#Unspoken Thing

[herhurthoneyheart]

I will forever be the person who says "it’s okay, I understand.." even when my heart is breaking into pieces..

[raepliica]

tristamp post-S1 mashwood sillies and tri98(?) merylwood :]

[mummer]

jace being the first one to jump to call valyrian exceptionalism a farce ties so well into his bastard identity and the fact that he’s had to baldly lie about himself for his entire life to fit the image of the perfect heir…. like of course he would understand that better than anyone. people have died to protect that lie, his lie! rhaenyra telling him this garbled incoherent nonsense prophecy like it changes anything about what they’re doing or why they’re doing it. little normcore guy in targ family hell beating down his bad rebellious thoughts with a hammer every morning trying to reconvince himself of the lie, of the idea he could be the perfect shining promised prince but he knows something is Wrong. a totally mundane trivial death at the centre of the spiral. quentyn voice i must be the hero the hero never dies.

[fandombead]

I love that Janus has a cane: a tool long used for support and guiding. Self care and guiding the others, sometimes physically pulling and moving them with it. I see the shepherd metaphor quite plainly as well

[bakuhatsufallinlove]

How do you feel about the fact that Katsuki’s apology and his death are not brought up again? I was really sad they never talked about it all. Do you have any headcanons for when/how/if they ever talk?

Dear anon, you've activated my trap card.

By which I mean you've asked me about something on which my feelings apparently vastly differ from those of most people.

To answer your question, I did not expect nor even want a scene addressing the apology again in-canon. Neither did I expect a scene where they discuss Katsuki's death, though I was less opposed to that.

But let me specify this right off the bat: there is a distinction between what I would enjoy seeing and what I think has narrative weight.

And I think that's fascinating to talk about. You asked me how I feel, so get ready!

When people say they wish Katsuki and Izuku had talked about his death, what are they wanting?

Do they want to see Izuku get vulnerable and choked up over Katsuki, shed tears for him? Do they want to see Katsuki see him like that, and watch him soften and let Izuku open up? Do they want to see him take Izuku's hand and comfort him, reassure him that they won, that it's over, that he's still here, and no one is gonna keep him from getting back up again? With the implication that getting back up again means standing at Izuku's side and helping him win?

I sure as fuck do!

But do I think that kind of scene does something for the story, themes, and development of them as characters that what we actually got doesn't do? Not necessarily.

See, stories are not driven by what the audience wants to see.

Stories are driven by what the characters need.

Not what they want, what they need. Often, characters are denied what they want because it does not align with what they need, and this is the very premise of their struggle. Katsuki is a great example of this, because at the start of the story, he wants to feel superior to Izuku, but what he needs is to accept his own admiration of him.

Fanworks exist to give the audience what they want, in a vacuum, totally separate from the linear structure of the narrative. You can just pop into a scene of Izuku crying and have Katsuki kiss him better and that gets us every time, doesn't it?

But in the manga, for a scene like this to exist, there has to be a need for it to address. So, what would that need be?

I think people ask for these scenes because they are under the mistaken impression that Katsuki doesn't understand how Izuku feels about him. And I cannot tell you how much I disagree with this.

If Katsuki didn't understand that Izuku cares deeply for him, then a scene like what I described would probably be intended to tell the audience that he needs to understand how Izuku feels and, up until now, he hasn't.

But that's not true.

Katsuki knows Izuku cares about him.

At the start of the manga, Katsuki is convinced Izuku looks down on him.

Chapter 10

We the audience understand this is projection. Katsuki's admiration of Izuku makes him feel inferior, so he rejects his own self-critical feelings and assigns them to Izuku. No matter how many times Izuku shouts that he thinks Katsuki is amazing, Katsuki's inferiority complex is unfazed.

He utterly ignores it, it doesn't even register for him.

Chapters 10 and 119

Instead he doubles-down on his own frustration and dissatisfaction with himself, engaging from a point of competition, as though Izuku had insulted him rather than complimented him.

This tells the audience that the problem does not lie with Izuku, but with Katsuki himself. Izuku cannot resolve this situation with words, we've seen him try. Instead, Katsuki needs to change his own perspective.

After Deku vs. Kacchan 2, Katsuki accepts—begrudgingly and with great discomfort—that Izuku does not look down on him.

Chapter 120

Even though Katsuki reconciles this, that doesn't change the fact that he is weak. He needs to grow as a person and as a hero. Now, his struggle is not just about his self-perception, but also his real progress.

Chapter 209

We joke about Kacchan being a tsundere, because he is, but part of the reason he rejects Izuku's appraisal of his progress is because he still hasn't met his own standards yet. Katsuki admires Izuku and All Might so much; he knows what they are capable of, he sees the gulf between where he is and where they are, and he is fighting like hell to close that gap.

He won't be satisfied until he does.

Chapters 362 and 409

I've seen people talk about this moment like it is a revelation for Katsuki about Izuku's feelings.

Chapter 359

And, first of all, lemme just say that no villain has ever said a damn thing to Kacchan that he didn't already know.

Chapter 358

ShigAFO's comment does not exist to confirm Izuku's feelings to Katsuki. It exists to signal to Katsuki (and the audience) that ShigAFO knows how Izuku feels, and he is prepared to use it against them.

This is a threat. This is about instilling horror in us and bringing to painful fruition Katsuki's fears about being a weakness people can exploit to hurt Izuku.

But let's not bury the lede: Katsuki would not have these fears if he didn't understand that Izuku cares about him.

Chapter 82

Look at his face and tell me he doesn't know with every fiber of his being that Izuku would die for him.

You could argue that because Katsuki understands Izuku's heroic nature better than anyone, perhaps he doesn't consider Izuku's protectiveness of him unique. Maybe he doesn't understand that Izuku loves him specifically and, to him, this is simply an expression of Izuku's selfless, save-to-win mentality.

But that I counter with two points:

Katsuki is not dumb, guys. He is our most emotionally intelligent and self-aware character. We are shown on numerous occasions that Katsuki can read between the lines and understand someone's feelings without being told (unlike Izuku, who's a damn nerd).

The story arc of Katsuki and Izuku's relationship is predicated on the fact that Katsuki rejected Izuku, but they are both unable and unwilling to truly disentangle themselves from each other. This means that their interactions, across the whole of the series, generally focus on Katsuki accepting Izuku and his own feelings, thereby restoring their relationship. To do this, he needed to both accept himself and better himself.

As a result of the second point, the focus is not on Izuku demonstrating his love for Katsuki as the bridge of change. The fact that Izuku loves Katsuki and wants him in his life is indeed highlighted frequently, but it is often treated as a given.

I've said it before: Izuku's feelings are not the ones that change the most, Katsuki's are.

Now you might say, "Maybe Katsuki doesn't need to hear Izuku's feelings, but Izuku might still need to say them!" And you're right, that is a possibility! Even if it is a given to the audience, there could be something that suggests Izuku saying these feelings out loud would be significant or change something between them.

But that's not what the series tells us.

Izuku does not hold back about the way he feels for Katsuki. Whether he is calling Kacchan a stupid jerk or saying he is amazing, Izuku is not subtle about what he thinks—in fact, these are often his most raw, unfiltered character moments, and they are significant.

Chapter 119

The only significant time Izuku does not tell Katsuki how he feels is his image of victory moment at the end of DvK2.

Chapter 120

My conclusion about this is that Izuku has felt conflicted about his own behavior and thinks Katsuki would reject him if he knew about it, so he chooses not to bring it up.

However, there is still a narrative purpose of showing us this thought, and that is to demonstrate that while Izuku may feel conflicted, ultimately he still accepts his own feelings. Regardless of whether Katsuki accepts him or not, the way Izuku feels won't change, and he's not sorry about it.

This moment exists for a lot of reasons, but chief among them is so that we the audience can see the true shape of Izuku's heart.

And what we see is that he loves and admires Katsuki, no matter how he acts or even what kind of person that makes Izuku.

I liken it to Katsuki's All Might card moment.

Chapter 362

Listen, I would have loved to see my explody boy get his autograph, but the greatest impact of this scene is not in the question of whether he will get one, that's just the tragedy lying on the surface as we witness his death.

No, the most meaningful part of this moment is in how it makes the audience truly understand that he still longs for it, even after all these years.

I wanted Izuku to tell Katsuki he is his image of victory, but the fact that it doesn't happen signals to me that Izuku ultimately didn't need to say those words out loud for that moment to matter. Izuku reconciled the discomfort he felt about admiring Katsuki and embraced his positive feelings for him, and that's pretty damn important.

I can and will indulge in fandom to meet my heart's desires, and that's excellent. But rather than simply feeling disappointed by canon material, I think it is more interesting to allow both what happens in the story and what doesn't inform my understanding of it.

I have been planning an in-depth post about the apology and what I think people are missing when they say Izuku "didn't respond" to Katsuki, but let me just lightly touch on my objections to that line of thinking.

Many people in the English-speaking audience appear to have a very narrow range of actions they consider a "response," and allowing someone else to act upon you for some reason does not seem to count.

If you frame interactions only by what Character A does to Character B and see Character A as the only active participant, you are missing out on a lot.

For example, Katsuki catches Izuku, and we see that as a demonstration of his love, as we should.

But how is Izuku allowing himself to be caught not an action that expresses his feelings? How is the fact that he responded to an apology with his own apology not indicative of how he wants to connect to Katsuki in this moment? How does it not convey what he feels for Katsuki, what he has always felt for him?

Furthermore, I see a lot of people take for granted how silence is a choice, and it carries meaning. Much like with what does and doesn't happen in a story, there is meaning in what people say and what they don't.

Japanese as a language values indirectness; it is not a bug, it is a feature. This is partly to avoid forcing yourself onto others and causing them discomfort, but another part is trusting others to understand who you are and how you feel without beating them over the head with it.

But you'll have to wait for my full post to hear the rest of that idea.

I dunno if this is what you were expecting out of your question, anon, but I hope you enjoyed the ride all the same!

[creepycoffins]

I said he was unpleasant, he said I was a louse, and then we took to quarreling round the house

[puppetmaster13u]

One of my favorite tiny headcanons for superbat is that they at some point while both concussed, end up with nicknames for each other. Bruce half jokingly calls Clark Sunshine, and again they're both concussed, their mental faculties are not all the way there. So Clark jokingly calls Bruce Moonshine.

No one else has this context. And everyone else is very confused.

[kotofeden]

"I must go now, but I'll wait for you in a throne room"

Okay, so @samioli and @wr1ghtw0rth inspired me to dig up an old sketch and finish it up a little, blame them for this

[augustjustice]

Season 4 was really like...Eddie Munson is having the worst week of his entire short, senior-year repeating life. Also, former jock king Steve Harrington is here. And guess what?! Alongside being agonizingly hot shirtless, turns out he's actually nice! And protective! And a badass, just like Eddie's snot-nosed freshmen recruits said he was! So what else is a little gremlin gay boy to do except flirt with him shamelessly?? He's already wanted for murder and running from the town mob, might as well make a pretty boy blush in the meantime.

And we were all just supposed to be...normal about that, I guess.

[binglepringle]

Idek what this is but here you go 🤲

[wandalives]

I bet we were fun.

[hoofpeet]

It feels like a lot of the ppl who are asking you to trigger tag the derealization stuff r probably the same people to ask for trigger tags on self harm scars. Like yeah mayb some ppl might be triggered by them but it's also a very real part of someone's body (+life) that they r always living with. And it's weird to ask someone to trigger tag that??? Like what a fucked up thing to say to someone? No you can't have your arms uncovered in your own space because it makes me upset to see that part of you/no you can't make a mild vent post on your own blog because it makes me upset to see that part of your life?? The unfollow/block button is right there goddam. Just walk out you can leave and all that. Anyway ur post really resonated with me and I'm so sorry for all the hate you got over it

YEAH people treating any kind of scarring as some sort of taboo subject is also really annoying to me.. Putting effort into any art starts to not feel worth it when people expect to like. Take everything they want from you while ignoring whatever they don't want to 'deal with'.... very very disheartening to be expected to be quiet about normal parts of my life while. also pouring all my time into making art for other's enjoyment . Like an internet jester

-neway ! Glad my post helped a little at least- it was nice to see others relate to it, so whatever weird discourse it sparked is worth dealing with if it comforted anyone 👍

[patroclusdefencesquad]

joey batey in every song he writes for jaskier : i will sprinkle in the fact that jaskier is in love with geralt

[starrcrossrose]

Tender Moments || Comfort (Mild Spice Below)

I’m saying “screw it” and posting this older art.

Some stuff that's a little more spicy under the cut.

Buuuuut I genuinely am so soft for them and they are very soft with each other and understand each other and seek comfort from one another I AM SIIIIIICK *sobs* I have been contemplating just how much I can share with y'all but I just want to share some stuff so badly so I'm saying heck it we ball. I hope you guys enjoy.

This is just a concept anyway

Really Usagi just wants cuddles and kisses and gentle touch. He’s hurt and he's tired and he's homesick and Leo is the closest thing he has to a friend (they ARE friends — definitely way more than that emotionally, tbh — they just won't admit it out loud) since he's been away from home for soooo long by this point. Idk man. My feelings are vast.

[rocketbirdie]

*slips another kunsel into your pocket*

[firehose118]

“We’re just helping each other out on a long shift. It’s not gay,” Sal says into the air of the empty station bathroom as he wraps a hand around Tommy’s dick, and then in the same breath, “No one can ever know.”

Tommy nods, too far gone in the fantasy-come-to-life of what’s happening to dwell on the irony there. He’ll pick that apart later. For now, he has what he’s craved for so long within his grasp, he just has to reach out and take it.

He gets his hand on Sal’s dick in return and revels in the way it twitches under his touch. Tommy wants to moan with how good it feels to touch another man like this, to be touched by one. But he has to pretend this is friend stuff—normal straight guy shit, not the stuff of waking wet dreams—or else it will be taken away from him.

{finish on ao3 or continue below}

Tommy tries to match Sal’s pace: hard, fast, efficient. He thumbs through the liquid gathering at the head, twists his hand on the upstroke, but doesn’t let himself linger—even as his body is screaming for him to slow down and savor it. This might be his first and last chance to have this.

The way Sal is looking right at him is unexpected. He’d thought Sal would look away, pick a tile on the wall and stare at it, pretend this isn’t happening, but no: Sal is in it, studying Tommy’s face in that passive slack-jawed way of his. Tommy keeps his expression carefully neutral but he’s worried even that will give him away.

Sal’s mouth drops open on a silent moan when Tommy’s thumb drags along the vein on the underside just right, so Tommy does it again harder. He wants Sal to like this. He wants Sal to want to do this again.

Tommy is losing focus quickly. Sal isn’t working as hard to impress him, isn’t pulling out different moves to see what he likes, but his hand is big and warm and calloused and masculine around Tommy’s dick and it really doesn’t need to do anything else to have him panting and leaking.

He’s thought about this so many times and the reality of it is even better than he could have imagined. Every bit of energy he’s not using to give Sal the handjob of his life he’s putting into not whining and humping Sal’s hand like a dog.

He takes half a step forward before he can stop himself; needing to be closer. Sal huffs but he doesn’t say anything, doesn’t step back.

They’re so close to each other now that Tommy could wrap his hand around both of their dicks and jerk them off like that. He knows it would feel good, wants it more than anything in this moment, but it would be a definitive step over the ‘not gay’ line into territory he’s not sure Sal will follow him willingly. It’s this or nothing, so Tommy chooses this.

“You close?” Tommy asks. He is. He can already feel it rising in his stomach, his balls, licking along his spine. He wants Sal to come first, to hide whatever his own orgasm is going to look like in the mists of Sal’s pleasure.

Sal nods. His face is inches away from Tommy’s and he looks like he wants to say something, but he doesn’t.

When it happens, Tommy feels it. He doesn’t know why he didn’t expect to—he always feels the pulsing of his own dick as he comes—but to feel another man’s dick twitch and spasm as it shoots warm into his hand has Tommy biting back a moan so quickly he chokes on it.

Sal comes with a low groan and Tommy is helpless to follow. For as long as he’s wanted this—wanted Sal—he thinks he could’ve come from that sound alone, but the way Sal’s big hand tightens on the next few strokes is the last thing he needs to send him hurtling over the edge.

Tommy’s forehead drops to Sal’s shoulder without permission and he keens high in his throat as the pleasure rips through him. It’s easily the best orgasm he’s had in years and he’s instantly terrified of what that means.

He shoves it down. Later. He’ll think about that later.

Tommy pants, coming back to himself, and he gives himself two more seconds of physical contact with Sal before he pulls back completely.

They both lean against the hard tile wall of the bathroom and catch their breaths.

“Good?” Tommy asks, giving a joking half-smile. He knows the answer but it seems like a safe enough way to start talking again.

“Jesus, kid,” Sal laughs. “Yeah. It was good. Where the fuck’d you learn how to do that?”

He grabs some paper towels to wipe his hand off, then gives them to Tommy to do the same.

“Lonely childhood,” Tommy says. It’s true but it’s not the answer. “Dad had a lot of porn mags he’d leave around. I spent a lot of time jerking off. Figured yours doesn’t work too differently from mine.”

That look is back in Sal’s eyes like he wants to say something, but he stays quiet again. He just shakes his head and laughs.

Sal walks towards the door but stops before he opens it. “Give it a few,” he says. He doesn’t look back at Tommy but he has a small smile on his lips still. Tommy takes that as a win.

Sal leaves and Tommy is left alone with the enormity of what just happened. It was good. It was hot. Sal clearly doesn’t hate him, isn’t disgusted by him. He seemed almost… intrigued.

Tommy will sort out the shame and elation he feels swirling inside of himself like oil and water later.

For now, he washes his hands, splashes some water on his face, and gets back to work.