#WHY IS IT BEING HIDDEN

[bakudekublogblog]

i hear you and I agree with everything you’re saying and I also miss izuku’s thoughts about kacchan but also izuku also looks at kacchan like this

It's horrible to be utterly convinced that Katsuki is in love with Izuku without really being able to say definitively that Izuku is in love with Katsuki...aghh there's so much to say about certain hints and very overt things for Mr. "Kacchan Bakugou" but I feel like I haven't seen...or more accurately heard how Izuku feels. I know he loves him but Is he in love with him? Can I say that without thinking I could be wrong? No I don't think I can...but damnit! The parallels to other straight and gay couples in media is so interesting like the Berserk ref in cover 37...or the pretty constant references to taro cards...Izuku the devil in between togachako's lovers ((WHAT DOES THAT MEAN SERIOUSLY)), the three of swords in the blackwhip explosion...the "WAH--CCHAN!!" ref to a romance trope as well as to Blue Flag...the "share a crepe with" line also potentially Blue Flag..."TROY" and the battle being referenced OUT THE WAZOO with Achilles and Patroclus playing out almost exactly as the Illid described ((Literally THE most famous couple of gaybos in all historical literature--they are well known for being speculative lovers! It's mentioned in English classes when you read it))...Katsuki's parents...Katsuki's parents...the way other manga like "name I can't remember..." where they would reference MHA outright with the girl falling down and then refusing to take the male lead's hand to get up. It feels like so much but also nothing at all because all of it (( no matter how overt)) is STILL being read into from subtext. idk I think I just needed to vent.

[backpackingspace]

Okay so with the line "the olive tree where we first met" we have two equal hilarious options.

When penelope was sassily like oh I'll marry you if you make a living bed out of this tree right here! Cue penelope stumbling over odysseus very very carefully digging up the tree "because how else is he going to get it to itacha we can't have a wedding bed out in the open in sparta duh"

Or

2. Penelope, knowing that Helen's suitors would soon be arriving to take over her home for a while. Snuck out and went on her own wacky shenanigan filled journey where she scoped out all the major players. Odysseus caught her spying in an olive tree. And when she got back she told Helen she had dibs on the cutie from itacha.

[gaymelie]

Once again saw someone yell on here about how "nobody is going to report this aaah the media is evil", closed this app and not even a minute later saw a report with that exact content on a major news platform. Ngl this phrasing is rapidly being added to the list of things i won't reblog on principle.

[mossy-box]

Me drawing Big Mama? That’s new. (I thought making her plus sized would be fun <3)

[countlessofvoids]

"Funny" how HTTYD went from a series where disability was an important part of the story and characters, to ignoring it or just being ableist.

Especially in THW; where Toothless can easily fly without Hiccup and what was symbolism of their relationship being thrown away, to completly ignoring the fact there are dragons with disabilities that they could never survive in The Hidden World without any human help, to the official artbook straight up calling Grimmel a "psychopath".

[filurig]

ok vague kind of thing i have pondered for a bit and might bring somre more Fantasticalness to pareidolia but yes. Weird shroom. more attempt at... clarification under the cut maybe cuz i feel this is kind of... wishy wooshy LOL

many nonhumans in pareidolia have adapted to use anda to fuel certain abilities. anda is a form of energy which usually drives sapience and perception/visual interpratation, but can also do more if paired with other forms of energy etc. for example lindwurms can communicate telepathically using certain low frequency vibrations paired with anda resonance. yes its a bit whimsy in how that works but yea.

so i imagine actually the glow is both a regular real glow, but the nature of that glow is amplified in these shrooms because of the fact that they produce anda with that heat/light.

But essentially ill pull an example here. so crakam have this visual illusion ability that naturally and unconsciously befalls upon a certain radius of a crakam settlement, because all crakam (like all sentient animals) radiate some anda. they just radiate a bit more of it than many other animals, and when they are all together this contributes to an illusion which shrouds them to a certain radius for anyone who isnt "read" by the anda as part of the "flock".

a drawback here is that the radius of the illusion risks shrinking if one individual/a few go too far away, because the strength of the illusion depends on how many are present. and also like just generally the area of the illusion would remain pretty small around the settlement.

with wisplight however, crakam have created a type of "vessels" which hold concentrated wisplight "blooms", which they connect to a central large wisplight vessel in the middle of the settlement. these vessels exude large amounts of anda, and because they are fed with feathers from the flock, they "read" to the collective illusion as "flock members", and extend the radius that way.

this has also been done with haeggir (tomte) area illusions, which can obscure large areas by confusing any people who have not been "allowed" into that particular illusion by fucking with their perception and tricking them into walking somewhere else (basically, if there is a straight forest path youre walking, it makes you visually see things as if you are walking that path, when its actually making you walk around it)

idk if any of this yapping makes any sense this is very weird and esoteric. the magic in this world is very weird and esoteric. but essentially this is a kind of energy system that the tomtar pioneered into forms of tech...

[echosong971]

POV: you're losing in Crucible

[creatively-cosmic]

in loving memory

or: what did @pkmn-monochrome mean by this

[non-newtonian-id]

this is complete insanity on my part because i thought about PIDW!Shang Qinghua a little too much but

he and PIDW!Mu Qingfang were in love. to me.

they never actual got together before og!sqh died but there was mutual pining happening

trust, i spoke to airplane himself (<- guy being delusional about two double fictional characters (characters that are fictional within a factional setting))

[nanihirunkits]

I'm sorry, Pok. I know I messed up. But I promise, no more giving out my IG, no more talking to others. I promise, Pok. The problem isn't IG.

HIDDEN AGENDA | Ep 9

[angy-grrr]

I can't believe Horikoshi decided to parallel togachako with shigaraki and deku, but also with kacchan and izuku, because there are multitudes into their relationship.

Ochahimi has this obvious textual side going on for a long time that its meant to be seen along Shigaraki Tomura and Midoriya Izuku: a hurt villain and a hero who feels the need to stop the pain. Two sides of the same coin. Will they take their hand? How could they reach out? Is there any hope for the rejected? We have different scenes in which its clear Uraraka and Midoriya have this idea of saving someone who is hurt even if they are a villain, the flashbacks of their conversation before the war, but surprisingly Ochako doesn't think of it as much as Izuku in this final battle -clearly stated, is when Himiko is giving her own blood to save her and explaining how she felt like her heart was floating when Uraraka touched her. The flashback reminds us of Izuku talking about how "maybe theres no way to avoid a battle, but I cant ignore what I saw deep inside him".

But Ochako isn't happy even if she got there, even is Toga tells her she made her happy. She's tired, sad, and desperate to stop her when she cant even move.

Its difficult to analyze Izuku's emotions, but once again, we can try to work with what we currently have! As far as we know, Izuku isn't really having that much of a conflict in terms of if he should save Tenko or not -the problem was external. What would the OFA users think? He challenged them by staying true to his inner core, and they accepted him, but we don't see him struggling with the idea of him reaching out to Tenko in itself like Ochako, who actively tried to forget about Himiko.

I interpret his flashbacks to his conversation with Ochako as a reminder of the person behind the villain, because he is also feeling something else: anger. Izuku was really hurt during this battle both physically and, I would argue mostly, mentally. As he himself said, he can't forgive Shigaraki, just try to stop the crying child from hurting, and the reminder of Ochako's own goals and words are a reminder of his own intentions; lets not forget, moments later he took control after seeing Katsuki's dead body, he attacked Shigaraki in ways that would cause severe damage -like in the middle of his chest, causing a hole.

Uraraka doesn't actually try to hurt Toga, but use her martial arts training in order to both dodge and tackle her, so she can hear what she has to say. I re-read the chapters around Katsuki's revival, because I was wondering, "does Izuku remember this before or after he locked eyes with Bakugou?", and the answer is after*. The other time he thought about it was before leaving the togatsuchako battlefield, when Ochako encourages him to not worry and go get Shigaraki.

So, what I mean by this is, Ochako Uraraka and Izuku Midoriya are not the same person, and they don't feel the same way for their main villains, just like Tomura Shigaraki and Himiko Toga don't feel the same for their main heroes, and are not the same. Izuku actually feels resentment and anger for Shigaraki, he cant forgive him, but he also doesn't want to kill and punish like that; he is a savior, if he has to fight he will, but in his heart he knows what he prefers' maintaining peace, and help the ones who are vulnerable. He sees the villain, and he sees the child who grew up abused and sad; he is a sweet boy, ofc he would try to stop the crying somehow. His conflict with him now, Im guessing, is that he doesn't really feel like he actually saved him -after all, he disappeared after the last punch, and he still considered himself the leader of the league who wanted to destroy everything. He gave him his autonomy back and tried his best, but his last words and request feel like a completely different "task" than what he envisioned; it makes him think, about what heroes and villains even mean in their society, and who gets to decide those things. How can he continue with Shigaraki's legacy?

In another hand, Ochako's conflict don't come from her own moral compass, but from what she is supposed to do; before she even saw sadness in her face she thought positive things about her -she has a cute smile, she is really honest with her feelings, and isnt scared to be open with others, and she envies that. She envies the villain Himiko Toga, and relates to her, and feels connected to her. So her pain feels even more personal when it shouldn't; she isnt her family, she is someone who has tried to hurt her and her friends over and over while being so happy about it. She is weird!

Besides the thoughts about society and who helps both heroes and villains, which are really important for her character and goals, the other side of their problem is... the way Ochako was refusing to see and accept her own weirdness. Interacting with Himiko was chaotic, confusing, and left her full of doubts about herself and what she wants, because isnt she even weirder if she wants to be more like her? How can she admit those thoughts out loud? Anyone would agree that behavior is disgusting, but... she can't hate her. She can't try to punch her, or hurt her, and she never was able to no matter how much she tried to convince herself this is the only way.

Her conversation with Izuku opened her mind and heart to start accepting what she truly wants to do to Himiko instead of what she has to do as a hero. What does she want? To stop her. Her hurt. Her tears. To make her happy, and to keep her alive. She wants to see everyone happy, to get peace.

This is why her conflict is both related to Shigaraki and Deku, and Katsuki and Izuku; in one aspect its about morality, heroism, villainy and society as a whole. Himiko will question how things works constantly, and she can't ignore it. And at the same time, there's an emotional side to it; she has multiple confrontations with her, where miscommunication and holding back hurts them both. She pushes herself to be more like others, but it doesn't feel right anymore; Himiko makes her see her own self hatred, and jealousy and care grow more and more. Why can't see just do the right thing to maintain peace?

Just like Izuku was surprised by Katsuki's tears during their second fight, Ochako gets concerned by Himiko's, when she interpreted Uraraka's words as her rejecting her love -and therefore, whole self. Is not until the second war that she even realizes Toga actually loves her in the same way she loves Izuku, being a little clueless herself.

It doesnt sit right with her to do the "normal" thing, because she isn't normal at all; she thinks about making a villain happy, and how lovely her smile is. Her honesty and openness to be unapologetically herself, no matter how much others try to push her down or change her attitude; she hurts others, she knows that's wrong and agrees with that generalized sentiment... but hate her for it? She tries to do it, but it doesn't work. Inside of her heart, she knows what her emotions are telling her, and its not anger.

This is messy, my head hurts, but Im hoping I can write something better and longer in the future. I guess it makes more sense that drawing of Shigaraki, Izuku, Ochako, Himiko and Katsuki all together. I always wondered, if this is about heroism and society, Katsuki shouldn't be there, and if it is about emotions and rivalries, then it would be Tomura.

If you read this far, thank you for your time, and apologies for the confusion the writing could have caused you.

*My internet is going really slow, so im not re-reading all of the chapters after Izuku's arrival in the battlefield, so I cant 100% say this is the very first time he does remember it. Once im able to, or someone checks it for me -wether im right in my statement or not-, I'll edit it to be accurate with the material.

[dropthedemiurge]

Rewatching "Love for Love's Sake" can't hurt you

Rewatching "Love for Love's Sake":

Episode 4 vs Episode 8

[fastianini]

Valentino Rossi & Marc Márquez

all i need—radiohead

[rxttenfish]

merfolk in general are just. horrible horrible polyglots. their brains are already hardwired for language and quick language acquisition that remains active all their lives, further helped by retaining a high neural plasticity for their long lives, and especially enjoy complex language and language-based play and problem solving. but they also tend to have a lot of their society arranged where there's often multiple different languages at play within the same area, and only really stops being so once you get into especially small villages that have below the merfolk norm for outside contact. every merfolk alive today knows at least two languages, but most of them know far more than that, especially because one of those two will be the common-technical language. its been standardized and wide-scale implemented across the merkingdom after their dominance, to help bridge the gap between these different languages, basically as a successful version of esperanto. but its a trade language, and is mostly used for information you might want to reach as many people as possible, such as laws or business dealings or public announcements or the like. most merfolk don't view it as and don't treat it as a language proper, and its not what they prefer to converse in if they have another choice, usually finding it pretty limiting and restrictive, which is why its called common-technical.

miranda, being a royal who is regularly in contact with many different people around the merkingdom and regularly expected to be fully able to converse with them to do her job, knows just. so many languages. i might be changing exactly how many soon, but last time i counted it was in the low teens. like its just a perfect storm of her brain being wired for swift language acquisition and having a job that requires it and a position that means shes constantly around people from all around the merkingdom. not to mention having to know english too, which isn't just not her first language, it's not even her fourth language.

meanwhile, aaravi knows english and a little bit of hindi, less because of her mother and moreso because of her nana... its not that her mother never used it with her, but she was. less focused on using it or teaching aaravi, let's say. nana mishra uses it a lot more and is more interested in teaching aaravi when she asks her, especially in the intermittent period after her mom died and nana mishra was able to come back into her life to help aaravi pick up the pieces (though not after aaravi kind of. got left on her own. for an unfortunate amount of time). its just also fallen by the wayside with aaravi's whole Everything Else and kind of having a hard time accepting her nana's help and kind of being terrified of her (of no fault of her nana's, aaravi's just. she's just really traumatized after Everything, alright. having someone try to offer her help afterwards, especially when aaravi's scared of getting singled out as half human and half monster, is just. it's not something she can bring herself to trust.)

[call-me-chips]

This a piece from a bit ago (my art style has changed a bit since then) but it's still one of my favs

[1driedpersimmon]

Scus the //blood I was having feeling and decided the best solution was to dump Sesame in blood

And also Hauchie sweeping him off his feet because oh no

(And Sesame charm for myself hehe, maybe)