#Too bad they hate him

[linkspooky]

Okay okay… so like… I’ve always wanted to try to get into superhero comics. Especially since when I watch Teen Titans when I was a kid.

But like… I don’t know where to even start. Like there’s so many comics, and characters that it gets pretty overwhelming for me to dip my toes in. I’m scared I might slip and hit my head and jump into a comic with no idea what’s going on.

Soooooo… you got any recommendations for a newbie introductions to superhero comics?

Side question, DC or Marvel?

So, one thing I like to say is "every comic is somebody's first comic." 

You can actually just pick up and read a comic and usually start from anywhere within the continuity. My first comic ever was JLA vs Teen Titans Technis Imperative and that was literally such a good story I enjoyed it despite only knowing who the teen titans characters were. 

I think comic book continuity is largely a misconception most comics are written to be self contained. Let's use Teen Titans as an example, there are different runs by different creative teams and you just read those runs in chronological order.

So, for example. I always reccomend starting with New Teen Titans. You don't actually have to start from the original Teen Titans run because literally the only thing you need to know is "Dick Grayson Robin was on a team with Speedy, Wondergirl, Aqualad, and Garth" and then they broke up. You can go into the comics with just general knowledge of the character, b/c the idea is good comics are self contained they draw on what was done before but what makes New Teen Titans such a good series is all the character development happens in the series.

So, like this is just a guide to the Wolfman and Perez Run. The only part that's sort of confusing about this is it was rebranded a couple of times.

Original run is:

New Teen Titans (1980-1984) #1-40, Annuals 1-2.

If a storyline continues in an annual they will literally say "read this in annual one" and then you just have to find it. Otherwise, it's just straight number order. Annuals are just extra issues.

If a comic crosses over into another comic they will specifically tell you which issue of that comic the story continues in. 

Tales of the New Teen Titans (1982) This is a side comic. Occasionally, side comics and minis or even short solos are added, they're not necessary but this gives you Starfire, Cyborg, and Raven's backstory among others.

Tales of the Teen Titans (1985) #45-58, Annual 3 (rebranding they just changed the title) 

CRISIS ON INFINITE EARTHS. 

This is a big event comic that rebooted the DC Universe you don’t need to read, here’s a summary:  Kole dies, Wonderwoman's backstory is retconned so they had to change Donna Troy’s backstory (she was originally just a kid rescued from a fire by Wonder Woman and brought to Themyscra)

You can usually skip event comics by looking up summaries unless you’re really curious. 

New Teen Titans #1-49, Annual 1-4  (rebranded again)

Teen Titans Spotlight (these are just side stories) 

The New Titans (1988) #50 - 130, 0, Annuals 5-11.

There you go that comprises the entirety of the Wolfram run, generally you just read in chronological order it’s not confusing besides a few title changes. It’s #1-58 and then they started from one again and #1-130. Most of the New Teen Titans Run is collected digitally compiled in volumes HERE ON AMAZON.

So, in general we go by publications and runs, and we go in order from start to finish and generally these are meant to be self contained as in the story should be contained within the run from start to finish and not rely on other comics to tell its story. Spinoffs are just spinoffs, you can pick them up or leave them, and generally they will tell you if a plot important detail happened in a spinoff or you absolutely need to read it to understand what's going on.

Also, DC all the way. Marvel doesn’t care about anything that’s not an Avenger. Dc has gotten the formula down for letting young heroes grow up and eventually replace their old mentors. 

[ofswordsandpens]

Luke being given a quest at 17, feeling like there's no glory in it because it's a quest someone's already succeeded before, but then failing that very quest he considered to be beneath him, getting a permanent scar, "ruining it" for the rest of the campers because now no one else can go on quests and earn glory in the eyes of the gods, so he turns to Kronos, and years later here comes a possible candidate for the great prophecy, 12 years old, gets the first quest the camp has done since Luke's fucked it up, and Luke is actively ensuring this quest is an impossible quest!! he's literally rigged it so Percy's gonna fail (the shoes, the bolt appearing in his bag) and then this kid somehow succeeds still??? and not only that, Percy got the unique quest Luke wanted in the first place and achieved feats no one else had and earned glory in the eyes of his father, all because Luke created the circumstances for that to happen??

oh my god yeah I don't think I'd ever recover from that either

[daz4i]

mori bro now's your chance. his other ex-husband died man he has no one else to go to you should shoot your shot again come on bro

[suntails]

toot toot!

[wellfine]

I mowed him sorry (← guy who thinks buzzed heads are handsome)

[anbaisai]

The other day one of my profs was standing like this (& fidgeting with a pen) while talking to us and I'm like "wow that's such an Ace Trappola pose" so I had to redraw it

In hindsight I think he probably stood like that bc his feet hurt...

[smilesrobotlover]

The sun felt warm as it shone against Talon’s skin, making his eyes grow heavy as he and his carriage slowly moved across Hyrule field. He had just sold some Lon Lon milk in Castle town, and left early in the morning so he could get home as soon as possible. Unfortunately for him, he wasn’t a morning person, so he was doing everything in his power to stay awake. The last thing he needed was to fall asleep and get robbed by bandits.

The field was quiet and peaceful, the world not yet awakening from the sun barely peeking over the horizon. The gentle clip-clop of his horse’s hooves against the ground was soothing, and Talon began to feel too relaxed, finally giving in to his desires of dozing off.

A distressed whinny caused him to jolt awake. He looked around, expecting to be attacked by bandits or monsters, but all he saw was a small horse running to him, whinnying frantically at Talon.

“Oh my, where’d you come from, little one?” He wondered out loud, stopping his carriage and hopping off. The horse was noticeably young, with a beautiful chestnut coat and cream colored hair. It was a mare from what Talon could see, and looking at her coat, she seemed awfully familiar to him. She stomped up to Talon and gently bit his hand, attempting to drag him.

“Woah woah woah!” Talon pulled back, giving the horse a weird look. “What do ya think you’re doin’ little one?”

The horse whinnied again and started to shuffle to an area, clearly trying to get Talon to follow. Talon didn’t have much choice but to follow; a horse only acted like this when something was wrong.

“Where’s your rider?” He muttered, following the horse reluctantly. He didn’t know what he was being led to specifically, but seeing the size of the filly with a saddle of all things made him worried for a young rider, possibly injured somewhere. Seeing that Talon was finally following her, the filly started to trot towards a cluster of trees, stopping at a patch of bushes where she began to stomp around, impatiently nibbling and nudging the leaves on the bushes. Talon let out a sigh when he reached the spot, looking around to see if anything was out of the ordinary, but there was nothing. Was this filly just lost and was panicking, hoping to get help? Talon had to admit she seemed to be a smart horse, but he didn’t understand why he was led to a patch of bushes.

“Are you lost, little one?” He asked, watching as the young mare nibbled on the bushes. She nudged the leaves away with her snout while snorting, and Talon was able to catch a glimpse of blonde hair. He gasped and got on his knees, moving the bushes out of the way to reveal a young, blonde-haired boy with green clothes that blended in with the plants surrounding him. He looked to be about the same age as his daughter Malon, barely eleven, and his face was pale and covered in sweat. He wheezed as he breathed and he had a pained expression on his face, and Talon lightly touched his head to feel a burning fever. He frowned and began to shake him gently, seeing if he would wake up. The boy groaned and reacted to his touch, his eyes fluttering open. They landed on Talon immediately and several emotions flickered through his face.

“M-Mr– Bart—ten…” He choked out, his eyes tearing up as he stared at Talon. The farmer blinked for a moment, confused about what he was saying, but he let out a sigh and went to gather the boy in his arms. The poor thing was clearly delirious, and he needed medical attention.

“It’s ok, kiddo, I’ll take care of you,” he assured. The boy felt fragile in his strong arms, and he whimpered in pain as his head rested against Talon’s chest. The farmer wasted no time finding a spot for the boy in his carriage, having to move some empty bottles out of the way and laying strands of hay to add a cushion for him. He gently laid him down, finding a quilt tucked away in the corner of the carriage and swaddled him the best he could. It didn’t look comfy, but it was better than nothing. He tucked the empty bottles away to make sure they didn’t fall on him, and he grabbed a spare rope to tie to the back.

“I hope you don’t mind this, I have a feeling that boy is your rider,” Talon explained, tying the rope to the filly. The young mare surprisingly seemed willing to be tied to the carriage, and waited patiently as Talon hopped on his carriage, resuming his journey with more haste. He tried to keep a steady pace so the carriage wouldn’t jostle, and so that the mare wouldn’t be dragged behind, but he knew he needed to move fast if he wanted to get back to the ranch. He fortunately had medicine stocked up at home, knowing that if he, Malon, or Ingo got sick, he wouldn’t have time to go back and forth getting more, so the boy should be fine when they got there. He just hoped it wouldn’t turn into anything serious—Talon was knowledgeable on illnesses and injuries, but he was no doctor.

The sun was beginning to set when Talon arrived at Lon Lon, and he hopped off the carriage in front of his house, untying the mare and collecting the feverish boy in his arms.

“Daddy!”

Talon glanced up to see his little girl running towards him, an excited smile on her face. Talon smiled back and shifted the boy in his arms slightly.

“You’re back! Did ya get me anything?”

“Why yes, I did,” Talon said, pulling the boy out of the carriage and showing Malon. “I got you a new friend, but he’s a little sick right now.”

Malon’s eyes went big and she stepped forward, gently patting the boy’s arm. “Fairy boy! It’s Fairy boy! Don’t you remember him daddy?”

Talon looked down at the boy again. He was so distracted on getting him into his carriage, he didn’t recognize him as the young boy that visited Lon Lon Ranch over a year ago. Memories of him and Malon playing music at the ranch flooded in, and Talon only felt more inclined to take care of him. The situation became more personal.

“Epona!” Malon squealed, giggling at the filly who trotted towards her excitedly. Talon stared at the two’s reunion, Epona nuzzling Malon’s chest while she sang her favorite song. He smiled warmly at them and quickly headed inside, not wanting to wait much longer. So this boy and that horse used to be here in Lon Lon? Goddesses, it had been a while since Talon’s seen him, and yet it felt like it was only yesterday. Though the fairy boy was in their lives for such a short time, he left an impact on the ranch, specifically with Malon. He was the first kid her age that she’s met and played with, and Malon talked her father’s ear off about him since he went away with Epona in tow. Talon began to grow curious about where he was all this time, and why he was hidden in bushes with a burning fever.

The farmer walked up the stairs that led to his room and he set the sick boy gently on the soft mattress. He stared at him for a moment, his brow furrowed, trying to remember anything else about the little one, but nothing came up, so he turned around to get medicine, water, and a damp cloth. The folks at Lon Lon didn’t get sick often, so he hoped he remembered enough about taking care of a fever. When he went back upstairs to his room, he heard the boy whimpering, shifting in the soft bed. Talon quickly took off his shoes to make him more comfortable and rested his hand on his head. The fever was concerningly strong.

“Excuse me,” Talon said softly, gently shaking the boy. He groaned and his eyes fluttered open again, staring over Talon’s shoulder. He squinted his eyes and frowned.

“Romani? … How…?”

Talon raised an eyebrow and looked behind him, flinching when his daughter suddenly appeared.

“Goddesses, Malon, don’t sneak up on me like that!” He scolded. Malon gave an apologetic look, her dimples appearing as she smiled slightly.

“Sorry, daddy. I just wanted to see Link! It’s been a while!”

Malon leaned over the fairy boy (or Link, Talon supposed), brushing his hair away from his face. Link looked horrified as he watched Malon, clearly looking uncomfortable.

“Malon, sweetie, let’s give him some space,” Talon spoke up, noting Link’s strange expressions. “I oughta give him some medicine anyhow.”

Malon hopped back and gave her father an excited look. “Can I help?”

“Oh! Well…” Talon glanced at the bowl of water and the cloth. “You can help wipe his face when I’m done givin’ him medicine, ok?”

Malon nodded excitedly, watching as Talon helped Link sit up. The boy was so weak that he could barely move on his own, and Talon eventually pulled him into his lap so he could lean against him. Talon gripped Link’s arm firmly so he could stay in place and began rummaging his hand all over the nightstand to grab the medicine. His daughter noticed his searching and grabbed the medicine for him and Talon gave her a grateful nod, uncorking the bottle and bringing it to Link’s lips.

“You think you can drink this?” He asked, and Link nodded, clumsily grabbing at the bottle and drinking it with Talon’s help. Talon had to pull it back a couple of times to make sure it didn’t spill everywhere, but Link was surprisingly cooperative for an eleven-year-old drinking the disgusting medicine; he remembered he always had to fight Malon whenever she needed it. The bottle was soon gone, and Link leaned back against Talon’s chest, his eyes closed. The farmer cradled him for a moment, figuring that Link needed that type of comfort, and Malon walked over as she watched him with her father, her head tilted with fascination.

“Is he gonna be ok?” Malon asked, and Talon looked up at her, nodding confidently.

“I’m sure he will be,” he said, carefully moving Link so he could get off the bed. He laid him down and pulled the blankets over him, giving his hair a soft ruffle before pulling away.

“I’m gonna put the carriage away, Malon. You keep an eye on him, ok?” Talon said, and his daughter nodded back at him. Talon lingered for a moment, worriedly watching them, but finally left the room. Ingo was outside staring at the carriage annoyed, but he quickly scurried away when Talon showed up. The farmer glanced over at Epona, who was watching him silently. Talon frowned and walked over to her, giving her a gentle pat on the snout.

“That boy doesn’t have a family, does he?” He asked, knowing that Epona wouldn’t answer. It was something Talon noticed when Link first arrived. Though he didn’t remember much, he did remember that Link was by himself whenever he saw him. The only company he had was his fairy. Talon shouldn’t be too surprised—if Link really was a Kokiri, then it’d make sense why he’d have no family. But Kokiris died when they left the woods, didn’t they? Or was Link finally experiencing the death a Kokiri had when they were out of the woods? Talon rubbed his eyes with a soft grumble. He really didn’t know if any of that was true, but it made Talon slightly worried. Despite remembering that Link was from the lost woods, Talon couldn’t help but feel that he was a Hylian. Everything down to his mannerisms made him seem far more mature than the Kokiri ever were. They remained as children, their bodies and mentalities never changing, even for centuries. But Link…. His face held a mature understanding of the world that Talon only saw in adults. Either way, Talon couldn’t risk him dying. If he needed to return to the woods, he would take him there, he just needed to learn more about him.

Talon led Epona and his carriage to the barn, letting her and the horses roam with the others before returning to the house with warm Lon Lon milk. He was expecting Link to be sound asleep, but to his surprise, he was already trying to get out of bed despite Malon’s protests.

“Link, honestly! You can’t be gettin’ up now! You could barely drink the medicine my daddy gave to you!” She shouted, trying to shove him back to bed.

“I… I’ll be fine,” he mumbled, his voice raspy and hoarse. He brushed Malon off and reached for his shoes, but grew out of breath.

“Link! You’re sick! Lay back down!”

“I can’t stay…”

Talon entered the room with haste, setting the bottle of milk down as he walked up to Link. The boy stared up at him, his light blue eyes wide with guilt.

“Do you need to go to the woods?” Talon asked him, and Link frowned.

“What?”

“The woods? The lost woods? Where all them youngins are in?”

“O-oh, Kokiri forest?”

“Yeah, that. I hear Kokiri die when they’re away from the forest for too long. You… you’re a Kokiri, right?”

A devastated look took over Link’s exhausted face, his eyes spacing out as he looked down. “No…”

Talon frowned at his reaction, and he glanced over at Malon who looked concerned.

“No?”

“I-I’m not going to the woods… I’m not a Kokiri… I don’t belong there anymore. I don’t–I don’t belong anywhere,” Link’s voice grew so quiet that Talon almost didn’t catch what he said at the end. It was quiet in the room, and Link slowly went to grab his shoes, but Talon stopped him.

“What’s the rush then?”

“I… can’t stay….”

“Why not?”

“Because I…. I…” Link stammered, trying to push out a good argument, but with his feverish mind and exhausted body, he couldn’t. Talon sighed and gently pushed him back, and Link obliged, laying down on the pillow, his eyes half closed.

“At least get some rest before you decide to travel, ok?”

Link’s eyes went wide for a second, before closing, and he was finally asleep. Talon sighed and gave his head a pat, giving a proud smile to Malon.

“You handled that well, dear.”

Malon brushed some hair out of her eyes and sighed. “Thanks daddy. He sure is a stubborn one, ain’t he?”

Talon shrugged and stared at the young boy. So he wasn’t a Kokiri, that meant he wasn’t dying, thank the goddesses. But everything else about Link confused him. If he seemingly didn’t belong to the Kokiri anymore, then where did he call home? Did he even have a home? Talon sighed and began to head out of the room.

“I trust you’ll keep a good eye on him?”

Malon nodded. “I won’t let him try to get up next time.”

Talon snorted. “Try not to hurt him too much. You got some Gerudo blood in you, while he’s a simple Hylian,” Talon glanced at Link, “I think. Give him that milk when he wakes up.”

Malon nodded again and plopped herself in a chair, staring at the strange boy in bed. Talon smiled at her, leaving the room once again, feeling exhausted himself.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Link’s fever was persistent. Talon spent a long time with him to see if he was getting better, but he was not. He wasn’t getting worse though, which Talon supposed was better than nothing. Link stayed in bed most of the time, unable to get out due to the fever and to Malon forcing him to rest. Talon always had to make sure she was gentle with him. He knew she had such a gentle and kind soul, but her Gerudo strength, despite having only a little bit of it, was not to be underestimated. Malon stayed by Link’s side the entire time, only leaving when she had chores to do. She would talk the boy’s ear off when she was with him; talking to him about her chores, her favorite animals, and the songs she wrote. She would occasionally sing to him, and he would always listen. Talon couldn’t tell if he wanted to listen, but considering the small smile on his lips whenever his daughter spoke to him, he assumed that he enjoyed the company. Many times, Talon decided to do Malon’s chores for her so she could spend time with her friend, and eventually, Link started to feel better.

Talon allowed him to walk around the ranch, knowing that being in the same room for days couldn’t feel good for anyone, and Link happily obliged. He always seemed anxious, as if there was something he had to be doing, so being able to at least walk around made him a little more cheery than normal. But as soon as he was able to walk around, he once again tried to leave.

“Where do you think you’re goin’?” Talon asked when he caught Link packing up his things, trying to talk him out of it before he was gone. Link didn’t say anything for a moment, a guilty look on his face.

“I–I need to be elsewhere,” he finally said, finishing packing up his few items scattered across the room.

“Already? I know you’re feelin’ better, and exercise is good for you, but you can’t push yourself.”

Link let out a huff. “I’ll be fine. This fever will go away in due time.”

“Yeah, if you take care of yourself,” Talon argued, and Link shot a glare at him.

“Why do you care?” He suddenly snapped. Talon’s eyes widened at the boy’s sudden hostility. He scratched the back of his head and looked away.

“Is it so wrong for me to care about a sick kid?”

Link’s expression softened and he turned away. “How much do you remember?” He asked softly.

“Huh?”

“How much–how much do you remember of me?”

Talon was taken aback at the strange question. Though he’s only seen Link a couple of times last year, he remembered them pretty well now that he spent more time with the kid.

“I remember you woke me up with a cuccoo and told me my daughter was waitin’ for me. Good thing too ‘cause I didn’t mean to fall asleep at the castle of all places. Poor Malon.” Link stayed still as stone so Talon continued, “I remember you came by our ranch and found my special cuccoo. I teased you about marryin’ my daughter and you got all shy ‘bout it.” Talon chuckled at the memory. Link looked away with an embarrassed look on his face so Talon moved onto the next memory. “I remember you and Malon played all day, and played music as loud as you two could. It sorta annoyed me when I was tryin’ to sleep but I ain’t never seen Malon sing with all her heart like that before. So I let it continue.” Talon sighed and racked everything he remembered about Link, but only one more memory remained. “And then I remember you buyin’ Epona. It broke Malon’s heart to part with that horse but she cared about you and knew you would take great care of her. And that’s about all I remember of you.”

Link continued to face away from Talon, staring blankly at the wall. Talon frowned and walked up to him.

“Why are you askin’ this?”

Link sighed and hugged himself. “You just don’t know me like you used to.”

Talon was taken aback again. “Now what in Farore’s name do you mean by that?”

Link opened his mouth but was interrupted by Malon entering the room. She spotted Link’s packed up possessions and frowned.

“You’re leaving already?” She asked as he quickly finished gathering his things. “Are you sure you feel well enough for it?”

“I’ll be fine,” he said softly, looking up at Talon with another guilty expression. “I’ve already overstayed my welcome.”

Talon tilted his head. “You didn’t overstay nothin’ boy. It was my pleasure to have you here.”

Link smiled slightly, but he quickly turned away, a sad and distant look in his eye. Talon stroked his chin and squinted at him.

“Where do you call home?”

Link glanced at Talon, then at the floor. “I—um…”

“Do you… have a home?”

Link didn’t react, and he shifted uncomfortably. Talon sighed.

“Oh… Link, if you have nowhere else to go, you can always stay here—“

“No! I-I mean,” Link shrunk away, clutching onto his shirt. “You-you guys have been very kind but I–I don’t want to be a bother anymore.”

“You were anything but a bother! We loved havin’ you here!” Talon reassured, but Link didn’t look convinced

“I-I can’t stay here for free… I—I don’t—“ Link whimpered slightly, pressing himself further against the wall. Talon backed up slightly, realizing he was being too forceful with the boy. He took a deep breath and tried again.

“Ok, if you don’t wanna stay for free, then you don’t have to,” he said softly.

Link finally looked at him, a sad look on his face. “I don’t have any rupees though.”

“Who said anythin’ about money! How old are ya? Eleven? I can't expect an eleven-year-old to be able to pay rent!”

Link stared at him confused. “Then how…?”

“Well, I can always have ya work around the farm, do whatever chores you’re capable of doin’, in return you get a place to stay and food to eat.”

Link stared for a moment, the gears in his mind turning as he thought about Talon’s offer.

“You don’t have to if you don’t want to. Sorry to put pressure on you,” Talon quickly added, realizing he was still being forceful. “But if you want, we’d love to have you.”

Link was silent for a long time, swaying slightly as Talon and Malon watched him. He finally let out a sigh and looked up at Talon.

“Can I…. Think about it?”

Talon was relieved slightly and nodded. “Of course you can, just know that wherever you go, you’ll always have a place to stay in Lon Lon Ranch.”

Link gave a more genuine smile at him.

“Thank you,” he whispered.

Talon escorted Link to the entrance with Malon in tow, the two Lon’s chatting about mundane things with Link listening silently. When they reached the entrance, Talon turned to his daughter and nodded.

“Malon, could you get his horse for him?”

“Of course, daddy!”

Talon watched as his daughter ran to where the horses were, then he glanced at Link who still had an unsure look on his face.

“Link?”

Link pursed his lips. “I… I wish there was a way I could repay you for this…”

“Oh, it was on the house,” Talon said, waving his hand. “It’s the least I could do for you.”

Link smiled, his hands clumped up on his chest. “You don’t know how much this means to me… I… thank you…”

“Oh, it’s my pleasure. And my offer will always be here for you, or… if you ever wanna visit,” Talon shrugged, “you’re free to visit as well if you don’t wanna stay.”

Link’s face twisted slightly, and he shyly leaned into Talon, which surprised him. He was always so distant from the others, but he was almost hugging the old farmer. Talon wrapped his arms around him and rubbed his back gently, only pulling away when Malon returned with Epona. Link quickly hopped on the horse, discreetly wiped his eye, and he gave the two a nod.

“I guess I’ll… see you around?” He said, and Talon nodded.

“Of course, you be safe out there boy!” Talon said, waving him goodbye.

“Yeah! Come visit! I want to sing with you again!” Malon exclaimed, waving enthusiastically at him. Link grinned at her and nodded at the two. Then he clicked his tongue and ran off on his horse, heading to Din knows where. Talon watched sadly as he disappeared into the field, almost wishing there was more he could do for him. It was strange how much the boy had changed since he first met him. Link was a very playful and hyper boy when they first met him, matching Malon’s hyper energy. But now, he was jaded and serious, almost as if he was an adult trapped in a child’s body. Talon didn’t want to think about what he went through in the past year to get to that point, but he hoped that now Link knew that he didn’t have to face any of it alone, and that he had people to turn to.

He just had to wait for him to reach out.

[poorly-drawn-mdzs]

This was home.

[First] Prev <–-> Next

[insane-in-the-membranee]

I can forgive my father for all his wrongs against me, if only he had treated my mother differently. It is an echo, of what my mother says, "He may not be a good husband, but he is a good father." How do I tell her that one cannot exist without the other? He will never be a good father. He is not good to my mother.

—Reva

[lil-gingerbread-queen]

Harley joining the batfam be like.

(More shenanigans under the cut)

Harley: Bats! I have a gift for ya! Batman: ... What is this? Harley: A club's membership's card! Batman: ... Harley: And I've some for the commie, his daughter and your big red riding hood.

The cards in question:

(yes, she drew the pictures. Jason is Bat Brat for reasons)

[somewhereincairparavel]

i have ALWAYS promptly looked forward to jason grace's povs in the hoo books to the point where'd I'd flip the pages till I find the words "JASON" and would count the amount of povs he has in the whole book before I even finished reading, so I feel excited knowing that I'll get to his povs soon. there, I said it.

[nonpoppie]

played the space train anime game . guess who i fixated on

[demigods-posts]

okay but you can see the moment percy's heart shatters into pieces once he learns that grover was also annabeth's protector. because this child grew up watching as his peers chose schoolyard taunts over compassion. watching as his dad chose freedom over fatherhood. watching as his mother chose to protect his life by sacrificing her own. but when his mom dies, he holds onto the notion that at least he's not alone. at least he has grover. but that worldveiw wastes away when he learns that he is, first and foremost, grover's assignment. that he was no one's first choice at all.

[miserable-something]

Sabo screenshot redraws, I'm trying to figure him (and his hat) out

I need to gnaw on his bones and suck on his marrow

[abnomi]

EVERY REASON (that i can think of) AS TO WHY TURBO/KING CANDY IS NEURODIVERGENT 💥💥

i would like to make a disclaimer first and foremost about the obvious, being that Turbo/King Candy is heavily implied to have narcissistic personality disorder (NPD) and antisocial personality disorder (ASPD). Very often, characters with these disorders are portrayed as villains, and Turbo is no exception to this. There's nothing wrong with antagonistic characters having said disorders, per se, but when the only representation available for people with these conditions are found in characters you're not supposed to root for, it can be really disheartening. i won't be erasing these parts of him because i feel it would be in poor taste to gloss over those core elements of who he is, but plz keep in mind that having any kind of personality disorder doesn't make anyone inherently evil!!!🌞 your ACTIONS make you, not your brain

Also if anyone has any suggestions or other ideas for his neurodiversity, i would love to hear them! please do share!! I LOVE PSYCHOANALYZING CHARACTERS AND HEARING OTHER PEOPLE PSYCHOANALYZE THEM !!!! YAY🎉 if u agree or disagree with any of my points I'd love to discuss them further :-]

without further ado... click read more to find out…😈 be ready for a lot of reaches

💥 ADHD 💥

STIMMING

Turbo's constantly moving around in some way; he's a very expressive character! even as King Candy, he can't seem to conceal his frequent giggling. it's a big habit of his; he seems to do it involuntarily to regulate himself, including when he's nervous or uncomfortable.

he seems to display other repetitive behaviors as well, like doing his iconic thumbs-up pose, sticking out his tongue, or hopping around gleefully. he is but a jovial court jester..

i personally like to think that his phrases, "Turbo-tastic!" and "Have some candy!" are vocal stims of his, although i equally really love the interpretation that these (and the aforementioned stims) are tics :-]

another headcanon; i think it would make a lot of sense for him to have an oral fixation of some sort (ignoring the whole sigmund freud part of the term ermm...); just lots of biting, chewing, needing to have something in his mouth. It would align with the whole idea that he smokes, too

HYPERACTIVITY

we can clearly see throughout the film that Turbo has a lot of energy, made abundantly clear by his mannerisms and general behavior. he's constantly moving, using exaggerated expressions and gestures to communicate + express himself. He's one of the most animated and bouncy characters in the movie, next to Vanellope! it's silly how a character not very grounded in reality is such a threat, but i suppose that's what makes him so threatening in the first place...

another factor in this is how he is very adrenaline-seeking, craving activities that give him a rush (sugar rush...😂😂). more on that in a bit!!

HYPERFIXATION

Turbo's fixation with winning is all-consuming for him; it's an obsession. he doesn't appear to care about much else, if anything besides it. this could be interpreted as a hyperfixation for him (or special interest if ur all about that autism lifestyle), as it overtakes all of his focus and impedes every process of his mind.

it's clear that racing is much more than a passion for him, and while that fact is due to how he was programmed, it's a major character trait of his regardless that could be correlated to neurodivergence.

HYPERFOCUS

There seems to be a big theme of "all or nothing" when it comes to Turbo. he will either be fully dedicated to something or brush it aside without a second thought. it can't be denied that he fully wraps himself up in what he wants, whether it's a conflict he can't let go of or a new pursuit he's hungrily chasing after. 

ultimately, his dedication varies depending on if it is relevant to him and his interests or not, but this aspect of him still shares patterns with neurodivergent thought processes.

INSTANT GRATIFICATION

Seeing as he has a tendency to cheat in his use of code to spawn in whatever his heart desires, it can be assumed that this could do with Turbo wanting instant gratification to fill that bitter, empty void inside of him. while this could simply be brushed aside as greed and his belief that he is obligated to have access to whatever he wants, this trait is consistent with his generally dopamine-seeking behavior and wanting to be instantly rewarded by his actions. His obsession with needing to feel good directly relates to his need for another buzz, constantly after the next rush. (a sugar rush if you will☺☺☺)

ADRENALINE-SEEKING

Closely related to the previous speculation, Turbo always seems to be chasing his next high. he loves the thrill of action and being surrounded by crowds of people below him. it's why his big thing is racing! people cheer him on, he can do whatever he wants, he can go really fast and look cool..

it's possible that a big aspect of why he does this is to distract himself from any kind of pain, because pain = vulnerability. bro does NOT know how to independently cope with his own problems.. HE MAD AS HELLLLL!!! 😂😂

STRUGGLE WITH SELF CARE

(i know this is reaching but bear with me... 🐻) going off of his appearance and tendency to make poor decisions, it can be gathered that this man lacks skill in the self care department. his yellowing teeth and sunken eyes not only serve to complement his design, but also give way to the idea that he neglects himself in favor for whatever weird scheme he's up to.

of course, Turbo does prioritize himself above everyone else, but he doesn't strike me as the type to care much about how others think he smells. him being a bother to anyone isn't a concern of his. he cares about whatever gets him the most praise and attention from as many people as possible, which is winning and racing. Who cares about how clean he is when he's up on a podium holding a shiny, golden trophy, anyway?

It's likely that he had to step his game up when he went under disguise as king candy, which is why he looks well-groomed in comparison to his more corpse-like appearance. Ugly hoe. it can also be assumed that he's had more time to focus on himself because everyone loves him without question... Well, except for Vanellope, but who cares about her, right?

also, i know he makes a condescending comment to Ralph about how bad his breath smells, but it's made abundantly clear that Turbo is a massive hypocrite. his comment doesn't erase the possibility that he has suffered from such "halitosis" as well.

💥 ANXIETY 💥

GENERAL ANXIOUS BEHAVIOR

i know, i know, this could technically be chalked up to be "Turbo is nervously giggling and shit because he's scared of getting caught," but guys. g

even in the flashback scene, we can see how easily stressed he can become in an alarmingly short period of time. he is extremely insecure, therefore i am led to believe he is not only emotionally dysregulated, but also by extension, anxiety ridden.

yes, this is purely speculative, but who's to say that he wasn't like this before? being high-strung and intense are significant facets of his personality consistently portrayed throughout the film. as long as he is getting exactly what he wants, he is happy; the moment he loses even a blip of control, however, he immediately grows extremely tense.

if Turbo wasn't anxious about his disguise as King Candy before, he was anxious about how much attention he was receiving on a given day. if not that, then he'd be anxious over how he presents himself. He hates how he can't control how other people perceive him, which is why he is constantly trying to act like he's better than he is.

its why he justifies his behavior to himself, proudly making others refer to him as the "rightful ruler" of sugar rush and relishing in the attention of his countless underlings. Any secure and stable person would NOT ACT LIKE THIS!!!!😭😭😭

FIGHT OR FLIGHT

As we can see a handful of times on screen, Turbo's instinct to protect himself is very easily activated.

 his fear manifests in anger and aggression. we can see at multiple points how easy it is to upset him or fluster him; his anger is one side of the same coin, the opposite end being his fear and paranoia.

Going off of this point, have you noticed that Turbo is either satisfied or furious without much of an in-between? how the second something isn't under his manipulation, he lashes out and fights back? I'm led to believe that this is how he responds to fear (AAUAAYAUUUUGGHHH 🐡🐡🐡🐡🐡🐡🐡). This guy is so against the idea of being vulnerable, that even when afraid, he will utilize violence to regain his dominance over the situation at hand.

CONTROL + PARANOIA

Turbo's always trying to writhe or fight his way out of uncomfortable situations, unable to exist outside of his comfort zone for seconds at a time.

his defensive, paranoid, and controlling behavior are all reflections of how deeply insecure this man is. He feels such an intense need for everything to go exactly how he expects it to go that the moment he senses any kind of threat, he instantly jumps to defend himself and what he feels that he has "earned," regardless of whether there truly is a threat or not.

this could potentially be a coping mechanism for his anxiety and sense of stability; can't forget to mention how territorial he is!! he jumps to conclusions about what others' intentions are before they even get a chance to reply, as seen with his first encounter with Ralph in the movie. 

the racer is so internally discombobulated that he seeks any sense of stability on his environment, including on those around him. his sense of self is so warped that he copes with constant distraction; being under the spotlight, being actively racing, having to be showered with attention, having others make him feel good because he doesn't know how to do it for himself. he needs to feel like everything is under control, lest everything falls apart.

"...if there's ONE thing I can't abide, it's ANYTHING out of order!"

💥 NPD 💥

INFLATED SENSE OF SELF IMPORTANCE

Turbo's most in-your-face trait above all else. It's made more than crystal clear in every scene he's in that his arrogance is a determining factor in how he interacts with others. This is exactly what drives him to desperately crave admiration, to chase after others he's envious of because he thinks he is obligated to take what they have.

he seems to genuinely think he is entitled to get whatever he wants, just because he is inherently "special" or "better" than everyone else. Why else would he have made himself a king, a step above princess?

EXCESSIVE NEED FOR ADMIRATION

Turbo's self worth is COMPLETELY dependent on the opinions of children and teenagers. I think i don't need to say any more than that, but i will. (Evil).

As cartoonishly massive as his ego is, i think that it's fair to assume that Turbo has a very unstable sense of self, distorting his perception of his own worth down with it. his near-constant flaunting and need to be the best is a dead giveaway to his deeply-ridden self-doubt. The foundation of his stability is built around how "good" he is (at racing and winning), how powerful he is, whether or not he is being prioritized above everyone else, whether or not he is the absolute best, etc. etc.

The racer outright manipulates others to shower him with admiration and undeserved appreciation. He is incapable of forming a true sense of internal value, instead heavily and codependently relying on others to form it for him. if he isn't the best, he may as well just be nothing.

INTENSE JEALOUSY

He reacts so severely to what he perceives as others taking away what is rightfully his that it only goes to solidify my previous points even further. the second someone else is getting more attention than him, Turbo will bend over backwards to rip back the praise he believes he so rightly deserves.

being extremely competitive, he will one-up against anyone he thinks of as a threat, dedicating himself to taking them down to the best of his ability, and making sure they STAY down to top it all off.

INABILITY TO HANDLE CRITICISM

if we really dissect the entire one-off joke with Turbo insisting that his stolen pink castle is actually "salmon," along with all of his other domineering behaviors, we can garner that he is very persistent in how he wants others to view him. i wholeheartedly believe that this would translate into him not only being defensive over his supposed "ownership" of Sugar Rush, but also over himself and his own insecurities.

He needs to feel good about himself or else he will die and quite literally try to kill everyone.

LACK OF EMPATHY

He appears to have a fondness for making jokes in very poor taste. Turbo has a big sense of humor, but it's always at the expense of others. Be it a pun about a "fungeon," or jumping to protect himself with a joke about "hitting a guy with glasses," he has a tendency to take serious situations very lightly. It's not that he's unaware of the weight of it; he simply doesn't take it Seriously.

its admittedly impressive how he was able to feign empathy so well for Ralph; it goes to show how he is very capable of understanding that what he's doing is wrong, but ultimately does nothing to change his behavior because it doesn't impact him personally. 

i would like to honor this part of him, because even in the possible alternate path of a redemption arc, his struggle with empathy can be explored in a variety of interesting ways :-] he can understand complicated emotions and situations on an analytical level, but he doesn't feel for them unless it has to do with him specifically. (this obviously doesn't make him inherently evil, his ACTIONS make him evil)

💥 ASPD 💥

LACK OF REMORSE/GUILT

One of Turbo's core characteristics is just how far he is willing to go for his own self-interest with lack of regard for how it impacts everyone else. he has absolutely no concern for how anyone else feels besides himself, willing to go so far as to attempt to mutilate a 9-year-old to achieve his petty goals.

Turbo is shameless when it comes to how he goes about getting his way. While I'd like to believe he isn't fully incapable of feeling regret, he doesn't showcase feeling it in the movie itself. The most regret he'll feel is when he slips up and exposes himself. anything else is the fault of everyone else; he is untouchable in his eyes.

DECEITFUL TENDENCIES + LYING

Where do i even start with this one.

well, first of all, let's acknowledge the... erm, horse? in the room? 🐎😅(Please someone help me there is a horse in my room help helphel) being that Turbo went under disguise as King Candy for at least a decade. Even before this, there's a good chance that he's already had plenty of experience with lies and manipulation. i'd be willing to bet on this!!

one of his specialties is being proficient in manipulation, be it the code of games or the minds of people. theyre basically the same thing to him, anyway... I'm sure you all know the scene where he uses 16 manipulation tactics against Ralph and wins. this was Obviously not the first time he'd done this.

REPETITION OF HARMFUL BEHAVIORS

Time and time again, Turbo can't seem to help himself when it comes to poor decision-making. he never internalizes that his bad choices aren't JUST bad for others, but also for himself, continuing to escalate further and further into very dangerous behaviors until he literally dies.

Here's a list of bad decisions he has made! (at least, that we know of)

Pinning himself above his peers

Harassment + stalking

Carelessly charging through GCS with his car, endangering countless civilians

Attempting to take over a game that isn't his x2

Vehicular manslaughter

Implied mass murder + attempted murder, attempted mutilation

Mass endangerment

Breaking and entering, theft, usurpation, plagiarism

and more!!!!!!!

AND HE LEARNS FROM ABSOLUTELY NONE OF THIS!!! with some of the items listed here, he's attempted to do multiple times! Absolute buffoon.

RECKLESS DISREGARD FOR SAFETY OF SELF AND OTHERS

Considering how he was willing to charge into a game that wasn't his own with the awareness that it could permanently kill him, going as far as to recklessly crash into another car (albeit it's possible this was unintentional), it's easy to gather that he doesn't seem to consider anyone's safety at all in the spur of the moment.

IMPULSITIVITY

his impulsivity and disregard for safety both go hand-in-hand. When it gets to a certain point, Turbo's emotions will boil over and blow up in a cold rage, thus causing him to spiral and act on impulse, becoming a detrimental force to himself as well as everyone around him.

What's interesting is how much restraint he is capable of; he typically is very strategic in how he orchestrates his plans! but once he reaches his breaking point, he snaps and leaves all of his hard work behind in favor of something that calls for his immediate attention.

💥 ETC. 💥

extra tidbits i didnt have enough energy to fully delve into :-]

BPD

Fear of abandonment

Blurry sense of identity

Feelings of emptiness

Self destructive tendencies

Emotional instability

Explosive anger

ODD (oppositional defiant disorder)

He seems so infatuated with his own autonomy that he gets to the point of being resistant and defiant

Resisting against the rules of the world that he directly caused as a result of his own actions, being that one shouldn't "go Turbo."

Enjoys upsetting/getting a rise out of others. this is more speculative as i am going off of the assumption that he thinks pissing people off is funny, based on his other behavioral patterns. (cruel sense of humor, wanting to feel above others via control & manipulation, enjoyment of inflicting pain onto others)

Forcefully defends himself and refuses any kind of criticism

Lashes out when he feels slighted

Excessive persistence despite all odds, whether it's beneficial to him or not

ok bye!! thank you if you managed to read this far ^^ peace and love take care of yourself! all in all turbo is so neurodivergent ok please Okay <3 get this thing his meds

[aroaceleovaldez]

Nico and Percy's dynamic through the series is eternally funny to me, because it's just. like.

Percy's having a constant mental struggle between his fatal flaw of loyalty with a promise he made to Bianca to protect Nico, versus his Big 3 kid desire to maim other Big 3 kids / Poseidon descendant urge to totally maim Nico specifically. He hates Nico so so much. He thinks Nico's annoying and weird at best, and creepy/sketchy when he's older. The only positive thoughts Percy has towards Nico are "He's Bianca's brother and Bianca was my friend and I owe her/He's Hazel's brother and Hazel is my friend and would kill me if I was mean to him," "He's a powerful asset and useful ally (if questionable)," and "He's kinda pathetic and I feel maybe a little bad about it." Percy has multiple occasions throughout the series where he strongly considers - and on one occasionally actually goes through with - throttling Nico.

Meanwhile, Nico is following around Percy like a lost puppy. He explicitly can never bring himself to even dislike anything about Percy no matter how hard he tries. He has a whole bit in BoO where he's mentally going "UGH he's so stupid BUT IT'S ENDEARING HOW DARE HE." He's totally smitten. He's making deals with his dad for Percy. He's making convoluted plans to help Percy stand a chance against Kronos. During the entirety of BoTL it's like he's playing tsundere - "I'm helping NOT PERCY SPECIFICALLY with this quest! Me helping Percy would be SILLY because I DEFINITELY HATE HIM." Then he proceeds to show up to Percy's birthday party to basically ask him on a weird date and spend the entire next book scrambling around trying to help him or protect him or impress him. And Percy could not give less of a shit.

Just. That dynamic is so funny to me. Percy is the founder of the Nico Protection Club in that he's the one they're all protecting Nico from and meanwhile Nico is throwing himself at Percy to the point where the literal god of gay love calls him out on it.