#WANT HER TO KNOW HIS FAMILY SECRETS

[scoobydoodean]

The Smurf's comment was literally right there waiting to be dunked on but instead he got greedy and flew straight into the fucking sun.

[bet-on-me-13]

Trigons Backup Plan

So! Trigon knew from the moment his Daughter was taken in by the Monks of Azarath that it would be difficult to turn her to his will. He wasn't stupid, he knew just how hard it would be to make his daughter turn on everything she has ever known in her (very short) life.

He can't really blame her, even he believed that indiscriminate mass murder was wrong until his mid-200's, he just needs to wait for her to grow out of it.

But until then he still needs a way into the DC Universe. And if his daughter wouldn't help, then he could always just make a 2nd one.

So, he searches and eventually finds a Couple of Scientists who seem to be good targets. They are researching Magic and Ghosts, so he makes a Demonic Pact with them. He will give them the secrets needed to complete their Research, and in exchange all he asks is that they help him bare a child.

They agree, and Danny Fenton is born.

Danny was supposed to become a Hellmouth when he turned 16, unlocking his Demonic Powers and opening the way for Trigon to enter the DC Universe so he could conquer it.

Instead he managed to get himself killed at 14. Then he managed to come back to life as a Halfa, he got himself adopted by Clockwork, and he usurped the Throne of the Infinite Realms in the span of 1 year, therefore putting himself on the same level as his Father on the cosmic scale.

So there goes his Backup Plan.

Dammit.

...

Meanwhile Raven is panicking. She had been messing around with her Friends when they asked about the Spells she could do, and she off-handedly mentioned that she could cast Family Tracking Spells.

One thing led to another, and they all wanted to know if they had secret family. Then they asked if she wanted to try as well, and for some reason she agreed.

And long story short, she has a little brother somehow. A little brother who is only a few weeks away from turning 16, who doesn't know the Azarathian Spells she learned to prevent his own transformation into a Hellmouth.

Oh shit...

[littlefankingdom]

~ A Night in the Life of a Bat in Gotham

This is such a cute short story! The bat following Batman around, copying him, and being a detective with him! Bruce caring about stopping animal abuse and trafficking! Bruce saying that the bats of Gotham aren't his pets, they are their family! And he knows each one of them! I didn't know I needed Bruce gently holding a bat and calling it "my hero" until now, it's fucking adorable!

And the whole thing is a metaphor about the Batfam! About how they cannot be kept in captivity, how their falily is important and they need it, but each of them comes and goes as they wish and they respect it, and each have their own story to tell.

[liauditore]

BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY! BDUBS DAY!

[thegreatgatzbi]

Still figuring out Daisy and Jordan designs (especially Jordan hdfgkhdfgj), but here's some practice, mainly of Jay himself! I have a lot of fun drawing him and figuring out his personality. I've always pictured him putting a TON of effort into perfecting his appearance, so I think he should wear a simple corset to shape his silhouette into that Arrow Collar Man type look. Without it, I think he's got more of a strongman build. Strong and broad from growing up on a farm, living as a sailor for a while, and then being in the military, but a bit soft around bc of living in excess nowadays. I also feel the need to specify my Gatsby is about 5'6". This is vital information.

As for Daisy and Jordan, I'm trying to work out how to draw them both how I picture them and how they're described in the book. I generally know how I want Daisy's face and hair to be, but there are some things I'm still fiddling with. With Jordan.... Shes a struggle gdhjfghlgkjhdkj I originally wanted her to have straight hair, but then while sketching her I couldn't make it look quite right, so I tried something closer to how she looks in one of the older movies. I might stick with this, but make her a bit more butch in fashion styles. Idk! I'll have to figure that out as I go, I think.

[astarlightmonbebe]

the shenanigans in wedding impossible are fun and all, but impossible to truly enjoy because i cannot forget the high stakes behind them. it was bad enough when the premise was simply a contract marriage to cover up one man's secret, but now we have 'let me seduce my brother's fiance-soon-to-be-wife' thrown into a mix. jihan's actions are harmless on the surface, sinister beneath it. for all he says he cares about his brother, ajeong is right when she says he's not a very good brother (i mean, you could argue the same for dohan, which i will get into in a minute), because what brother makes a move on his brother's woman? it doesn't matter if there's no feelings yet, or if the marriage is fake - they've barely begun and they're already getting caught. and jihan and ajeong getting caught leads to dohan and ajeong getting caught out too, and so it always comes back to dohan's secret, his reason for trying to escape. i think starting off the drama we already know that dohan ultimately won't be able to keep his sexuality a secret, that it will somehow be forced out into the open, but with each episode, the stakes surrounding that reveal get higher and higher. the higher it gets, the more the fall hurts. the higher the walls, the more violently they crumble.

and, objectively, none of the characters are entirely without blame or flaws in the situation. dohan asking ajeong to marry him without consideration of the cost it could have on her (he's asking her to move to ny, lie to her family and his, possibly stall her career or risk losing it entirely, etc). ajeong lying about her career to dohan and acting as if she's rich and all that. for close friends, they are sometimes careless with one another, but we can also see them remedying that, rebuilding the gaps, such as when ajeong sincerely accepts his offer, and dohan calling her to check in. jihan's a much more volatile character. his character can be understandable when you think that he wants dohan to have happiness because he somehow thinks of himself as responsible for their mom dying, but what's the point in fighting for something for dohan that dohan doesn't even want? dohan has made it clear he doesn't want the company, but jihan has it set on him inheriting it, on marrying him off. he's not much different from their grandfather in that respect, although at least their grandfather agreed to let dohan marry ajeong instead of trying to break them apart like jihan's doing now. jihan's pushy and overbearing; dohan, in contrast, is perhaps too laidback. he doesn't seem to understand jihan's ambition or his struggles in the power balance, and he also left his brother alone with the wolves for five years. it's hard to really analyze the brother's that much, because we don't get that many scenes of just the two of them and have barely any backstory on how their relationship was like growing up (did dohan look out for jihan? what does he know that jihan doesn't, and vice versa? how was dohan's position in the family (we understand jihan is bottom rung)? etc).

still, when it gets down to the bone, the biggest blowback is on dohan, because he'll end up losing the one thing he wanted to protect. ajeong entered the game as an outsider, and she'll leave like one (or eventually be welcomed back into the family as jihan's wife at this point), although there will probably be considerable affect possibly on her career or public image as an actress. jihan could lose a lot, more so in standing, which he cares about, and public image as well. dohan gets outed to his family, and probably the greater public depending on how much comes to light (that reporter seems like he'll be an issue). so really, jihan and ajeong are playing a game and forgetting dohan is in the middle. and that's going to be a problem.

[pitske]

Chere and his family

[aria0fgold]

Thinking more about my isat au and I'm gonna need to change a LOT more than I thought. First things first, Siffrin's connection to the wish. Since in Of gems and pages, all the wishes stayed the same. So why is Odile the one looping and not Siff? So basically, what I think I'd do in my au is that the Universe decided to change things up a bit.

The first time the Universe granted Siffrin the means to fulfill their wish, things went horribly bad (just look at Loop). So this time, the Universe decided to give this new Siffrin, something a lil different. They still gave Siffrin the timeloop But made Odile his proxy. So that Siffrin may have helpers in this new timeline, with Loop as the guide and Odile helping as well, it Should go better, right??? And since the wish is connected with Siffrin's emotions, the Universe can't just completely make it Odile's problem now, sooo basically... Siffrin can still remember Parts of a previous loop PRIOR to their deaths.

That means during the beginning of canon when Siff was crushed by a boulder, he remembers that. And found Loop as well, but when he accidentally ended up touching a tear, he now Doesn't remember being crushed by a boulder but by being frozen in time. At the same time, he ALSO doesn't remember Anything else prior to it. So he doesn't remember that there's a boulder that can kill him by the entrance of the House, he doesn't remember Loop. All he remembers is that somehow, one way or another, he was frozen in time within the House and needs to be more careful with the tears. And because of the way that the loops affect Siffrin now is faaar too different than how it affected Loop, he can't go forwards or backwards in time. Siff will always awaken back in the meadow and Loop will always have to do their whole speech all over again (which would most likely annoy them immediately cuz why? Why is it so different now? Why can't this Siffrin REMEMBER?)

Odile on the other hand, remembers ALL the loops and finds a lot of discrepancies with Siffrin. It takes awhile for her to meet Loop and they get to talk to each other. Their meeting would be pretty... rocky at first. Loop still getting regarded as a stranger by Odile, Loop finding out that Odile is the one getting affected by the timeloop from their own selfish wish. Even if that Siffrin isn't them, it doesn't change the fact that they both made the same wish. Loop thinkin bout being such a favourite cosmic joke of the Universe that not only were they turned into This, one of their family members are suffering cuz of them. And she doesn't even recognize them. It'd be pretty hard at first too cuz Loop doesn't know that their appearance changed yet, there's no mirror. For Loop, they might still look like Siffrin, right? But Odile's reaction to seeing them says otherwise.

Anyway in this au, stage wise, Odile is the actor, Siffrin is the director, and the Universe is the audience. Book wise, Odile is the character, Siffrin is the writer, and the Universe is the reader. Why is Siffrin the director or the writer and not the Universe? That's because the timeloops are Still connected to his emotions, if something he didn't want to think about happens like, that argument with Bonbon (just as an example. I'm wondering if that'll still happen here considering that only happened because of Siff had memories of all the loops in canon. He doesn't have that in this au anymore), time would loop back still, so in a way, Siff Is writing how the timeloops go.

[mariocki]

Infinite list of favourite lyrics: 229/?

Bobbie Gentry - Ode to Billie Joe (1967)

"And Papa said to Mama, as he passed around the black-eyed peas:

'Well, Billie Joe never had a lick of sense; pass the biscuits, please.

There's five more acres in the lower forty I got to plow'

And Mama said it was a shame about Billie Joe, anyhow.

Seems like nothin' ever comes to no good up on Choctaw Ridge

And now Billie Joe McAllister's jumped off the Tallahatchie Bridge"

[...]

"Mama said to me, 'Child, what's happened to your appetite?

I've been cookin' all morning, and you haven't touched a single bite.

That nice young preacher, Brother Taylor, dropped by today

Said he'd be pleased to have dinner on Sunday - oh, by the way

He said he saw a girl that looked a lot like you up on Choctaw Ridge

And she and Billie Joe was throwin' something off the Tallahatchie Bridge'"

[muninnhuginn]

Thinking about Seo Dongjae’s arc and how Lee Changjoon factors into it.

Spoilers for both seasons of Stranger under the cut.

Both came from similar backgrounds in that they were ‘disadvantaged’ compared to their peers. Lee Changjoon didn’t come from a family as wealthy as the chaebols and Lee Yeonjae is explicitly said to have married ‘down’ when she married him instead of Kim Byunghyun. Seo Dongjae meanwhile wasn’t an alumni of a prestigious university and so doesn’t have the same connections as many of his colleagues. This pushes them both in different ways. Dongjae towards latching onto the nearest person he thinks he can use to give him a leg up. Changjoon towards the murky business of Hanjo and his father-in-law.

As season 1 progresses, Dongjae and Changjoon become more distant. We’re told that they used to be closer and have been growing apart over the course of the early episodes as Dongjae’s suspicion of his boss grows. Dongjae is still an opportunist though and so he returns back under Changjoon when given the chance. Ultimately, survival is what matters most for him and if it’s playing all sides that keeps him from being arrested that’s just what he’ll do.

Changjoon took Dongjae on to be his employee on the condition he stay away from Hanjo and his father-in-law. In retrospect, I’m inclined to believe this was his way of protecting Dongjae from their influence rather than because of worries Dongjae could ‘expose’ him. After all, Changjoon intended to expose Hanjo himself and so keeping Dongjae away from them doesn’t particularly help with this. If anything, he’s limiting potential information Dongjae can obtain to only the pieces more relevant to himself.

And, of course, Changjoon told Dongjae to not follow his path with his dying breaths. He could see the direction Dongjae was heading (and was already far enough down to have an arrest warrant out in his name) and knew where it had ended for him. Changjoon knew how how hard it is to extricate yourself once you’ve started down the corrupt route. But he also knew it wasn’t too late for Dongjae. Eunsoo proved that Dongjae couldn’t stomach being a killer.

Season two Dongjae, for all he’s still trying to make inroads and build connections in dubious ways, does show signs of growth. The fact he looked further into the Choi Bit and Park Gwangsu when Woo Taeha tried to draw him away from them is evidence of that. Looking further in this case would not endear him to the very person he wants to gain a promotion from. Also, it does seem like he was genuinely invested in his role in juvenile crimes, in even ‘simple’ bullying cases. And that in of itself helped him unlock the beach case. There was also how didn’t particularly socialise with others at his current office and mainly kept to himself which is a far cry from his early season 1 behaviour. Of course, the last point is somewhat weakened by the way he was most definitely networking outside of his station, but it adds to the sense of isolation and desperation present in everyone this season. His motivation skews increasingly towards his family and dissatisfaction with the whole system (though as a prosecutor he aims most of his ire at the police force).

There’s a part in the second season where Dongjae says something about how looking too deeply into places regardless of what everyone else wants can get you in trouble. And at the time the most obvious person it applies to is Simok (and also Eunsoo, but that stays silent) but in a number of ways it applies to Dongjae himself in this season. He’s probably lucky he was taken out by the culprit he was when you look at the other potential suspects. He has a lot of new powerful enemies. And those enemies are still future threats to him (as Lee Yeonjae demonstrates aptly). For a character so focused on survival historically, his choice should be clear when it comes to whether he speaks up or whether he chooses to stay silent. And yet, he’s shown enough growth that it isn’t clear anymore.

In the dream sequence in season 2, the subtext is pretty clear as to why each person appears. They’re all people who quite literally ‘lost their way or lost their life’. Changjoon (life/way - self-explanatory), Kang (strayed his way but chose to leave), Eunsoo (life, and also her way - though not in the corrupt sense, more how her revenge consumed her and she made self-destructive choices), Yoon (way, though importantly *not* his life). And Dongjae being there is partly to raise the potential he won’t make it, but most of all, it’s there to say that Dongjae hasn’t yet chosen his own path.

As of the season two finale, we don’t know which direction he’ll choose to go.

[odietamox]

my mom told me to keep a secret from my little sister but now my sister told me that out dad told her this exact thing and to keep it secret from me. what the fuck.

[pleasantlyinsincere]

14 & 21 April 1985, Two part interview with Mimi for Sunday People

[bmpmp3]

the villainess flips the script is a really fun manhwa with gorgeous art and my wonderful son luca who is a little bitch who i love so much BUT i will say. the family tree situation as the story has gone on makes my head hurt

[lyricalchrysanthemum]

Gamers I gotta make Kawamoto family Plum Conversation art if I don’t I think I’ll explode

[nashvillethotchicken]

I know Grace and Claudia would have loved each other

[musclesandhammering]

Ok I get that the Chaos/Order thing is a big theme this season, but I stg if they try to make Loki embody order while sylvie embodies chaos… I’m breaking up with marvel for real this time 😒.