#When the Music’s Over

[kdo-three]

The Doors - When the Music’s Over (1967) Jim Morrison / Ray Manzarek / Robby Krieger / John Densmore from: "Strange Days" (LP)

Art Rock | Proto-Goth

JukeHostUK (left click = play) (320kbps) (26MB | 11:00+/-)

Personnel: Jim Morrison: Vocals Ray Manzarek: Keyboards: Vox Continental Organ Fender Rhodes Piano Keyboard Bass Robby Krieger: Guitar John Densmore: Drums

Produced by Paul A. Rothchild

Remastered by Bruce Botnick / Paul A. Rothchild / The Doors

Recorded: @ Sunset Sound Recorders in Hollywood, California USA May–August 1967

Album Released: on September 25, 1967

Elektra Records

Rhino Records: 2007 CD Reissue

[hinamie]

august

[jerreeeeeee]

you know how little kids like to interview people?

[jeena-says-hi]

Imagine the Batfam all goes to see Holy Musical B@man for a fun day out but this part happens:

Then Jason just starts sobbing

[erabu-san]

He enjoys being called brother, but...

[This art has platonic intention. Please do not tag as ship thank you!]

A continue of this art I guess 🫣

[swinging-stars-from-satellites]

“the point of kintsugi is to treat broken pieces and their repair as part of the history of an object”

David Mitchell // Hanif Abdurraqib // photo by @lakevida // @ashstfu // tiktok comment by @/muddafrigga // Miranda July // Pete Wentz // @jovialtorchlight // caption from Penny Reid [x]

[royalarchivist]

Pac: I'm not going to say anything to you guys [Chat], I'm not going to say anything to you. I'm not saying absolutely anything, I'm not going to comment. Man, you broke me here, you broke me in 3 parts! I'm not going to- no no no no no, I won't fall for your game, I won't fall for your game.*

Pac's chat allows viewers to make music requests, which led to this very well-timed moment today where Careless Whisper started playing as soon as Pac met back up with Fit.

* [Approximate translation. I'm not a native Portuguese speaker, so as always, please feel free to let me know if there's a better way to translate things!]

[the-storyteller78]

Headcanon:

Telemachus used to have long hair. His mother always told him that long hair—and the ability to keep it without it getting cut off during battle—was the mark of a good warrior. She told him his father, the mighty Odysseus, the man of many devices, had long hair for much of his youth.

(What she doesn't tell him is that Odysseus went to war with shorn hair and red-rimmed eyes, because leaving his family behind was a cause for mourning far worse than a war lost.)

And so Telemachus, young and bright and quite without the father he so adored, grew out his hair. It got to be quite long indeed, and if his father had been there to witness it, he would have sung his dear son's praises, boasting of his honor and dignity and patience to anyone who would listen. But Odysseus was not there, and all Telemachus had of him were stories and desperate imitation. Still, there was comfort in even those, like his father might be watching over him in some odd way he couldn't sense. The thought gave him strength.

The more benign suitors dismissed the change. Let the boy have his hair, they said, chuckling with faint fondness. What is the harm? Even our little prince must become a man at some point.

But the other suitors, the ones who schemed with malice in their eyes as they watched Telemachus pass by them with a new confidence in the set of his shoulders, saw the danger in allowing this to continue.

The maids were on their side. It wasn't difficult for a few of them to find their way into Telemachus' room in the dead of night and cut his hair with quiet, nimble hands.

Telemachus knows it was suitors. The incident is never brought up again, and he never tells anyone the truth of the matter, not even Penelope. But he can no longer sleep as soundly as he once did, and he no longer tries to grow out his hair.

He isn't brave enough to try.

[mayhw]

Star map inspired by Ahsoka’s ending credits

[coddda]

Everyone knows that Light and L matched each other's freak but I think their dynamic in the musical (the Japanese ver specifically) is underrated. Like it's not super different from canon but they just had this extra edge of Violence that we never quite saw from the more methodical and careful mindgames in canon death note and I think it's great. Like, yes, they did declare in canon that they will bring each other to justice, yes L says he wants to send Kira to his execution, but in the lyrics of the musical they both outright say multiple times that they just want to straight up Kill each other. It's direct the whole way through. There's more mutual contempt. This game is about nothing more than simply being the first one to Kill the Other (they actually use the word "殺し合い" (koroshiau) or "to kill each other" to describe their game (translated as "murderous ... game")).

(Sidenote but all those references about wanting to send each other to Hell?? Beautiful)

Yeah this is a battle of justice and ideals, yes that clash is a key part of their final confrontation at the end of the musical, but throughout their duets (or even songs like The Game Begins where they're singing by themselves) there's this near singleminded desire to just fucking End each other. It's fucking Raw and it's great.

Also THIS FUCKING SCENE?? THIS SCENE FROM SECRETS AND LIES. Iconic. Actually Insane. My jaw dropped. Light looks like a crazy bitch it's beautiful.

Um. Also. Obligatory Playing His Game (yknow the gay sex song) lines dump. It basically says everything I just said above in like 9 lines. You see what I mean right.

In canon they're playing a game of mental chess, trying to use everyone around them to finally catch the other as their end goal, but in the musical you really do feel like all they see is each other. They would probably beat each other to death with their fists if it came down to that. Idk they're just so excited and fired up about their little game in the musical and it's so unhinged and fun and special and I love it. It's like the writers for the musical decided to kick their murderous intent up a couple notches and the result is absolutely Beautiful.

I also think that the intensity of their rivalry in the beginning just makes the wind-down of The Way It Ends soo much better. It's such a good contrast to their previous duets where they try to sing over each other (Secrets and Lies & Stalemate) or with each other but basically at the top of their lungs (Playing His Game). It feels like there's both a quiet mutual understanding but also an underlying disappointment that the game is finally over. In canon, L's death Is instead the peak of their game, the moment he gets confirmation that Light is Kira is the exact same moment that he dies. In the jdrama it's almost sudden, how L dies, after the quiet moment has already passed. But in the musical L's death, ironically, Is the one quieter moment in their game. Their peak was the game itself. It was Secrets and Lies and Playing His Game. But the end of the game in the musical is not a victory, it's just (as L says) the end of everything they'd been wanting up until this point.

Uh. Fuck it. Clip from the Kenji Urai version because I just love his delivery here. His tone just goes so well with the silence and the sound of the clock ticking. You see what I mean right.

Their rivalry in the musical may have been more shortlived but like Damn they were really enjoying every second of it. They were truly insane about each other until the very end. (Like despite everything I just said about the ending it was still unhinged as fuck. Light Making L Shoot Him and then Making L Shoot Himself with L's Own Hand?? Holy shit man. What the fuck /pos)

Musical Light and L your game might've been shorter but you'll always be famous <33 Please never inflict what you had on anyone else ever please stay in hell forever thank you

[boneshine]

Brush my hair

Read my lines

It’s time to go

Wear my suit

Put the make up on

Put on a show

Up, up, up, to the Heaviside layer

Up, up, up, I'm going straight up

Take my lunch Lose my lunch It's a shaky start

I'm old Deut

Now he's old Deut

I've lost the part

Down, down, down, to the center of the Earth

Down, down, down, I'm going straight down

[holly-mckenzie]

Gather 'round, you vagabonds pickin' fruit and hoppin' freights. Anyone who's wondering, wondering why the winds have changed. I'll sing a song of a love gone wrong, between a mighty king and queen. Gather 'round and I'll sing a song Of Hades and Persephone.

HADESTOWN  | 2016 | New York Theatre Workshop

[justwannabecat]

DP x DC prompt:

After Superman’s initial rejection of his very existence, Connor runs away, hoping to find someone, somewhere, that’s willing to help him despite what he is.

Several months later, a popular band is going on tour. They came out of nowhere, yet immediately became a fan favorite despite the fact that they consisted solely of teenagers.

They call themselves “The King And The Clones”.

[bixels]

Splatoon 3: Side Order is good, but not great. I still highly recommend it, but if you care about the story, you're going to be disappointed. Quick review: spoilers ahead.

Side Order was the devs experimenting with Splatoon's gameplay loop. The campaign is a rogue-like, and it works amazingly well. Super fun, super challenging, building my deck and fighting through challenges with the stakes of resetting really scratched an itch in my brain. They did a great job with it.

Unfortunately, I feel like priority went to game design rather than story. Much of the mysterious artwork we saw in the first teaser trailer was completely unused; turns out, all of that was just concept art that never made it into the final product. Side Order failed to make me care about what was happening. I don't know why the protagonist had to be Agent 8; it could've been anyone else and the story would've worked the same.

Octo Expansion was the absolute peak of meshing story and gameplay. The campaign's hook is insanely strong; we immediately empathize with Agent 8 because we know from previous lore that octolings like her have been trapped underground for all their lives. We care about her fight to the surface because it's a fundamentally ideological fight for freedom. The plot stuff about Tartar and the Thangs is just nice set dressing; 8's fight for freedom is the real story.

There's none of that in Side Order. I don't particularly care about Marina's metaverse, even if it's tied to Octo Expansion's story. I don't know why Acht is there other than backstory stuff. It really feels like 8 is just told to do something and she does it because she's the protagonist; she has zero personal stakes or motivations in the conflict. This is a story blunder the devs did in Splatoon 3's default campaign––forgetting to give the protagonist a personal reason to fight––that I hoped would be fixed here, but alas.

What makes it worse is that the gameplay and story progression are completely out of sync. I beat the entire game on my third run in 4 hours. With each run, you get up to two keys to potentially unlock bits of story. That means you'll get about one piece of the story every two runs. There are twelve pieces of the story; I got the first and then beat the whole damn game. Now I have to go back and grind to see the remaining story when I've already beaten the final boss and resolved the conflict. I missed the entire story because I never had to reset because I blazed through the gameplay! It's just a real shame that I experienced everything without knowing... why it's happening. The final boss had me asking myself what the hell is going on because I don't know the backstory at all.

Again, I still really recommend. The devs did a great job, but Side Order remains in the shadow of Octo Expansion's incredible success. Like the default singleplayer campaign, there's just a lot of lost story potential here that, while not necessary, would have really elevated this DLC into something amazing.

[ghostbeam]

I have the silliest most self indulgent thought about Dabi who owns the music store u work next door to and his shitty band practices there and u can always hear them play bc u share a wall and how after he meets u and finds out ur fav song u hear him play it all the time