#Victor ibanez

[classicartverso]

Victor Ibanez - Constantine

[jetslay]

DC Super-Heroes by Víctor Ibañez.

[artverso]

Victor Ibanez - Emma Frost (White Queen)

[alphacomicsvol2]

Justice Society of America (Vol 3) #51 Cover Art by Victor Ibanez

[womeninfictionandirl]

Big Barda by Victor Ibáñez

[heckcareoxytwit]

White Fox (Ami Han) the Korean Superheroine picspam

Art by Paco Medina, Ron Lim, Victor Ibanez and Rhoald Marcellius

Contest of Champions #1, 2, 3, 5, 6, 7, 8, 9 and 10 (2015-2016)

[splooosh]

“Spellbinder!”

Victor Ibanez

[onlylonelylatino]

The Defenders by Victor Ibañez

[fuckyeahalisonblaire]

Victor Ibanez

[hellomystraightlacedfriend]

Storm #2

Greg Pak/Victor Ibanez

[classicartverso]

Victor Ibanez - Constantine

[jolenes-book-journey]

Sunshine State Book Festival Promotes Its Authors #bookfestival #tarotr...

Some of our current participants include: Johnny Rocket Ibanez, Robert Kamarowski, Dorie Karl, J. C. Kato - One and Two, Lorna Hopkins Keith, Mindy Killgrove, Victor Kingdon, and L. L.Kirchner. Beyond the books and discussions, the festival creates a warm and welcoming environment where literature truly comes to life. It’s a place to discover new favorite authors, reconnect with familiar ones, and celebrate the power of storytelling to bring us together. Make plans to join us for this unforgettable event, and let the Sunshine State Book Festival inspire your next great read. We will be at the Best Western Gateway Grand Hotel in Gainesville, Florida on February 1st. Bring the entire family, buy some books, talk about the authors stories and perhaps get inspired to write your own book.

[artverso]

Victor Ibanez - Aquaman 

[asmallexperiment]

I discovered this maybe a month ago and it's another one of those where I get more taken by it the more I listen to it. It's very faithful to the original, but is jammier and more playful, which somehow makes it very different. I don't even know that I have my arms around all the ways it's different, but there's a really impressive combination of the fidelity and the personal expression in this version.

Martin Miller's band is really good. If you have spent even a little time listening to them, they are able to do an impressive range of things artistically and technically. Ben Jud has a nice, clean delivery. He's not emptying every chamber like Seal does, and on a song like that, which is not especially dynamic in its architecture, you need something to carry it along and Seal carries a lot of that freight. I feel like Jud is leaving a little more room for everyone else, but you don't get to the jam until 4:15, so it has to work as an actual song before then and it does.

Jud's bass playing is chunky. The thumb picking thing drives me a little bit nuts, since it's the thing you do with the bass for the first 15 minutes before someone shows you that you can play fingerstyle or use the thumb to slap or maybe play with a pick. Like most of the bassists on the planet, I really only pick with the thumb when I want a really round sound, probably in conjunction with some muting. Jud, on the other hand, also has an interesting double-thumbing thing that isn't much like Victor Wooten's, but is sort of like that Geddy does (and I do!) with the picking fingers, using them more or less like you would double picking with a plectrum. Jud also plays conventional fingerstyle, but seems to favor it when he's using a rounder, less trebly sound, oddly enough.

Both Nico Schliemann and Marius Leicht have that talent of stepping into spaces to be the star of the show for a couple of seconds and then letting someone else shine through. As a bassist, I can appreciate the virtues of that. Felix Lehrmann is a first-class builder with his drum parts. The thing you hear here, where he takes more liberties as the song goes on (as Joe Satriani once noted about Simon Phillips' performance on MSG's "Lost Horizons"), is a first-class version of the trait.

Speaking of Satriani, Lari Basilio has very clearly been influenced by Satch, switching back and forth between bluesy and modal playing in her solo. I love that she has completely absorbed the 90s guitar heroes (the 7-string Ibanez she sometimes uses is a clear Vai nod and the first/last picture from this article looks like she raided Eric Johnson's wardrobe--and she sort of sounds like him at times, too), but still sounds original. It's funny, because Martin Miller has a lot of commonality with her in that respect, but he plays a much more overtly bluesy solo, albeit with a little run out of the John Petrucci showroom at 6:07).

The back half of the song does show the value of being able to play interestingly through simple changes. As great as the the original is in terms of production and performance, I feel like I discovered a lot about a song that I never really gave a lot of thought until now.

[splooosh]

of Zeus

Victor Ibanez

[viaov]

Victor Ibanez, X-23