#Want to do something unique or stand out

[thousandyearphantombunker]

gotta love that people will scream about how people like me are abuse apologists and that we defend abusers and how lack of empathy instantly makes you evil but like all I wanna do is point out that a lot of abuse recovery 'help' is ableist as fuck

Like they say people with autism shouldn't be allowed to have kids cause 'they throw tantrums due to emotional dysregulation and they lack empathy and can only care for children in a clinical way' and I see way too many people attack the shit outta severely disabled siblings for having the gall to need a care taker and for 'forcing their sibling to take care of them! So evil' rather than get pissed off at the parents who ACTUALLY forced the able sibling to take care of them and didn't properly care for either and acting like the disabled sibling doesn't exist at all and that any abuse a person with a developmental or psychotic disorder suffers is 'justified not only is putting up with you hard but also your too stupid and delusional to be believed and your natural naivety and psychotic makes taking away your autonomy necessary!'

They kick people with BPD out of groups because they interpret symptoms of BPD in the most abusive way possible and out right state people with npd can't be abuse victims and kick them out of groups because 'they're the abusive ones' like uh they can be abusive but none of npd or bpd's listed symptoms translate directly to 'abusive asshole' y'all make a huge stink about how there is no such thing as a perfect victim and how your bad qualities such as having a short fuse doesn't negate that but when you see a person with a mental illness or developmental disability you freak out- what the hell happened to 'no such thing as a perfect victim'? Personality disorders are caused by trauma and are essentially a bunch of unhealthy coping mechanisms for it- but I forgot they're not allowed to heal like you guys because they are 'bad people'-

you guys talk about how your damned if you fight back damned if you don't fight back and how frustrating it all is and how it's wrong and how there's 'no such thing as a perfect victim' but as soon as mental illness or disability comes into the picture you begin to start victim blaming or claim that they aren't victims- you guys scream no such thing as a perfect victim until the victim has a disability and now 'well she has bpd so she's lying or was acting emotionally unstable and therefore it was okay that she was hurt her dad who beat her was probably teaching her lesson' 'well he has an intellectual disability and is quite naive and over sensitive so taking away his autonomy is okay because he can't possibly understand what he wants! And if he gets hurt is his own fault not his caretakers'

I'm not an abuse apologist for calling out your bad behavior. I forgot 'no excuses' only applies to disabled people and never applies to people who were hurt in the past by disabled people! Wait didn't you guys say your parents/partners bad pasts and traumas don't justify their actions? Great then your trauma doesn't justify kicking people with mental disorders out of help groups unless they've actually done something beyond admitting they have a mental illness. Being a victim doesn't excuse being a dick. I'll also say if your high functioning being mentally ill or disabled it doesn't justify being a dick- I call out shit behavior that isn't being an abuse apologist or saying that you deserved to get hurt or that you weren't hurt. If your an asshole but you got raped or smth your still a victim who deserves help and I'm not gonna defend what your abuser did and I'm gonna wanna help you however I can but I'm still gonna call you out for when your trauma makes you an asshole to me- that's not abuse apologism. Acknowledging ableism in help groups isn't the same as apologism. Narcissists have feelings too, people with developmental disorders aren't braindead, unfeeling idiots unable to be traumatized they deserve love and no form of abuse is ever justified and psychotic people deserve to be listened too. I'm not ever gonna say someone isn't a victim of abuse because they fought back or didn't fight back hard enough or because they're an ableist asshole but I'm gonna call them out on being an ableist asshole or an asshole in general and abusing others back- that shit doesn't make me an apologist it means I'm standing up to bullshit and if you think being abused by someone with a disorder in the past or having trauma from having to take care of a disabled sibling or whatever makes it okay to hurt disabled people? I get to call that shit out. If you were abused and you start abusing others your an abuser too no excuses right? Well remember to apply that shit to how we treat disabled abuse victims-

if you wouldn't do it to a neurotypical person then what makes it okay to do to someone with schizophrenia or bipolar? Your trauma from dealing with disabled people doesn't make it okay to hurt disabled people! I won't ever justify your mom hurting you because she had a mental illness but I also won't justify you abusing someone else be they have a disability and you have trauma around disabled people.

Also depending on the severity of the disability I'm sorry they might count as a victim too and maybe they shouldn't be help accountable- the no excuses shit only applies if they're high functioning enough

If you can acknowledge that your mom or lover's past trauma doesn't justify how they hurt you then you have to acknowledge that your trauma doesn't justify how you hurt others- that includes people with disabilities like npd or autism. If your sibling was so disabled they needed extra attention or you where forced into a parental role your allowed to be angry and shit and to say 'im not gonna be held responsible for someone else, it's my life the system or my parents can figure it out' - cool your establishing healthy boundaries but as soon as you start demonizing them for needing that care I'm gonna call you out- you don't have to take of them but for the love of God don't go around demonizing other disabled people

Also start calling narcissistic abuse, emotional abuse- a lot of people who engage in so called 'narcissistic abuse' are actually not narcissistic or cluster b- heck a lot of them are neurotypical and not mentally handicapped or ill in the slightest.

Stop demonizing personality disorders

Listen to people with psychotic disorders and developmental disabilities

Stop saying people with severe cognitive disabilities can't develop trauma or be depressed or that narcissists don't have feelings etc

stop ignoring or justifying abuse against disabled people. Stop with the perfect victim bullshit.

people who think narcissistic abuse is a thing or that disabled people shouldn't have kids don't clown on this post

[arsenicflame]

steddyhands modern au inspired by this post:

(1828 words, themes of kink but nothing explicit, established blackhands & gentlebeard-centric. Happy Pride!)

Stede picks up leatherworking in the wake of his divorce. He's not exactly sure how it ended up being such an important hobby for him, only that he had always admired the intricate designs on his horse's best bridles, and with little else to do with his time, he decides to give it a go.

It's rocky going at first, but he's having fun working with his hands for the first time in his life, and there's a sense of satisfaction in seeing the design come to life as he works. With practice, his skills improve, and he learns how to make things that are truly one of a kind.

He starts off posting his pieces online, as a way to reach fellow enthusiasts, but quickly finds himself with a rather large audience. Stede’s style is unique, and, after many requests from his followers, Lucius encourages him to make some more basic pieces he can sell. It's not about making money for Stede, but another way to meet new people who share his interests- as Lucius keeps telling him, it's sad that his personal assistant is the main person he talks to these days. 

So Stede sets out on a new adventure, and has quite the time designing a new range of patterns for the market. He makes purses, belts, bracelets, and, most importantly, dog collars- all still with his unique designs embossed into them, of course. He rents a booth at his towns monthly craft fair, and very quickly finds himself with a new group of friends in the other regulars- Pete, his usual neighbour, who sells an array of wooden figures he carves, Roach, who runs a stand for his bakery, and Frenchie, who isn't actually a stallholder, but is almost always busking near his friend Wee John’s stand of knitted goods, bringing life to the market even in the pouring rain. There's also Buttons, another regular at the market. Nobody is exactly sure what he does there- he doesn't sell things, or seem to buy anything either, but rain or shine, he's there with the birds.

Stede’s been doing this a few months by the time June rolls around. As he's setting up his stand, he notices that the area is much busier than it’d normally be at this time of morning. Lucius, who got roped into helping run Stede’s stall somewhere down the line (despite his protests that this is not what personal assistant means… But hey, he got a boyfriend out of it, at least), reminds him that there's the parade today, too- not realising that Stede had no clue there was a parade today, and especially not that it was pride. Stede immediately jumps to fretting about the amount of stock he’s brought, and Lucius takes the cue to escape, saying he’ll go and grab them coffee (but really, he's off to flirt with Pete)

Lucius is still missing when Ed stumbles across the little leather stall. Stede’s just ran back to his car to fetch his last boxes of inventory, and by the time he returns, Ed’s already begun to narrow down his choices. Stede greets him, starting to tell him that they're not actually open yet, but before he gets more than a couple of words out, Ed’s exclaiming “You're a Kiwi!!!”

The two of them smile at the shared recognition, and Stede says he’ll make an exception, just for Ed, and asks him what exactly he was interested in. Ed tells him that he's looking for a collar “for his boy”, and points out the particular design he was looking at. It happens to be one of Stede’s favourites from this latest run of work, a fact he mentions to Ed. It leads them into a discussion about Stede’s craft, and Ed’s Izzy, and then everything in between. Ed’s listening intently to the things Stede’s telling him, completely drawn in by the process, and by Stede himself. He watches as Stede stamps Izzy's name into the collar, and Stede even lets him have a go at one of the stamps. 

Lucius reappears sometime in the middle of this- only to immediately retreat again, seeing Stede engrossed with Ed. He sets up camp at Pete's booth opposite, watching this man flirt intensely with his boss- and Stede flirt back just as hard. Does Stede even realise he’s doing it? Lucius had known Stede was gay since before Stede even admitted it to himself, but this is on a whole other level.

The pair stand there so long that Izzy comes to look for Ed- the two of them are manning a float on the parade with their crew, and it's past time for them to get geared up. He's already worked up, frustrated to have been left to set up everything alone, when Ed had just gone to see if he could get them both coffee. So maybe he's a bit of a prick, approaching with a brash “where the fuck have you been, Edward”, to which Stede brings the same energy, giving a bitchy “Ed! Do you know this guy?” Izzy tenses, ready to snap, but then Ed cuts in, excitedly telling Stede that this is “his Izzy!” Which confuses the hell out of Stede. 

Forgetting his earlier attitude, he asks Ed if he “really named his dog after his friend”, only to be met with confusion right back from Ed at where the hell Stede got the idea he had a dog from. Stede gestures at the bag with the collar in it, to which Ed has to tell him, “oh, no, that's for him.” Ed tells Stede that they're here to run a float for their local leather society, and while Stede is certainly shocked by what Ed’s saying, he's not finding himself… uninterested. It's simply that he’s never even considered any of this before, especially not that people would use the things that he made for this, but Ed sounds so enthusiastic about it all. He tells him about how his friends would love to see Stede’s work, about how classic leather gear is always so fucking boring- but not Stede’s stuff, no, Stede’s stuff is “fresh” and “fascinating” and unlike anything Ed’s ever seen before. 

Ed's enthusiasm is incredibly infectious, so when he invites Stede to come back to see their float, he readily agrees. It’s a concept Izzy’s less than enthusiastic about. He doesn’t really want to bring this man who’s dressed like he just walked out of a HOA board meeting to their kinky little corner of the world, but he is having a lot of fun watching Stede squirm, so decides not to raise a protest. He does demand he gets his long-overdue coffee first, though (Stede pays for it- as “compensation for him distracting Ed from his job”, he says, not giving Izzy a second to process before he's tapping his card)

By the time they return to the float, Fang, Ivan & Jim are waiting for them, all already geared up. Stede is stunned silent at the sight for about 5 seconds, before he starts actually looking at the quality of Jim’s harness, and proceeds to go off about the poor quality of the craftsmanship, about how the hardware is tacky and completely the wrong choice with this leather, how his “ten year old daughter could do a better job!!!” 

There's complete silence from the group, until Izzy, of all people, bursts into laughter at Stede’s audacity (and, the fact he was staring at Jim's tits completely unabashedly, like he hadn't even noticed them in the first place). Izzy's laughter sets Ed off as he tells the group about Stede’s misunderstanding- “you didn't say he was a person!” “I mean, he's my dog”- and soon everyone's having a friendly giggle at Stede’s mistake.

It's somewhere in the middle of the retelling that Ed remembers that this whole thing happened because he was buying Izzy a gift. After a moments fumbling, he presents Izzy with the collar-  It's a rich, deep black, embossed with a rolling pattern that resembles waves. It’s made from a firm enough leather to take the tooling, and to remind Izzy that he’s owned while he’s wearing it, yet still soft enough for long term comfort. Izzy's eyes immediately lock on to it, an unreadable expression coming over his face, and Ed turns it; first so he can really see the design and Izzy’s name embossed into it, and then so he can see the small “Ed ♥” on the inside of the collar, right over his swallow tattoo. 

“I did the heart,” Ed says to him softly, intended only for Izzy’s ears. Izzy's eyes flick up to Ed’s, and he raises his chin to give Ed the room to put it on. Ed buckles the collar around his neck almost reverently, a test of the tightness turning into a caress of Izzy's neck. It's a perfect fit.

It's as though something comes over Izzy; so twitchy and abrasive earlier, now silent, staring at Ed with a look akin to worship in his eyes. He obediently tilts his head for a kiss as Ed's fingers move to his chin- It's a sight to behold, and one that has Stede intrigued. He wants to know more about this lifestyle, and these men in particular. He wants to be the one to put that expression on Izzy's face.

The moment breaks as Ed and Izzy pull apart, and Ed calls for the crew to finish the last bits of set up. Izzy shakes himself a little before running off to bark orders again, but even still, there remains a softness to him that wasn't there before. 

Ed turns back to Stede with an apologetic smile, already obvious that he has to get going. Before he can speak, however, Stede jumps in -“My business numbers on the card in the box… I'll be around all day”- Ed’s smile turns more genuine at that, promising to stop by if he gets a moment, and that he’ll send his friend's Stede’s way- “if he wants that kind of business.” Stede says that he does, actually- that he's seen a whole new world already today, and, while he was a little taken aback at first, he can feel the passion Ed and his friends have for this life. If there's one thing that's ever mattered to Stede, it's other people's enthusiasm. Maybe he doesn't completely understand yet, but he would like to try.

One year later, Stede’s back at the market on pride weekend again, far better stocked for the crowds this time around. Lucius is finally free to spend the day flirting with Fang & Pete to his heart's content, now that Stede’s roped his own boyfriends into helping him run the stall- and into modelling the merchandise. Ed loves that part, while Izzy needs a lot more convincing, but the puppy eyes Stede & Ed weaponise against him make a very good argument.

[shmorp-mcdurgen]

Figured i'd start actually. slowly reintroducing the new monster au turned oc project by first posting the new character names!

Mark -> Markus Adrianne Addams (Mark/Chris) Cesar -> Martin Garcia Sarah -> Amber Addams (Ace) Thatcher -> Jackson Hyde (Jack) Ruth -> Mabel Palmer Dave -> Barney Holmes Evelin -> Olivia Davis (Liv) Jonah -> Aaron Jones (AJ)

Another thing I wanted to introduce, this universe from now on will be referred to as Whispers of Willows!

[kingdomoftyto]

...BIG FEELS AND BIG PLOT DEVELOPMENTS AT THE END OF THAT BOOK, HUH

[website-com]

i got a ds as my christmas present a few years back with a copy of animal crossing (which is considered a bad version of the game btw) and something i keep coming back to is these little objectively somewhat pointless interactions like going for a coffee. you just go to the cafe, and buy a cup. you drink it, and you leave. i always say goodbye before i go. im trying to say thanks. i cant really see any practical reason for doing it, it is objectively just a money suck, but i love doing it. at first i thought the little bird who runs it might open up to me but he doesnt seem the type, but i still like him, so i go and visit him. it feels so real. like he remembers me but doesnt like talking about it. its such an incredibly special and intimate feeling. i wonder if other games at the time were able to cultivate this or if it was unique

[seaglassdinosaur]

I find it low-key funny that we get individual episodes that explore Joe and Sam’s ethnic, cultural, and familial heritage, and then Fred is just over there. With his hecking. Baseball cap.

[memecatwings]

i looooooove how babygirl vash is in trigun stampede but everything else about this reboot is kind of giving me the ick sorry

[axellis-archv-2]

hey *takes what was supposed to be just a visualization in case i ever wanted to draw overhallidays place in the future and then spends 4 hours on it

[mostly-imagines]

Sugar on the Rim vol. I

bruce wayne x afab!reader

aka the billionaires new friend

warnings: implied that reader is a virgin, age gap (bruce is older than reader), mentions of sex, smut in next part

You twist the stem of the wine glass around between your fingers slowly. Your chin rests atop your knees as you stare vacantly at the tiny puddle left of the drink. You could go refill it, but then you’d have to go back out to the main room and man…you really do not want to do that. So you’ll sit here, swiping your tongue across the bumps of the roof of your mouth as if it's a fascinating new discovery.

The creak of hinges has you shooting upright, your back thumping against the stair step behind you. You’re not immediately sure how to act as though it’s normal that you’re sitting in the stairwell outside the fundraiser rather than in it, fraternizing with old and new money alike. You freeze, trying to relax your posture so it doesn’t look like you’re alarmed at the sight of another person, but not so relaxed that you look as bored as you are.

Your neutrality stutters when you glance up to find the host of the fundraiser. The billionaire host of the fundraiser. Bruce Wayne, the billionaire host of the fundraiser. Your posture straightens right back up and your mouth snaps shut as you make eye contact.

Should you stand up? 

No, he’s rich, not royalty. 

You are in his house though—

He looks you over contemplatively, “I don’t know you,” It’s not accusatory, rather he says it like it’s something interesting.

You perk up at that, immediately formulating reasons to justify your presence. “Oh, uh, no—” the words nearly spill out of your mouth all at once. You clear your throat, “I’m just a plus one for my boss—”

“Who’s your boss?” he asks, relaxed. 

“Arthur Mullins.”

He looks to the side, squinting, “Mullins…he’s the executive at Williamson Industries, yes?”

You nod and he returns the gesture, slower, like he’s processing through something. “I’m Bruce,” he says warmly after a moment, holding his hand out to you.

You nod before you can even think to get any words to come out, “I—yeah, I know,” you accept his hand, shaking it as you tell him your name.

There’s a slight glint in his eye when he hears your name, and he repeats it quietly to himself. “A pretty name.”

“Oh, it’s just…” Just your name. But rather than fill him in on that fascinating tidbit, you let the sentence die off.

He smiles kindly anyway, “What are you doing in here? Party’s out there, or so they tell me.”

“I…I’m hiding in here,” you admit sheepishly.

He leans in towards you slightly, lowering his voice. “I’ll let you in on a secret—so am I,” he smiles at you like it’s easy.

Your grin matches his, “It’s your party,”

“That’s why I need to hide.” He tilts his head, “Doesn’t give you much of an excuse though, does it?”

“I don’t know anybody here.”

He puckers his bottom lip contemplatively, “Your boss.”

You shake your head, “I’m just his assistant. I’m pretty sure he just brought me as a precaution in case he needed a designated driver.”

He laughs at that, “Based on the way I’ve seen Mullins’ attempts to operate, his assistant would have to be a hell of a lot more important than just a designated driver.”

Well, he’s certainly right about that. Your boss doesn’t exactly “have it together” per se. He’s an unorganized man with little to justify his importance in Gotham, so he tends to insist on taking on more responsibility than he has any business having. Not to mention, he’s a bit of a try-hard and you’re constantly left to sweep up the pieces of his reputation that he shattered himself. Not to say he’s necessarily unprofessional, he just will do anything and everything to prove he belongs in any given space. It’s honestly a bit exhausting to watch. It’s more exhausting to try and convince him that the exchange went well afterwards.

You nod slowly, eyes on his shoes. “Mr. Mullins has…a unique approach to business. It does usually leave me fairly busy, I’ll give you that.” You take a quick deep breath, plastering on a fake smile. “But that means I occasionally get to go to fancy parties where I don’t know anyone, so..”

“Well then it sounds like you’ve got it all worked out,” he ribs, “Or don’t you agree?”

You smile coyly, “I would never be so bold.”

“I don’t mind boldness. For example, the reason I came in here is because he spotted me.”

You laugh at that, “Mr. Wayne—”

“Bruce.”

“Mr. Wayne,” you suppress your smile as you pause, choosing your words carefully. “I think he’s just networking.” He doesn’t have the money to give.

He nods surely, “He’s definitely just networking.” He really doesn’t have the money to give. You allow just the faintest wisp of a smile to adorn your face as you look down again.

You check the time and realize that you’ve been hiding away for too long and that if he hasn’t already, your boss will notice soon. You sigh quietly to yourself, “I should..”

He turns his head to the closed door where the chatter can be heard from beyond, sighing in defeat as he shakes his head looking back at you. “So should I.”

You feel a bit insecure as you stand, the gown you’re wearing is pretty but it is very much affordable and you’re sure someone as wealthy as Bruce Wayne would know the difference.

If he does notice he makes no deal of it, motioning you forward gallantly to walk ahead of him.

He follows after you, hands behind his back. “Would it be rude of me to ask you to distract him while I run for the bar?”

It’s busy, even for a Sunday afternoon, and you have to sidestep past someone nearly every step you take. You stick next to the windows of the line of boutiques down the road, trying to balance window shopping and not bumping into other pedestrians.

You're in a nicer district of Gotham, truthfully an area you don't quite belong in. So far you’ve only managed to find a couple shops that weren’t several ranges above your budget. 

A call of your name has you blinking rapidly and turning around as if you’re lost. It doesn’t take long for you to pick the six foot two billionaire out of the crowd and it’s only half a second longer before you realize he’s walking towards you. A few people collide shoulders with you as they move past thoughtlessly, no regard for the personal space of the idiot that stopped in the flow of traffic.

You let him approach a couple feet closer before you ask him, “Is there something I can do for you, Mr. Wayne?” The presence of his figure in front of you allows for a break from being bumped into, as he seemingly makes for a far more easily seen and intentionally avoided target.

He sways a bit, “Bruce. I’m not sure yet,” he looks down to the couple of bags you’re holding, extending his hand out. “May I?”

It takes you just a moment to move past your surprise at the request, allowing him to hold them for you. “Are you in a rush?”

You shake your head quicker than you meant to, “No, I—not at all,” he gestures his head forward, allowing you to walk before him.

You traipse ahead in silence for a moment before deciding against biting your tongue, “What exactly is it you’re not sure about?”

He raises his voice a bit so you can hear him over the crowd, “Whether or not you’ve got plans on the 19th.”

You look back at him, “What’s on the 19th?”

He stops with you as you admire a set of jewelry inside a window display, “We’re hosting a gala for something or something else, hopefully less boring than the fundraiser.”

You blink, “You’re inviting me?” He nods. “Why?”

“I could use someone who wants to be there even less than I do.”

He said it so casually it takes you a second to even register his meaning. You blink, face contorting defensively, “That’s not—” you can barely make out the smile on his face as he continues on walking.

You shake your composure back together and trail after him, rushing to catch up. “I don’t think Mr. Mullins would be very happy to hear that I’m attending a business gala without him.”

He shakes his head as he scans over the crowd, “He can’t fire you for that.”

“He’ll try.” He would. A petty little man, he is. 

He scans across the rows of clothes leisurely. “Well, then he can speak to me about it. Besides, it wouldn’t be for business.” And then he just lets that sentence linger.

It takes you a moment to recover from those words and begin to start processing the world around you again. After a few more feet down the sidewalk he pulls you gently to the side by your lower arm, out of the rush of traffic, and looks at you dead on, “What do you think?”

You try not to waver under the weight of the eye contact, “I don’t…uh, I don’t really have…” you look down, hoping to get the message across without actually having to say the words.

He glances into the store window next to you and raises his eyebrows, “Well then I’d say we’re in the right place.”

You can’t manage to tell him that this store is definitely far too expensive for you, walking through the door as he opens it for you, albeit apprehensively.

Well. Up close window shopping is more fun anyways. 

The spotless white of the floors and walls has you intimidated, and just as much so by less by the no doubt designer clothes lining the walls. The saleswomen all look pretty highbrow themselves, hair up in tight buns and uniforms chic.

You only break from gawking at the store to look behind you at Bruce. You note the way his eyes roam around blindly, looking for something and clearly having no means to narrow down where it might be. You take one more glance around, immediately finding the women's section with no such difficulty. 

“This way.” You say, nodding your head over to the left. He recovers nicely and lets you lead the way towards the section of dresses. You peer back at him, “You don’t seem like someone that does much of his own shopping.”

Thankfully, he laughs at that. “Well, special occasions.”

You keep your gaze ahead this time, asking as casually as you can, “Is this a special occasion?”

He hums in consideration, “I’d say so.”

You stop upon approaching the dress section, taking in the immediately stunning display of options. 

“What are you doing up here anyways?” you ask, hand brushing across a particularly plush dress.

“Ah, I was headed to a meeting.”

“Oh,” you frown, looking at him. “Don’t you need to go?”

He shakes his head with a puckered lower lip, “No.”

A few seemingly heiresses roam down the aisle mindlessly, not caring much that you’re in their path. 

Bruce sees them before you do, knowing well that they were not going to excuse themselves. “Sweetheart,” he nudges you gently to the side, closer to him as the group passes. His hand remained open-palmed and flat as he guided you to the side, seemingly very careful not to touch you with uninvited boldness. Though you’re quite shaken by the chivalry of the gesture, a brazen touch wouldn’t have been the worst thing in the world.

As your arm brushes against a rack of clothing your gaze follows, met with something rather appealing.

Bruce is quick to notice you admiring the sleek black dress that looks like something you’d see a model wearing on a runway. “You like that one?”

“It’s nice, yeah,” you murmur, not really thinking. You flip the price tag over and your face drops. “It’s $800.”

He nods thoughtfully, “We can find a nicer one,” he says, though it’s clear he knows exactly what your problem with the price tag was.

“I can’t—” you restart, “I would never have a reason to wear something this nice again.”

He shakes his head coolly, “That’s alright.”

Your shoulders drop and your head tilts seriously, “It’s not, though.”

“You like it?” He looks you in the eyes, his own searching for a truthful answer.

“I mean, of course, but it—”

He nods affirmatively, “Then we’ll get it. Problem solved.” He turns his back to the rack, casually observing the rest of the store goers. “Pick your size.”

Apparently not one to argue, you thumb through the row until you find one that should fit. 

You sigh, realizing that you’re running out of time to mention that you don’t have $800 to spend on a dress. “I can’t—”

“You don’t need to,” he says simply as he takes the dress off the rack and drapes it across his arm, making his way towards the salescounter.

You try to stop your mouth from hanging open as you follow, “It really is okay, I don’t need—”

His grin cuts you off, just in time for you to hear him mutter, “Sweet girl..” to himself. You stop right in your tracks, feeling very thankful that he’s not looking at you right now because you’re certain the look on your face would give you away.

He still doesn’t face you as he calls out, “Come on,” as he continues on.

Obviously you’re not stupid. You know what type of intentions a billionaire playboy must have with a younger girl that he doesn’t even really know. However, if said billionaire is offering to buy you a pretty dress…no, you’re not sleeping with him because he bought you a dress—of course not—and you’ve made absolutely no promises to do so, so what’s the harm in letting him? Really?

And yeah, maybe it’s a plus that he’s not bad looking, but how is that your fault?

You stand a bit awkwardly next to him as he puts his card in the machine, not even glancing at the outrageous number, and declines the offer for the receipt.

As you exit the store together and stand at the doors as he hands your original two bags back to you along with the new shiny black one that on its own looks like something people would pay for.

“You will be there?” he asks, eyes more hopeful than you were prepared for. 

You nod, gesturing the bag up, “Well you just bought me the dress.”

He shrugs that off, “I would’ve bought you the dress anyways.”

You linger in the midst of the ado wearing a dress that you feel far too overshadowed by, fidgeting with the half empty wine glass in your hand. Unfortunately, this time around you were invited by the host of the event and it would be extra rude to run away and hide. That doesn’t stop you from considering it, though.

A hand sliding across your lower back has you momentarily startled, and for reasons you couldn’t quite verbalize, you’d naturally assumed it was Bruce. The disappointment rings strong when you turn around to be met with the sight of an even older man, who looks considerably wine drunk. 

“Hello there, Miss.,” The words themselves are polite but the salacious smile on his face and the way his eyes have no trouble roaming your body gives you a solid idea of what this conversation is going to entail.

“Hello,” you fake a polite, tight smile and shift your attention to the rest of the room. 

This does nothing to deter him, as he takes a sizable step back into your line of sight. “Having a nice time?” 

The man is clearly from money, if his attire didn’t give it away his attitude sure did. There’s an heir of entitlement around him, like he’s inherently deservant of your attention—a quality you were notably surprised to not have found in Bruce. 

You give him your faux-smile again, this time tighter but half a second longer for the sake of politeness. A rookie mistake.

“Can I buy you a drink?” He asks, gesturing to the bar.

“I’m okay, thank you,” you say, gesturing your wine glass up.

A momentary flash of irritation crosses his face, but to his credit, he does a better job recovering from it than you would have expected. Though, that’s not really saying much. “Well, pretty little thing like you shouldn’t be all alone here,”

“I’m afraid you’re mistaken,” Both of your heads snap to the side, finding a much more welcome surprise than you’d previously received. 

Your counterpart's posture straightens immediately, “Mr. Wayne,” he fawns, “What a lovely event you’ve thrown. I’m sure the Bernsteins will be appreciative.”

Bruce hums, eyes narrowed slightly. “You are…”

The man startles and rushes to finish off his sentence, “Alexander Watson, senior executive to the accounting department for the research wing of the company.”

He nods slowly, no recognition actually present in his eyes. “Ah. The research wing of the company that just blew fifteen million dollars on prototype self-operating cell phones.”

You’re trying hard to fight the smile creeping up on your face.

“What exactly is a self-operating cell phone?”

Watson’s face drops, hurrying to justify his approval of the proposal’s funding. As he rambles, Bruce’s gaze lowers to where Watson has once again placed his hand on your hip, though he’s not close enough to you for it to rest fully or naturally. You don’t know him well but you can say confidently that he doesn’t look pleased. 

He looks back up to Watson, attitude challenging. “Surely you’re not poking around where you’re unwelcome?”

Watson stutters at that, blinking and shaking his head quickly. “No, no, of course not! I was just hoping to provide the young lady with some company. That’s all.”

“And so you have.”

“I—,” about two steps behind in this conversation, Watson finally decides to retreat, “Yes, good evening, Mr. Wayne.” He bows his head and shuffles away back into the crowd.

“Mr. Wayne,” you smile knowingly, turning to him. “How are you?”

The hardness of his gaze fades quickly as he takes in your appearance, quite liking how you wear the dress you’d picked out.

“Things are looking up,” he smiles, “You look lovely.”

 “Thank you,” you glance over to where Watson has made his way to the bar, likely about to down an entire glass. “Mr., uh, Mr. Watson makes quite the impression.”

His smile turns a bit sullen, “You know last year he tried to convince the board that battery-powered battery chargers were going to be the next big thing?”

You blink, tilting your head, “Thought you didn’t know who he was.”

His eyes are fixed on the wall as he tugs the corner of his lip down, knowing he’s been caught but not really caring. “I’m sorry to have been away for so long, it seems everyone needs my attention at these things.”

“At the gala that you threw? I’d imagine so.”

He rolls past that smoothly, “You’re having a good time?”

“I am,” you say with a confirming head bob.

He regards the room with a numb expression, “You know, I think I’m getting bored with all of this.”

You smile at him, brow furrowed, “It’s only been an hour.”

He looks at you, eyes wide. “It’s only been an hour?” He’s exaggerating his surprise to make you smile, and it works.

“I think we should go,” he says lower.

You stare at him, bemused. “You still have a whole room full of guests.” 

He shrugs, “They’ll filter out on their own eventually.” 

He clocks your hesitation easily, accurately noting it to be more out of politeness than actually wanting to stay at the party. “What, you’re not ready to leave?”

You look around at all the mostly old, posh guests, disinterested small talk evident all across the room. You take a breath, “Alright, yeah. Let’s go.”

He smiles and leads you out a side door and through a corridor that’s significantly longer than you’d expected. 

“Do you always ditch your parties this early?” you ask, following closely.

He makes a sharp right at the next doorway, “If I can manage it.”

You look around at the high wooden ceilings and grand furniture. “Aren’t some of them friends of yours?”

He shakes his head, “My friends aren’t here.”

You frown at that, “Then why do you throw them at all?”

“Why did you show up last weekend?”

You nod slowly, understanding. “It’s your job.”

He returns the nod, adding, “Only difference is, there’s not a chance in hell you get paid enough for the work you do for Mullins.”

For the sake of maintaining your wishful facade of professionalism, you’re going to not acknowledge that incredibly accurate statement. Instead you smile politely and continue on walking. He seems to get the implication, returning it with an even brighter adornment.

“Well, money’s money,” you say wryly.

His smile fades a bit, “You shouldn’t have to worry about things like that.” 

You shrug, “A day in the life,”

He looks sullen upon hearing that, with more sympathy than you’d have expected from someone of his stature. He’s done nothing if not surprise you, though.

“Here,” he says, taking hold of the handle of a glass door. It opens to a garden, lit up beautifully by the moon and outdoor light. A fountain sits in the middle, water rhythmically gushing out of the top and trickling down the sides. The bite of the Gotham night air burns at your cheeks a bit and you find yourself thankful the dress you’d chosen is so long.

Bruce leads the way to an expensive marble bench positioned nicely in front of it, allowing you to sit first before following suit. Your hands find a place in your lap, clasped together awkwardly in an attempt to find warmth through contact.

It takes Bruce less than ten seconds to stand, remove his suit jacket, and drape it over your shoulders before sitting back down. The material is thicker and warmer than you would’ve expected, surely reminiscent of the perks of being owned by a billionaire.

He doesn’t look at you to acknowledge the grateful expression on your face, simply carrying on like it didn’t happen. “Was hoping it was warmer,” he murmurs.

Your focus momentarily goes to the icy cold stone of the bench under your thighs, initially finding it uncomfortable before deciding the coolness actually felt quite soothing. You remove your gaze from the gray stone and turn your head to find Bruce already focused on you.

You start to say something, though you’re not sure what it would’ve been, when he brushes his thumb over your bottom lip, pulling it down.

Well, he certainly knows what he’s doing, doesn’t he?

His eyes stay on your lower lip as he murmurs, “You’re a pretty girl, you know that?” 

God, he’s a professional.

You look up at him and refrain from saying anything, waiting to see if he follows it up with something that will make you regret agreeing to coming out here with him.

He doesn’t.

You shift, moving your hands off your lap to rest on the stone under you. “You can’t just do this—”

He smiles and lowers his chin to look you in the eyes, “Then what can I do for you?”

“You—” you blink rapidly, “Stop it.”

His coy beam persists, “Stop what?”

You raise your gaze up to him ever so slightly, a pouty expression across your face that you’re trying to sell as serious. “You’re trying to make me nervous.”

“Do I make you nervous?” He tilts his head down further, a ghost of a smile echoing on his lips, “I don’t mean to, sweet girl.”

Your eyes drop to the ground, biting your tongue. “Yeah.”

His simper grows, “I’m serious. I’d hate to scare away a new friend.”

You laugh at that and he perks up a bit at the sound, “What? We’re not friends?”

You cock your head to the side, “You’re the one who said none of your friends are here.”

He hums, “Maybe I spoke too soon.”

“You think so?” You should probably stop flirting so much. 

“Yeah,” he leans in a bit closer, “I do.”

“Why’s that?”

“Maybe I want to be your friend,” his hand finds a place atop yours. 

Your eyes flicker across his face as he closes in, “What if I don’t want to be yours?”

His eyes are on your lips, “I’m sure we can work something out.”

You take a slow deep breath, “Your intentions are blurry.”

He smiles lightly, amused. “We’ll have to clear that up then, won’t we?” His lips are inches away and his voice is soft as he says, “I’m going to kiss you now, okay?”

You look up at him eyes wide, barely processing his words as you nod. He gently grasps your jaw in his hand, tilting your head up. His other hand finds the back of your head, holding you in place as he kisses you with intention. Your hands hover in the air for a second before holding onto his forearms. 

He breaks the kiss only to give you another sweet one right after. Your mouths remain close when it’s over, eyes still shut, trying to catch your breath. You stay like that for a moment until he kisses you once more on your cheekbone before pulling away. His hands drop to rest on your knees, the weight of them gentle.

He hums lowly, “Sweet thing..”

Being under the heaviness of his gaze leaves you feeling vulnerable. It’s starting to get you concerned with the potential levity and implications of kissing him. The expectations.

“You…” you stare down at where his hands meet your skin, not quite sure that you actually meant to start that sentence. 

“What?” he frowns, brow pinched. Your chin lowers further as your mouth forms a tight line. He shakes his head, “No, it’s alright. What is it?” he asks gently.

It takes a surge of willpower for you to get the sentence out, “You just want to sleep with me..”

He frowns harder at that, pulling back a bit. “No. I’m…” he sighs, “I’m not trying to lure you in just to toss you out right after.”

That makes you look up again. His voice has a sincerity to it that you weren’t prepared for. 

He continues, “I would like to, yes. Yeah. You’re beautiful, of course I would, but..” he looks down at his hands before looking back up at you, “No, that’s not the most important thing to me.”

You break eye contact again, thinking over his words. If that’s not the most important thing to him, what is? You can’t think of what else he could possibly want from you, a billionaire who could have anything he wants..the only thing you could have to offer in his eyes is sex. 

Right?

He exhales, “If you want to leave, I’ll call you a car. No hard feelings.” He nudges your chin up gently so you’ll look at him, but he gives you the freedom to fight against it if you wanted to.

You let him move you.

“I don’t want to leave,” you tell him, looking into his eyes. “What do you want?”

“Whatever you want,” he says it like it’s automatic. You physically can’t help but roll your eyes at the corniness of it. He doubles down, though, “Seriously. Anything.”

You smile in disbelief, shaking your head.

“Alright,” he returns your smile, straightening, “Here’s what we’re going to do. Do you need a ride home?”

You blink at him, “I’m going home?”

“You are,” he nods softly, “Do you need a ride?”

“No.”

He nods again, more like he’s working through something in his head. “Okay. You’re going to go home and think through what you want. If you decide you want to, come back here next Saturday.” he stands up, extending his hand out to you, “Then you can let me know what else you want and we can get to work on that too.”

You start to shake your head, “I can—” 

He drops his chin seriously, “Think on it.”

You relent easily, taking his hand and coming to a stand.

“Alright?” Again, his question is genuine. He does really want to know if you’re on board with this plan. 

Already going against his request, you agree without a thought, “Okay.”

He starts to lead you back over to the garden door with a head nod and a kind smile.

It ultimately was not a decision you had to think very hard on.

You’d considered every scenario of how this could play out and none of them ended with regret as far as you could guess.

You’ll still admit though, there was one scenario you had missed, apparently, which is why you were immeasurably confused when you showed up and he invited you to play chess.

He’s not wearing a fancy three piece suit this time, but his clothes are still very nice. With the sunlight peeking through the windows, you’re able to see the manor more clearly than you had been the other night. It really is a beautiful home, clearly very old and charmed, but there’s a lot of little details of character and history scattered around. There’s portraits and photographs of his parents from when he was young and furniture decorated with trinkets all throughout, kept absolutely spotless and dust free. Everything is neat and tidy but there’s still traces of the house being lived in with the patched throw pillows and worn carpets. Still, it’s very, very placid.

You’ve met new money plenty of times over the course of dealing with countless businessmen for Mr. Mullins but old money is something entirely different. You don’t really have a frame of reference here. New money is almost always brash and demanding, they like things done quickly and correctly the first time around. They’re usually not very interested in hearing what you have to say (even if it would save them a lot of trouble) and prefer it when the assistants women keep their mouths shut. Bruce has proven to be very different from these standards already and you’re not sure where to begin with placing new ones.

You’re about halfway through a second game, and while you’re not awful at chess, you get the impression that he’s easing up on you considerably.

You sit on the floor in front of a short coffee table, the game having no clear lead so far.

“I think this is stressing me,” you mumble, no actual weight behind your words.

“It’s just chess,” he says, not looking up from the board.

You watch him move his knight forward as you ask, “And that’s all we’re doing?”

“As it stands, yes,” he looks up at you, though you don’t return his gaze.

“Yeah,” you sigh, sliding your rook, “But later?”

“Later?”

“Well, you said...” you meet his eyes, “You said you wanted to sleep with me.”

He nods slowly, “I do. Is that alright?”

You consider it for a moment. You already knew that, if you really weren’t okay with it you wouldn’t have come here. And yeah, the idea makes you a little shaky, but in a good way.

“Yes,” you tell him, moving your queen forward two spaces.

“Are you sure?” he presses, moving to sit on the side of the table rather than behind it.

You do the same, sitting on your knees. “Yeah, I just..” you shift your weight, eyes wandering. “I’m not…overly experienced.”

He just smiles at that, like it’s endearing. Your words didn’t quite convey your meaning but your tone did. In any case, he understands the implication. “That’s alright, sweetheart. I’m not going to throw you in the deep end.”

You nod, looking down again.

“You’re nervous,” he comments.

“No, I’m—I mean, maybe,” your voice is barely a murmur by the end of the sentence.

He’s quiet for a moment, observing the way you fiddle with your rings. “What if we get you something pretty to wear? Something that makes you feel pretty. Whatever you want.”

He fishes his wallet out of his pocket, opening and pulling out a lump of cash without even looking. He holds the money out to you wordlessly and you can see from the bill on the outside that it’s at least a couple hundred dollars.

You shake your head instantly, “I can’t take that.”

He doesn’t put the money down but his eyes turn to begging. “Please. I just want you to feel good.”

“Bruce—”

He wavers a bit at that but it’s more of a falter than you’ve seen from him before so it’s easy to take notice of. “What?”

He shrugs barely, “I like when you say my name.”

Your eye contact holds for a moment and your resolve starts to shake almost instantly.

You exhale, “I’m not taking more than a hundred.”

“Two hundred.”

“Bruce.”

He smiles and picks out some of the cash and pockets it, handing you the rest. You don’t comment on the fact that it’s a hundred and fifty more than you’d agreed on.

You look down at the money in your hand like it’s a foreign object, shaking your head. “I don’t even know what to get.”

His thumbs start to rub reassuring circles by the bend of your knees, “Anything you want,” he tells you. “What do you like? Silk, lace, cotton, anything.”

You look up, tilting your head at him with a furrowed brow. “It doesn’t matter what I like, th—”

“It only matters what you like,” He says seriously, lowering himself to meet your gaze. “I’ll love it, no matter what you pick. Don’t worry about that.”

You lean forward a bit instinctually, “Okay.”

His eyes scan across your face in something that you can only recognize as awe.

“Why are you looking at me like that?” you whisper.

“I want to kiss you again,” he says, voice even quieter.

Your eyes go to his mouth and you can only manage a nod, lips already parted.

He moves forward not a second later, kissing you with more fire than you’d gotten to see the other night. His hands grab at your waist, squeezing lightly as you hook one hand around the back of his neck, pulling him closer.

You hear the clatter of chess pieces falling over as he moves nearer to you, large frame leaning over you. You push up on your knees, meeting his lips up at his level. His hands caress around your hips as the kiss gets deeper.

You just start to fumble with the hem of his shirt when he takes your hands in his, pulling them away before breaking the kiss.

“Easy, sweet girl,” he smiles, nudging you back with little force.

You groan, “Why?”

He barks out a laugh at that, stroking your hips again. “I’m not fucking you for the first time on the floor.”

“Then let's go somewhere else,” you nod up towards the stairs.

He shakes his head, that soft smile still playing on his lips. “Not tonight.”

You sit back on your heels again, frowning.

He brushes your hair back, murmuring, “No. But for now, I'll kiss you ‘til you can’t think if that’s what you want.”

You really hope you didn’t perk up at that as much as you think you did.

part two

🌾🌽 i heard a rumor that if you like without reblogging your crops will be cursed but hey what do i know 🌾🌽

[incorrectbatfam]

Honey, I want you to know, I mean this with love when I say it. We are all going to be fine no matter what happens. Nothing is going to change. If Harris gets elected then Harris gets elected. If Trump gets elected then Trump gets elected. Nothing will change. Your life won't change. If you want to see what will happen if Trump gets elected then look at his last term. He did nothing of importance and if he did, none of it went away while we had Biden. Harris won't do anything of any importance either. Your life won't change. I promise you, you and everyone else will be just fine.

Every time I hear someone say this, I think of this picture:

This is the San Francisco Gay Men's Chorus. The ones in white are the members who survived the AIDS epidemic. The rest did not.

I was a teenager when Trump was elected in 2016. I was 16 years old, just beginning to question my sexuality while also supporting my best friend who had come out as trans. The only adult I could trust to talk to about it was my geography teacher. After Trump was elected, corporations had the greenlight to price gouge every imaginable necessity, including the insulin my teacher relied on. He couldn't afford all the payments even with insurance so he started rationing. The last day of school before winter break, I wished him happy holidays, gave him a Christmas card, and never saw him again.

I know you mean well, but I say this in the nicest way possible: you are speaking from a place of luck. Just because you haven't lost anyone or anything as a result of the past Trump administration does not mean everyone had the same experience. I know my experience is not a unique one. I could cite the widely available statistics about abortion restrictions and maternal mortality, or gender-affirming care bans and trans suicides, or the pandemic, anything else we've been seeing when conservatives take power.

A lot of us are right to be scared, either because we've gone through this before or because we stand a real risk of losing something.

[thepersonperson]

Why the hell is JJK 270 called Dream's End?

JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.

There's two lines of thought I have:

1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.

2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.

I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.

(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)

[Small Update: Follow-up Discussion on why everyone feels OOC.]

Preface

"Without love it cannot be seen."

This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'

JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.

And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.

What's wrong with JJK 268–270?

There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.

Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.

What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.

The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?

It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.

Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.

This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.

I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?

But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)

That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.

Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.

And that got me thinking... Why is Yuji still missing his fingers?

It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.

4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.

The same mistake is made within the same set of panels and very big page. That's weird.

ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)

What does this mean?

I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.

Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?

Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?

Dreams and Delusions in JJK

We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:

"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."

In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.

There's also this other bit I'll quote directly.

"The most common use of dreams in the literature of the Mahayana, or “Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:

“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"

That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.

It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.

Unreality Runs in the Family

When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:

What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.

As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.

Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.

What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)

(It's also very hard to tell if they are dead or still in the process of dying during this.)

This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.

And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.

My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)

What does this mean for JJK 268–270?

The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.

A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.

It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)

There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).

When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.

When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.

What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.

Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)

I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.

And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.

Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.

Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.

But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.

The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.

And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.

Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.

And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.

"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)

This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.

And so I compared the raws.

It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.

What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.

Reexamining JJK 269

CW: Brief discussion of suicide.

Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.

Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.

He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.

The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.

And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)

Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?

If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.

In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.

It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.

This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.

It's a perfect ending for Megumi that's too good to be true.

It must be a dream...

There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.

In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.

Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.

I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.

"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"

Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)

"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."

In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.

What about Sukuna?

When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.

I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.

In Conclusion...

I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.

"...it all comes down to a sorcerer's lies."

Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?

"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."

If the last 3 chapters are delusions...Megumi will be playing the part of a clown.

Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.

Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).

Gege also said this about the final chapter:

"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"

I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.

[drchucktingle]

sometimes buds ask’ what is it like to be a neurodivergent artist?’ and this is great summary: the charts can look like this, and at same time people will be endlessly posting on how you are ‘not real’ or ‘a bit’. you can hold bestsellers in slot 1 to 4 and still not be 'serious'

i am ultimately ok with this. i love my trot and would not have it any other way, but i think it is worth investigation. when irony poisoning has seeped into everything, how many times does a neurodivergent person have to say ‘actually this is NOT so bad its good. its just good’

when you are autistic, or queer, or both, how much proof do you need to be considered good art? or good business? what do the charts have to look like for me to be a ‘real’ author? or allowed my face mask at a library association conference? or one person not a group of writers?

im coming up on a decade of writing tinglers soon, and people are still talkin about my ‘serious’ works vs my ‘joke books’ and at every turn, as kindly as i can, i shout from the rooftops: THEY ARE ALL SERIOUS BOOKS. THIS IS NOT A BIT.

but its hard when buds have had ‘the correct way to be a writer. the correct way to be an artist. the COOL way to react to a book that is TOO weird’ pounded into their heads by internet culture. 'kill it with fire' they say. 'i need eye bleach' they say without thinking. a line.

heres the thing, the tide IS turning. theres buckaroos jumping in and saying, ‘I want to be a part of this’ and for that they are being rewarded. the publisher who took me seriously is lookin pretty dang good right now with these charts and these sales. i am honored and moved

over time there will be more buds who shed that irony mask. the tide of sincerity is powerful, and the tide of love is inevitable. it is difficult to stand strong in our uniqueness but it also pays off, and I hope to be a shining example. eventually THE TIMELINE BENDS TO YOU

so this is not a thread to complain. i have been trotting long enough that these things do not really bother me. being made fun of and disparaged as ‘not legit art’ while also being objectively successful at the things im made fun of about is kind of the ocean that i swim in.

no. my point of this is to say THANK YOU to those of you who have been trotting by my side over these years. THANK YOU for proving love to me. im so honored by your support, and you should know that YOU have seen beyond the irony poisoned veil that stops many others. YOU get it.

and to those with their own unique perspective on creation: look what you can do. yes there will likely be a lot of resistance to something different, but there is also a LOT of reward. YOU can trot a new path. YOU can prove love is real, not in MY way, but IN YOUR OWN WAY

anyway thank you for reading buckaroos. thank you for your support. LUCKY DAY comes out next summer and it is probably as FAR OUT and existential as the tingleverse has ever gone. you can preorder it here

[cupidlovesastro]

🪻𝖔𝖙𝖍𝖊𝖗 𝖕𝖔𝖘𝖙 𝖞𝖔𝖚 𝖈𝖔𝖚𝖑𝖉 𝖊𝖓𝖏𝖔𝖞💜

astrology observations #20 (hate edition)

astrology observations #19 (love edition)

astrology observations #18 (real life experiences)

𖡦 lacking 5h placements doesn’t necessarily mean you will be sad or depressed, but you could be more prone to being sad

𖡦 having planets such as pluto, saturn, or uranus in 5h can mean that it will take work, change, and/or growth of some kind to accomplish being happy

𖡦 although aquarius placements like being different, they don’t like being outcast. they are more prone to get bullied due to their uniqueness and “under dog” qualities

𖡦 moon conjunct uranus can make your emotions chaotic and unpredictable

𖡦 capricorn placements can be quite pessimistic in general, although they are realistic. they can also tend to be more avoidant when it comes to emotionally charged conversations, or really intense discussions. capricorns are deep people, but it truly takes time and effort to learn everything about them

𖡦 scorpio moons may have had a mother that caused a lot of trauma to them, as well as betrayed them often and restricted them in some shape or form. they could’ve been very possessive or obsessive as well

𖡦 libra placements can often be pushed over, walked on, and lead into doing bad things because they don’t want to stand up for themselves

𖡦 saturn aspecting your moon can mean you have a hard time expressing your feelings. you may feel like there’s something in you that tells you, you can’t

𖡦 aquarius in 8h or chiron may have experienced online trauma

𖡦 scorpio placements are very distrusting, so take them seriously when they open up to you and trust you with information about their self

𖡦 chiron in the 6h can mean you were hurt by an animal at some point, especially a pet

𖡦 lilith in the 1h, 11h, or 10h can make you rejected by many people. you may have people you never met before dislike you for no particular reason. people may also sexualize you

𖡦 pisces/ 12h mars people can be prone to being misunderstood during arguments.

𖡦 uranus in the 11h can mean you could have friends that will potentially go against you, or friends that will often leave you out of things

𖡦 virgo in 10h can show that people will publicly criticize you

[wordsinhaled]

i’m so totally normal about the fact that aziraphale’s last (known) deliberate foray into the queer community was when he learned the gavotte at the fictionalized hundred guineas club (!!!) in the 1800s and now in the 2020s he’s like “grindr? what’s that?”

many are talking about his repression which is very valid… and yet the thing to me that stands out about aziraphale is that he’s actually… incredibly stable in his identity and that identity IS incredibly queer. queer by the standards of heaven AND by human standards as well

metatron describes his “de facto partnership” with crowley as “irregular.” and in fact aziraphale in his entirety is irregular. he likes and makes it his business not only to understand but to be a connoisseur of all manner of things angels aren’t supposed to even remotely care about. food. music. books. theatre. sleight of hand. and more.

it’s the sort of behavior that would’ve gotten him othered, treated as a bit odd, in heaven even if he hadn’t chosen to consort all across the earth with a literal demon. and it IS treated that way - the fact is aziraphale even as an angel has got proclivities that set him apart from the rest of the host (even after offering him the highest position in heaven, metatron still acts deeply dismissive of him… like aziraphale’s bookshop is merely a quaint little hobby of his that can be easily transferred to another custodian, and not a literal extension of who aziraphale has become, full of his tartan and unique bibles and special vintages of wine and the books arranged in a very specific way)

so. aziraphale is a queer angel but of course he’s also queer to other humans. but in such a way that… he had his realization a LONG time ago, and put the matter very much to rest after that. aziraphale is perpetually something like several centuries behind schedule. he owns an ancient computer that probably continues to run windows 98 simply because aziraphale’s decided it should. he wears the same waistcoat and coat for generations because he simply likes them precisely the way they are and sees no reason to change them. but the idea that he doesn’t know how he comes across to others - of course he does. he knows he looks like your prim and proper grandfather and he prefers it that way

aziraphale looked around at humans in the 1880s and said: ah yes. this is where i fit. and promptly ensconced himself in that queer subculture. learned the gavotte. read his austen. loved crowley from afar. aziraphale is fiercely and vibrantly queer. just with the sort of assurance of someone who lives with his lover in a commonlaw marriage for decades and then shows up at city hall for the certificate once society decides it’s ‘allowed.’ like… he hasn’t had any need to know what grindr is because aziraphale’s ‘scene’ was a century and a half ago and it defined romance for him too.

but my favorite thing about aziraphale is how much of him is about appearances versus the truth. he can lie straight to angels’ faces and sleep at night. he knows he comes off soft but he once wielded a flaming sword. he dissembles helplessness but he’s far from it and he knows precisely how it makes others treat him. and at the core of aziraphale is rigidity, inflexibility of ideas… his sense of self is stable where crowley’s is malleable, and so on, and so on

and the fact that he’s continuously fixated on trying to misguidedly do the right thing, the fact that he seeks heavenly approval and wants to fit the world into his schema of good vs evil… in no way do i think that means he isn’t one hundred percent aware of how he feels about crowley or what it means about him by angelic or human standards. i’ve seen some folks saying that aziraphale doesn’t want to like kissing crowley and like… as much as i love me some brideshead revisited/atonement flavored angst; i put forth that it’s not internalized homophobia or queer panic but simply: “i’m trying to do the right thing for both of us and you won’t let me.” and “i wanted our first kiss to be different.” he was envisioning an entirely different flavor of romance than what he got but he emma woodhoused too close to the sun

like, y’all. aziraphale in all likelihood has a glorious collection of historical queer erotica. he just has a feathery diva coat hanging in his closet, and for what. “oh, good lord” he says at crowley’s revolutionary outfit in the bastille, while eyeing him up like an entire meal. he’s so good at affected propriety, at carefully constructed stuffiness, but between the two of them aziraphale’s got to be the one who has experience

aziraphale had been physically throwing himself at crowley the entire season. he orchestrated an entire regency ball so they could touch hand to hand. he spends the entire season (well, and season 1) looking at crowley like he’s particularly coveted. he looked at crowley before the fall like he was glorious and beautiful. aziraphale’s queer and he knows it and i think that isn’t his problem, it’s the fact that he wants to build a different sort of future for the two of them but crowley’s gone and thrown a wrench in it by reminding him of everything he can finally have. like. that’s the heartbreak. it’s how dare you make this ugly? i forgive you for our first kiss being all pain and salt. it’s my dearest, i wanted to make heaven as beautiful as you deserve. as sacred and safe for us as our bookshop. and i can do that for us, because once i held a flaming sword and i still remember how the hilt felt in my hands. and now the taste of you is in my mouth.

[gyuuberryy]

trapped

READ THE FULL FIC HERE

pairing: hotel owner!heeseung x reader

genre: reincarnation au, supernatural themes, horror

synopsis: a road trip with your parents gone wrong lands you at a mysterious mansion in the middle of nowhere. after it turns out to be a hotel, your parents decide to stop over. everything about this place screams deja vu to you which is strange because you've never even heard about it. the hotel was not the only weird thing though, its handsome yet mysterious owner who looked like he stepped out of the 1920s is way too enthusiastic about your stay. every encounter with him leaves you feeling weirded out yet enamoured. but he is not who you think he seems to be. he will be the one to decide the duration of your stay here and it looks like it will not be ending anytime soon.

warnings: horror themes, suggestive content, slight yandere themes, manipulation, possessive!hee, more to be added!

note: let's ignore the fact that i have so many reports and essays to write for school rn !!!! because i HAD to release smth for halloween. this should be out by next weekkk

word count: 24.2k

comment or send an ask to be added to the taglist

ᨓ READ THE TEASER BELOW

heeseung’s words seemed to echo in the cavernous dining hall, each syllable hanging in the air like a weight pressing down on your chest.

you shifted in your seat, suddenly aware of how isolated you were from everyone else. your parents were somewhere outside, wandering the sprawling gardens with sunoo, oblivious to the tension brewing in this room. and you were here—alone with heeseung, who was studying you like you were the most fascinating thing in the world.

he leaned back in his chair, a slow, deliberate movement, his eyes never leaving yours. “this mansion has a long history,” he began, his voice low and smooth, like velvet. “it’s been standing for centuries, long before this area became what it is now.”

you swallowed, trying to keep your unease from showing. “centuries? that’s… impressive.”

heeseung nodded, his fingers tracing the edge of his plate in a casual, almost absent-minded way. “impressive, yes. but also… haunted by its past.” his eyes gleamed with something you couldn’t quite place. “you see, many who come here find themselves drawn in by the allure of the unknown. they come seeking something different, something unique. and often, they find more than they bargained for.”

you felt a chill run down your spine. the way he spoke—so calm, so composed—made the hairs on the back of your neck stand on end. it was as if he was telling you a story he had told many times before, one with a punchline you wouldn’t like.

“what do you mean by that?” you asked, your voice quiet but firm. you didn’t want to seem rattled, even though you were starting to feel like the walls were closing in around you.

heeseung’s smile widened, but it didn’t reach his eyes. “let’s just say this mansion has a way of revealing things… about the people who stay here. things they may not even realize about themselves.”

your pulse quickened. “that sounds a little ominous.”

heeseung chuckled, the sound soft and unsettling. “it’s not meant to be. it’s just… the nature of this place. it has a way of bringing the truth to the surface. you’ll see, in time.”

you didn’t like the way he said that, as if you were going to be here long enough for the mansion to work its mysterious magic on you. you were only supposed to stay until the car was fixed, and then you and your family would be gone. the thought of staying here any longer than necessary made your stomach churn.

“i don’t think we’ll be here long enough for that,” you said, forcing a small smile.

heeseung’s eyes flashed with something—disappointment? amusement? it was hard to tell. “you never know,” he said quietly, his gaze intense. “sometimes, plans change.”

you glanced away, focusing on your barely touched plate. the food that had once looked so appealing now seemed like a burden, something you had no appetite for. you just wanted this conversation to end, to find your parents and get out of this place as soon as possible.

as if sensing your discomfort, heeseung leaned back again, his demeanor shifting ever so slightly. “i didn’t mean to make you uncomfortable,” he said, though there was a glint in his eyes that told you he knew exactly what he was doing. “it’s just that… guests here tend to stay longer than they anticipate. this place has a way of… captivating people.”

the word captivating sounded too much like trapping for your liking.

before you could respond, the door to the dining hall creaked open, and you breathed a silent sigh of relief as your parents entered, laughing and chatting with sunoo, who was still wearing his unsettlingly bright smile. their carefree demeanor was such a stark contrast to the tension you’d been feeling that it almost made you dizzy.

“sweetie, you should see the gardens!” your mom exclaimed as she approached the table, oblivious to the undercurrent of unease between you and heeseung. “they’re absolutely gorgeous. i’ve never seen anything like it.”

your dad nodded in agreement, beaming. “it’s like something out of a storybook.”

you forced a smile, trying to match their enthusiasm. “that’s great. i’m glad you had fun.”

sunoo’s eyes flicked to heeseung for a brief moment, something unspoken passing between them, and then he turned his bright gaze back to your family. “i’m sure you’ll have plenty of time to explore the rest of the estate before you leave.”

you stiffened at his words, catching the subtle implication. you weren’t leaving any time soon.

heeseung stood then, smoothing down the front of his suit, his gaze lingering on you for just a beat too long before he addressed your parents. “i’ve arranged for the mechanic to give me an update on the car shortly. in the meantime, please, make yourselves comfortable. feel free to explore the mansion further if you’d like.”

your parents seemed delighted by the prospect, but you felt a knot of anxiety tighten in your chest. you couldn’t shake the feeling that this place was trying to keep you here, that every step you took deeper into the mansion only tangled you further in its web.

heeseung’s gaze slid back to you, his smile as charming and unsettling as ever. “i’ll make sure everything is taken care of. don’t worry.”

but worry was all you could feel as your family began to follow sunoo out of the dining hall, leaving you to trail behind, your thoughts spinning. as you exited the room, you couldn’t help but glance back at heeseung, who stood by the door, watching you with that same piercing gaze.

there was something about the way he looked at you—something that made you feel like a fly caught in a spider’s web.

and you weren't sure if you could escape.

𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁 ©𝗴𝘆𝘂𝘂𝗯𝗲𝗿𝗿𝘆𝘆 on Tumblr

˚ · .𝗮𝗹𝗹 𝗿𝗶𝗴𝗵𝘁𝘀 𝗿𝗲𝘀𝗲𝗿𝘃𝗲𝗱

[misc-obeyme]

You sometimes wonder if the demons end up in your room at night because somehow they know that you no longer prefer to wake up alone.

Ever since you started living at the House of Lamentation, you have gotten used to finding one or more of them there with you. A friendly face, a gentle touch, the warm body of someone who cared for you, someone you cared for in return.

They all arrive in their own unique ways.

Mammon, who always crashes through your door so easily during the day, sneaks in quietly at night. Most of the time he doesn't wake you. But if he does, he gets flustered and starts to leave until you ask him to stay.

"Of course ya want the Great Mammon to stay with ya," he says. Even in the darkness, you know he's blushing as he says it.

If you whine with nightmares, he'll kiss your head, pull you closer, and whisper that it'll be all right. And instantly the nightmares dissipate.

You never have nightmares when Belphie is around, either. He shows up in your dreams himself, fighting off the terrors with an energy you never see in him when he's awake.

He'll snuggle up to you any time and any place, but most often he finds you at night. He's impossible to disturb, even if you kick him in your sleep. You sometimes wake to find him in strange positions.

Asmo always rearranges him if they both end up with you on the same night.

"You won't get quality sleep like this," he says. "And you need quality sleep if you want to have quality skin!"

When he's alone, Asmo will come in only to stare at you fondly for a while. You know he never intends to stay. It's just a little peek at his favorite sleeping human. But then he finds he can't tear himself away. You'll wake up with his lips pressed against your cheek, as he always wants to kiss you in his sleep.

You sometimes have dreams about eating something, but in the morning you find it's because Beel was there having a midnight snack before falling asleep beside you. He likes to hold you close, wrapping his arms around your waist and pulling you against his chest. You wake up in the middle of the night sometimes because it feels like being held by a furnace.

Although these are the brothers you wake up to most often, you'll find the others come around sometimes, too.

Satan will crawl into bed with you directly, without hesitation, but you know he's embarrassed about the need to be next to you. He'll hold you tightly, like he's afraid to let go. If you ask him what's wrong, he'll tell you, but it's always muffled because he's pressing his face into your neck.

"I'm irritated and I can't calm down enough to sleep," he says. "You always… "

You brush your fingers through his hair soothingly. "I know," you say. Because you do. You know that your presence relaxes him in a way nothing else does.

The ever elusive Levi only stops in when you're alone. He won't join any of his brothers and half the time, he's still awake in his room, binging anime or gaming into the wee hours. You pretend to be asleep if you know he's lingering outside your door because then he'll finally come inside.

He'll stand there and look at you, like he's just dropping in for a moment. He tells himself he'll always leave before you wake up, but that never happens. You deliberately shift yourself to be inviting, creating a space for him beside you. If he's here, he likely needs to rest, to shut off his mind for a little while, to indulge in his desire to be close to you when no one else is around. He blushes the whole time, but he does crawl beneath your covers and rest his head on your chest.

And then there's Lucifer.

The other brothers are constantly going in and out of your room. They have gaming competitions there and movie marathons. Sometimes they gather to do homework with you. Sometimes it's only one or two of them. And you always find one sleeping beside you.

Lucifer rarely takes part in these activities. He's always holed up in his office, working. He waits for you to come to him.

But every once in a while, you'll wake to find him kneeling beside your bed, his hand in your hair or resting on your cheek. Like he came in to check on you and couldn't resist a soft caress. His presence inevitably wakes you. And if you reach out, if you grab his hand, if you hold onto him, he'll give in and stay.

His most vulnerable moments are when he lies down in your bed beside you and lets himself run his fingers along your skin. He'll kiss your forehead and your eyelids, a tender gesture that speaks volumes.

And every morning, no matter who is with you when you wake, you find yourself next to someone who loves you. It becomes your favorite way to start the day. And somehow, every demon living in the House of Lamentation is aware of this. They make sure you're never sleeping alone.

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