#WIP for something bigger

[lunjetlyd]

to eat is the privilege of the living

[excessive-moisture]

fresh rivulet violence gif

[bluegekk0]

nom

[unclassedguy]

Based on this post

[enden-k]

his work motto prolly hhhhf (the "fuck amygdala, fuck azai" silently swings in his tone)

[triaelf9]

Running a little cross platform test on reach vs platform with some WIP art from a little #TearsOfTheKingdom something that I'm working on for an eye-catch ^_-

If you follow me and see this post, please reblog

If you don't follow me & see it, please like

[retrogradedreaming]

Little WIP from the thing I'm working on!

I forgot to save the csp file though, so I'm currently redoing half the lineart 🥲

[crunchchute]

tumblr is being nice so here you can have a look at my cosplay wips :]

[spookygibberish]

Dogstock are typical of what are often deemed the ‘evil’ races in many other fantasy works. They were created by some higher force to be slaves, they are carnivorous by nature, they resemble animals other than human in dentition and build. They growl and bite and walk behind.

The Uhasr (a dogstock culture) are descendants of such slave-infantry that was abandoned when the empire that used them to capture the steppes decided the land wasn’t so profitable after all, and more pressing matters drew their attention elsewhere. Like tools left spent on the ground, the unneeded, excess dogstock were left to survive on their own in Hochkiskuph. The native peoples, of course, did not welcome them any more, or see them any less as oppressors when the hand released the lead. To the Hochkiskuph peoples, the Uhasr are a predatory ghost, an echo that consumes them even in absentia. To the Uhasr, one human is much like another, differing in number and equipment, but never in essence. Uhasr are a species of wild animal with a human face. Humans are prey on two legs. Humans smoke and poison uncovered dens on principle, Uhasr abduct and consume men and women and children all the same.

A common trend I have noticed in media which aims to humanize monsters, is that it often relies on passivity. Humanity is contingent upon kindness. The monster that is A Person only so long as they are a harmless thing at heart, something which can be understood and befriended. Their violence is reluctant, their hearts noble. Grace is a concession to the dominated. Only the toothless beast, declawed and pinioned and caged, is one which has earned its personhood. The ontological enemy supersedes the ontological man.

[ganondoodle]

been not posting wips here again so im correcting that-

havent been able to draw anything lately but this sketch worked even if it took me too long (i need to stop adding these lil comics, probably unreadable at that size anyway ;_; )

Demise in his boar form back in the day when his world was still alive- and Dahlia (the lady pig), his last relationship with a mortal (you wouldnt believe how much useless backstory i got)

(Demise, Legend of Zelda - technically- its all part of my fancomic stuff, obscure lore etc)

[jazzythursday]

Jesper doesn't understand how he holds it all in there. Wylan’s brain is like a squirrel. Packing nuts into expanding pockets for the long winter. He knows everything.

He lights up with it. Like he constantly wants to share the fruit of his labour. Like the knowledge he collects needs to be poured out in bits before it overflows. He talks and explains and it’s fast and free and it’s so Wylan, through and through— and then it’s like he catches himself. Like he dims once he realises what he’s done.

Jesper doesn’t want to think of the implications of that look. Because it makes his chest tight and puts a bad taste in his mouth. He’s happy to reassure Wylan that he likes when he talks as much as it takes for him to believe it.

But that look— right before. Like he’s so happy to be telling him, like he’s happy to be listened to. Then the split second of frozen fear. The pinched lips, tense jaw, widening and then squinting of those big, big eyes. The part where he huffs that short, horribly self deprecating little laugh. The part where he looks down, and when he looks back up there’s something stiff in his smile, false in the upturn of his lips. Eyes like cut glass shining in the light. The crest of an eagle, mid flight, shot down. 

“Sorry,” he says. “Um— I’m probably boring you. I’ll stop.”

You could never bore me, he thinks. Keep talking forever, he thinks. Tell me who made you think your words weren't worth anything to anyone so I can make them taste the blood on their own tongue.

Wylan and boring are not two words that Jesper can even fathom placing in the same sentence. Wylan is like lightning in a bottle. Like a spark personified.

Jesper isn’t sure how much he’ll accept. He doesn’t want a repeat of Shu Han if he can help it. Jesper hates disappointing people, hates being anything other than exactly what they want— expect— out of a good time with Jesper Fahey. He isn’t sure what he’s allowed to argue for or against when it comes to Wylan. What they have— This thing between them— is still so terrifyingly new.

He’ll put himself out there for this, though, as much as he dares, to make sure Wylan knows that he’s listening.

[sluckythewizard]

'I wont cry for you, I wont crucify the things you do. I wont cry for you, see, when you're gone, I'll still be BLOODY MARY'

[leftneb]

I am having way too much fun with these so have another

img credit

[australet789]

STOP MAKING ME GAY DEAR LORD

ño

have a sketch of Poseidon

[sseunbean]

frieren wip

[dood1e-bug]

So I maybe working on a big height chart