#UR SEXY

[jahar4ever]

shout out to boys who kill people

[lunni-e]

I LOVE THE NEW SO MUCH ALREADYY HOW ARE YOU SO SEXYYYYY - @teddybeartoji

SOMETHING ABOUT RED AND YELLOW MAKES MY BRAIN GO BRRRRR

and the starboy with toru....yeah.....i wont hem.....

[inkskinned]

what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?

i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?

a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?

in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.

girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.

there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.

for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.

something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.

is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.

most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."

a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.

[pikslasrce]

im ngl that scene in the lighthouse when hes trying to jerk off to the idea of a hot mermaid but keeps getting distracted by unsightly visions symbolizing his guilty conscience and descent into insanity is so real like. it really is like that sometimes

[pinkiepig]

I just WANNA BE PART OF YOUR SYMPHONYYYY🐬🐬🎼🫧🫧🎼

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[katsukistofu]

peanut butter and jellyfish

contents ౨ৎ ⋆ h. shinsou x fem reader. 5k words — fluff. cursing. comforting insecurities. friends to secret lovers.

⭑ shenanigans with your not-so-secret boyfriend ft. sleepovers with eri, a cat eating pizza on you at 3am, your classmates being nosy, and an aquarium date.

note: your quirk is forensic sight! so ur gc name is the way it is bc ur eyes lol get it

You choke back a laugh as a very focused Eri puts yet another sticker on Hitoshi’s face. 

Snacks and pillows are strewn around the inside of the blanket fort the three of you finished building moments before. Stiller than a rock, your calm best friend sits there cross-legged so that Eri can give him a makeover of unicorns, stars, and rainbows. 

“Do you think he looks pretty yet?” Eri tilts her head at you.

“Like a real-life princess.” You giggle. “Good job, Eri!” 

“Yay!” She happily high fives the hand you hold up for her. “Do you feel pretty yet, Hito-nii?”

“I feel so bonita.” Hitoshi deadpans, sending you two into another fit of giggles.

“You were pretty already, Toshi,” you coo, rubbing a thumb over the sticker of a cat making sushi on his cheekbone. Mr. Aizawa must have bought that one for her.

Hitoshi pretends to shyly gaze at you from under his long lashes. “Aw, really?”

His lips curve into a lazy smile, and a heat that you’re all too familiar with rises up your neck, you turn away–a little too quickly, to Hitoshi’s amusement.

“Nevermind you’re ugly.”

He laughs and the heat creeps up to your cheeks.

Such a simple sound, yet that soft, husky voice of his always manages to make your insides a mushy mess, even when you had painfully tripped over his cat, Celery, when he transferred and first moved into the dorms with your class.

The normally stoic, reserved purple-haired boy had doubled over with an uncontrollable wheeze, supporting himself on the sofa as your groaning self was sprawled across the floor. 

God, they were lucky they were both cute.

Yet, you couldn’t help but smile as he reached a hand out to help you up, the other still covering his mouth. 

That was the first time you made him laugh, and now, you’ve heard it so many times that you could finally stop counting on both your hands’ fingers but you still wanted more.

“Want me to paint your nails, Eri?” You ask, scooting over to your bedroom’s drawer. 

You open it, your own light blue nails painted a color that reminds you of the sea against the pastel pink of the treasure box you take out. It had a heart-shaped diamond on the latch. 

The heavy box was filled with a collection of nail polish the girls in your class usually used for their sleepovers as well, and new bottles, mostly varying shades of apple red, started mysteriously appearing the day after Eri said she had never gotten painted her nails before. 

“Yes!” Eri’s eyes sparkle. “Can I please have matchy nails with Hito-nii?”

“Of course, sweetie.” You smile. She was adorable. 

Hitoshi rubs the back of his neck. “You sure you want yours black this time, Eri?”

“Yes!” She huffs stubbornly. “Like dad’s clothes and those things under your eyes!”

“Hey!” He protests. She shares a mischievous look with you and you both giggle, catching the pillow Hitoshi gently throws at you. 

“Oreo wouldn’t treat me like this.” Hitoshi reaches out to ruffle Eri’s hair and she squeals in protest, batting his hand away. 

Eri holds up the oversized panda plushie he was talking about. It was comically bigger than her, and you had to bite back a laugh.

The moment you two spotted it in the claw machine outside Shinsou’s favorite cat cafe near campus, you knew you had to win it to add to her ever growing collection of stuffed animals.

With a grin, you remember the huge sigh of relief Shinsou let out when it finally fell into the chute.

“Duh he wouldn’t ‘cause you’re his twin!”

Hitoshi mock gasps. “Take that back.” And tickles her neck, barely dodging as you throw the pillow he threw earlier back at him. 

“Woah!”

Except much, much harder.

“Don’t worry Eri, I'll protect you!” You grab another nearby pillow and throw it at him, which he easily catches in mid-air with one hand like it was a frisbee.

“Aw.” You pout. Mr. Aizawa was training him a little too good now.

Eri pats your arm to console you. “It’s okay I appre-shee—apree-shee—“

“Appreciate?” You offer, and her face brightens as she nods.

“Appree-shee-ate. You. For trying.” She finishes shyly.

“Aw, thank you Eri. I appreciate you too.” 

Hitoshi’s eyes soften at the sight of you two. 

“What about me?”

You scowl. “You can go duck yourself, Toshi.”

“Love you too.”

Eri suddenly gasps. 

“Dad says that to Uncle Zashi too!”

Despite already knowing the answer, Hitoshi and you turn to look at her suspiciously.

“…Which one?”

As if he knows you’re talking about him, Aizawa yells down the hallway.

“Eri, brats, pizza’s here!”

───────── 

“Can I have another hug?” Hitoshi asks coyly after class one day. 

The bell had just rung, and you roll your eyes at his leaning form on the wall of the almost empty hallway. 

Everyone was leaving for lunch.

Except you two, but that was Hitoshi’s fault.

“I just gave you one!”

“Oh no.” He places a dramatic palm to his forehead. “I think I’m going to pass out because of someone if I don’t get a hug in the next five seconds.”

“Greedy ass.” You sigh, wrapping your arms around his waist. 

He hides a grin, shuffling closer to close the gap between your bodies. 

Hitoshi smells like fresh linen with hints of sunshine, probably from his daily bike ride he took around campus before class started, and the coffee he brewed this morning. 

A sense of comfort settles into your bones as the familiar scent envelopes you, and you breathe it in. 

He softly tucks your head under his chin as you nuzzle your face deeper into his chest, your headache from taking the quiz in Ectoplasm’s class earlier now long gone.

“Did you know that when cats see that it's raining outside a window, they go to another window in the same room to check if it's still raining outside?” Hitoshi randomly whispers.

“I did not know that.” You giggle. His lips feel ticklish on your hair. “Does Celery do that too?”

“All the time.” Hitoshi grins. “I have a video from yesterday’s storm, I’ll show you in the cafeteria.”

“Ooh okay!”

He straightens, and takes your hand, your fingers easily lacing through his as you both start to head in the direction of the dining hall. 

When you trip over nothing, he snorts, already expecting it, and catches your waist before you take a fall that will be difficult for your ego and your knees to recover from.

“Careful,” he says as you clutch onto his school uniform in relief, and you swear that already deep, smooth voice of his drops an octave on purpose, almost sending you to the ground again.

Hitoshi’s thumb is still tracing small circles on the back of your hand as the both of you join the line for the traditional school lunch. You could try a different cuisine tomorrow. On today’s menu was miso seaweed soup with a side of grilled fish and a milk bread roll along with, of course, rice.

You feel a vibration on the side of your leg, and for the umpteenth time this school year you thank UA for adding pockets to the school uniform’s skirts as you slip your phone out. The jellyfish charm Hitoshi got for your birthday last year dangles from your case.

Surprise, surprise, it’s the class group chat.

-forklift uncertified -

it’s barbie bitch 

guysss guess what i sawwww

invisi-girl 

IS IT TODOROKI IN A PINK TUTU

 

pikachew

girl what 

invisi-girl 

u guys don’t get the vision

i saw it in a dream last night

the rock 

nah i get it dude

that would be so manly

ice spice 

I would not be completely opposed to the idea

invisi-girl 

SEE

it’s barbie bitch 

it’s even better >_<

it’s barbie bitch 

hitoshituckingyourhair

behindearwithasoftsmile.png

mochi cheeks

OHMYGOD!?1?2?2

SOCUTEEEEETES

airpods with wires

i saw that

airpods with wires 

can yall not flirt before lunch 

next time i’m gonna throw 

up before i get to eat

sue you 

AWWWW OUR LITTLE BABYS ALL GROWN UP

forensic balls [you]

FUCK U GUYS IM 17

yaomomo

exactly

a Baby :)

forensic balls [you]

yaoyao ur supposed

to be on my side </3

yaomomo 

sorry my love i cannot 

deny the facts </3

pikachew

Nahhh only shinsou can call her that guys ;))))

airpods with wires

wah wah wah

forensic balls [you]

one more word and i’m gonna change the gc name to fornite jiggle physics 

sue you

NO

yaomomo

No thank you

my chemical romance

what a mad banquet of darkness

it’s barbie bitch

babe look me in the

eyes this isn’t like you 

forensic balls [you]

try me. 

pikachew

DO ITTTTTTT

forensic balls [you]

ok just bc u told me to 

i won’t now 

scotch tape 

dayum rip denks

forensic balls [you]

also not my fault u guys 

have early ass birthdays smh

shirt guy

Senior citizen core fr

forensic balls [you]

ily midoriya

shirt guy

ilyt pookie xx 

kazoo-ki

Girl u aint slick

shirt guy

You’re so late omg

pikachew

bro has us on mute

kazoo-ki

shut up dunce face

kazoo-ki

How tf do I change my name

mochi cheeks

LMFAO

wiki-how

Bakugo it is fairly simple. 

wiki-how

First you click on your profile, then your personal settings. 

wiki-how

From there you press “Change Display Name” and you should be able to enter your name of preference. 

kazoo-ki 

K

better than you

Thanks glasses ig

wiki-how

You are very welcome.

kiri the rock

nice one dude!

sue you

wow egotistical much

better than you

You wish yours was as big as mine

pikachew

that’s what he said

it’s barbie bitch

omg it just hit me

it’s barbie bitch

the first person to 

finally get bitches in our class 

it’s barbie bitch

i’m so happy i could cry

pikachew

I GET BITCHES

sue you

yeah over the screen 

we're talking irl

pikachew

leave me and my otome games alone

forensic balls [you]

real 

forensic balls [you]

AND IM NOT DATING HITOSHI

it’s barbie bitch

HITOSHI????????

airpods with wires

first name basis is crazy

forensic balls [you]

fuck i mean *shinsou

scotch tape

y’all smell that

the rock

peeeyew

pikachew

smells like sum bullshiiii

kazoo-ki

Could’ve fooled me

yaomomo

You aren’t??? :(

yaomomo

But I wrote a reminder to wish 

you two happy anniversary and 

even bought tea to celebrate!

forensic balls [you]

….for what date

yaomomo

April 1st :(

forensic balls [you]

………………

airpods with wires  

@ it’s barbie bitch we can see u

across the cafeteria u are BAWLING

eyebags

what the fuck

Hitoshi bites back a laugh as your widened eyes meet his, glancing up from your phone.

“Not dating, huh?” He grins.

You groan and pinch his arm. “I panicked okay! I didn’t know what to tell them.”

“Hmm, do you want me to?”

“I mean, only if you want to.” You shyly play with his fingers. 

“I kind of like us being a secret from them for a little longer. It feels… nice.”

Hitoshi smiles. “I know what you mean.” He wrinkles his nose. “Though they’re so nosy it looks like they figured it out already.”

“Pffft, yeah.” Mina could definitely sniff out a relationship from miles away, no matter how much PDA you tried to sneakily do in empty hallways.

Hitoshi squeezes your hand in reassurance.

“I like it too.” He leans over, and your eyes are forced to meet the dark violet of his.

The side of Hitoshi’s soft-looking lips, courtesy of the strawberry chapstick he stole from you before class this morning, quirk up as he looks down at you with soft eyes, the ones he reserves for you and random cats he sees on the road.

“Chapstick thief,” you mutter.

“Oh, you want it back?” Hitoshi grins. “Kiss it off me then.”

Your cheeks grown warm. “Not here!”

“Good,” He smirks.

“I prefer keeping you all to myself, anyway.”

   ───────── 

“What’s wrong?” 

He’s crouching down so that your eyes have no choice but to meet his from your spot on the bean bag.

He gently pushes the switch in your hands down to your lap and pokes your thigh. You squirm away ticklishly. 

“Tell me.”

“No.” You huff, picking your switch back up. “I just wanna play Stardew, leave me alone.”

“Darling.”

Your face flushes at the pet name, and he smirks. His secret weapon still works without fail. Hitoshi didn’t even need to activate his quirk to have you under his thumb. 

“You’re not going to feel better if you keep it in. Tell me what’s wrong.”

His nails are still pink, you faintly notice, trying to distract yourself from your very attractive, very insistent boyfriend in front of you with his comforting hands placed on your thighs.

You painted his left hand, and Eri painted his right at the last sleepover you had together. She had insisted that he should match nails with her this time, since she matched with him last week.

It was already terrible and impressive that Hitoshi was a people-reader, even worse that he knew what to do to make you fold so easily and open up.

Curse you Hitoshi, you and your disposition for healthy communication.

You should have never recommended that therapist to him.

“I don’t know,” you finally mumble. He tilts his head, showing you that he’s listening. 

“I just feel like I don’t deserve it.”

“Deserve what, sweetheart?” He asks. The softness in his voice is unbearable and what you've been bottling up for weeks finally spills out.

“I feel like I don’t deserve it when good things happen to me.”

Hitoshi blinks, then lets out a snort. Which turns into a full blown laugh coming from his chest.

You shove his face away and he falls on his butt, still chuckling. 

“You’re making fun of me!” You say indignantly.

“Sorry, sorry, I just–” He coughs, and takes a breath to recollect himself. 

“You say a lot of dumb shit and I think that's the worst thing I’ve heard you say.”

You pout. “I’m feeling very invalidated right now.” Hitoshi rolls his eyes, and his hands reclaim their spot on your skin, except this time he’s gently cupping your face in his hands. 

He’s not used to comforting people, but you can see that he’s trying.  

“You’re beautiful,” he whispers, and you inhale sharply. “You’re kind, you’re intelligent, and I see you try so hard everyday. You always do a good job when you set your sights on something. Why don’t you deserve good things?”

“I don’t know.” Your gaze is numbly pinned to the silver chain around his neck, the one with a little crescent moon on it that he wears everyday, not even taking it off when he goes to sleep. The one you gave to him. 

“That’s okay.”

His thumbs caress your cheeks, and you think you can breathe a little easier. 

“Let's think of it this way,” Hitoshi says, still cupping your cheeks, grounding you. “It’s not about whether you deserve it or not. Do you want it?”

You finally meet his eyes, and answer with a voice shakier than you’d like it to be. 

“I do. I want good things for myself.”

“Atta girl,” Hitoshi says with a proud quirk of his lips. 

You stare at him, your heart suspended in your chest, feeling better but still looking a bit unsure.

Hitoshi notices this from the way you start biting the inside of your cheek, and he leans his forehead against yours. You freeze. 

He smells like fruit, like freshly washed blueberries and those ripe strawberries in the kitchen in the dorm’s fridge. “That’s more than enough. We can work from there.”

There’s still a worried furrow between your eyebrows.

“Come on, sweetheart. We can go to the aquarium you love this weekend.”

He smirks as you perk up at that, drinking up the rare, shy expression suddenly on your face again, and leans down to your ear. 

“You’re so easy,” Hitoshi whispers. 

You grumble, you could hear that stupid grin in his voice.

“Sorry, I can't hear you with your face in my chest.”

You raise your head to glare at him and his heart soars. There was his girl.

God, his smug face was starting to irritate you more and more. "I said that if you were my husband I'd poison your tea!" 

“If you were my wife, I'd drink it."

   ───────── 

-thot pockets -

it's barbie bitch

omg guess who i just saw 

cuddling in front of the tv

it's barbie bitch

youwrappedlikeaburritoinhitoshisarms.png

dating allegation #1 

MINA WTF DELETE THAT

dating allegation #1 

WHY R U STALKING US

[dating allegation #2 saved an image]

dating allegation #1 

BRO WHOS SIDE ARE YOU ON

dating allegation #1 

PURPLE MINION LOOKING BITCH

dating allegation #2

ok forensic penis

dating allegation #2

who changed my user

pikachew

me

cuz u guys are NOT beating 

them :laughcry::laughcry:

ice spice

I am just confused as to why 

you two are sitting on each other 

ice spice

When the rest of the couch 

appears to be unoccupied

ice spice

Perhaps this is a new 

procreation method?

mochi cheeks

TODORKIWHATHAHVDHSHA

pikachew

LMDFAOOOOOOOOO

ice spice

? 

dating allegation #1 

WHATTHEFUKC

the rock

never change bro 

sue you

IACTAULKYLCANT BREATHE HELP

it’s barbie bitch

ME NEITEHHR

dating allegation #2

Whenever my eyebags get darker

dating allegation #2

Just know I blame it on all of you

   ───────── 

“Celery?” You mutter, rubbing your bleary eyes. “What are you doing?”

“Mrow.” The cat continues eating the slice of… pizza? On your chest.

It looks like the one that you and Hitoshi ordered earlier after quizzing each other for Present Mic’s exam.

 

“I love you so much but I am so confused.”

You reach for your phone to text Hitoshi, your still-asleep hands fumbling a bit on the nightstand.

toshi <3 [12 hrs ago]

us 

you [12 hrs ago]

literally us <3

toshi <3 [12 hrs ago]

want to order takeout and 

watch ouran highschool after

we study for tmrws exam

you [12 hrs ago]

yes please omg

you [now – 03:24]

hey

can u explain why ur daughter

is eating pizza on my boobs

at 3am

toshi [03:30]

whar

?

toshi [03:31]

OHfMGOD

CELERU

Not even five minutes later, he’s knocking on the door to your room. You open it, and the sight of a very sleepy looking Hitoshi greets you. His already unruly bedhead is even messier than usual and you’re pretty sure he’s wearing his shirt backwards. Did he put it on before coming over? 

Wait.

You blink, long and hard, banishing the thoughts of a groggy, very shirtless Hitoshi lying in his bed, with the light of his phone screen illuminating his handsome features as he replies to your text. Those four hours of sleep must finally be hitting you.

Hitoshi sees you blinking, and takes it as a sign you’re still in shock at the pizza monster in your lap.

He gives an awkward pat to your shoulder in reassurance.

“I think this is just how she shows affection.” Hitoshi stares down at Celery fondly.

The way you stroke her fur so softly makes his chest feel warm and tingly.

“Does she eat leftover pizza off your chest at three in the morning?”

“...No.”

“Hah. She said she likes me better. ” You smirk victoriously. “Isn’t that right sweetie?”

The calico cat purrs as you scratch her ears, a bit of tomato sauce under her chin. Hitoshi exaggeratedly puts his hand over his heart at this scene of betrayal.

“Seriously? Celery, I took you off those streets and raised you like I was the one pregnant with you for nine months.”

“Mrow.” She bumps her head against your hand.

“Pfft, give it up Toshi. It’s time for you to hand over the adoption papers.”

Hitoshi rubs the back of his neck. “Or we could just share custody.”

“What?” Your cheeks grow warm. “You want me to be her mom?”

“I mean you kind of already are. Look at her,” he says, eyes softening as he looks at the two of you. 

Celery has her paw on your arm. After eating until her little tummy was full, she was already starting to doze off.

“She takes after me.”

You let out a derisive snort.

“Yeah you looked just like that after our binge marathon today too."

“Not in that way.”

He smirks at your confused reaction.

“Then what do you mean–”

At that moment, Celery decides it’s the perfect time to snuggle into your tank top, smearing what’s left of the pizza on her face all over it.

Hitoshi’s eyes widen. He laughs, covering his mouth.

You’ve never been so glad you chose to wear black to sleep.

   ───────── 

“Trouble child, you’re here.”

“Hi Mr. Aizawa.” You roll your eyes. “When are you going to stop calling me that, it’s getting old.”

“When you stop getting into trouble.”

“Okay, that’s fair.”

“The kid’s almost ready.” He snorts. “About damn time. Been up since six.”

“He has?” Your eyes widen. “For what?”

Your teacher smirks. “Nerves. Isn’t this his, what, tenth time taking you out though?”

A flustered Hitoshi suddenly appears from behind him with a light pink dusting his cheeks and steers Aizawa back to the door. “O-okay dad that’s enough.” 

He’s cutely dressed in a soft-looking grey cardigan over a white shirt and black wide-legged pants. 

This had to be the most boyfriend he’s looked, ever, and he looked very boyfriend all of the time. 

“Hitoshi?” You do a little twirl for him in your own outfit. “Fire or nah?”

He looks up from his phone, where he’s googling the bus route to the aquarium, except his eyes linger. Without skipping a beat, he responds.

 “Fire.”

“Toshi, you’re staring.”

“Of course I’m staring.” He says it with a tone like 'what else would I be doing?'

You shyly fidget with the edge of your shorts. “Why?”

“Because you’re beautiful.”

Hitoshi reaches out a hand, like he hasn't just casually left you breathless, and his own eyes soften as he notices your starry-eyed look. 

“Let’s go, you crybaby.”

“Damn. I was going to say you look handsome too, but I don’t remember being the one who sobbed my eyes out watching Your Name last night.”

The tips of his ears turn red.

“Shut up.”

“Was like our fifth rewatch too.”

“Shut up before I kiss you.”

"Is that a threat or a promise?"

"Both."

‧₊˚ 🐚 ✩ ₊˚ 🌊 ⊹ 𓇼

Hitoshi’s lips twitch as he sees your eyes light up at the sight of the sign pointing in the jellyfish exhibit’s direction. “You’re adorable.”

“Thanks.” You grin. “You’re slow.”

You take him by the arm, your brain faintly registering how muscular his bicep is despite holding it so many times, and drag him along. 

In their tanks, the glow of the moon jellies fills the darkness in front of them as other visitors murmur around you two in awe. Blue light reflects off the water and through the glass, illuminating your boyfriend’s dreamy features and you can’t help but admire how pretty he looks.

Hitoshi turns from watching the jellyfish to face you, fingers now lacing through yours. You don’t look away. 

A soft smile flickers across his face when he catches you staring at him.

“This reminds me of when we first met.”

You smile. You remember. He was the one Mina relentlessly teased you for staring at, which you completely denied at the time.

“Why’re you so thirsty?” You remember her whispering into your ear at the Sports Festival in your first year. The both of you were sitting in your class’s designated spots in the stands.

Your eyes had widened, scandalized. 

“I am not!”

“Please. You’re totally staring at him.”

“Who?”

“Shinsou Hitoshi.” She grinned. “Cute, right?”

Of course she paid attention when they announced his name specifically. 

You could never remember anyone’s, and she probably saw you looking at his picture for a little too long when it appeared on the Jumbotron’s screen, announcing that his match with Oijiro was about to begin. 

“Not really,” you lied, a bad attempt at feigning disinterest. 

Like your eyes hadn’t been trailing down his lean figure the moment his next match started. 

Or noticing how attractive it was the way he casually folded his arms when he taunted Midoriya, or wondering in your mind if his perpetual bed-head was as soft as it looks. 

Mina turned to you, smirking at your slightly dazed expression.

“Really? Then you wouldn’t mind if I told him you had some questions about his quirk and wanted to talk about it after this, riiight?”

“What?” You shake your head furiously. “I mean his quirk is really interesting but–ugh Mina, no!” 

“For the plot!” She waggled her eyebrows.

You nudged her knee with a huff. “I’m breaking up with you.”

“Nooo, I’m kidding, I’m kidding.” Mina eyed you cheekily. “I won’t call him over.”

“Oh thank god.”

“But only if you admit he’s your type.”

You groan. “Okay fine. I think he’s hot, happy?”

“Very.” Your best friend laughs, pure happiness indeed written all over her face. You can see the matchmaking gears already turning in her head. “I just know you too well, babe.”

You roll your eyes. “Sometimes I really wish you didn’t.”

“Come on, you guys would be so cute together though.” She sighs dreamily. “Forensic sight and mind-control? Plus you’re both hot as fuck? Talk about a power couple.”

“....I think I’m going to go sit with Yaomomo instead.”

Recalling the memory, you laugh. “I know, we kept accidentally making eye contact after your second match because our seats were right across from each other.”

“That awkward prolonged eye contact in the stands might’ve been how I started crushing on you.”

You smirk. “You had a crush on me? That's so embarrassing.”

“I know.” He rolls his eyes, softly tucking a stray hair behind your ear. “Worst decision of my life.”

You hold Hitoshi’s hand tighter as you step closer to his side to get a better view of the tank. 

“Glad the feeling is mutual.” 

You spot it before he does.

“Oh my god Toshi. We need to get this for Eri.”

He spins around from the collection of the aquarium’s official shirts for sale, a shirt with a print of a whale shark in his hands. 

“Wha–oh my god.”

Hitoshi stares at the giant penguin plushie you’re holding in front of you. 

It was bigger than you–no, bigger than him even.

“Not sure if it’s going to fit on the train home, but we’ll make it work.”

   ───────── 

"Can you teach me how to draw a unicorn too, Eri?" Hitoshi asks.

You had already asked Eri before him seconds ago so you stick your tongue out at Hitoshi, mouthing ‘copycat,’ and he tilts his head down to quickly kiss your neck, making you giggle. 

He still has a pink bow wrapped around his bicep from when you three played dress up an hour ago, and you fight the urge to laugh again at how silly he looks.

Eri is too focused on her drawings to care about either of you, and after she scribbles around a little more, she turns to face her older brother.

“Yeah!” She hands him a red crayon. “Okay, so first you draw half of a circle.”

Hitoshi follows Eri’s instructions.

He lifts his hand, which nearly covers the paper, to reveal a red ‘C’ that looks like it got run over by a truck.

“No, no not like that! Erase it.” She frowns disapprovingly, hands on her hips. “You’re really bad at this Hito-nii.”

“Please Eri-sensei. I'm trying my best.”

“Try harder!” She turns away with a huff, then peers over at your paper. 

“Ooh yours looks so good!” Eri claps, and you smile proudly. 

“It’s all thanks to you, Eri.” You reach out to fix her pigtail that was starting to slip out of the cat-patterned scrunchie, and she giggles, holding still for you. 

Hitoshi grumbles. “This smells like favoritism.”

“That’s ‘cause your unicorn looks Celery’s poop!” Eri chirps. Then she runs away to the kitchen right before you double over in laughter at Hitoshi’s extremely offended face, clutching onto his broad shoulders for support. 

“She said your drawing looks like shit!” You snort, and he groans.

Celery’s ears perk up in Hitoshi’s lap and she meows, looking in your direction. You hold out your arms. “Celery, you want uppies?”

She ignores them and decides to sit in your lap instead, purring softly.

“Mrow.”

“Yeah? And then what?” You coo, gently rubbing her fuzzy forehead, and her eyes close in contentment.

She mewls again, pawing at your sock and you laugh.

“Okay, okay I’ll tell him.” 

Looking up at Hitoshi, he tilts his head the same way Celery does when you talk to her. 

You bite back a laugh, you’re not sure who’s the cat in the room at this point.

“What did she say?” He asks you curiously.

All you do is blink slowly at him in response.

Hitoshi’s brows knit in confusion.

Then his eyes widen, a soft pink starting to color his cheeks.

Shyly, he slowly blinks back.

Suddenly, the gray-haired girl comes back from the kitchen, apples Aizawa sliced like rabbits for her on a plate in her hands. 

You’re still slowly blinking at each other as she walks through the door.

Eri looks at the both of you weirdly.

“What are you two doing?”

“Mrow.”

teehee hitoshi’s the pb to ur jelly(fish) get it

[ninyard]

exy fans + twitter (championship final edition pt 2.5)

[good-yvesning]

[schistcity]

what’s a cover of a song you think is genuinely better than the original song? mine is archie, marry me by flyte

[ministarfruit]

day 12: karma ♡

(femslashfeb prompt list)

[twistedappletree]

Lan Wangji’s transition from awkward teen afraid of his feelings to give-no-fucks 30’s after Wei Wuxian returns is truly immaculate, like the person who used to annoy the crap out of him is now hated by everyone except him and as the head of the Wei Wuxian defense squad, his argument is literally “ok but have u considered that he’s hot?”

[rad-roche]

the treatment is rough, the job is difficult, but at least the pay is awful

[huginsmemory]

Ideology of Exceptionalism and Gravity Falls; meta and character analysis

I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.

Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 

The Ideology of Exceptionalism 

First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 

For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 

This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.

Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 

However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.

This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.

Ideology of Exceptionalism and Gravity Falls

The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 

Ford and Exceptionalism

Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 

“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”

Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.

Image id: Stand and Ford when they were children, both clearly enjoying each other's company.

Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 

Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.

Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.

In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.

Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'

Ford and Bill

All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?

And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 

And then it's better than that. 

A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.

Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 

Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.

So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.

All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.

Ford’s Exceptionalism and Wider Relationships

Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.

For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 

As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.

Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.

It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 

And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.

Bill and Exceptionalism

Now of course, that's only on the Pines; what about Bill? 

While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 

This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 

Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.

Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).

Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.

In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 

And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 

Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.

Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.

They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.

Stanley Pines, and the Refuting of Exceptionalism 

Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.

But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 

And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.

In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.

And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.

Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.

TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.

Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me

If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)

[puchosdementa]

[mosaickiwi]

"If I tried to give you money you'd just find a way to give it back anyways.”

(part of) the end scene from one of my 14DWY fics c:

14 Days With You is an 18+ Yandere Visual Novel. MINORS DNI