#Trap Sounds

[vickozone]

so i just had to figure out the five heart event on my own then? cool. that’s great guys.

[is-it-bussin-hannibal]

I'm running out of space on my ipad so,,,, here

[artilite]

fuck you *lethal companies your in stars and time*

(long) exposition under cut (spoilers for ISAT + lethal company logs)

This au takes place around the time of sigurd's logs/before them (i haven't decided if Sigurd's crew exists here or not yet)!

Siffrin was someone who used to live on the Golden Planet before it got eaten. They may not remember anything beyond being found in an escape pod, but they're still paralyzed by fear when getting close to the selling window. He's always first in the facilities, making jumps, braving traps, and heading as deep as he can for scrap.

Mirabelle and Isabeau are the medic and fighter respectively, who both came from the same moon colony. They were both pressured into taking jobs by a work-based society, and applied for the company under the impression that it was a short, high-paying internship with nebulous risks.

Odile is their resident ship manager. She keeps a watchful eye over everyone and relays information about monsters, scrap, etc. In absolutely dire situations, she may come help with scrap. Despite claiming to be a first-timer, her badge says Leader??

Nille and Bonnie ended up with the crew after taking a chance to run away from their parents. Seeing a high-paying job that provided everything and would take them far away sounded too good to pass up. Nille lied about Bonnie's age to take them with her. After seeing the reality of this job, though, she regrets not finding another way out. Bonnie is permanently on ship-duty; they mainly type in whatever numbers Odile tells them. Nille is also a fighter, though she prefers the weighty stop sign as opposed to Isabeau's shovel.

Loop, after hundreds upon thousands of quotas, dying every possible death, learning everything they could- even the real identity of The Company- realizes there was one thing they've never done before. They've never died to The Company. Desperate for a way out, and haunted by the whispers and screams beyond the wall, they give themselves up. Maybe that would finally satisfy the monster- to have devoured every last piece of the Golden Planet. Maybe their crew could finally rest easy that way. Well, they didn't loop back. But through the dark and damp, there's static on the walkie talkie. Loop picks up, and hears their own voice just beyond the wall.

(Loop's design is the most different by far, since instead of consuming a star, they themselves are slowly getting digested. They're inspired by the visual of red crying faces from the logs :D)

[poorly-drawn-mdzs]

This is my daughter Hester! She is a string eater- so no strings allowed into the house. She is also a Thief! When she was a kitten (about 1kg) she stole 2kgs of meat, dragged it under a sofa so she could eat it. We literally accused my dad of first leaving it in the shops and second, that he imagined buy the meat 🤣 She later stole my mum's necklace when she went for a shower- her wedding rings were threaded through it as well. Also my mum's gold watch, and a container with gold earrings in it.

When she drinks water it sprinkles up onto her nose and leaves her with fashionable sparkles, or if I give her kisses without realising, a little sip of water that she shares with me 😆

She is currently living with my parents bc I work insane shift hours and she would be very lonely.... no one thinks about how lonely I might be!! I miss her a lot 😢

Hester has been assigned the title: Arcane Trickster.

[officialpropheticnightmares]

Moon Rays - New Single

LYCANTHROPIC TRANSGENDER NOISE MUSIC

LOSE YOURSELF UNDER THE LIGHT OF THE FULL MOON TO THIS TRACK

Artwork courtesy of @wis-art

[paging-possum]

tldr everyone stop dating its taking up valuable thinking about the character time. "oh but I need a relationship to feel fulfilled you wouldn't get it" I do get that it actually sounds like something you should work on. but I digress. the character.

[oh-no-its-bird]

"Sometimes, I can't help but feel burdened by the weight of your emotions."

"Good."

u will not be seeing me writing them kissing in the main story but know that I have been thinking ab these fucking weirdos. These weirdos and their indescribably heavy baggage and the tension between them

The Hatake clan has always been haunted by the curse of doomed toxic yuri and yaoi since the warring states era fr

Early Konoha oc art pt. [1] [2] [3] [4] [5] [6] [7] [8] [9]

[melveres]

letters from his Spellbinder

[glazedcecilia]

anyone else thinking about kevin day with a breeding kin-[GUNSHOTS]

[dragonnon]

why does it feel like sometimes Kazuma's themes could just be from the perpective of Ryunosuke? which is interesting considering the line Kazuma says, "i'm not the one who's changed Ryunosuke, you have."

Kazuma's first theme sounds like a downright heroic folk hero, someone you look up too and can depend on. the meter is focused and stays on point, every individual instrument waits for their perfect intervals. the bass instrument keeping them all steady. then an arpeggio comes and the original melody instrument stands aside and only plays as an accompaniment before coming back as lead with fanfare playing as it leads back to the main melody. there are a lot of japanese instruments in the song which go away in later themes. there is a kagura-suzu which is japanese bell! i really like it's sound!!!

in Nocturne, instruments are overlapping more but are quieter for the main melody which i think is the koto. it's no longer so steady, the bass is gone and i interpret the bass with his life/passion. no longer feels like a force always by your side more like a tun playing in your mind. the determined and steadfast arpeggio is gone and never comes back. and there are these contemplative plucking violin(?) strings in the middle section. they give me of the feeling of reminiscing. i feel like the last part before it repeats is Ryunosuke remembering all of the good times they've had, and then once it repeats that's him remembering he's gone. in this theme, all the other instruments take a real backseat to the main one. it's Ryunosuke remembering the best part of him, his main melody so to speak. the Kagura-suzu is still here. In His Glorious Return, it starts out like a very triumphant and yearned for version of samurai on a mission (if that makes sense) until the brass section rests and it becomes almost exactly like Nocturne, something i find extremely interesting because of that part where susato was talking to kazuma in the departed soul scene, ryunosuke was looking towards the ground lost in thought around the same time this part plays i believe? it's almost as if he's remembering all the times he's grieved him.... thus the nocturne version playing. the Kagura-suzu is now gone :( it is now "replaced" with snapping. A prosecutor reborn, oh my god a prosecutor reborn, if it didn't have the same melody i almost wouldn't be able to tell it's the same character. most of his original japanese instruments are gone, and have been replaced with ones that are more associated with britain's characters. almost as if he seems more alien to Ryunouske. he borrows several instrument's from barok van ziek's theme, like the violin, and harpsichord. and yeah, the harpsichord absolutely haunts this song. it's EVERYWHERE. someone told me once the harpsichord represents the professor, so that's FUN. it's not like the professor absolutely haunts this guys life (,:'D) i think the only thing he keeps is his bass which is used way more sparingly than it is in SOAM. and interestingly, the kagura-suzu is back, but it is only used like twice i think. (☹️), its still kinda replaced with the snapping The opening almost sounds like an unveiling, as if seeing the man for first time and he's utterly terrifying. and then it jumps straight into this unfamiliar melody not heard anywhere in any of his other themes. it's reminiscent of barok van ziek's theme. ...because Ryunosuke barely recognizes him. he's nothing like who he's known... right? and it just keeps getting grander and grander! it then comes back to this more familiar part kazuma's iconic motif, but the notes are now in legato, and the melody's been changed by one note, and though it's only one it is NOTICEABLE. it distracts from how everything else about that section was so familiar. (when i first heard it i was actually taken aback)

now for the part that i'm crazy about THE MIDDLE SECTION HAS THE GATEWAY TO THE TRUTH THEME WHICH IS THE SAMD MOTIF THAT PLAYS IN THE PROFESSOR THEME! IF YOU LISTEN TO THEM BACK TO BACK YOU'LL HEAR THEM! Kazuma could've BEEN the professor if he didn't turn his heel and left! if he had killed gregson in pursuit of his mission, he could've become that! and the fact that motif is in this song is so important in showing that. just WOW. this song is Ryunouske finally seeing a different side to kazuma. him in his grief and rage, him at his 'worst' it's quite unlike how ryunosuke sees him in nocturne where it seems he is remembering only the absolute best parts about him like it's so easy to do when in grief.

listening to his themes with all that in mind has been a tear-filled hell for me, but it's always how i've thought of it basically.

[ghostatrandom]

Okey so I'm on episode 92 of The Magnus Archives and after all that I personally think Jon should meet Ulla from Vat7k. NOT because they would get along, quite the contrary! She's so knowledge obssesed I believe she would try to locate The Beholder and try to become it.

So yeah we should get them in a room together or something, like throwing two feral cats into a cage with books

[jonahmagnus]

Welcome back you little freak

[anna-scribbles]

save me ladybug and chat noir ladybug and chat noir save me

[cry-ptidd]

They're so homophobic

[the-magnus-protocol]

What the hell is a distinct scorpion sound

[raining-anonymously]

i still can’t believe there was a phineas and ferb episode where a man hunted perry and doof for sport with the implicit goal of murdering them both and keeping them as trophies