#WHERE THE FUCK DO I GO

[min3nc]

when i say “yeah i’ve played dark souls 3 many times” it’s literal. i’ve played it many times! different runs, different builds.

i’ve, however, never beaten it. i’ve never gotten past yhorm, for many reasons including deleting the game accidentally and losing all my progress.

i am. quite lost rn— and if i’m not wrong, severely underleveled.

what- what do i do now

[bixels]

As gen-AI becomes more normalized (Chappell Roan encouraging it, grifters on the rise, young artists using it), I wanna express how I will never turn to it because it fundamentally bores me to my core. There is no reason for me to want to use gen-AI because I will never want to give up my autonomy in creating art. I never want to become reliant on an inhuman object for expression, least of all if that object is created and controlled by tech companies. I draw not because I want a drawing but because I love the process of drawing. So even in a future where everyone’s accepted it, I’m never gonna sway on this.

[shadesofmauve]

I want to step away from the art-vs-artist side of the Gaiman issue for a bit, and talk about, well, the rest of it. Because those emotions you're feeling would be the same without the art; the art just adds another layer.

Source: I worked with a guy who turned out to be heavily involved in an international, multi-state sex-slavery/trafficking ring.

He was really nice.

Yeah.

It hits like a dumptruck of shit. You don't feel stable in your world anymore. How could someone you interacted with, liked, also be a truly horrible person? How could your judgement be that bad? How can real people, not stylized cartoon bogeymen, be actually doing this shit?

You have to sit with the fact that you couldn't, or probably couldn't, have known. You should have no guilt as part of this horror — but guilt is almost certainly part of that mess you're feeling, because our brains do this associative thing, and somehow "I liked [the version of] the guy [that I knew]", or his creations, becomes "I made a horrible mistake and should feel guilty."

You didn't, loves, you didn't.

We're human, and we can only go by the information we have. And the information we have is only the smallest glimpse into someone else's life.

I didn't work closely with the guy I knew at work, but we chatted. He wasn't just nice; he was one of the only people outside my tiny department who seemed genuinely nice in a workplace that was rapidly becoming incredibly toxic. He loaned me a bike trainer. Occasionally he'd see me at the bus stop and give me a lift home.

Yup. I was a young woman in my twenties and rode in this guy's car. More than once.

When I tell this story that part usually makes people gasp. "You must feel so scared about what could have happened to you!" "You're so lucky nothing happened!"

No, that's not how it worked. I was never in danger. This guy targeted Korean women with little-to-no English who were coerced and powerless. A white, fluent, US citizen coworker wasn't a potential victim. I got to be a person, not prey.

Y'know that little warning bell that goes off, when you're around someone who might be a danger to you? That animal sense that says "Something is off here, watch out"?

Yeah, that doesn't ping if the preferred prey isn't around.

That's what rattled me the most about this. I liked to think of myself as willing to stand up for people with less power than me. I worked with Japanese exchange students in college and put myself bodily between them and creeps, and I sure as hell got that little alarm when some asian-schoolgirl fetishist schmoozed on them. But we were all there.

I had to learn that the alarm won't go off when the hunter isn't hunting. That it's not the solid indicator I might've thought it was. That sometimes this is what the privilege of not being prey does; it completely masks your ability to detect the horrors that are going on.

A lot of people point out that 'people like that' have amazing charisma and ability to lie and manipulate, and that's true. Anyone who's gotten away with this shit for decades is going to be way smoother than the pathetic little hangers-on I dealt with in university. But it's not just that. I seriously, deeply believe that he saw me as a person, and he did not extend personhood to his victims. We didn't have a fake coworker relationship. We had a real one. And just like I don't know the ins-and-outs of most of my coworkers lives, I had no idea that what he did on his down time was perpetrate horrors.

I know this is getting off the topic, but it's so very important. Especially as a message to cis guys: please understand that you won't recognize a creep the way you might think you will. If you're not the preferred prey, the hind-brain alarm won't go off. You have to listen to victims, not your gut feeling that the person seems perfectly nice and normal. It doesn't mean there's never a false accusation, but face the fact that it's usually real, and you don't have enough information to say otherwise.

So, yeah. It fucking sucks. Writing about this twists my insides into tense knots, and it was almost a decade ago. I was never in danger. No one I knew was hurt!

Just countless, powerless women, horrifically abused by someone who was nice to me.

You don't trust your own judgement quite the same way, after. And as utterly shitty as it is, as twisted up and unstead-in-the-world as I felt the day I found out — I don't actually think that's a bad thing.

I think we all need to question our own judgement. It makes us better people.

I don't see villains around every corner just because I knew one, once. But I do own the fact that I can't know, really know, about anyone except those closest to me. They have their own full lives. They'll go from the pinnacles of kindness to the depths of depravity — and I won't know.

It's not a failing. It's just being human. Something to remember before you slap labels on people, before you condemn them or idolize them. Think about how much you can't know, and how flawed our judgement always is.

Grieve for victims, and the feeling of betrayal. But maybe let yourself off the hook, and be a bit slower to skewer others on it.

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[mochasucculent]

Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in

[angel-in-your-basement]

God, I love giving blowjobs. I love giving someone pleasure like that. Licking, kissing and sucking their cock to find out which spots draw out the best sounds. Stroking them up and down with my mouth and hands. Letting them push my head down so they can feel the back of my throat on their dick. Gagging and hearing them groan at how good it feels. Licking their balls while I stroke their cock. Feeling them tighten up just before they fill my mouth with cum. Holy fuck, it gets me so turned on to have my mouth put to use like that.

[corkinavoid]

DDxDC The More The Merrier

Exactly a year after Talia brought Damian to Bruce, she shows up again. With another child. That looks like a carbon copy of Damian. She introduces him as Danyal, Damian's twin that was in an undercover mission for the last few years.

Bruce's eye twitches, but he deals with it. At least it's not a clone - Damian proved his mother's words to be true, Danyal really is his twin brother. So the Bats are just kind of forced to accept the fact. And the kid.

Danyal is a literal fucking menace. Contrary to Damian, he doesn't stab or bite, but he is absolutely chaotic. And, in addition to that, he has zero self-preservation instincts. None of it. The only two people in the family he has a truce with are Cass and Steph. Cass, because he has yet to take her by surprise, and Steph, because she is his partner in crime. Tim, though, Tim is on the verge of going insane with two little assassin bats running around the manor.

A year later, on the anniversary of Damian and Danyal's arrival, Talia shows up again. With, you guessed it, another kid. This one is a bit older - sixteen or so - and he has an angry glare that can be compared only to Jason's on a warpath. Dante, he calls himself, and the Demon Twins narrow their eyes on him. Bruce knows this look intimately. Sibling rivalry at its finest.

The next year is full of said sibling rivalry, performed by three highly skilled assassins. Dick is constantly worried one day one of them will die, and not because of a Rogue attack. The kids are fucking wild, acting like rabid dogs on steroids. They destroyed a wall once by throwing Dante through it. Alfred gave them a lecture. It didn't help.

The next year, Bruce opens the door to Talia even before she rings the doorbell. He looks at the four-year-old girl that looks like a mirror image of Damian, Danyal and Dante, and asks, tired and defeated:

"How many more?"

Talia only smiles. The girl looks at him with big, innocent puppy eyes that don't fool Bruce anymore.

Tim, who watches the scene through the surveillance cameras in the Batcave, pulls up a file and starts drafting his last will.

[unfiltered-angst]

BRO WDYM "Tumblr is dying" WHERE ELSE AM I GONNA GO FOR CRINGEY INSIDE JOKES AND ART FOR OBSCURE MEDIA??????? WHERE AM I GONNA GET MY NON-BRAINDEAD TAKES??????

[bumblebeebats]

As much as i love Dungeon Meshi, i do think that given Ryoko Kui's attention to realistic worldbuilding there ought to be a companion series called Dishes Meshi where they spend 2hrs washing and drying and packing away. Alll the goddamnfuck dishes they just made

[gunstellations]

encounter (1/?)

next page

cont. of unfamiliar side

[msmimundo]

Do you think Perry ever mixes up being mindless and sentient?

[starry-bi-sky]

on a completely separate note; shizun luo binghe with a disciple shen yuan who fell into the abyss??? *thinks about LBH canonically stealing SQQ's corpse for 5 years* he'd hallucinate i think. like, like visual and audial hallucinations.

Keeps thinking he's seeing SQQ in the corner of his eyes, or wandering between the trees, amongst a group of disciples. Thinks he hears him calling for him, but its just the wind or another disciple.

Gets Xiu Ya reforged but patently fucking refuses to make a sword mound. Because his disciple Is Not Dead :))) There was No Body. He's Not Dead. And If You keep Insisting That He Is, He's Gonna Skewer You :). He's holding onto Xiu Ya so he can return his most favored disciple's sword when he returns. It's on his hip right next to Zheng Yang where it's supposed to be.

Also this motherfucker?? does not sleep btw. He has the image of SQQ, wide eyed and hysterical and standing at the mouth of the abyss burned into his fucking eyelids. Can't use the dreamscape to escape it either because he keeps trying to save him and either he does and it's an incredibly cruel trick to wake up to, or he doesn't and he gets his heart broken in several different pieces again.

There is no convincing this man that Shen Qingqiu is dead. Absolutely nothing at all. He is buried so deep in denial that moles would be jealous of how deep he is. He keeps making tea for two in the bamboo house only to remember that it's just him. SQQ's fans are hiding everywhere, little reminders of his presence. He goes to wake up SQQ on the mornings he sleeps in-- only to find the room empty.

[cherrywhite]

hey silt verses? I just want to talk

[tagerrkix]

Eden was their ✨disney princess era✨

[musubiki]

balor 🥰

[somecunttookmyurl]

there was a fire in the building that houses my studio on new year's eve. i'll probably elaborate on that more at some point idk but tldr

it wasn't a big fire, nobody lost any stuff, nobody was hurt. the electrical mains gave up the ghost (likely due to an ongoing leak the landlord wouldn't fix)

but because the landlords have already wanted us out for ages so they can "redevelop" (read: tear down a slightly run-down building from around 1900) the place into Yet More Soulless Shiny Flats Nobody Around Here Can Afford they decided the damage is uneconomical to repair, refused our offer to contribute to repair costs, and are kicking us all out

because there was an "accident" causing "irreparable damage" they're exempt from the usual 3-month waiting period and everyone has to vacate by Feb 1

this is a community space occupied by artists and musicians so now there are a couple dozen broke-ass bitches who have to relocate short notice. the landlord, spectrum properties, is refusing to extend the time any further

so! there will shortly be some form of gofundme type situation to raise money for the costs of doing that (like storage units if we can't find another studio space), and also to tide over any artists who relied on that space for income since they've not had anywhere to work for a couple of weeks and probably won't for several more

i'll reblog this with the link when that's up and running but uh. yeah. that's a thing. which is happening.