but it's quality tech. it still fucking sucks. secondly, that high level military tech exists primary for PR purposes so they can say they treat their discarded casualties well, "we can rebuild him, we have the technology" style. every war vet i've read about or heard from that's been gifted that high level tech also abandons it for the same reasons; it's imprecise, there's no feedback (or the haptic interface has to be fully recalibrated every time they put it on), but mostly they're more capable without one.

okay, the transhumanist ableds say (i should know, i used to be one), what if we did more ~research and development~ and got that neural feedback working? then we could have fireproof superhumanly strong robot arms to fix up everyone! here's where i take out that pin we put up before and i tell you that a class of prosthetic arms/hands already exists that has perfect proportional control, fine motor control, and physics perfect pressure feedback piped directly into the patients' existing sensory systems! they're called body-powered prostheses, and they were invented in like the 1600s. you strap a whole bunch of stuff to your arm and shoulders shoulders, and control the operation of the terminal device and elbow through cable tension by flexing your shoulders. they do take a considerable amount of training to operate - though hell i spent 18 months training to use my myo - but based on everything i've read, body-powered prostheses are the best option if you're an upper limb amputee and absolutely need a second hand for some reason.

but they don't look cool and futuristic, and according to my prosthetist, most people give up on using them too. we all give up on our prostheses, no matter the type. my rehab OT was impressed i lasted the 18 months of my training. towards the end, they even asked if the clinic director could drop in to one of my sessions to see my progress; he expressed genuine amazement at me casually using my bulky robot claw to use a brush and dustpan, and made an offhanded (hah) comment about what someone can achieve "if they stick it out to the end", implying it was somewhat of a rarity for me to have done so. several years on, and yesterday i wedged the dustpan between my ankles to sweep up into it, awkward but exponentially less effort than putting my dusty robot arm on. which, by the way, is a whole thing. look up some videos, they're all awful to don. i don't actually know the official technical name of what my clinic calls a "parachute" but it's a bitch to use! have you ever tried to pull back with your arm whilst also pushing it forwards at the same time, and simultaneously lean in to and away from an external force pulling on you? that's how you get a myo socket on.

bare with me, i promise writing advice is coming, and i promise it's more than the tl;dr. but. remember when i said a half working hand is infuriating to deal with? any prosthesis, from fancy myo tech to pirate-era body powered, will only ever be half as good as a working hand, and being juuuust within capability to do something but not quite able to is maddening! but you know what works way better than a half working hand? no hand at all. using whatever residual/vestigial limb you have - whatever "stump" you have, i hate that word - is pretty much always better than trying to use a prosthesis. i can use the inside of my elbow to grip and carry things, i can use the nub of my arm to apply pressure to hold things, open doors, use a computer mouse, turn on taps and lights, if i put a glove over it i can use it to prep for cooking. i have full proprioception and pressure feedback with skin contact, i don't think i've ever dropped and broken anything from my elbow, unlike countless things slipped from my greifer - which, by the way, absolutely will start clenching as tight as it can if i get even slightly too sweaty around the electrodes, which has both broken things i'm holding and also injured me, because surprise surprise but servo operated robot claws have pinch points on them right near the "emergency disengage" lever for some reason!

but i am exponentially more capable without it on than with it. no, i'm not fully independent, i rely on housemates and loved ones to help me out with some tasks that simply just need two handed dexterity, but none of those tasks are things a prosthesis makes me able to do anyway. i used to imagine my prosthesis would be like a bra; a bit awkward and uncomfortable, but i'd wear it throughout the day because it's helpful and take it off in the evening to decompress. in reality it's actually exactly like a bra: an absolute bitch to put on one handed, unbearably uncomfortable because it never sits right, ugly af unless you're a millionaire, and absolutely useless except for the fact that i get gawked at and judged by strangers if i leave the house without it on.

and if you really want to discover how far "no hand is better than a half working hand" goes, brace yourself, and look up the patient's stories (not medical system stories) of people that have had hand transplants. the first man to receive one hated it, he was promised a return to normal function, and what he got was a nightmare worse than being one handed; he wanted it removed again but the doctors refused because it would undermine their grand achievement of the first hand transplant. the doctors and society wanted him to be fixed, they wanted him to be normal, they wanted him to be abled. they failed. they made him less able to do things, denied his autonomy, and left him with someone else's hand slowly rotting on him, prioritising the idea of "scientific progress" and "two hands good" over the physical health, mental health, and ability to function of this man.

he's not alone; every story from the patients' perspective about hand transplants that i've read goes this way, including a woman who was born quad limb different and was promised hands would improve her life, pressured into a double hand transplant, only to find herself after the surgery essentially experiencing disability for the first time ever, because she had lived her whole life getting by just fine with her 'underdeveloped' limbs, but half working hands are worse than useless. you can try to find these stories yourself, but i'm not going looking for sources on any of these cases, because if you look back through enough of my posts you'll get a glimpse of the horrors and abuses that i too was put through by doctors who prioritised trying to "fix" me at any cost, rather than providing me the best quality of life, and in turn traumatised me and left me more broken than any loss of limb on its own could. dear goddess, i promise the writing advice is coming.

so. why do upper limb prostheses exist at all? if they're so terrible and useless, what is their function? i want to borrow something someone else left in the tags of a previous rant here, from someone who i believe works in prosthetics and/or rehab, cleaned up and anonymised at their request:

"upper limb functions are wildly more complex than: 1) bear weight static, and 2) bear weight moving. but every single upper limb amputee i know has a fancy expensive prosthetic just gathering dust in the closet because there is literally nothing it can do like a few years of adjustment and if needed non-dominant hand retraining can't do. the existence of forquarter prosthetics to begin with is just kind of silly and useless and entirely to make OTHER people feel comfortable, especially considering they universally are UNcomfortable for the amputee. i hate the notion that as soon as you get the amputation the prosthetic is The Thing That Will Fix You And Make You Feel Normal again because it universally isn't! but every forequarter person i know had like this ideal of Being Fixed By Magic Prosthetic that they were then obviously wildly disappointed by and had to do yet another grieving process with, versus if the dominant narrative were just one of: yeah. it'll take time, there is no magic fix."

and i think that really nails down what the actual purpose of upper limb prostheses is: they're not for the user, they're for the sake of other people. and not just their comfort when looking at our bodies, although based on the pressure for both amputees and people born limb different to get functionless cosmetic plastic hands, there is a lot of that. but it's not just that.

i fully believe that the reason prosthetic hands exists is to comfort the fears of the two handed. "don't worry", they say, "we can fix you again. you don't have to fear becoming Disabled, you don't have to worry about adapting or your life changing. we can make you Normal™ again."

you would not believe the number of people that have approached me to shower me with pity, to tell me how horrific my life is, how they can't imagine it. people have told me, apropos of nothing, that they'd kill themselves if they lost a hand. indirectly, that my life isn't worth living. unless, of course, i happen to be wearing my cool as fuck looking robot prosthesis! then they tell me how wonderful it is, how lucky i am, how glad they are that we have the technology to fix me. that's what a prosthetic hand says, what all the happy fishing photos on limbs4life posters at the rehab clinic say: don't worry, we can fix you. that's what the bleeding edge DARPA flexi-whatever fully articulated neuro-feedback hands say: don't worry if you get IED'd while hunting civilians for us to drone bomb, if you get hurt, we will fix you, we will fix the fuck out of you, we will motherfucking adam jensen you into a cool as fuck cyborg that your son will idolise; come on boys, don't you wanna enlist just for the chance at being as cool as this? join the bomb squad for a ticket to the upgrade lottery.

and so we arrive at fiction. as much as his dialogue options protest, adam jensen loves his robot arms, they punch through walls, turn into fucking swords! they make him the most special man in the world. what would he do without them? learn to cope? grieve? practice acceptance? take up poetry? just, be disabled? there's no power fantasy for ableds in that.

in fact, can you think of a single fictional character that's an upper limb amputee that's, well, just an amputee? they all have robot arms. not realistic prostheses, not medical devices; robot arms. sleek or bulky, top of the line or broken down self built, steampunk or nanomachines or magitech automail; they're never without them. never just an amputee. never born limb different either! there's always that element of tragedy to overcome, always suffering and misery porn, always focus on the pain and the helplessness without the absolutely vital robot arm that makes them Normal and Whole. the closest amputee example i can think of is furiosa from mad max, who iirc fucking punches max in the face with her residual limb like a motherfucking badass! i can barely lean on mine wrong and she punches a guy! but she still apparently needs a dieselpunk robot hand to drive a truck, something you can do one handed so easily most drivers don't even notice they're doing it! please don't, by the way

and so many disabled fans love to point to robot armed characters as disability representation; the winter soldier, luke skywalker, edward elric, misty knight, that genderswapped furry girl from ratchet and clank, jet cowboybebop, finn the human, and yes, adam jensen…. these are all characters that someone disabled i know has told me they love because they "represent disabled bodies"…. and i know nobody wants to hear this, because i've been screamed at for saying it before, but… they do not. they are not disabled, functionally or within fiction. they are either perfectly able bodied Normal people with chrome paint on an arm, or tortured misery porn we are supposed to pity and feel lucky we're not them. sometimes both!

also you ever notice how it's basically always arms? lower limb amputations are orders of magnitude more common than upper, my prosthetist said i was probably only the 4th or 5th upper limb she'd worked with in her career, with literally hundreds of lower limb fits. but fiction doesn't seem to reflect that, huh? or any other part of the reality of disability. it's always cool as fuck robot arms, never cool as fuck wheelchairs or crutches or dialysis machines or colostomy bags. a fair few "i was blind but now i can see with Robot Eyes and also infrared and xray" around, which again, plays into that "we can fix you and make you cooler" propaganda.

by the way, up above when i was describing body powered arms, if you wondered to yourself why i went with a myoelectric one instead when i clearly believe body powered is better… yeah. i am not immune to propaganda! i too wanted to be cool as fuck. i spent years with deteriorating function in my hand for reasons that are still unknown, was misdiagnosed and medically neglected to the point that removing my hand seemed to be the only option left to offer some relief, and even that was a clusterfuck that left me worse than ever… of course i wanted to believe in the power and prestige of a cool robot arm that fiction promised me.

but fiction promises fantastical lies. and so.

we get to the writing advice portion of the novella that is this post. you asked for advice on how to write a disabled character with an upper limb prosthesis. you've read the tl;dr, you've read everything above i assume, you know i don't want you to do it. the obvious twist is that it's been writing advice all along, me trying to share my perspective on what it's like being an amp with a robot arm and how shitty it is, implying how almost any fully realised and realistic character that's missing an upper limb would give up on a prosthesis at all. you can already tell that every value judgement in me says "don't give her a prosthesis, no matter how functional or cool you make it. don't try to make the tech better to justify it, just let her be one armed, one handed. just let her be disabled, but not helpless. let her show off her elbow or underarm carry strength. let her love interest appreciate how soft and squishy her residual limb is in a moment of tenderness. let her natural disabled body be respected and valued."

but that's a personal value judgement from me, and you are the author of your own work. i know it's trite to say, but you are! even the act of deferring to someone with lived experience in the hope of doing a better job at representation is a value judgement, a good choice in my opinion, but one you needn't necessarily take. maybe you do want to write a character that has a cool as fuck unrealistic robot arm as a power fantasy, or a comfort blanket… i did.

i've been slowly writing my own probably terrible scifi epic for over a decade now, and when my arm was giving me hell back then, i'd take great comfort in this fantasy of my protagonist with her chunky robot arm, the terrible traumatic suffering of her loss, overcoming, the power and ability her advanced prosthesis gives her over others, that she alone has access to, because others are not willing to make the sacrifices required. inspiration porn. awful stuff to me now, but empowering to me then. as i grew and gained direct experience, i slowly reimagined her, rewrote her, ship of theseus'd her into an entirely new character; a reflection of me now, bitter at the whole thing, spiteful that her natural flesh arm evokes fear and distrust, but unwilling to suffer the pain and frustration of her unnatural prosthesis just to make others comfortable and respect her as "whole", however artificial that whole is. and as with the ship of theseus being two ships, once i realised the transformation, i re-added the old protagonist back in whole cloth as a separate character; proud of her robot arm and its power, but in new context, as a foil and antagonist, an in-universe military prosthesis propaganda figure to reflect how i now feel characters like her exist to us, the readers.

i'm not just sharing that as egotistical self promotion, but to highlight that, even if i sit here begging you all up and down not to write characters with robot arms for how bad and unrealistic they are; there's still something genuine and true that their inclusion can say. the great thing about the story that you're writing is that only you can write it, as they say. but i whole heartedly believe that to write to your best, you have to be aware of what you're writing and why. as tempting as it is to feel these characters form naturally in us and therefore we're averse to changing traits about them that feel organic and self evident; as authors we have omnipotent control over the text, every trait and detail is a reflection on us, so we'd sure as hell better understand why we're choosing to write a character with this trait. because anything you write without being aware of intent will take on its own meaning in the space between.

and on that note, if i don't say this, i'm leaving it to be inferred: i definitely don't want to appear to come down on the side of saying "you cannot write an amputee unless you are one", because we are rarer than single young bisexual unicorns! and it would be a tragedy if anyone read through all this and then turned away in fear, deciding to never write an amputee character (with or without robot arm) because they feel they can't do it justice… believe me, no matter what anyone says, some hack writer somewhere is going to keep writing adam jensens and winter soldiers. don't let them be the only voices in fiction! just try to do your best.

so my ultimate advice on the topic of writing a character with a prosthetic limb is to ask yourself one question in two different frameworks, and meditate on what you feel the answer is:

why does she have a prosthesis?

from a doylelist perspective as the kids say, as an author with omnipotent control, why are you choosing to write about this topic? why are you choosing to give this trait to this character? what does it say about how you view ability and disability, what makes a person normal, and what our society values? will you let her be in her natural body? or will you give her a prosthesis, force her to wear it by authorial fiat, or author her a meaningful reason to choose to? if yes, be sure you know; why did you give her a prosthesis?

and from a wastonian perspective, diegetically, inside the story, why does she choose to wear a prosthesis? what does it say about her inner character, and how she interacts with the world? how does she feel about doing it, is she prideful and loves the attention she gets, or does she resent whatever necessitates its use? how do people in this world view ability and disability, what does this society value? and above all, whatever the answer to these questions, whether or not she uses a prosthesis or is badass without one, how does she deal with the eternal freezing cold that every amputee ever feels constantly in their residual limb and why does nobody make a heat pack that fits over a nub without drafty gaps???

i can't outright tell you how to write a good upper limb amputee, but if you at least know why you're writing one and for what purpose, you're on track to write the best character that you can. that's the best advice i can give… other than, like, this whole rambly mess.

and, as a reward for reading this far, please have a very blurry cryptid photo of my cat doing his old man sit:

#prosthesis #prosthetic #disability #ableism

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bbyobbyo · 6 months ago

Text

You don’t usually wake up at the same time as Jihoon, but he definitely makes sure that you wake up with him everyday.

content: fluff, established relationship, idol!Jihoon x non-idol!reader, domesticity, spotify as a plot point lol

wc: 1.6k

note: inspired by this reddit post which i thought was 100% something jihoon would do especially now that i know he uses spotify lol. i feel like im the only one who finds it hardest to write for their bias, i get really in my head about whether or not im portraying him in the way I want to. i’ve never written idol!au either (bc i think it’s easy to overdo) which only adds to me overthinking ahhhh but hope that you guys enjoy this one !! as always feedback or comments are appreciated 🥰 I read all of them and they make me so happy hehe

[read pt.2 here!]

Jihoon swears there's something magical about waking up to a calm and quiet morning. The sun is barely just rising, blanketing the world in a soft twilight that cuts the dark blues of the waning night. And in his bed, he finds something equally as magical: your soundly sleeping figure next to him. The world is silent except for your steady breaths, and he has to take extra caution to not fall asleep again if just to enjoy the brief moments of tranquility like this during his otherwise busy life. Eventually he gets up to start his schedule for the day, taking one last look at your peaceful slumber in fondness before he closes the door behind him.

Make no mistake, Jihoon loves his job. Having 13 members in his group is fantastic, except when you realize that 13 people requiring styling and wardrobe before every public appearance takes a lot of time. His mornings may start early, but in reality most of his time is spent listening to music in salon chairs and dozing off in waiting rooms.

In fact, it was in the middle of getting his makeup done when he discovered that around 8:20 am every day, his Spotify (which he uses to listen to his daily Bruno Mars Mix playlist) stops playing on his phone and switches to… the speaker at home? He bought a new speaker a few days ago because the last one you had was on its last legs from years of use, but if it’s malfunctioning already then he might have to look into getting a new speaker sooner than he thought.

Upon closer observation, Jihoon also notices that the song has changed — it’s playing one of his songs, your favorite one actually. Immediately he realizes what happened. He contemplates shooting you a text to tell you to disconnect him and just sync your own Spotify account to the speaker, you’re home more often than him anyway. That thought quickly disappears, however, as he imagines you getting ready for work listening to the sound of his voice and genuinely enjoying the music that he pours his heart and soul into, he can’t bring himself to disturb you even for a moment. His eyes soften as he stares blankly at the Spotify home screen, headphones now deafeningly silent. Surely, Jihoon decides, he can live without his Bruno Mars Mix for just a while longer.

You sometimes wonder if your boyfriend is magic. Although a good morning text has been standard in your relationship since the beginning, it's starting to concern you how perfectly timed it is.

Normally, your morning routine is simple. Wake up. Get out of bed. Bump some tunes. Check your notifications. Brush teeth. Wash face. Get dressed. Pack bag. Leave the house.

You’re usually the one to text him good morning given your later wake up time, yet he’s been beating you to it lately. Yes, he knows you set your alarm 8:15 everyday because it's “the perfect amount of time you need to get ready and still make it to work on the dot”. But that doesn't explain why “rise n shine babe :))” pops up on your phone as you brush your teeth on the days you wake up early, too.

[8:06 am] you have to tell me how you do it

[8:06 am] Do what????

[8:07 am] im onto you mister 👁👄👁

[8:07 am] 👍👍👍

You spiral through the possible scenarios in your head: he has your location, but that wouldn’t tell him when you woke up right? Does your icon move around on the map? No, the location data isn’t that accurate. Maybe when you open your phone, your Facebook status shows that you’re online? No, you know for a fact that you both haven’t opened that app in years. Hmm, did he plant cameras everywhere in the apartment? Sure, you get the security utility of it but if he did it without telling you, there would be some SERIOUS things to talk about, maybe it really is all just guesswork and coincidence?

Sigh… you’ll get to the bottom of this eventually.

Jihoon doesn’t plan on telling you, but rather wants you to figure it out yourself. After all, he’s been dropping so many hints already. Your chill hangouts at his studio have a gentle hum of your favorite songs as background noise. He purposely asks you about the new albums of your favorite artists that, surprise, he’s already listened to. He even makes it a point to remind you that the speaker at home is hooked to his account every now and then.

Sometimes, he swears that you’ve figured it out and were just messing with him when you make little comments about your his song choices like “Really babe, you listen to your own songs this often? Are you sure you’re not a narcissist or something?” But besides these moments, there was no indication that you knew about his secret morning routine as you questioned him regularly about his tactics.

He has to admit, it was kind of amusing to see you growing increasingly suspicious of how on earth he figures out when you wake up, being particularly fond of the cute annoyed face you make when he tells you “No babe, I did not put an Air Tag in your pajamas, you barely sleep in clothes anyway.” Even your pout is adorable as you pretend to give him the silent treatment, knowing that you wouldn’t be able to keep it up for long. His little secret is safe for another day.

Jihoon has been working brutal hours lately. As deadlines for the upcoming albums drew near, his days start earlier than ever and end equally as late. However, the one thing he can always count on is coming home to you waiting for him.

It was the night of the new album release and you were more excited than usual, greeting him at the door like a lovesick puppy as soon as you heard the door handle turning. “Hi love, what are you doing up so late?” he pulls you into a quick kiss as he sets his stuff down.

“I wanted to wait to listen to the new album with you so you could see my reaction to it!” your eyes were beaming with enthusiasm. Jihoon’s heart swells at the sentiment, knowing that his partner supports him and his passions with such sincerity. You excitedly motion him to join you in your shared bedroom, full of anticipation to hear the fruits of your boyfriend’s labor for the past months. “Alright, you’re not allowed to be disappointed then” he jokes as he pulls out his phone, quickly finding the recently released album and making sure the volume is high enough before tapping the first track and handing it over to you.

Only a few seconds of the song passes before an idea flashes across your eyes. “Wait, let’s play it on the speaker!” you interrupt. You’re on your feet in seconds and before Jihoon could even reach over to press pause, you’ve already commanded your home speaker to play the track out loud. The music immediately ceases on his phone and switches over to the speaker.

Shit, he’s done for, he thinks to himself. He studies your face carefully for any indication that he’s been found out but surprisingly, your attention is laser focused on the melodies now reverberating around your apartment. You’re mostly quiet during the songs but the rhythmic nodding of your head and facial expressions are a tell all of how much you enjoy each track that plays, contorting in a myriad of impressed shapes as killing part after killing part reaches your ears.

As the album comes to an end you look like you’re about to burst at the seams. Your boyfriend can’t control his smile as compliments and detailed thoughts flow freely from your lips for the rest of the night, not ceasing even as the both of you walk through your unwinding routines together. God, you love comeback days. The elaborate music show stages that you will undoubtedly watch later that evening has already been pre-recorded, giving you precious time together in the morning before his schedule whisks him away from your arms once again.

As you get ready for bed, you drift off to sleep knowing that tomorrow, for the first time in what seems like forever, you can finally tell him good morning in person before he can.

Your alarm rings at 8:15 am. Jihoon doesn’t need to be up this early, but he would do anything in order to be the first thing you see when you wake. You roll around in his embrace and press a kiss to his cheek. “Good morning” you both whisper to each other at the same time, sending you both into a fit of giggles as you argue who said it first.

Jihoon watches in adoration from the bed as you so naturally go through your morning routine, one that he misses out on more often than he would like. Today, you forgo your usual morning songs as you queue up your personal favorites off the new album, much to his delight. He tries his best to burn this scene into his memory as you gather your things and prepare to head out, giving him one last kiss. You’re about to unlock the door when you pause in your tracks.

“Baby?”

“Hmm?” he hums back from the bedroom.

“Enjoy the speaker, I can’t kick you off today.” you say with a smirk on your face as you exit the apartment, leaving Jihoon speechless.

#seventeen x reader #woozi x reader #seventeen fluff #seventeen fanfic #woozi fluff #lee jihoon x reader

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nervoushottee · 11 days ago

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it happened quiet | daryl dixon x fem!reader

Summary: [1.5k] What you and Daryl have is a soft quiet love.

Big Bald Ass Note: I’ve always had a love for Daryl Dixon. He was one of the first “older man” crushes I ever had many years ago. I’ve always loved his character and the way Norman Reedus has and still does portray this character is like no other. My favorite thing about him that I didn’t understand when I watched twd when I was young but grew into adulthood was his introverted character. And how his care for others was soft, quiet and subtle yet strong and profound all at the same time. As a person who has a quiet love, personally prefers it and deeply cherishes that quiet love. I had the sudden urge to write this. I’ve been getting back into my Daryl Dixon phase recently and I just couldn’t get this out of my head. Thank you to @moonpascal for giving me that little push I needed to just go for it while the juices were flowing despite my other fic waiting outside waving her hands hoping to be seen, This is a long author’s note but this piece is truly something that means a lot to me. Which is funny because this is literally fanfiction but it's still writing and it's still art and it's mine.

Enjoy.

Daryl wasn’t an affectionate person. It’s never been something that just came easy to him. He never received it as a child and didn’t think anything of it once he got older.

There was one time when he was really really young. He was waiting for Merle after school, his older brother’s school building a few blocks away, and he watched his classmates greet their parents. He saw the parents with bright eyes and wide smiles. Mothers kissing their sons on the cheeks and fathers rubbing the top of their heads.

A strong deep feeling within his belly grew from the sight of it and it got bigger and bigger as the two Dixon brothers walked back home.

And when they got to their home, Daryl saw their mom had been exactly in the same spot where the two boys had left her. Face down into the pillow, an arm hanging off the side of the bed where a spilled bottle of Jack Daniels had stained seeped into the carpet.

Daryl cried for the first time ever. He cried for something he never had.

He didn’t cry when he saw kids on the streets with new bikes and scooters. Didn’t cry when his mom and dad would yell until the sun went down. But he cried for this. That deep strong feeling that he couldn’t name poured out of him and he cried. Standing in the hallway as he watched his mother sleep.

Merle, barely a teen and was bitching about spilled liquor, thought he was crying because mom looked too still. His older brother checked her pulse and felt the faint thump, thump, thump. “She’s jus sleepin’ Daryl.”, he explained to him. But Daryl didn’t stop crying. He hunched over, clutched his chest like his heart had been twisted and shoved down into his stomach and cried.

When Merle finally found out why he was crying, the older brother placed his hands on each of Daryl’s shoulders, stooped to his level and looked directly into his eyes.

“Dixons don’t cry. Not over that or anything else. We just weren’t made for that stuff.”

Daryl never cried or wanted it again.

Until now.

Until you.

When the world’s gone to shit and the dead are walking. You gotta learn how to start trusting the living. Well, to learn how to trust your group. They don’t just become a group of people you survive with. They become your family whether you like it or not.

And in the beginning, Daryl sure as hell didn’t like it.

He tried to force it away. To keep himself on the outside like he’s always done. Still did even when his brother went missing when they went back for him on that roof. But when time goes on and people die you build something, you find something and you learn something. He warmed into being more into the group. To being something of importance to Rick and the others. More than just Merle’s younger brother.

He remembers Carol telling him that he was meant for a leadership role but he’s never thought that about himself. And never will.

And getting closer to them came with affection. Came with a bond. With awkward hugs from Carol when he had spent day and night looking for Sophia. Her cropped hair pressed against his bandaged ear. It came with pats on the back from Rick and looks that meant something a lot more brotherly than he’s ever felt with Merle. With you and your small smiles and lingering eyes.

He had to learn to accept it. To learn that it was okay and wasn’t out of pity. That it was something he was actually allowed to have. It took him a long time to and he still only takes it in doses. Giving Carol a Cherokee Rose or the brief massage of her sore shoulder. Patting Rick’s shoulder, hoping he knows how much his brotherly bond means to him through it. Nodding his head at you with the tip of his ears a bit red as he turns his head away from you.

You’ve been a part of the group for as long as he could remember. And the two of you didn’t become something immediately. Daryl was an ass to you when all of this first started. He was an ass to everyone. But when he would small smiles from the courtyard, he would feel something that had never stirred inside of him before.

You were a touchy person.

Always within arms reach of someone. Giving Lori a reassuring squeeze of the hand or hug when she seemed like she would just break down in tears from the stress of being pregnant in this world. Kissing the top of Beth's head when she came to you with her anxieties over the group's safety. Or playfully slapping T-Dog’s shoulder when he used to make you laugh.

But when it came to Daryl you never touched him. And he felt off about it. Thankful but off.

When the two of you were starting to become something more, he had subtly brought it up when the two of you were on watch. It felt like pulling teeth when he asked you. And he would rather have done that with a rusted wrench than do this.

“I know you Daryl.” you said to him with a shrug.

That was the only thing that you said to him when he had asked but it was all that he needed. As your eyes never left his, he watched you smile softly. The moon giving your skin a light glow. You knew that he doesn’t respond well to physical affection. To hugs or kisses on the cheek (except from Carol who does it despite the awkwardness she laughs through). You knew it was something he just wasn’t used to. Or even maybe never had. It was only four words but it meant more to Darly than he could even say in a lifetime.

And if you ever told anyone that he was the one that made the first move and kissed you at the top of the prison tower. He will lie until he’s blue in the face and say he doesn’t know what you’re talking about.

After that you became more affectionate with each other. More touchy than before. Not touchy like Glenn and Maggie. Kissing each other goodbye when the other would go on a run or a quick kiss good morning. Or hugging after a run gone bad and they almost lost the other. Public display of affection to his partner, to you, is something Daryl could never really get on with.

But what the two of you had was a quiet love. A word Daryl still had a hard time saying and rarely ever said but knew deep in his heart that he felt it whenever he looked at you.

It was a quiet love filled with small glances and innocent touches. His hand against the small of your back or a quick tap on your arm or thigh. Your small smile to greet him and the nods that greets you. Holding his hand underneath the table. Feeling his calloused thumb rub against your hand once or twice. Checking on eachother during the other’s watch shift. Him adding some of his food on your plate as he walks past you. You giving him a snack of whatever random thing you have on hand in the evening. Placing your head on his shoulder very briefly when there's not many people around. A mutual meaning of a hug when it's late at night and you won’t see him for a while.

It was a silent bond the others knew about by name(ish) and feeling but not as much by action. Those actions were yours and yours alone. And you both preferred it that way.

Tender kisses and tight hugs. Soft caresses on the cheek and tracing fingers across bare chests. Whispered stories of childhood that turn into bedtime stories throughout the night. Expressing moments of doubt, fear or anger. Tears that would fall on your face and the feeling of his lips pressed against the top of your head.

Even in moments when you were sleeping next to him. Your head on top of his chest or his arm curled around your stomach. Daryl would feel your wrist, his thumb against your pulse to make sure it's still beating. Or hold as still as he can like he’s tracking a buck in the forest to feel the up and down of your body to ensure you’re breathing.

You became a big part of his life. This group (his family) became a big part of his life. Who knew that it would only take the end of the world for him to feel something more than just anger for the first time in his entire life.

Daryl wasn’t an affectionate person. But he learned how to be. For the good of the group, for himself and for you.

dividers by @saradika

#daryl dixon x reader #daryl x reader #twd daryl dixon #daryl dixon #twd daryl #daryl fanfiction #daryl twd #the walking dead #the walking dead fanfiction #daryl dixion imagine #daryl dixion x reader #daryl dixon fluff #daryl dixon fic #the walking dead fic

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harryshouseenthusiast · 12 days ago

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I want to make a list of my favorite writers on here! This will be the author’s whose writing speaks to me the most! To add, just because I didn’t add someone doesn’t mean I don't like them, I will try my best to update this because i haven't used Tumblr as much recently so I'm still finding all the pages. And i want to write something about each author so I'll take time <3

@jawllines - I’ve read her writing for YEARS and subbed to her Patreon, I love all her tropes so much, especially Grumpy Harry! She is definitely and Og for me, I haven't read fanfics as long as I've been a fan, and I've read like the 1D preferences, but my first full out one-shot was the one where Harry and Y/N pick berries as a summer job.

@moonchildstyles - I love all the AU she chooses to write Harry in, I found her a bit more recently 2022, which now writing that looks so long ago but feels recently 😭 I love how she has so many blurbs/checkups too! i am subbed to her patron as well! I love the gentleness of how she writes harry, especially in citrine, he is so soft and i love it

@jarofstyles - Not only do they have mouthwatering smut, but I love how they have a bunch a shorter AU blurbs, sometimes I don't want to read a full one shot, and they have so many blurbs. One writing love in particular is Braking plates, I love some good angst to fluff. I am also subbed to their Patreon

@erodasfishtacos -I absolutely love her work and it's so upsetting how she was treated on this app. I'm glad she was able to move over to patron to continue her passion, I have subbed, and her work is phenomenal. She introduced me to one of my favorite underrated tropes, Deaf!H. I love how she writes her ABO tropes, that's another one of my favorites.

@harrysbabycherry - The first fic I read from her was the one when Y/N was a vampire and the was a kinda unique topic for me because I've always read Fics of Vampire!H, one of my fav tropes, But I loved the switch up. And I've just really e njoyed her following works. I also love the few Halloween writings she did, i love spooky H.

@gurugirl - The first thing I read of hers was the Stepdad!H, and I was hooked her smut is divine, absolutely amazing. I love how she portrays dark harry and forbidden/taboo relationships. I would love to sub to her patron, but unfortunately, I can't fit it into my budget as of now, but I will be subscribing one day. I love how she specifically says no sad endings because i also get too attached and cannot handle it.

@harryforvogue - It's been a bit since I've read her work, so I'm excited to catch up. She is actually the account that got me into reading books with OC. I previously only read reader insert Fics, but her writing was so good, and I noticed that OC writings give me different emotions than Y/N Fics. if that makes sense.

@watermelonlovershigh - I absolutely love how she writes soft Harry. She writes him so gentle and caring. It’s a nice contrast for the mafia stuff I read😭. She was also the first person ive read a sickfic from and I don’t see many of those, so it was different than what I’ve normally read and I loved it! She’s an amazing writer.

As i said i will be adding to this as time goes on! If anyone has someone the want me to check out lmk!

(Sorry for typos)

#harry styles #harry styles one shot #harry styles blurb #harry styles fanfic #harry styles fanfiction #harry styles x reader #harry styles fic #masterlist #harry styles au #harry

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cloveroctobers · 23 days ago

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CUT TIES — Terry Richmond [Fall Crumbles] 🤎

A/N: There’s enough Terry to go around right? This is inspired by two things…OFC a song + taking another chance at writing something influenced by Love is Blind. Who saw that wasteful reunion?! Anyways that is what this is so get ready for angst.

WARNINGS: Reference to a intimate moment but a line at best?

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11:32pm

FROM: T. Richmond

I Need To Hear Your Voice…Can You Call Me?

Was the text message he sent you, which made you let out a long exhale.

11:43pm

TO: T. Richmond

I’m at work T [Deleted] Terry.

11:44pm

FROM: T. Richmond

I’m Aware. I’ll Feel Better When I Hear Your Voice…And I Know You’re Probably Saying That I’ve Got A lot Of Nerve To Say That To You Right Now…Yet This Will Always Be True, No Matter How Things Ended.

You were glad Terry can acknowledge that he did in fact have nerve requesting a call from you, when the both of you already had that final closure conversation weeks ago…however here he was back again, entering your life whenever he pleases.

Picking up your phone, after watching it ring for a while you debated about letting it go to voicemail honestly. You really didn’t need to hear many more angles about whatever situation Terry got fucked over in. Things seemed to be going well lately though, at least that’s what he tried to portray on social media…which was also new for him.

Always the type of man to be lowkey and out the way but after the exposure of being contestants on a certain love show, he stepped out just a little. It was never too much, Terry wasn’t the type of man to be in your face about his blessings but if things went south, then he had no problem stepping to you if common ground couldn’t be located.

“Hey,” He starts, his deep tone sounded as if he was ready to go to sleep, possibly lying down, whereas you were wired on your night shift, “Sorry for bothering you—

Rolling your eyes, you couldn’t help but to let it slip through your lips, “Are you though?”

He hummed, “Nope, can’t say that I am, to be real with you.”

“Well, can’t ever say you failed at honesty.” You replied with a hint of sarcasm which made Terry chuckle humorlessly, “What’s up? What was so important that you needed to be on my hotline right now?”

It was Terry’s turn to roll his natural underlined eyes but he’s not trying to pick a fight or even think about you with someone else, “…the house is too quiet and I couldn’t sleep. The first person I wanted to talk to, to ease the loud silence…is you. I believe that’s how it’s always gon’ be.”

Not long after you called it quits, Terry closed on a house that he’s been eyeing long before he decided to go on the show. It was meant to be if they couldn’t get it sold. He of course talked to you about it once you were out of the pods, saying how some rooms needed Reno and asked your thoughts on if that could be your main home once married. Thankful that you already had your home that you owned at such a young age, You spoke about how much you already invested in your home and how you had no plans of selling just yet even if you two chose to get married.

Which isn’t something that he wanted you to do but questioned how this would work. He wasn’t down with sleeping in separate houses, although Terry knew it would take time to get everything right, the house he bought was livable and he wanted that with you.

Something that Terry always admired about you is, that you had your own mind and drive to do what you felt was best for you. He respected it, had to really learn how to when you said you two needed to put some distance between you after a final argument got too heated.

“…I’m sure you’ll get used to it at some point.”

“I don’t know if I agree with that.”

Terry listened to you sigh.

“I’m going to say something you won’t want to hear but I’m saying it anyway,” you start as you lightly flick your feathered pen back and forth at the desk, “You’re going to have to get comfortable being alone in that house, Terry. I know you’ve been used to being a lone wolf majority of the time…but you officially settled somewhere now and you’re building a life outside of the danger you once knew. Which I’m proud of by the way but you’re going to have to start finding comfort elsewhere or with yourself because I’m not going to provide that to you anymore.”

Terry was afraid that you were going to say this one day. Usually you both were good at having balance when your relationship was solid, giving each other the space needed and showing up when needed. Everything just took a turn once the chaos showed up again at Terry and his cousin, Mike’s business. This was the first time Terry ever lied to you and that came at multiple costs. It blew up in his face because leaving you in the dark and not communicating with his fiancée? led to being stalked and a home invasion that still haunted you.

Terry would always be sorry for that.

From bliss to passion to heat to closure to yearning. It was all stages of what this relationship was, for Terry it was the process of your love story whereas for you, it was part of your origin story.

“What if I say…I’m finding that’s not what I really want?” Terry speaks, “…That I don’t see much of a future without you in it? We talked through that hurdle, we wished each other the best after the reunion but what if that’s not enough for me? What if we’re each other’s best?“

This was another side you predicted would happen. One thing about you is, your mind was always turning just like the earth spinning on its axis. Which took another turn in your argument, speculating things that weren’t true once you found out that Terry lied about some new men targeting him. You predicted that once you both tried to move on and live without each other, the other would crack. It happened before, a month after the reunion when his aunt invited you to her forty-fifth birthday party. Your friends told you not to go and that night made you weak for Terry Richmond.

So weak you couldn’t feel your legs for days, Terry knew your body so well, had no problem burrying himself deep downstairs in his aunt’s basement, green hues trained only on you, while having your legs in the perfect V over his shoulders, and that man was a mountain.

A dangerous one.

Now it was your turn to fully stand on business and the year was coming to a close so you didn’t need Terry to find new ways in.

That was supposed to be understood but you both fumbled that at the party.

You had enough time to figure out what was best. Of course you experienced the what if’s yourself, been as loyal as they came but a structured life of constantly looking over your shoulder was just not it to you. To no longer feel safe with the man you thought you would grow old with. Now you had the world weighing in on what they’ve seen on their tv’s and online—you can handle challenges—you worked as a nurse on the oncology floor, however you have to be smart enough to realize when it was too much and that was enough to walk away.

“At a time we were,” you finally answered before reassuring, “Everything you’re feeling is valid. I hear you. I’ve been there and got through that. You will too.”

Terry’s silence was as potent on the phone as what he probably felt like the inside of his home was. The scratching of the branch that was too close to his bedroom window was similar to the clawing you were doing to his heart. He didn’t want to lose you for good, call him selfish but he didn’t want to just forget the unique connection you built.

Although he felt disrespected with the way you spoke (yelled) to (at) him during your breaking point, he was willing to come back and work through it but ultimately it felt like there was no trust there anymore. Terry did feel like you were looking for a way out because you two were “too” good together, unfortunately this was too big of a situation to come back from.

The stubborn one out of the two, Terry can sense that you already had your mind made up. Two tough conversations were had, one behind the scenes and another for streamers to dissect and formulate their own opinions on, should have been enough but Terry always kept his cards close. You were his most precious one, yet you were telling him how to store it away back into the deck for good.

“Is this really what you want? To fully walk away?”

A hint of annoyance hits you and could be felt as you start, “We went over this—

“So us going two rounds that day meant nothing?”

Sure it did.

“Terry that was goodbye, you had to have known that. The last hurrah. So let me make it clear this time without raising my voice because I know you hate that—and I’ve been working on it—I’m cutting ties.”

Half expecting the line to go dead, you still find yourself holding your breath as the quiet goes deadly silent. Until you hear shuffling on the other end, Terry’s sitting up on the edge of the bed now, feeling a stress headache arrive right on both sides of his temples which then radiate to the back of his neck.

“I don’t want this to come off the wrong way…but I love you. I need you to know that.”

That was obvious but again, sometimes love isn’t enough.

“Don’t do that.”

“What’s that?”

“Trying to find other angles to make this work. We tried after the big argument—that spark isn’t the same and would never be the same.”

Terry huffs, “Maybe we didn’t try hard enough.”

Grasping at straws, was not necessarily in Terry’s nature. He also knew that statement was just not true. Both of you put your hearts on the line and this was something the both of you would have never taken so lightly.

“…don’t let your loneliness overshadow what can’t be managed. We been made our decision but this is me finally enforcing a boundary.” You inhale air through your teeth before continuing, “You are headstrong, very structured and lived a life that I know nothing about if it comes knocking at our door again. What happens if we brought kids into that? It’s not that I don’t believe you couldn’t keep us safe, it’s the fact that our lives would always be at risk even if it’s not something you intentionally brought to the table.”

“We take risks every time we step out the door. That’s what life is,” Terry tried to reason, “I tried to leave the life I lived prior behind me, which is why I like to keep to myself and not open up. You changed that. I know we’ve been over this countless of times…I just don’t know if I’m ready to completely cut the rope. To never have you around is…a scary thought.”

In a minute, it wouldn’t just be a thought.

“It’ll be as if before we met. I’m not saying it’s easy by any means but I’ve accepted the art of letting go. Ending access to each other for real this time, does not automatically mean we never loved each other or there isn’t any more love there. If we fell back into each other, it would be a repeat of all the pieces we wouldn’t want to live with. It’ll be hard to fake and deal with.”

“Deal with?” Terry echoed in a tone that oozed frustration, “I’d be willing to be a team.”

“Then why wasn’t that taken into consideration when those men shot up your business? Or me being stalked by one of those men at work? Then being followed home.” You felt your blood pressure rising at what you thought you forgave—but everything is a process, “Or when Summer and I went out to lunch, just to find out that she knew about the drive by before I did? Or how I almost got ran over on purpose in the parking garage at work? That didn’t feel like team work. I was in the dark when we needed to continue to be a piece of each other’s light from the damn sun rays. Being the last to know often, did not make me feel like a priority. I feel like that part of you, you wanted to shield me from all the time…so now I’m going to be a shield on my terms.”

Terry Richmond never wanted to be responsible for changing the trajectory of someone’s entire life in a negative way. Although you said the love shared wouldn’t just vanish, it did feel like you thought about it and had time to sit on it.

He could make this easy and give you what you wanted, should have and it was once something he actually agreed to. However people change their minds all the time and he never saw himself falling out of love with you.

It wasn’t about being trained, it was about being in love.

He clears his throat, “I had no intentions on making this conversation out to be difficult…I knew I’d get push back, it’s one of the things I love about you,” Terry says, “I just wanted to let you know that I miss you, that your voice is actually what makes me feel safe and probably always will. And that I hope I’d get the chance to love you more in every lifetime. That was part of what I wrote to you in our vows by the way and I still stand by those words. If I had more time, those words would be actions. I’d make up for it, if you just let me.”

Him saying that over the phone, did make you feel a way. It made the back of your eyes burn but the shield was already in the works of being fully up. You didn’t need to hear this, you never doubted Terry’s love for you but it was over, you had the scissors slowly running along what kept you connected. Terry didn’t get the choice to go back on the agreement, yes people change their minds all the time but there was no time to compromise.

“There’s no use in crying over spilled milk, Terry.” Is all you can say, leaving each other to listen to each other’s breathing before the man is finally hit with the call ending.

He’s left holding on tightly to his phone, taking in the sound of autumn’s whipping air outside of his home. Tossing the phone behind him on the bed, Terry gets to his feet, determination shining his in his eyes while he begins to put his mind elsewhere opposed to holding onto you.

As you sat at the front desk, you snapped out of the dissociation that wanted to creep in, to place your phone on charge. Then grabbed onto some scissors returning back to the craft project you were working on to help decorate this level of the hospital for the holidays.

Snip!

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More autumn anthology prompts here.

#Spotify #rebel ridge #aaron pierre #terry richmond #Terry Richmond x reader #fall writings #fall fanfiction #rebel ridge netflix #Aaron Pierre x reader #queued

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pascaloverx · 27 days ago

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HAUNTED

Summary: You awaken from a two-year coma to find that Detective Lois has been eagerly awaiting your recovery, believing you might have witnessed something crucial to catching a serial killer. What you didn’t expect is to learn that she suspects your doctor of being the murderer—and even more shockingly, it appears that you are married to him. Now, you must uncover your lost memories and find out who Charlie Mayhew truly is to you.

Author's Note: Yes, I'm writing another fanfic featuring Nicholas Alexander Chavez’s character from Grotesquerie. The characters belong to the universe created by Ryan Murphy in the series Grotesquerie (2024). This fanfic will include violence, strong language, and adult content. It will portray the character Charlie Mayhew as a doctor. I hope you enjoy the fanfic, but there's nothing certain about its future. If there's no interest, unfortunately, I will be abandoning the idea.

AO3 LINK ONE

PREVIEW

Strange noises surround you, and the brightness stings your eyes, but you want to wake up. In the distance, you hear a woman shouting for a nurse to come help. Is she a relative? A friend? You wish you knew. You feel connected to machines, surrounded by tubes, which nearly makes you gag. “Don’t pull on any of the wires attached to you. A nurse will be here to help you. My name is Lois Tryon. Detective Lois Tryon.” The woman speaks, trying to sound gentle but coming off as forced. She smells of cigarettes and alcohol. You remain silent, motionless. You don’t want to die—even though you don’t even know who you are.

"How long have I been here, Detective Tryon?" you murmur with some difficulty. There might be other important questions, but right now, this is the only one you need answered.

"About two years," she says, sounding almost excited about your recovery. A medical team enters your hospital room, adjusting and checking your body as if you were a doll—a sensation that’s starting to make you feel nauseous. The detective vanishes amidst the medical team as they check your reflexes, vital signs, temperature, and run several other clinical tests that will apparently tell them how you’ve woken up and if you’re truly all right.

Everything felt so secretive, with nurses whispering as if you couldn’t hear them. Two doctors were even debating whether they should tell you something or not. They decided to wait for Dr. Mayhew, whoever he might be. After a while, you drifted off to sleep, still waiting for them to explain what was going on. You had the same dream as before—a strikingly attractive man dressed as a priest making you kneel, asking for forgiveness for some unnamed sin. What stood out was how he always touched your face gently, saying that if you truly sought forgiveness for what you had done, you would have to accept your punishment. Then you would start taking off your clothes for him. The man dressed as a priest would then put you between his legs and spank you. He used to ask if you would be a good girl for him, and when you answered; he would whisper to you to take responsibility for what you did. And then you found yourself surrounded by blood and corpses, like a nightmare.

This time, you opened your eyes, letting out an almost desperate cry. There are fewer tubes attached to you, fewer wires surrounding you. There’s also a doctor—a different one from those who tended to you before. He’s lying back, asleep in a chair that doesn’t look at all comfortable. You wonder if it’s common for doctors to fall asleep beside their patients or if you’re getting special treatment due to the time you’ve been unconscious. The doctor is strikingly handsome. He looks exhausted, with dark circles under his eyes and his breathing deep and steady. Perhaps that’s why he didn’t wake at your cry.

You try to get up, nearly falling back at the sudden motion, but on the second attempt, you manage with some difficulty. Unsteady, you grab one of the spare blankets at the foot of your hospital bed and gently drape it over him. But there’s something peculiar—you feel as if you’ve seen him before. You move closer, laying your fingers lightly on the warm skin of his hand. His hair falls messily over his face, obscuring your view. Then you recognize him: the slightly wicked priest from your dreams, too alluring to be a saint, who meted out your penance. Yet something within you stirs, as if he holds a deeper meaning, something that seduces and captivates you. You touch the scar on his forehead, feeling a surge of electricity ripple through your body.

Then he grasps your hand, pulling you down onto his lap, where you land anyway. You’re silent for a moment, staring at him. “You used to brush my hair away from my face whenever you wanted to tell me something embarrassing,” he says, his voice close to yours, a sly smile playing on his lips as he settles you in his lap. “You’d say that if you focused on my scar, you wouldn’t feel so shy talking to me.” You’re surprised, but you don’t move. Something about being close to him feels familiar, leaving your body unresponsive in his presence.

“I imagine you don’t speak like that to all your patients, Doctor…” you say, trying to keep a serious tone as you study the face of the man whose lap you’re seated on. He chuckles, clearly amused. “Dr. Mayhew to some, Charlie to others. But to you, I’m husband.”

The words startle you, and you jump off his lap, steadying yourself on the hospital bed. “I’m sorry, what did you just say?” you ask, bewildered. You’re married?

“I know this might be difficult to understand, but we are married. Don’t feel pressured to remember—it’s all right…” he murmurs, rising from the chair and moving toward you. His calm tone, almost as if he’s trying to make you feel safe, is surprisingly comforting. Your gaze falls to his hands as they reach out to you, but you instinctively move to the opposite side of the bed.

“I’m sorry, but there must be some mistake. You can’t be married to me. Your face looks like it stepped right out of a magazine. I can barely believe you’re a doctor, let alone my husband. If this is a joke, know that it’s unfair to mock someone who doesn’t even know her own name,” you say, sounding slightly indignant. But honestly, what are the odds he’s really your husband?

Dr. Mayhew laughs, a sound both frustrated and enchanted. He runs a hand through his hair as if searching for patience. “It’s funny you’d say that. When we first met, you called me a ‘Ken wannabe.’ Later, you swore you hadn’t fallen for me because of my looks. When you remember that, I’ll be sure to remind you of it,” he says, his gaze deep and searching, as if his eyes are speaking more than his words.

“If you’re my husband, then tell me something only you would know about me!” you exclaim before he can come any closer. Your hands are trembling—whether from the intensity of his stare or some other reason, you’re not sure.

"You like to fuck when you're stressed, usually you prefer me to fuck you from behind but when you're pissed off, you bounce on me like there's no tomorrow. You don't like to feel pressure so I personally think you married me not because I'm handsome but because I let you be in charge. When I asked you to marry me, you broke up with me. You thought I was rushing things, and you couldn't stand the idea of not being able to give me children. You had two cats when you were younger and you named them 'Beelzebub' and 'Crowley' because your mother was very religious and you never liked her." He seems sincere, even if he's embarrassing you on purpose. It's obvious from the way he talks about your sex life, which you can't even confirm.

“Hold on, Doctor. We both know the sexual details were unnecessary. If I can’t remember other parts of my life, am I really going to remember what our… sex life was like?” you say, feeling your cheeks flush with embarrassment. Your hands are beginning to sweat, but you don’t break eye contact with Dr. Mayhew.

“Actually, of all the details I’ve shared, those are the only ones we can test right now,” he says, closing in on you with surprising speed. His gaze is fixed on you, predatory and intent, as though you’re his prey. Strangely, you feel no embarrassment—just a stirring curiosity to uncover this for yourself.

“Do you often suggest casually sleeping with your patients? We are in your workplace, after all,” you say, feigning reprimand, though part of you wonders if he’s ever done this here before.

“I only suggest it to those who are married to me. And honestly,” he says, drawing closer to you, his voice dropping to a whisper, “we’ve done far worse in both our workplaces.” He nods between himself and you, hinting at shared memories. There’s a tension in the air, something almost tangible. You swallow hard, unsure why his closeness doesn’t make you uncomfortable—but rather feels strangely familiar.

“You sound extremely dangerous saying things like that,” you murmur, holding Dr. Mayhew’s gaze as if daring him. For a moment, you think he might close the distance and kiss you—a thought that leaves you unsettled. How should you respond? You’re not even sure if you believe he’s really your husband.

“You were always one to take risks; has amnesia made you forget your true nature?” His fingers trace lightly along your arm, his gaze heavy with desire. He clearly wants you, yet that alone proves nothing. Whoever you once were, in this moment, you feel as though you’re standing bare before him.

"I hope I’m not interrupting the happy couple, but I heard Mrs. Mayhew was awake. I thought I’d finally come to speak with my most anticipated witness. I’ve waited two years for this conversation,” Detective Lois Tryon stands in the doorway of your hospital room, a victorious smile on her face. Dr. Mayhew doesn’t look pleased to see her there. They exchange a tense look, while you remain close to him, caught between their silent standoff.

“I don’t believe it’s appropriate to question my wife mere hours after she’s woken from a two-year coma,” Dr. Mayhew says, wrapping an arm around your waist and pulling you close. “I’m sure you’re aware of her memory issues, Detective Tryon. It would be courteous of you to give her a moment to adjust.” You’re taken aback but stay pressed against his well-defined frame, momentarily wondering if he’s a doctor or a bodybuilder.

“It’s no surprise you don’t think it’s appropriate for me to question your wife,” Detective Tryon replies, her tone laced with sharpness. “I would have to reveal to her that her husband is a primary suspect in a series of murders. That he’s so determined to evade justice he might’ve orchestrated the accident that left her comatose. And that he’s been having an affair with the lead investigator of this case—while she’s been unconscious.” Mayhew tenses, a flicker of fury crossing his face as he grips your waist tighter. You watch as his features contort slightly, weighing the situation. You can’t help but wonder if you’re witnessing an innocent man being falsely accused or a guilty man feeling the noose tighten. For some reason, this only heightens your intrigue in him.

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sgtpeppers · 2 months ago

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Okay so the quick version of this is: saw Two Of Us today, adored it even more than I adore the film, the choice to keep them in John's building worked really well to further highlight the mental health message the director talks about in his little note in the programme, the rooftop scene is somehow even more intimate and lovely in this version and the ending is even more painful! I'm gonna write down more under the cut about it all:

Playlist: The playlist before the show/during the interval is everything you would want it to be and it includes Monkberry Moon Delight which I feel like I never hear in public!

The overall experience was also just super wholesome, one thing I always love about Beatles events is the range of people there it just makes you feel like your part of such a special thing, so shout out to all the old women talking about Paul near me, the middle aged men in their Beatles shirts, and the girl behind me who was sooo excited to be there and I hope she got to meet the cast after like she wanted to! ALSO the Beatles drinks are so funny, idk why Ringo’s is just earl grey tea 😭

Performances: OKAY let’s get into it. So one of my only real complaints about the film is that although I think overall Jared Harris and Aiden Quinn do an amazing job but I do find the quality a little inconsistent (especially the accents) but Jay Johnson and Barry Sloane are soooo so good, the accents, the little verbal quirks (which also, kudos to the writer as well) and the physicalities are jarringly good at points, especially Barry Sloane’s John. I also feel like a lot of Get Back was watched in preparation because there were so many little things, like the way John plays with his hair that just took me right back to that. Sometimes with fictional Beatles things I’m constantly thinking about how you’re watching two people try to portray these real people, but I definitely found that they were convincing enough that I wasn’t thinking about it too much.

Outfits: I did find it kinda weird they went for the Get Back looks rather than how they looked in 76, I feel robbed of the New York City vest tbh but they did look great

Changes from the film: basically they cut out them going for the walk to the park and to Luigi’s and instead John sets up the table for them like they’re in a restaurant in his kitchen. I think it works really well because they play into John not wanting to leave the building, which just adds into that whole mental health thing, and I think it actually makes the rooftop scene more poignant when they get there, because it feels more like Paul has broken through a bit and coaxed him outside, even if it’s baby steps. Anyway, they still have all the same conversations really the script is just chopped up a bit.

One interesting thing is that the conversation that happens with the fan in Luigi’s still happens, but John sort of pesters Paul about whether he really thinks silly love songs should be number one, and it’s a nice extra layer to Paul’s insecurity which I enjoyed

Mental health conversations: I think going into it knowing that the director wanted to make this because of the mental health themes, specifically men’s mental health and how having someone to reach out to is so important, is really interesting. They definitely amped up John’s anxiety from the film, his fidgeting and little moments to himself where he’s trying to get himself together were just so palpable, and Paul talking about his depression after the Beatles broke up was even more raw and upsetting seeing it in front of you. My absolute favourite line in the film is ‘I’m thirty-five years old and I still feel like I’ve done something wrong’ and god, my heart just broke seeing it on stage, I think that’s such a common feeling, just that sense that you’re in trouble for something but you’re not really sure what? Anyway, I just loved Sloane’s delivery of it.

The Kiss: Okay, look I actually don’t care that much about the kiss in the film, I’m glad it’s in there as a little nod to John’s queerness but it really isn’t anything imo, but I liked it a lot more in this! For one thing rather than coming after a little play fight (which is still cute, don’t get me wrong) they do one of their silly dances where they’re spinning each other round etc, so the scene already feels more tender, and then John just kinda grabs him and it goes on a little longer than in the film. I still think it’s far from one of the most intimate moments in the show, but I do think they made it into something more here.

Rooftop scene: It’s just. It’s everything. They sit right at the front of the stage, facing each other, cross legged and Paul gives him the whole ‘I see a beautiful baby boy speech’ and it’s PERFECT, this was the moment I was most worried about them screwing up and it was perfectly delivered and they have this lovely big hug after it and it made my heart ache in the best way. And idk, if seeing some guy dressed up as Paul McCartney saying that we should focus on fun and get out our own heads and how we don’t have to stay stuck as the kids who were just scared and trying to survive, doesn’t do something for you, then we’re just very different people.

SNL scene: okay it’s pretty much the same but the way John is sleeping on Paul was everything, it wasn’t just a head on the shoulder he was fully laying back against Paul!!

The ending: this is just so brutal because Paul doesn’t leave the flat to get his guitar, he borrows one of John’s and so when Yoko calls and John starts doing the whole ‘I wish you were here, you’re the only one who stops me disappearing’ it’s literally…. In Paul’s face. And it hurts. Then at the very end they cut between John on the phone to Yoko and Paul on the phone to Linda, and so Paul says ‘I love you’ to Linda, then John says ‘I love you too’ to Yoko but it sounds like they said it to each other, and then Here Today plays. The fact most people didn’t appear to be crying baffled me quite frankly.

Yoko: They decided to have Yoko be the one who actually invited Paul, which felt like an odd choice and didn’t really add anything for me, but there we go

Okay I’m gonna shut up there because this is way too long and I doubt anyone’s read it but ahhhhhhhhh it was so good and you’re just all lucky I can’t text you because my friends have had much more incoherent versions of all this

#the beatles #two of us #mclennon #this is an essay i'm so sorry #i just needed to get my thoughts down somewhere #i will try and be more chill about one hand clapping next week #personal

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sideprince · 4 months ago

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YOU GET IT. This book is really about Harry's relationship to Snape and foreshadowing that Snape's betrayal isn't all it seems to be. The Slughorn party scene makes me angry actually because Snape’s only purpose in it is to be the straight man in a comedy bit. He serves no narrative purpose (even the message he conveys has no purpose - it’s not like Dumbledore was cancelling an appointment, he’s just saying “we had no plans to meet and continue to not have any. k bye” but doing it through Snape for... some fucking reason ¯\_(ツ)_/¯). In the film ABOUT HIM where he’s only in four scenes one of them renders Snape’s presence narratively functionless. He's in that scene so the audience can get a laugh when McClaggen pukes on his shoes (and the timing of that whole bit is painfully clumsy and slow, because the films don't respect the audience's intelligence and assume them to be clumsy and slow too).

And you know what, I know I didn’t include the Sectumsempra scene and I’ll tell you why: because what’s the point? Snape shows up and says nothing. He heals Draco. He doesn’t hold Harry accountable???????? He doesn’t guess how Harry knew this uncharacteristically dark spell that isn't taught in class or punish Harry or even ask him “hey so about this student who’s bleeding to death in this bathroom where the only other person was you?” Snape's purpose in that scene is to fix Harry's mistake. Which is the complete antithesis of how he relates to Harry.

I’m frothing at the mouth at how Steve Kloves went out of his way to strip this scene of any substance for no discernible reason other than to handicap his own plot and character development??? Severus FUCKING Snape, who spends every book antagonizing and punishing Harry, just lets him go and fixes his near-fatal fuck-up without a word????? And Harry “slashed up a fellow student” Potter just walks away and is like, “that was messier than the time I fully murdered a teacher in my first year but anyway, guess I better do as Ginny says and go with her to hide this book, maybe we can hook up after,” and that’s just… fine. Which tracks with the rest of Kloves' sloppy writing, since he doesn't show Harry getting attached to the book, let alone the Prince, he just carries it around and reads it sometimes. And even when he does that we don't see him get immersed in it, he's still fully aware of what's going on around him and actively participating in conversations while perusing it. If you watch this film (or any of them) and think about every scene in the context of "what if I hadn't read the book and didn't have the understanding it gave me for what's happening or the emotional attachment to the characters" then you'll see how Kloves took a vibrant, colorful landscape and turned it into a hand-drawn cardboard cutout.

The purpose the Sectumsempra scene serves in the book is manifold and complex:

Harry's trust in the Prince is shaken and he sees an ugly side to this unknown person he's anthropomorphized into a kind of friend.

This is paralleled with Snape appearing at that exact moment, because foreshadowing.

Harry, who at the end of the previous book wanted and failed to use an Unforgiveable on Bellatrix Lestrange, experiences what it is to enact violence on someone for the first time and is deeply shaken by it.

Snape DISCOVERS THAT HARRY HAS HIS OLD POTIONS BOOK.

Snape, who suggested expulsion in Harry's second year for being seen flying a car across the country and into the Whomping Willow, punishes him for attempted manslaughter with nightly detentions. I need a whole other post to unpack this one (and while this may not work for the film, the solution isn't to scrap Harry being punished altogether - that goes against Snape's character and eliminates possibilities for tension, exposition, and plot development, not to mention character development).

Harry chooses to hide the book in the Room of Requirement and hand Snape Ron's book instead. This is a crucial moment for Harry's character development: he hides the book with the goal of retrieving it later, because despite the Prince's violent betrayal, he doesn't reject him and is still attached to him [insert meta about the potential parallels to Lily's friendship with Snape, what she saw in him, and why they remained friends for some time even when Snape became more immersed in the Dark Arts]. In fact, Harry wants to go back and get it, and his main reason for not doing so is fear of discovery by Snape, not a rejection of the Prince. This is a hugely important moment once you realize that Snape is the Prince, because it makes Harry's relationship to him - and his view of Snape's betrayal when he kills Dumbledore - much more complex and interesting and cathartic. It also shows that Snape has redeemable qualities, if Harry was able to become so attached to his younger self (the one who was an aspiring DE, before he defected and risked his life to save a friend, at that).

Snape's realization that Harry has his old Potions book is what leads to the moment after Dumbledore's death where Snape reveals his identity as the Prince. If he didn't know Harry had his old book and had learnt from it, why would he do this?

The purpose of the Sectumsempra scene in the film, though? Imprisonable offence after imprisonable offence. Writer's jail for Kloves:

Harry and Malfoy have it out, even though that tension hasn't really been built up (there was the Hogwarts Express scene and then not much after. Fun fact: when Draco gets caught gatecrashing Slughorn's party, it's done without having set up in any way that he's overlooked by Slughorn and insecure about losing his social standing due to his dad's imprisonment. There's zero attention given to his lack of inclusion in the Slug Club, so the fact he's using gatecrashing as an excuse to cover for sneaking off to the RoR is impossible for the viewer to understand, because the fact that he'd need to gatecrash at all is also unexplained, unless they had context from the books).

Snape saves Malfoy, but since neither character has had much screen time or relevance to the plot, it's just a striking visual to see Malfoy splayed on the water logged floor with Snape's robes swirling around them but not much more. Again, without the context from the books, this moment lacks substance.

There are no repercussions for Harry. He and his friends acknowledge that the book is dangerous, but Harry isn't punished, doesn't try to make amends, and basically acts like the self-involved special little boy Snape makes him out to be and who the books show him to be the opposite of. He doesn't seem all that conflicted or horrified and doesn't even hide the book on his own, his friends push him to get rid of it, and he goes to do it because it's a way to hang out with Ginny - who hides it on his behalf, which signals very different things about Harry's character than Book!Harry's choices do. The purpose of hiding the book in the film isn't so Harry can try and get it back later because he's still attached to the Prince, it's so he can be alone with Ginny and they can kiss, which Ginny instigates because Steve Kloves does nothing better than write passive protagonists who don't have to lift an emotional finger (see: Harry going along with being told to hide book instead of choosing to do so himself), and female characters who do all the heavy (and weirdly subservient? I'm looking at you Ginny feeding Harry and tying his shoes at the Burrow) lifting.

Nothing about this scene gives us even a remote hint that Snape is the Prince. When, at the end of the film, Snape reveals that he's the Half-Blood Prince, there is no context for it in the film or reasonable cause for him to know that Harry knows who the Half-Blood Prince even is. It's like if Ron walked up to someone on the street when he was 40 and said "yes, I am Roonil Wazlib." This revelation hasn't been set up, all its foreshadowing has been deliberately avoided, so it doesn't land with the impact it has in the books and definitely doesn't have the same effect if you haven't read the book first.

In short, in the film about Snape, and Harry's unwitting relationship with him, the scene where the biggest clue is given about the Prince's identity and one of the most crucial interactions between Harry and Snape happens, Snape is a sidebar, not a feature. So I don't count it as a Snape scene. He doesn't even have any dialogue aside from vulnera sanentur. Poor Alan Rickman was doing his best to do right by Snape's character with his acting even though the script gave him literally nothing. I hope every bowl of soup Steve Kloves eats for the rest of his life is cold and unsalted. Unless it's gazpacho. Then I hope it's scalding hot and burns his tongue.

Canon: Harry overhears Malfoy intimidating Borgin and figures out that he's been branded with the Dark Mark

Steve Kloves: Harry sees Malfoy meet a bunch of Death Eaters in Borgin and Burkes and figures out it was a ceremony to give Malfoy a Dark Mark

No but what I love about the movie version of events is that it implies that any Death Eater can brand anyone with the Dark Mark or, even better, that Voldemort was there in Borgin and Burkes and no one saw or heard him and he just popped into a shop in Knockturn Alley, tatooted a kid, and peaced out. I know I talk a lot about how Rowling (boo, hiss) was thoughtless with her world building, but she has nothing on Steve Kloves. I'm pretty sure he wrote those scripts with a crayon stuck between his toes.

#have I mentioned how much I hate Steve Kloves #because I do #a lot #this is also why it bothers me so much when people criticize Alan Rickman's Snape #because it's usually either because of his age which... look at literally every character from that generation in the films #but i've talked about that before and no one's ever come up with a realistic fan cast from the late 90s/early 00s #sorry that studio films are made the way they are but them's the breaks and frankly it's better to have seasoned actors play #lesser characters who are significant because it's actually really hard to convey depth with only a few lines #do you have any idea of the character work that went into roles that are onscreen for a total of three minutes? apparently not #I genuinely think a lot of people get so mired in fandom they forget that their personal fantasy isn't always achievable by real life actor #you may be able to visualize an actor in a role but they're not going to do the same thing on screen that they do in your head #ask any film director because that's a hard lesson they had to learn on their first film and work with #the other thing I see people criticize Rickman for is not playing Snape like he is in the books and it makes me mad because it's not the #actor's fault it's the writing it's the writing it's the fucking writing please stop holding actors accountable for the shoddy work of #people who are less visible but just as impactful #'Rickman wasn't feral enough' ok please show me the moments where his feral moments from the books are included in the films #I'm waiting #still waiting #gonna be waiting forever because they aren't there #how do you expect an actor to portray something that isn't in the script #does the McGonagall fandom also hate on Maggie Smith for telling Filch to lock the Slytherins to the dungeons in DH or #I'm keeping this in the tags because I respect that everyone has different opinions and it's no skin off my nose if someone doesn't #like an actor or their performance #but I do have strong feelings about people not appreciating hard work and skill and years of training for the sake of their blorbo being #how they see them in their head #in the entire history of the performing arts no actor has ever performed a role exactly as the writer envisioned it #it's a collaboration between writer actor director and producer and the thing that makes me mad is the way fandom has a tendency to #ignore that complex relationship and process and instead petulantly go 'well it's not what I wanted so it's worthless'#like do you hear yourself? you can dislike a thing but still have respect for it #except for Steve Kloves he gets no respect because he's an untalented hack who clearly doesn't work at his craft

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averageallogene · 1 year ago

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Lyney ♡⊹˚ His lucky charm [NSFW]

✧˖°. Summary: Before his most recent shows, Lyney seems to have some nervousness regarding his abilities as a magician. Thankfully, his lovely girlfriend is always there to ease his mind beforehand, providing him with the luck her magician boyfriend needs.

fem. reader (3rd person) ; this is basically smut with little more than an intro to it, so beware. Also SPOILERS for ACT I of the first Fontaine Archon Quest.

5k words.

notes. Hi yes hello I am back, I have played the two Archon Quests, and after working a little for my thesis I decided to write something by my own volition <3. I’m not sure if Lyney here might be portrayed accurately but nonetheless I really wanted to write a smaller piece for him before doing it for other characters! He’s adorable :( ♡ Enjoy ✧˖°

By clicking on the “expand”, you are hereby agreeing to view NSFW content. PLEASE if you are under 18, DO NOT INTERACT.

PLEASE do not report, as this is my warning to those who do not wish to view NSFW. I, like most writers, work hard on each piece we choose to publish, and reporting it will decrease the number of readers it reaches... Thank you for understanding ✧˖°

Magicians have no need for something many folk cling onto - luck. After all, every trick they perform is something they study, polish, rearrange, rehearse. Everything is staged to the finest of details, leaving no room for unpredictable variables to enter the equation. Every performance is acted out accordingly, a mental checklist going on inside the performer's mind as each prop is placed and moved about, each line is repeated from the rehearsals, each movement in one’s body is carefully played out. Everything is a carefully crafted performance, and what need do they have for luck? None.

To Lyney, such is the truth. Well, at least this philosophy held itself rock solid, up until the incident that nearly landed him a guilty verdict. Despite his confidence in his abilities to wow the crowds, even before there would always be a small but ever present pitter patter to his heart, a quiet reminder of his own nervousness before the show would begin. He would usually handle himself most well, though through the eyes of those closest to them, the normal feeling of “performance jitters” wasn’t all that well hidden. Well, and if that were the case, more so after things went back to normal.

His breathing would be a little more unstable, his fingers would fidget with one of his cards as his eyes darted about his changing room. He would fiddle with his exquisite hat, rebraid his hair while trying to ease himself. Things had gone back to normal, their scheduled shows were once more popular and always fully booked. Yet still, there always was this sense of anxiety deep in his stomach, never truly going away as he quietly wondered if the show would go as planned.

Well, thankfully he had someone to help ease his mind each time. And as if right on que as he brooded over the upcoming performance, a knock to his dressing room was heard, the door opening to reveal the loveliest of sights. At the door stood [F/N], his lovely girlfriend who would always visit him before he went on stage.

“Hi Lyney! Hope I’m not intruding?” She asked sweetly, smiling his way which only helped to ease his worries.

“You never are, my love. Come in!” He breathes out, the eagerness to have her close not quite passing unnoticed to her. He extends his arms before fully taking her in his embrace, sighing deeply as he inhales the familiar perfume she would always wear. His favorite.

“How are you feeling?” [F/N]’s voice grows softer, her arms resting around his lower back as she smiles his way. The silence that follows is enough of an answer, her magician simply distracting himself with playing with the tips of her hair. “...Nervous?”

“...Hah, why it seems nothing really blinks past you. I may have taught you… Too well…” He jests, the smile on his face betraying him before it drops slightly. It reveals some of his vulnerability for her, his violet eyes locking with her own before he speaks up again. “I suppose it’s just some performance jitters again, nothing new...”

“It’s okay Lyney. You’ll do great, I know so.” Her smile shone brighter than the very sun, beaming with warmth that was only cast to him. It comforted his very being, filling his conflicted heart with sugary sweetness that only soothed him in a way no one else could. And if that wasn’t enough, the next few sentences were the ones that would always, always seal the deal for him. “Everything will go well, and everyone will be wowed by your hard work. I’m proud of you.”

It was as though his heart was struck, pierced with cupid’s arrow as he couldn’t keep up the calm and confident act. Lyney’s body visibly relaxed, a content snicker escaping his lips as his arms brought her closer. His lips were quicker than his words, filling her face with brief yet lovely kisses, watching with glee as she giggled as a response. Amidst each kiss he whispered words of gratitude for her support, his hands roaming throughout her lower back as he yearned to feel her closer and closer.

“Lyney… You didn’t even let me finish!” She laughed, her words being cut off with a deeper kiss as his lips found her own. She could feel his smile against her lips, the magician quite literally stealing her breath away before finally pulling away.

“Oh, I’m sorry dear. I just can’t contain myself, you’re just too adorable for me to!” He sighed, the flamboyant hum in which he spoke glittering the otherwise full truth she very well knew. “To think a professional magician would be wowed in such a way, you’ll be the death of me…”

“You almost make it sound like I’m such a bad thing.” [F/N] rolled her eyes playfully, her fingers carefully adjusting his hair before inspecting to see if his braid was well done.

It was in small moments like so that Lyney would cease to speak, allowing his beloved to do as she pleased. His eyes would focus solely on her, watching how her expression would shift, her eyes roaming about to ensure he looked his absolute best. He could feel his heart beating hard against his ribcage, no longer solely because of the nervousness he would feel before each one of his shows. The mere sight of his girlfriend was enough to blow away the growing blaze of anxiety, leaving it only in embers that with time would cease. Her mere care, her mere nature, her beauty inside out…

It was enough to leave Lyney riddled into little more than a lovesick puppy, the loopy smile upon his pretty face being reserved only for her.

“Lyney?” [F/N] called for him once more, watching as he finally seemed to come back to. His hands were roaming around her hips, carefully circling around her figure as he finally let out a soft hum for her to continue. “You’re a little too quiet… Everything okay?”

“I’m so lucky to have you, [F/N]...”

It was her turn to be left speechless, her face morphing to surprise as their gazes locked. He watched as the loveliest shade of red adorned her cheeks, the flusteredness he’d often cause on her never failing to amuse him. Still, despite so, he hoped she knew just how sincere he was with his words.

“Oh Archons… What’s gotten into you?” Her voice whined a little lower, her eyes turning away to avoid him for a mere instance in which her flusteredness was still far too raw. She could feel how his lips chased after her skin, peppering her with light and soft kisses by the corner of her mouth.

“Nothing.” He responded, his usual flair dropping to soft whispers as he carefully turned her around, helping her have a seat on his vanity. Between fleeting kisses, Lyney took the opportunity to bring himself between her legs, his hands never letting her stray far from himself. “I just wish to remind you more often, because it’s the truth.”

“Well I think it’s the other way around, you know… I’m the one that’s lucky here.” [F/N] smiled softly, her hands finding rest on his shoulders before gently massaging his tense muscles. Her boyfriend leaned back, his eyes gleaming with a twinkle that seemed familiar, one of challenge and mischievousness that would often leave her questioning before finally realizing what he’d plotted.

“My my, is that so?” He hummed, head tilting to the side while his grip on her tightened ever so slightly. “If that’s the case, how come each time you visit me beforehand, every show I perform runs far better than what I expect?”

“Oh, you’re really running with that?” She giggled, music to his ears. “Only because I kissed you that one time, telling you it would bring you good luck?”

“And did that show not go beyond amazing? In fact, I do believe that was the peak in my career thus far.” He reasoned with a nod to his head, kissing her deeply before resting his forehead against her own. “Therefore, I’m the lucky one here, and you my dear [F/N], are my lucky charm.”

“Oh Lyney…” She sighed softly, stroking her hand through his blond locks slowly. “I didn’t know that tonight my magician was planning to turn me into putty in his hands.”

It was his turn to laugh, quietly, yet full of warmth and endearment. “It’s what you get for stealing this magician’s heart long ago.”

“Ah! I’m gone. Goodbye Fontaine, I am melting from my boyfriend’s words!” [F/N] leaned back dramatically, Lyney catching her before she would fall too far and hit her head against the large mirror of his vanity. The pair laughed in unison, fingers interlacing as he brought her close to himself once more.

“You’ve definitely gotten that dramatic flair from me.” He pointed out, his free hand now resting firmly on her thigh. He watched with hearts in his eyes as she giggled at his comment, shrugging her shoulders before bringing him closer with her legs.

“I love you.” [F/N] whispered, leaning forward before it being her turn to steal a few kisses for herself.

It never stopped after that though, one going after the other, kisses lingering longer before them turning into a longer makeout session. The way her lips were always so soft, so warm, the faint taste of her favorite chapstick melting against his own, it never failed to leave Lyney yearning for more, his whole being focusing solely on his lover whilst everything else blurred around them. His tongue carefully peeked through his own lips before swiping across her own, the grin being felt against her mouth as he felt her jolt slightly from the antic. Giving him permission to continue, Lyney carefully led the dance, his tongue meeting her own as they both ignored the need of air, muffled breaths fanning one another as their hands held the other closer, tighter. Before he knew it he was leaning himself forward and her backwards, a little more, his body pressing against her own before they were practically bent with her head touching the mirror behind them. Her legs were pressed against his sides, never letting him stray too far, her hands stroking through his back and hair, sending shivers down his spine as sparks ignited deep within him.

“L…Lyn-ney…” She murmured between breaths, him finally tilting his head so the two of them could breathe. The way her tongue stuck out of her mouth as she breathed heavily seemed to only entice something further deep within him. “W…What about your show?”

“Worried about that?” He inquired, the clear endearment for her concern being evident in his tone of voice. He leaned closer, voice whispering as he slowly licked the strand of saliva that had dropped down her chin. “We still have time, if that’s what’s troubling you dear.”

“H-Hah…” The words seemed to get stuck on her throat as his hands maneuvered around her frame, carefully parting her legs a little more to give him better access. His fingers quickly grabbed a hold of the hem of her dress, lifting it up slightly before resting his palm on her warm thigh, his lips still remaining close to her own as his very being craved more of her.

“Do you want me to stop?” Lyney softly asked, leaning back as his own breath grew uneven. His face too displayed a lovely shade of pink, his lips redder after the relentless kisses she’d given him. His eyes were glittering with excitement, half-lidded with pure love as he waited for her response. His thumb was caressing her skin softly, the circular motion he did easing her more than arousing her as he searched for her honest answer.

It was embarrassing to admit, but [F/N] absolutely did not want to stop. Her body felt far too hot for her to go back on it now. “I… N-No.”

“Are you certain, dear?” He leaned closer, eyes squinting softly as his breath fanned her face. His hands slithered a little more upwards, giving her goosebumps as they traveled up to her hips. “I don’t want to put you in any situation that might be even a little uncomfortable… I will understand if this is-”

“N-No Lyney, I’m okay.” She nodded her head to reassure him, her hands gripping his clothing tighter as if not wanting him to move an inch away. “I admit, it’s… A bit nerve wracking, given the place but… I still don’t want you to stop.”

He bit his lip, smiling with both excitement and apology. “I’m sorry love, I always seem to get carried away when it’s about you.”

It definitely was the truth, especially given with the way his hands moved around her body. There was always a certain kind of care in each movement, his grip upon her skin tight and loving, as if reassuring himself she was there, with him. Lyney was both selfish and giving when it came to his beloved [F/N], always wanting more for himself, yet always wanting to reassure her she felt properly adored.

“We’ll have to be-” He kissed her again, followed by another, her lips trying to keep up with his own as he gave her fleeting kisses. “Very quiet- Okay?”

“M-Mhm.” She nodded her head, her face blushing a deeper shade of red as his fingers finally lifted her skirt up. Her own hands helped him hold it up for him, watching him as it finally dawned on her, his figure getting nice and cozy in between her legs before he kneeled down. “L-Lyney?”

The grin he gave her was enough to make her lower region throb.

“I’m craving a taste of you, baby. Could you please indulge me?” He whispered, his hands parting her legs before resting securely against them. His head turned to her left thigh, leaving a trail of small bites and kisses as he came closer, delighting himself in every reaction she offered him, every gasp and jump, every attempt at caging his head in between her legs.

“J-Just- Don’t tease me, please.” [F/N] outright pleaded, earning herself an honest nod of his head as his eyes sparkled in anticipation.

Carefully, her eyes jumped back at the closed door before going back to him, her breath trembling as she breathed out from her parted lips. Whilst one hand held her dress up, the other slowly lowered, helping him to remove the lacey underwear that hid his most wanted prize away. And with a lift of her hips, they were off easily, hanging by her ankle as Lyney’s gaze focused solely on the erotic view before him. His [F/N], holding her dress up for him, sat on his vanity as her chest rose and lowered irregularly, her pussy in full display for him alone. It was enough to get him aroused, the fabric of his own clothes becoming far too constricting as he felt his boner raging to be freed.

His experienced hands crept closer, thumbs slowly hovering her juicy lips before deliciously parting them. He could feel his mouth go dry in an instance, the view of her leaking pussy outright hypnotizing him as she let out a quiet moan. He couldn’t help himself but play around with her pussy lips a little, after all, how could he not? The way her pretty hole would throb in want, leaking out her nectar only for him, dripping down her skin and onto his table, the squelching sounds being nearly enough for him to lose all sense of control. He couldn’t help himself but stare, watch in lust before her soft moans and whines became a little too loud, all the while still arousing him even further.

“Lyney!” She pleaded in a whisper, the pout she offered him sending his heart racing.

“Yes, you’re right baby… I’m sorry.” He hummed, leaning forth before finally giving her heat a long, slow and deep lick. The vibrations from his hum resonated with her pussy, sending pleasant shockwaves throughout her body as she shut her lips right before moaning. “We’re gonna have to be quieter, love. Can you do that for me?”

It was difficult to hear him when he was practically squishing his face against her pussy, yet from the mere fact he’d stopped, [F/N] had been able to deduct what he wanted from her quickly enough. She nodded her head eagerly, blushing even deeper as she bit her lip.

“Mhm… ‘M sorry…”

It truly divided Lyney’s heart in two, for he absolutely adored hearing every sound [F/N] would bless him with. Her voice already was pure melody for his ears, all the more when she would be moaning due to his administrations. However, the pure excitement of their ordeal, having a chance of being caught, it was enough to keep him going, to entice him to lick more, to lap around her clit again, to suckle on it whilst plunging one of his fingers deep inside. The way his beloved would instead jolt more often, writhe above him, attempt to suffocate him as her legs tried to close around him, all to not be as vocal, it all had him entranced.

"You taste so good…" He groaned against her folds, his tongue practically spelling out his love for her as he ate her out with such passion. The groans and sighs that would escape him would only please her further, sending [F/N] closer and closer to her own release as she practically bit down her tongue to quiet out her own moans. Lyney simply couldn't have enough of her taste, lapping every last drop to his greedy tongue as he yearned for more, fingering and licking it out of her as he could feel her gummy walls throb against his fingers. "You're so wet, too… So dirty, my angel."

"L-Lyney…" She mumbled, her erotic whine finally pulling him out of his trance to look her way. By that point she'd already held her fingers around his hair, him not even noticing up until that very moment.

His light eyes glanced up, for a moment the magician forgetting how to even breathe. It felt as though the wind was knocked out of him, staring up to see his beloved gazing down at him with such a needy look. Her cheeks were flushed, the thin layer of sweat visible on her forehead as her grip on his hair tightened softly. Her teeth were by that point gritting tightly against the hem of her dress, it being her faint attempt at keeping her noises down to a minimum as he ate her out to his heart's content. The view was dirty, marvelous. The dress was lifted to such a way he could now see part of her tummy as well, her body lined with sweat as it reacted to every little touch he gave her.

It drove Lyney over the edge. He couldn't wait any longer. The breath finally left his mouth in a shaky notion, her thighs shaking like jello as it hit her bare pussy before he got up.

"Gods, you're so gorgeous [F/N]." He outright moaned, his fingers carefully taking the fabric out of her mouth. He watched how she heaved deeply, her lips tempting him to latch onto them. And who was he to refuse, but a poor magician whose heart had been stolen by the woman before him?

He leaned in quickly, capturing her lips against his own as they both moaned against one another. Their hands couldn't let go of the other, fiddling with their clothes as they attempted to find the best position to finally get what they both wanted. [F/N] leaned herself to the edge of the table, her legs still apart for him as her fingers now fiddled with his belt, unbuckling it before finally freeing him of his leather shorts. Lyney could feel his cock throbbing already, eager to finally plunge inside of her spongy walls and ease the yearning he so deeply felt. He groaned against her lips as she finally freed his hard length, pumping it for him slowly as it was now her turn to suck on his tongue with her own lips.

"I need you, Lyney…" [F/N] moaned, helping him to part her legs further as he kept his face closer to her own.

"I know, baby, I know. It's only fair I indulge you after you've treated me so well, right?" He hummed with a smile, all the while his face indicating just how excited he was.

He grunted quietly as he carefully rubbed his cock against her leaking folds, the two of them attempting to quiet their moans down to the best of their abilities. [F/N] could feel how the particularly protruding vein on the side of his cock rubbed against her pussy, sending tears to the corners of her eyes as she felt herself closer and closer to her release after being so well tended to by her lover. Lyney in turn kissed her tears away, his lips never leaving her face as he practically gulped down her moans to himself. After coating both her pussy with his pre and his cock with her bountiful juices he stopped, lining himself with her entrance before, with a glance shared, he carefully thrusted himself inside.

His hands gripped onto her knees, his lips shutting themselves tightly so as to not moan out as he often would. The way his eyebrows furrowed as he attempted to not voice much of the obvious pleasure he was feeling was a delightful view, [F/N]'s face blushing madly as she brought him closer. Her arms wrapped around him tightly as she hid her face against his neck, her lips pressing against his skin as she quietly whimpered in pleasure.

"Ah, Lyney!" She moaned quietly, her nails digging into his shoulders as his own sighs of pleasure hit her ear.

"You're so tight, baby-" He in turn hissed gently, feeling how her spongy walls swallowed him whole as he finally bottomed out. His own hands were gripping harshly against her skin, the two of them sharing moans between one another even as his tip hit her deepest part. "Fuck, you're so wet. It feels so good."

"Please Lyney, give me more…" [F/N] pleaded to him, her eyes wide and glistening with pleasure as she leaned back for an instance. At that point she was once more leaning back against the rest of his vanity, granting him access to pound as deeply as his heart desired. The mere sight of her in such a way was enough for him to derail.

"Archons, anything for you [F/N]." The magician grunted, his hands leaving her knees as his lips latched onto her own.

By her own she was able to open her legs as widely as possible, the hem of her dress covering everything from the mid-thigh up as her hands were far too busy around his body. They wrapped around him tightly, effectively caging Lyney in between her much to his contentment. His own hands were busy holding her as close as possible, resting on her hips securely as to not knock her or anything else out, the items on his furniture tumbling slightly with every thrust he pounded into her needy core. With each time he bottomed out Lyney reached deeper, the tip of his cock effectively kissing her cervix as he molded her walls to his shape. He drank her every moan as if he worshiped all sounds she offered, his lips sucking on her tongue in such a lewd manner that he couldn't help but grin over how she squeezed him harder over it.

"Hyaahhhh, Hinhey…" [F/N] attempted to moan his name out, her puffy lips parted as his own toyed with her tongue to his pleasure.

He could feel the way she was milking him dry, her juices thoroughly coating his cock generously as her pussy practically praised and outright worshiped him. Her walls throbbed deliriously, sending him closer and closer to his edge as he fucked her through what he very well knew was her approaching orgasm.

"Is my baby- Close?" He leaned back to speak, humming quietly while licking his own lips eagerly. He watched as she nodded her head quickly, her fingers combing through his hair slowly, deeply. Just how he loved it. "Here, cum for me will you? You can take me like this as you do, right baby?"

[F/N] bit her lip, nodding her head again. She watched how one of his hands left her hips, holding it up for her to take it. His girlfriend took it without thinking twice, their fingers lacing together before Lyney held them against his mirror, his pace quickening up. Once more he glued his lips to hers, never quite truly satisfied with her kisses just as much as he never quite got enough of her pussy. Her breath against him grew ragged, her moans growing ever louder, all while trying to suppress them in what he could only find the cutest whines. He bent her more, held her tighter, he pounded deeper into her. He could feel her moans vibrate against his mouth before she finally gasped, a high pitched sob being all she could muster before her inner walls violently spasmed around him, creaming his cock bountifully as she rode her high. Even still, just as he'd asked her to, Lyney continued to thrust, still as deeply albeit slower, letting her savor her release just as he quickly followed with his closing one.

"Gyah, L-Lyney-!" [F/N] moaned against him, he in turn shushed her in understanding. "Mmm, t-to much!"

"I'm so close baby, so close…" He whispered, his thrusts a little less rhythmic as he tried to focus. His eyes opened to gaze deeply into hers, the sight of her red cheeks and unfocused eyes only edging him further deep into the abyss of pleasure. "Can you please take it just a little more? Just like this…”

“Mhm…” She eagerly nodded her head, the tears of overstimulation streaming down her face sending a long shiver down his spine. His free hand came to rest upon the side of her face, thumb clearing the tears away as his grip on her other hand tightened. “I-Inside, please.”

He bit his tongue gently as he smiled, nodding his head before pulling her head closer for a deep kiss. “Anything for my lovely lady.”

Against him she moaned, him in unison as he felt the knot deep inside himself finally snap. Lyney felt his eyes shut, a deep low grunt leaving his throat before he finally felt his release wash over him. He thrusted deeper still, his pace finally slowing down as thick ropes of seed flooded over [F/N]’s inner walls. Her womb was eager to receive the abundant load, being painted white from inside out as it overflowed whilst he still remained sheathed inside. Whilst their fingers were still locked she brought him closer, holding him tightly as her body shivered with the overstimulation. Lyney could feel his breath finally begin to slow down, a few final slow thrusts of his hips following as he moaned quietly, ensuring he was milked for all he was worth. He held his [F/N] close, as close as possible, their bodies finally relaxing as they rested atop his vanity, her body welcoming him closer as his seed leaked down and dropped onto the ground.

Even as she still regulated her breath, lips puffy and red and mascara slightly smudged from the sweat and tears, Lyney lunged forward, capturing her lips for the millionth time. Never satiated, like the greedy man he was at heart, he smiled against her as he enveloped her closer, relishing a moment longer. The silence that followed felt comforting, the two of them sighing in bliss as he felt her arms around his figure.

“Sorry… It must’ve been uncomfortable to sit like that, on such a surface.” He stated, eyebrows furrowing softly as his thumbs cleared her smudged makeup as much as he could. Lyney dared not move, still not even wanting to pull out. It wasn’t as though he could anyway, for the way [F/N]’s legs captured him definitely sent a message for him to stay a little longer.

“Mhm, it’s fine… I enjoyed it all the same.” She smiled sheepishly, relishing in his soft touches as she in turn rearranged his side swept bangs.

“I’m glad.” He sighed in relief, the pair too engrossed into one another to even notice how some bottles had tumbled over amidst their frolicking. “Still, next time I’ll be sure to make up for it, for all of it.”

“Lyney, truly it’s fine!” [F/N] laughed softly, finally opening her legs for him to move more freely. She watched in amusement how her boyfriend coughed softly upon noticing how heavy she leaked, rummaging through the room to find a towel he could dampen to help clean up. “Sorry… We might’ve taken too long, no?”

“Hey, if anything it’s my fault… It’s what I get for being so greedy.” He reassured her with a sincere smile, carefully helping her to clean up before dressing her back up. [F/N] watched as he fanned his face with his hand, the blush on his face still evident as she helped him dress up as well, a snicker escaping her pretty lips at the sight.

“Well… I still… Very much enjoyed it.” [F/N] reiterated, her voice low as she helped him button up his undershirt. His smile was difficult to ignore, especially so as she helped him retrace the tear he would always paint on his right cheek.

“...I did, too.” He pulled her closer by the waist, smiling in a devilish, albeit inoffensive manner. He pulled her closer, stealing a deeper kiss as he relished on the taste of her lips, hoping to steal some of her chapstick for himself so he could taste it all throughout his performance. As he pulled away, he whispered quietly to her, fingers playing with the end of her hair. “...Maybe next time we do this, I can have you turned to my mirror. The faces you make are simply delicious, my dear.”

The way [F/N]’s face turned to utter surprise was enough of a reaction, the magician following with a sneaky laugh as he pinched her behind as the cherry on top. In turn, his girlfriend gently slapped his arm, huffing as her cheeks turned bright red, his laughter becoming louder as a result.

“Lyney!” She groaned, nearly turning around from him in embarrassment.

“Alright, alright, I’m sorry baby! Mostly.” He chuckled, embracing her before kissing her cheek with the usual level of endearment that was solely reserved for her.

“Hmph…” She pouted, though both knew it wasn’t something to last long. “...Good luck on your show, honey.”

“After this? It’ll be the best show yet…” He in turn whispered, his forehead resting against her head as they quieted down. “I’ll see you after?”

“I’ll be waiting here.” [F/N] smiled softly, them embracing one another before finally deciding to part.

Well, Lyney had always been energetic in his performances, yet there seemed to be an improvement on that particular one. True to his word, that performance definitely did do amazingly well, becoming the talk of the following weeks.

All thanks to his lucky charm.

#genshin lyney x reader #genshin impact lyney x reader #lyney x reader #genshin impact x reader #genshin x reader #genshin smut #genshin impact smut #genshin x you #genshin impact x you #genshin drabbles #genshin impact drabbles #yoko drabbles

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writingwithcolor · 11 months ago

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How do I respectfully discuss the topic of diversity with a co-author, as well as assigning a race to an “ambiguous” character?

Anonymous asked:

My co-author and I, for context, are both white and in highschool. For the main cast of our story, each of us ended up creating three characters. All three of her characters were white. Two of mine were white as well, alongside one character who is ambiguously brown-skinned. Do you have any advice on respectfully bringing up the subject of diversity to a co-author, even if it means potentially changing our established characters? Additionally, do you have any advice on retroactively assigning a race/culture to a character? I now understand after reading this blog that “ambiguously brown” characters should be avoided, but I did not when initially creating him. I worry that I could fall into stereotypes— while portrayed positively, he’s somewhat of a “nerd” archetype. But I don’t want to whitewash him either.

“Hey, why’d you think we made a mostly all-white cast?”

In other words: Just be normal about it. As you yourself note, you also didn’t exactly put a great deal of thought into the racial/ ethnic identity for your single brown character either, so it’s not just about your writing partner. This is about how you guys like to create as a team, and what sources of inspiration you both tend to gravitate towards. If a pair of high school students who write together can’t have a chill conversation about the races of the characters they are creating, then I’d worry more for their dynamic as a creative team. Discussions of race are only as weird and awkward as people decide to make them, and that’s often framed by the baggage each person is bringing into the conversation.

Whether or not you change the characters is up to you.

“Diversity is a marathon, not a sprint!”

Write diverse characters when and because you want to. I think the push for diversity is best when it’s self-motivated. Strangers on the internet telling you to do something is definitely not the reason to do it. I’ll note the same applies IRL. Otherwise, you’re changing your behavior for the sake of peer pressure. Writing groups on the internet like our blog do not exist to sit in judgment of your work. These are venues to discuss, critique and receive feedback, but the final choice always rests with you.

There’s not enough info for me to tell if the experience of whiteness is so intrinsic to your characters that changing their race will alter them greatly. I would argue the same for gender and sexual identity. Sometimes, changing dimensions of a character’s identity alters a lot about who they are. Other times, particularly if the character is not thoroughly fleshed out, changing their race only adds to their characterization. Only you can say which scenario applies here.

Other mods have written on how to handle your dilemma of “white as default” in an earlier post available here. Please explore our #POC Profiles for more inspiration.

Your third paragraph can be answered by re-reading all 3 sections of the FAQ and exploring our archives using the tags.

Marika.

#creator responsibility #white #white as default #characters #diversity #asks #representation #writeblr

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bvidzsoo · 4 months ago

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Love Me Like A Rockstar (14)

ー☆ Chapter 14: Follow You

Author: bvidzsoo

Pairing: Song Mingi x female reader

ー☆ Warning: none ー☆ Word count: 7.8k ー☆ Genre: university!au, enemies to lovers!au, rockstar!au ー☆ Rating: sfw ー☆ Summary: Love. You wanted none of it. You had already been heartbroken very badly once, you didn't wish to go through that ever again. But the Universe works in intricate ways and, somehow, you found yourself webbed up in a local rockstar's life, Song Mingi. He was everything you expected him to be, yet nothing like you imagined him he would be. What happens when you find mutual understanding and have heartful conversations? Will he be able to break down your walls? Will you be able to chase away his darkness?

A/N: Hello, my lovelies! And the last actual chapter is here (as I still have an epilogue ready for you all), I can't believe we're wrapping up LMLAR and that I have to let go of the characters I have created for this story. I can't lie, I might have become really attached to Mingi in this story because I accidentally portrayed in him my ideal type, but what's new? I somehow always manage to hurt myself when I write with Mingi lol (ig that's the burden I have to carry if I write a story with my bias lol) I will be going on a holiday for possibly two weeks, so that means I won't be able to write nor update for two weeks (which sounds horrible and I'm already dying over it, but I hope I'll manage to find time to still write even if a little). Now, don't worry too much about the epilogue and I ask you to read the note at the end of this chapter attentively! ;) For once, I am asking you all to listen to Follow You after you've finished the chapter and not before or during it! I'm curious if the lyrics will be familiar hehe. I hope you enjoy this chapter, and let me know through feedback <3 divider

Taglist: @orshii @or5i @lovely-red2 @scarfac3 @juicy-red

@sunaswifes-blog @voicesinmyhead-rc @teez-the-time @maru-matt @kyeos4ng

@deathbyyeekies @chicksmoothie @mjlbn01 @xhexy @tmtxtf

@hwashiningstar @thatfavouritesong @ateez-atiny380 @xciiiomwliah @vixensss

@catchingskzzzs @tesssaurrr @ginger-mingi @mingisbbg

⟨Series M.list ↭ Previous Chapter⟩

♫Playlist♫

Being here with him, doing this with him had no business being so nerve-wracking. This was Mingi, the guy I hated at first—did I?—and then found a friend in and—well, now found something more in him—wanted more from him. But the flutter of my heart and my stomach twisting despite still feeling somewhat calm, reminded me that no matter that I was with Mingi, this was a completely new setting for us. Yes, it was just the two of us going out and about, but at the same time, it was a date. Something we both discussed and agreed upon, leaving our houses with the purpose of going on this date, the two of us. And perhaps it wasn’t even me feeling nervous about going on a date with Mingi per se, but more the fact that I hadn’t done something like this in ages, which made me feel giddy about it. Like a child when they get the present they really wanted on Christmas Eve.

Mingi, like the true gentleman he was, had picked me up once we were both done with our classes for the day, the sun only half an hour away from setting. The sky had been coated in orange and pink hues as Mingi drove us to an unknown location, grinning from ear to ear as he talked about his day to fill the silence since his old Honda’s stereo had stopped working a few days ago. I didn’t mind that, not at all, if that meant I got to listen to his deep voice and excited tone as he told me about his professor asking about Outlaw and whether he was allowed to attend one of Noir Zenith’s performances. It seemed like word had gotten out lately about Mingi’s band, and even more people from our university were interested in watching them play, I feared soon Outlaw wouldn’t be enough to house the fans. The thought made me feel—made me feel proud and happy for him. Mingi deserved this, he was hard-working and diligent, and I wished him nothing but the best.

When I realized that Mingi was driving us to a rather high-end part of the city with tall and fancy buildings, I found myself more nervous about the surprise he had in mind for me. I didn’t exactly want to dine out in a super expensive restaurant—it really wasn’t my thing—but if this is what Mingi prepared for us, I wouldn’t mind. I knew I’d enjoy myself as long as he was by my side. But, thankfully, he veered us away from the main street and drove down a few narrower ones, buildings nestled together and looking cozier than ever. Graffiti and murals covered every second bricked wall, and I watched curiously as Mingi pulled over and parked the car at the side of the road, in front of a black building, smaller than the ones in the area but a lot more modern and fancier looking. It was dark inside and looked unlived in, but I didn’t question him when he just grinned and grabbed a blanket and basket out of the backseat, then grabbed my hand and guided me towards its front door.

He had fumbled with the key for a second and I snickered at him as he flushed, but then we were inside and I watched in awe the high windows, the place vacant of anything. It was dark, now with the sun setting as well, and I noticed that quite a few lightbulbs were still missing, but Mingi grabbed my hand and walked us towards the end of the hallway.

“Are you sure we’re supposed to be here?” I asked quietly, as if afraid someone would hear us. The place was unfurnished still and Mingi hummed as I noticed light coming from a room whose archway was covered by a black blanket so that you couldn’t see inside. I had paused and looked at Mingi questioningly as he chewed on his bottom lip, then released my hand and yanked the blanket down. My eyes widened at the scenery inside, completely taken aback by the fairy lights strung above and the fort which was built by three stands and a blanket dangled over them. Besides the fairy lights, there was a projector and the white wall was covered in the image of a forest, with a creek slowly flowing through, and the distant sound of birds chirping echoed around the room, it was quiet so as not to disturb any conversation.

My jaw was completely on the floor as I felt my heart race even faster, completely in awe at the view in front of me. I couldn’t believe someone would do something so sweet for me, and as I turned to look at Mingi, for the first time, he looked nervous. He smiled tentatively and I noticed his trembling fingers as he pushed his glasses up on the bridge of his tall nose, and then without thinking, I threw myself in his arms, hugging his torso tightly as I gnawed on my bottom lip, embarrassed by the sudden tears in my eyes as I buried my head in his chest. Mingi made a surprised noise in the back of his throat but didn’t hesitate to return the embrace, and I had to gulp multiple times to try and get rid of the lump in my throat. Nobody has ever done something this nice for me. It was thoughtful, there was effort put into it, and I knew Mingi did this all by himself.

“So, based on your reaction, I assume you like this?” He didn’t sound smug or playful, he sounded genuinely curious, and for a second, I couldn’t believe I was stupid enough to even think of ruining a relationship with someone this precious.

“I love it, Mingi.” I whispered into his chest, the softener of his clothes carrying a flowery scent that mingled with his cologne that I was familiar with by now. It felt safe, it felt warm, and Mingi was comforting to be around.

“Oh, that’s good.” He heaved a sigh and I finally managed to get rid of the tears as I pulled my head back to look up at him, his cheeks were flushed a deep red, a great contrast against his tanned skin and platinum hair, “I was scared you’d hate it, but Wooyoung told me to trust my gut, so I did.”

I smiled and released him, stepping back to offer him space so that he could proceed with his plans. He beckoned me further inside the warm room, towards the fort as he laid the blanket out on a mattress for us, placing the picnic basket next to it, “If the weather would’ve allowed it, I would’ve loved taking you down to the creek for a little picnic under the warm sun, but autumn and winter suck, so I had to get creative.”

“I wasn’t expecting anything less from you.” I chuckled as I had walked towards him, shrugging off my long coat. Mingi followed suit and I took my time to take in his attire, loose black jeans held onto his narrow hips by a thick belt, a beige sweater tucked in slightly at the front, and a black denim jacket with the sleeves rolled up. His wrists were decorated with beaded bracelets, the rings toned down as he only had three on his left and one on his right hand, three necklaces dangling at different lengths around his neck. His nails were bare today, void of the familiar black tint. And, without meaning to, it seemed like we wore matching outfits for our date. I wore black jeans which was loose at the knees paired with a black off-shoulder long-sleeved blouse and a beige sweater with holes over it. I didn’t want to comment on my observations as Mingi settled on the mattress with a grin, patting the spot next to him, “What’s this place though? Are you sure we’re allowed to be here?”

Mingi chuckled as he opened the basket, pulling out the thermos I had brought the hot chocolate in for him days ago, and then he grabbed two mugs, “I pulled some strings for us to be here, but we’re not trespassing, so don’t worry.”

“Who owns this building?” I asked curiously as I watched Mingi pour hot chocolate into the mugs.

“Well, last I heard Hongjoong bought it, so…” My eyes widened as I had taken the mug from Mingi, curious to know more, “This building will be Seonghwa’s art studio. He wishes to launch a brand soon, and Hongjoong thought it would be best if Seonghwa has his own office, or studio as Hwa likes to call it. I think he wants to turn the front lobby into a smaller art gallery of sorts, you should talk to him and see whether he’s interested in displaying your paintings and drawings.”

I hummed, thrilled at the idea of having my own exposition one day, “I don’t think I have enough creations for him to display just yet, but I will keep it in mind.”

It’s my dream to be a well-known painter all around the world, to have to travel to display my art in various galleries, to have people interpret my works to their liking and imagination, and to be able to spread a message through my work. I love creating and I love sharing my deepest thoughts through whatever I put on a canvas, or in my sketchbook and, perhaps, I love it even more when someone else appreciates it and interprets it through their own lens, through their own experiences.

Being here with Mingi felt warm, it made me forget about every concern I had prior, completely disregarding my nervous state as I now found myself comfortable sitting beside him and sipping on our hot chocolate, snacking from time to time on popcorn and whatever salty snack Mingi had prepared for us. The scenery through the projector never changed, and I found the chirping of the birds and the flow of the water as white noise rather relaxing. If I closed my eyes, I could easily picture myself with Mingi by the creek, the two of us sitting on a blanket in the green grass, the warm sun beaming down on us as we laughed and talked about whatever came to mind. It seemed like time passed by like a slug when in reality, it was flying away way too fast, but neither one of us cared. Wooyoung and Seulgi knew we were on a date—and since this building was Hongjoong and Seonghwa’s, they probably knew we were here too—and I had told my mother earlier today that I was going out with Mingi. There was no point hiding anything from her anymore, and she was beyond excited to hear the news. She had a night shift today, but she promised to pester me at breakfast about every single detail tomorrow, swearing she wouldn’t go to sleep until we had the chance to talk. And when she put her mind to something, I knew she would follow through with it.

Mingi and I had been talking non-stop since the whole fiasco in his studio—through texts, phone calls, or in person—and I found myself craving to be around him more and more. Surprising even myself, I bought pastries just the other day before going to my first class, and knowing Mingi would be in his studio, I surprised him with his favorite pastry before I was off to class, not wanting to bother him anymore. It also didn’t come as much of a surprise when he and Wooyoung sat with me and Seulgi at lunch, Mingi huddled up close to me as he wouldn’t stop nagging me about eating more, giving me half of his portion despite me not being able to stomach it. In the end, he finished both of our lunches, and I couldn’t have been happier. Seulgi and Wooyoung didn’t comment much on our antics, but I knew Seulgi was dying to tease me. I knew I was in for it later in our art class, and I wasn’t wrong.

The tension I felt around Mingi—due to not being completely honest with him—had now completely disappeared and was, instead, replaced with a tingling feeling that made me giggle and flush any time I allowed my thoughts to stray towards him. Towards his tall build, his firm muscles, his deep and raspy voice that covered my skin in chills any time I listened to it, and his sharp eyes that could make anyone weak in the knees unless they were creased due to his wide smile. His long nose and crooked teeth and that wide smile that had my stomach doing weird flips, his throaty giggles and rarely flushed cheeks. His hands, which were always warm in contrast to his chunky silver rings, which, surprisingly, have become comforting whenever they dug into my skin, his thick fingers intertwined with mine. His cologne and scent, which had me craving more of him, his clothes tucked away securely in my closet—and if perhaps one of my hoodies’ started smelling like Mingi, nobody had to know that I would snuggle up in it before falling asleep. His arms, which always brought a wave of comfort with them and made me feel smaller than anyone has managed to make me feel before. His hands and nails which I would stare at and flush whenever Mingi noticed what I had been doing, and ultimately, his platinum blonde hair, a color that I started loving instead of hating so ardently. It suited him, it made him look unfairly handsome, it sharpened his high cheekbones and his well-defined jaw, gave his eyes more depth and sharpness, and yes, I loved the color, but I also missed his naturally black hair. It made him look softer, more like the Mingi he was on the inside, easily fooling others of his true personality.

A personality that was goofy and giddy, yet a personality that felt everything intensely and spoke boldly, expressing himself directly and never expecting anything besides fair treatment and the truth in return. Mingi was a sensitive soul who offered without asking anything back in return, and he was rewarded rightfully by those around him who appreciated and loved him. He was easily lovable and I found it harder each day that passed by to ignore the need to cherish and protect him. I didn’t think coming clean with my feelings would be such a liberating feeling, that it would make everything so much easier to accept, to mull over. I was scared, of course, I still was, but I felt hopeful. I knew Mingi well enough by now to know he’d never pressure me into anything I didn’t want, that he’d never make me feel uncomfortable, and that he’d always take it slow if that’s what I needed.

When our mindless chatter finally subsided, the two of us now laid on our backs, staring up at the moon Mingi had hung up in the fort—it felt serene. I knew we were nearing late evening by now, but I couldn’t find it in myself to actually care, to actually look at my phone to check the time. I didn’t even want to look at my wristwatch to see—I wished to stay in this moment with Mingi for as long as possible. We had eaten almost all the snacks he brought and the hot chocolate had been long gone now, all we did was enjoy each other’s company right now. With a finger fiddling with the holes in my sweater, I reached the pinkie of my other hand out until I could poke at Mingi’s hand. I didn’t look at him, but I could see from my peripheral that his eyes were closed. He hummed when I poked his pinkie again, and then, finally gave in as he hooked our pinkies together, sending my heart into a frenzy as I tried to remind myself that this wasn’t the first time we’d be holding hands—it did nothing to my poor flushed cheeks nor churning stomach, I was horrible at hiding how he made me feel.

“Can I ask you something?” Mingi’s voice was quiet as if not to disturb our peace. He sounded just a little bit hesitant, and I got a feeling of what our next subject would be about. I hummed and listened as he took a deep breath, then asked his question, “Do you hate Yunho?”

My eyebrows furrowed as I glanced at Mingi, his eyes were still closed, except that now he was gnawing on his lower lip nervously instead of looking at ease. I didn’t have to think much about his question, I don’t think I have ever felt such negative feelings against someone before, “No, I could never hate anyone, to be honest. However, I did resent him for a long time.”

“And now?” I could understand his curiosity and the need to know more about whatever was once between Yunho and me. It didn’t make me feel uncomfortable, I was rather thankful that we could openly discuss it. I know that if it bothered him, Mingi would’ve told me because that’s who he was. We didn’t hold secrets from each other, we spoke directly and honestly.

“I don’t feel anything,” I whispered with a small shrug, finding it weird how impartial I had become to Jeong Yunho. A few months ago I still couldn’t think of him without distaste, let alone talk about him without my stomach dropping and heart clenching. I still didn’t appreciate the way he’s treated me, of course, I didn’t, but I found it easy to let go, to not care anymore at all, “It’s been over five years that we dated, and I’ve been over him for a long time now.”

“But you couldn’t completely let go,” Mingi muttered and I had to gulp, not that surprised that he saw right through me.

“He was my first love, my first in everything so I—” I gulped, wondering whether this was uncomfortable or not for Mingi to discuss, but he intertwined our fingers and gave my hand a reassuring squeeze. I took a deep breath and slowly continued, “I was attached to him, people always say you’ll forever remember the first person you truly loved, and I think they are right. It’s a bittersweet memory, to be honest, but not something I feel locked down in anymore. Even the resentment I felt towards him now feels so distant like it happened ages ago and not months ago. It feels good and refreshing to have gotten rid of such consuming thoughts and emotions despite never saying it out loud. I hated myself for latching onto that last fraction of emotion I felt towards Yunho, thinking it would make his life as miserable as he made mine but in reality, I was only holding myself back and hurting myself furthermore.”

I turned my head to watch Mingi, to take in his expression, and I was surprised to see him smiling. He was gently rubbing his thumb over my skin, “Yunho’s parents got divorced around the time you two started dating, and his older brother moved to another country in order to pursue the career he’s always wanted, so Yunho had it hard. Between the two of us, he’s always been the stronger person, the brighter mind with never-ending hope, cheering me on and encouraging me to never back down if I had goals to reach. Even when I knew he was suffering due to his family’s situation, he wouldn’t let me comfort him, wouldn’t let me be his shoulder to cry on. He had a huge ego back then, refusing to show the cracks or admit that he was doing worse than ever, and I think he was abusing every relationship he had back at that time. He needed validation and love, he felt worthless and used after his parents didn’t even warn him of their split up, just showed him the documents and made him choose who he’d want to continue living with.

“His parents were good people but they handled some things in a shitty way, and it showed because Yunho lost himself in alcohol and meaningless relationships for a while. I’m not calling your relationship meaningless, because as much as I can remember, you were the only one who was able to tie him down for a longer period of time back then. It’s not you who wasn’t enough for Yunho, it’s him who wasn’t ready to commit and love others the right way. I warned him often to stop whatever he was doing, but he was addicted to the feeling and even hurt me in the process. I’m in no way invalidating your feelings and whatever you have gone through, I just hope you can forgive Yunho’s foolishness one day. He was just a kid trying to navigate his life as he lost his path for a short amount of time. I can guarantee he’s changed now, he’s better than he’s ever been before and he regrets everything he’s done. If you feel like it, I’m sure he would even reach out to you to apologize.”

Mingi’s eyes slowly fluttered open as he turned his face, and his eyes widened when he realized I had been looking at him the whole time, “I probably would’ve killed for this information back in highschool, it would’ve made things a lot less complicated for me if he was just honest and explained things before he left me. It wasn’t always easy growing up without a father, and despite never caring much about what others said, Yunho made me feel unworthy and undesirable and perhaps it’s that which hurt more and not even the fact that he left me. I knew relationships didn’t always last, but I didn’t expect him to be such a huge asshole.”

Mingi snickered and bit his lower lip as I rolled my eyes, trying to restrain the giggle that threatened to bubble through, “Yunho would be digging his own grave right now if he were to hear us, too embarrassed and ashamed of himself to even apologize.”

“Serves him right.” I couldn’t help but laugh and Mingi did the same, looking content and not bothered by the nature of our conversation. After all, it was him who was curious about it and I had nothing to hide from him anymore, “What about you? Any past girlfriends I have to look out for?”

My tone was teasing and Mingi instantly flushed, turning his head away as if that would’ve hidden it. His glasses were placed between us and he cleared his throat as he rubbed the bridge of his nose, “Well, I wasn’t a heartthrob like my lovely best friend, so I didn’t date many girls.”

I raised my eyebrows, prompting Mingi to continue speaking as he sighed, “I dated a girl back in highschool for a few months, but I don’t know. She was nagging and I didn’t like the way she berated me whenever things didn’t go her way, so I broke up quickly with her. After that, I just wasn’t in the mood to date anyone. I was content with watching anime and reading my mangas and hanging out with Yunho.”

I grinned and pushed up onto my elbows, wiggling my eyebrows at Mingi when he quickly averted his eyes, “And in university? Come on, don’t be shy now, where’s the cocky and annoying Mingi I despised?”

“You were into it, don’t lie.” Mingi chuckled as I scoffed, but I couldn’t find myself to correct him. Maybe I was into it, but he didn’t have to know, his ego was big enough already. After a longer pause and a squeeze of his hand, he gave in and groaned, “Yeah, fine, I dated casually a few people but wasn’t into any of them much. I feel like nobody has ever seen past my looks or the fact that I have a band and sing, so I didn’t feel like being with someone who only wanted me for my looks and for the far-fetched idea that I’d become famous one day, subsequently making them famous too so that they could parade around saying their boyfriend is a rockstar.”

“It’s not a far-fetched idea, Mingi.” I muttered and he looked up at me again, looking hopeful, “It’s good to know, though, that I won’t have to fight any jealous exes in the near future.”

“It’s rather the exes I’d be worried about,” He snickered, and as I narrowed my eyes, a cheeky smile was back on his lips, “you are the jealous type, not them—”

“Now that’s simply not true.” I huffed and fell back, glaring up at the new moon Mingi had hung up in the fort, “I’m not the jealous type.”

“Are you not?” His voice dripped with tease and I rolled my eyes, “Because I’m pretty sure you don’t like Mina—”

“Who’s Mina?” I interrupted, eyebrows furrowing as I cast a glance his way.

“The blonde girl, my fan.” I gulped, suddenly feeling an unexplainable drop in my stomach and a scowl on my face as I turned my head further away so that Mingi couldn’t see it. Yeah, I simply couldn’t stand her. Mingi started laughing loudly and I huffed as I retracted my hand from his, crossing my arms in front of my chest. It only made him laugh harder, and soon I found myself grinning, his deep laugh infectious.

“I’m not jealous of her, though.” I tried to defend myself but it fell on deaf ears as Mingi continued snickering.

“I don’t mind.”

“Of course you don’t.”

Mingi chuckled at my scoff and then it was silent again as I felt my heart rate settle, Mingi’s breaths stable and loud in the fort. The sounds of nature alongside the projection of the creek would be able to lull me to sleep, but Mingi spoke up again before that could happen, “Remember when we were in the library all those months ago and I flipped through your sketchbook without permission?”

I hummed and gave him a pointed stare, making Mingi smile at me sheepishly, “Well, sorry about that, first of all, and secondly, there was a drawing of eyes which was scribbled over. That’s when you said those were Yunho’s but I’m pretty sure I can recognize my own eyes, doll—”

“Are you claiming again that I was drawing your eyes?” I raised my eyebrows and Mingi pursed his lips as he nodded, “I feel like we’ve had this discussion a million times before, Mings.”

Mingi chuckled and then shrugged, playing with the beads of his bracelet, “Yeah, but hearing you confirm it again would be nice.”

I sighed but gave in nonetheless, I would adhere to his wishes only today, “Yes, Mingi, my sketchbook is full of your eyes, of your face, of your body, of you performing on stage, of you sitting in your car—of you.”

I didn’t expect to see his face, even his ears, turn red in a second, eyes widening as his mouth fell open. For once I felt like I had the upper hand, that it finally wasn’t him making me feel flustered, and I smirked, raising an eyebrow at him teasingly. Mingi cleared his throat and patted at his cheeks, clearing his throat again as he opened his mouth to speak, stuttering a bit before a sound actually came out, “Well, I—uh, I wasn’t expecting such honesty. Thank you? I mean, that’s really cool, thank you. I knew you were obsessed with me since the second you saw me.”

And that’s why I mostly kept to myself about stuff like this, I knew it would get to his head, “No, I couldn’t stand you the second I saw you. Then you turned out not to be such an idiot and too annoying, thankfully.”

Mingi chuckled and intertwined his hands as he placed them behind his head, kicking his legs out, “Well, I actually knew you before meeting you at Outlaw. Wooyoung told me about Seulgi, and then the next day he pointed her out in the hallway and you were there with her. And, uh, yeah.”

It was my turn to tease him as I turned my head and grinned at him, “Did little Mingi have a crush on me before he even got to know me?”

I shouldn’t have felt so pleased by his sudden flush or the way he avoided eye contact, “Yeah, I did.”

And apparently, I was worth sticking around for so long, pushing to get through to me, to make me realize opening up to another person wasn’t such an awful thing, to make me realize liking someone else wasn’t the end of the world, and that I very much wanted to be loved and that I also wanted to love another. The silence that dragged on wasn’t awkward, but I felt Mingi tense the more I didn’t say anything, and as he looked at me with eyes that held light fear in them, I smiled. And then, I was turning onto my side and leaning over to kiss him. As always, his plush lips were soft and warm, welcoming and eager as I pressed a chaste kiss against them, trying not to smile but I failed miserably as Mingi sighed quietly. I pulled back as my intention wasn’t to turn this into anything deeper, but Mingi chased after my lips, our noses bumping together as I cupped his cheek with my hand, my hair falling around us as our lips pressed a little firmer against each other.

It was slow, neither one of us desperate or trying to prove anything as we got lost in the feel of the other, of the other’s warmth and taste—which was a mix of salted caramel popcorn and hot chocolate, Mingi’s cologne making my head dizzy as our lips slotted perfectly together, moving languidly against each other. My hand slipped to hold his jaw and he freed a hand from under his head as he held onto the back of my head, sucking my lip between his teeth without bruising them or nipping at them. I hummed against his lips and pressed another swift kiss against them before pulling away, my face hovering above his as I didn’t want to open my eyes just yet, basking in the feeling kissing Mingi brought with itself. Our noses bumped together again and I smiled as Mingi giggled, no doubt enjoying the proximity.

“So,” His voice was quiet and when I opened my eyes, I was met with an unexpected flush to his cheeks, that subsequently made me blush as well, “what are we now?”

“What should we be?” I asked, my tone warm as I bit my lower lip to contain my smile.

“What do you want us to be?”

“A couple?”

It felt like time stopped as I muttered those words, feeling nervous and scared, but so ready to offer everything I had to Mingi, to make him happy, to make him feel loved and appreciated. I never wanted to see him hurt, especially not because of me. I had seen Mingi’s smile before plenty of times, but nothing could’ve prepared me for the way his eyes disappeared and nose scrunched up, all teeth on display as he smiled up at me, making my heart flutter as I just realized something. I loved him, I loved this man lying underneath me and nothing would stop me from cherishing him like he deserved to be.

“Yeah, I want us to be a couple.” He spoke as he didn’t stop smiling, and I tried to keep mine in check.

“But we have to go on more dates, at least three more, to get to know each other better.” My eyebrows slightly furrowed and Mingi smoothed them out with his fingers tenderly.

“Of course, we’ll take it at your pace, I have nothing to rush for.” I felt grateful as Mingi winked and I pressed a swift kiss before I buried my head in his neck, letting him pull me closer to his body as I cuddled up against his side, “Can I tell Wooyoung at least”

“You think I won’t tell Seulgi?”

And we giggled together as Mingi pressed a kiss against my head, humming in contentment as our fingers intertwined, resting upon his beating heart. I’ve never felt more like I belonged than at this exact moment. Not even with my art.

By the time Mingi drove me home, it was well into the evening, the dark streets illuminated by the lampposts, some having burned down as Mingi turned onto my street. We didn’t feel the need to discuss much on our way back, our date was successful and filled with laughter and deep conversations that only confirmed my suspicions of Mingi. He was a good guy, too good to be true at times, but I was more than grateful that he was by my side.

His old black Honda Prelude came to a slow stop in front of my house and I unbuckled my seatbelt as Mingi turned his head and smiled, placing the car in neutral as he pulled the handbrake up. I turned and looked at him, our smiles almost shy as if we weren’t ready to say goodbye just yet, acting as if we wouldn’t see each other tomorrow. I agreed to let him pick me up for a breakfast date as we both only had classes starting at noon. If my heart fluttered and lungs convulsed at the thought of having Mingi pick me up tomorrow for a breakfast date, I would only admit it to my mother as now I had to explain why I wouldn’t have breakfast with her in the morning. I had a feeling that I wouldn’t be getting much sleep tonight, too excited to actually get the amount of sleep that was healthy. Perhaps I would even paint some more, for once, I wasn’t behind on assignments, but I felt the itch under my skin to create something new.

“Well,” I cleared my throat once the silence got too much, “I loved spending my time with you, Mingi, thank you for taking me out.”

“I’m glad you liked it.” He looked away abashed, but only for a second as he gave me a cheeky look, “I bet it’ll be hard to overdo my efforts now.”

“You wish.” I chuckled and grabbed my backpack from between my legs, “Don’t forget, I might be artsier than you are, love.”

It was certainly surprising to see Mingi’s face flush, ears included. If I remember correctly, Yunho’s ears always flushed before his face could if he was flustered, flattered, or embarrassed, and now I couldn’t help but find it endearing that the two best friends had similar mannerisms, “Uh—yeah, I—love?!”

I giggled and bit my lower lip, leaning over the center console with a cheeky grin, “Well, did you expect me not to call you nicknames? You call me doll, it’s only fair I return the favor—”

“But love?!” Mingi exclaimed, slightly confusing me as he rubbed his eyes behind his glasses, “I—I think I’m unwell.”

“What?” My eyebrows furrowed, suddenly concerned, “Why?”

“My stomach won’t stop flipping around and because I’m losing my mind?” Upon Mingi’s helpless expression and whine, my eyes widened and I fell back into my seat, not quite laughing as I couldn’t help but gape at him.

“Do I fluster you—”

“Very much so!” Mingi exclaimed as he hid behind his hands again and I might have malfunctioned for a second as I’d never seen him acting like this. Did he have a fever? Did a simple nickname turn him into a whiney kid?

“Well, it’s payback time for all the times you made me suffer, love.” Mingi looked like he was about to combust and I couldn’t help but cackle as I blew him a kiss before grabbing the handle to open the car’s door. But before I could step out, Mingi shot forward and opened the glove box.

“Wait!” He said hurriedly and I froze, looking at him curiously. He grabbed a black notebook and handed it to me, eyes boring into mine despite his still red ears, “Flip through it once you’re settled down, please.”

I smiled and nodded, feeling curious as I took it from him, and certainly blushed an ugly shade of red when he pressed a quick kiss against my cheek, making me stumble for a second as I got out of his car. It was his time to feel triumphant for making me feel flustered, and I couldn’t help but flip him off as his amused laughter was audible through the closed doors and rolled-up windows. He winked and waved cheekily before putting the car in first gear and motioning for me to head inside. Feeling giddy and curious, I waved before turning my back to walk to the front door as nonchalantly as possible, fishing my keys out of my pocket. Once I was inside, Mingi drove off and I slammed the front door shut, locking it quickly as I had half a mind slipping out of my boots and throwing my jacket onto the floor absentmindedly as I raced up to my room, not bothering to turn on the lights. I might have bumped into the edge of the railing and the edge of my door as I turned on the bedside table lamp, dropping everything on the floor except the notebook as I plopped down onto the bed.

My heart was racing as I got comfortable, almost forgetting my phone was in my back pocket and would be crushed if I sat on it, so I retrieved it and placed it on the bed next to me. My fingers trembled lightly and I licked my lips as I flipped the notebook open, surprised to find Mingi’s name written prettily on the first page with doddles decorating the rest of the blank page, all kinds of little animals and shapes signed by his friend’s names, no doubt them having drawn those in here. Too curious about the contents of the notebook, I started slowly flipping through the pages, eyes skimming over all the words and musical notes, Mingi’s handwriting was pretty despite it being rushed at times—most of the time.

Then, I flipped to a page that had my name only on it with a small heart next to it. My heart was suddenly in my throat as I took a shaky breath, flipping to another page, eyes slowly taking in all the words.

‘And the world is cold/But it's beautiful/I wish you were here now’, I could imagine Mingi’s soft tone singing these in a whisper before the beat picked up. ‘It's your magnetic hold/A gravity pull/I can feel you in waves/When your melody comes/It falls from above/I will not be afraid’, I gulped, eyebrows furrowing as I slowly traced over the words, Mingi’s pen having made an indent in the paper when he scribbled them down. Eager to read more, I looked further down, drinking in what I now realized to be lyrics, ‘So lost/Coming from me when I'm lost/You kiss my neck and then you're gone/Turn me off and turn me on oh/Eat up every word you say/My perception dilates’. I bit my bottom lip, heart racing just a little faster as I realized Mingi offered me a glance inside his mind, inside his feelings and how he’s viewed me and our relationship over the months, ‘Want you to waste my time/Mess with my mind/Fly me to the other side/Don't say goodbye to reds in my eyes/Love me enough to hate me/Waste my time, waste my time/Waste my time, waste my time’.

I gulped, suddenly feeling guilty for having tormented Mingi for so long, for having made him feel like I was playing with his feelings, ‘Like a phantom, I will steal your heart/Until we're dancing in the dark/Like a phantom, I will steal your heart/Until we're dancing in the dark’. I chuckled, imagining Mingi hunched over his desk with a frown on his lips as he jotted the lyrics down, then smirked in triumph at the fantasy of finally having my heart in his hands—and I think he’s rather close to achieving that now, ‘Chit chat, do you want that/Or wanna take me home tonight?/All this chit chat is holding me back/And I'm breaking just to bend your light/I thought I told you, I really need your sugar/A rollercoaster, I'm going supernova/Chit chat is holding me back/To you, you’. I tried to refrain from grinning too hard at the lyrics. Going back home with Mingi wasn’t a repulsive thought anymore as it would have been a month ago. No, now I would rather go home with him. I wanted to be around him, I wanted him.

‘Oh, my oh, my oh my/Why's it every night/I'm feeling so sleepless?/Oh, why oh, why oh why?/I'm losing my mind/Maybe you're the reason’, I couldn’t help but gulp at the thought of Mingi not being able to sleep, bothered by thoughts of me, ‘Started as friends, but less than lovers/It's all making sense/On days, I'm thinking about us/Yeah, I know I'm so selfish/Hate the thought of someone else/Making you laugh, smiling, happy, if it ain't me or myself’. I gulped, feeling like Mingi got a glimpse inside my head too, making me remember how quickly and easily my jealousy previously flared whenever I saw him talking to the blonde girl. ‘I was more than just a body in your passenger seat/And you were more than just somebody I was destined to meet/I see you go half-blind when you're looking at me’, my breath faltered for a second as I quickly read over the lyrics again, wondering just how obvious it was to everyone else but myself that I was into Mingi, that he was into me.

‘I, I, I never thought I'd find true love/I, I guess I wasn't looking hard enough/If my heart stops now, you're the one thing that made it all worth it/If the sky falls down, right now, you're the one that I'll worship’, the words had no reason getting to me, yet I couldn’t help but flush hard as I blinked my eyes and rubbed at them, trying to cool off for a second, but I was too curious of what more was in the notebook, ‘Well, I heard you whisper/To all your friends/I heard you telling them that/You need a man in whom you can depend’. I chuckled, feeling amused but completely in awe of Mingi’s lyrics, his words somehow making complete sense and almost like a challenge to admit he was right about me, ‘Well I'd be the gasoline/To keep you alive/And I'd be the cold, so unbreakable/We'd burn together straight through the night/That's alright’. And now I had no doubts that Mingi would do anything for me, but what he didn’t know just yet, was that I would be his ride and die from now on.

‘Oh, and my love/Did I mistake you for a sign from God?/Or are you really here to cut me off?/Or maybe just to turn me on’, and perhaps if breathing became harder, it would be obvious to anyone as I tried to regulate my breaths and ignore the flush over my body, ‘'Cause these days/I would be lying if I told you that/I didn't wish that I could be your man/Or maybe make a good girl bad’. I gulped and sat up straighter, flipping another page hurriedly to read more of the song’s lyrics, easily imagining Mingi up on stage, raspy and smooth voice blending into the microphone and making the hairs on my arms stand as we made eye contact, his gaze intense and sharp, challenging in a way that would get me all bothered and hot, ‘I've got a river running right into you/I've got a blood trail, red in the blue/Something you say or something you do/The taste of the divine’. And I honestly to God hoped to see them perform this song one day, curious of what the band would sound like together, of Mingi’s voice and his eyes, ‘You've got my body, flesh and bone/The sky above, the Earth below/Nothing to say and nowhere to go/A taste of the divine’. I was ready to turn another page when my phone dinged loudly, making me flinch in surprise as I was completely immersed in Mingi’s lyrics.

Mings 🖤: home i hope you enjoy whatever you find in there some are spicy lol

Without thinking much, I pressed the dial button next to his name and raised the phone to my ear, my heart beating out of my chest. It barely rang twice before Mingi’s deep voice greeted me through the phone and I gulped, mouth working faster than my brain, “Mingi.”

“Yes, doll?”

“I think I’m falling in love with you.”

The deafening silence was filled with the loud thumps of my heart that only I could hear, and I was sure my pulse was way too high, but I couldn’t care less as I listened carefully to hear Mingi’s reaction. His gasp was loud as I licked my lips, eyes boring into the notebook again, “I read it, your lyrics.”

More silence, until there was a deep breath and Mingi’s raspy voice made me sink in on myself, goosebumps covering my whole body, “Good, because I think I’m already in love with you.”

I huffed out a breath, my smile was huge as Mingi’s chuckle that followed sounded breathless but somehow as if he was at ease. I couldn’t help but fall back on my bed, holding onto the phone tightly as I pushed the notebook to the side, eyes falling on my sketchbook, “I’ll send you something, listen to it now.”

“Alright, thank you.” Mingi hummed and then hung up, making my heartbeat quicken once again as I watched the dots in our chat move, and then a voice file was sent, with a message attached to listen to it with headphones. I quickly turned onto my stomach to reach for my nightstand, grabbing the headphones and connecting it to my phone as I placed it on my head, biting my lower lip as a familiar melody, lyrics, and voice traveled through the headphones, covering my skin in goosebumps.

『'Cause I'm telling you, you're all I need

I promise you, you're all I see

'Cause I'm telling you, you're all I need

I'll never leave

So, you can drag me through hell

If it meant I could hold your hand

I will follow you, 'cause I'm under your spell

And you can throw me to the flames

I will follow you, I will follow you』

❱❱ Epilogue

A/N: Can y'all imagine this was supposed to be the last chapter?? lol, back in December when I wrote the whole plot this is how I tied everything up BUT THEN, maybe around two months ago I was tbh just gushing to my bestie about Mingi and some other things, and I realized, wait a minute-I can totally write this for LMLAR?! And so, that's how the epilogue came into existence, which I'm grateful for because I feel like it ends the story on a good note *cries*, would you like me to post the epilogue this week on Friday or next week on Wednesday? majority wins lol

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