#When they fight back they're the ones in the wrong
Explore tagged Tumblr posts
Text
Made With Love
It takes one bite for Eddie to suspect he's done something wrong. A second bite confirms it. He's fucked up somehow and cannot for the life of him remember what it was.
Did he miss an important date of some sort? It couldn't have been their anniversary because that's August 13th (Eddie's new favorite day of the year, for obvious reasons). He absolutely didn't miss Steve's birthday. Not with how long he and Robin had spent planning the damn thing. (Eddie is never throwing another surprise party in his life; the stress of secret keeping was too much to bear.)
... Did he miss Robin's birthday?
No. That can't be. Steve would never let him miss that.
It could be one of the Party's birthdays, but Eddie doesn't think that's a transgression that would warrant this.
This, of course, being his peanut butter and jelly sandwich.
"What, your peanut butter's gone bad?"
Eddie lifts his eyes from the proof of Steve's anger at him to his coworker, Charlie, sitting across the table from him in the closet that Thatcher claims is the break room. "No. It's much worse than that, I'm afraid."
"Well, don't keep me in suspense," Charlie deadpans.
"This sandwich wasn't made with love," Eddie whines, looking back at the sandwich with as much sorrow as he can muster. He sets the sandwich down on the baggy he had pulled it out of so that he can frown down at it without having to touch the offending creation.
"Ah shit," Charlie says, voice filled with empathy. This is why he's Eddie's favorite coworker. He gets it. Possibly because he's the only person who's tasted the difference for himself, back when Eddie'd just started at Thatcher Tires. "What'd'ya do?"
"I don't know!" Eddie wails. "Everything was fine when I left this morning, or I thought it was anyway."
"Ain't your misses pretty good at lettin' you know you done fucked up?" Charlie, like the best coworker that he is, looks surprised that Eddie doesn't know what he's done. He's right, too. Steve is the goddamn king of petty, and Eddie has never struggled to know when Steve's mad at him. The struggle usually comes from Eddie refusing to be in the wrong.
(That's not to say that Eddie is always in the wrong. He's not. Sure, a good percent of their arguments Eddie is the one at fault and he's mature enough to admit so once the argument is over, but it's not always his fault.)
Anyway, the point is, regardless of who's at fault, Steve is angry at him about something and for the first time in months Eddie doesn't know what for. They'd promised each other, after their first very big fight that almost ended in a breakup and was over a misunderstanding, that they would tell each other why they're mad or upset or feeling some type of way. So for Eddie to not know...
He thinks he might have fucked up big time.
"I know!" Eddie cries, shoving the sandwich away from him to make room to drop his forehead onto the table, then turns to smoosh his cheek against the table so he can look at Charlie. "Charlie. Charlie what do I do?"
Charlie blows out a long breath, thinking, before he gives a decisive nod and says, "you gotta beg forgiveness."
Eddie knows Charlie's right. He doesn't know what he did but he's going to beg forgiveness anyway.
Which is how he now finds himself in the small floral section of the grocery store looking over the sad, wilted bouquets after work. His arms are already full with Steve's favorite ice cream, candies, an over-priced little blue teddy bear that's holding an 'It's A Boy!' card that Eddie plans to rip off, and a blank card with a painting of sunflowers on it that he plans to wax poetry about Steve inside.
The final part of his groveling is, of course, the flowers. It's the wrong season for sunflowers, so Eddie was going to settle for roses. It's just that these roses are all sad looking. They don't really scream 'I Love You More Than Anything Else In The World, Please Forgive Me For What I've Done' though.
Let it never be said that Eddie doesn't know how to beg forgiveness.
He ends up picking the least wilted looking bouquet, one with white and yellow flowers he can't name.
The cashier is an older lady who takes quick catalogue of his items and asks, "is it your anniversary, darling? Or, oh!" She picks up the blue bear and Eddie feels his ear heating with embarrassment as she coos, "are you expecting? How exciting!"
"Err, no, not, uh, no. It's just blue is hi-her favorite color, so I was planning to just cut off the little card," Eddie stutters out the lie. Blue isn't Steve's favorite color but Eddie's used to making up many little lies when talking to strangers. Being hate-crimed is not a passion of Eddie's. "I, uh, messed up. And I don't know what I did, but I'm going to make it right."
The lady smiles at him and gives him a firm nod as she scans the items. "Smart boy. I'm sure she'll forgive you."
Eddie gives her a smile he hopes isn't as tight-lipped as it feels on his face.
Back in the safety of his van, Eddie roots around until he finds a pen and gets to writing all the things he loves about Steve in the card and all the things he hopes they'll get to have in the future. Nothing they haven't spoken about before, but it still makes Eddie a little emotional writing it all down.
Once he's done writing, he pulls his pocket knife out and cuts off the 'It's A Boy' card from the bear, crumpling it up and tossing it in the back of the van to be forgotten. He shoves the sunflower card in it's place. His card is a bit wider than the previous one here so it stays in place, albeit precariously. He'll be careful handing it over to Steve.
He knows that Steve is at home already. Steve's always home first because he's off work at four compared to Eddie getting off work around five.
Well. Closer to five-thirty today with his stop at the grocery store. He really hopes that whatever has Steve mad at him isn't time related. Being late home without calling might earn him no favors if it's a time-based blunder.
Steve is in the kitchen, back to the door since he's facing the stove, as Eddie expected he might be. Which means that Eddie doesn't get to lay out all his Items of Forgiveness across the counter like he had hoped but that's okay. If the love of his life has chosen to forgive him, he knows Steve will be just as overjoyed to rifling through a bag of goodies as he would to pick them off the counter.
"Hi sweetheart," Eddie says, words oozing with adoration and sweetness.
"Hi baby," Steve's tone matches Eddie's, like an instinct to match Eddie's energy has written itself into Steve's DNA. And it might have. Eddie knows the reverse is true.
Steve turns from the stove, then, and his face lights up with delight and surprise. "What's all this?"
"Your favorite things, because I love you," Eddie says, raising his arms a bit. The grocery bag is looped over his wrist with flowers in one hand and the bear in the other.
Steve looks positively smitten.
Eddie is nailing this apology that isn't an apology. And let it be known; he cannot say he's sorry. It'll ruin everything. Because Steve, his wonderful, beautiful, kind and loving Stevie, will cock one perfect little caterpillar eyebrow and ask if Eddie knows what he's apologizing for, and Eddie will have to say he doesn't know and that isn't something he's willing to do. Especially not when it's looking like whatever Steve was mad about has completely slipped Steve's mind, too.
"I got your favorite ice cream, too, so we might want to get that into the freezer," Eddie says, passing the bear and card to Steve and shimmying around him to get to the freezer.
He lays the flowers on the counter and sets to emptying the bag. Ice cream in the freezer and goodies on the counter, while Steve reads the card silently behind him.
He knows he's successfully made up for whatever it was he had done, because Steve crowds him against the fridge shortly after setting the card down and turning the stove burner off, kissing him breathless.
Eddie even gets desert before dinner, with Steve all but dragging him to their bedroom.
-
The reddit post that inspired this -
#steddie#my fic#Steve's not even mad or upset. He was running a bit late and asked Robin to make Eddie's sandwich for him while he finished getting ready.#Robin just grabbed the wrong jelly not even knowing it was the wrong one.#but yes... steve does do the thing the lady in the reddit story does
439 notes
·
View notes
Text
We're sitting at the table I'm glaring at them. These heroes ("The Big Three" as they are known in the industry) are questioning me? ME? They're questioning ME???
These motherfuckers made me come to the Cape Crusaders big, tacky mansion to justify my actions to them?
The thing that pisses me off the most about their reservations is the fact that what I do IS SO MUCH MORE IMPORTANT than anything they could possibly do. These idiots just punch bad guys in the face and send them to prison, just so they can escape and start the cycle over from scratch.
I've already saved so many more lives than they ever will. I've made more of a positive impact on this planet than anyone will ever know.
Because my power is to stop disasters, and the most effective way to do that is to prevent them.
No one knows how many wars I've stopped before they began, how many diseases I found vaccines for before they became epidemics, how many cities and countries I've helped create infrastructure for so they could avoid being over run by natural disasters.
And my job is made even more difficult than it sounds because no one can truly fathom how bad things would be if I don't use my powers. I have to fight ppl tooth and nail to get it anything to happen because they don't know how bad it'll be if it's not acted on.
No one sees what I see. They don't feel what I feel. They'll never know the particular ache in my chest that somehow has has an entire narrative wrapped in it whenever a potential disaster hits me. An ache that is so powerful that it's made my knees buckle multiple times.
And the feeling doesn't dissipate until the disaster is fully prevented. It means that when I know something needs to be done, I have to make sure it's dealt with, or-
It's destroying me in a way. Doing so much, all the time, with no compensation or recognition.
The heroes at least know about my powers and know that I have nipped a bunch of really bad shit in the bud.
The villains thing has come up before and it's irritating. For years I thought it was because they were lazy and just were angling for help over shit that I didn't have time for, and in the big picture, didn't matter. Asking for even more help than I already provide.
I'm at my limit already.
But looking at these three at this table in this enormous, extravagant kitchen, it hits me how wrong I am.
These heroes don't have my powers. They can't foresee and stop disasters. For all they know, these clowns that rob banks and occasionally attack and murder people, could cause major disasters down the line. I'm not perfect, I can't stop all disasters. I have to sleep and eat and work a fucking day job.
I still feel residual aches from time to time for every disaster I've failed to stop.
They aren't trying to get more free work out of me, they're trying their best to figure out what villains can do major damage in the future.
They're scared.
"So, the way my powers work," I say while leaning back in my chair, "is that at some point, I know something will go from being an issue to a problem to a disaster. I can only intervene when I know it'll be disastrous, otherwise I can't use my powers, it's like they don't exist. Until something goes over the thresh hold of becoming a potential disaster, it's like I have no powers at all."
"How do you know when a disaster is going to happen? Is it like a vision?"
"It's more internal than that- it's like a feeling I guess...I'm not sure how to articulate it."
Huh, no one has ever bothered to ask me anything specific about my powers or the work I do. I don't have a lot of answers if they keep prodding.
"So, yeah, it's not that I'm neutral to villains, it's just all of the ones you guys been dealing with don't-" I yawned "- don't give me that feeling. I'll let you know if it changes."
I put my head in my hands. Fuck, I'm so tired. It's not like I can stop being a hero, I see the alternate world where I don't intervene, I feel it. But I'm so, so tired.
"Go take a nap."
My head shoots up, "What?"
The Masked Crusader (dumb ass name btw, just like his dumbass mansion) says it again, "Go take a nap. I'll make us all dinner. Go use my guest room and pass out for a bit.
Damn it, did I say I was tired out loud? Or was mind reading one of his superpowers? I can't remember, things have been so overwhelming recently, my memory is shot.
"No, the Masked Crusader can't read minds, that's me" Brainiac says.
Oh. Shit. Right.
"We just, we see you burning out, let us support you for once," chimed in the Singing Banshee.
This was not how I was expecting this conversation to go AT ALL.
Banshee continues, "You've got a lot of walls up, probably from years of running yourself into the ground saving thousands of people without any help. So, we're now going to help you."
"That's not a request by the way," the Masked Crusader says as he slides me a glass of water. "We're doing it whether you like it or not."
Shit, I hadn't even realized I was thirsty. Have I drank any water at all today?
And then *BOOM* I get hit with it- the feeling of an impending but preventable disaster. But it's different than any other disasters I "felt" before.
It's me... It's me, in the near future, collapsing and being unable to do anything about, well anything. I won't be able to stop future disasters, hell, I won't be able to function. And the only way to prevent it was to lean on these people.
This is a lot.
I chugged the rest of the water and wiped my mouth.
"Ok, thanks..." I whispered.
It's too much to think about right now. It's too much to feel right now. I'm not used to, I don't know, being taken care of. I don't know how to be supported.
I'll figure out a way to properly navigate this later. Right now I need to lay the hell down.
You're a superhero who specializes exclusively in stopping disasters. The other heroes just don't understand why you need to remain neutral to the villains…
#autobio#it's 5am time for me to lay down#proud#creative writing#writing#burn out#mental health#writing prompt
3K notes
·
View notes
Note
Now you've got the Injustice Universe stuck in my head...
You know, in canon Injustice, Lois' death is the trigger, but there are points where it looks like things might still be salvaged.
Where everything goes past the point of no return is with Dick's death.
During the prison fight scene? Till then Clark and team haven't done anything too bad - they can still walk it all back, talk things out. People will understand. People will forgive.
During the prison fight, when things go wrong, Dick is the one who steps between, the one who talks both Superhero teams into fighting the rogues instead of each other. He gets them working together to save the day, once more.
And it looks like now there is a chance - Bruce and Clark fight back to back, they exchange banter, there's even a small smile.
It looks like there is chance of a reconciliation. Maybe they can work something out. Maybe Bruce will manage to reach Clark. Maybe Clark will manage to see past his own pain.
But then both Bruce and Clark emerge out of the battle scene - together - to see Dick's dead body.
To see the boy they raised together lying dead before them, dead because of a stupid, pointless accident.
Then and there is the chance for reconciliation lost, the moment broken - Bruce's son is dead because of a fight Clark initiated, and Clark has taken the side of the 'killer' (as Bruce is convinced Damian is).
Hope dies when Dick Grayson does.
And Clark still finds Catwoman to give her the heads up that Dick died and that Bruce would need her. Because he knows normally he would be the one comforting his friend, but now they're enemies. That's what kills me about Injustice -- those glimmers of that friendship, how strong it was, among all of the death and grimness of this new timeline.
#asks#anon#dick grayson#bruce wayne#batman#dc#batfamily#clark kent#superman#injustice#injustice: gods among us
161 notes
·
View notes
Note
I totally get not wanting to do the geno run, I remember wanting to start the run, killed a single monster, and deleted the save.
A friend was mean to me for giving up on it.
This was back when the game was just a few months old, and we were 14-16 years old.
It's just... like you said. I don't want to hurt the pixilated people. Makes me feel sad. And because I was maybe 15 years old, and very sensitive, made me feel extreme empathy for these characters.
I'm really sorry your friend was mean to you because you didn't want to go throught with the genocide route. These characters are written with so much love and care, that it is no wonder that you would get attached to them and wouldn't want to hurt them. I literally feel the same way.
I have no way to confirm this, but I have heard that back in the day people used to be really mean when people didn't play Undertale the "correct" way. That kinda sounds like one of these cases.
There is nothing wrong with not wanting to do the genocide route. There is also nothing wrong with going through with it. Undertale is a game and it gives you the option to approach it in any way you like. It also reacts to the way you do it.
In the end it all boils down to what you get the most out of in the game. For some people it's the characters, for others it's the fights, and then there are those who want to scour every single thing this game has to offer. Undertale has something for everyone.
I am more than content with only doing the pacifist route and never touching the game again after that. Yes, these characters are just a bunch of lines code and pixels, but in my mind, they're quite happy with the life I could help give them on that Switch cartridge.
141 notes
·
View notes
Text
The thing about Episode 7, Jayvik and Timebomb
We like to joke about the whiplash from constantly shifting between Ekko's visit in paradise and Jayce's suffering, but....
I actually have to put the shipping googles back on for this one.
When Ekko and Jayce meet, Timebomb and Jayvik have basically been torpedoed. Ekko almost killed Jinx last season, and only hesitated at the last moment. He spent so much time telling himself Powder is dead and Jinx killed her, but now he is no longer so sure. Jayce meanwhile kept drifting away from Viktor and every time he thought he would bring them back together, he would fumble, last time they meet he was yelling, unable to understand why Viktor given up on him, as if Jayce haven't broken every promise he made to him by not destorying the hexcore and by weaponizing hextech. Ships aren't completely sunk, but they're gaining water fast.
And then the Wild Rune sent Jayce and Ekko to different worlds. Ekko gets the world that could have been, Jayce gets one that may be.
Ekko's life in a near-utopian version of Zaun quickly focuses on him falling in love with Powder that could have been. And why wouldn't he fall in love with her? Shems a genius, she's funny, she's creative...but I think with time he realizes that all these things can still be found in Jinx. He realizes Jinx didn't kill Powder, Jinx is Powder lashing out in pain.
And yet, this Powder is not free of pain either. It's different pain, that he actually stupidly pokes early on. Pain caused by different trauma, which she got to deal with, while having a better support network, but sitll present (I have seen somewhere a good argument she shows signs of depression, but forgot where). It's not that she deals with her pain better than Jinx, it's just different. And I see with time Ekko realizes that and realizes how wrong it would be to give up on Jinx, that the same person he loves is in her world, but she has no one to be for her what this Powder has in her Ekko, Mylo, Claggor, Vander and Silco (that last one is an assumption on my part, it's unclear how close he is with Powder in this world, but considering he apparently co-runs the bar with Vander, he has to be present in her life in some way). When Ekko decides to come back, he isn't doing it only because it would be unfair to Ekko of this timeline and to Powder and everyone who loves that Ekko. He also does it because he realzied what an asshole he'd be to give up on Jinx.
And remember, he has no fucking idea about the seven hells of bullshit that went down in his world when he was absent. He doesn't know about martial law, about Warwick, about Viktor, about Noxus. He's coming back expecting to deal with his tree being sick and Chem-Barons war.
Now let's look what Jayce goes through. He gets sent to hell where his dream goes horribly wrong, yes. But what quickly happens to him? He breaks his leg falling down the chasm. He ends at the very bottom of where Piltover used to be. Correction, where Zaun used to be. The enviroment is slowly poisoning him. He is forced to fight every second to survive. Poisoned by enviroment, limping, forced to use leg splint and a staff as a crutch. Sounds familiar? Moreover, he is then forced to climb his way from the bottom all the way to the highest tower of Piltover. I'm surprised more people aren't talking about this, the metaphor is laid down pretty thick. Jayce gets crash course version of Viktor's life, he is literally forced to walk miles after miles in his shoes. They even made his leg splint look like one League of Legends' Viktor had until 2024.
he never really could understand where Viktor is coming from, even at his lowest he still was a minor noble house, he still lived in good part of the town. And sure, he and Viktor became close, but then Jayce got seduced by the fame, by glamour, by being man of progress, by being savior of the future, by cushy council seat. Power makes it hard to see evil, and privledge makes you blind to human the suffering. This experience was eye-opening to Jayce. I wonder how many times he must have stopped himself and realize this is what Viktor goes through on daily basis. And, as we learned later, after Jayce climbed this way to the top of hell, he saw how much HE means to Viktor, how HE is the only person who can give Viktor hope and save him from his own internalized ableism. He goes back to save the world, but he also goes back to save Viktor.
These stories weren't paired jsut to fuck with us, they're pararells. Jayce and Ekko both were blinded, one by glamour, the other by hardship, they could no longer see real Viktor and Jinx, too wrapped up in the people the world forced them to become. Each one was forcefully stripped from his ideantity, and therefore his biases, and forced to actually SEE the person they love, not the false image they built, but real them. And then each one went back and each one reached to their respective love and save them. And jsut like Ekko went back in time over and over to make Jinx see he's there for her even if she hates herself, Jayce was willing to sacrifice it all to show Viktor he doesn't need to be perfect to be loved, because for Jayce he always was beautiful.
And I could probably write a whole separate essay about how this theme of tearing through your own bullshit and actually SEEING the other person is present in this season. How Jinx and Vi are forced to go through microcosm of each other's experience to rebuild their love. How Caitlyn is saved from her own descent into villainy by being forced to see how much pain she caused Vi, see a human in Warwick, see a wounded child in woman who killed her mother. How Vi stops her self-destruction by trusting Jinx and seeing Vander in Warwick. How Mel literally has to fight Illusionary Sorceres, a.k.a. LeBlac THE DECEIVER and defeats her with words "I see you". How Ambessa is the only person who doesn't go through this identity destruction this season, even i nthe opening proudly wearing red of Noxus, and that's why she fails. How Maddie being a spy is telegraphed from her first appearance, where she's blocking the sun, effectively obscuring Vi's vision and making herself harder to be seen. How Jinx and Sevika are forced to see people in one another now that Silco's gone. How even during sesbian lex Vi doesn't let Cait get bogged down in guilt because she sees the woman she loves and that's all that matters. How Ekko defeats Viktor by showing him he's wrong to think only he can achieve power of Wild Rune, but also by literally tearing off the mask of god from his eyes, so that Viktor can SEE Jayce again.
But it's 4 in the morning as I type this and I'm no longer being coherent. Episode 7 is literally the microcosm of the whole season and Ekko and Jayce go through the same character arc in it.
#arcane#arcane spoilers#arcane season 2#timebomb#jayvik#how the fuck is this show so fucking good?!#they fucking cooked so fucking well#I wanna scream#This post was supposed to be a quick observation#and it all cascades and connects with everything else#pray for me or I'm going to have to start making video essays to put all my thoughts together#I'll have to get a mic and camera ffs
117 notes
·
View notes
Text
In shades of grey in candlelight / I wanted to leave him, I needed a reason
Spencer Reid x gn!reader content - reader is in an unfulfilling long term relationship, thoughts of cheating, best friend!Reid, friends to lovers, slight angst from reader longing to be loved properly again, cheating is slightly romanticised, confessions, teeny amount of angst words - 3k (how did this even happen omg) reputation event masterlist
♡—How long should you hold on to something after it's proven time and time again to be the source of your pain? And why does missing your best friend hurt so much more than missing your boyfriend?
It had been almost 4 weeks since you'd last spoken to Spencer—a mix of his work, the weekend he spent visiting his mother and the looming sense of… something… that had been hanging over your head like a dark cloud had kept the two of you apart for longer than usual.
Spencer would have been able to identify the issue that had been plaguing you, he's always been good at that—even before he'd joined the BAU.
He had been able to figure out that you'd failed a maths test when you were 12 years old. He had been able to tell when your parents had had a fight when you were 15 years old. He had been able to correctly work out that you'd ordered yourself the wrong flavour of milkshake—over the phone, without seeing your face—when you were 18 years old. And as you got older, your problems getting more and more adult, he had been able to figure out through missed calls and unanswered texts that you'd had your heart broken again. And again. And again.
That's what he would have said was the cause of your behaviour over the past few weeks—you've changed your hair, thrown out a bunch of old clothes, rearranged and then rearranged again almost all the rooms in your flat and you've been out drinking with your friends twice already this week (not that this is a particularly bad thing, or even entirely unlike you, but you mentioned to Spencer once that going to a bar or pub for a drink was only really fun when you were with him, and it had lit a spark deep within him that he refused to acknowledge). But this time you know he'd have gotten it wrong. You haven't broken up with anyone, you're still very much coupled up and there's no sign of your boyfriend wanting to dump you at all.
That's the problem.
You roll your eyes, there's no point in feeling sorry for myself. I'm the only one that can fix it.
You scoff. The faint smell of your neighbours baking wafts over you, and you can hear him and his boyfriend giggling through your shared wall. A lump in your throat begins to form, and the familiar sting behind your eyes returns as you busy your hands with tidying away the washing up (that you had accidentally washed three times now.) The tears that fall feel like they're burning your skin as they run down your cheeks, as though the droplets are going to leave small scalding streaks from your eyes to your chin.
A new wave of bitterness envelopes you and a strangled yell escapes your lips before you have the chance to think. You hear your neighbour's pause, likely raising their eyebrows at each other as if to say what the hell is wrong with next door before quickly returning to being the lovey-dovey super cutesy couple that they are. And they are. Super cutesy. You've seen them around the building before, even one time accidentally ending up in the same café after a building wide fire alarm went off. They invited you to sit with them—your boyfriend was with his mates—as they didn't want you left on your own so late at night. It was nice, awkward, sure, but nice. Conversation was easy, they seemed to bounce off of eachother in ways that you and your boyfriend never have—at least not for many years now. Their laughter was contagious and yet as you said your goodbyes and slunk back to your lonely apartment you couldn't help the twinges of envy that plagued the back of your mind.
He doesn't look at me like that. He is never that enthusiastic about dating me. He would never gush about our first date like that. (And deep down you know he could say the same things about you.)
So, yeah. That wasn't very fun to sit with.
You somehow feel happy knowing that Spencer would incorrectly guess the reason for your ongoing sadness. For some reason the thought of being unknowable to him has you frenzied… A strangled noise escapes your throat—a laugh! Christ. It was a laugh, despite how bitter and angry it sounded.
Maybe frenzied isn't the right word… But god! You don't know! At least he would actually care. At least he would want to try and get to the bottom of your feelings, to try and understand why you've been jumpy and on edge and almost hyperactive in the way you've been non stop moving recently.
Tap tap tap.
The noise makes you jump out of your skin, heart thumping in your chest as your eyes dart to the clock. It blinks back at you.
20:37
You chastise yourself, it's probably next door coming to ask if you could keep your yells of frustration down while they're having a relaxing evening. Embarrassment floods over your face and you can feel the tears threaten to fall again at the thought of being confronted about your outburst. You can imagine the look of pity on their faces—although a hidden part of you hopes that they're coming to invite you over, to welcome you into their warm home, to smell their freshly baked bread and taste the chocolate chip cookies.
Your feet pad heavily against the wooden floor as you walk out of the kitchen towards the front door—tap tap tap. A further set of knocks has you almost tripping over your feet as you rush the final few paces. You swing the door open without a thought, not wanting the neighbours to have to knock again.
You spare no thought to the tear stains that have marked your face…
“I'm so sorry I didn't mean to be—Spencer? Wha–what are you doing here?” You splutter.
“I tried calling, but you didn't answer. Have you been crying?”
“I—well, yes I have but it's fine—I didn't expect to see you, you've been so busy lately.” You take a deep breath, for a brief second—and it was brief—you had been relieved to find that it was only Spencer behind the door, but it didn't take long for the embarrassment to claw its way back up your spine and sink its teeth into your flesh once more.
His eyes bore into you as if he's trying to look inside you. He scans your face, your movements, he watches your hands fidget nervously with the hem of your shirt—before you notice him noticing you and you flatten your palms against your sides in an awkward, unnatural manner.
“May I come in?” He asks, his voice is gentle and it's almost enough to make you fall to the floor in despair.
A hum is all you can manage in response. You quickly side step out of his way, locking the door behind him as he removes his jacket and scarf and hangs then neatly on the third hook from the left—the one that's always left bare, just for him.
You clear your throat. ��What are you doing here, Spence?”
He pauses mid stride—he’s already halfway to the kitchen and if you had known he was coming over then there would a cup of coffee on the side waiting for him, in his favourite burgundy mug, the one with a chip on the lip—and tilts his head at you as if to say isn't it obvious.
“I'm here to see you.” He states, incredibly matter of factly, as if the mere question coming from your lips is completely ridiculous. Why else would he be here?
“I—” You start, but Spencer disappears around the corner before you are able to get any more words out. You huff, feeling slightly unnerved by his sudden arrival and subsequent behaviour since setting foot on your doorstep. There is nothing else in the world that can make you as happy as he can. Something which both terrifies you, and excites you a great deal.
You step foot into the kitchen and you are unsurprised to find Spencer already in the process of making himself a coffee. He pauses once more when he catches sight of you and he holds a second mug out towards you in question. You shake your head. You don't think you'd be able to stomach anything until you can get him to speak to you properly.
A thought suddenly occurs to you, and it may be the first time you ever fully allow yourself to truly think it. Because although it's not unusual for Spencer to visit you in the evening, sometimes even coming over as late as 1 or 2 in the morning—he gets back from cases at the most unpredictable times—do people think you're seeing each other? The two of you have been friends for years, it's not weird for a friend to come over at all hours of the day… right?
“Spence, are you alright?” You pause, eyeing his very full cup of caffeine. “Haven't you just got back from a case? I can make up the sofa bed if you want to get some sleep.”
Heat rushes to your cheeks. Why do I feel so weird about asking him to stay over? We're friends. It's what friends do.
“I have something I need to talk to you about.” He ignores your questions, but you can't bring yourself to be annoyed at him. Not when his knuckles are white from how hard he grips the cup and his eyes flit from your hands to your eyes to your mouth and back to your hands.
Wait—your mouth?!
“I have something I need to talk to you about.” He repeats. He closes the gap between the two of you with only a couple of steps. His steaming coffee is still clutched in his hands, but his fingertips seem restless, as if he knows where he wants them to be, but he just can't—or won't—move them there.
“Okay.” You whisper.
Your mouth feels dry—maybe turning down Spencer’s offer for a coffee was a mistake… He's barely an arms length away from you now, if you were to reach your hand out towards him it would brush up against the navy cardigan he has on. It looks so soft and you can't help but wonder how it would feel around your shoulders. Would it be baggy? Would it fit perfectly? And would Spencer want to come back from a case to find you curled up on the sofa while wearing it?
Your neighbour’s laughter ripples through the air like thunder. It's gone before you have time to register the noise fully, but it's enough to snap you out of your trance and you tear your eyes away from Spencer's torso. It was as though he was waiting for you to make eye contact with him again, because he immediately puts his cup down on the side—more clumsily than usual, you'd be surprised if there wasn't an extra chip on the lip now—and takes the smallest of steps towards you. You are almost toe to toe now.
“I–uh–meant to ask you earlier… about your boyfriend.” He hesitates. “Presumably he's not around…”
There's two ways you could take his question.
Part of you wants to lie, to say that no, he's not around, you dumped him months ago—when your friends first told you that you should—and that you weren't expecting any company tonight. It would be just you and Spencer, no interruptions. Besides, Spencer knows that your boyfriend doesn't live with you, it's been the topic of many a heated discussion, but… could you just pretend you misunderstood? Could you say that no, he's not around, he's probably out with his friends somewhere. Could you admit that he hasn't texted you back in almost 4 days? Could you say he's not around, in fact, he hasn't been around you for 12 days?
But Spencer doesn't give you any time to think through what to say. You gasp when his hand touches your arm and he laces his fingers through yours without so much as a word, as if it was the most natural thing for him to do. As if he had done it a thousand times. The certainty with which he touched you has your heart pounding. What is he thinking? All you can do is blink up at him. His eyes are swimming with questions, but the only one he voices is, “Is this okay?”
Your head moves before you can think and he breathes a deep sigh of relief. You haven't felt as calm as this in months, and yet somehow it feels like you're suffocating. His touch is warm and the dusting of pink on his cheeks has you feeling a rush of anxiety—but the good kind, the kind of anxiety you get when your crush looks at you, the kind that comes hand in hand with a first kiss… And yet you know you need to pull away. Before something more happens.
You force yourself to pull your hand out of Spencer's and the emptiness returns immediately. You stumble away, bumping into the counter as you do so, and you utter a small yelp when your hip hits the corner. Tears sting your eyes and before you know it Spencer has his arms around you. Somehow knowing what you need before you are even able to think it. You choke out a broken apology—for what, you don't even know—and all Spencer can think to do is squeeze you against his chest, whispering soft comforts into your ear.
You stay like that for a while—long enough that the pain at your hip is now only a dull ache. Your throat is dry from all the heavy breathing and you feel a slight throbbing pain in your head, but you do, somehow, feel a little better.
That is until your emotionally fried brain catches up with itself. And then you cringe, hard. Embarrassment floods your veins and you feel your cheeks heat up by an alarming degree—like someone, somehow, is holding the sun directly against your skin. You are acutely aware of how closely Spencer is watching you, but you can't bring yourself to meet his eyes, unsure of whether there's a look of hurt, confusion or pity on his face—unsure of whether it matters—and all you can do is stare through your blurry eyes at what you think is your feet, but what could just as easily be a pair of furry, blue alien slippers.
You scold yourself. You fell apart all because he... held your hand? God. What a mess he must think you are. And—oh! How he probably thinks you are the worst person in the world for even entertaining the possibility of his feelings for you when you aren't even single. If he even thinks that what you did was entertaining the possibility. Or maybe you completely misread the situation and he was only trying to comfort you as a friend... But what if he thinks you have no interest in him? What if he thinks he's ruined your friendship and your relationship? What if you're reading into things far too much and he doesn't like you like that and he thinks you're a bad person for even thinking about kissing him–not that he would know that, he can't read your mind–and you've certainly never thought about kissing him before and especially not right now–he doesn't know how much you long for him to sweep your off your feet—
"I like you Spencer."
You blink. Slowly you bring your head up and meet his gaze. He takes a shallow breath, as if he had been holding it for quite some time.
Christ.
You only meant to think the words, and yet somehow they slipped past your tongue out into the space between the two of you. An accidental confession of something you hadn't even consciously thought until 0.2 seconds ago.
Well I can't take it back now.
He holds your gaze. His vision blurs ever so slightly and he blinks back his unshed tears before they get the chance to overwhelm him. He clears his throat before speaking, but even then his voice is low, quiet, as if trying not to spook an animal.
"You... do?"
You nod, and he takes another obvious sigh of relief, deeper this time.
"I do. I like you a lot actually."
It's as though hearing you voice your feelings for him has broken down the very last wall between the two of you. Your mind flits briefly to thoughts about your boyfriend, before shutting them down so violently that you almost feel sick. You taste metal in your mouth and you realise with a start that you'd bitten down so hard on your lip that you'd drawn blood. You reach for the closest available source to wash the bitter taste away—Spencer's coffee. And he watches as you take a sip, your eyes are closed but somehow he can sense that they are closer to shedding tears than his are. He reaches an arm towards you and gently begins to rub soothing circles on your waist. The touch sends an electric pulse throughout your entire body and you almost drop the mug in shock. It's like all at once you realise just how stupid you were for allowing yourself to be so miserable for all this time. Why have you been putting up with a boyfriend who barely touches you when one touch from Spencer has your insides burning? Why have you been putting up with a boyfriend who doesn't care about your feelings unless they are positively affecting him, when the first thing Spencer asked you tonight was if you had been crying?
For right now all you care about is the way Spencer's eyes glisten when they look at you, how warm his hands are when they touch your face and how the quiet laughter from your neighbours no longer makes you feel as lonely as it did before.
You felt like such a fool. But it seemed like realising this fact was enough to set you free. It seemed like the acknowledgement was enough. You didn't give any thought now to the things you would have to do this coming week—the breaking up, the collection of your things from his place (although at this point there is only a toothbrush and a single pair of joggers that haven't moved from their place on the back of his sofa since you washed them and left them there). Hell, even the possibility of having Spencer there with you hadn't crossed your mind.
#help meeeeeee i am plagued with thoughts about him#need to gnaw and chew and bite him#and have him love me#something something save me spencer reid something something etc etc#you get it#everyone say thank you to this fic for keeping me sane over the last couple of weeks#and for helping me to not have a /total/ breakdown (i am still on the edge but. we are managing....for now)#spencer reid fic#reputation.event#spencer reid x reader#spencer reid x you#spencer reid imagine#sage.fics#spencer reid fanfiction
80 notes
·
View notes
Note
Hello!! I’m loving the babysitter JJ, I was wondering if you could do one where he gets into an accident and ends up in the hospital (nothing too serious) but the ask if he has anyone to call and he calls the toddlers parents and they go and pick him up with toddler!reader and she brings him a balloon and teddy bear.
Maybe he should have just minded his business when some kooks made snarky comments about him, maybe he shouldn't have started a fight with one of them that resulted in the group chasing after him and him jumping over every obstacle until he climbed over a fence and braced the ground wrong causing him to twist his ankle.
After he found he somewhere to hide and took deep breaths he winces the second he tried to put pressure on his foot, knowing it couldn't be just a simple sprain.
JJ would usually never go to a hospital, given the fact he had never the money for it and because he couldn't stand the scent of disinfectant, but ever since he works as your babysitter he had a bit more budget than he ever had in his life.
That's how he's now sitting on a hospital bed, his ankle already in a brace and morphine in his system to help with the pain as he's waiting for the nurse to bring him the discharge papers.
He's looking down at his phone, hesitating to do what the nurse suggested to him earlier, that he should call someone to pick him up since the way home would be taking too long for him to manage alone.
His thought of calling his father dismisses he the second it enters his mind, knowing he would just end up sitting here for another reason after doing so, the Twinkie is having some issues right now so not even John b can pick him up right now.
With a sigh he sends a text to your mother, making sure to say that it's not necessary if they're busy, instantly regretting his decision and about to delete it again until he notices that she already read the message.
He curses under his breath, running a hand through his hair. Since then he hasn't gotten a reply, sitting there for another half hour the door opens and he thinks it's the nurse with the papers but his eyes widen a tad when he sees your parents.
Your father is holding you securely on his hip, setting you down the moment you start to squirm in his hold, quickly running towards JJ to hug his waist, standing between his legs.
"Hey, there, princess..." He chuckles, patting your back before he looks up at your parents, seeing the clear concern on their faces.
"Are you okay? Did they give you proper care? Because if not I'll-" Your mother starts but JJ nods, reaching down to pick you up and sit you down next to him as you keep clinging onto him.
"I'm fine...I shouldn't have bothered you 'cause of this." He mumbles, glancing at the things you're holding. "Watcha got there, huh?"
"Oh! Dis for you jay! To makes you happy." You smile at him, holding the blue balloon and a small teddy bear out to him.
JJ doesn't know how he deserves all this, seeing you in the country club that one day was the best thing that ever happened to him and he will forever be grateful.
"Thanks, cupcake..." He says quietly, booping your nose with the paw of the teddy bear to hear you giggle. "He's just as adorable as you."
Soon the discharge papers were signed and JJ made his way outside with crutches, not really protesting when his father asked if he wanted to stay over, just for the night.
Your parents know that it's hard for JJ to let people help him, even more if they're kooks, but your parents seem to be the only exception. He would never admit that though.
You hold his hand the whole car ride back to your house, wanting to comfort him like he always does when you're hurt or sad, rambling about your day and he listens to every word you say, smiling at you the whole time.
Taglist
For everything:
@my-river-lilly @pauntedblacknails @fanfictioniseverything @buckymydarlingangel @hallecarey1 @daybreakwinter @loveshineslikethesky @vase-of-lilies @white-wolf1940 @simpingbutch @mischiefsemimanaged @alina02 @teddybearsgrr @doozywoozy @angelbabydoll28 @glxwingrxse @lilymurphy03 @veryvaughnny @lokigirlszendaya @youngstarfishdinosaur @little--baby--bear @minideathgoddess @rach2602 @gh0stgurl @flourishandblotts-inc @lovelyy-moonlight @yoruse
@mythixmagic @iris-xoxo-juhu @mylettterstoyou @sunf1ower16 @sweetstars-posts @rafecameronsloverrrrr @rafenroostersgirl
For JJ:
@chiaraanatra @chimindity @flora-eva
56 notes
·
View notes
Text
Come Back to Me - Mephiston x F! Reader
Wrote this for the beautiful @solspina : I hope I did your man justice :)
Sypnosis: Following a psychic breakdown, the only person who can bring Mepheston back from the brink is his beloved.
C/W: Blood, angst, reverse hurt/comfort, I've only read Dante's novels so my knowledge of Mephiston is second hand at best, I did do some research and I'm confident in how I wrote him but I apologise in advance for the inevitable ooc and lore inaccurate moments XP, unedited so probably errors and typos scattered about.
Mephiston bleeds.
Blood flows untempered from his nose. It leaks from his ears. The taste of copper coats his tongue and fangs, and tears streaked with red tumble in streams down his cheeks. His soul is bleeding, too. Punctured by the warp, he can feel what little is left of his humanity pouring out into the void to be devoured by the unspoken horrors that call it home.
But he does not stop. He can't. For if he were to fail now, the flagship Covenant of Baal, as well as half of Lord Dante's entire fleet would be lost in the warp forever.
His brothers are relying on him to get them home. Trusting him to get them through the warp unscathed. He must not fail them. He mustn't.
"Lord Mephiston!"
A deep voice made tight by fear breaks through Mephiston's reverie. A space marine; a librarian. Mephiston searches for a name, but his mind hasn't the strength to find it.
"My lord!" the librarian shouts again. "The ritual is unstable. We must leave the warp. Now!"
"No." Amplified by the warp and his own, growing fury, Mephiston's voice booms like a war drum. "Baal is close. I can feel it. A few moments longer and we will be there."
"You'll kill yourself, my lord! Or worse, you'll-"
Mephiston cuts him off with a growl. He knows what the librarian is insinuating; that should he loose control of his powers, he could kill everyone on this ship. The marine isn't wrong, Mephiston understands that better than anyone. But that doesn't stop it from stinging just a little when it is brought up.
Which is why I must succeed now. I must not fail my brothers. I must show them they can rely on me. That they can trust me.
The librarian continues to shout his warnings, but Mephiston is no longer listening. The pull he feels towards his destination is strengthening. When he looks out through the infinite dark of the void before him, he can see Baal outlined in red.
So close.
Pain takes him in a vice-like grip. His body seizes. Daemons rake their claws down his soul. They're feeding off his power, he realises. Preparing to use him as a gateway into the material world. In his weakened, exhausted state, Mephiston isn't sure if he can fight them off.
Through the cloud of psychic agony, he remembers words spoken to him by Lord Dante, just days ago.
"You are my friend, Mephiston, but know this. Should you ever become a threat to this chapter or humanity at large, I will strike you down myself."
Dante had said it as a vow. Not only as a leader, but as a friend. It pains Mephiston as much as the creatures tearing into his soul. He wonders if the librarians are seeking out the chapter master so he may fulfill that vow now.
A daemon sinks its fangs into him. He feels them puncture his hearts and shear through what's left of his strength. He screams. Eyes slamming shut, chest heaving from the pain. His mind is determined to hold on, but his body is failing. The strain is too much. It seems the librarian- still Mephiston can't recall his name- had been right.
"Meph? Can you hear me?"
I am sorry, my brothers. I am sorry, my beloved. I was not strong enough. I believed that I was, but I am not.
Her voice cannot hope to pierce the cacophony that is the warp. Yet, somehow, it does.
"Just focus on me, Meph."
Throne, her voice is beautiful. It was one of the first things he'd noticed about her. Wielding both strength and kindness in equal parts, just like her heart.
"You can do this, Mephiston," she says to him. "You can break free. You always do. Just come back to me. Like you always do."
Mephiston opens his eyes. Amidst the haze of psychic madness, the planet Baal remains tantalisingly near. But Mephiston is not searching for it any more. He's searching for her.
"I love you, Meph," she says. "I love you so much. No matter what happens to you or how much you change, I love you all the same."
In spite of everything he is enduring right now, her words pull at Mephiston's hearts like nothing else ever could. It drive him to go faster. Push harder. Tear his way free from the warp and get back to her. It means cutting the warp-jump short; there will be questions from the captains, maybe even Lord Dante himself. It means failing his duty, failing his brothers. But Mephiston does not care. He would rather fail them all a thousand times than cause his woman pain.
The shift from the warp to the real is near instant, and far less physically taxing that vice versa. Typically, it'd be as simple as opening one's eyes. But Mephiston is weakened, his body on the brink of total failure. The real world returns with the force of a whip, and immediately, Mephiston's world is dominated by agony.
The Lord of Death falls to his knees. Blood spills from his eyes and nose. His long silver hair clings to the sweat pouring off his shoulders and chest. His vision blurs. The room begins to spin. Again, Mephiston feels himself falling. This time, though, a pair of soft, nimble hands catch him.
"Easy, Meph. Easy. I've got you."
Her tone is gentle. Her voice, as soft as her touch. Her body trembles under his weight. In spite of his hurts, Mephiston pushes himself upright so as not to lean on her anymore. She frames his face with her hands. He can see tears in her eyes. "Gauis!" she shouts. "Fetch an Apothecary."
The librarian called Gauis nods and takes off without another word. Mephiston realises he was the same librarian who'd been shouting warnings at him before.
With Gauis gone, it is only the two of them here, now. It's then that she throws her arms around Mepheston's neck and drags him into a crushing embrace. "You silly, silly man," she whispers. Mephiston realises she is weeping. "Don't you ever do that to me again. Ever."
She squeezes him tighter. The sleeves of her shirt are growing stained with his sweat and blood, but she doesn't seem to care. Though he barely has the strength to raise him arms, Mephiston returns her embrace in earnest. "I am sorry, my sweet." His voice is thick with fatigue and emotion. He hates it when she cries. He hates it even more when he is the cause. "I thought I had it. I have done this so many times before, I-"
"I don't care." Arms still wrapped around his neck, she draws away just enough so as to meet his eye. Her hands find the base of his scalp. Ever so gently, she strokes him there. "The next time Gauis tells you to cut a ritual short," she tells him. "You listen. If not for your own safety, then for my own peace of mind."
Mephiston looks at her. Since his transformation, his hearts have lost much of their capacity for compassion. But what shreds are leftover belong solely to her. Every piece of him that is still human, still a man, loves her as fiercely as they possibly can. All of this, he lets show in his face. It almost moves him to tears. "I will," he says. "I promise."
She smiles at him. It's the most gorgeous thing he's ever seen. Ignoring the blood plastering his face, she leans in and kisses Mephiston, so fiercely it makes his jaw ache. Mephiston struggles to return it in kind, almost tipping over backward from the force with which she presses into him. He winces as the room sways again. She catches his head and guides him to the floor. "It's okay, Meph. You're okay." Gently, she lowers herself down beside him. "The Apothecary will be here soon. For now, just rest."
Without thinking, Mephiston reaches for her hand. She takes it in both of hers and squeezes it tight. "Thank you, " he murmurs.
She brushes her lips across his knuckles. "You know you don't need to thank me. Not now, not ever."
56 notes
·
View notes
Note
The Replacement Fighter from RoR but this time it's with the Demon Slayer characters.
What if the reader accidentally slipped through time & "went back" to the Taisho Period? Basically they "teleported" from the modern era to the past. And while they still had their original capabilities, personality, characteristics & looks, they gained some new ones too. Though they were just happy they still had their lanky ass height & tattoos. Their breathing style is similar to "Serpent breathing" but instead of snakes they get the "Naga." Basically a water dragon/snake from South East Asian mythology.
The outfit/accessories:
Sure, they're very strong & can fight off demons pretty easily, but they have no idea what a "Hashira" even is. And they think the demons are just playing a "silly prank" sometimes.
Since the reader is from modern times, they had some issues with the bathrooms, bed & the overall lack of air conditioning and wifi. Then they were freaking out about where to charge their phone & tablet. The reader also had a habit of using slangs, phrases & memes from modern times which is something that the others had hard time understanding.
How would the KNY characters react to them?
For: Uzui, Rengoku, Sanemi, Mitsuri, Urokodaki, Hagenezuka & Gyomei
-It had been not only a big shock, but a big adjustment for you, when you wound up in the past, long before Wi-Fi, air conditioning, video games, and refrigerators.
-Coming back to the past in Japan was more than enough, especially dealing with demons that tried to attack you, wanting your ‘prime flesh’ to grow stronger. Too bad they chose the wrong opponent, and you handled many demons bare handed.
-You originally thought they were bandits trying to scare anyone passing by to attack them for anything valuable, until you saw one of them morph into a creature that many would call a nightmare, that’s when you knew that these weren’t humans, not anymore.
-Your raw strength quickly caught the attention of the Demon Slayer Corps, who begged you for your help in taking out the demons, more specifically the leader of the demons, Muzan.
-You didn’t hesitate to agree to help, not at all bothered because you could hear their desperation. You quickly became a Hashira, making the final Selection look easy, to the awe of many and annoyance of some who had worked so hard for so many years.
-Your breathing style was like Obanai’s Snake Breathing, but it was far more powerful, and you named it Naga Breathing, and many demons, including some of the Upper Moons, were terrified of you, knowing what you were capable of, seeing your raw strength for themselves.
-Muzan desired to eat you, knowing that if he consumed you, he would be unstoppable, but while you make look like a snack, you aren’t looking to be eaten by anyone. He even approached you once, asking if you wanted more power, to become a demon, something you delivered a hot and fresh knuckle sandwich straight to his teeth for.
-For the most part, living in this day and age wasn’t bad, you got your own house, you got to lounge around all day, and you didn’t have any real responsibilities, at least at home.
-You did miss air conditioning and electricity, as you missed playing your video games and watching videos, but it was unique to see the birth of electricity in Japan, as inventions were being revealed for the first time, so it was kind of fun to see when things like this first started out.
-Your fellow Hashira didn’t really know what to make of you, as you talked funny, and talked about odd things that they had never heard of.
-Some liked you, like Mitsuri because you were handsome and a big eater, Obanai which was surprising due to your quiet nature and similar breathing style, Tengen who thought you were flashy, Gyomei who could sense your strength but also your desire to not hurt others aimlessly, Shinobu because you would ask questions about her research that would get her on the right track of new medicines, Giyuu because you were quiet and didn’t really mind if he just sat with you, Rengoku who was your opposite, being bright and energetic, almost too much at times, but you liked his vibe.
-The only one who was irritated with you was Sanemi, who you discovered was irritated with everyone, constantly raging, even more so when he would be yelling and having a tantrum and you would pipe up with, “Big mood.” Gods you were so infuriating! If you weren’t so strong and needed to take on Muzan he probably would have strangled you long ago!
-You also found yourself with three and a half younger warriors who would always follow you around, Inosuke because he wanted you to fight him, Zenitsu and Tanjiro who admired your strength while also being confused by your lazy personality when you weren’t fighting, and the half was Nezuko, who would follow you around like a duckling, sensing that you were a good person, mainly because you let her play with your hair without being bothered.
-Muzan had to be careful as he and his Upper Moons planned an attack, not only was he at risk of facing the Hashira, the strongest of the Corps, but he was also being faced with you, a warrior that made him feel fear, much like Yoriichi.
-You were oblivious to his plotting, as were the rest of the Corps, you were in your house, watching Inosuke, Tanjiro, and Zenitsu sparring while Nezuko was putting flowers in your hair while you were eating snacks.
32 notes
·
View notes
Text
📣📣📣 AND ANOTHER THING ABOUT SWAN, I shout into my empty room. @sun-mo0nshine reblogged my post about Swan being the baddest bitch and said they love the way Jasmine says, "Swan". And I have a headcanon about it that idk maybe y'all would like?? So here it is lol. Sorry it's monsterously long.
We all have animatics in our heads, I'm sure. Or full stage or cinema productions or whatever. We're picturing it as we listen. I have a full stage production in mine. There's a few parts that are questionably possible with today's technology, but whatever. It's entertaining and gets me through very long hours at work sometimes.
POINT IS, in my head, Swan almost never smiles. She sounds nearly bored the very first time she says her name in Survive the Night. But we know her better now! We know she was worried even then!! And all the girls are saying their names in ways that seem to match how they'd be feeling in that moment.
Cochise, vibey, positive. Shown by her share of the lyrics in the rest of the song, because she's the one that sings about Cyrus holding the crown and wanting to see what happens with Cleon.
Cowgirl, more excited and rambunctious, down for a good time. That one is simple lol.
Fox, short and fierce. She's already trying to show she's tough in the first moment of her in this. You can hear her lifting her chin when she fuckin' says it.
Cleon, the loudest and most open voice of all of them. Representing basically her whole character in her intro. She is the one that believes fully in Cyrus and is open to her dream.
Ajax, just above monotone, a little extra emphasis on the "s" sound. It feels a little darker, even snake-like for a moment. Not to say she's a snake by any means, but she is ALMOST an antagonist for her own crew throughout—questioning Swan over and over, picking the fight that ends up taking her away—and this bit of darker voice and imagery kinda hints at that to me.
Rembrandt, always saying her name in two parts, the last syllable usually leaning more toward her feelings. (For example, the first time Mercy adds herself to the Roll Call later, Rembrandt speaks after her and there is very clearly a ???? In the middle of her name and an annoyed emphasis on the T at the end, like she's thinking, "who is this bitch? It was MY turn next.") And in this first Roll Call, her voice seems to fall somewhere between Ajax and Swan's vibes. Not as worried or displeased, but in between. Which makes sense because she is the one that echoes Ajax when she openly questions the plan throughout this song.
NOW. Swan. Worried. Monotone. Mind elsewhere, on what the future is about to bring them. I do not picture her smiling in this.
In Warriors' Cypher is the first time we hear some brightness in her voice, but even then she's talking about "peace so far" and stating that she has everyone's backs if that changes. She's STILL worried, even while they're fooling around and having fun. I do picture her almost exasperatedly laughing at the others' parts or smirking at Cowgirl's line, but not full on grinning. She's still focused on her worry, but she's allowing the bit of fun. And, in If You Can Count, I do see her starting to smile as it seems like the peace is going to be a real, lasting thing.
But, as Swan later says in A Light or Somethin', everything goes wrong from then on. Cyrus, running for their lives, the Turnbull ACs trying to kill them, the track fire. In Track Fire and a Phone Call, everyone is again kinda goofing off. Blowing off steam, razzing each other. But Swan is serious and stern. "When we get there, that's when we've made it." No smiling. She's too focused on protecting her crew.
Then we get to Orphan Town and THIS is where I think Swan's first full, genuine smile would come in. Again, she's worried, she's strategizing. The Orphans are taking some convincing. Swan and Fox start their flirting, where I imagine she would have a placating smile on, at least. Then Mercy comes in.
And I think Mercy amuses Swan. I think she comes out, singing about the Orphans, saying "Witcha hand on your BCACK" and, in my head, Swan laughs, startled into amusement, then quickly hides it so Sully won't turn on her. Then Mercy turns on her.
She starts demanding Swan's vest and this is the first and only time in the album that we hear Swan sound a little dumbstruck. That "What?" absolutely sounds like 0.0 She recovers, offers to try and get Mercy one if she helps them through, and Mercy says she wants the vest off of Swan and what do we hear? A laugh. A small one, entwined with her, "No chance" but a laugh. The only amusement we hear in Swan's voice until A Light of Somethin'. So yeah, I think Swan finds Mercy ridiculous and unhinged and kinda hilarious. Still though, I don't see a full-on smile happening here.
But then everything goes sideways, Swan defends Mercy, Sully changes his mind about letting them pass, and Swan decides to blow their shit up. They start putting together the molotov and it's when Swan calls for a piece of fabric and Mercy offers it up that I see the smile happening. The line "Let's make their world a little brighter" is the brightest we've heard Swan's voice be. In my headcanon, feature film, stage adaptation, I see Swan asking for the fabric and Mercy jumping forward to offer it up and Swan, startled again into amusement and gratefulness, fully grins.
I think it goes away very quickly as she focuses on her task and puts back on her leader face, but I think that quick look is when Mercy starts falling.
Back to everything is hard and sucks for a while. Swan is busy trying to ignore Ajax and Mercy's beef and protecting her crew. Her sole focus is getting them home. Then they lose Ajax and she has to lead the cops away. Mercy goes with her and they end up alone.
Which brings us to A Light or Somethin'. We know Swan was likely freaking out inside. Her Warriors are out there somewhere and she can't help them, can only hope they're waiting for her at Union Square. Ajax is gone, Cleon is gone. So she's quiet as they walk through the tunnel, understandably. But, again, Mercy manages to amuse her. You can HEAR the amusement in her voice. She laughs, saying Mercy won't like initiation. She is playful when she says, "Well, you split from the Orphans, are you loyal?" It's a legit question, but it's said with such a lighter feel. You can tell Mercy has broken through the stern, stoic face she's been putting on for just a moment. I think this is the closest we get to another real smile before the Finale. Not the full blown grin I picture in Orphan Town, but a smile nonetheless.
And when Swan rejects Mercy, her voice drops back down to that more monotone, worried voice we're used to. Except it also has a bit of a rasp to it now. A pain. She doesn't want to be pushing Mercy away. Desperation and agitation fill the rest of the song and then it's, once again, everything sucks and we're running. They lose Fox.
And I feel like there's a smile after the kiss in Same Train Home. It definitely feels like there's a few in the Finale, when Swan says "Anyone sick of runnin", when she tells Mercy she's a Warrior, when Cleon shows up, when Swan and Mercy sing "When I am with you" together.
But I think the only full, unguarded or untinged with sadness/worry, grin is in Orphan Town. When this woman Swan doesn't even know shows up and startles her into genuine happiness she wasn't expecting to find anywhere. Much less on the run for her life.
#swan warriors#mercy warriors#swan x mercy#swercy#warriors album#warriors musical#warriors lmm#warriors eisa davis#warriors#warriors concept album#I can't stop thinking about swan and mercy it's a problem#Eisa and Lin feel free to call me#I got the whole play blocked out in my head
25 notes
·
View notes
Text
The air this morning was crisp, cool, almost but not quite the first frost.
The kind of morning that was perfect for sitting on the bench on the porch and drinking a beautiful warm coffee.
The hero sat there, drinking their morning coffee, watching the sun fully pull itself out of the horizon.
From out of the forest came a tall, imposing figure. Their hands were covered in dirt and mud and leaves.
The figure stalked right up to the hero on the porch.
"Where did you go?"
"I was out in the darkest part of the forest burying my old stuff."
"Before sunrise?"
"Dark lords and dark deeds are best done before the sun."
"You're so weird."
"It's ritual. It just feels right."
"Go get cleaned up, there's coffee inside for you."
The former dark lord, smiled. A fun, mischievous smile. They advanced on the blanket covered hero.
"Oh no! Don't you come over here all covered in mud! Don't you dare!"
Their companion's voice dropped a few levels, in a way that could have been intimidating, sexy, or both. "But I am so cold. I desire your warmth. Give me your warmth."
They advanced on the hero, dirty hands out stretched.
"Noooo!" the hero cried in mock distress, barely containing their laughter, as they were enveloped by the large, built, dirty dark lord. They tried to fight off their old enemy, but it was a losing fight.
After a moment, the dark lord settled on the porch bench behind their hero, their arms wrapped around the smaller figure. Their cold and dirty body greedily drinking in the warmth of the hero.
"Mmm... warmth," the once evil overlord said as they kissed the exposed neck of the hero with cold lips. "I will take it all from you."
The hero laughed, reaching back to put their hand on the back of the villain's head to keep them close.
"Do you think they bought it?" the hero asked. "Do you think they're going to search for us? Do you think it's finally over?"
"It better be," the dark lord said. "We didn't give them any reason to suspect we're still alive. Our finale was a spectacle. But I suspect people will always be looking for you."
"But I don't want to be anywhere but here," the hero whispered. "With you."
"Good," the villain said as they tightened their grip around the hero's hips. "I want you to be mine and only mine. And I want to only be your's."
The hero grinned. "But you do know where you left your stuff. Just in case."
"Just in case. It'll come back if I need it. But we won't. Where did you put your stuff?"
"I just put it in the cellar. In a box."
The villain finally leaned away from the hero, putting some distance between them. "I can't believe I love you. You have no style, no panache, no gravitas. Your hero attire in a box in a cellar? How trite!"
"And what do you think I should have done? Placed my sword in a stone? Given my armor to some pair of stone golems that only talk in riddles and puzzles?"
"At a minimum."
"But then people might look for me even harder."
"Or they will accept that the mantle will only pass to the next hero when needed."
"Why? Do you think there is going to be another evil overlord, leader of darkness to replace you?"
"No one that will be as attractive as me."
"Don't flatter yourself," the hero said teasingly, but with a stolen kiss. "Now go get cleaned up, so we can have breakfast together. Like I've wanted to for a long time."
"And if I want to dine on... something else?"
"Oh! You..."
"I don't hear a no."
The former dark lord stood up, suddenly tightening their grip on the hero, lifting them with the motion and moving into the small cottage with delightful peals of laughter from the now retired hero.
------
For years it was good. Perfect.
The world had not needed their hero for a long time.
The reforms and changes they introduced meant there need not be a villain to challenge and destroy the system.
Until one day when the hero didn't come home.
The former dark lord knew immediately that something was wrong when the sun had set without the hero coming back home.
Such a thing was unthinkable. No contact or message. No, that wasn't something they would ever do.
There was a feeling in the air. The dark lord tried to deny it. It was just the winds of an early winter, even though they knew that wasn't the truth.
With a twitch, a movement that was a familiar one, a long unused bit of muscle memory, the pieces of the office of Dark Lord flew from their long ago buried tomb in the darkest part of the woods and joined their master.
Heavy, sharp, precise dark metal gauntlets that pinched a little at softened skin but quickly grew and changed and shifted to fit perfectly. The dark helm settled gently on their head, fitting perfectly like it used to so long ago. The cloak was covered in dirt and dead leaves, but that only added to the aesthetic of the thing. It wrapped itself around the dark lord in a cool, comforting, almost forgotten embrace.
The last of the dark lord's attire was assembled and it felt familiar and cold in a way that they had grown away from but couldn't entirely forget.
With everything they'd need they walked, trespassing through shadows, and locked doors, and forgotten ritual sites, until they found their way back to a place that used to be home.
A dark, foreboding, cold castle at the edge of the world.
It was occupied.
Someone was trying to take their mantle. And as far as they cared, they could have it.
But these kinds of people always had to do something showy to cement their power.
"Ah, I was wondering when I would hear-" the new villain said, but they were cut off as the previous dark lord immediately closed the distance and clasped a strong hand on their neck and squeezed.
"I understand the game. I know what you are up to. But this time it won't work. Because you clearly don't understand boundaries. You took something that belongs to me."
The new villain smiled.
"Oh old timer. Perhaps you forgot something as well. Dark can't fight against the dark. You have no power here. You're just old, out of shape, and soft. This will go quickly."
The dark lord laughs as the upstart pulled themselves free.
"Magic isn't a muscle, it's not something that can wither and die. It's a reservoir. And I still have magic to burn. So while I can't kill you with it. I don't need to."
They reached into the old cloak and from the darkness within it, pulled out something that burned like a star. They suddenly held on to a bright and blinding sword.
"This is my partner's. You return them to me and you won't feel the sting. Find some corrupt politician or king to execute to make your grand statement."
"But who better to cement my name than the death of the last great hero!"
The upstart villain never spoke another word. The dark lord cleaned off their partner's weapon, putting away with a careful reverence. They then went to rescue their love and return them home. Where they belonged.
i have a kofi if you'd like to tip me for doing stuff like this
The hero and the dark lord have both disappeared after their battle, making everyone think they both perished. In reality, they are living on a farm, living the life of their dreams.
3K notes
·
View notes
Text
I feel pretty disgusted by people who say things like "but murder is never justified!" about cases like G*psy Rose Blanchard. You're literally saying that she should've just kept being abused and imprisoned because "wahhh murder is wrong though 🥺"
#It's just a part of this bullshit culture of trying to stick to these ideas of what's 'moral' without caring about the systems#that created/necessitated the 'immoral' behavior though so I shouldn't be surprised#Just so fucking tired of people holding victims - of individual abuse or systemic oppression - to this standard of 'correct' behavior#It's the same shit they're doing to Palestinians#The same shit they did to black lives matter and the 'riots'#You want people to just shut up and let themselves be killed#When they fight back they're the ones in the wrong
4 notes
·
View notes
Photo
can’t talk about it
[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.
Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."
The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"
The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."
The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."
The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."
The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]
#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#Theyre both thoroughly exhausted tired individuals -- vash having to fight this lonely battle for over a hundred years and getting dragged#back into inevitable situation with knives after a 2 years hiatus of being a gunslinger. they both need so much Rest and comfort in this#department... .SIGHS. BUT I JUST THINK ABOUT WOLFWOOD . AND HOW... LITTLE He has existed on no man's land. how majority of his years being#alive is being used as a weapon and to kill when him at his very core is the most giving and selfless individual ever#badlands rumble inspired me a bit but i do think wolfwood gets dragged into occasional tasks from the eye of michael while on his duty of#guiding vash -- or i think that one chapter where we got to see other members of eom -- there's like a clear division within the eom too#i think.... so i figured similarly to vash but not to the same amount -- there are people that look for wolfwood too. but most of the time#it's probably wolfwood that has to look for someone else and take them out. i feel like it happens ever so occasionally.#evidentially these two don't talk enough canonically but they always know how to express things properly to affirm that they're okay#they have the worst time ever sharing burdens - can't willingly burden the other and has neeever asked for help or reprieve in their#desperate situations... vw is a huge case of right person wrong time syndrome so they just. in the time they get to spend together -- even#if romantically - they don't have enough time to heal to get over that kind of hurdle. They've just never asked for help in all the years#they've been alive -- they don't even know how to and its just aughhhsgskg#and well! they don't even need to ask! because they'll be there for each other anyway at the end of the day -- company and presence alone.#ruporas art
2K notes
·
View notes
Text
I actually really like exes divorced oplita
#like obviously not fighting bad blood exes (unless it's tfa then give me that shit so bad I need)#They still love and respect each other. They've just changed#EARTHSPARK I AM LOOKING AT YOU#bumblebee you child of divorce#or they're still pining so hard over each other and they divorced becauae uh body and identity crisis and war but after the war they lowkey#get back together#because while ariel doesn't optimus and orion doesn't love elita. Optimus loves Elita and Elita loves optimus and now this is turning#into a right person wrong time but now it is the right time post#I come up with a lot of post ideas when writing tags I have noticed#oplita#elita one#elita 1#transformers#optimus prime#orion pax#Ariel#Tf ariel#transformers ariel#earthspark#transformers earthspark#earthspark elita one#earthspark optimus#tfe optimus prime
33 notes
·
View notes
Text
still thinking about how from ashton's perspective, fearne says "i'll probably make my rounds through everybody", spends months will-they-won't-they-ing with chetney, finally hooks up with him, and then suddenly starts flirting with ashton instead. i'm not surprised ashton doesn't think she really wants him.
"that's the one you get."
maybe i'm reading too far into it, but maybe ashton doesn't want to be part of fearne just making the rounds. (and maybe he wants something longer lasting, but they sure as hell arent gonna ask for it.)
#to be clear this isnt trying to blame fearne for any of this#i dont think shes done anything wrong#(hell she made the first move back before the solstice fight when she kissed him the first time)#but ashton already thinks no one will love them what conclusion do you think they're gonna draw?#its just so crunchy i cannot wait for this to come to light again#fearne calloway#ashton greymoore#callowmoore#critical role
118 notes
·
View notes
Text
Kusakabe, dear, you're too beautiful to be saying that kind of stuff
#jjk spoilers#All the prettiest characters were brought back from apparent death#Nobara was okay and it's true that when I read the lawyer's and Kusakabe's fights against Sukuna I thought it was being kept vague#but to pull a Nobara with all of them... idk#No one stays dead here except for the people who actually care for the kids and by that I mean 'including Yuuji'#kinda lowkey bitter about it#Don't get me wrong I like the characters and also they're super pretty but idk It makes death feel cheap? And the high stakes kinda fake?#Choso Gojo and Nanami actual only characters who died apparently#Well. Poor Itadori#And Kusukabe goes and runs his mouth that way in front of the kid. He is not entirely wrong but also he very much is#And yes he also says 'don't worry it's not for you to feel guilty over anything you're just kids' but also he did very much say that thing#about it all being Gojo's fault for not killing Itadori. In front of Itadori who feels guilty for that precisely#and in front of Megumi who asked Gojo to spare him and also went through the experience of Sukuna using his body as well#So Kusukabe's reassurance about them just being kids and not to feel guilty falls a bit empty#It does feel in character but man it truly makes one appreciate the way Gojo and Nanami dealt with the kids a lot more haha#Ui Ui seems like a dear#Anyway... this chapter felt a bit lame for the most part for me? I like the idea of the characters discussing the could have/would have#and feeling guilt and helplessness over their choices but the way it was done felt a bit lame and without any real emotional punch#It felt more like an explanation to the reader in an awkward way. And there's a lot of empty chat about guilt and grief#without any of the characters really giving off a grieving air about everything and everyone they've lost#And this is precisely what I felt was going to happen with this manga's writing haha#I truly don't understand this kind of writing choices. Contrary to some other shonen writers this author did seem to have the potential#to write this kind of thing well besides the worldbuilding and powers and fight stuff. It's truly a pity. It so breaks my heart#And still this is considered one of the good shonens. Well. WELL haha#I do think shonen can be good! I just think it falls almost always even when there's potential into bery shallow writing#I don't know. Maybe I should read that one Alchemist manga#I've been repeatedly told that one's good and it does seem like it doesn't do... this. But I find the art style so not to my linking#I wish I had never gotten into JJK for real for real. I absolutely adore it. I always end up frustrated. It could be so good. Genuinely good#And yet it's just okay in a sort of forgettable way. What a pity#Everything good ever is present but it never dares do anything to fully explore what it sets. It just does the typical shonen stuff
8 notes
·
View notes