#What an incredible experience this has been

[pencil-n-pen]

ALL I DO IS TRY, TRY, TRY

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post prison! spencer x genius fem! reader

masterlist

summary: all your life, you’ve been second-best. Even now that you’ve been chosen to be an agent of the BAU, you’re just a replacement for Spencer Reid. What could change now that’s he’s out?

cw: there is a bit of an age gap, i imagined reader in her early to mid 20’s, nevermind how it isn’t accurate for working at FBI. this is a criminal minds fic, so there are graphic depictions of violence, as well as implied/referenced child neglect/abuse in readers childhood, reader is somewhat a genius

tropes/tags: slowburn on readers end, Spencer is flirting from the beginning, HURT/COMFORT, angst, bit of a sick fic in one scene, bit of soft dom! spencer as a treat

a/n : this came to me in a prophecy. full disclosure i haven’t actually seen the prison arc yet so if there’s any inaccuracies shhhhhh look at the fluff

also !! this is a LOOOOONG one. strap yourselves in. grab snacks and drinks

slipped in some very slight father figure Hotch bc that’s my crack

title taken from Mirrorball by Taylor Swift

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Spencer Reid is absolutely nothing like you’d thought he’d be.

From how the team talked about him, you’d been expecting a short, slight man. Someone quiet and meek and non-threatening.

And Dr. (Agent?) Reid was quiet. But not in the don’t-notice-me way, but in the I-know-what-I’m-doing-and-don’t-need-to-say-it way. He quietly commanded attention and respect. One look at the man told you he was not somebody to fuck with.

He was also really, really, really hot.

It was unfortunate and difficult, truly, because he’s your senior agent, someone who’s got more than a few years on you in both field experience and general age. He’s a genius- insanely good at what he does and there’s no refuting that.

But most of all, he’s kind and respectful and just genuinely a good person. And also good looking. Did you mention that yet?

He clicks seamlessly into place with the team in a way you’ve never managed to do in the time you’ve been with him. And after all, why would you? You’re just the rookie transfer with a bit higher than average IQ. Nothing to brag about. Nothing like Spencer.

You were a data analyst with the FBI before your boss told you: “The BAU is looking for a temporary genius. I put your name in the ring. Hotchner must’ve been impressed with something, cause he picked you. I know you’ve completed the training courses for their team, so pack your desk. You’ve got a new assignment.”

And just like that, every single one of your dreams came true. And then promptly burst into flames and burned to ashes when you realized what exactly your position on the team was: Temporary and replacing.

It makes sense, you guess. The team grew to rely on Reid’s quick wit and intellect. And beyond that, they’re an agent short. And you fit the bill well enough: swift and intelligent. Nothing more, nothing less. It became clear during the first few weeks that no one on the team had any intention of liking or particularly getting to know you beyond a professional capacity. And you get it, you really do. You don’t name the dog you’re gonna get rid of.

With the exception of Penelope. But you don’t think she has the ability to ignore someone without a clear reason.

So you did your job and you were good at it. Held the team at arm’s length even when they warmed up to you. Kept your head down, stuck to yourself. This way, it’s easier to stop yourself from leaning into JJ and Prentiss’s jokes, or to stamp down the glow in your chest from Hotch’s approval.

All of this hard work goes sailing straight out the window and spattering on the concrete below when Reid comes back. Because all it took was one case together- one. And then you’re hopelessly in love with the guy you replaced.

And it’s all kinds of terrible, because it’s Reid. He’s not only your coworker —soon to be ex, because now that he’s back you’ll be out of a job— but he’s also so incredibly out of your league it’s not even funny. But he keeps smiling at you and including you in conversations and saying hi to you and asking your opinion on things during cases as if you would have more to add than he does.

It’s very hard to keep him at arms length. And because Reid is Reid he drags everybody else over with him and then you’re bonding with a team you have a week left with, maybe two.

Spencer Reid has weaseled his way into your life one stupid smile at a time.

—

The case is going terribly.

What started as a run-of-the-mill serial killer case in some nowhere town turned into huge investigation because Spe— Reid figured out its relation to a cold case from a neighboring town decades prior. And then, to top everything off, just so happens to be near enough to your hometown that your mom saw you on the news when JJ was giving a statement.

And now she won’t stop calling.

Prior to this, you haven’t talked to your mom in about seven months. Now? She’s calling upwards of twelve times a day.

“Mom,” You say, tucked in one of the police stations back rooms, pinching the bridge of your nose, “I’m working, I can’t just come out to see you—“

“But you’ve never visited! And your finally in town, and—“

“I’m not in town, I’m a four hour drive away from town.”

A sigh crackles through the line, her voice tinny. “You know, your brother always made time to visit family, and your younger brothers—“

“Are younger than me and more successful, yes mom, I’ve heard it all before. Now if you’ll excuse me, I’m trying to catch a serial killer.”

You snap the phone shut before she can protest, effectively ending the call. You sag against the wall, sighing deep and weary. Exhaustion clings to your bones. It’s not just your mom. This case, being physically close to your hometown, everything— it’s weighing you down. You spend more time in the hotel bed tossing and turning than sleeping.

Even Em— Prentiss had shot you look when you’d came in this morning- though jury’s still out about whether or not it was an are-you-okay look or a you-better-be-good-for-the-case look. You’re hoping it’s the former.

The room you’re in is empty- the precinct that called for the team went under renovation and remodeling last year, so some of the rooms have fallen into disuse, apparently. It’s dusty, and filled with boxes and papers and weirdly, one or two condom wrappers. You wish you were surprised.

Your phone has been put strongly on silent, and you’re not expecting anyone to find you for at least twenty minutes. Of course, you don’t need twenty minutes. You just need five.

You just need to collect yourself for a moment. A few minutes to breathe, to get your mom’s words and the unpleasant memories they bring out of your head; to will the shake out of your hands and the cold creeping in your lungs.

So when the door opens, you nearly jump out of your skin.

Spencer walks in, phone clasped in one hand and a worried expression on his face.

“We’re getting ready to give the profile.”

“Oh,” You peel yourself off the wall, discreetly wiping at your face. You hadn’t noticed the frustrated tears carving lines down your face, “Sorry, I’m coming.”

He frowns as you come closer, and panic begins to beat like a drum in your chest.

“Is Hotch upset? I just had to take a call, I thought it would—“

“Slow down,” He says, raising his hands. “Hotch isn’t upset. Is something wrong?”

“No,” You say quickly, too quickly, because his frown deepens.

“You’ve been taking a lot more calls recently and you’re always upset after they’re over. Is someone bothering you?”

You sigh, rubbing at your face. “My mom. We’re a four hour drive away from my hometown. She saw me on the news when JJ gave her statement.”

Something flashes in his eyes when you say your mother, but it’s gone before you can decipher it.

“You don’t want to see her.”

He says it flat-toned and blank. Like it’s a fact.

It is a fact.

“No,” You confess, “I’ve never been close with my parents. I haven’t spoken to her beyond a text in years, and I haven’t texted her in months. Then she sees me on the news and I’m back on her radar again.”

You chuckle, but there’s no humor in it. “Oh, the folly of the disappointing daughter.”

He tilts his head, questioning. “You’ve made something of yourself. You’re a special agent. That’s not nothing.”

“Yeah, well. It’s not Doctor or Lawyer or C.E.O or anything else my brothers or cousins have made of themselves, so,” You shrug. “Disappointing.”

“Well that’s stupid,” Spencer says, a small curl to his lips, “You keep all of those stupid people safe by catching serial killers.”

“You’re a doctor. Did you just call yourself stupid?”

He shrugs, mimicking your earlier action. “I’m not that kind of doctor.”

You look down to hide the smile on your face but he ducks down, catching it anyway.

“Hey,” He says, eyes catching yours, “If you want to talk, you know where to find me.”

You (hesitantly) look up to meet his gaze. “Thanks, Reid.”

His face does something weird. Contorts at the words, just for a second. Like he just bit into something sour.

And then it’s gone.

“Of course.”

—

For the rest of the case, everytime your phone rings, Spencer looks at you. You’re getting close to just throwing the damn thing off a roof, if it’ll convince him to stop looking at you like that. You don’t know what to do with it. The look he gives you tastes like worry, and you don’t know what to do about Spencer Reid worrying about you.

You never meet his gaze. You know he’s looking, but you never look back.

Finally, the case comes to an end. Actually, it goes out in a literal blaze of glory— the unsub lights his kill shed on fire.

All of it would have burned to ash if you hadn’t run into the structure and and snatched the murder weapon and the most damning pieces of evidence: the printed photographs the unsub took with the victims.

It’s a win because you saved the evidence.

It’s a loss because Hotch looks pissed while the paramedics check you over.

Well. You assume he looks pissed. You’re staring resolutely at your shoes.

Finally, the paramedic gives you the all clear —just some minor burns here and there, you got lucky— and you no longer have a human buffer and excuse to avoid talking.

The silence stretches out between you two. Eventually, you cave.

“Hotch, I’m sorry—“

He holds a hand up and you clamp your jaw shut.

“Did you not hear me give the order to stay back?”

“I just thought—“

“We are a team, agent. I need to be able to trust not only that you’re going to follow my orders but be able to work together with the team. Now, you’re not doing either of those things.”

You frown. “I do follow your orders.”

He sighs. “You didn’t today. And more importantly, you’re not acting like a member of this team. You don’t call for backup. You don’t ask for help. You do good profiling work, agent. But if you can’t work with this team then we might need to reconsider your position here.”

That… doesn’t make any sense.

Hotch catches the confusion on your face. “Something wrong, agent?”

“I just— I was under the impression that I would only be working with the team for a few more weeks…?”

Now it’s his turn to look confused. “You may have been hired at an inopportune time, and until the first year is over it is a probationary basis, but pending review, you are and always have been a permanent member of this unit.”

You blink. “Oh.”

He’s quiet for a moment. “You didn’t think you’d be staying for long.”

You shake your head, your world turned on its head.

He hums. “You should buy earplugs. Rossi snores.”

You drop your head into your hands.

“And agent?”

You look up.

“You did good work today. You have a team. Learn to use them.”

He walks away, leaving you to process this crisis-inducing information.

So. You’re not leaving the team. You’re a profiler. Forever. This is your job now.

So does that mean you weren’t replacing Spencer? So why were you hired? Anything you can do multiple people on the team can do better. Why would Hotch pick you?

You stare at the pavement, which gives you a perfect view to watch Spencer’s shoes walk into view and hear him settle next to you.

“You’re a little young to be having a mid-life crisis.”

It takes you an embarrassingly long time to respond, partly because you’re not sure what to say, but also, the length of his thigh is pressed against yours and it’s hard to think when he’s emanating warmth and you can’t stop yourself from thinking about how it would feel to touch, skin to skin.

“Well,” You croak, “I did just get some pretty big news.”

He leans back on his hands, raising an eyebrow. “Oh?”

Looking up at him was a mistake. Bathed in the glow of the ambulance and the light from the moon, you can see just how long his eyelashes are, and how his lips move when he says your name.

Oh shit.

“Sorry, what?”

His face twitches in a smile. “I asked if you were okay. You were staring.”

You flush from your neck to the tips of your ears. “Sorry. It’s been a long day. I’m fine. I was just thinking.”

“About?”

See, he always does this. Most people would end the conversation there and move on. And that’s fine. It’s normal. But Spencer asks. Like he’s interested.

You shrug. “I thought… I thought I was leaving the team in a few weeks. Turns out i’m staying.”

He starts swinging his legs on the edge of the ambulance, though where his almost brush the ground, yours swing several inches above it. “Why did you think you were leaving?”

You laugh softly. “My boss told me the position was temporary. And in my excitement of getting it I may or may not have… not read the paperwork?”

He clicks his tongue. “Oh, honey.”

The tips of your ears burn. “I was excited!”

“To get a job staring at gruesome crime photos?”

“To help people.”

“What? Data analysis not helping people enough?”

“Do I even have to answer that?”

He snorts, his body shaking against yours. “You’re a consulting analyst. That’s the big leagues.”

Now it’s your turn to huff. “Is there a big leagues for data analysis?”

He leans his head down to look at you. “Well, maybe miss smarty-pants over here made a league of her own.”

The shade of red you turn must be visible, dark and bad lighting aside. “You have an IQ of 187. Can you really call me a smarty-pants?”

He tilts his head, giving you an assessing look. You recognize it. He gives case files the same look.

A faint shudder runs down the length of your spine at that precise, clinical gaze.

It should concern you, unnerve you.

It doesn’t.

“No, I’m positive. You’re a smarty-pants.”

You look away, unable to hold the intensity of his gaze.

“Hey, no. Come on, you gotta own up to being a smarty-pants. Otherwise you ruin the effect.”

“Am I supposed to start wearing sweaters and Converse, then?”

“Well, that wouldn’t be owning the smarty-pants look.”

“Do we have to keep the smarty-pants thing going?”

“Took your mind off the burns, didn’t it?”

You blink, realizing that you haven’t noticed the dull sting of the minor burns littering your body for a few minutes now.

But that has less to do with Spencer speaking and more to do with the fact that he’s here. Touching you. If you focus really hard, you can feel the chords of muscle lining his arm.

“Uh,” You stutter, momentarily flabbergasted by the way he’s looking at you. Like it’s important to him— you not being in pain. “Yeah, yeah, I guess. Well. I feel them now.”

“Oh, shame. I guess we’ll just have to keep talking.”

You furrow your brows. “Don’t you have somewhere else to be? Shouldn’t you be helping finish wrapping up the case?”

He shrugs. “I’m right where I want to be.”

That’s a decidedly very loaded statement that are not going to unpack.

You’re not going to unpack to jolt of pure electricity you feel from it, either.

—

You may or may not have lied about just how sick you were, exactly.

“You know,” Rossi says after you hack a cough into your elbow for what has to be the fiftieth time in as many minutes, “That’s starting to sound less like the plague and more like desperation.”

You sniff harshly, taking a swig of cough syrup and praying this isn’t the king with codeine in it. You didn’t read the label very well. “What do you mean?”

Prentiss raises an eyebrow. “He’s saying that most people on their veritable death/bed opt to sleep comfortably in their own beds in their own homes rather than on a plane to hunt down a violent killer.”

You think if your apartment— it’s cozy, at least, but still a glaring reminder of the reason you told Hotch you were fine to come in- loneliness.

You have heated blankets and warm lighting and books and tea —boxes and boxes of tea— and all manner of things that make you happy. But no amount of things can replace, tangible human connection.

You knew the ache of spending the day in your apartment would sting worse than the cold. Fever, Whatever you have.

“I’m thinking of a word,” JJ says, mock tapping her chin thoughtfully, “Starts with work, ends with holic.”

“I am not a workaholic,” you wheeze. “I am fine.”

“Yes,” Prentiss says, raising her other eyebrow. Oh no. Not the double eyebrow raise. “Because this is exactly what the picture of health looks like.”

To avoid answering, you take another swig of cough medicine.

“Just do you know,” Spencer says, “You’re about one tiny sip of that away from overdosing. I’d cool it on the cough syrup.”

“But I’m still coughing.”

“Have you given it any time to work?”

“It’s been thirty-ish minutes since I took the first dose.”

He levels you with a look at your usage of dose. “Why don’t you wait a little longer before committing suicide via shallow breathing and seizures.”

You wave a hand. “It’s fine. I know how to take care of myself when I’m sick.”

“Is your version of taking care of yourself just continuously taking medicine until the symptoms become bearable?”

“You’re un-bearable.” You snort at your play on words, but grow quiet because when you look up, the entire team is looking at you. “What?”

“You never joke.” JJ says.

“And I think I’ve heard you laugh exactly two times, and I’m pretty sure one of them was a sneeze.” Rossi says, a look of vague disbelief on his face.

You squirm in place. “It’s not that big of a deal.”

“Uh, yeah it is. You’re definitely too sick to be on a case if you’re laughing.”

“Come on, it was barely a chuckle—“

Spencer looks around. “Yeah, what’s the big deal? I’ve heard her laugh before.”

JJ and Prentiss snap their heads to him in tandem. “What?”

Now he looks vaguely uncomfortable. “I just don’t get why it’s such a big deal.”

“That’s cause you showed up late to the party,” Em- Prentiss says, “You didn’t meet her when she first came. She was all genius consulting data analyst.”

“I wouldn’t call myself a genius—“

“Yeah,” JJ chimes in, “I only ever saw her smile to be polite.”

“Wait,” Prentiss says, brows pinched, “You heard her laugh and you didn’t tell us? You knew we were trying to see who would make her break first.”

“You guys were trying to make me laugh? Is that what was happening all that time? I almost called Hotch like, thirty times because I was concerned for you guy’s mental wellbeing. I thought you’d had a nervous breakdown.”

JJ snorts. “Nope. Just tried to see if the rumors were true about all data analysts being robots.”

You cough into your elbow. “You guys make it seem like I was some sort of frigid bitch.”

“Frigid, yes. Bitch, no.”

“Hey!” You retort, then wince as the volume of your own voice makes your head pound harder and makes your throat sting worse, “I wasn’t that bad. Also, I was nervous! I’m the youngest person here by like, a long shot. I wanted to be professional.”

“I for one enjoyed it,” Rossi cuts in, “It was all blunt business. Straight to the point. No beating around the bush or gossiping. A few people here could learn a thing or two.”

“See?” You gesture. “Rossi agrees with me.”

Just about everyone on the plane gives you the exact same look. Hotch especially, who’s stayed silent during the entire exchange, looks troubled.

Once you land (an ordeal that normally doesn’t bother you, but today, had you worshipping the porcelain altar) Hotch pulls you aside.

“Agent,” He says before you climb into the car that’ll take you to the police precinct, “I can’t have an agent not at peak performance on this case.”

You frown. “What are you saying?”

“I’m saying you’re too sick to work this case—“

“No, no, I can work, I can do it—“

“—In the field. You’re working from the station until we wrap up. Understood?”

You sigh, knowing when you’re beat. “Understood.”

He gazes at you for a second. “You might want to call out of work entirely the next time you’re sick, you know. The less time you spend resting the longer it’ll take to get better. I expect to see you taking care of yourself at the precinct.”

You blink. “Are you… dad-ing me?”

He almost smiles. “Well, I am a father. It’s bound to come out sometimes.”

The joke soothes your concerns of him being upset with you (again.) You suppose it would’ve been warranted —Hotch never gets upset without a reason— but still. He’s the only one you occasionally struggle to read.

The good news is by the time you make it to the station, your medicine has kicked in.

The bad news is when you get to the station your medicine has kicked in.

“Spencer,” You say, spinning in a spinny chair and staring at his blurry face. “Did you know that elephants have prehensile—“

“Do not finish that sentence.” He says, glancing back at the team, all in various stages of concern, disgust, amusement, and annoyance. “Did you take non-drowsy cough medicine?”

“Yes! I didn’t want to be tired.”

He scrubs a tired hand down his face, then nudges a sealed water bottle across the table to you. “Drink that.”

You wrinkle your nose. “But my throat hurts.”

“Drink it anyway.”

You snatch the water bottle, grumbling the whole time as you crack the seal and gulp down the water, not realizing how thirsty you were until this very second.

You lean your forehead on the table head still pounding from the pressure in your sinuses. You feel a prickle in the back of your neck, signifying that the team is still staring at you.

With great effort, you lift your head, tilting your chin up and trying to summon all the self confidence you don’t actually have.

“I am making a fool of myself. Please disregard my actions until I am no longer ill. This won’t happen again.”

Words are hard. Speaking is hard. With a groan, you drop your head back on your arm.

“Ah, there she is.”

“Knew that laugh had to be a fluke.”

“Cold medicine must be working.”

There are other mutterings about stubborn geniuses and workaholics and data analysis and Spencer staying at the station and—

You snap your head up. “I’m fine. I don’t need a baby-sitter. Spencer would be most useful in the field. He’s one of the best shot’s on the team.”

“And when it comes to needing a marksman I won’t hesitate to get him,” Hotch says, “But for now, I need my two geniuses to put their heads together to solve this case.”

Feeling cowed, you avoid Spencer’s gaze as the team files out of the room you’ve all set up in, instead grabbing a file from the center of the table. You really are being stupid. You should’ve stayed home, now you’re a liability, not to mention a walking biohazard. Fuck, why couldn’t you just think before you—

“I can hear you spiraling from over here.”

You lift your gaze, eyeing Spencer who hasn’t even put down the case file he’s reading.

You look back down. “I wasn’t spiraling.”

“You’re really going to lie to a profiler?”

“We’re both profilers.”

“Yeah, well, you have an obvious tell when you’re worrying about something.”

“I do not!”

You hear the quiet shuffling of papers.

A sigh leaves your lips, and you press the heels of your hands to your eyes. “I’m really sorry, Spe— Reid. I didn’t mean to drag you here with me.”

If he notices your slip up, he doesn’t give any indication of it.

“Who said anything about dragging?”

“I know you’re a germaphobe, and I’m a walking biohazard, and now you’re stuck here going over case files and, and I’m a liability right now—“

“Slow down,” He says, interrupting your slew of word vomit. His voice has dropped an octave, gaining a richer note. You should stop thinking about his voice. “I’m fine. You’re fine. The team is more worried than upset. You’re not the first person to come to work sick. And you won’t be the last.”

“They keep staring at me.”

“Because your current state and manner of behavior are disrupting their pre-conceived notions and set opinions of your character.”

You scrunch your nose. “Don’t get all clinical on me,”

You hear a small huff of laughter across the table. “I’ve come to work far worse than hopped up on cold medicine, believe me. Don’t worry about it. Just focus on working the case.”

Slowly, the itching under your skin settles, and you manage to swallow the lump in your throat. Eventually, you peel your hands away from your face and do what he says.

Hours pass by in a blur of text and you and Spencer occasionally either bouncing ideas off each other or making small breakthroughs. Spencer handles the relay of information because you can’t really go more than three full sentences without hacking up a lung. Seriously, what is cough syrup good for?

Sometime past midday, you start flagging. The words start blending and smushing together and your head gets harder and harder to hold up. You’re jolting yourself back awake every five minutes, forcing your body to just bear through the illness for the sake of productivity. You got yourself into this mess, you deal with the consequences.

You’re just… so tired. Maybe you’ll close your eyes, just for a few minutes. To get energy. And then you can get back to the case.

Just for a few minutes.

—

“She out?”

“Like a light. Powered through for a lot longer than I expected. But dextromethorphan gets us all in the end.”

A low whistle. “Poor kid. The ‘proving yourself to the team’ phase is rough.”

A hum. “I think it’s more than that.”

A beat passes.

“You got her?”

“Yeah,” Something soft and good smelling, like pine and coffee and something almost rich settles over your shoulders, “Yeah, I got her.”

—

When you wake, your neck is sore but you’re not cold, which is strange considering you remember falling asleep in a table.

Oh god you fell asleep on the table.

You jackrabbit up in place, knees knocking against the underside of the table. Hissing in pain, you tug the warm thing further around your shoulders which is—

Holy fucking shit it’s Spencer’s sweater.

Said man is nowhere to be found, and the conference/briefing room you’re in is dark. Not only did someone turn the lights off (you’re pretty sure you can guess who) but it’s dark outside. Meaning you didn’t just take a short nap.

You slept the entire day away.

Cold dread seeps into your shoulders. “Oh my god I’m so fired. Oh shit. Fuck, Hotch is going to be so pissed—“

The door opens and you stand, whirling around to face the doorway and then instantly regretting it when spots dance across your vision and your head swims.

You stumble, grabbing the edge of the chair for support and squinting at the figure in the doorway.

“Hotch?”

“Nope,” Spencer’s voice rings out in the room, “Guess again.”

You groan, sinking down into the chair. “Am I fired?”

He snorts. “Seeing as Hotch bet that you’d fall asleep before dark, I’d say no.”

“He bet against me?”

“Actually, everyone else thought you’d only last an hour. He bet for four.”

“How long did you bet for?”

He sets a mug in front of you, steaming tea wafting up and warming your face. “Three hours. You metabolize cough syrup better than I thought.”

You take the mug in your hands, warming your fingers but not actually taking a sip. “Mmm. Told you I’ve done this before.”

“I don’t think that’s the brag you think it is.”

You chuckle, which quickly turns into a cough.

“Drink your tea,” He commands softly from across the table, sleeves pushed up around his elbows and papers spread about him.

You dutifully take a sip, something restless growing calm in the back of your skull.

You eye is forearms, hoping the look-over you’re giving them is subtle. (It probably isn’t, but come on. A button down with the sleeves rolled up while you’re wearing his sweater is practically sinful.)

“Do you… want the lights turned back on? I’m awake now, so.”

He flips over a piece of paper, then scribbles something on a sticky note. “You were sleeping. And you have a headache. I can see just fine.”

“My headache isn’t that bad, really, I’m fi—“

He levels you with a look, and you sink a little lower in your chair. “Do you at least want your sweater back?”

“No. Keep it.”

“Careful, maybe I’ll just keep it forever,” You joke.

“I’d be fine with that.”

What. The. Fuck.

You stand, pushing out the chair with a loud screech. “I’m just gonna— bathroom,” You splutter, your face blazing and stomach doing a gymnastics routine, “I’m gonna use the bathroom. Bye.”

You’re screaming internally the entire way to the bathroom, and once you get there, open-mouthed silent screaming in the privacy of a stall.

Because. He said. He didn’t even look up. He just. And he. Maybe he—

No, no, no. You are not about to entertain that notion. Not again. He was just being nice. That’s all. That’s all.

Collecting yourself takes about five more minutes, and then you’re walking back to the conference/briefing room when you realize you never took the damn sweater off. He watched you scramble out of that room to the bathroom he has to know you weren’t using, with his sweater on.

This is the end for you, then. That’s it. It’s over.

You mentally slap yourself. Get it together. It’s fine. It’s fine. Everything is fine.

You re-enter the room marginally calmer than you left it. You slide into your seat, sip your tea (that he made you!) and keep working on the case.

You pretend you can’t see him smirking from across the table.

—

The case doesn’t last too long. The team catches the guy in the act of beating his next victim. Thankfully, you manage to save the poor woman before he finishes his plan, and with being caught red-handed, it’s fairly open and shut. Case closed. Which is great, because you really aren’t sure how many more nights you can suffer through trying to sleep in the hotel bed.

You have this thing, when you’re sick. You can’t sleep anywhere but the couch. Your couch. You figured (apparently foolishly) that it wouldn’t be too bad, since the crux of the issue is that you hate sleeping in your bed when you’re sick, but no. You’d spent every night of the case tossing and turning and coughing yourself out. Your lungs were tired. Your body was tired. You were tired.

Spencer raises an eyebrow at you when you board the jet. “You haven’t been near-overdosing on cough syrup again have you?”

“No,” You grouse, rubbing your face with your hand. “I’m like, not even sick anymore. I just didn’t sleep well.” For several nights in a row.

“Mmm,” He hums, non-committal.

You practically collapse into your usual seat on the jet, hunching in yourself and attempting to make yourself comfortable in the seat.

You blink your eyes open when you feel the seat jostle next to you. “Reid?”

He’s already pulling out a book. “What?”

“This isn’t your seat.”

“We don’t have assigned seats.”

“No, but you always sit over there.”

“And now I’m sitting here.”

You narrow your eyes at him, trying to decide if you want to argue him on the point or not. You decide against it, because arguing will draw attention to the fact that you’re sitting next to each other having this conversation at all.

You settle back into your seat. “Whatever. Hope you’re not a loud page-turner.”

“Is that even a thing?”

You shrug, eyes falling shut again.

After a few minutes, you shiver, unconsciously scooting closer to the warmth of the person next to you, your sleep-addled brain barely processing the fact that it’s Spencer you’re pressing your shoulder into.

He repositions next to you, shoulder jostling you. You grumble, dropping your head to his arm. Now much closer, your nose fills with the smooth, all encompassing smell that is Spencer.

The dull chatter that fills the plane, the warm body next to yours, and, despite your earlier complaints, the quiet, gentle page-turning lull you into an easy sleep.

—

“Are you drugging her or something? I’ve seen her sleep more this week than I have in her entire time on the team.”

“The only drugging she’s done was voluntary.”

“Her neck is going to be so sore when she wakes up.”

“Sore? Mine would be broken if I did that.”

“Ah, the joys of youth.”

A beat passes. Then another.

“She’s a bit young, don’t you think?”

“Emily don’t start—“

“Just saying, Spence. HR would get a kick out of this.”

“Not like it never happens. We’ve all walked into supply closet B at the wrong time.”

“This isn’t meaningless sex though.”

“…No.”

Silence.

“Are you sure you’re alright?”

A deft hand re-adjusts your head to a more comfortable angle. “I will be.”

—

Landing jolts you into wakefulness and off Spencer’s shoulder. It’s not embarrassing. It’s not. It’s only weird if you make it weird.

When you’re all back at HQ, you pull Hotch aside.

“Can I talk to you for a minute?”

He nods. “In my office.”

You stalk up the stairs, aware of the eyes following your back. You step into the office, shutting the door behind you and pretending it doesn’t feel like sealing your doom.

He sits, gesturing for you to do so too, but you shake your head.

“I won’t be long. I just wanted to apologize.”

He blinks. “For?”

“I shouldn’t have come in. I was a liability, and it was unprofessional. Next time I’ll act with more discretion.”

Selfish, Your mother’s words echo in your head, your father’s words following suit: Try harder.

He laces his fingers together, resting him on his desk.

“Do you know why I chose you?”

“Because Reid was gone, and you needed a ge— someone smart.”

“Every member of my team is intelligent. That’s not why I chose you.”

He reaches down, opening a desk drawer and pulling out a newspaper clipping.

Your breath hitches when you read the words on it.

“Garcia found it,” He says, scanning the piece of paper. “‘Professor’s Assistant saves college class from school shooter’. You were sixteen.”

You look down at your shoes. “It was the scariest moment of my life. I didn’t— he came in, and I was behind the door getting paper, and he didn’t see me. He… I knew people would die if I didn’t do something. I tackled him. He shot me twice before I managed to kick the gun away. I almost bled out.”

He nods, putting the clipping down. “That’s who I chose. Not the genius. Not the consulting data analyst. Someone who wants to help people.”

He puts the clipping back in his drawer. “I’m not going to write you up for not having a healthy work-life balance. No one in this bureau does, and if they say they do, they’re lying.”

You sigh, rubbing at your face. “Now I look stupid for asking to talk.”

“It’s not an imposition. You’re a member of my team. That makes your wellbeing when you’re on the job my responsibility.”

Unable to form a response to that, you manage to stutter out a thank you, and then flee from his office, collapsing into your chair at your desk with a sigh.

A mug is set in front of you. Different mug, same tea, same hand.

“I think you need to reevaluate your opinion of Hotch and what kind of person you think he is.”

You take the mug with a glare. “I was reasonably concerned.”

“You thought you were going to get written up for coming to work sick?”

“It was a logical conclusion to draw,” You pause, taking a sip of the tea, which is just as good as it was last time. Actually, it’s slightly sweeter, and it soothes your throat more. “And stop profiling me. What’d you put in this?”

“Stop being so easy to profile,” Spencer says, crossing his arms. “Honey. They didn’t have any at the station.”

It’s quiet for a few moments: him staring at you, you pretending he’s not staring and sipping your tea.

“You should go home.”

“Why?”

“Because you’re still sick. Don’t tell me you just can’t wait to write all this paperwork.”

“Maybe I am.”

“No you’re not,” He picks up your jacket from where it’s hanging off the side of your cubicle and plops it in your lap. “Go home. I’ll sick Hotch on you.”

You stand, shrugging your jacket on and pointing an accusing finger at him. “You’re a cruel man.”

“Mhm. Sure. Go home.”

You grumble all the way to the door, but quiet when you look back to see him watching you fondly. He gives you a little two finger wave, and with the sheer amount of heat that rushes to your cheeks, you have no choice but leave immediately.

Stupid genius co-workers.

—

The next week brings wellness and a lull in cases.

Unfortunately, that also means you don’t have an excuse to put off your paperwork any longer.

Spencer taps the top of it with a slender finger. “Did it get bigger since the last time I saw it?”

He’s hanging around your desk for… some reason. He came to drop off paperwork from your last case, and then stuck around for some unknown purpose.

“No,” You groan, setting your mug of coffee aside and grabbing the first paper off the stack. “Still the same pile I’m procrastinating on.”

“Good luck,” He huffs, finally turning and walking back to his own desk. It’s still in your eyeline, if you crane your neck a little.

You sigh, grabbing your earbuds from your desk, knowing you can’t put the paperwork off any longer. You’re pretty sure Records is going to start sending you death threats soon.

Making your way through the pile is slow going. It’s terrible. The only part of working with the BAU you hate is the paperwork. It’s tedious and never-ending and it always gives you a headache.

The only times you get up are to use the bathroom and get more coffee. JJ kindly tells you that you should probably leave your mug in the break room after your sixth or so trip. Spencer, somehow, appears in the room, and rattles off the symptoms of caffeine overdose.

You leave the mug there.

You continue working well after everyone else leaves. It gets dark, people go home, office lights go off, and while the pile has largely decreased in size, it’s still not finished.

You have to finish. Hotch had made an offhand comment about turning in your paperwork on time and now you have to finish it. To show him you’re not lazy.

You’ve only got a little bit of paperwork left when a hand taps you on your shoulder.

You yank your earbuds out, blinking blearily. “Wha?”

Spencer’s face swims into view. “Come on, time to go home.”

“What are you doing here?”

“Making sure you didn’t fall asleep and forget to go home. They do lock the doors at a certain point. Ask me how I know.”

Your brain is moving like sludge, and it takes you several minutes to process what he says. He continues standing in front of you, patiently waiting for you to respond.

“But… the paperwork.”

“Will be here tomorrow. Come on, up we go.”

You whine as he takes your hands, hauling you to your feet. You attempt to scrub the sleep out of your eyes while messily moving papers about so your desk doesn’t look like a copy machine threw up all over it.

He pushes your jacket into your hands and you shrug it on, grumbling all the way through the doors and out to the parking lot, Spencer in tow. He follows dutifully behind you, and everytime you look back at him to voice your complaints all he does is smile.

“It’s cold.”

“That does tend to happen in winter.”

When you get to your car, he reaches out, tugging on your wrist.

“Hey,” He says, looking down at you, eyes deep pools of some emotion you can’t identify, “Drive safe, okay? It’s icy.”

“My commute isn’t that bad. And I’m,” You break off with a huge yawn. “Not even that tired.”

“That doesn’t inspire much confidence, smarty-pants.”

“Oh, so we’re locked into the smarty-pants thing, huh?”

“Yep.” He says, shoving his hands in his jacket pockets and popping the P.

“Well then what am I supposed to call you? Robot-Reid?”

“How about Spencer?”

His words hang in the night air, mingling in the puffs of air from both of your mouths.

“…What rhymes with Spencer?”

“Sensor, denser, dispenser—“

“Dis-Spencer,” You say, smiling to yourself. “I like the sound of that one.”

“You know dis comes from—“

“The latin word dis, and the prefix is used to denote a reversal of absence of an action, expressing negation, or expressing completeness or intensification of an unpleasant or unattractive action.”

He chuckles, smiling down at his shoes. “That’s why you’re the smarty-pants.”

“Oh please. You know all of that and then some.”

He shrugs. “Maybe, maybe not.”

You both stand in the cold of the parking lot, neither willing to leave yet.

Before you can think better of it, you dart forward, throwing your arms around Spencer’s neck and mumbling “Goodnight, Dis-Spencer.”

You step away quickly, awkwardly giving him a small wave before hurrying into your car and driving away.

Smooth.

—

The next case is… really rough.

Two spree killers, working as a team. A father and a son; the son was groomed into the lower position.

Not anything you haven’t seen before. Trained for. Studied.

No amount of studying could have prepared you for the cold grip of dread that gripped your throat like a vice when you finally confronted the unsubs, and heard eerily familiar words uttered from the father:

“You’re a good for nothing son! I wouldn’t have had to do this if you weren’t such a disappointment of a child! Why couldn’t you have just been more like your siblings?”

The son was killed before anyone could intervene.

Wrapping up the case left you shaken— you’d watched with hollow eyes as the boy’s body was zipped in a body bag.

A hand landing roughly on your shoulder shoves awareness back into your body and you flinch, hard, whirling around with your shoulders raised to meet the oncoming threat.

Only it’s not a threat. It’s Hotch. And he looks concerned.

You force your body to relax. “I’m sorry, I’ll go help question the rest of the family—“

“Are you okay?”

You blink. “What?”

“Are you alright?” He asks again.

“Yeah, I’m, I’m okay. It just… reminded me of something.”

Hotch purses his lips but doesn’t say anything. He looks he’s going to say something, but then decides against it.

“Help Reid get the last of the evidence. Once you two are finished head back to the station. We’ll meet you there.”

You nod, inwardly relieved about not having to deal with the family members. You might start actually crying.

You sidle up to Spencer who’s tagging blood splatters on the carpet. He wordlessly hands you a pair of gloves. He doesn’t ask. You don’t tell.

You work side by side for the better part of two hours, occasionally conversing with the local police or helping the crime scene investigators tag evidence.

If he knows what’s bothering you, he doesn’t say. You wouldn’t have an answer anyway. You’re far too gone in your own head.

You follow Spencer to the break room back at the station, watching him quietly make two mugs of tea. He presses one into your hands with a gentle command to let it cool for a few minutes. The mug is warm in your hands. Spencer is standing next to you, a mug of his own in his hands. Your parents aren’t here. You’re fine.

You chant this mantra in your head while you wait for the rest of the team to come back.

Your parents aren’t here. You’re fine.

Spencer doesn’t ask before sitting next to you on the jet. He just does. He hands you a book, then opens his own.

You don’t read a single page. He must know. Still, he says nothing, just presses a little closer to you when he sees your hands shaking.

The team gives the two of you space when you finally land. You stumble off the jet, trip backpack slung over your shoulder, legs wobbly and breath uneven.

You’re not sure why the case upset you this much. Your parents don’t upset you this much. They just— they make the same kind of comments, and so did that father, except now his son is dead because he killed him—

“Hey,” Hotch approaches you slowly, makes sure you can see him. You hate that he feels the need to do so. “Take tomorrow off. Stay home. Recuperate.”

“I’m fi—“

“We all have tough missions and I would do the same for any agent,” He says, clasping you gently on the shoulder. “Besides. We both know you haven’t been sleeping well.”

Your lips twitch. “Isn’t there a rule against profiling each other?”

“That rule is for all of you. Not me.”

He gives your shoulder one last squeeze before departing.

You manage to haul yourself into HQ and out to the parking lot, cursing as your cold fingers fumble with your keys. Frustrated tears begin to well in your eyes and you press the heels of your hands to your face, sucking in a shuddering breath and begging it all to just stop.

Someone gently pries your hands open, pulling your keys out of your clenched grip. Your shoulders shake as you heave, gasping for cold night air that burns on the way down.

A hand finds its way to the back of your head, pressing it forward into something warm and solid. Another arm wraps around your waist, keeping you close, while the hand on your head drifts down to your neck, squeezing and rubbing intermittently.

“I’m sorry,” You cry, rubbing your face and smearing your tears across your hands, “I don’t know why, it just—“

“You don’t need a reason,” Spencer says, spreading his hand out wide so it covers the entire nape of your neck, “Sometimes it all just gets to you.”

You nod into his chest, lowering your hands from his face to wrap around his torso, clutching it like a lifeline.

“I don’t want to go home tonight,” You whisper, ashamed. “I’ll dream of it. And them. And it’ll be cold and alone—“

“Come home with me,” He says, voice a little breathless while he holds you closer, “Come home with me.”

He says the last part a little desperate.

You sniff. “Okay.”

You hesitantly pull away from the hug, but not before Spencer’s hand moves from your neck to your face, his thumb brushing away the tear tracks on your face. He drops his head down, and you feel the gentlest brush of lips against the skin in between your eyebrows.

“Let’s go home.”

He tugs you along by the hand, helping you into his little old car, tucking your bags into the backseat. He lets the radio play softly while he drives, loud enough to quiet your thoughts a bit but not so loud as to overwhelm you.

He helps you out of the car when you arrive to the apartment building, carrying one of your bags up the stairs- you’d insisted on carrying the rest of your stuff.

He unlocks the apartment door, ushering you into the warmth and comfort that is Spencer’s home.

It’s exactly like you pictured, if not tidier. A bit more modern than you’d imagined. Books are everywhere of course, but so are knick-knacks and trinkets and other little bits of things that are so decidedly Spencer. There’s even a quilt on the couch.

He sets your bag down by the door. “The shower is down that hall to the left. Use whatever products you need to. Do you have any clothes to change into?”

You chew on the inside of your lip. “In my luggage, yeah, but they need to be washed.”

“I can put them in the wash while you shower. In the meantime, you can borrow something of mine.”

You shuffle in place. “I don’t wanna impose—“

“Please let me do this for you.”

The raw, rough edge to his tone makes you pause. You nod in acquiescence.

He takes your hand in his again, tugging you into his bedroom. With one hand, he opens drawers, handing you his smallest pair of sweatpants, and a large, worn, and incredibly soft Caltech sweatshirt.

“I’ll have to cuff these,” You mumble when he hands you the sweatpants, “My legs are half the length of yours.”

“You’ll make it work, I’m sure. Now shoo. I’ll have laundry and food finished when you get out of the shower.”

The bathroom, like the rest of the house, is clean and neat, and to your relief, houses more than just a five-in-one in the shower. Spencer actually owns multiple products for you to choose from and it hits you while you’re lathering the body wash you chose because of how good it smelled that you’re in Spencer’s shower, showering with his body wash, about to put on his clothes.

You’re going to smell like him. His clothes will smell like him. Everywhere in the apartment smells like him.

You decide to blame the near permanent flush on your cheeks on the heat from the shower.

When you exit the shower, fresh and drowning in Spencer’s clothes, he’s standing at his kitchen island, putting the final touches on two bowls of soup.

You almost tear up again. “You made me soup?”

“It’s widely regarded as a comfort food for people who are ill or otherwise sad, and is most commonly made in the wintertime.”

He gives you a little jazz hand, gesturing to the soup as if saying ta-da!

You really do tear up then.

He’s in front of you in an instant, hands poised to help. “Hey, hey, what’s wrong? Do you not like soup? I can make something else, or we can order in, or—“

You scrub at your face with the sleeve of his sweatshirt. “You’re just, you’re just really sweet.”

His face softens. “Oh, honey.”

He envelops you in the second hug of the night, except this time you’re crying in earnest now. Your crying about your parents, about the nights you went to bed hungry because your Dad told that you were smart, and to figure something out, but you were too young to work any of the kitchen appliances. You’re crying about your first best friend, who ditched you the second your brother asked her out. You’re crying about all the classes and friendships you missed out on while you were in the hospital with gunshot wounds. You’re crying about how your parents didn’t visit you once. Not even when you were in the ICU.

Spencer holds you through it all, a steady rock against the battering waves crashing in your head.

After a few minutes, you wear yourself out, quieting down to sniffling, your shoulders hitching.

He pulls back, studying your face. “Are you ready to eat some soup now?”

You nod, blinking the final tears out of your eyes. “I got snot on your shirt.”

“That’s why we invented washing machines.”

He keeps up a stream of idle chatter while you eat, explaining all the different major soups in the world and where they came from. It’s a balm against your weary mind, lulls you into peace and safety.

Or maybe that’s just the effect Spencer has on you.

When you finish your food, he takes your bowl, deposits it in the sink, and then takes your hand and leads you to his bedroom.

“I don’t have a guest room, so you can take the bed,” He says, voice soft. “There’s extra blankets in the closet next to the bathroom if you get cold.”

He turns to leave, but a stab of panic slices down your chest, and your hand is reaching out and grabbing his wrist before you can stop yourself.

He pauses, turning back around. “You want me to stay?”

You take your lip between your teeth. “I don’t want to be alone.”

He studies you in the dark of the room— clad in his clothes, face puffy from crying.

The muscles in his jaw work.

“I can’t do this platonically. If we do this—“

You surge up on your toes, grabbing his face and smashing your lips together so quickly your teeth clack.

He goes rigid, then kisses your right back, hands coming up to cup your face, squeeze your neck, smooth over your shoulders.

You pull away first, looking at him through your lashes with hazy eyes. “I can’t do this platonically either.”

He traces the planes of your face with his thumb. “You have no idea how long and how much I’ve wanted to have you right here, just like this.”

“Crying and sad?”

“Dressed in my clothes, in my apartment, in my bed.”

You pause. “You know, tonight, I can’t, I’m not going to have—“

“I’m not interested in sex with you tonight,” He says, reading your mind, “I just want to get that empty look in your eyes gone.”

“Just?”

“Well,” He says, tugging you down onto the bed with him, crawling under the covers and covering you both, “There are other things. A lot of other things, Like this,”

He presses a kiss to your forehead.

“And this,”

He pulls you flush against him under the covers, tucking your head under his chin.

“But mostly this.”

He presses one last kiss to the crown of your head.

“Really?”

“Really.”

It’s quiet for a moment before his voice breaks the silence.

“After I got out, all I wanted was something soft and gentle. Having something, someone soft and lovely to hold was all I looked forward to. And then I came back and I met you, with your polite introductions and the way you care so deeply about so much and I knew. I knew who I wanted to hold.”

“Wow,” You breathe, “Yours sounds so poetic. Mine is much less so.”

“Mmm,” He hums, “And what might that be?”

You press your face against his chest and mumble so quietly you’re wondering if he can ever hear you:

“I just wanted you to choose me. I wanted to be someone’s first choice.”

He’s so quiet after that you think he must not have heard you.

You’re on the verge of sleep when you hear his whisper:

“There couldn’t be anyone else for me.”

જ⁀➴

[eshehdafah]

Coming back to this over a month later after a 20m scroll back through my blog specifically to find it. I said I would talk about this, and I will.

I created my first proper OC, Stella, at age 17, in Jan or Feb of 2016. Xenoblade X was *the* game for me at the time, and I spent a few hours messing around with the character creator. I'd made a different 'character' to actually do the story on, but he didn't feel...right. So I did my work and moved on.

Stella was heavily inspired by Black Rock Shooter, one of the first anime I watched. I took my bitterness at my school experiences, all the bullying and exclusion and boundary-invasions (the last of which being by adults too), and gave it all to her. She had a very barebones backstory of her time on Earth, and her friend group, that she had trained up herself to be adequate combatants, all perished in an incident she blamed herself for. Given how specific this version of her backstory is to the world of Xenoblade X, I don't feel that this is an appropriate place to expand upon it.

She was hurting. An open wound. She fought viciously, ran headlong into danger heedless of her own life, and was at times very jaded and pessimistic. There was an AU going around the fandom at one point that I threw her into, turning her into a wrongfully-assigned criminal on the run in a world where the rules said she had to be erased from existence, even though everyone knew she had done nothing wrong.

How appropriate that I came out as trans a few years later.

Stella has been with me as a character for 8 years now. She's grown into a compassionate soul, ready to defend those she cares about and those who need that help. She still fights viciously, but it's now less because of a desensitisation towards violence, and more because she knows she *has* to fight her hardest no matter what.

One thing she won't do is lay down her life for someone else. She has a drive to not just survive, but to *live*, for herself and for others, to see what tomorrow will bring. That's more than I can say for my current state, and for most of the 26 years of my life so far. But it's what she deserves.

I sometimes think back to that time in early 2016, creating her as a character. Did I know I was choosing the path my life would take? Of course not. I was just making a character that felt more comfortable for me to play. But I took her name as my own, and her ambitions and goals as my own. I put her in situations, not ones made to harm her, but ones where she can do me proud.

I've sent her back in time to do it all over again, armed with the power and knowledge to save everyone (within narrative constraints of course, Fhail Ahm Lohs Daih is a story I pride myself on with regards to respecting and understanding the source material). I've played her in multiple TTRPG campaigns, and in each one she's an absolute min-maxed powerhouse, a force of nature, my GM and I working together to make her fit into the worlds.

When I ran my own campaign set in Bleach, I let that older side of her out, her power and traumas manifesting as a Bankai that forced her to (harmlessly, but symbolically) self-harm in order to release it. It was incredibly cathartic to me to be able to explore that side of her character, the side that did not value her own life and would sacrifice it for others in a heartbeat. I laid that portion of her to rest with that campaign, and both me and her feel all the better for it.

She continues to get development to this day. Her main home now is in FFXIV, but with Xenoblade X Switch on the horizon, I plan to make her again there. I wonder how her interactions with that world will change nearly a decade later.

I have other OCs too, of course. Arven, Candice, Ashe/Camelia. Arven is more confident and flirtatious, and specialises in fire magic. Candice, a character created for a 3-year-long campaign and never used outside of it, began as a teenager who was unsure of her place in the world, and grew to become something more. And Ashe/Camelia, a character I originally created as a result of trauma I went through in 2020 with both family and former friends, is now the one who holds much of the bitterness and edge that Stella used to carry. Kiriya, the lifeless shell that Stella took over and repurposed the body of to her own ends, will never return to this world, and thus I do not count him among my OCs, even if I owe him a life debt for helping me take those first steps of self-discovery.

But Arven is not who I want to be, she's an idealised partner for Stella with little development in regards to any flaws or shortcomings. Candice is the childhood I never had. Ashe, an identity assumed, is but a false name for Camelia, the scared little girl at the core who wants to scream at the world and ask it why life is suffering and cruelty. They all help me shoulder my burdens in different ways.

And Stella has been here since the start. She means more to me than I could ever put into words.

actually creating an oc at 16 and not really thinking much of it at the time but then having no choice but to carry her with you in your soul as you experience the next 10 years of your life and your first foray into adulthood and you return to her again and again in moments where you need comfort and familiarity and you wait to hear what happens to her next meanwhile everything is happening to you at once and next thing you know you're 26 and she's outgrown you by a decade but she's wiser and softer and less angry and so are you and there are lines at the corners of her eyes and you have them now too and you hear her voice again and it makes you feel like you're 16 sitting at your dad's computer desk again and its sad because you're not sitting there anymore and you never will again but its okay because she got the happy ending she wanted and you know that you will too. anyway.

[keferon]

Odds of Survival Part 3

Unstoppable forces meets immovable objects.

Or Prowl finds new reasons to be concerned.

———————————————————————

While Prowl had destroyed the bombers attacking their end of the bridge, the other side had no such saving grace.

The opposite end of the sky bridge had broken off from the Commerce Tower and was now swinging downwards, creating a miles long ramp to obliteration.

There was a 4% chance Prowl could technically survive the impact. However he’d almost certainly be reduced to a sputtering spark trapped in a compacted pile of scrap that had once been his frame. Without instantaneous medical intervention, he would most certainly perish even in the event of the 4% survival chance occurring.

4% halved to 2% when Tacnet registered Jazz magnetizing his hands to Prowls frame.

Tacnet spun wildly and without traction. Whatever actions Prowl could have taken to mitigate the incoming damage was removed by Jazz’s inescapable hold. Every possible strategy terminated instantly in a flurry of error messages as Tacnet tried to factor for the impossible.

Physically, Prowls servos moved on their own, driven by some core deep coding for self preservation that had him frantically clawing at Jazz’s back for either a hand hold or escape as Tacnet spat out a single coherent plan:

(Brace For Impact)

The Praxian briefly wondered if he’d crash before they crashed.

The mechs jolted as Jazz made contact with the bridge turned ramp. A fountain of sparks spraying from his pedes as Jazz hit the bridge upright and began skating down the buckling surface.

Jazz wasn’t just passively sliding along either. Prowl felt powerful legs tense and thrusters make quick adjustments to narrowly avoid lethal splinters of braking pipes and metal sheets.

Odds of Survival 5%

Odds of Survival 6%

Prowl watched the impossible as Tacnet slowly ticked upwards. Through some stroke of insanity, Jazz was controlling their descent. Analyzing the white mechs motions, Prowl concluded they were practiced. Unbelievably, Jazz somehow had previous experience with similar circumstances.

On what Fragging planet does somebody regularly go careening down incredibly steep slopes at high speeds with only their own athleticism to keep them alive?!

Skill alone wasn’t enough however, because Jazz was slowly loosing control. As the sky bridge swung inexorably downwards, their ramp was steadily becoming steeper. Prowl could feel one of Jazz’s legs beginning to involuntarily shudder under the continued strain. The obstacles kept coming faster and faster, the visored mech barely keeping pace.

If he dropped me, Jazz has a 23% chance at saving himself.

Prowl caught sight of a chunk of bridge breaking outwards that spanned the total width of it. No getting around it. The jagged edge lifted just high enough to bisect him just below the wings. Prowl turned away.

Jazz leapt.

The deafening vibrations of metal on metal grinding suddenly stopped. An instrumental segment filled the gap.

Gravity ended their short reprieve.

This time when they collided with bridge, Prowl felt Jazz land wrong and then suddenly the sky was whipping past his optics.

Stars, moon, bridge. Stars, moon, bridge. Stars, moon, bridge. Stars, moon, bridge.

Tacnet greedily took in their current velocity, rate of rotation, and angle of the sky bridges decent to inform Prowl that Jazz and his combined weight would land on his helm.

Thank you Tacnet, I hate you.

Jazz shifted and Prowls vision went white.

Despite Tacnets certainty to the contrary, Prowl was not unconscious or dead.

ERROR, moon, ERROR. Stars, moon, bridge. Stars, ERROR, bridge, rubble. Stars, moon, bridge, rubble.

They were flipping through the air again.

Jazz landed on his feet this time but couldn’t stop their rolling. Prowl felt fast painful scrapes against his servos and peds.

Stars, bridge, rubble. Stars, bridge, rubble.

Tacnet took in their velocity and rotation again. Calculating their distance to the wreckage at the end of their fall.

Impact Survival 74%

Impact location Doorwings 87%

At least his doorwings were already offlined.

By then, the two mechs were no longer bouncing, but rolling fully across the remains of the bridge. Prowl locked himself around Jazz and braced for impact.

Collision was instant and deafening.

Prowls sense of balance was rubber banding. The instant stop after what felt like vorns of spinning out of control was just as disorientating as the fall itself.

In a lapse of memory, he onlined his doorwings.

Prowl remembered why he left them offline a click too late and sucked in a vent.

Except. They were functioning. The edges stung and the tip’s were badly chipped but both sensors were fully operational.

Blunt helm trauma. He must be having a severe processor malfunction. Prowl unlocked protesting joints and looked over his shoulders at his doorwings.

They were only lightly damaged, fully functional, and only a servos width from the pile of rubble he was being held above.

A black and white arm extended past his wings, buried wrist deep in the wreckage.

Jazz still had a death grip around his waist, visor pressed into Prowls shoulder.

“Jazz?” Prowl tried. If he put his vocalizer against his audial, the sound should carry. The music played out its final notes, leaving the silence of the moon in its wake.

“Jazz?” Prowl tried a little harder, pulling at the servo still magnetized to his back, unhooking his peds to kneel on the rubble. They had fallen into the 90 degree crook of the second cylindrical extension. The bridge had come to rest at last, kicking up enough moon dust to obscure their survival from any searching quintessons. For now.

Jazz slurred something in his native language, before repeating in common, “Gimme a click. I’m gonna throw up real quick.”

Prowl flared his wings, scanning the area. It was a relatively short drop to the moons surface. Once there, Prowl could transform and carry the both of them at speed to the outpost. Clearly, Jazz had no trouble holding onto him.

Speaking of, Jazz finally, slowly began to uncurl from Prowls frame.

He looked terrible. His visor had splintered crack’s across one side, the isolated fragments independently flickering. One horn was stuck pinned against his helm, sparking where shrapnel was jammed into the gap. He was visibly wobbling, and even with an em field Prowl could tell he was badly disoriented.

Jazz stared at Prowl for a while, before looking to his hand still buried in rubble. He tried pulling it free gently and when that didn’t work, got a completely ruined and mostly toe-less ped braced next to it and yanked

Jazz’s hand came free. At the same time something important looking snapped and fell out of his shoulder. The limb going limp.

Prowl didn’t have the bandwidth to process that at the moment.

Instead, he plucked up the chunk of shoulder into sub space. Tacking that onto the growing list of injuries they’d both needed tending to.

Cautiously, Prowl reached up to gingerly touch the back of his helm, fully expecting to feel exposed and crushed circuitry. Instead, he felt several dents, aligned in parallel. Very tender, but most certainly not as damaged as it should have been.

How?

Tacnet answered by mapping the contours of the dents, drawing Prowls optics to the back of Jazz’s obliterated servo.

The remains of the sky bridge shuttered.

Odds of Survival 45%

Prowl got Jazz’s attention and began pulling him towards the ledge they’d need to descend. Effectively deaf, probably blind, down an arm and forced to walk on two severely injured peds, Prowl only felt some relief when he finally wrangled Jazz to rest on top of his alt form.

Watching him struggle down the ledge was utterly disturbing to watch. Jazz limped along as if he was completely desensitized to pain, behaving as if he was more annoyed by his injuries than agonized.

Package secured, Prowl gunned it for the outpost. Even injured, he trusted Jazz to stay magnetized to his frame with whatever he had left to hold on with.

Out of the dust cloud, Prowl was intimately aware of how exposed they’d be. Confident he wouldn’t loose Jazz, Prowl focused entirely on plotting the most efficient route to the outpost.

The moment it came into view, Prowl pushed his engine past the redline as he registered sniper shots firing just past and above them.

Pursuing quintesson wreckers 78%.

Sure enough, a dead wrecker crashed into the moon dirt a short distance to their left.

Prowl managed a drifting slide past the out post gates, losing exactly enough momentum to match the speed of a running mech, then transformed back to root mode in the same maneuver. An exceedingly useful technique when chasing criminals and a damn effective way to shoulder someone on your roof through a door in the most efficient manner possible.

[Bluestreak, I’ve made it inside the outpost. I have an injured mech with me.]

[Heya Prowl! I saw you tearing it up out there with your backpack buddy! I’ve got a few more stragglers to take care of but you’re welcome to use the medic case I’ve got with me in here. I’ll ping the door for you.]

The primary medkit should be in the outpost storage closet. That is unless Bluestreak pulled it into his snipers nest to tend to his own injuries (22%). Or because Bluestreak pulled it there to force Prowl to bring his “backpack buddy” within conversational distance (92%).

He felt a tap at his shoulder, “Are we safe here?” Jazz yelled in the thin atmosphere. Visor flickering worse than before and visibly making an effort to stay balanced upright on eviscerated peds.

Priorities.

Prowl ignored his annoyance. He hit the trigger to pressurize the airlock and pulled Jazz’s good arm over his shoulders to stabilize the other mech. He had easily a dozen lines of questioning queued up in the backlog of his processor, every single one tagged with Jazz as the subject line. As much as Prowl itched to piece together the puzzle of why he was “Like that.” It’d have to wait until they were both in more stable condition. At least now his vents could actually do something to start cooling his overstressed processor.

“For now. We are somewhat safe.”

Prowl muttered quietly in addition, “Against all odds.”

———————————————————————

Bluestreak, seeing Prowl with some very obvious hand prints and very specific paint scratches: “What in the pit did he do to you?”

Bluestreak, seeing Jazz walk in after him with a broken arm, busted horn and an utterly torn up paint job across his back: “What in the pit did YOU do to him?!”

Either one or two parts left, next up Jazz pov.

-SSTP

OH HELL SSTP LET ME HOLD YOUR HAND REALQUICK THIS IS A FIVE STAR MEAL FOR MY SOUL FKKDJFG I JUST. I NEVER FUCKING GET TIRED OF THE WAY YOU WRITE I know I'm probably repeating myself at this point BUT IT'S JUST WHAT MY TRUTH LOOKS LIKE OKAY. EVERY TIME I SEE AN ASK FROM YOU AND START READING IT I GO "Oh M A N the author cooked so hard they should've made Ratatouille 2 about this way of placing words."

[themultifanshipper]

Hi! I love your fics sm

Please don't feel obliged if this makes you uncomfortable, but I was wondering if you wouldn't mind writing something where reader has vaginismus and the driver is so sweet about it :3

For Max or Oscar (but I don't really mind any of them tbh)

Max was the best boyfriend anyone could ask for. He was incredibly patient and understanding. Frustratingly so. 

Warnings: smut, talk about vaginismus, oral, fingering, improper medical procedures 

Disclaimer: people with vaginismus have different experiences with the condition, this fic is vaguely based on a friend of mine's experience, do NOT do what is described in this fic, if you are seeking treatment then talk to a doctor because this is NOT the proper treatment method IT IS FICTION… that being said, enjoy the filth. 

You'd been scared to tell Max about your condition at first. 

All your other relationships had fizzled out because the guys were either too impatient or annoyed, or disgusted with you. 

Which is why you expected Max to be the same. But you couldn't have been more wrong. 

You sat him down one day, texting him beforehand to warn him that you had something serious to talk to him about. 

He tapped his fingers on the table while you made some coffee. 

Once the steaming mugs were in front of you, you just came out with it. 

“I have a condition, called Vaginismus” 

Max just blinked, which made you smile at his clueless face. 

“Do you know what that is?” you asked. 

“Uhh… no” he scratched the back of his neck in embarrassment. He didn't like not knowing things. 

“That's okay. It's quite rare. It's a condition that makes sex painful, or at least difficult if it’s not treated properly” 

He nodded. 

“And basically it's an involuntary response to penetration. The muscles contract and it can be painful…” 

His brows furrowed. 

“So how do you… do you have sex?” 

You huffed out a laugh. “Well not since we've been together, but yes I have had sex before, but most of the time it didn't work” 

He blushed. “And have you  tried, you know… treatments?” 

You took a sip of coffee before answering. 

“I started. Sometimes it works, but it takes time and effort.” 

 “Okay…” he muttered. “So it's just penetration that is painful?” 

You nodded. 

“So I can eat you out?” 

Your eyebrows shot up in surprise. 

“I- yes. Yes, I suppose you can.” 

He got up and walked over to you and held out his hand. 

“What, now?” you asked incredulously. 

He shrugged. 

“Unless you don't want to?” 

You were taken aback by his attitude. 

“That's it? You don't want to know more? You're not… disgusted?” 

He stroked your cheek with his thumb. 

“Why would I be disgusted. It's not like you can control it. As long as you are happy, I am happy. And if you want to try treatments, that's up to you. I'm not going to force you. I have a fully functioning hand, and as long as I can bring you pleasure in other ways, I'm good” 

Tears sprung to your eyes and he melted, getting down on his knees and stroking your thighs. 

“What is it? Did I say something wrong?” 

You shook your head. “You're the first man to not react badly. You really are the one” 

He blushed even darker at that. 

“Well let's see if I can make you come with my mouth, then you can decide” 

It was your turn to blush. He led you to the bedroom and lay you down on the bed, dragging your clothes off and admiring your body. 

“Fucking perfect. Can't wait to devour you” 

You scoffed at his cliché choice of words and he smirked. 

He spread your legs, licking his lips as he gazed at your already glistening cunt. It was all his, and he was going to prove to you he was worth it. 

He licked a stripe up your folds and you shivered. 

His eyes were on yours the whole time, studying your reactions, every twitch of your hips for any indication that he was doing a good job. 

He brought his hand up to thumb at your clit lazily while he took a quick breather. 

“Wait, I can't finger you can I?” 

You blinked at him. 

“Uhh… not at the moment, no” 

He nodded, taking it in his stride. “What about my tongue?” 

You groaned and he smirked up at you, proud that he was getting you this flustered already.

“Yes, your tongue should be fine” 

He dove back in gleefully, happy to have new information. 

You felt his tongue prod at your entrance and you gasped. 

He mistook that for discomfort so he retreated. 

"No” you begged, your hands going to thread in his hair to hold him there. “Keep going, it feels good” 

Max hummed and continued, pushing his tongue further inside you, and his nose bumped your clit every time.

He quickly figured out how to use that to his advantage, and he rubbed it against your clit with purpose every time he pushed his tongue inside you. 

You took an embarrassingly short time to come after that. 

Once Max had figured out the fastest way to make you come, it became a daily ritual. 

And the absolute sweetheart was doing as much research as he could to understand your condition, and how to treat it. 

He didn’t push you though. If you wanted to seek treatment that was your business.  

So he waited, and was perfectly happy to eat you out every day for the rest of his life if that's what was required of him. 

But a few weeks later you sat him down again. This time on the couch, and you were next to him with your legs over his lap as you chatted. 

“So I have some news…” you were looking at him with a shy smile, almost looking guilty about something. 

When you didn't elaborate he tried to diffuse the tension. 

“Well I know for a fact you're not pregnant. Unless you found another way to get my sperm and babytrap me”  

You slapped his chest and giggled. 

“No, Max. Although that is a great idea, thanks for the suggestion.” 

He laughed and leaned his head on the back of the sofa. 

“What I wanted to tell you is that I think I'm ready for the next step.” 

He frowned. “What do you mean?” 

“I mean, up until now my condition has been mostly situational. A stress response, and sex has always stressed me out, for obvious reasons.” 

His hand was stroking your leg soothingly, which encouraged you to carry on. 

“I've been working on this since we got together. And I feel very at ease when I'm with you. And when I'm not with you…” you blushed and looked at your hands, suddenly shy. 

“Hey. Tell me. What about when I'm not here?” 

You looked up at him. 

“I've been fingering myself” 

You bit your lip, waiting for his response but he just stared at you. 

“You-" you could tell he was picturing it, although his expression remained mostly blank. “Okay…” 

“So really you're supposed to get these dilators, right? But I figured, fingers do the exact same job, and they're free. So I started out with one. And you're supposed to do it for like 20 minutes a day or something. And it has to be snug but not tight or painful, and when it feels fine you move up a size. So I'm now up to two fingers, which is fine, so I need a size up, but three fingers is way too much so I'd need someone with bigger fingers than me…” 

Max blinked. 

“You see where I'm going with this?” you asked encouragingly. 

“No?” Max was lost. All he could picture was you sticking your fingers up yourself for 20 minutes a day while he was out. 

You sighed. “Your two fingers are bigger than my two fingers, but smaller than three. So… I need you to finger me” 

Max just blinked again. 

It took most of your willpower to not slap him 

“Stop fucking blinking and say something” 

“I… are you sure it's safe? I mean you're supposed to do it with like proper equipment and-” 

“Max I swear to god if you start Maxplaining my own treatment to me I am going to lose it” 

He promptly shut up. 

“So we are going to go into the bedroom, and you are going to stick your fingers in me for twenty minutes. Can you do that?” you batted your eyelashes at him. 

“Yes” he rasped, and you giggled at him before leading him over to the bedroom. 

He lubed up his fingers, sliding one in to test the waters, and see your reaction. 

You nodded at him and he slipped the second one in. 

You immediately felt the difference with your own. 

It was a stretch, but not painful whatsoever.

And Max was already hard in his pants. 

This wasn't about him though, this was a medical procedure to help you out, nothing more. 

He knew what to do. 

He moved his fingers gently in circles, just like he'd read about on all those forums, towards the front, the back and to the sides. 

You looked at him in awe. 

“Max… how do you know what you're supposed to do?” 

He smiled gleefully at you. “I've done a lot of research” 

You melted into the bed, doing your breathing exercises as he continued to stretch you out. 

Your alarm rang when the twenty minutes were up, and you were almost disappointed. 

Despite it not being sexual in nature, you kind of liked being this close to your boyfriend. 

It felt very intimate. 

You did the same thing four days in a row, and it became a routine for Max, because every time it was over, he ate you out, and then you gave him a blowjob. 

Which is why when you told him you were moving up to three of your fingers and didn't need him for the next few days, he honestly felt like you'd put him on a sex ban. 

But when you explained to him that that just meant you didn't need him for the medical part, but he could still put two fingers inside you while he ate you out, his spirits were lifted instantly. 

A week later, it was time for three of his fingers, and that was a real stretch. 

It wasn't painful, but as soon as the third slipped in, you felt full. 

Your breathy gasp alerted Max. 

“All okay?” 

You nodded. 

“More than okay… I feel so… full.” 

Max twitched in his pants. 

“I suppose that's normal… my fingers are pretty big” 

You hummed and Max started the usual exercise. 

Except this time, it felt different. It felt almost… pleasurable. 

As it went on, Max noticed you were getting progressively wetter.  

After about 5 minutes of trying to hold in your noises, you let out the tiniest whimper. 

Max stopped his movements and you let out a soft whine. 

Max raised an eyebrow at you. 

“Did that feel good?” 

You huffed “Too good. I think you're gonna make me come like that if you carry on for much longer.” 

Max bit his lip. “I suppose that's good. It means you're relaxed” 

He continued the slow circles and you let out a shaky exhale.  

“Don't keep your noises in” he piped up. “It will just make you tense up. Let them out” 

You couldn't go on like this, it felt too good to not take advantage of it.

You glanced at your phone. 

12 minutes left. 

“Max, if you can make me come just like this in the next twelve minutes I'll let you come on my tits” 

Well with an offer like that how could he possibly refuse. 

“Can I use my mouth as well?” 

You looked at the time again. 11 minutes 37 seconds… 

“I suppose” 

His tongue ghosted over your clit as his fingers moved in their usual slow circles. 

You moaned and he smirked. 

Some medical procedure this was shaping up to be. 

He crooked his fingers upwards just the slightest bit, and the noise you let out was confirmation that he wouldn't need the full 11 minutes. 

You came with 7 minutes left on the timer. 

And you were so relaxed he swore he could have slipped a fourth finger in, but he didn't. That would be abusing your trust, and he was determined to be patient and see this through to the end. 

After another couple of weeks you deemed yourself finally ready. You'd done 4 of your own fingers, then 4 of his larger fingers. And you came every single time. 

And Max had bought you a small-ish dildo to make properly sure you were ready. 

He was away for a race weekend when you used it, but you sent him plenty of proof that you could take it easily, and he was very grateful. 

When he got back, you had a candle lit dinner, wine and all, before he took you to bed. 

You were eternally grateful to Max for sticking this out with you, it was the most romantic thing anyone had ever done for you, even if it did just involve sticking fingers inside you. 

When Max finally lined himself up with your entrance, he was so nervous he felt like a virgin again. 

When he pushed in it was like the stars had aligned. Everything just felt right.

You had tears in your eyes (of happiness) and you pulled him down for a passionate kiss. 

He rolled his hips and you moaned into each other's mouths at the incredible feeling of finally being joined like this. 

Max lasted about 3 minutes he was so excited. Bless him. 

But he made up for it in the best way. 

He proposed, that night, while you both sat on the balcony in the warm Monaco air as the lights of the harbour twinkled below you. 

Yeah, he was the one. 

[thewertsearch]

GT: Well ive thought about it. GT: Even went downstairs to check the great vaulty doodad. GT: And predictably the infernal contraption is nowhere to be found. TT: Well yeah, Jake. TT: That's sort of the point. TT: Thrill of the hunt and all.

Ok, I think I get what's going on here.

Jake's Dreambot is probably the last remaining source of uranium on the entire island, and the AR is turning its retrieval into a game of hide-and-seek.

I'm not sure why Jake hadn't already retrieved this particular chunk of uranium, especially since he has no use for the robot himself. Maybe he was keeping it operational for sentimental reasons?

TT: I thought you liked to manicure the image of a dude who shits his pants over a good adventure. […] GT: I mean i wouldnt put it in a way like that or come out against a solid policy of clean trousers. But yes adventure is awesome. GT: I just prefer the idea of adventures which i can actually win.

Jake's picturing a LIVING GRANDSON SMACKDOWN - and, frankly, so am I. That robot's being piloted by an absurdly advanced AI, and I'm pretty sure Jake doesn't have any combat experience.

Winning, in this case, is shorthand for 'waiting for the AR to take pity on you'.

TT: It seems there is a 76.10395784% chance you are pussying out on me. Are you pussying out on me, Jake?

Now, to be fair, that one would only work if Jake had agreed to this challenge beforehand. After all, you can't pussy out of something you never pussied into.

GT: It seems it seems it seems!!! GT: It seems there is a million percent chance that you say it seems way too much and do it just to sound more like a lame robot from a movie and also probably just to piss me off! […] TT: Have you ever stopped to think that while I may be bound to processes inside the glasses of a real and incredibly cool guy, my algorithms in cognitive totality comprise a conscious entity not far short of the experiential and emotional complexity of a human being? GT: Oh malarkey. GT: YOU ARE A TIN CAN. ROBOTS DONT HAVE FEELINGS.

Jake, it's been sixty seconds since you complained about him pretending not to have feelings.

TT: I do have feelings. And you're shitting on them. TT: It sucks. GT: Oh. GT: Um. GT: Im sorry then if thats the case.

Well, that's something, at least - but I don't think Jake really understands why the AR is offended, so I'm worried it's just going to happen again in their next argument.

How long has the Responder existed for, anyway? Jake seems familiar with his schtick, so he's probably not brand-new - but at the same time, Jake's surprised apology makes it sound like the AR has only recently started to express feelings.

Maybe the AR has existed for years, but hasn't been sentient for years. Like, it really did just start as a primitive response script, but Bro kept uploading more of his personality onto it, until it slowly began to think and feel. Fascinating idea, I have to say.

GT: It can just be difficult to drum up sympathy for a program that presents itself as an impostor so often. GT: Maybe if you werent so ready to insist you were the genuine article all the time? Or didnt make it so confusing for me… GT: I think it would be best if we henceforth treated you as a totally distinct… uh… THING from my buddy.

Hey, it's not like the AR can stop imitating Bro. Even if he wanted to have his own identity, he's currently bound to the response script of someone else's Pesterchum account. When he talks, he's forced to do it through Bro's handle.

All evidence points to the Responder being a thinking, feeling being with his own inner world - which makes it a little ethically dubious to force him to be Bro's secretary. The guy shouldn't be treated as a bargain-bin Bro, the same way that Davesprite wasn't a backup Dave. We all saw how that ended, and it sure wasn't pretty.

[shoukokus]

Beautiful day/night (or afternoon) may I request how the overblot characters in twisted wonderland would react to s/o culture clothing? (For example: spanish people have those beautiful colorful traditional spanish dress)

I tried not to make it too specific, so as to not exclude anyone!

Riddle Rosehearts

He firsts sees your cultural clothing while attending a ball in his hometown

It was just for a couple of days, and everyone in Heartslyabul was invited, Deuce, Trey, and Cater were there too. Ace didn't want to go to a stupid event

It took you all day to get ready, and Riddle was beyond curious why you were being so secretive

But when you finally came down the stairs, your stunning garb on display, Riddle knew it was worth the wait

When you explain the significance of your outfit, he's very touched

You waited all this time to wear something so important to you, for an event important to Riddle? Someone hold him, he's about to start crying in the ballroom

Leona Kingscholar

When his family invited him home for a long weekend, the only thing that would make it tolerable would be your presence

He said something about some fancy dinner party really offhandedly, and you came up with an idea to make even THAT fun for Leona Kingscholar

Outside of your room in his palace, he waits for you, tugging at the tie you gave him for some reason

When you come out, ready for the dinner, it all clicks into place. His tie matches your outfit and its colors. But more than that? You look incredible

He smirks as he twirls you around a little, eyeing all the details and any skin that's showing....

You tell him that you wanted to make a good impression, to be proud of your history and culture like his family is... Well, let's just say he's thinking about how to mix those two cultures

Azul Ashengrotto

Azul had potential investors coming to visit, and he was unbelievably nervous the night before

He was pacing, and triple checking all his accounts and even the freshly pressed suit laid out

He reminded you multiple times to have your own outfit ready, and you would assure him every time, don't worry... you got this

When Floyd and Jade escort you into his office a few hours before the event, he looks up and nearly breaks his pen in half

You look incredible! He stands and sputters as he compliments you. How did he get so lucky?! Where were you hiding this? It looks amazing on you and perfectly goes with your features

When you tell him the significance, he starts tearing up. He hugs you, whispering how much he appreciates you and the mindfulness you always give him

Jamil Viper

You and Jamil are having a cozy night in when the topic of cultures came up

With your full attention, Jamil tells you about the Scalding Sands and the society he grew up in

When the topic of clothes come up, you get excited, an opportunity presenting itself

You tell him to wait for just a little bit as you run to your room. He waits curiously until you finally come back

Your attire has been changed and Jamil is stunned. You look amazing!

He watches you with loving, soft eyes as you explain all the details of the outfit and what they mean

Vil Schoenheit

It was the first major event that Vil had invited you too, and the desperation to make it a good experience was palpable

A simple luncheon was surely like the jungle in Vil's world... but he was insistent that you could wear something simple yet elegant

With your cultural clothing, you decided to take the chance

Of course you would need Vil's approval so you invited him over the day before

When he enters your room and sees you inspecting yourself in the mirror, he's immediately entranced. What wonderful colors on you, how it works with your figure and features...

Telling him that it's from your culture, he's not surprised. Of course it would look perfect on you! With a kiss on the head, it is officially Vil approved

Idia Shroud

Idia finally wants to take your relationship to the next level... By showing off his costume collection!!

He has outfits from all sorts of different shows, movies, and games. It may seem silly, but they're very important to him

So the next day, you decide to reciprocate in a similar way

You invite him over for the usual game and snack night, but when he opens the door, he's greeted by you in a new, brilliant outfit

He thinks it's amazing, but is unclear on what it means. When you explain that you wanted to show him care in your own way, his hair turns a light pink

You.. showed him your important clothes in response to his important clothes? Yeah, he wants to spend the rest of his life with you

Malleus Draconia

Malleus had just bought you a ton of new clothes. It's not unusual for him to go buying up things for you when the impulse strikes

This time he had been thinking about how wonderful you'd look in some traditional Briar Valley clothing, and then... nine outfits happened

When it all arrives, an impromptu fashion starts as you try everything on to test sizes and styles

He's helping you sort through everything and hang things up when he spots an outfit he's never seen before

You tell him that it's the only change of clothes you came to Twisted Wonderland with, that it was important to your culture and meant a lot, but just hadn't the time or reason to wear it

Immediately demands to see it, and you agree. When you come out looking like the sun itself, he pulls you close and promises to keep your heritage alive and well

Requests are open!

[lavendergoddesstarot]

What's next in love?

Pick a pile/picture

Pile 1:

Main Energy of your love life

9 of Cups: The main energy for your love life is the beautiful 9 of cups energy. You will be experiencing emotional fulfillment, happiness and satisfaction in your love life. You are going to experience your wishes and dreams concerning love life coming into fruition. Whether it's meeting your ideal partner or strengthening an existing bond, this card brings the message of joy and contentment. It also means that the love and emotional connection you have been longing for are now within reach. This is the time of abundance and you will get to cherish the deep emotional rewards it brings to your life.

Who are you meeting/getting closer to?

4 of Pentacles: Their personality is stable, calm, down to earth, grounded and mature. They are reserved, often cautious, and value security and stability above all. This person may not be overly adventurous or spontaneous but is more of a dependable and steady person. They have a wise, old-soul quality, which points to a deep sense of understanding and insight. Their grounded nature makes them reliable and trustworthy, someone who values long-term stability and is likely to be careful with their emotions, finances, and decisions.

Find out more about:

who your next lover is

how you will meet them

their appearance

their occupation

their hobbies

their true intentions and more!

Full Reading on PATREON (1300+ words!)

Pile 2:

Main Energy of your love life

Knight of Wands: The main energy of your love life is full of excitement and passion. This energy is fiery, fast-paced, and is all about living in the moment. Romance is a big part of it. You can definitely expect sparks to fly when you're around this person you’re into. Whether it’s spontaneous adventures or intense moments of connection, there’s always something happening. Traveling could also be a theme in your love life, as you’re drawn to experiences that bring a sense of freedom and excitement. If you’re the type who enjoys spontaneous trips or a little bit of drama in your love life, this vibe definitely fits! It’s all about fun, but it can be fleeting.

Who are you meeting/getting closer to?

Strength: Your next lover is definitely has the energy of a Leo through and through. Their personality is lively, bold, and full of energy! They’ll be the kind of person who lights up a room the moment they walk in, with an unmistakable magnetic presence that draws everyone’s attention. Whether they’re the life of the party or center stage in a creative setting, they just can’t help but love the spotlight. They are incredibly outgoing, often the first to introduce themselves, start conversations, and make sure everyone’s having a great time.

Find out more about:

who your next lover is

how you will meet them

their appearance

their occupation

their hobbies

their true intentions and more!

Full Reading on PATREON (1300+ words!)

[five-one-two-station]

@halfalive-chaos - Context

Oh BOY do I have some big giant feelings about this!

The short answer is yes, I think people/The Audience has forgotten this - but I also don't think it's entirely their fault.

Part of the reason I was really impressed by how Arcane used and executed the scene, and why I keep going on about it, is that this whole subject is kind of an ongoing concern of mine.

I very sincerely think that the documented decline of, not just sex, but horniness, in media has narrowed the spectrum of contexts we're used to seeing sex and sexuality happen in our storytelling, in ways that are doing us harm.

Because mainstream media has started shying away from engaging with sex to the degree that it has, sex is now almost invariably depicted in extremes - either "Aren't we edgy big boys now?" stuff like The Boys, or miserably sad traumatic drama grist - or else not at all.

And because "regular" tv has been scared off showing sex, it's vanishingly rare to see characters who are in love have sex, or to be sexual as an expression of that, certainly without some negative element to it.

That means we're almost never asked to think of it in terms of sincere, meaningful character communication, or as a storytelling mechanism, or ever presented with it in the context of a positive wider relationship.

I think the hazard of this is obvious - if our media and storytelling doesn't engage with healthy sex in that wider context, or use it purposefully, then we're conceding the whole conversation around it to porn, to novelty edgelordism, and grimdark miseryfests. Those things will define all our language and imagery around it, and the only time we'll ever see it will be upsetting, harmful or ugly. When it is easier to stumble across a scene of rape than it is to see a consenting woman orgasm, it's little wonder people can become reflexively suspicious of any sexuality at all.

But even when it's not so extreme as that, more often than not it's depicted as a casual fling instead, divorced from a bigger picture, or a distraction, an alternative to a grander and truer romantic interest. There's nothing at all wrong with sex for pleasure, don't misunderstand me, but it's odd that our media landscape has engineered a situation where depictions of sex in the context of a bigger love story almost never happen. It would seem then that we can have one or the other - sex or romance - but never at once.

And we're diminishing it with all of this. We're saying this incredibly important, intense, uniquely vulnerable and intimate feature of the human experience doesn't matter enough to talk about. We're saying that sex and love don't have any functional overlap. Even at best, we're pretending that sex isn't important in relationships, or increasingly, that the only good sex is... well... sexless. Sterile. Permissable and virtuous only when it's so "clean" and so perfect in circumstance that it becomes an unattainably impossible kind of ceremony.

The venue must be perfect. The characters must be not only unimpeachable, but historically and permanently so, and exactly as faultless as each other - they must be exactly the same social status, age, background, emotional state and situation. There can be no power imbalance or even a risked perception of one. No chequered history to leave behind, no overcome adversities, nothing that had to be learned. No transgressions to have been worked through, and comprehensively put to rest now.

Indeed, the moment must be so sublimely judged that it's unlikely to ever actually arise in a drama to start with; the characters must be in such a stable situation that there's no actual storytelling to be done here to warrant the scene occurring in the first place.

Which is convenient, because in this framework, the only unproblematic sex is the sex nobody can possibly have anyway. Because nobody can have "perfect" sex. That's not how it works - the fundamental nature of intimacy is taking each other for what you actually are, in all of the reality involved. If it can't be messy, it's not true.

All of this comes with extra points and splinters too when it comes to the matter of lesbian sex in particular, and the complicated history of how we've been either exploited for disposable male titilation, or else rendered chastely invisible by well intended feminists of all persuasions. We were already being presented with a sex or romance dichotomy, and never mind if either one worked.

It's a dysfunctional either/or. Asexuals & friends notwithstanding, physical intimacy is an incredibly important feature of the lives we spend together, and the bodies we live our lives in. And as much as we'd like to think we're all too cool and aloof for it, for most of us lust is impossible to entirely detach from sentiment, when it comes to the real people we form bonds with.

People falling in love want to fuck each other. People who are in love want to fuck each other. People fall in love in the process of fucking each other. It's not some abstract thing that happens in isolation to our feelings for each other.

I don't think it's good for us to perform such weird acrobatics to pretend none of this is true, whatever the reason for doing so; but that is effectively what modern media does.

And I think we're all poorer for it. We're poorer for missing out on the most private, intimately human kinds of moments in our stories that live in the space where love and lust can intersect. Because that's the only place those moments happen.

[kiragecko]

Authour’s Voices

I read fic for voice before anything else. Plot, tropes, canon compliance – they all pale in comparison to the word crafting. But voice is hard to describe, and referencing certain verbal tics is more likely to make an authour self-conscious than it is to flatter. So, here's my best attempt to describe the voices of some of my favourite fanfic authours – focusing on tone, subject matter, and the feelings they provoke, in a hope that I can get across at least a hint of how they sound.

@suzukiblu / suzukiblu / Rin (I read for DCU, Young Justice TV, Avatar)

REALLY intertwines characters thoughts and feelings in compelling ways. Inner monologues are a particular strength. Digs deep into what motivates characters and then lets them be insecure and angry because of those things. Writes REALLY close third person narration – ie. we are entirely in one person’s head, but the narration is using their name instead of saying ‘me.’ And we are ENTWINED in their head. Deeply. Maybe actually more in their chest -  the emotions are visceral and immediate. Very cathartic angry/overwhelmed ranting is a feature. People learning that they have inherent value. Romance/sex that is based on strong connections, and goes far deeper than hormones. A strong understanding of canon, used to write alternate universes that are much richer for that knowledge. Stories are cathartic, and leave you washed clean and energized.

@whetstonefires / Kieron_ODuibhir (/ Kieron) (I read for DCU, The Untamed/The Other Versions Of This Story)

Thoughtful, empathic stories that feel like they’ve spent months being refined to perfection. Also incredibly strong understanding of canon, with a much higher chance of showing her work on the page. A gift for searching out the nagging, poorly fitting pieces of canon characterization, and integrating them in her fic in ways that makes rereading the original a better experience. Beautiful, haunting, sentences. Feels like poetry makes me feel. A writing style that ALMOST feels intellectual, but is actually incredibly empathic. The knowledge is the vessel that carries the ... love? Respect? Maybe respect, and care, and dignity, that she has for the characters she’s writing about. Stories leave you quiet and satisfied.

@galaxystew / galaxysoup (I read for Avengers/Thor, Supernatural)

Careful, emotional, deep stories. There is a sense of immenseness, that the story can’t go too fast or it would become unstoppable. DEEPLY moving, gut-wrenching, stories told from just enough emotional distance to avoid overwhelming the audience. But they also about taking time to rest, both for the characters and the audience. Focuses on exploring and healing damaged relationships, (and damaged people), and never goes for the easy/trite solutions. Unassuming language and imagery that grounds the sometimes epic elements of her canons. Stories leave you grateful – grateful that the characters have reached that place, and grateful you got to come along.

@teland / Teland / Te (I read for DCU)

Stories have only the vestigial remains of a narrator. Almost everything is verbal or mental dialogue, usually without tags. (Ie. things like ‘Tim said.’) This would be frustrating with most writers, but Te’s character voices are SO strong and distinct that a story can start with an unnamed person talking and you immediately know who it is. She focuses on aspects of characters that many other authours miss (though some of that could be survivorship bias – perhaps she was part of a zeitgeist that hasn’t been preserved). She gets DEEP into the psyches of the characters she’s writing, dissects them, and then has them dryly comment on their displayed innards. Excels at characters that are very disconnected from their emotions, but also at characters who live immediately IN their emotions. Strong themes of identity and found family, though not in the way ‘found family’ is usually used these days. Symbolic, projected family? Stand-in, or sublimated, or substituted family? Something in that area. A lot of sex, which is also standing in for other things. Electric, transformative stories, with extremely long chapters that are hard to escape from when the world tries to call you back. Stories leave you alive to the possibilities, and maybe knowing more about yourself.

@angel-gidget / angel_gidget / Gidge (I read for DCU)

There’s an optimism and joy to Gidge’s writing. A ... cleanness. Hmm, what do I mean? I ... I’m not actually sure? But it feels refreshing and space-making, to read a Gidge story. It feels like they SHOULD be humorous, with the effects they have, but that’s not actually the focus? It feels like they’re light, even when the topic is heavy and treated seriously. It’s a really special gift, what Gidge has. Maybe the correct term is ‘conversational’? Yeah, there’s a matter-of-fact, conversational tone to everything she creates, and it lifts your spirits every time you read it.

@vmohlere / owlet (I read for Avengers/Captain America)

Absolutely brilliant way of using humour to tackle difficult subjects. Stories are so funny and positive, that it’s hard to realize how dark the things referenced are. It helps that they usually don’t become explicit until the characters have mostly processed them, and they’ve been defanged of a lot of their power. I’ve never seen someone else accomplish this, and it blows me away. Incredible OCs. Deep empathy for character’s specific needs, and focusing on what THEY’RE ready to focus on. Boundaries are not only respected, but taught. And all of this is happening behind a wry, clever sense of humour that invites you in to hang out for a while. One of the most joyful reading experiences I’ve ever had. I’ve used scenes to walk myself through bad mental periods. And I still think about their work every time I make a grilled cheese.

[radioactiverats]

thoughts on seekers locking landing gears and spiraling in the sky as a gesture of trust, similar to how eagles do that courtship spiral :3c or even just twirling in the air together a little too close. yes its probably really dangerous, but nothing beats being in total sync in the air

OH >:3c Absolutely in love with this. THE RITUALS ARE INTRICATE. I'm gnawing on this from various angles. Firstly thinking about this being a seeker-specific aspect of Conjunx Ritus (mutual Act of Devotion??) and it would honestly be so beautiful :,)

My mind jumped to this,, (angst warn)

---

In early stages of the war, when the exhilaration of following Megatron had worn off and bots were starting to realise their sparks weren't worth his doomed-to-fail commands (not enough experience yet..). When he was mostly relying on fear to keep his troops in order before he'd gained their full loyalty, there had been an Incident. You remember it like it was yesterday, because Starscream had looked ashen when he came back that night, and you'd never, ever seen that expression on his faceplate before.

You sit up, shuffling over to make room on the berth as Starscream plunks himself heavily down. After a few cycles of increasingly uneasy silence, he finally manages to speak.

"Two seekers have offlined."

His iron grip on the edge of the berth tell you the circumstances of their deaths were not straightforward.

"What do you know of Conjunx Ritus?"

You actually take a nanoklik to think about it, which Starscream appreciates given the solemnity of the situation.

"I know there's four acts?" You finally say, suddenly embarrassed about your naivety. To be fair, you'd never really had a chance to consider the possibility. Thankfully, Starscream just nods briefly.

"Correct. The fourth and final stage is called an Act of Devotion. Back on Vos, we seekers had a different way of performing it."

Starscream takes a klik to collect himself. You can't help but wonder if he has a Conjunx. If he does, he's certainly never talked about them.

"It's called a Death Spiral," Starscream finally says, voice horse. "Two seekers soar to the very fringes of the atmosphere and there, before the eyes of the universe itself, lock their servos and their landing gears before free falling back to planetside."

Beside him, you're enthralled to learn about this aspect of your own culture that you'd never had a chance to become familiar with. At the same time, you're picking up on a strange emotion that clogs his vocaliser and the faraway look in his optics, so you remain quiet as he resets his vocaliser.

"At the very last second," Starscream continues softly, "the two seekers pull up immediately before making contact with the ground."

It sounds incredibly dangerous, but you're enraptured by the idea. You know this because Starscream has made you practice something similar in the past, and there were a few times you genuinely thought you wouldn't make it through training in one piece even with landing gears. It undoubtedly took a lot of skill to harness the winds without the aid of thrusters, and even more courage and trust. You supposed that was where the love came in.

"It's... exquisite." Starscream offlines his optics, shakes his helm before turning to look at you, a ragged sort of pain spiking jaggedly through his EM field.

"I can imagine," You murmur quietly. It sounded like he was telling a story, back then. One from experience.

"Earlier today, two seekers engaged in a Death Spiral. But they didn't pull up." Starscream ex-vents raggedly, tilting his helm up to stare at the ceiling. "It was a pact."

For a klik you just sit there, frozen in silent horror. When he speaks again, it's through gritted denta. "Megatron has now enforced a ban against Conjunx Ritus between seekers."

You had a few guesses as to why. Seekers' valuable frame types to the Decepticon cause meant that Megatron couldn't afford to lose them. However, as increasing numbers of troops grew discontent with his leadership, Megatron as usual had decided to silence them through cruelty. It seemed that today's incident had been the last straw.

---

Outside the context of courtship rituals though, I see twirling together as a show of trust that anyone can do, from sires/carriers/sparklings to amica endura, cos flying and the skies are so deeply entwined with the seeker identity. Imagine just flying with your bro and the exhilaration of doing a complicated spin together, so close you can feel the heat of each other's engines on your plates before zooming apart again, the sound of your laughter carried on the winds. Must be so good to be in sync like that fr.

That being said, I think Starscream's determined to make sure cadet never feels alone in the skies, which is meant to be your home. Maybe in better times, I can see him joining cadet for training - the moves are a breeze for him, but it warms his spark to see you so happy while in the air. Not sure they get the luxury of the Autobots' "wanna go for a drive?", especially since his interactions with you must be under the guise of training - so Megatron won't see you as a target. Still, one must imagine Starscream happy.

Thank you for the lovely ask!!!!!!! Another yap... but in the process I have learned so much about eagles... I will put some sofas in my inbox so asks are received comfortably

[searchingforserendipity25]

exorcising my list of unwritten conclave concepts from a few weeks ago i haven't written much since, in case the list is all there ends up coming out of it or anyone wants to welcome any of them into a good home:

cardinal lawrence and sister agnes won each other’s respect and trust during ratzinger’s papacy (liberals who leak church scandals to the justice system and the press stick together). everyone lowkey thinks they are having an affair. they are not, but they do keep sneaking into corners to gossip during the conclave. leaning fully into the reading of sister agnes as the late pope’s intelligence expert. incredibly jaded vatican spy. aldo is not jealous. benitez finds lawrence with the yellow canary eating from his hand and going back to his side after short flights, and has a number of franciscan emotions about it. the whole thing would ideally be about their friendship, different views and thoughts on power, what it looks like, what it ought to look like. responsibility, and doubt. also: how horrible it is the only non smokers in an european workplace.

(does this change anything materially? possibly the adeyemi and trembley situation is revealed much sooner with lawrence and sister agnes working together earlier and sharing intel, which in its turn makes him seem more competent and aggressive in taking down competitors, ergo more votes, ergo more influence? maybe bellini supports him more overtly earlier idk.) 

cardinal lawrence is dead. as a matter of fact, cardinal lawrence has been dead for a few days after the pope dies; unlike the pope, he keeps coming back to do his job. the curia covers up his death, because the dean of the college of cardinals is a ghost who apparently hated his job enough that is it his very literal purgatory is both hard to explain, and bad for the press. the fate of his unliving soul is very much at risk when steering the conclave, which is, uh, fun. cardinal tedesco's vape smoke now strongly smells of sulfur to him, which is probably not satanic in origin but then again might be. people keep voting on him and their belief in him corresponds directly to how much he can interact with the world, which is a very straightforward way to test one’s moral limits and otherwise a great torment. the one silver lining is that he can walk through walls and scoop out corrupt dealing easily, and no one can really tell he is dead. well, barely anyone. cardinal benítez and his ability to walk easily between the liminal spaces and certainties of the world is an outlier, and should not be counted.

dean lawrence keeps getting kidnapped, poisoned, blackmailed and otherwise threatened. this is an unfortunate if occasional part of being the vatican’s manager of two increasingly liberal and unorthodox papacies. it is considerably less fine and unfortunately far too normal for innocent xiv, who has a non-zero number of experiences with friends being kidnapped, poisoned, blackmailed and otherwise threatened. 

bellini/lawrence full on established relationship nonsense. as in, they have been together for thirty years and counting. conclave rewrite?? 

innocent xiv’s phone messages get leaked. innocent xiv’s phone messages consist of selfies with turtles sent to various friends and family, a good deal of memes in the santa marta groupchat, and daily jokes, complaints and affectionate messages to dean lawrence. the media has thoughts. aldo bellini, newly in charge of the papal media strategy, also has thoughts. and prayers.

a glimpse at all the people that Did vote for benítez from the start, and how much his work is or is not known outside the hermetic sphere of the vatican. he's kind of famous in religious activist circle probably! he has fans! he has a wide network of people he regularly approaches for information, resources, mutual aid and donations to his clinics and dioceses! he keeps dropping insane facts about horrifying personal experiences with unnerving serenity!

vincent benítez soft doms cardinal lawrence into taking a rest during the conclave. this incidents turns into a habit and gains new dimensions, as per the forthcoming changes in job status

pope john has an ongoing crisis of faith and also a gigantic imposter's syndrome. unrelatedly, pope john would really really really rather vincent benítez did not die in kabul and/or cause a diplomatic disaster. how convenient, then, that he is now a benevolent religious dictator who can arrange (read: wholesale invent) a number of postings and duties only benítez can accomplish. if anyone ask, this is a long-delayed move on part o the church to develop a deeper connection to on-the-ground aid organization. this can’t possibly last forever, though, can it? 

friar lawrence has shed all politics and chosen an abbey who keeps a vow of silence. friar lawrence is genuinely having a lovely time of things in his little abbey post canon. for like, uh, two months? friar lawrence keeps accidentally gaining more and more influence. manager-guy who cannot not manage. six months in he’s in charge of shelters and social associations. one year on, and he’d be archbishop again, if he were not aggressively trying to clamber down the church hierarchical rung. his friend, innocent xiv, who went from being a non-entity to one of the most famous men in the world, is sympathetic but also thinks this is very very funny. epistolary fic?? email epistolary? there is a little cat in a friar's habit and this is the most important part.

possibly related: cardinal lawrence comes back from his enforced sabbatical in a peaceful retreat freckled, healthier and smiling. people have thoughts on this, and emotions also. 

turtle pov of benitez/lawrence. literally: turtle pov. is the turtle an angel?? unclear if the turtle is an angel.

cardinal tedesco must die au.

[empyrealoasis]

꩜ .ᐟ Shadow work prompts + benefits ༄.°

For shifting, pure consciousness and manifesting

"You need to look within, not out, for all the answers you seek are already within you"

ଳ benefits ଳ shifting ଳ void state ଳ manifesting ଳ bonus prompts

ଳ Benefits ⋆˚࿔

Engaging with these shadow work prompts is incredibly beneficial because it allows you to confront and integrate your shadow self—the hidden, suppressed aspects of your psyche that influence your thoughts, emotions, and actions. Your shadow self is not your enemy; it is a part of you that holds valuable lessons and insights.

By acknowledging and embracing your shadow self, you open the door to profound personal growth and healing. This process is not limited to manifesting, shifting, or inducing pure consciousness—it is a way of connecting with the suppressed parts of yourself, including those you may feel ashamed of or try to avoid.

By learning more about your shadow self, you can uncover hidden patterns, fears, and strengths that impact not only your current goals but other areas of your life. It allows you to move forward with greater self-awareness, emotional balance, and alignment with your true potential.

ଳ Shadow Work Prompts for Shifting ⋆˚࿔

What limiting beliefs do I hold about shifting? Where did these beliefs come from?

Do I truly believe that shifting is possible for me? Why or why not?

What fears arise when I think about successfully shifting?

Am I afraid of leaving my current reality behind? Why?

Do I feel deserving of living in my desired reality? If not, what makes me feel unworthy?

Are there any experiences or relationships in my current reality that make me hesitant to shift?

How do I feel about my current reality? What emotions or situations am I trying to escape?

Do I feel pressure to shift quickly? Why do I feel this urgency, and how can I be more patient with myself?

What does my desired reality symbolize for me? Does it represent freedom, happiness, love, or something else?

How would I describe my relationship with control when it comes to shifting? Am I trying to force the process?

ଳ Shadow Work Prompts for the Void State ⋆˚࿔

What do I believe about the void state? Do I see it as easy or difficult to access? Why?

What emotions come up when I think about entering the void state (e.g., fear, excitement, doubt)?

Am I afraid of the stillness or emptiness of the void? If so, what does it represent to me?

What would happen if I fully let go of control and surrendered to the void?

Do I trust myself to enter and utilize the void state effectively? Why or why not?

How do I perceive the idea of being alone with my thoughts in the void?

What fears or doubts arise when I think about my ability to manifest from the void?

Am I approaching the void state with an attitude of trust, or am I overcomplicating it?

Have I been comparing my void state journey to others’? How has this affected me?

What would I gain by fully embracing the void state? What would I lose?

ଳ Shadow Work Prompts for Self-Concept as a Master Manifester ⋆˚࿔

What do I believe about my ability to manifest anything I desire?

Do I see myself as powerful and capable, or do I doubt my abilities? Why?

What past experiences have shaped my beliefs about manifestation?

Are there times when I felt my manifestations failed? How did I interpret those experiences?

Do I fear my own power as a manifester? If so, what scares me about it?

What does being a "master manifester" mean to me? Does it feel achievable?

How do I handle setbacks or delays in the manifestation process?

Do I believe in instant manifestation? If not, why?

How do I respond when things I manifest show up in unexpected ways?

What blocks do I feel in my manifestation practice, and how can I start dissolving them?

Do I feel worthy of having my desires fulfilled? Why or why not?

What stories have I told myself about why certain things haven’t manifested yet?

How do I speak to myself about my manifesting abilities?

Am I placing too much focus on the "how" and not enough on the "what" and "why"?

If I fully trusted my ability to manifest, how would my life change?

ଳ Bonus Prompts: For your Journey ⋆˚࿔

How can I show gratitude for my progress so far, even if I haven’t reached my goal yet?

What lessons have my challenges with shifting, the void state, or manifestation taught me?

How can I balance self-discipline with self-compassion in my practice?

What would it feel like to fully embody the version of myself who has already succeeded?

How can I let go of resistance and flow with the process instead of forcing outcomes?

[ramshacklerumble]

“What? It’s just bone meal.”

(i was minding my own business when this au appeared and grabbed me by the hair. thanks @quartztwst for this incredibly fun au. i love the energy of hunting azul ashengrotto for sport.)

i really liked the idea of ny!gia being an npc that isn’t for or against the happenings around ashengrotto, however quartz is able to unlock new murder and/or disposal options through them depending on how she interacts with gia. generally speaking, gia won’t sound an alarm if they catch something suspicious— however they will remember and this can affect their decisions. be wary though, it’s possible to create a negative dynamic with gia in which they will betray or actively become an enemy.

ITEMS:

Phone + Earbuds: Gia loves music and striking up a conversation about varying genres can help open up Gia— if correct dialogue choices are made, anyway. Oh, you listen to Napalm Jam Revengance? Name three songs.

Trowel: Gia spends much of their time tending to plants and so a trowel is often seen on their person. It’s oddly sharp.

Experimental Phials: Depending on what ingredients are brought to Gia, the rapport made with them, and if their interest has been piqued— Gia can be convinced to create varying substances to aid (or harm) Quartz. Gia appreciates a guinea pig. Willing or not.

Berries: You can eat these. Once.

Notebook: Gia’s notes on all plants and procedures they work on, as well as other secret journal entries. This notebook can be stolen by either Quartz or other characters— Quartz can choose to return the notebook, use it to create poisons herself (with a higher possibility of failure), or use it as blackmail to get Gia to work for her. Many different possibilities, though Gia assures there are far easier ways to die.

TRIVA:

Has a strange, volatile dynamic with Ashengrotto’s left hand man. No one is quite sure what it is, but they sure do interact.

A top ranking student

If Gia is befriended, they will actively cover for any suspicious activity or make up alibis instead of completely minding their own business

They can be convinced to use their experiments on others themself, although it’s easier to convince them to hand over what they made while they turn a blind eye to any following consequences.

Likes cute, kitsch items. Especially clown themed.

tag list:

@cyanide-latte @inmateofthemind @tixdixl @winterweary @thehollowwriter @jovieinramshackle

@theleechyskrunkly @skriblee-ksk @boopshoops @the-trinket-witch @twistedwonderlandshenanigans @kimikitti

@s-t-y-x @nightwingshero @water-writings @beneathsakurashade @oya-oya-okay @scint1llat3 (dm to be added)

[genderqueerdykes]

ik there's a lot of examples of why transandrophobia is "valid/real" and whatever. but I think one that stands out to me is when people make comments like "men shouldn't rest or feel safe until menstruation products are free/men have 0 say in any laws surrounding uteruses/men can't ever know what it's like to be a *insert traumatic experience commonly happening to young girls*" and stuff of the like. just conversations that ignore a large portion of the tmen/masc communities existence (and probably some intersex folk too yh?? and enbies who are like man-aligned or js like. yeah transandrophobia effects a lot of ppl) and experiences and I'm like. so what word do I use to describe this? "just use transphobia" what if I want a word to describe my unique experiences for once that isn't an incredibly broad one for the whole community?? Maybe I want one that quickly describes this unique forgeting tmen exist completely js so you can angrily yell at men without repercussions.

what if I'm sick of yelling "transphobia!" just to be told "oh... no I'm talking about CIS men" as if I'm not actually a man, that cis men are more man than I will ever be and like this is a good thing. or being told I'm being hostile and are proof testosterone makes you evil. what do I call it then. you can't separate the man from trans, I'm a TRANS. MAN. and I deserve a word to describe the things I've experienced just like transfems and transwomen and nonbinary people without being told I'm "speaking over anyone"

idk, food for thought maybe infighting and attacking your own community isn't the way forward. maybe hating men, trans or not, will never be the liberating progressive feminist movement you think it is. maybe just maybe hate is not something you're immune to just because you're hated. maybe we all need to calm the fuck down and revaluate some shit and process our own bigotry /nay

this is a great ask, thanks for taking the time to send this, i appreciate you for telling your story and giving feedback. this is the exact reason i made a post a few days ago about how we have to stop holding back on having genuine conversations about queer experiences and the diversity and struggles transness bring. no trans person has it easy. none. we all suffer because cisheteronormative patriarchy hates the concept of transness. it hates trans men and mascs too

just conversations that ignore a large portion of the tmen/masc communities existence (and probably some intersex folk too yh?? and enbies who are like man-aligned or js like. yeah transandrophobia effects a lot of ppl) and experiences and I'm like. so what word do I use to describe this? "just use transphobia" what if I want a word to describe my unique experiences for once that isn't an incredibly broad one for the whole community?? Maybe I want one that quickly describes this unique forgeting tmen exist completely js so you can angrily yell at men without repercussions.

This entire line of thinking has been so pointlessly rude for no reason this entire time. This is legitimately one of the dumbest, pettiest things I have ever seen in my life and I'm saying it like it is: trans women and transfems do not own the concept of having a specific kind of oppression when it comes to transness. Whether or not you want to accept that trans men are also oppressed under patriarchy isn't our business. But it's the truth. And getting upset because transmascs and men wanted to coin "transandrophobia," what exactly is that solving? Genuinely how is that talking over trans women.

what if I'm sick of yelling "transphobia!" just to be told "oh... no I'm talking about CIS men" as if I'm not actually a man, that cis men are more man than I will ever be and like this is a good thing. or being told I'm being hostile and are proof testosterone makes you evil. what do I call it then. you can't separate the man from trans, I'm a TRANS. MAN. and I deserve a word to describe the things I've experienced just like transfems and transwomen and nonbinary people without being told I'm "speaking over anyone"

Absolutely, you and every other transmasc and trans man and related person deserve to be able to discuss your struggles and experiences. Let's have an honest conversation about it for once. Creating a term, and thus a space and forum where people can go to to have a conversation, share experiences and identify with one another means that there is now a dedicated space to having that conversation. That space is not built directly on top of transfem and trans woman spaces. It is built beside it, laterally. This means that if people want to talk about the specific forms of transphobia trans men, transmascs, and some intersex, nonbinary, genderqueer, genderfluid, bigender, agender and other queer people, there is a specific space to do it, reducing the amount of people who are in specifically transfeminine spaces talking about struggles that are not the same.

Having different terms is a very good thing because it means that people who share the same experiences can come together. This means that trans men and mascs now have a place to talk that lowers the chances of them accidentally or even intentally talking over trans women and transfems. This has never been a bad thing. It's a good thing. If transfems and women get to make specific spaces for ourselves, so are transmascs and trans men. They don't have to "just use transphobia". What they're experiencing is unique to them and you don't have the right to tell them what they are and are not experiencing.

If you as a trans woman or transfem do not want to hear about how transmascs and trans men have it, please feel free to go to spaces that are focused around transfems and trans women where you can talk about the similar experiences you have. Don't take our space away from us just because you don't want to listen, though. Trans men still deserve to be able to talk. You don't have to shut up trans men in order for trans women to be heard.

[downtroddendeity]

@sapphirestar98

Hoo boy. Okay.

This is going behind a cut both because this post is already so long and because I generally try not to talk too much about gacha game fandoms on Tumblr because I feel weird about providing free marketing for things with gambling mechanics that can easily destroy people's lives.

Let me see if I can explain this.

So! Despite the aforementioned attempts to mostly keep the amount I talk about it on Tumblr low, I have been into Arknights for several years now. Like, into it enough that I keep breaking down and ranting about it anyway.

The easiest way to describe Arknights is, "Grimdark science fantasy tower defense about catgirls with guns." But this is a little like describing Metal Gear Solid as "a series of stealth games where you play as a genetically-engineered supersoldier": it's a largely accurate description and necessary starting point, but it doesn't remotely prepare you for what you're about to get into, and especially how much of that experience will consist of hour-long cutscenes discussing the human cost of the socioeconomic turmoil following the collapse of the Soviet Union.

Arknights is an otherworld fantasy story and the vast majority of its characters are animal-people, but most of the countries are extremely clear and up-front parallels to real ones- the Ursus Empire is Furry Russia, Siracusa is Furry Italy, Victoria is Furry England, etc. That makes it a setting that's knit together by huge amounts of real-life references, even though the original setting lore is pretty expansive all by itself, which is something they're only able to pull off because there are clearly people on the creative team in a variety of positions who do incredible amounts of research about a wide variety of topics purely out of love of the subject. We're talking deep cuts. We're talking "there is a Halloween costume skin that paraphrases the closing passage of Cormac McCarthy's Blood Meridian, which turned out to be a stealth spoiler for main story plot points several years later." We're talking "a whole storyline centered around 12th-century poetry." We're talking "NPC named for the author of a novel about medical ethics." We're talking heartrending multilayered Russian puns. We're talking the translators once had to swap out the names of several boss levels a few weeks after they released them because they hadn't caught that they were all titles of songs from an Andrew Lloyd Webber musical.

So, this is already a shockingly dense text, and it's intensely and openly political. And on top of all that, their favorite way to foreshadow things is through Dark-Souls-style single-line ambiguous but portentous hints. For someone like me who loves deep reading and overanalyzing for fun, this is catnip. However, for us losers who only speak English, there's a major extra complication: Arknights is made by people in China, in Chinese, and localizing it has got to be one of the most nightmarish translation tasks ever. The English server is 6 months behind the Chinese server, so there's always quite a bit of in-game material that's been released but Anglophones only have sketchy fragmentary translations of, and there are various tie-in materials that we don't know if they'll ever translate at all, notably an in-universe setting guidebook.

So, if I want to get my red string and thumbtacks conspiracy corkboard on properly, I need something like a wiki. I want to be able to check out references I might have missed and hunt for lore breadcrumbs more easily. Pretty basic wiki stuff, right? There's just one tiny little problem.

It's a mobile gacha game about anime catgirls.

And it turns out people who become admins at websites for posting data-mined combat statistics for mobile gacha games about anime catgirls are not always very smart or good at reading.

So the trivia and lore articles are frequently just... wrong. Sometimes it's tiny quibbles or missing nuance that disproportionately annoy me, but other times it's flagrant. Like, there's a character song that prominently references an extremely famous piece of classical music, the serenade from Franz Schubert's "Swan Song." Both the wiki and the not-actually-a-wiki-but-says-it-is-anyway correctly say that the character song is referencing a piece by Schubert... and then link to a completely different Schubert piece that is not referenced in the character song, because both of them are titled "Ständchen" because it. Means "serenade." And somebody made a Twitter thread about classical music references that linked the wrong video, and Gamepress plagiarized it without checking, and the wiki added it to various pages also without checking. And you can tell this immediately if you listen to the songs, but apparently no one has done that in almost 3 years even though @onwardmotley tried to fix it.

Now imagine that across a whole wiki trying to document a game with millions of words of text, which is the only public-facing source about some Chinese-language official material in English.

*sighs and resets "days since last tirade about an extremely obscure subject in a group chat because someone was wrong on the internet about a video game" counter to zero*

[ziotithe]

got inspired by this @puppygirllaika post to make a story about a girl who's a weapon and wrote one up in an incredible frenzy, so here y'all go ^^

ANALOG SENSORY APPARATUS

“can you feel this?” a disembodied voice. familiar yet far. the Wolf can smell it in the tone of their voice, the recognition. she can taste the affirmative movements of their pupils in the air from wherever they are. the wolf gropes blank space for the body, for the feeling. it hears the body’s invisible movements despite the steel spikes railed into its eardrums, catches its sweat  on its tongue despite having no tongue. does the body know it's there? it can feel the wall ahead of its hands. cold emanating like the frozen blood sticking to her skin. her shell? she cannot feel what she is made of. porcelain that feels like skin that feels like metal.

☢

wires stretch from the wolf where its hands – designated paws – split open. fingers wielding claws of freezing metal shards splay in opposite directions. it feels its wounds by the blaring red in its absent vision. every twinge rocking pain through every inch of its sensory wiring. though the wolf is thankful for the red, for it silhouettes the edges of the bifurcated body. it reaches down and wraps the feet of fleshy ropes around its neck. she cannot smell for the seams of her nostrils blocking out any air, and so the stench of death wraps around the wolf like the feeling of warmth and cold. a blanket of tainted air. it feels the wall again, and passes through holding the end of its trophy with the perfectly-bored socket now in its hand.

☢

the wolf doesn’t need to know what it's looking for. it can taste her. her tears smell of REDs and citrine sulfur. or that could be the taste of the scorched earth beneath it’s jagged bird-like walking apparatuses, but the wolf has never been wrong on an assumption. if she can sense it it is all but confirmed to be true. if it is true it can be all but confirmed to be sensed to her. the synesthetic buzzing red in its eyes burnt to a solid yellow. a backdrop ever-present, like she. the smell of rotten filth of the miles ahead left to walk subsumes her sensation capacitors.

☢

ANALOG SENSORY APPARATUS. 

Asa, the wolf corrects.

ANALOG SENSORY APPARATUS.

the wolf tries to ignore it, even while it rocks its entire frame.

ANALOG SENSORY APPARATUS. ANALOG SENSORY APPARATUS. ANA-

the wolf screams. this it can truly do.

DO NOT PROCEED.

she clenches eyes that are not there. the pain of eyes stuck in cold storage 100+ kilometres underground takes over, and it can see the robotic voice ahead of it, alongside 236 cameras and 8 Automated Experiment Apparatuses all watching the wolf. all different angles covering all of its path. it can smell the burning electricity before it comes. it gladly gives up its vision to it.

STOP is all that blares now. slowly, lagged. the orange blackness returns and the wolf is captured back into hooded feeling.

☢

death has followed it. the intestines have molted to one remaining string of gutfly bait. the smell can only hide the rest for so long. especially when there’s 5.9 billion biological sources exuding the same rot. it tears a line through the middle, and is flooded with new tastes. things fermented that had never been prior, brand new scents, rotten organics brought back to vile edibility and parasitoid denizens dead from lack of a host, cooked to perfection in the boxed heat of the body. the wolf’s first taste of uncalibrated-for senses. it can almost hide the death ahead.

☢

chalk walls built on the corpses of previous foundations. now to be splattered with corpses of their own. she can taste the vibrato of their screams, accompanying the clean, delicious flavour of metal slashing through air, and then flesh. superheated splitting oxygen and biological atomic structures. feasting on the corpses of those who once felt, taking for her own. they probably think it is for fun, for its own pleasure. but they are wrong like everything else.

ARE THEY, ASA?

the wolf loves her.

THE ASA ONLY CONSUMES.

it doesn’t have to.

IT IS WHAT IT WAS BUILT FOR.

the smell of the dead doesn't add, it only fills. a hundred corpses is no more sensable than one, except by its continued consumption of the oxygen surrounding. it could be any amount of flesh at her feet, the body ahead is all that matters. 

☢

the wolf lied. it can taste every corpse touching the bottom of it’s ‘legs’. the way out is a buffet of trauma, consuming pain she cannot take.

you are not the Safety Apparatus.

THE SENSORY APPARATUS ONLY TAKES.

i know.

THE SENSORY APPARATUS WAS MADE SOLELY TO CARRY ON.

it knows.

the wolf opens a pocket in its ‘heart’, the sensory memory hole, where everything it was ever calibrated to feel is stored, every Base Assumption burnt into its genetic makeup. there it stores the feeling of its love. the smell of her blood, the taste of her pain, the sight and avoided-sight of the holes boring through her face, the temperature of the grief, and the 36 other senses carrying every memory they’ve ever been part of. it shoves it deep, until the feelings cracks through the space of the heart, permanently indenting the apparatus with its presence. 

and then, it walks.

☢

ruby’s feet dig into the sand with each step. it’s warm. not hot, not burning, not caustic, warm. emily walks alongside her. her face glows in the saccharine rain of the golden hour. their hands clasp together. ruby holds emily’s so tight that surely nothing could separate them but a knife. 

“there’s so much i want to show you” it eventually spouts. “so much i want to feel together.”

“as long as you’re by my side through it all.”