#Victor Ibanez

[jetslay]

DC Super-Heroes by Víctor Ibañez.

[artverso]

Victor Ibanez - Emma Frost (White Queen)

[alphacomicsvol2]

Justice Society of America (Vol 3) #51 Cover Art by Victor Ibanez

[womeninfictionandirl]

Big Barda by Victor Ibáñez

[heckcareoxytwit]

White Fox (Ami Han) the Korean Superheroine picspam

Art by Paco Medina, Ron Lim, Victor Ibanez and Rhoald Marcellius

Contest of Champions #1, 2, 3, 5, 6, 7, 8, 9 and 10 (2015-2016)

[classicartverso]

Victor Ibanez - Sabrina

[splooosh]

“Spellbinder!”

Victor Ibanez

[onlylonelylatino]

The Defenders by Victor Ibañez

[scrambler]

Art by Victor Ibanez

[graphicpolicy]

Machine Gun Kelly's Hotel Diablo is a nice collection of horror stories

Machine Gun Kelly's Hotel Diablo is a nice collection of horror stories #graphicnovel #comics #comicbooks

Between Heaven and Hell lies a waystation for the soul–a place where your deeds in life are the keys to your eternity in the afterlife–at the Hotel Diablo. And it’s Lidia Lopez’s first night behind the front desk! Every guest’s got a story to tell and a lesson to learn… Story: Machine Gun Kelly, Eliot Rahal, Ryan CadyArt: Martin Morazzo, Victor Ibañez, Robert Ingranata, Jordi Pérez, Amilcar…

[artverso]

Victor Ibanez - Aquaman 

[hellomystraightlacedfriend]

Storm #2

Greg Pak/Victor Ibanez

[illyanarasputinfan]

Victor Ibanez

[asmallexperiment]

I discovered this maybe a month ago and it's another one of those where I get more taken by it the more I listen to it. It's very faithful to the original, but is jammier and more playful, which somehow makes it very different. I don't even know that I have my arms around all the ways it's different, but there's a really impressive combination of the fidelity and the personal expression in this version.

Martin Miller's band is really good. If you have spent even a little time listening to them, they are able to do an impressive range of things artistically and technically. Ben Jud has a nice, clean delivery. He's not emptying every chamber like Seal does, and on a song like that, which is not especially dynamic in its architecture, you need something to carry it along and Seal carries a lot of that freight. I feel like Jud is leaving a little more room for everyone else, but you don't get to the jam until 4:15, so it has to work as an actual song before then and it does.

Jud's bass playing is chunky. The thumb picking thing drives me a little bit nuts, since it's the thing you do with the bass for the first 15 minutes before someone shows you that you can play fingerstyle or use the thumb to slap or maybe play with a pick. Like most of the bassists on the planet, I really only pick with the thumb when I want a really round sound, probably in conjunction with some muting. Jud, on the other hand, also has an interesting double-thumbing thing that isn't much like Victor Wooten's, but is sort of like that Geddy does (and I do!) with the picking fingers, using them more or less like you would double picking with a plectrum. Jud also plays conventional fingerstyle, but seems to favor it when he's using a rounder, less trebly sound, oddly enough.

Both Nico Schliemann and Marius Leicht have that talent of stepping into spaces to be the star of the show for a couple of seconds and then letting someone else shine through. As a bassist, I can appreciate the virtues of that. Felix Lehrmann is a first-class builder with his drum parts. The thing you hear here, where he takes more liberties as the song goes on (as Joe Satriani once noted about Simon Phillips' performance on MSG's "Lost Horizons"), is a first-class version of the trait.

Speaking of Satriani, Lari Basilio has very clearly been influenced by Satch, switching back and forth between bluesy and modal playing in her solo. I love that she has completely absorbed the 90s guitar heroes (the 7-string Ibanez she sometimes uses is a clear Vai nod and the first/last picture from this article looks like she raided Eric Johnson's wardrobe--and she sort of sounds like him at times, too), but still sounds original. It's funny, because Martin Miller has a lot of commonality with her in that respect, but he plays a much more overtly bluesy solo, albeit with a little run out of the John Petrucci showroom at 6:07).

The back half of the song does show the value of being able to play interestingly through simple changes. As great as the the original is in terms of production and performance, I feel like I discovered a lot about a song that I never really gave a lot of thought until now.

[viaov]

Victor Ibanez, X-23

[classicartverso]

Victor Ibanez - Sabrina