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desognthinking · 9 months ago

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WIP... Wednesday

Tagged by @willowedhepatica (thanks!) I'm so sorry that this comes so late 😭 life got in the way. Not sure who i can tag who has things in the works they can share, but please Please know if anyone has any snippets or sneak peaks I would love to see them and yell about them with you pleaseee

Not strictly a WIP but here’s just under 3.5k of an oldish experimental AU inspired by this post :’) in this one they’re… *checks notes*, ah, hmm. Chimerical tomb guardians carved from stone.

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It’s a wickedly stormy day when a procession scores up the hill through beating rain and blowing dust, but there’s no time to waste. The wedding will not wait, and on its occasion, as a symbol of the new ties between the families of the bride and the groom, there is a terrible, beautiful new guardian grotesque to be received by the Silva tombhouse from the Salviuses.

It is surely mounted on the property sometime during the silver-black onslaught of sky upon earth, but Beatrice cannot clearly see it through the rain and the maze of trees that still separates the Silvas from their neighbors. The families on this hill are not quite rich enough to expand at the pace of the wealthiest among them, who slice and raze to add to their already broad campuses of tombs. Instead, in this part of town, modest, often unmatching clusters dwell amongst the wildflowers and long-lived trees sprayed across the land.

Beatrice likes the nature. Her perch is kept cool by the damp and dewy mornings, birdsong flickering from above and around. In the filtered haze of heat and light there is some measure of peace too – here, there is less to fight over, and fewer lines of tension between the families. Hidden by farther slopes, there are fewer threats from beyond. And, overshadowed by the lower circuit of large gated tombhouses, there are far milder spoils for aspiring robbers.

It’s from one of these large inner-city tombhouses that the new stone protector is said to arrive. The Salviuses have money spilling out their hands and down their wrists. It’s said, it’s said, it’s said – it’s whispered in the wind that carries the falling leaves from vine to vane, so easy for Beatrice to stretch up and put an ear to. The pollen clouds dispersed over grass in shapes spelling disruption and newcomer. It’s gossiped over pages in the library, first with smug nods and just you wait and see, dear, we’re never wrong from the grandfathers and grandmothers as Beatrice pores through the volumes in the upper shelves, precious books pressed so high and so far back that they’re backed into both wall and ceiling.

Then, inevitably, it carries through the air in the giggles and hushed gasps of the living members of this family, hands curling over yarn and needle as the youngest children breathlessly run and hide behind the walls and in the shadowy pockets of the tombhouse. The Great-great-great Grandmother who had been the first to break the news is mollified by the confirmation, and generously refuses to gloat.

A Silva girl is marrying a Salvius boy, and the Salviuses are pledging a guardian – the spirits know they have too many anyway, but still, a Salvius guardian – to this hill.

“You’ve got to go over and see what’s going on,” Beatrice is instructed one morning, in no uncertain terms. They’re going over integration by partial fractions on the little platform at the back that looks down over the mills: her, Great-Grandfather, and Lilith, who’s slunk over yet again from the Villaumbrosias’ for some ‘peace and quiet’, and also because Beatrice’s family likes her for some mysterious reason. They pretend it’s because they need the extra pair – or, well, pairs, in Lilith’s case – of eyes. The massive, foreboding, Villaumbrosia affair the next hill over already boasts so many fearsome hands on deck, and they only have one Beatrice.

Great-grandfather is gentle and teasing about it; Beatrice (and Lilith, although she will never admit it) is his favorite captive audience.

Of course, it’s easy to treat her as one of their own on mornings like this — quiet summer days when she’s stripped of silica and scale, descended from her weatherworn perch. Devoid of the coarse matter of rock and metal twisted into hungry, flame-spitting fangs, and instead merely a soft-spoken spirit in a youthful skin. When the great grandfathers and mothers and their grandfathers and grandmothers look at her and see dark, almost-human eyes and loosely-bound hair in a bun above her shoulders.

And when Beatrice walks Lilith out and across the rocky way that leads home, it’s easy for them to wave the two of them off. After all, Lilith is just a young woman with black waves she tucks carefully behind her ears and a handsome, slanting jaw that could almost pass as being real; as being pressed and molded with muscle and mandible and a fragile, mycelial network of vasculature and nerves. Not another delicate illusion that would slip and shatter at the first sign of danger, revealing in a flash the grotesque ugliness within.

There hasn’t been an attack in a while. When there hasn’t been an attack in a while Beatrice thinks the family tends to forget where exactly they hold court.

(Here, cradled close enough within these hills to walk back to where home once was. Children’s handprints on the threshold, coal scribbles on the floor. Walls still perfused with the fragrance and vapor of hot homemade stew.)

This is a graveyard. This is a necropolis, a city of the dead. It slithers amongst the roots of the living but does not make a home of it. In its palm lies the fragile in-between, the sickly sweet intersection where the living and the after-dead mingle like the meeting of two clouds. Within its grounds the family is wont to forget the ruthlessness that’s sometimes needed to keep it in balance.

Once they depart, Beatrice and Lilith’s guises fall away. Invisible to a still-beating heart, two terrible chimeras gouge skid-marks through the dirt to get to the Villaumbrosia citadel before its guests arrive at ten-thirty. Miraculously, only twice during the entire trip does Lilith half-heartedly threaten to snap Beatrice’s tail off.

They make it there just in time. Beatrice watches as Lilith sweeps her way up the manicured moss columns and melds, in a quick thrash, with the magnificent dark-gray creature of stone that lunges out from the south turret. Frozen like this: mouth curled in a snarl and sharp wings flung out – in mockery, in bombast, in warning; Lilith at her most vindictive and most frightening, the elaborate Villaumbrosia insignia branded hot and painful down her side.

Beatrice knows it hurts, of course. Perhaps less so like this but certainly in the flesh, where it is always red and raw like the day it was carved down Lilith’s ribs in the workshop. Preserved unchanging in the meat as it is preserved forever in the rock. Lilith winces, when she thinks the others aren’t looking, but Beatrice knows. Camila might say something – probably does say something, but Beatrice doesn’t. She understands too well, and after all, what can they do?

After all, this is their work. This is life: whatever is asked of them. For Lilith today, it is to be a showpiece for guests at a bloated, overwrought tea ceremony. Broadly, it is watchman, and protector, and advocate. And at times like these, when there is a stir in the tangled ecosystem of bloodlines and their guardian-creatures, Beatrice is called upon to be an ambassador.

So, the day after the storm, Beatrice leaves her perch to seek out the Silvas. She glides down from the still-slippery stone, and lands softly on the wet earth, scale meeting fur meeting soil and humid air.

In her hands – her metaphorical hands – she clasps fistfuls of string that stretch, infinitely thin, to every corner of her tombhouse. She flexes each one and puts it between her teeth as she steps over the threshold and into the trees, testing their elasticity and tensile strength. If there is to be a twang, however minute, she must feel it. There is only one of her at home.

As she approaches the Silva tombhouse the air around her shifts and seems to solidify into a medium both probing and warning. Beatrice stills, allowing the woods to see her and course through her calmness. They know her, of course, and she waits for them to pass on the message to the newest guardian, still incredibly sensitive to the prickle of unfamiliar movement and sound.

Presently, physically, the world exhales.

Beatrice cautiously continues forward, until the treeline peels away to reveal the Silva tombhouse.

Tombhouse, as it goes, is a misnomer – a tombhouse is a complex rather than a single shell. It is no single cell for a coffin, but a collection of connected mausoleums and courtyards and passageways and corners and gates, lifted high and tunneled low. And as befitting a clan of esteemed craftsmen, the Silva tombhouse is a harmonious set spiraling outwards in organic whorls. Its walls are scraped clean and brushed beige, curled and leafed and folded in at the edges. Delicate and pretty in its strength in a way Beatrice’s own plain, stoic little set of residences could never be.

At the top of the central mausoleum, bounded by a parapet, rests a flat platform. On that ledge sits the new grotesque.

Ink-black stone peeks curiously down at Beatrice.

Immediately it is clear that she is like nothing Beatrice has ever seen before. Yes, as is tradition she is joined and jawed together piecemeal from various symbolic beasts, but this composition and style is unique.

She’s simultaneously entirely unlike both the typical statues produced by-the-dozen in the workshops, and the specially commissioned sculptures like Beatrice herself. This guardian is a patchwork of shapes and textures Beatrice has only ever seen in the watercolor sketches of her tombhouse’s own library as belonging to exotic creatures from faraway places. Still other elements escape her recognition and description, and everything meshes deftly at smooth, near-invisible seams.

Perhaps this isn’t surprising in a Salvius guardian – Jillian’s own commission too, it’s rumored. No less should be expected from someone the alchemists and scientists alike shy away from. Jillian Salvius considers herself a traveler, and a collector, and a dabbler, and Beatrice hears that the spokes of her gates are gnarled and carved in strange patterns from foreign lands.

The guardian shifts and cocks her head curiously, and Beatrice pulls herself together sharply.

“Hi,” the creature says. “You must be the neighbor from the east.”

Beatrice snaps back into polite, exceedingly proper posture. She nods, dipping forward in a movement resembling a bow. It makes the high-perched creature giggle, gauzy like air.

“Good morning,” she replies. “My name is Beatrice, and you’re right. How did you know?”

The guardian doesn’t answer. She separates from her stone in a miasma of color, swoops down noisily, and lands, a little clumsily, on a lower ledge. “Two heads, huh?” she says, thoughtfully. “Kinda perfect for the scholars.”

It’s not said judgmentally; more so with a further curious slant of her head, observational and light. Beatrice feels strange and semisolid all over.

She doesn’t correct the new guardian; tell her that no, she hadn’t actually been crafted or blessed for this bloodline, only gifted to them just one generation ago. And gifted rather carelessly, at that; an obligatory token presented upon the death of the benefactor’s tutor.

Before that her two heads were designed not as a tribute to wisdom or a paean to collaboration, but in order to stare proudly over an excessive estate, stretching out in opposite directions over land too vast for merely one head to behold. An arrogant symbol of not just physical, but political reach. She was a status symbol for powerful people – two-faced might be a better descriptor.

Beatrice has always considered this with some bitterness, but today, she oddly feels no urge to self-flagellate. She feels, suspiciously, nothing at all; a fuzzy blank.

Instead, in response to the guardian, Beatrice blinks. Both of her heads do. They crane and incline together, like long-necked birds bending to convene. She feels sharp ears on each one twitch and flutter.

The creature laughs again. She descends further to the porch, then approaches Beatrice slowly. “I’m Ava,” she introduces herself, finally. Shyly. “It’s nice to meet you.”

“Ava,” Beatrice repeats, careful and hushed. She parses it over and traces it as though threading a needle – how the strange, simple symmetry of the word, the hypnotic up-down-up of A-V-A, doesn't begin to encompass the entity approaching her. On cue, Ava does a funny, shuddery motion that cascades down her whole form.

Beatrice, leaning her heads over old tomes like water jugs tipped over a parched tongue, dreams of fantastical things, from places that often sound even more surreal. And yet before her now stands the most peculiar thing alive yet, that defies everything she’s known and seen.

Yes, clearer now before her eyes, Ava is a patchwork of impossible parts.

Up close Beatrice can see she’s also a riverbed of illusory things. Small divots seem to scoop themselves out, sink deep, and then ripple back up into the surface of her body. Bubbling, and collapsing, and reforming, like springs of molten mother-of-pearl. Each little cavity shimmers like roughened gemstones: a gasping, dark blue, like well water under the sun; or a moody green like the light-starved undershade in a storm; or a thawing amber that Beatrice cannot even describe except that it looks like the smell of hot bread with a sweet cream core, tempting and steaming.

“Beatrice,” Ava echoes, her eyes gleaming and dark. They bubble expressively and endlessly deep. Gazing at Beatrice, straight, still and pondering. Searching.

Silence stretches until it doesn’t.

Something snaps – a bird on a twig above – and Ava shakes herself awake. “Where’s my manners!” she exclaims suddenly. “Come on,” she swishes around gamely. Beatrice, bewildered, sneezes.

She’s learning quickly that when Ava laughs, the dense tassel-like feathers on the back rise in delighted reflex and splay apart.

The two of them slip between trees into a little glade, buoyed by her relentless charm and a thrumming current of something else, in the undertow.

Once upon a time, this was a courtyard, although now that the Silva tombhouse has unfurled in the opposite direction it’s been allowed to tastefully overgrow into its former self, mossy and scruffy. Old pieces of wall and pillars still cordon off one side; Beatrice resists the temptation to bound about and explore, and instead parks herself primly at a corner, not fidgeting.

Ava has no such compunctions. She wriggles herself into a comfortable position on a large boulder. Her weapon of a tail dangles down and bats at the ground idly, uprooting chunks of grass.

“How are you finding it here?” Beatrice asks, trying very hard to be normal.

“Honestly? I don’t know yet,” Ava grins, “and you’re the first one of us I’ve met here.”

She pauses, cocks her head to one side so strikingly. The gesture almost looks human. “You know, my new folks think very highly of you,” She looks appraisingly over Beatrice with an indecipherable expression.

Beatrice feels quite hot. “Mine are curious about you.”

There is a shift in the air as Ava straightens abruptly. Her tail stills. “What will you tell them?”

Beatrice bites her tongues, undecided. She’d meant to think of it later, to phrase and rephrase and turn the words over and over in her mouth on the way back to get them right. It takes a while, usually, to distill her thoughts precisely into words that balance both insinuation and tone, and half the time it ends up all too stilted and formal anyway. How people seem to be able to do that, off the cuff – it’s confusing. Far easier, Beatrice thinks, to sit quietly beside and let such people do the talking.

Especially now that this seems, somehow, to be important to Ava. And especially now that she finds she doesn’t quite have any of the words.

If Beatrice had hands she would wring them. She thinks, distantly, of what someone else wiser than her might say. “They’ll agree with me that you’re certainly unique,” she starts, and it’s like Shannon’s talking through her, stately and gentle. Bold, like Mary.

She adds, in an abrupt impulse that’s, alarmingly, all Beatrice, “I do think you’ll fit in well here.”

“Oh,” Ava seems surprised. Her tail, heretofore curled tightly on the boulder, relaxes and turns a loose arc in the air, hacking at the grass. “Thanks,” she looks at Beatrice, and inhales sharply, although not unkindly.

Pauses. Sheepishly, she adds, “I’ve heard some people, uh, calling me devilish and other things, you see. But you know, it’s fine. Whatever.”

Beatrice grimaces involuntarily, then schools her expression back into an empathetic nod. It’s not unexpected. There’s bound to be a procession of curious gawkers and onlookers filing through to try and catch a glimpse of something hailing from the elusive Salviuses. Beartice knows the type: traditional, gossipy and busybodies.

They’ll take one look up the roof and gasp in disbelief or disgust, probably. Sneer up at the twisted, unnatural proportions, if they’re brave. Ava runs too close to the precipice of their diluted tolerance.

“The Silvas are good people. They’ll stand by you.” Beatrice isn’t sure if it helps, but it’s true. The households here are the little silver lining of this part of town, otherwise ragged and out of the way and a little discordant in its hues.

Ava exhales gently. Beatrice thinks there’s a small smile there. “I know.”

“It doesn’t make it easier.”

“Yeah. I know,” repeats Ava, her eyes shining, and it’s almost like she really does.

Beatrice understands. They did it to her, too, after all.

The people who commissioned her had made a puppet of her. They had demanded a departure from classical references and therefore affixed to her frame things like startling, swiveling joints and odd angles. Two heads, of course, among other modifications – all in an arrogant, ambitious drive to defy tradition and create a visionary symbol of fear and envy. Instead, the lay beholder glanced upon the warped anatomy and thought it blasphemy. And so, Beatrice rapidly became that to her own family too: acrid to the eyes, rotted in the soul, a disembowelment. Failure. An embarrassment.

The whispers billowed large like cotton sheets drying in the fields, caught and blown out in the wind.

It was a matter of time. Beatrice imagines the tiny family offspring being taught their true oral history in a sugary sick little chant, clapping their chubby hands cheerfully and squealing every grim word,

Then the old teacher died / and it was a great relief / The family rushed to ready / a token of public grief

Her, of course. Her, and not any of the cruder, more sedate, stone guardians that studded the estate. The small ones who, on a good day, sat patiently and circulated air and respired noisily, and who were not capable of thought or pain. The family had a lot of them lining their walls, not much more than large decorative lumps of dough programmed to trap, waylay, or bite at intruders.

Instead, they parted ways with the looming, ghastly and elaborate figure that guarded one of their main wings, and painted it as a great outpouring of sadness. Beatrice knew better.

The whole event was swift; almost planned in advance. She’d barely had time to send an urgent warning to Lilith before she was gone – a failed experiment in pomposity that took an unforeseen and regrettable turn into the profane.

In a matter of days she was transplanted from lush green gardens into dry hills bathed in reedy, half-obscured sunsets. The kind of neighborhood her old family would call avant-garde or ‘forward-thinking’, although with a scoff that betrayed what they really thought.

And at night, looking down to sleeping homes, Beatrice would hear in the nothingness the same whispers splashing down the stone like rain, all over again.

Mindlessly, now, she has the sudden urge to reach out and feel. Fluttering cells or hardened stone, it doesn’t matter. She wants to transmute a hand of tender human pulp and skin, and run fragile fingers softly over the strangest braided foldery and flattening of membrane, bumps and spindles until they catch, pierce and bleed.

And she so badly wants to tell Ava: I think you’re nightmarish and very beautiful. You would hold an army off this humble hill. like holding out a pathetic little bundle of flowers– but she doesn’t. It’s too long and too much; I’m here. is too short, and both are too naked. She’s not that kind of creature. She’s carved from solid rock and even when she sheds it it still feels like its weight chains her to the earth.

Her voices remain even and steady, somehow.

“I –This isn’t the customary welcome and introductory visit,” Beatrice confesses, in lieu of it all.

“Oh. It’s not?”

Beatrice shakes her heads. “There’ll need to be a more official one.”

The overlapping layers of spines along Ava’s limbs rise and then flatten, quickly. “So I’ll get to see you again soon?”

Feeling warm, or moist, or something like a pillar of pressurized foam, Beatrice clears her throats. “I suppose so. Yes.”

#“Ard wtf is this AU” 😭 listen. it was a strange and fun little thing/experiment to play around with #YEAH imagine a large town/small city that spills out over the hills in a labyrinthine necropolis of familial mausoleums / tomb complexes #pragmatic bulwarks of defence and important centers of social/intellectual/cultural life and death and the rich after-death #beatrice is the super serious guardian of a respectable but modest bloodline of teachers and scholars #when she's not staring moodily out into the distance she spends like all her free time in the library/underground heirloom chamber #and getting tutorials from fond but vaguely concerned ancestors #They love her unconditionally btw she’s just sometimes in her head too much to see it #the Silvas are renowned artisans! Jillian is jillian lol #If some of the words sound like they don’t exist it’s because they straight up don’t. I’ve no idea what old me was thinking.#hashtag avatrice hashtag meetcute hashtag wrarior nun hashtag mutually obsessed at first sight etc.

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writingfics-passingtime · 2 years ago

Note

Song: Fahrenheit - Azee

With Marc Spector x fem reader

(I think this may fit well with the Outlaw fic 👀)

Lovely anon, thank you for this request! Definitely feels like Outlaw and that tough-guy reader, and I had fun writing that type of reader character again.

I completely failed at writing something drabble-length but my house, my rules to break. The urge to turn this into such a long fic was and is so fucking strong… sorry for how I left this one 😅 I hope you like it 💜

Compromise

This one-shot is part of JJ’s Mixtape - a mini series based on my followers’ favourite songs and characters. You can read more of them here!

Song prompt: Fahrenheit

Pairing: Marc Spector x female reader

Words: 2450

CWs: Some swearing, mentions of violence

There’s a light on in an upstairs window.

A shadow ebbing through the soft warm glow tells Marc that it wasn’t left on by mistake; there’s someone else inside. But another intruder wouldn’t have turned a light on, unless they were dead stupid, so whoever’s inside is allowed to be.

He’ll have to be careful.

It’s a little past two in the morning when Marc sticks a pick into the keyhole of a maintenance entrance and enters the great stone building. As to be expected in this old library, no alarm or security camera pings the signal detector on his watch. He relaxes, still keeping his steps quiet, and hopes that this strange directive from Khonshu would remain simply strange and not complicated.

“Why do you need me to steal an old book?”

“It’s not a book in the way your human mind is limited to understand,” Khonshu explained. Marc didn’t pretend to look interested or unbothered, but some secret place found relief in the lack the command to end another evil life.

“The Ennead Codex contains matters of great importance, and it is in danger of falling into the hands of those who wish to access the underworld.”

Whatever that means, Marc thought. He didn’t question it further. Really, he didn’t care all that much. It was just another task from his master.

Without many more words, Khonshu told Marc where the sacred manuscripts had been hidden for the past several decades. They’d been moved to this seemingly insignificant library in a small town.

Hidden in plain sight.

As Marc lifts a brass handle and slips through a dark walnut door into the main chambers of the library, he doesn’t bother donning the suit. He’d probably slip in and out undetected, harnessing his years of covert ops.

For a small town, the room is towering and impressive and beautiful. Filtered through a expanse of glass in the ceiling, moonlight casts its judgement across the carved stone pillars of the rotunda. Patches of dark blue carpet are dimly aglow with the help of the night sky, until Marc casts his own shadow across them.

He walks past the circular desk that sits in the dead centre of the room, now having clocked the sign for the Reference section where Khonshu said the Codex may be hidden.

The shelves are shrouded in darkness as he approaches and searches for the number “202.” He doesn’t get very far before the hairs on the back of his neck pique his fight or flight.

His right hand meets the gun at his side, pointer finger itching to meet the strength of the trigger, and a small clicking noise on the other side of the room sends him slipping behind a pillar.

He waits, listens, tries to discern where the sound came from. Footsteps. Coming towards the centre of the room.

Towards him.

Marc slows his breathing to keep it quiet. He wonders if the other presence in the library can sense him in the way he could sense them. Sure, years of tactical training hone the senses, but there’s also a distinct human instinct that tells someone when they’re not alone. He swallows hard when he remembers that it’s possible this other presence is not human.

“I know you’re in here,” a voice echoes through the aisles and up to the ceiling. Sounds human enough. She doesn’t sound afraid so she probably has a weapon. Marc tightens his grip on the gun, readying to draw.

“Come on out,” you command, sounding a little impatient.

You don’t declare a weapon. He doesn’t hear the safety of a pistol disengage, or the cocking of a shotgun, so he emerges from the shadows with a hand on his holstered gun.

You look sharp and powerful, standing in the centre of the room. Empty hands hang by your side - no visible weapon - you tilt your head, intrigued when you see the intruder. The light of the early morning moon chisels harshly against your features, projecting something familiar and severe towards the man who’d broken in.

“What are you doing here?” Your voice is accusing. You take a step towards him, head lowering to show him an unwavering, disarming stare. There’s a flicker of hostility and a glint of gold in your eyes that numbs his tongue just long enough to be too long. “English?” You stop walking and set your jaw. You look like a normal person.

“Yeah, English,” Marc finds his words and quickly assesses you, your stance, the outline of your body. There’s no bulkiness to your clothing, there’s no tension that gives away a readiness to strike; you’re no threat to him. There’s time to grab the book and get out before the small-town cops arrived.

“I’ll be out of your hair in a minute. No one needs to get hurt.” He says it as he turns away from you and you immediately call out after him.

“I won’t let you take it.”

He turns back and narrows his eyes in question.

“I know what you’re here for,” your fingers begin to curl into fists, your chest rises with a breath of preparation. “You need to leave. Now.”

Marc’s eyes flick to your growing battle posture, and he begins to summons the suit.

The exhales of the old pages lining the bookshelves glitter dust through the streams of moonlight. The same moonlight from which Khonshu’s vessel draws the power he begins to feel pulsing through his fingertips, through his chest and the back of his head. He lowers the hand from his gun and looks you dead in the eye. Marc sees another glimmer of gold. It was so fast, if he’d been blinking he’d have missed it. He juts his chin in challenge. “Who are you?”

“Leave,” is your only answer. “I won’t tell you again.”

The room fills with a gentle thundering the second your hands close into fists. Books, across every shelf, buzz with a strange power. The light fixtures are barely swinging, there’s no dust falling from the ceilings, but the shelves are alive with a ferocity you held. No more time to waste.

Lunar silver fills Marc’s vision as the sacred suit fixes tightly around him. He can’t leave here without that Codex. He’s fully prepared to fight you for it.

He positions himself into a stance ready to defend and to attack, watching with bated breath as you see his suit take place. The moment the ceremonial garb fits the last swath to Marc’s skin, you raise your fists.

The room falls quiet. The books fall still.

Marc waits, he listens, he watches as you determine he’s a bigger threat than you’d thought. It looks like you’re bleeding energy to hold your fists above your head, like you’re holding great power. Then, he notices the stream of moonlight begin to dilute. A warm, golden light begins emanating from the bookshelves. From the books themselves.

In a move too swift to predict, you draw your arms down towards your chest and fall to one knee.

A thread of light shoots from what looks to be every page in the room, blasting towards you before he has the chance to blink. Marc has to shield his eyes and again duck behind the pillar to protect himself from a glare so bright he was sure it rivalled the sun’s surface. It’s overpowering, debilitating, even through his tightly shut eyes, he throws his face against the crook of his elbow until he can sense the light begin to wane.

He emerges from the pillar fully prepared to attack, but stops in his tracks when he sees you rise to your feet.

You had transformed.

In a way that was all too familiar.

Golden cuffs circle your wrists, upper arms, your collar adorned with twists of gold and ivory. The breastplate of your armour is blanched leather bordered in the bones of an ancient being. A white cloth drapes around your waist, falling halfway down your legs. Your shins are wrapped in the same cloth, down to where your ankles are cuffed in gold above your bare feet.

Marc hold up his hands in surrender when he eyes the long golden staff in your white-knuckled grip. Not because he thought he couldn’t win, but because it looked like something he’d seen before. “I think we’re on the same side here.”

You smirk, scoff through your nose and point the staff at him. “Anyone attempting to steal the Ennead Codex is on no side of ours.”

“I’m not trying to steal it,” Marc drops the hood and lets the cloth peel back from his face. To show you his eyes in an appeal for trust. You didn’t waver. “I was sent to retrieve it.”

A raised eyebrow tells Marc that, to you, it’s the same fucking thing.

He holds his breath and asks, “Who do you serve?”

He watches you examine him. His suit. He watches as you realise you have a lot more in common than you’d care to admit; somehow, somewhere along the way, your lives ended up in the hands of beings too powerful to comprehend.

You don’t lower your staff as you say, with pride and strength in your voice, “I am the Scribe of Seshat. Tasked with protecting the Ennead Codex, and any knowledge those would seek out to use for destruction.” Marc takes a step forward and you don’t like that. With a single nod up, you counter, “Your turn.” Your grip on the hook-ended staff tightens. He doesn’t flinch.

“I am the Fist of Khonshu. Tasked with protecting travellers of the night.” He only stops when he’s a step away from the end of your staff. “Khonshu sent me to retrieve the Codex.”

You pull the sharp hook away, planting the lower end back on the floor beside your feet, and the books thunder for half a second. Again, Marc doesn’t flinch.

After several moments of tense, insular processing, you fix your eyes on a shelf behind your intruder and you begin to look nervous. “Seshat said this day would come.” You then meet his eye with an openness he hadn’t expected. “I just didn’t think it would be this soon.”

“Seshat doesn’t sit on the Ennead Council,” Marc subtly probes, keenly watching the way you’d react.

“No,” you confirm. “Never wants to. The only reason she has an Avatar is to keep them at bay. Seshat wants nothing to do with the Council…” you begin to walk past him, pausing at his side to add, “Especially Khonshu.”

You keep walking so Marc turns his body towards you, and don’t tell him to stay or back off so he follows as you enter the darkened rows.

Your barefooted steps are automatic and confident, carrying you to near the end of a nondescript shelf of reference material. After a moment of pause, reverence, and reflection, you place your hand on the spine of a thick book and chant a few words under your breath. It glows gold for a moment before changing appearance and sliding out into your hand.

Marc watches you caress the edges of the pages and look at the Ennead Codex as if it were something you truly cared for. Truly believed in.

He holds out a hand and promises, “I won’t let anything happen to it.”

Your head snaps towards him and he sees a startling intensity in your eye, along with those flecks of gold. “I know you won’t,” you start, “because the Codex isn’t leaving my sight.” Marc opens his mouth to protest but your protective grip tightens and you set your jaw. “I am the keeper of this Codex. I go where it goes.”

Marc shakes his head once. “Not gonna happen.”

“It’s not up for debate.”

“Don’t make me take it from you.”

A new low rumbling begins all around. Your eyes don’t leave each other as a smirk peaks into the corner of your mouth. “A sliver of waning moonlight versus a roomful of knowledge… do you like your chances against me in my domain, Moon Knight?”

Marc’s stomach lurches, though he gives no outward indication. Moon Knight. He didn’t tell you that name.

Your eyes burn gold, brightening every moment you build the power you’re pulling from the sources around you. Marc bites his tongue and assesses the situation as the library fills with the show of the ancient being you carry the mark of.

Marc arrives at the conclusion that, if you are indeed a vessel for Seshat, fighting you here would be a losing battle. He has no advantage. So, like a good Marine, he knows when to call the retreat. He knows when to compromise, and he does so with a gentle lift of his hands in surrender.

Your eyes return to normal, the books stop readying themselves for battle, and you brush past him with the Codex in your hands. He turns, recovering quickly, and starts after you. “How d’you-”

“Know that name?” You suddenly stop and turn. Marc’s body almost crashes against yours but he stops on a dime and plants one foot behind him, giving you two at least a little bit of personal space. You look him up and down before levelling him with a single look. “How do I, Avatar of the great Goddess of Wisdom and Knowledge, the goddess who invented writing and record-keeping… how do I know who you are?”

Your rhetorical question hangs in the air like the smirk lingers on your lips. After a few moments, Marc nods and sticks his tongue against the inside of his cheek. “We’ll go together to Khonshu, then go our separate ways.”

After, in silence, you reminisce on what Seshat had told you about this day that would come, you nod. “Fine. But if you try to take this from me, I’m gone.”

He gestures around and tries to look unimpressed. “Do you need to do a little light show to change outfits or…?”

He drops the suit in a matter of seconds, before showing a forced and sarcastic smile. Without breaking eye contact, your own garb seamlessly transforms back into the simple clothes you’d been wearing when you first walked in. Your height lifts by an inch when the sneakers finally form around your feet, and you don’t waste a second to turn and begin walking back towards the door from which you and Marc both came. “Keep up, Moon Boy.”

Marc huffs a low grunt, takes a deep breath to ground himself, and sets his jaw before following after you.

This was supposed to be a simple in-and-out, not a full-on extraction. He was here for the Codex, and now that you’ll be leaving your power source he’ll have to look after you until gods know when.

U.S. Marine to glorified fuckin’ babysitter…

Khonshu owes him. Big time.

#Marc Spector x reader #marc spector angst #marc spector moon knight #moon knight #moon knight x reader #moon knight one shot #marc spector x you #no y/n #marvel reader insert #marvel fanfiction #marvel fic #My mind ran wild with this one #Obsessed with the idea of them discovering the library of Alexandria had never burnt down #But that Seshat had hidden it underground #Like that library from the last airbender #And there’s some big final showdown in there #And the reader is way too powerful #How fucking sick #Maybe I’ll write it someday

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